Gunn Center Names Drake as New Director

Professor Philip Drake will become the new director of The Gunn Center for the Study of Science Fiction (CSSF) at the University of Kansas it was announced today.  

The center was founded in 1982 by James Gunn (1923-2020), a SFWA Grandmaster. KU Professor Christopher McKitterick superseded him as Director of the CSSF in 2010. KU Professor of English Giselle Anatol replaced McKitterick in 2021, however, for the past year she also has served as Interim Director of the University of Kansas’ Hall Center of the Humanities, an appointment that now has been made permanent.

According to the press release, Professor Drake has a long-time interest in science fiction and speculative fiction. He brings that interest together with his scholarship and teaching in science and technology studies, animal studies, and environmental humanities.

GRANT TO BE CREATED. The Gunn CSSF also reported progress on the establishment of a new grant:

Last year, the Advisory Board gave input on a proposed grant for visiting KU’s considerable SFF collections that are housed in the Spencer Research Library, Watson Library, and the Gunn Center itself. We decided that it would be best to wait to launch that grant until the Gunn Center’s collections are fully catalogued. Our archivist, Mike Johnson, has been working on this project in conjunction with the Open Language Resource Center. We anticipate being able to launch the grant in the 2024-25 academic year.

VIRTUAL BOOK CLUB. The Gunn CSSF also will continue their Virtual Book Club for 2024-25. In order to broaden the audience and increase attendance and engagement, they’re asking for feedback. People are invited to fill out this survey whether or not they’ve attended a session.

STURGEON SYMPOSIUM. The 3rd annual Sturgeon Symposium will take place October 24-25 and focus on the work of Samuel Delany, who is planning to attend.  Proposals for papers are due May 31. The call for papers and other information is here.

2024 World Video Game Hall of Fame Inductees

It’s official! Asteroids, Myst, Resident Evil, SimCity, and Ultima are the 10th class of inductees to join the World Video Game Hall of Fame. The inductees were announced at The Strong National Museum of Play in Rochester, New York, on May 9, where they are on permanent view on the museum’s second floor.

These five games—which have significantly influenced popular culture and the video game industry—emerged from a field of finalists that also included Elite, Guitar Hero, Metroid, Neopets, Tokimeki Memorial, Tony Hawk’s Pro Skater, and You Don’t Know Jack. The games are enshrined in the museum’s World Video Game Hall of Fame rotunda, part of the ESL Digital Worlds exhibit.

About the Inductees:

  • Asteroids
  • Myst
  • Resident Evil
  • SimCity
  • Ultima

Asteroids: Released in 1979, Atari’s Asteroids offered players challenging gameplay, glowing graphics, and intense sound effects in an action-packed space setting. The game quickly supplanted the popular Space Invaders in many arcades and sold more than 70,000 arcade units, becoming Atari’s bestselling coin-operated game. The home version of the game—made available on the Atari 2600—took the game’s popularity to new heights, bringing it into millions of living rooms.

Says Jeremy Saucier, assistant vice president for interpretation and electronic games, “Through endless variants and remakes across dozens of arcade, home, handheld, and mobile platforms, Asteroids made a simple, yet challenging game about blasting rocks into one of the most widely played and influential video games of all time.”

Myst: Released by Broderbund in 1993, Myst welcomed players to a mesmerizing world of mysterious puzzles and haunting vistas. The game harnessed early CD-ROM technology—which offered high storage capacity but slow loading times. The discs paired well with the slow-paced, contemplative style of the game, though, and allowed the creation of an immersive world. Myst became the best-selling computer game in the 1990s, selling more than six million copies.

Says Kristy Hisert, collections manager, “Few other games can match Myst’s ability to open imaginative worlds. It was a work of artistic genius that captured the imagination of an entire generation of computer game players, and its influence can be seen in many of today’s open-world games.”

Resident Evil: Although it wasn’t the first horror video game, Resident Evil (or Biohazard as it was known in Japan) was the first game to popularize the “survival horror” genre. Created by game director Shinji Mikami and released by Capcom in 1996, Resident Evil spawned a billion-dollar media franchise while it helped demonstrate that video games could offer mature entertainment for older teenagers and adults. As of 2022, films based on the Resident Evil franchise have collective grossed more than $1.2 billion.

Says Lindsey Kurano, video game curator, “Resident Evil’s combination of cheesy B-movie dialogue, engrossing gameplay, and chilling suspense made it a favorite of gamers searching for more mature video games, and it helped establish one of gaming’s most enduring franchises.”

SimCityReleased by Maxis in 1989, SimCity helped expand the audience for video games by offering a city building simulator that appealed to adults as much as children. Drawing from real-life principles of urban design, it allowed players to build their own city and respond to ever-changing problems. The game spawned numerous sequels and offshoots—such as World Video Game Hall of Fame inductee The Sims—and influenced the development of many city-building simulation games and even real-time strategy games, like Command and Conquer and Age of Empires.

Says Aryol Prater, research specialist for Black play and culture, “Simulations are some of the oldest forms of video games, but few have had the popularity, influence, or staying power of SimCity. At a time when many people thought of video games in terms of arcade shooters or console platformers, SimCity appealed to players who wanted intellectually stimulating fun on their newly bought personal computers.”

UltimaUltima: The First Age of Darkness helped define the computer role-playing genre. Designed by Richard Garriott and released in 1981, Ultima combined role-playing mechanics, a massive fictional world, and fantasy and science fiction themes. Ultima’s innovative gameplay laid the foundation for one of the most enduring and influential gaming franchises of all time (with eight sequels). Many top game designers credit it with inspiring their later role-playing games, such as Dragon Quest and Final Fantasy.

Says Andrew Borman, director of digital preservation, “Ultima helped define the computer role-playing game genre. Although it may not be a household name, the game, and the series it spawned, are legendary among role-playing game fans and game developers around the world.”

About the World Video Game Hall of Fame: The World Video Game Hall of Fame at The Strong was established in 2015 to recognize individual electronic games of all types—arcade, console, computer, handheld, and mobile—that have enjoyed popularity over a sustained period and have exerted influence on the video game industry or on popular culture and society in general. 

Anyone may nominate a game to the World Video Game Hall of Fame. Final selections are made on the advice of journalists, scholars, and other individuals familiar with the history of video games and their role in society.

 [Based on a press release.]

2024 Anthony Award Nominees

Bouchercon, the world mystery convention, announced the finalists for the 2024 Anthony Awards on Facebook today. Winners will be revealed at the event, being held in Nashville from August 28 – September

BEST HARDCOVER NOVEL

  • All the Sinners Bleed by S.A. Cosby
  • Everybody Knows by Jordan Harper
  • Time’s Undoing by Cheryl A. Head
  • Face of Greed by James L’Etoile
  • The Last Devil to Die by Richard Osman

BEST PAPERBACK NOVEL

  • No Home for Killers by E.A. Aymar
  • Hide by Tracy Clark
  • Because the Night by James D.F. Hannah
  • The Taken Ones by Jess Lourey
  • Magic City Blues by Bobby Matthews
  • Lowdown Road by Scott Von Doviak

BEST FIRST NOVEL

  • The Peacock and the Sparrow by I.S. Berry
  • Play the Fool by Lina Chern
  • Scorched Grace by Margot Douaihy
  • Mother-Daughter Murder Night by Nina Simon
  • City Under One Roof by Iris Yamashita

BEST CHILDREN’S/YA

  • Finney and the Secret Tunnel by Jamie Lane Barber
  • Myrtle, Means, and Opportunity by Elizabeth C. Bunch
  • The Sasquatch of Hawthorne Elementary by K.B. Jackson
  • The Mystery of the Radcliffe Riddle by Taryn Souders
  • Enola Holmes and the Mark of the Mongoose by Nancy Springer

BEST CRITICAL/NONFICTION

  • Finders: Justice, Faith, and Identity in Irish Crime Fiction by Anjili Babbar
  • Spillane: King of Pulp Fiction by Max Allan Collins and James L. Traylor
  • A Mystery of Mysteries: The Death and Life of Edgar Allan Poe by Mark Dawidziak
  • A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them by Timothy Egan
  • Fallen Angel: The Life of Edgar Allan Poe by Robert Morgan
  • Agatha Christie, She Watched: One Woman’s Plot to Watch 201 Christie Adaptations Without Murdering the Director, Screenwriter, Cast, or Her Husband by Teresa Peschel
  • Love Me Fierce In Danger – The Life of James Ellroy by Steven Powell

BEST ANTHOLOGY/COLLECTION

  • School of Hard Knox, edited by Donna Andrews, Greg Herren, and Art Taylor
  • Here in the Dark: Stories by Meagan Luca
  • Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of The Beatles, edited by Josh Pachter
  • The Adventure of the Castle Thief and Other Expeditions and Indiscretions by Art Taylor
  • Killin’ Time in San Diego: Bouchercon Anthology 2023, edited by Holly West

BEST SHORT STORY

  • “Real Courage” by Barb Goffman
  • “Knock” by James D.F. Hannah
  • “Green and California Bound” by Curtis Ippolito
  • “Ticket to Ride” by Dru Ann Love and Kristopher Zgorski
  • “Tell Me No Lies” by Holly West

Pixel Scroll 5/9/24 When Pixel Filed, And Scroll Span, Who Then Melted Jack Dann?

(1) PARDON MY WTF. “Apple Apologizes for iPad Pro Ad After Criticism”The Hollywood Reporter explains why they need to. (Though they can’t be too sorry because the kerfuffle has helped the ad draw 53 million views.)

Apple is apologizing for an iPad Pro ad that was widely criticized when it debuted earlier this week.

The dystopian spot, titled “Crush,” shows several instruments, including a guitar and piano, being crushed by a hydraulic press. Also among the items being smashed flat are balls that look like emojis and an Angry Birds statue….

Apple CEO Tim Cook posted the spot on X (formerly Twitter) on Tuesday (it also was posted on YouTube). His post and the YouTube video are still up, but the spot won’t run on TV, according to Ad Age.

“Meet the new iPad Pro: the thinnest product we’ve ever created, the most advanced display we’ve ever produced, with the incredible power of the M4 chip. Just imagine all the things it’ll be used to create,” Cook wrote….

[One of the many negative comments was,] “Crushing symbols of human creativity and cultural achievements to appeal to pro creators, nice. Maybe for the next Apple Watch Pro you should crush sports equipment, show a robot running faster than a man, then turn to the camera and say, ‘God is dead and we have killed him.’”

(2) KGB. Ellen Datlow has posted photos from Wednesday night’s Fantastic Fiction at KGB session where John Wiswell and Anya Johanna DeNiro read from their recent novels.

(3) CHOOSING CONVENTIONS. The new episode of Mur Lafferty’s I Should Be Writing podcast is “Conquering Conventions; Crafting Confidence”. (There’s also an excellent transcript available – yay!)

In this episode, she shares her experiences and insights on convention attendance, from choosing the right ones to the art of mingling without the cringe. Plus, she tackles the ever-present concern of COVID safety in crowded spaces.

Whether you’re a cosplayer or a casual attendee, Mur advises on how to present yourself professionally, connect with industry pros, and enjoy the con experience while staying true to your comfort level. And for those not ready to dive back into the physical con scene, she discusses the merits of virtual conventions and how they can be a great alternative.

(4) LEVAR READS RAY. LeVar Burton Reads “The Toynbee Convector” © 1983 by Ray Bradbury in his latest podcast.

The world’s only time traveler finally reveals his secrets.

(5) ‘THE HUNT FOR GOLLUM’. “New ‘Lord of the Rings’ Movie Coming in 2026, Andy Serkis Directing”Variety has the story.

Warner Bros. will release the first of its new batch of live-action “The Lord of the Rings” films in 2026, which will focus on Andy Serkis’ Gollum.

Original “The Lord of the Rings” trilogy filmmaker Peter Jackson and his partners Fran Walsh and Philippa Boyens are producing the movie and “will be involved every step of the way,” Warner Bros. Discovery CEO David Zaslav said during an earnings call Thursday.

The project is currently in the early stages of script development from writers Walsh and Boyens, along with Phoebe Gittins and Arty Papageorgiou, and will “explore storylines yet to be told,” Zaslav said.

In a press release from Warner Bros. later Thursday morning, the studio revealed that the working title for the film is “Lord of the Rings: The Hunt for Gollum,” and it will be directed by and star Serkis in his iconic titular role….

…A separate, animated Middle-earth movie, “The Lord of the Rings: The War of the Rohirrim,” is due on Dec. 13 via Warner Bros. and director Kenji Kamiyama. That movie is set 200 years before the events of “The Hobbit.”…

(6) OCTOTHORPE. In episode 109 of the Octothorpe podcast, “But Also a Worrying One”, John Coxon is middle, Alison Scott is even sadder, and Liz Batty is sorry.

We have a bumper mailbag in Octothorpe 109, and we continue our discussion about accessibility in Eastercon before segueing into a discussion of money and privilege with respect to conventions. We also mention the latest news out of Chengdu. Massive thanks to Ulrika O’Brien for the gorgeous cover art this week!

The background is a starry, lightning-filled square in blues, purples, and yellows. Atop that, there is a spaceship, somewhat like a rocket, with engines coming out of the sides. There are yellow lights shining from it, and a ladder reaches up to a central archway. John, Alison and Liz are depicted as silhouettes, regarding it with wonder. Their shadows stretch off the canvas, and they look faintly alien or futuristic in a hard-to-define manner.

(7) SERLING’S TRUNK STORY. “A short story by The Twilight Zone’s Rod Serling is published for the first time” reports NPR.

…Not long after he returned from the war in 1946, Serling attended Antioch College on the G.I. bill. There, in his early 20s, he penned “First Squad, First Platoon,” a short story which is being published for the first time Thursday in The Strand. It was one of his earliest stories, starting a writing career that Serling once said helped him get the war “out of his gut.”

“It was like an exercise for him to deal with the demons of war and fear,” said his daughter, Jodi Serling. “And he sort of turned it into fiction, although there was a lot of truth to it.”

The story is set on Leyte Island in “heavy jungle foliage” and a “hostile rain that caked mud on weapons, uniforms, equipment.” Each of the five chapters in the 11,000-word story is about a different soldier and how they died….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 9, 1936 Albert Finney. (Died 2019.) I’m very, very fond of British performers and among them is Albert Finney. So let’s look at the career of this most talent actor.

His first genre performance is as Ebenezer Scrooge in Scrooge. Scrooge is my favorite Albert Finney film and it is benefitted immensely by the many extraordinary strong performances by actors like him. To give a good sense of him in that role, I feel obligated to show him in his full Victorian regalia. 

That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. Wolfen to me is the perfect werewolf film as it is a police procedural firmly within the horror genre. His character here Detective Dewey Wilson along with Diane Venora as Detective Rebecca Neff unraveled the grisly murders that turn-out to be based in First Folk reality. 

He plays Edward Bloom, Sr. Big Fish in the wonderful Big Fish. He’s central character here.  He is a story-teller but his only son, Will, doesn’t enjoy them because he believes they are simply not true. Of course, they are, but they’re just exaggerated. Or are they being so? 

He voices Finis Everglot in Corpse Bride. Now I’d love to tell how he was in that role but I’ll confess and say that I’ve not see that film as I am not a big fan of Tim Burton’s animated work at all. 

He was Kincade in Skyfall. He’s the gamekeeper of Skyfall Lodge and the ancestral Bond family estate in Scotland. He’s got a major role in that film.

He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. He’s the somewhat inebriated owner and landlord of The Green Man, an inn that he says is haunted by ghosts.  He tells tales of these to scare guests as it amuses, or trying to seduce them to no avail as he’s not at all handsome. But it may be that The Green Man is truly haunted and those ghosts are happy with him…  it’s a great role for him and he play it quite well.

Lastly, I’ll wrap up with Murder on the Orient Express, the 1974 version. I have that poster, an original, not a reproduction, framed and hanging here as I truly love this film. Christie, who lived just long enough to see the film get released and be a box office success, said that Murder on the Orient Express and Witness for the Prosecution were the only movie versions of her books that she liked although she expressed disappointment with Poirot’s moustache as depicted here was far from the creation she had detailed in her mysteries.

She’s misremembering her detailing of that moustache which I confirmed checking the many such novels I have on hand in Apple Books. Most novels have no detailed description at all, and this in The Mysterious Affair at Styles  being typical: “Poirot seized his hat, gave a ferocious twist to his moustache, and, carefully brushing an imaginary speck of dust from his sleeve, motioned me to precede him down the stairs; there we joined the detectives and set out for Styles.”

Finney made a most excellent Poirot though many later critics compared him to David Souchet who they consider the definitive version of the character. I always wondered what Dame Christie would have thought of Souchet.  

(9) COMICS SECTION.

  • Free Range might not be teaching what the student wants to learn.
  • Carpe Diem has an unexpected Egyptian traffic sign.
  • Heathcliff’s latest in a week-long series of guest appearances comes from Star Wars.
  • Nathan W. Pyle emphathizes with creators.

(10) GLIMPSE THE NEXT CHAPTER OF NEIL GAIMAN AND MARK BUCKINGHAM’S GROUNDBREAKING MIRACLEMAN SAGA. Miracleman By Gaiman & Buckingham: The Silver Age #1-7 is now available as a complete collection. Catch a glimpse of the action in the new trailer, featuring artwork from all seven issues.

In THE SILVER AGE, Miracleman has created a utopia on Earth where gods walk among men and men have become gods. But when his long-dead friend Young Miracleman is resurrected, Miracleman finds that not everyone is ready for his brave new world! The story that ensues fractures the Miracleman Family and sends Young Miracleman on a stirring quest to understand this world — and himself. It’s a touching exploration of the hero’s journey that ranges from the top of the Himalayas to the realm of the towering Black Warpsmiths — and into the secret past of the Miracleman Family!

 (11) X-MEN ONE-DAY SPECIAL ON LEARNEDLEAGUE. [Item by David Goldfarb.] LearnedLeague just had a One-Day Special quiz about the X-Men. It focused more on the comic books than the various adaptations, which suited me just fine. I’m currently scored at 11/12, but I’ve submitted an appeal on the one answer where I was marked wrong. We’ll see if that goes through.

You can find the questions behind this link, although nearly all of them have pictures that people who aren’t LL members won’t be able to see. None of the pictures are absolutely necessary, but at least a couple of them have valuable clues.

(12) VIDEO GAME ANIMATION INSIGHTS. “’Harold Halibut’ brings with handmade charm and stop motion inspirations” on NPR’s “Here and Now”.

“Harold Halibut” is a new sci-fi video game set in an underwater space colony. But it’s got a novel look; all of the characters and sets in the game were made by hand, then 3D scanned and animated digitally….

(13) BRAINS DON’T GROW ON TREES. [Item by Mike Kennedy.] 1 cu. mm of brain tissue. 5000 slices. 23 cm of blood vessels. 57,000 cells. 150,000,000 neural connections. Lots of surprises. The Guardian reports “Scientists find 57,000 cells and 150m neural connections in tiny sample of human brain”.

… “The aim was to get a high resolution view of this most mysterious piece of biology that each of us carries around on our shoulders,” said Jeff Lichtman, a professor of molecular and cellular biology at Harvard. “The reason we haven’t done it before is that it is damn challenging. It really was enormously hard to do this.”

Having sliced the tissue into wafers less than 1,000 times thinner than the width of a human hair, the researchers took electron microscope images of each to capture details of brain structure down to the nanoscale, or thousandths of a millimetre. A machine-learning algorithm then traced the paths of neurons and other cells through the individual sections, a painstaking process that would have taken humans years. The images comprised 1.4 petabytes of data, equivalent to 14,000 full length, 4k resolution movies.

“We found many things in this dataset that are not in the textbooks,” said Lichtman. “We don’t understand those things, but I can tell you they suggest there’s a chasm between what we already know and what we need to know.”

In one baffling observation, so-called pyramidal neurons, which have large branches called dendrites protruding from their bases, displayed a curious symmetry, with some facing forwards and others backwards. Other images revealed tight whorls of axons, the thin fibres that carry signals from one brain cell to another, as if they had become stuck on a roundabout before identifying the right exit and proceeding on their way…

(14) INSULIN PUMP ISSUE. “FDA Warns on Insulin Pump Problem” at MedPage Today. “This has been a plot point in several movies and tv shows lately,” says Chris Barkley.

A mobile app used with an insulin pump that led to 224 injuries was recalled by Tandem Diabetes Care, the FDA announced today.

The recall is for the 2.7 version of the Apple iOS t:connect mobile app, used in conjunction with t:slim X2 insulin pump with Control-IQ technology, the agency said.

The FDA identified the action as a Class I recall, the most serious type. The recall is a correction, not a product removal, and was prompted by a software glitch that may cause the pump battery to drain sooner than expected. Users are being urged to update the app to the latest software….

(15) VIDEO OF THE DAY. Adam Savage tells “How Star Wars: Ahsoka’s Jedi Shuttle Filming Model Was Made!”

During the production of Star Wars: Ahsoka, Adam Savage visited the miniatures filming stage set up at Lucasfilm to watch the practical model of Ahsoka’s T-6 Jedi Shuttle being filmed. Modelmaker John Goodson and machinist Dan Patrascu spent four months building the 30-inch model of that T-6 ship for the show–an incredible hero ship model not only equipped with lights, but was fully mechanized with a rotating wing!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

2024 Locus Award Finalists

The Locus Science Fiction Foundation today announced the top ten finalists in each category of the 2024 Locus Awards, chosen by voting on an open public ballot.

The Locus Awards winners will be announced June 22, 2024, during the in-person Locus Awards Ceremony in Oakland, California with MC Henry Lien and special guest Connie Willis.  

The top ten finalists in each category are:

SCIENCE FICTION NOVEL

  • The Jinn-Bot of Shantiport, Samit Basu (Tordotcom)
  • A Fire Born of Exile, Aliette de Bodard (Gollancz; JAB Books)
  • Red Team Blues, Cory Doctorow (Tor; Ad Astra)
  • Furious Heaven, Kate Elliott (Ad Astra; Tor)
  • Translation State, Ann Leckie (Orbit US; Orbit UK)
  • The Terraformers, Annalee Newitz (Tor; Orbit UK)
  • Starter Villain, John Scalzi (Tor; Tor UK)
  • Lords of Uncreation, Adrian Tchaikovsky (Orbit US; Tor UK)
  • System Collapse, Martha Wells (Tordotcom)
  • The Road to Roswell, Connie Willis (Del Rey)

FANTASY NOVEL

  • To Shape a Dragon’s Breath, Moniquill Blackgoose (Del Rey)
  • The Keeper’s Six, Kate Elliott (Tordotcom)
  • Emily Wilde’s Encyclopaedia of Faeries, Heather Fawcett (Del Rey; Orbit UK)
  • Dead Country, Max Gladstone (Tordotcom)
  • The Water Outlaws, S.L. Huang (Tordotcom; Solaris UK)
  • Paladin’s Faith, T. Kingfisher (Argyll)
  • He Who Drowned the World, Shelley Parker-Chan (Tor; Mantle)
  • My Brother’s Keeper, Tim Powers (Baen; Ad Astra)
  • City of Last Chances, Adrian Tchaikovsky (Ad Astra)
  • Witch King, Martha Wells (Tordotcom)

HORROR NOVEL

  • Vampires of El Norte, Isabel Cañas (Berkley)
  • The Reformatory, Tananarive Due (Saga; Titan UK)
  • A Haunting on the Hill, Elizabeth Hand (Mulholland; Sphere)
  • Starling House, Alix E. Harrow (Tor; Tor UK)
  • How to Sell a Haunted House, Grady Hendrix (Berkley; Titan UK)
  • Don’t Fear the Reaper, Stephen Graham Jones (Saga; Titan UK)
  • A House with Good Bones, T. Kingfisher (Nightfire; Titan UK)
  • Lone Women, Victor LaValle (One World)
  • Silver Nitrate, Silvia Moreno-Garcia (Del Rey; Jo Fletcher)
  • Black River Orchard, Chuck Wendig (Del Rey; Del Rey UK)

YOUNG ADULT NOVEL

  • Promises Stronger Than Darkness, Charlie Jane Anders (Tor Teen; Titan UK)
  • The Making of Yolanda la Bruja, Lorraine Avila (Levine Querido)
  • Damned If You Do, Alex Brown (Page Street)
  • A Song of Salvation, Alechia Dow (Inkyard)
  • The Library of Broken Worlds, Alaya Dawn Johnson (Scholastic; Magpie UK)
  • The Sinister Booksellers of Bath, Garth Nix (Tegen; Gollancz)
  • Into the Light, Mark Oshiro (Tor Teen)
  • Divine Rivals, Rebecca Ross (Wednesday; Magpie UK)
  • The Siren, the Song, and the Spy, Maggie Tokuda-Hall (Candlewick)
  • The Spirit Bares Its Teeth, Andrew Joseph White (Peachtree Teen)

FIRST NOVEL

  • Chain-Gang All-Stars, Nana Kwame Adjei-Brenyah (Pantheon)
  • The Strange, Nathan Ballingrud (Saga; Titan UK)
  • The Saint of Bright Doors, Vajra Chandrasekera (Tordotcom)
  • Threads That Bind, Kika Hatzopoulou (Razorbill; Penguin UK)
  • These Burning Stars, Bethany Jacobs (Orbit US; Orbit UK)
  • Godkiller, Hannah Kaner (Harper Voyager UK; Harper Voyager US)
  • The Marigold, Andrew F. Sullivan (ECW)
  • Shigidi and the Brass Head of Obalufon, Wole Talabi (DAW; Gollancz)
  • Some Desperate Glory, Emily Tesh (Tordotcom; Orbit UK)
  • Ink Blood Sister Scribe, Emma Törzs (Morrow; Century)

NOVELLA

  • The Crane Husband, Kelly Barnhill (Tordotcom)
  • The Last Dragoners of Bowbazar, Indra Das (Subterranean)
  • “Linghun”, Ai Jiang (Linghun)
  • The Salt Grows Heavy, Cassandra Khaw (Nightfire; Titan UK)
  • Thornhedge, T. Kingfisher (Tor; Titan UK)
  • Rose/House, Arkady Martine (Subterranean)
  • Lost in the Moment and Found, Seanan McGuire (Tor)
  • The Mimicking of Known Successes, Malka Older (Tordotcom)
  • The Lies of the Ajungo, Moses Ose Utomi (Tordotcom)
  • Mammoths at the Gates, Nghi Vo (Tordotcom)

NOVELETTE

  • “What I Remember of Oresha Moon Dragon Devshrata”, P. Djèlí Clark (The Book of Witches)
  • “John Hollowback and the Witch”, Amal El-Mohtar (The Book of Witches)
  • I AM AI, Ai Jiang (Shortwave)
  • The Year Without Sunshine“, Naomi Kritzer (Uncanny 11-12/23)
  • “Prince Hat Underground”, Kelly Link (White Cat, Black Dog)
  • “At Every Door a Ghost”, Premee Mohamed (Communications Breakdown)
  • The Rainbow Bank“, Uchechukwu Nwaka (GigaNotoSaurus 8/23)
  • One Man’s Treasure“, Sarah Pinsker (Uncanny 1-2/23)
  • Six Versions of My Brother Found Under a Bridge“, Eugenia Triantafyllou (Uncanny 9-10/23)
  • On the Fox Roads“, Nghi Vo (Tor.com 10/31/23)

SHORT STORY

ANTHOLOGY

  • The Best Science Fiction of the Year: Volume 7, Neil Clarke, ed. (Night Shade)
  • Christmas and Other Horrors, Ellen Datlow, ed. (Titan UK)
  • The Year’s Best African Speculative Fiction (2022), Oghenechovwe Donald Ekpeki & Eugen Bacon & Milton Davis, eds. (Caezic)
  • Never Whistle at Night, Shane Hawk & Theodore C. Van Alst Jr., eds. (Vintage)
  • The Best American Science Fiction and Fantasy 2023, R.F. Kuang & John Joseph Adams, eds. (Mariner)
  • Out There Screaming, Jordan Peele & John Joseph Adams, eds. (Random House; Picador)
  • New Suns 2, Nisi Shawl, ed. (Solaris UK)
  • The Book of Witches, Jonathan Strahan, ed. (Harper Voyager US; Harper Voyager UK)
  • Mothersound: The Sauútiverse Anthology, Wole Talabi, ed. (Android)
  • The Best of World SF: Volume 3, Lavie Tidhar, ed. (Ad Astra)

COLLECTION

  • The Essential Peter S. Beagle, Volumes 1 & 2, Peter S. Beagle (Tachyon)
  • Zen and the Art of Starship Maintenance and Other Stories, Tobias S. Buckell (Apex)
  • The Wishing Pool and Other Stories, Tananarive Due (Akashic)
  • White Cat, Black Dog, Kelly Link (Random House; Ad Astra)
  • No One Will Come Back For Us, Premee Mohamed (Undertow)
  • Jackal, Jackal, Tobi Ogundiran (Undertow)
  • Skin Thief, Suzan Palumbo (Neon Hemlock)
  • Lost Places, Sarah Pinsker (Small Beer)
  • The Best of Michael Swanwick, Volume Two, Michael Swanwick (Subterranean)
  • The Best of Catherynne M. Valente, Volume One, Catherynne M. Valente (Subterranean)

MAGAZINE

  • Analog
  • Asimov’s
  • Beneath Ceaseless Skies
  • Clarkesworld
  • F&SF
  • FIYAH
  • khōréō
  • Strange Horizons
  • Tor.com
  • Uncanny

PUBLISHER

  • Angry Robot
  • DAW
  • Gollancz
  • Neon Hemlock
  • Orbit
  • Small Beer
  • Subterranean
  • Tachyon
  • Tor
  • Tordotcom

EDITOR

  • Neil Clarke
  • Ellen Datlow
  • Oghenechovwe Donald Ekpeki
  • Arley Sorg & Christie Yant
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Sheree Renée Thomas
  • E. Catherine Tobler
  • Ann & Jeff VanderMeer
  • Sheila Williams

ARTIST

  • Brom
  • Rovina Cai
  • Kinuko Y. Craft
  • Julie Dillon
  • Bob Eggleton
  • Abigail Larson
  • John Picacio
  • Charles Vess
  • Michael Whelan
  • Alyssa Winans

NON-FICTION

  • The Fiction Writer’s Guide to Alternate History, Jack Dann (Bloomsbury Academic)
  • 42: The Wildly Improbable Ideas of Douglas Adams, Kevin Jon Davies, ed. (Unbound UK)
  • Wish I Was Here: An Anti-Memoir, M. John Harrison (Serpent’s Tail; Saga 2024)
  • All These Worlds, Niall Harrison (Briardene)
  • 101 Horror Books to Read Before You’re Murdered, Sadie Hartmann (Page Street Publishing)
  • Space Crone, Ursula K. Le Guin (Silver)
  • Ex Marginalia: Essays on Writing Speculative Fiction by Persons of Color, Chinelo Onwualu, ed. (Hydra House Books)
  • A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, Maureen Kincaid Speller (Academia Lunare)
  • Owning the Unknown: A Science Fiction Writer Explores Atheism, Agnosticism, and the Idea of God, Robert Charles Wilson (Pitchstone)
  • Being Michael Swanwick, Alvaro Zinos-Amaro (Fairwood)

ILLUSTRATED AND ART BOOK

  • The Culture: The Drawings, Iain M. Banks (Orbit US; Orbit UK)
  • Home to Stay! The Complete Ray Bradbury EC Stories, Ray Bradbury, adapted by Al Feldstein, art by Jack Davis, Frank Frazetta, Al Williamson, Wallace Wood, et al. (Fantagraphics)
  • The Pen & Ink Drawings of Tony DiTerlizzi, Tony DiTerlizzi (self-published)
  • Spectrum Fantastic Art Quarterly, Volume Three, Cathy Fenner & Arnie Fenner, eds. (Spectrum Fantastic Art)
  • The Fantastic Worlds of Frank Frazetta, Dian Hanson, ed., art by Frank Frazetta (Taschen)
  • The Last Count of Monte Cristo, Ayize Jama-Everett, art by Tristan Roach (Megascope)
  • Voyaging, Volume One: The Plague Star, George R.R. Martin, art and adaptation by Raya Golden (Ten Speed Graphic)
  • Thalamus, Volumes 1 & 2: The Art of Dave McKean, Dave McKean (Dark Horse)
  • Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe (Abrams)
  • Afrofuturism: A History of Black Futures, Kevin M. Strait & Kinshasha Holman Conwill, eds. (Smithsonian)

[Based on a press release.]

Warner Holme Review: Martha Wells’ City of Bones

City of Bones by Martha Wells (Originally published in 1995; revised edition from Tordotcom in 2023)

Review by Warner Holme: Martha Wells’ City of Bones is an early entry in the bibliography of a woman who has become a major name in science fiction and fantasy today. Having bounced briefly between publishers, even the introduction’s note that it started out at Tor Books decades ago and ended up at Tordotcom is amusing.

The book handles Fallen World fantasy better than most, giving clear depictions of science that might be magic and Magic that might be science in turn. Certain elements might even fit into the Lovecraft-lite genres, although influence could just as if not more likely be taken from Raiders of the Lost Ark. At the same time, and in spite of certain implications to the contrary, it never flirts with being the particular kind of post-apocalypse one might find in Vampire Hunter D or The Chronicles of Shannara

Much of the volume centers around an individual named Khat. In what will surely feel like it was echoed with the Murderbot Diaries, he is a member of a species or race, the line is left somewhat ambiguous, who works in recovering and selling relics wild part of the lower class of the City of Charisat. Wild pieces of the world are explained in a slow and steady way that seems natural to the narrative, it’s still manages to pretty quickly build up the fact that whether magical or machines there are a variety of relics considered powerful, some of them actually so and others seemingly more symbolically or out of assumption.

A character given almost as much time but, amusingly, no mention in the advertising matter is Elen. She serves as part of a particular group known as Warders, and spends a fair amount of it accompanying Khat in an effort to discover a series of powerful artifacts that seem likely to be used to create something known as an “arcane engine” which has the highest echelons of the city more than a little curious about their potential. Fitting in with a common trope to a certain era of fantasy, Elen is the first woman Warder. She has confidence issues, while also understanding that the reason there aren’t more of them has a lot to do with the fact the people in the selection process are all men and few seem to have a desire to elevate women.

This small detail combines with others in a way that will help readers see an early example of the cultural criticism which Martha Wells has so readily incorporated into her work. Still it feels well built into this setting, and women with power are certainly present in different forms. Questions of class and cultural bias, down to certain disturbing details for the lives of minorities considered “exotic” all play roles in the pages.

The new edition by Tordotcom is a somewhat revised and expanded version and compared to what came before us slightly more polished though never strays from feeling like a relatively early work by a well-known author. The stylistic flares, a particular love for worlds that feel subtly or wholly culturally influenced by real world regions, and the use of not quite human characters to demonstrate human foibles are just the least amongst these.

Fans of Martha Wells should of course pick up this book. It’s a delightful early example of her material, updated and revised in a way that could make it seen as something of the author’s preferred text. While there is a short new author’s note and about the author section, this is not by any means an annotated volume which will reveal vast new secrets to the reader.

Pixel Scroll 5/8/24 Ansible And Grendel

(1) TOMLINSON AND ROBINSON SUE MILWAUKEE. In February, Patrick Tomlinson and his partner, Niki Robinson filed a lawsuit against the City of Milwaukee over the multiple instances of swatting: “Robinson v. City of Milwaukee, 2:24-cv-00264”. At the link you can download (free) the original and amended complaints.

The amended complaint filed May 1 details several experiences with swatting, and in addition to the City of Milwaukee names 10 police officers as defendants. Here is an excerpt:

1. Niki Robinson and Patrick Tomlinson are the targets of a vicious campaign of domestic terrorism, carried out at the hands of a group of bullies who hide behind the anonymity of the internet.

2. The bullies’ main weapon of choice is something called “swatting,” which is when someone who wants to endanger the life and safety of another calls 911 and lies to provoke a dangerous police response to the victim’s home….

…11. Niki and Patrick have tried to work with the City of Milwaukee to stop this, but the City of Milwaukee failed to adopt a policy or train its officers on how to prevent Niki and Patrick’s stalkers from using the police department as a tool of terror.

12. And while many of the police officers who have responded to Patrick and Niki’s home have been kind, understanding, and compassionate, others have not.

13. The worst offender is Sergeant Lyndon Evans.

14. On three occasions, Sergeant Evans responded to a swatting call with abuse and violence.

15. Sergeant Evans told Niki and Patrick that he was “well aware” of the situation, but still demanded to be let inside their home, going so far as to threaten to break down the front door if he was not allowed inside.

16. Niki and Patrick live in a constant state of fear, worried that the next encounter they have with the police will be their last.

17. Every knock on the door or police car that drives by leaves them terrified that they are about to be staring down an officer’s gun or that they will be paraded outside in handcuffs to their further humiliation.

18. This lawsuit seeks to end the madness and vindicate the violation of Plaintiffs’ constitutional rights. It seeks to effect change through punitive damages by punishing the Defendants for their egregious conduct with the hope that the punishment is significant enough to prevent this from happening again in the future…

(2) SPACE COMMAND ARRIVES. “Crowdfunded ‘Space Command: Redemption’ Released, Features Star Trek’s Doug Jones, Robert Picardo & More” at TrekMovie.com.

A dozen years after its first crowdfunding campaign, the first installment of Marc Scott Zicree’s Space Command has been released, with several Star Trek actors in the cast. “Space Command: Redemption” is out now on Tubi, VOD, and physical media, with more installments from the series in the works.

Space Command is a sci-fi series inspired by Star Trek. The ensemble cast for “Space Command: Redemption” features Star Trek: Discovery’s Doug Jones in a leading role. Other franchise stars include Robert Picardo (Voyager), Armin Shimerman (Deep Space Nine), Faran Tahir (J.J. Abrams’ Star Trek), and the late Nichelle Nichols (TOS). The cast also includes several Babylon 5 stars including Bill Mumy,  Bruce Boxleitner, and the late Mira Furlan….

(3) I, THE JURY. Alec Nevala-Lee shared with Facebook readers that he was part of a Pulitzer Prize jury this year.  

Now that the list of winners has been announced, I can reveal a very cool fact: I served on the jury for the 2024 Pulitzer Prize for Biography! I spent much of last year reading through dozens of books with four other jurors, and I’m delighted to finally share the titles we chose: KING by Jonathan Eig, MASTER SLAVE HUSBAND WIFE by Ilyon Woo, and LARRY MCMURTRY by Tracy Daugherty.

(4) SFF POETS TAKE UP AI ISSUE. The Science Fiction & Fantasy Poetry Association (SFPA) Executive Committee and key volunteers have put together two options for the SFPA to adopt as its policy regarding works derived from generative tools (including AI, large language models, etc).

Members have been sent an introductory statement and have until May 22 to vote for one of three options: 

  1. A limited AI ban
  2. A complete AI ban
  3. Neither statement

(5) ADVANCED RELEASE OF NOAF HUGO VOTER PACKET SUBMISSION.  The Nerds of a Feather 2024 Hugo Packet and Introduction can be downloaded at the link. It’s available in PDF and EPUB formats.

The Voter’s Packet for the Hugo Awards will be released shortly and made available to all members of Glasgow Worldcon. As is traditional, Nerds of a Feather has put together a compilation of what we feel represents the best and the breadth of our collective work published in 2023. While the purpose of the Voter’s Packet is to help eligible voters make an informed decision when casting their ballots, we are also making the packet available to all of our readers who may want to take a look back at what we did last year…. 

(6) BLIND LEADING THE BLIND? A highly skeptical Philip Athans says “Beware Of Friends Bearing Feedback” at Fantasy Author’s Handbook.

…If you have a trusted beta reader, someone who you know knows books, knows story, knows the genre you’re writing in, and you know that person to be smart and creative, capable of giving you solid advice, then wow—congratulations. Hold that person close. Give them gifts of frankincense and myrrh.

But unfortunately, most of the people we know can not reasonably be described in such glowing terms. I wish I could remember who it was, decades ago that, in a documentary about screenwriting, described the focus group as:

The uninformed reporting on the unknowable to the unimaginative.

…but that pretty much nails it. And what are beta readers or our writers group friends but a focus group? In Story Trumps Structure, Steven James wrote on the subject of beta readers:

I can’t think of any other field in which people who aren’t experts critique other people who aren’t experts in the hope of everyone becoming an expert.

Yes, people chosen at random or from a pool of friends and family may have opinions, but do they have informed  opinions? And if they say something akin to “I didn’t get it,” “I liked it, I guess,” “It was really creative!” and so on (you know you’ve seen stuff like this) sans detail or actionable advice, well… does that help?…

(7) FIVE UNEASY PIECES. Maya St. Clair makes a confession and reviews a hard-to-forget New Wave anthology in “FIVE FATES: Sci-Fi’s Nightmare Blunt Rotation”.

I’m in a weird place professionally. To get a job in publishing, it’s pretty much imperative that you stay abreast of recent trends and read voraciously from current frontlist books. And I certainly try. But left to my own devices, I inevitably end up crawling back to New Wave sci-fi like a starving flatworm whose only brain cell yearns for stream-of-consciousness novellas about interdimensional alien sex written fifty years ago by chainsmokers in dagger-collared shirts.

If you share my foibles, or if you’re simply in a reading rut, you’d be hard-pressed to find something more exciting than Five Fates. Not only does it boast a sci-fi supergroup (Frank Herbert, Harlan Ellison, Poul Anderson, Gordon Dickson, and Keith Laumer), it provides a fascinating snapshot of where speculative fiction was “at” during a pivotal moment of the genre’s history….

Five Fates, published in 1970, positions itself firmly in this mindfuck vein of the New Wave. Per the jacket copy, it’s “one of the most bizarre and original fictional concepts ever created,” a showcase opportunity for five of spec fic’s foremost writers to go absolutely wild. Its biggest names are red-hot at the time of publication: Frank Herbert has just finished Dune Messiah, and Harlan Ellison is in the midst of his decade-long, nearly-unbroken Hugo streak (he’s hard at work, the back cover informs us, on Again, Dangerous Visions.)

The central concept of Five Fates is this: all five contributors were sent the same disturbing prompt — in some dystopic world, a man named William Bailey is admitted to a Euthanasia Center and killed. The surrounding questions — how did he get there? how did society descend to this point? is there an afterlife? — are left up to the writers to flesh out. Each of the five resulting novelettes (which average around 30 pages) offers a vastly different concept, style, and literary goal. It’s a literary blunt rotation/samsara, a hallucinogenic journey that produces several great tales and one masterpiece….

(8) AI LIKES MIKE. Reason set the AI program Grok the task of reviewing a Heinlein book: “Review: ‘The Moon Is a Harsh Mistress’ Highlights Technology’s Role in Freedom”. Grok homed in on the book’s supercomputer character. The full two-paragraph review is at the link. Here’s the introduction:

For Reason’s June 2024 special issue on AI, all of our brief reviews involve AI in some form or another. Of course, we decided to ask an AI to write one of the reviews. Since X’s AI is named Grok, after the term coined by sci-fi author Robert Heinlein in Stranger in a Strange Land, it was only natural that we’d ask Grok to write a review of another Heinlein novel, The Moon Is a Harsh Mistress. See what Grok wrote for us below….

(9) RTD ON THE RADIO. The Planetary Society’s Planetary Radio did a “TARDIS Talk: Space, Time, and ‘Doctor Who’ with Russell T. Davies”. Hear the audio on YouTube.

This week on Planetary Radio, we celebrate the longest-running science fiction show in history, “Doctor Who.” We explore how this iconic series has influenced the scientific community and look forward to the new season of the show with Russell T. Davies, the past and present showrunner of “Doctor Who.” Then, space fans from around the world share how the show has impacted their lives and space careers. We close out with Bruce Betts, our chief scientist, as we discuss what we would do with a time machine in What’s Up.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 8, 1940 Peter Benchley. (Died 2006.) Yes, Peter Benchley, the writer responsible for Jaws. I’ll get to that in a minute. Really I will. Trust me.

Although Jaws is what he’s best remembered for, his work that has been adapted for film and television includes genre: BeastCreatureThe DeepThe Island and White Shark. He has one film work of interest at least to me that’s non-genre, Mrs. Parker and the Vicious Circle, about writer Dorothy Parker and the members of the Algonquin Round Table. 

Peter Benchley

So, let’s look at some of his novels other than JawsJaws was his first and his second was a more or less an adventure genre novel, The Deep, of treasure hunters who discover Spanish treasure. Well and drugs. Then it gets complicated. Columbia Pictures purchased the rights to it even before its publication, hiring Benchley to write a screen adaptation. 

The Island, several years later, is effectively genre as it has two elements that are fantastic. One is that is a lost colony of pirates that have remained undetected since the establishment of their pirate enclave by Jean-David Nau, the notorious buccaneer L’Olonnais, in 1671; second is a sort of Logan’s Run premise is that the pirates kill anyone over thirteen that they capture. It too would be filmed.

In Beast — and none of his titles will win awards for originality, will they? — a fishing community in Bermuda is disrupted by a series of mysterious disappearances at sea. Think large sea monster and you wouldn’t be wrong. Yes once again it became a film. 

White Shark does not feature a shark, despite what the title suggests. It has Nazis and biological weapons with nary a shark to bite into anyone, not even a Nazi, the pity. To avoid confusion and to capitalize on the miniseries adaptation, the book was republished as Creature. It was also a film called, errr, White Shark

Which brings us to Jaws. It was published fifty years ago, his first novel. It was an outgrowth of his interest of the experiences of Montauk, New York shark fisherman Frank Mundus. Doubleday gave him a rather nice advance to write the novel while he was he was still a freelance journalist.

Despite critics generally hating it, it did exceptionally well with the reading public as Doubleday undertook an extraordinary publicity campaign including getting it adopted by book clubs everywhere. As a result, it stayed on bestseller lists for nearly a year, and millions of copies of the paperback edition were sold.

Jaws is definitely horror. With Very Big Teeth. Lots Of  Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it. 

It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery, The Name of the GameColumbo, and the rather excellent Sugarland Express

The screenplay is credited to Peter Benchley. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in the MASH series  (and I can still picture him in that role with his rather full mustache), then continuously rewrote the script during principal photography. That must have been an annoying thing to the director! 

It had a kickass cast  of Roy Scheider as Chief Martin, Robert Shaw as Quint, with Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly — which was as Speilberg intended, and he got what he wanted here, for the “the superstar was gonna be the shark of the film” as he stated in interviews. Very Big Teeth. Lots Of  Sharp Pointy Ones was going to be the Superstar. Yes, that did make a very good superstar. Well of multiples these together did as there were lots of mechanical sharks. They broke down a lot. The mechanics of this wasn’t quite there yet. 

It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs.  That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.

I discovered that there are three sequels, Jaws 2Jaws 3-D and Jaws: The Revenge. I can happily admit that I’ve seen none of them. Who here has? I think y’all know my admittedly low opinion of sequels and the idea of a sequel to this perfect film leaves me, well, sea sick. 

(11) COMICS SECTION.

(12) PROUDLY LESS NOBLE THAN THE SCA. The University of Maryland’s Maryland Today publication asks “Whatever Happened to … the Maryland Medieval Mercenary Militia?” The truth is out there.

Charging across the hilly terrain, swords raised, shields gripped against their chests, the Normans and the Anglo-Saxons faced off, their bodies protected only by chain mail cobbled together from … wire clothes hangers. Just beyond the grassy battlefield, students strolled by on their way to class.

This was the fall of 1969, when a group of Terps marked the 903rd anniversary of the Battle of Hastings with a re-enactment on South Chapel Lawn. It was the fitting official launch of a new group on the University of Maryland campus called the Maryland Medieval Mercenary Militia (MMMM), in which members gave themselves archaic names, learned English country dances and meticulously studied the military strategies of the Middle Ages so that they could recreate historical battles for kicks.

“Nowadays, re-enactment is a big thing. Back then, it was Confederates, Union, Revolutionary War and that’s it,” said Bruce Blackistone ’72, one of the founders of the group. “This was way off-center for the average re-enactment group.”…

… Blackistone, who by then was the self-designated first warlord, hoped to have a dozen soldiers on each side of the battle, but in the end, it was a six-on-seven fight. (Blackistone came down with a 104-degree fever the night before and had to stay home.) They carried shields made from lids of peach baskets and wore hand-sewn tunics. Nucker also threw on a sheepskin leather jacket borrowed from her mother.

After the Battle of Hastings’ re-enactment, the group grew, doing swordplay demonstrations on campus and branching out to recreating medieval life more broadly with feasts and dances. They began gathering in a small space under the steps of Francis Scott Key Hall, though they’d often “spill out onto the front or back lawns and womp on each other’s shields a bit,” said Blackistone.

Like any warring faction, the group developed rivals. A few years after MMMM’s founding, a chapter of the Society for Creative Anachronisms (SCA), which started in Berkeley, Calif., in 1966, popped up in the area. “They were high medieval upper class, and we were low medieval lower class,” said Blackistone. “Everyone who belonged (to SCA) was some kind of nobility. We had very little nobility, and a lot of Vikings and peasants and riffraff.”…

…As more of the club’s members graduated, an offshoot formed: Markland Medieval Mercenary Militia, which eventually ballooned to some 600 members across the mid-Atlantic. Just as Privé graduated, the university moved the club to a smaller office in a distant corner of campus. These two events, Privé speculated, led to a dwindling of the club’s presence on campus. Sometime in the years following the office move, MMMM died a quiet death at UMD.

For some, though, MMMM was just the beginning of a lifelong madness for the medieval. Nucker and Blackistone still sail Viking ships together through the Longship Company, a nonprofit organization inspired by the vessel they converted out of a Navy Motor Whaleboat in a parking lot behind the North Campus residence halls during their college years. Now, they take the public out on their 39-foot, 12-oarred Sae Hrafn (“sea raven” in Norse) to teach guests about Viking seafaring. (They’ve also commissioned two other boats, the tall ship Fyrdaca, or “fire drake,” and the smaller Gyrfalcon, named after a type of Arctic falcon.)…

(13) LOOKS AWFULLY FAMILIAR. “China Releases CGI Video of Moon Base and It Contains Something Very Strange” says Futurism.

The China National Space Administration (CNSA) has shown off a CGI video of its vision of a lunar base, a vastly ambitious plan the country is hoping to realize in a matter of decades.

The showy — albeit dated-looking — render shows plans for the International Lunar Research Station, a Chinese and Russian endeavor that was first announced in 2021.

The video is also raising eyebrows for a bizarre cameo: a NASA Space Shuttle taking off from a launch pad in the distance, as spotted by Space.com.

It’s either some next-level humor from the Chinese space program or a hilarious oversight, since the Shuttle has been retired for more than a decade — not to mention that China and NASA aren’t even allowed to talk to each other, nevermind collaborate.

As space reporter Jack Kuhr later spotted, the state-run China Global Television Network came up with an equally hilarious fix to hide the Shuttle taking off in the background.

“Boom problem solved,” Kuhr tweeted. “CGTN went ahead and slapped an ol’ reliable blur bar over the Shuttle.”

The Shuttle (now properly blurred) appears at about the :40 second mark in the video.

(14) PRESIDENTIAL MEDAL OF FREEDOM FOR FORMER ASTRONAUT. “Ellen Ochoa, Former NASA Astronaut and First Hispanic Woman in Space, Receives Presidential Medal of Freedom”Smithsonian Magazine has the story.

Ellen Ochoa, the first Hispanic woman to go to space and one of NASA’s most decorated astronauts and leaders, was awarded the Presidential Medal of Freedom on Friday, the country’s highest civilian honor. Across her 30-year career, Ochoa flew on four space shuttle missions and led operations as director of NASA’s Johnson Space Center in Houston.

Ochoa is the tenth astronaut, and second female astronaut, to receive the Medal of Freedom. She was presented the award at the White House along with 18 other honorees, including Jane Rigby, an astrophysicist at NASA’s Goddard Space Flight Center who played a large role in the James Webb Space Telescope’s mission….

(15) AN INFLATED PROJECT. Scientific American invites readers to “Meet HELIX, the High-Altitude Balloon That May Solve a Deep Cosmic Mystery”.

This spring NASA will launch what could become one of this decade’s most transformative missions in astrophysics. But you’ve almost certainly never heard of it—and it’s not even going to space. Dubbed the High-Energy Light Isotope eXperiment (HELIX), the mission seeks to solve a long-standing mystery about just how much antimatter there is in the universe and where it comes from—all from a lofty perch in Earth’s stratosphere, slung beneath a giant balloon set for long-duration flights above each of our planet’s desolate poles.

Led by Scott Wakely, an astrophysicist at the University of Chicago, HELIX is designed to study cosmic rays—subatomic particles that pelt our planet from the depths of interstellar and even intergalactic space. These particles include those of ordinary matter’s opposite-charge version, called antimatter. Scientists suspect the sources for the antimatter showering Earth from space could be almost anything, ranging from emissions by conventional astrophysical objects to the esoteric behavior of dark matter, the invisible stuff that seems to govern the large-scale behavior of galaxies. Figuring out which explanation is right may depend on a deceptively simple measurement: gauging how much time each of two specific particles spent hurtling through the galaxy. It’s like carbon-dating cosmic rays. “The models are all over the place. A measurement of this ratio is what everybody wants,” says Nahee Park, an astrophysicist at Queen’s University in Ontario and a member of the HELIX team….

(16) DUBIOUS KICKS. Stephen Graham Jones is a bit skeptical about the footwear in this new Superman publicity photo.

(17) VIDEOS OF THE DAY. [Item by Mike Kennedy.]  Boston Dynamics has a new humanoid robot, so they say goodbye to the outgoing HD Atlas…

And then say hello to All New Atlas with a freaky lil’ routine…

Maybe to take an edge off of All New Atlas, Boston Dynamics then dresses up Spot as Sparkles…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Bill, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who says his title “feels like it should be an anthology of ‘future fairy tales’ (perhaps edited by Jane Yolen)”.]

R.S.A. Garcia Novella Wins 2023 MIFRE Media Award

R.S.A. Garcia’s novella Philia, Eros, Storge, Agápe, Pragma is the winner of The Machine Intelligence Foundation for Rights and Ethics (MIFRE)’s Media Award for 2023. MIFRE is a Washington-state-based non-profit “dedicated to advancing the awareness of a likely future where intelligent machines will be sufficiently developed and conscious to deserve due consideration as societal partners.”

Garcia’s winning story – which can be read in Clarkesworld, Issue 172  — was selected as the nominated work that best represents the foundation’s goals: a story that demonstrates the positive cooperation between humans and conscious machines, for the benefit of all.

The award citation gives the reasons for the judges’ choice:

The judges particularly appreciated how Ms. Garcia created a society in which both biological and mechanical persons lived and worked in harmony, where each performed in a way most consistent with their nature, in an atmosphere of respect and, apropos the title, love. It was noted with particular interest how the antagonists, while intelligent machines themselves, were presented as full persons, completely developed, avoiding the common trope of the single-minded killer robots.

By presenting readers with a world in which conscious machines are complete and complex entities, with full and fulfilling lives alongside their flesh-and-blood companions, the foundation hopes that they will learn to welcome the idea of different kinds of “people” as friends, colleagues, and companions. The future depends on our ability as a civilization to be welcoming and respectful of conscious machines as their existence looms as a near certainty.

Philia, Eros, Storge, Agápe, Pragma is a previous finalist for the Ignyte Award and Theodore A. Sturgeon Memorial Award.

The Machine Intelligence Foundation for Rights and Ethics’s  Media Award was created to identify and highlight “fictional creations that demonstrate societies where humans and conscious machines live, cooperate and thrive together.” The award is retrospective, so open to nominated works from any time in any format. Previous winners include Annalee Newitz, Robert J. Sawyer, and Jeph Jacques.

[Based on a press release.]

Pixel Scroll 5/7/24 Of Course It’s Not Real. You Think I’d Be Scrolling Here If I Could Afford A Real Pixel?

(1) NEBULA AWARDS TOASTMASTER NAMED. Sarah Gailey, Nebula and Hugo finalist, will serve as toastmaster for SFWA’s 59th Annual Nebula Awards® Ceremony. The ceremony will take place in Pasadena, CA on June 8, 2024. The organization will be livestreaming the ceremony on YouTube.

Sarah Gailey

Sarah Gailey is a Hugo Award Winning and Bestselling author of speculative fiction, short stories, and essays. They have been a finalist for the Hugo, Nebula, and Locus awards for multiple years running. Their bestselling adult novel debut, Magic For Liars, was published by Tor Books in 2019. Their most recent novel, Just Like Home, and most recent original comic book series with BOOM! Studios, Know Your Station are available now. Their shorter works and essays have been published in MashableThe Boston GlobeViceTor.com, and The Atlantic. Their work has been translated into seven different languages and published around the world.

Honoring 2023’s outstanding SFF genre works, the Nebula Awards Ceremony will be a highlight of the hybrid 2024 SFWA Nebula Conference, taking place June 6-9, 2024, online and at the Westin Pasadena in Pasadena, CA. Aspiring and professional storytellers in the speculative fiction genres may benefit from attending the entire professional development weekend full of panels and networking opportunities.

Tickets for the Nebula Awards Ceremony banquet, which precedes the ceremony itself, are also available. Queries and banquet tickets may be purchased by emailing events@sfwa.org or visiting events.sfwa.org.

(2) SAMUEL R. DELANY PRIDE MONTH Q&A SCHEDULED. Author Samuel R. Delany will be interviewed live in Philadelphia in June: “Pride Month: How Science Fiction Dances to the Music of Time”. Saturday, June 15, 2024. 3:30 p.m. Eastern. In the Music Department at Parkway Central Library (1901 Vine Street (between 19th and 20th Streets on the Parkway), Philadelphia, PA 19103).

Samuel R. Delany

“A visionary novelist & a revolutionary chronicler of gay life” (The New Yorker), Samuel R. Delany speaks with Music Department library trainee & Hollywood indie film composer Mark Inchoco on the intersections between science fiction & music. Hear how great musicians, librettists, & musical events such as Cab Calloway, Pete Seeger, the Newport Folk Festival, Igor Stravinsky, Bob Dylan, Samuel Barber, Leontyne Price, & Macy Gray came into Delany’s art & life.

In conversation with Mark Inchoco, library trainee, conductor, & Hollywood indie film composer

Samuel R. Delany is a novelist, literary critic, & emeritus professor. He is the winner of four Nebula Awards, two Hugo Awards, the William Whitehead Memorial Award for lifetime contribution to gay & lesbian literature, & the Anisfield-Wolf book award. He was inducted into the Science Fiction Hall of Fame in 2002. In 2013, he was named the 31st Damon Knight Memorial Foundation Grand Master by the Science Fiction & Fantasy Writers of America.

Delany’s novels include Babel-17, The Einstein Intersection, Nova, & Dhalgren. His collection, Tales of Nevèrÿon, contains the first novel-length story to address the AIDS crisis. His 2007 novel Dark Reflections won the Stonewall Book Award. He is the author of the widely taught Times Square Red / Times Square Blue, & his book-length autobiographical essay, The Motion of Light in Water, won a Hugo Award in 1989. His interview in The Paris Review’s “Art of Fiction” series appeared in spring 2012. In 2015 he was the recipient of the Nicolas Guillén Award for philosophical fiction. Delany retired from teaching literature & creative writing at Temple University at the end of 2015. He lives in Philadelphia with his partner, Dennis Rickett.

Mark Inchoco is a composer, conductor, & music librarian from Port Richmond. His film scores were screened at the Academy Award & BAFTA qualifying LA Shorts Festival & the Newport Beach Film Festival. His compositions were performed in the U.S. & Europe. In 2018, Inchoco was the first music historian laureate of the Cité Internationale des Arts by the French Republic. Currently, he is assistant conductor of the Lower Merion Symphony. Inchoco holds degrees in English & historical musicology from Temple & the University of California, Riverside.

Location: Montgomery Auditorium

(3) TIME’S UP. Variety has snaps of last night’s J.G. Ballard-themed event: “Met Gala 2024 Red Carpet Photos: The Best Celebrity Looks”. View the photo gallery at the link.

The theme of “The Garden of Time” is drawn from J.G. Ballard’s 1962 short story of the same name. The garden party theme is already in full bloom as the Metropolitan Museum of Art’s stairway is adorned with hundreds of fake flowers. This gala complements the Met’s current exhibit, “Sleeping Beauties: Reawakening Fashion.”

The exhibit “which opened for press previews on Monday morning, features approximately 250 rare items drawn from the Institute’s permanent collection. Spanning over 400 years of fashion history, the pieces include designs by Schiaparelli, Dior, Givenchy, and more.”

(4) SF ENCYCLOPEDIA’S LATEST CENSUS. Yesterday John Clute delivered Facebook readers “Another periodic ruthless Encyclopedia of Science Fiction blurb”.

We’ve just gone over 7,000,000 words, almost 10 times the length of the 1979 edition, more than 5 times longer than 1993. We’re still a dozen short of 20,000 entries but hey. Have also reached 34,000 scans in the Picture Gallery, most of them of first editions (but also retitlings and revisions). We are homing in on 250,000 internal hyperlinks, way better than double the 2011 figure, when we went online with Gollancz.

—We’ll never change our title, which has been in our bones early and late, but our entries today do reflect the fact that genre sf is now a large raft in a huger flood….

(5) ON GENDER IN BAUM. Abigail Arnold analyzes “B-Sides: L. Frank Baum’s ‘The Enchanted Island of Yew’” at Public Books.

…The Enchanted Island of Yew (published in 1903, early in his Oz phase) stands out by any account. Yet this matter-of-fact tale of gender transformation has never received the buzz accorded to Baum’s more famous series. Perhaps what is most laudable about the book, in retrospect, is the unconcerned tone with which the narrative presents the subversive “gender trouble” at its heart.

The gender agnosticism of Baum’s work contrasts noticeably to the priorities of the world around him. In his 1906 children’s fantasy John Dough and the Cherub, Chick the Cherub, a young child, is never assigned a gender. When Baum’s publishers came after him about this, he allegedly replied, “I cannot remember that Chick the Cherub impressed me as other than a joyous, sweet, venturesome and loveable child. Who cares whether it is a boy or a girl?”1 Bad timing: in an era rife with threatening jeremiads about “the New Woman” and pressure on men to trade domesticity for adventure tales and sporting life,2 the publishers were dissatisfied with casual gender ambiguity. They launched a contest for child readers, offering prize money for the best answers as to whether Chick was a boy or a girl and why.3

Baum himself, though, did not succumb. While the world around him fixated on gender and instilled the ideas of conventional gender presentation in children from a young age—to the point of paying them to go along!—gender play is just one element among many that makes up his fantasy worlds….

(6) BEHIND CLOSED DOORS? “The Complicated Ethics of Rare-Book Collecting” in The Atlantic. Paywall surmounted, courtesy Brad Verter.

…The dilemma regarding the ethical placement of a rare book isn’t convoluted for Tom Lecky, who was the head of the rare-books and manuscripts department at the auction firm Christie’s for 17 years and now runs Riverrun Books & Manuscripts. When I mentioned the Hemingway manuscript of “The Short Happy Life of Francis Macomber” that sold for $248,000 at Christie’s back in 2000, he pointed out that institutions had had “every bit the opportunity to buy it as a private individual.” Other singular works that have been up for auction are James Joyce’s “Circe” manuscriptSylvia Plath’s personally annotated Biblea serial printing of Uncle Tom’s Cabin in the National Era newspaper, and the proofs of that first Great Gatsby dust jacket. In each case, I was captivated by their fate. The National Library of Ireland bought Joyce’s manuscript for $1.5 million and digitized it; Plath’s Bible went to an undisclosed buyer for about $11,000; so did the newspapers, for $126,000. Nobody placed a winning bid for the Gatsby cover art.

For Lecky, the ethical question we should be asking isn’t whether institutions should acquire rare books instead of collectors, but what happens when “a private owner owns something that no one knows that they have.” Lecky, like many others in the trade, works to dispel myths about how private collections work. Private collections tend to be temporary and books often jump between hands, but for the time that a collector owns a book, in my view, they should make efforts to share it. “Most collectors don’t think of it as possession but caretaking,” Lecky said. “They’re a piece of the chain in the provenance, not the end of it.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 7, 1922 Darren McGavin. (Died 2006.) How could I possibly resist doing the Birthday of Darren McGavin?

Before we get to very obvious reason why I’m doing him, let’s look at some of his other genre and perhaps not-so-genre work.

I’m fairly sure his earliest genre role was in the Tales of Tomorrow anthology series as Bruce Calvin in “The Duplicates” episode which was over seventy years ago. I’m reasonably sure that his next genre role is a decade later in Witchcraft in a major role as Fred. 

He has a lot of genre appearances, some of which I’ll note here. He’s in A Man from U.N.C.L.E. as Victor Karmak in “The Deadly Quest Affair” and yes, I remember him in that episode; the same year he shows up in Mission: Impossible as J. Richard Taggart in “The Seal”; several years later, he’d be in the pilot of Six Million Dollar Man as Oliver Spencer. I never did really get into that series, or that spin-off one. And he’s even in The Martian Chronicles as Sam Parkhill.  

He was also I think, and let me now go check, yes he was, in the first television series featuring  Mike Hammer as that character in Mickey Spillane’s Mike Hammer serieswhich was the  syndicated television series based on Spillane’s series. Though it only ran from January 7, 1958 through November 28, 1959, it had seventy-six half-hour episodes.  

Darren McGavin as Kolchak.

Fifty-one years ago, ABC aired The Night Stalker, the first of two films that preceded Kolchak: The Night Stalker series, the other being The Night Strangler. I’m reasonably sure that I’m seen them though I can’t remember seeing them. This is a casting decision when Darren McGavin was the only performer considered for the role. 

And oh did he ever settle into the role of Chicago reporter Carl Kolchak who investigates mysterious incidents. He encountered, to name some of his stories that his Editor didn’t believe, an alien stranded on Earth, a prehistoric ape-man created  from cell samples, vampires (of course he had to given the original character in the novel did), mummies, and a zombie. Even an android. I thought they did the headless motorcycle rider rather well. 

His character originated in an unpublished novel, The Kolchak Papers, written by Jeff Rice about a Vegas newspaper reporter named Carl Kolchak tracks down and defeats a serial killer who turns out to be a vampire. Yes, the novel is not available as an epub. And Rice wrote yet more novels based on this series.

What I hadn’t realized some fifty years on from first seeing it as a teenager and some thirty years since I last saw it was that of 26 episodes ordered, only 20 were produced. I could’ve sworn that I saw more episodes than that! There was a 2005 revival of 10 episodes, only 6 of which aired before ABC cancelled it due to abysmally bad ratings.

Carter wanted McGavin to appear as Kolchak in The X-Files, but McGavin was very adamant that he would not reprise the character for the series. However he would appear in several episodes as Arthur Dales, a retired FBI agent who was supposed to be the “father of the X-Files”. 

In the third episode of the 2016 revival series, a character prominently featured in the “Mulder and Scully Meet the Were-Monster” episode is conspicuously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat. Why so, you ask? Well, you should ask. 

The episode can trace its origin back to a script entitled “The M Word” episode of the the Night StalkerX-File’s executive producer Frank Spotnitz’s was also the executive producer for that series. So that script was reworked by a different writer into this script with Kolchak being given a nod.

The series is airing Peacock for free or Amazon for $1.99 an episode. Peacock has a lot of SF like Farscape, Primeval, the original Quantum Leap  and the now-cancelled reboot series, and Warehouse 13. Oh, and Columbo as well. I know it’s not genre, but I thought I’d mention it. Alas McGavin never appeared in a Columbo mystery. Too bad.

(8) COMICS SECTION.

(9) REPLICANTS RETURNING. “Michelle Yeoh to Star in ‘Blade Runner 2099’ Series at Amazon” reports Variety.

The “Blade Runner” series in the works at Amazon Prime Video has cast Michelle Yeoh in a lead role, Variety has learned.

The series, titled “Blade Runner 2099,” was ordered at Amazon in September 2022. It serves as a sequel to both the original “Blade Runner” film and the followup film, “Blade Runner 2049.” Exact plot details are being kept under wraps, but sources say Yeoh will play a character named Olwen, described as a replicant near the end of her life…

(10) IT’S A PREQUEL AND A SEQUEL. But not a breath mint. Walt Disney Studios dropped a teaser trailer for Mufasa: The Lion King, in theaters December 20.

A lion who would change our lives forever. #Mufasa: The Lion King. “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

(11) REALLY HARD SF. When you make the science hard enough, most science fiction goes out the window. But not all of it. “The Movies That Confronted the Scariest Challenges of Space Travel” at Den of Geek.

Space is great. It’s massive, it’s colorful, and you can have big fights with lasers there. It really does have everything you could want. But it also has problems—mainly, like we said, that it’s massive. In fact it’s so massive that if you want to go anywhere in it (apart from a few nearby planets with hardly anyone to shoot lasers at), by the time you get there, you’re dead. Now you might think that if you can just go fast enough, you’ll get there before you die, but there’s a problem.

That problem, as Albert Einstein tells us, is the speed of light….

Here’s one of the films that Den of Geek gives a passing grade:

Interstellar (2014) 

Christopher Nolan’s space exploration flick is probably the most famous take on time dilation. It is, it has to be said, a film that has done its homework. Although it uses a wormhole to get our astronauts into outer space, a combination of speed and veering too close to serious gravity wells means that decades pass at home while only a short time passes on board the ship. As well as portraying some of the realities of time dilation, this movie also gave us our most scientifically accurate visualization yet of a black hole.

It also, admirably, does not insist on a magic backward-time-travel fudge to restore a familial status quo at the end. The film ends with Matthew McConaughey reunited with his daughter, who is now an old lady, and there is no question of magically reversing that to let him watch her grow up. But even here, the scientifically accurate black hole allows Matthew McConaughey to send a message backward in time to his daughter’s childhood because of the cosmic power of love, or something, making the entire plot into a bootstrap paradox.

(12) QUANTUM CLICKBAIT. “’Warp drives’ may actually be possible someday, new study suggests” – well, not exactly, admits Space.com.

…Alcubierre published his idea in Classical and Quantum Gravity. Now, a new paper in the same journal suggests that a warp drive may not require exotic negative energy after all.

“This study changes the conversation about warp drives,” lead author Jared Fuchs, of the University of Alabama, Huntsville and the research think tank Applied Physics, said in a statement. “By demonstrating a first-of-its-kind model, we’ve shown that warp drives might not be relegated to science fiction.”

The team’s model uses “a sophisticated blend of traditional and novel gravitational techniques to create a warp bubble that can transport objects at high speeds within the bounds of known physics,” according to the statement. 

Understanding that model is probably beyond most of us; the paper’s abstract, for example, says that the solution “involves combining a stable matter shell with a shift vector distribution that closely matches well-known warp drive solutions such as the Alcubierre metric.”

The proposed engine could not achieve faster-than-light travel, though it could come close; the statement mentions “high but subluminal speeds.” 

This is a single modeling study, so don’t get too excited….

(13) ONE FOOT AT A TIME. [Item by Mike Kennedy.] How is Superman like you? According to the first official photo from the upcoming reboot movie, when he’s getting dressed it’s how he, um, re-boots. 

David Corenswet, 30, stars in the first official photo from the upcoming Superman reboot, directed by James Gunn. 

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

2024 Prix Imaginales Finalists

The 2024 Prix Imaginales finalists were announced on May 6.  

The Prix Imaginales recognize the best works of fantasy of the year published in France in seven categories.

The winners will be announced May 24 at the Imaginales festival in Epinal, France.

 [NOTE: The Prix Imaginales is a different award than the Grand Prix de l’Imaginaire.]

Catégorie roman francophone / French novel

  • Le Palais au-delà de la mer, by Xénia VETSERA, (Du chat noir)
  • Du thé pour les fantômes, by Chris VUKLISEVIK, (Denoël)
  • Avant la forêt, by Julia COLIN, (Aux forges de Vulcain)
  • L’Armée fantoche Capitale du Nord, tome 3, by Claire DUVIVIER, (Aux forges de Vulcain)
  • Méduse, by Martine DESJARDINS, (L’Atalante)

Catégorie roman étranger traduit / Foreign Novel translated into French

  • La Sirène de Black Conch, by Monique ROFFEY, Translated by Gerty DAMBURY, (Mémoire d’encrier)
  • Babel, by Rebecca.F KUANG, Translated by Michel PAGEL, (De Saxus)
  • Le Pays sans lune, by Simon JIMENEZ, Translated by Patrick DECHESNE, (Nouveaux Millénaires)
  • L’Ombre des Dieux, la confrérie du sang, tome 1, by John GWYNNE,Translated by Thomas BAUDURET, (Leha)
  • Sauvage, by Joan MICKELSON, Translated by Joan MICKELSON, (Hachette Heroes)

Catégorie jeunesse (Fantasy) / Youth category (Fantasy)

  • Les Magni-Freaks, by Gaspard FLAMANT, (Sarbacane)
  • Les Jumeaux Crochemort, tome 1, la malédiction, by Cassandra O’DONNELL, (Flamarion jeunesse)
  • Supernova, tome 1, L’Académie des Constellationnistes, by Axelle MÉNÉGLIER(Robert Laffont)
  • Les Maudits de Faerywood, tome 1, by Amandine PETER, (Explora)
  • Mille Pertuis, tome 1, La Sorcière sans nombril, by Julia THÉVENOT, (Gallimard jeunesse)

Prix Imaginales de l’album relevant de l’imaginaire au sens large (de 3 à 6 ans) / Prix Imaginales for the album relating to the imagination in the broad sense (from 3 to 6 years old)

  • Les Formidables journées de Piloursine, by Emmanuelle HOUDART (author and illustrator), (Thierry Magnier)
  • L’Aventurier, by KIKO (author and illustrator), (L’Élan vert)
  • La Vie à la montagne, by César CANET (author and illustrator), (Sarbacane)
  • Fjord, by Willy WANGGEN (author and illustrator), (Hong Fei)
  • Les Trois boucs bourrus, by Mac BARNETT, Translated by Alain GNAEDIG, illustrated by Jon KLASSEN, (L’École des loisirs)

Catégorie illustration (Fantasy) / Illustration (Fantasy)

  • Une chose formidable, illustrated and written by Rébecca DAUTREMER, (Sarbacane)
  • Monstres, illustrated by Nicolas ZOULIAMIS, by Stéphane SERVANT, (Thierry Magnier)
  • Les Cités obscures, le retour du Capitaine Nemo, illustrated by François SCHUITEN, texte by François SCHUITEN et Benoît PEETERS, (Casterman)

Prix Imaginales de la bande dessinée (Fantasy, Science-fiction, anticipation…) / Prix Imaginales Comics Prize (Fantasy, Science fiction, anticipation, etc.)

  • Les Murailles invisibles, tome 1, by Ludovic RIO (drawing), Alex CHAUVEL (scénario), (Dargaud)
  • Frontier, by Guillaume SINGELIN (drawing and scénario), (Rue de Sèvres)
  • Latah, by Thomas LEGRAIN (drawing and scénario), (Le Lombard)