PROMETHEUS AWARD FOR BEST NOVEL. The War Whisperer, Book 5: The Hook, by Barry B. Longyear has won the 2021 Prometheus Award for Best Novel for novels published in 2020.
The citation says:
In one of the rare novels to imagine a fully libertarian society and attempt to do so realistically, Longyear depicts a near future in which the Mexican government’s bungled response to a devastating Category 5 hurricane prompts the people of the border state of Tamaulipas to secede, declaring themselves an anarcho-libertarian freeland. The protagonist, Jerome Track, must first decide whether the freeland is worth his commitment, and then develop an innovative strategy for its defense. In the fifth book of Track’s autobiography, Longyear grapples with how a society that refuses to use coercion against its people can defend itself against military aggression without conscription or taxation, and develops an intriguing and plausible solution.
This is the first Prometheus Award recognition for Longyear, best known for the award-winning novella and film of Enemy Mine and as the first writer to win the Hugo, Nebula and Campbell awards in the same year. However, several of Longyear’s earlier works, most frequently his 1981 novel Circus World, have been nominated by LFS members for the Prometheus Hall of Fame.
The other 2021 Best Novel finalists were Who Can Own the Stars? by Mackey Chandler; Storm Between the Stars by Karl K. Gallagher); Braintrust: Requiem by Marc Stiegler; and Heaven’s River by Dennis E. Taylor.
PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION. “Lipidleggin'”, a short story by F. Paul Wilson, won the 2021 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.
First published 1978 in Isaac Asimov’s Science Fiction Magazine and part of Wilson’s Future History series, “Lipidleggin'” takes a humorous look at a future United States where saturated fats have become controlled substances and rebels resist such government prohibition.
F. Paul Wilson, now a six-time Prometheus Award winner, won the first Prometheus Award in 1979 for Wheels Within Wheels and also won in the Best Novel category for Sims in 2004. He’s won the Prometheus Hall of Fame award twice before, for Healer, in 1990, and An Enemy of the State, in 1991. For his overall career, Wilson received a Special Prometheus Award for Lifetime Achievement in 2015.
The other Prometheus Hall of Fame finalists were The Winter of the World, a 1975 novel by Poul Anderson; “As Easy as A.B.C.,” a 1912 story by Rudyard Kipling; “The Trees,” a 1978 song by the rock group Rush; and Emphyrio, a 1969 novel by Jack Vance.
While the Best Novel category is limited to novels published in English for the first time during the previous calendar year (or so), Hall of Fame nominees – which must have been published at least 20 years ago – may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, other video, graphic novels, song lyrics, or epic or narrative verse.
AWARDS CEREMONY. The 41st annual Prometheus Awards will be presented online in late August with an awards ceremony and panel discussion, with Reason magazine as the media sponsor of the post-ceremony panel. Reason editor Katherine Mangu-Ward and Reason book editor Jesse Walker will join LFS President William H. Stoddard and others (to be announced) to discuss “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards.”
PROMETHEUS AWARDS HISTORY. The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. All LFS members have the right to nominate eligible works for the Prometheus Awards. After separate judging committees select finalists in each annual awards category, LFS members read and rank the finalists to choose the annual Prometheus Award winners.
In the words of the LFS:
The Prometheus Award has, for more than four decades, recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power. Such works critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the state, champion cooperation over coercion as the roots of civility and social harmony, and uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress, justice, tolerance, universal human flourishing and civilization itself.
The annual Best Novel winner receives a plaque with a one-ounce gold coin; and the Hall of Fame winner, a plaque with a smaller gold coin. Appreciation review-essays of each winner, explaining why LFS members view them as deserving of such recognition, will be published on the Prometheus blog as part of the ongoing appreciation series about all Prometheus winners.
The Libertarian Futurist Society has selected five finalists for the 2021 Prometheus Hall of Fame Award for Best Classic Fiction.
The Winter of the World, a 1975 novel by Poul Anderson
“As Easy as A.B.C.,” a 1912 novelette by Rudyard Kipling
“The Trees,” a 1978 song by Rush (recorded as part of the rock group’s 1978 album “Hemispheres”)
Emphyrio, a 1969 novel by Jack Vance
“Lipidleggin’,” a 1979 short story by F. Paul Wilson
The Prometheus Awards ballot will be emailed to LFS members at the usual time next May, The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.
These sci-fi series are perfectly awful examples of this lamentable phenomenon. For some, the finale retcons fans’ understanding of everything the show did up until that point. For others, the finale serves as a sad reminder of what could have been, had the show been given another chance. Some leave dozens of loose ends dangling. Some attempt to wrap things up too neatly. Some are tonally inconsistent. All of them are disappointing — and all of them loom large in fans’ understanding of the show as a whole. We’re here to examine the worst finales in sci-fi television, no matter how much it makes us shudder. Spoiler warning: We’re going to reveal every last detail of these shows’ endings, in an effort to fully explain why they’re so darn detestable.
Here’s one of the shows they named:
Quantum Leap leaves Sam in limbo
… Despite its poor time slots, Quantum Leap’s blend of humor and social commentary garnered a fanbase. But due to declining viewership, it ended after five seasons. In the series finale, “Mirror Image,” we learn that Sam can return home if he chooses — but instead, he decides to go back in time and save his friend Al’s marriage. In doing so, Sam willingly makes it so he and Al never met, trapping himself in a paradox and giving up the life he so desperately wished to return to throughout the duration of the series. Sam’s fate is finally revealed in the show’s last frame: “Dr. Sam Beckett never returned home.”
This ending changes the mood of the show entirely. Instead of being wacky misadventures, each episode is reframed as one man’s fruitless quest to return home. He will, apparently, just keep going through these motions… forever. That’s not just bleak — it’s horrifying.
Silvia Moreno-Garcia’s Mexican Gothic is a thoroughly enjoyable, thought-provoking novel. I want to discuss it around tea, preferably while in the mountains, preferably somewhere well-lit. I remember placing my bookmark in the book and thinking, I should not have read this before bed.
I was afraid of what I might dream.
Noémi’s cousin Catalina writes a strange letter begging for help. She claims her new husband Virgil Doyle is poisoning her, that “fleshless things” and ghosts trouble her, that “they will not let me go.” Noémi — self-assured, chic and stubborn — leaves the glamor of 1950s Mexico City for the countryside, still depressed after a mining bust and fecund with secrets, to determine whether Catalina needs rescue.
Reader, she does. The situation is more complicated and sinister than the initial fear of just a con artist husband isolating his new wife and convincing the world she’s mad so he can steal her money.
“It’s the representation in gaming I’ve waited for my whole life.”
Marvel’s Avengers are assembling once again, not on the big screen, but for a blockbuster video game.
It features many of the superheroes you might expect, including Iron Man, Hulk and Captain America. But they are joined by a new addition: Kamala Khan.
The Muslim-American teenager of Pakistani heritage, who has shape-shifting abilities, is the latest character to adopt the Ms Marvel moniker.
When the game’s publisher Square Enix announced that Marvel Avengers would include Kamala Khan as one of its main playable characters and make her central to the plot, it garnered praise from both fans and industry insiders.
“I first heard of Ms Marvel from the comics a few years ago,” says Maria Afsar, a 25-year-old gamer.
“I immediately thought it was so cool when read her background was like mine, being Pakistani, Muslim and a girl.
“When I saw the announcement she is going to be in the game and one of the main characters, I just thought I’ve literally been waiting for something like this my whole life. I saw nothing like this when I was younger.”
The Chairs of CoNZealand are pleased to be able to offer a Membership upgrade initiative to support inclusion of colonised, marginalised and historically underrepresented people in at Worldcon.
With the pandemic affecting job security, the financial ability to participate in conventions and the fan community is becoming increasingly difficult for many fans.
Marginalised communities are overrepresented in the group suffering the greatest fallout from this pandemic, and as such, we want to ensure that our community does not suffer a loss of its hard-won diversity. We want to lower the barriers for participation for those from underrepresented communities.
…The initiative upgrades eligible members from supporting to attending memberships. There Is no requirement for the supporting membership to be purchased before grantees are notified.
Eligible members who are already fully paid, but would like some income relief are also invited to apply.
In return, we ask that successful applicants willingly participate in our community. Whether that be through programme, art show, or volunteering is up to the individual and how they enjoy participating in this community.
Grantees will be chosen by the chairs. As long as there is a good plan for participation, we expect to grant applications. The grantees will be notified as soon as practical, and we will continue to announce grantees at least weekly as long as upgrades last.
…Armies sacrificed for no obvious purpose and meaningless wars are not entirely unknown in speculative fiction. Here are five examples from that golden age of such stories, the Vietnam War era, and its literary aftermath.
(7) LIBERTARIAN FUTURIST SOCIETY AT NASFIC AND WORLDCON. The LFS told members about their plans to participate in two of the summer’s virtual sff cons.
Their scheduled presence at the Columbus 2020 North American Science Fiction Convention will migrate online with the rest of the virtual con. There will be a back-to-back Prometheus Awards ceremony and Prometheus-Awards-themed panel discussion, free and widely available to watch live.
Novelist F. Paul Wilson, previously confirmed by NASFiC as their and LFS’ Prometheus Awards Guest of Honor, will participate in the awards ceremony by presenting the Best Novel category, which Wilson was the first author to win in 1979. Wilson also will be a panelist in a “Visions of SF, Liberty, Human Rights: The Prometheus Awards Over Four Decades, from F. Paul Wilson and Robert Heinlein to Today”. So will Sarah Hoyt, the 2011 Prometheus Award Best Novel winner for Darkship Thieves, LFS co-founder Michael Grossberg and newspaper journalist Tom Jackson.
During CoNZeland’s virtual convention, LFS will put on a panel “Freedom in Science Fiction: Four Decades of the Prometheus Awards, From F. Paul Wilson and Robert Heinlein to Ursula LeGuin, Vernor Vinge, Cory Doctorow, Neal Stephenson and Today.” Tom Jackson will moderate, joined by F. Paul Wilson and others to be announced. The Worldcon online program will initially be accessible that weekend for viewing only by registered Worldcon members.
When mainstream authors like Eric Flint complain that the science fiction establishment, and its gatekeeper the Hugo Awards, has “drift[ed] away from the opinions and tastes of… mass audience[s],” prioritizing progressive messaging over plot development, the response from the Left is uniform: Science fiction is by its very nature progressive. It’s baked into the cake, they say. This is a superficially plausible claim. With its focus on the future, its embrace of the unfamiliar and other-worldly, and its openness to alternative ways of living, it is hard to see how the genre could be anything but progressive. In fact, studies indicate that interest in SF books and movies is strongly correlated with a Big Five personality trait called openness to experience, which psychologists say is highly predictive of liberal values.
But openness to experience also correlates with libertarianism and libertarian themes and ideas have exercised far greater influence than progressivism over SF since the genre’s inception. From conservatarian voices like Robert Heinlein, Larry Niven, Vernor Vinge, Poul Anderson, and F. Paul Wilson to those of a more flexible classical liberal bent like Ray Bradbury, David Brin, Charles Stross, Ken McLeod, and Terry Pratchett, libertarian-leaning authors have had an outsized, lasting influence on the field. So much so that The Encyclopedia of Science Fictionhas deemed “Libertarian SF” its own stand alone “branch,” admitting that “many of libertarianism’s most influential texts have been by SF writers.”
…Although he began his career as a utopian socialist working for Upton Sinclair’s 1934 gubernatorial campaign, Heinlein underwent a political transformation and became known for the rest of his career as a libertarian “guru” of sorts. Scott Timberg at the LA Timesdescribes him as a “nudist with a military-hardware fetish” who “dominated the pulps… and became the first science fictionist to land on the New York Times bestseller list.” A four-time Hugo Award winner, Heinlein is credited with helping to elevate SF from its ray-blaster and tentacled space-monster phase to a more serious, respectable prominence, penning such classics as Stranger in a Strange Land and, Milton Friedman’s favorite, The Moon is a Harsh Mistress, a book that reads like an anarcho-capitalist blueprint for revolutionary uprising. Friedman even named his 1975 public policy book after the novel’s slogan TANSTAAFL (“There Ain’t No Such Thing As A Free Lunch”).
…Perhaps this is why so much of SF expresses itself as dystopian fiction, a genre which, by its very nature, cannot but take on a libertarian flavor. Totalitarianism, war, and wide-scale oppression is almost always carried out by state force. Liberation, accordingly, must come in the form of negative rights—that is, “freedom from”—and voluntarism: “[I]n writing your constitution,” Professor de la Paz instructs, “let me invite attention to the wonderful virtues of the negative! Accentuate the negative! Let your document be studded with things the government is forever forbidden to do.”
There is some controversy as to whether World UFO Day falls on June 26 or July 02 with people seemingly celebrating it on both days. The occasion is an awareness day for UFOs coinciding with the Roswell incident’s anniversary. It is getting increasingly popular as UFOs have been making headlines again lately, notably due to the “Storm Area 51” event which went viral last year. That’s on top of The New York Times running an interesting article about several U.S. Navy fighter pilots encountering mysterious objects near the southeastern coast of the United States. The high-profile story remains unexplained and so do plenty of other UFO sightings reported by members of the public every year like strange lights crossing the night sky or orange disks hovering in the distance.
The National UFO Reporting Center which is based in the U.S. maintains statistics about global UFO sightings. Notably, they are ticking up again….
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 2, 1877 – Hermann Hesse. You’ll expect me to celebrate The Glass Bead Game (also published as Magister Ludi), and I do, subtle, profound, satirical, moving, the first Nobel Prize SF novel, to my surprise and delight reaching the Retrospective Hugo ballot. Other books of his in or near SF and more in line with the Hesse fad are Steppenwolf, Siddhartha, Journey to the East. (Died 1962) [JH]
Born July 2, 1908 — Rip Van Ronkel. Screenwriter who won a Retro Hugo for Best Dramatic Presentation at Millenium Philcon for Destination Moon. He also produced the earlier Destination Space movie for television, andwrote the screenplay for The Bamboo Saucer. (Died 1965.) (CE)
Born July 2, 1914 – Hannes Bok. Under this name (from Johann S. Bach) and in a short life he was one of our masters. First Hugo for Best Cover Artist, shared with Emsh (Ed Emshwiller). A hundred covers, his many monochromes maybe even better. See how well he could work when he wanted to do without his famous weirdness (he turned down hundreds of commissions he didn’t want): Lest Darkness Fall; the Nolacon I Program Book (9th Worldcon); F & SF under Davidson (yes, I know those are covers). Author too, novels, two dozen shorter stories, poems published posthumously as Spinner of Silver and Thistle. See Petaja’s biography and flights of angels, and Ned Brooks’ index. (Died 1964) [JH]
Born July 2, 1935 – Doug Hoylman, Ph.D. I hope I know when Our Gracious Host has done better than I can. (Died 2015) [JH]
Born July 2, 1946 – Arnie Katz, 74. He’s done much. Fundamentally a fanziner, he’s contributed to clubs and cons. I might not be luxuriating in APA-L (alas, this Fancy 3 article has not caught up with Fred Patten) if AK hadn’t been a forerunner with APA-F. He owes me a chicken dinner, but he’s quite fair about what I must do to collect. Anyway, I pray for his prosperity. And see here. [JH]
Born July 2, 1948 – Larry Tucker. How bodacious July 2nd has been for the birth of nearly unbelievable brothers (sisters too! it just happens I’ve come to another brother). This Titan took fanzines to video – took fanzines to video early on, while the tech was still truculent: Uncle Albert’s Video Fanzine (he had in mind this Uncle Albert; alas, I never asked if he also thought of, less directly or even less fairly, this one (but look who has the cigar). LT co-founded the Ann Arbor SF Ass’n and the SF Oral History Ass’n; he didn’t start, but always inspired, the Stilyagi Air Corps and the well-named ConFusion. The photo here is by Mark Olson; speaking of Leah Zeldes Smith (see no. 8 here), I’ve just recommended one of her stories. (Died 2013) [JH]
Born July 2, 1948 —Saul Rubinek, 72. Primarily of interest for being on Warehouse 13 as Artie Nielsen, though he does show rather often on genre series and films including Eureka, Masters of Horror, Person of Interest, Beauty & the Beast, Stargate SG-1, The Outer Limits and Star Trek: The Next Generation. Memory Run and Death Ship seem to be his only only genre films. His latest genre role is in For all Mankind as Rep. Charles Sandman in their “He Built the Saturn V“ episode. (CE)
Born July 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great. I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments and A Disagreement with Death. Likewise, his pun filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
Born July 2, 1950 –Stephen R. Lawhead, 70. I personally think that The Pendragon Cycle is by far his best work though the King Raven Trilogy with its revisionist take on Robin Hood is intriguing. And I read the first two of the Bright Empires series which are also very much worth reading. (CE)
Born July 2, 1956 — Kay Kenyon, 64. Writer of the truly awesome The Entire and the Rose series which I enjoyed immensely as a listening experience a few years back. I’ve not read his Dark Talents series, so opinions please. (CE)
Born July 2, 1962 – Laura Benedict, 58. Nine novels, a few shorter stories; anthologies. “You don’t look like a person who writes scary stories. I hear those words often and it makes me laugh every time.” She put them next to this photo for good reason. Three anthologies (with Pinckney Benedict, who – never mind, it’s not his birthday notice) are called Surreal South, for good reason. [JH]
Born July 2, 1970 — Yancy Butler, 50. Detective Sara Pezzini on the Witchblade series which would’ve been awesome with current CGI. She was later Avedon Hammond in Ravager, Captain Kate Roebuck in Doomsday Man, Angie D’Amico in Kick-Ass and Kick-Ass 2, Reba in Lake Placid 3 and Lake Placid: The Final Chapter, Officer Hart in Hansel & Gretel Get Baked (also known as Black Forest: Hansel and Gretel and the 420 Witch) (given the latter, a career low for her) and Alexis Hamilton in Death Race 2050. Series work other than Witchblade wasa recurring role as Sgt. Eve Edison in Mann & Machine inher first genre role. (CE)
(11) COMICS SECTION.
Shoe answers a history quiz. Spectacularly wrongly.
(12) UMM, ROBOT LITMUS TEST? This line occurred recently in Agents of S.H.I.E.L.D. Agent Coulson was trying to identify who on a bus might be a time-traveling robot from the future and he came out with this:
(13) THE MARCH OF FUR. Coming July 3, The Fandom is a feature length documentary about the furry community from its origins in sf and anime fandoms up to present day.
The Fandom explores the history of animation fans who brought anime to the western world in the 1970s, Disney animators who faced threats to their careers, sci-fi fans who started the first furry conventions, and why furries became early adopters of the 1980s internet. It contrasts that with the modern fandom covering how it became a haven for the LGBT community as well as a positive economic and artistic impact on major US cities.
…I keep an eye out for all media about furries, and often call the Furry 101 kind boring. The Fandom raises the bar by giving an intimate tour with quality and heart. It’s 95% positive celebration.
Documentaries can show more drama or criticism or bad sides than this really does. But how much negativity do you need in these times? Not to say that this documentary has no opinion — it’s strong advocacy.
The toastmaster wears many hats at worldcon, but probably the single biggest part of the gig is hosting the Hugo Awards ceremony. I am going to be doing that with a combination of live streaming and pre-recorded videos, which we will (I hope I pray) edit seamlessly together. This week I have started recording some of those videos. It has been fun, if a little surreal, to be reading off the names of this year’s Hugo finalists when voting has not actually started yet. And trying to be amusing (one hopes) while talking into a camera without the feedback of laughter (or moans, boos, or soul-chilling silence) from an actual audience is challenging as well. But so it goes.
…((And before anyone starts to panic, “oh my god he is making videos in place of writing,” OF COURSE I am still working on WINDS OF WINTER as well. That really should go without saying, yet somehow I need to say it, or someone might make stupid assumptions. I am also doing some editorial work on three new Wild Cards books, reading scripts and making notes on a couple of exciting Hollywood projects, texting with agents, editors, and friends about this and that, eating several meals a day, watching television, reading books, and from time to time using the toilet. Just because I do not mention it in every Not A Blog does not mean it is not happening)).
(15) BE YOUR OWN CTHULHU. This bit of Lovecraftian solipsism has been making the rounds:
Sam Maggs is no stranger to SYFY FANGRRLS. She’s got her hands in some of our absolute favorite properties of all time, from Spider-Man to Star Trek, and we’re so thankful she’s there to represent our, well, fangirling. But now, Maggs is back with something brand new on her plate: original fiction! Her debut novel Con Quest! came out just last week.
Con Quest! is a comics convention adventure for young readers about fandom, family, and finding your place in the world!
Cat and Alex are excited to be at the world’s most popular comics convention — and they’re even more excited to compete in the Quest, a huge scavenger hunt run by their favorite nerdy celebrity. The big prize: a chance to meet him!
(18) REALLY FAUX GAIMAN. “Neil Gaiman–Bad Gaiman Challenge–Wits” on YouTube is an excerpt from a 2014 episode of the public radio show Wits where Gaiman read the winners of the show’s “Bad Gaiman challenge.”
We asked you guys to submit their worst versions of a Neil Gaiman-style short story. Hundreds responded to the call. Here, read by Neil Gaiman himself, are the worst of the worst.
[Thanks to Martin Morse Wooster, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, JJ, John Hertz, Chip Hitchcock, Jenifer Hawthorne, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]
…In this particular custom set, though, Wesley is depicted as a crying child, and that’s not just disappointing to me, it’s kind of insulting and demeaning to everyone who loved that character when they were kids. The creator of this set is saying that Wesley Crusher is a crybaby, and he doesn’t deserve to stand shoulder to minifig shoulder with the rest of the crew. People who loved Wesley, who were inspired by him to pursue careers in science and engineering, who were thrilled when they were kids to see another kid driving a spaceship? Well, the character they loved was a crybaby so just suck it up I guess.
“Oh, Wil Wheaton, you sweet summer child,” you are saying right now. “You think people actually loved Wesley Crusher. You’re adorable.”
So this is, as you can imagine, something I’ve spent a lot of time dealing with for thirty years….
So back to the minifig: it’s “Shut up, Wesley,” made into what would otherwise be an awesome minifig, in a collection of truly amazing and beautiful minifigs. It’s a huge disappointment to me, because I’d love to have a Wesley in his little rainbow acting-ensign uniform, but I believe that it’s insulting to all the kids who are now adults who loved the character and were inspired by him to go into science and engineering, or who had a character on TV they could relate to, because they were too smart for their own good, a little awkward and weird, and out of place everywhere they went (oh hey I just described myself. I never claimed to be objective here)….
(2) ARTIST AWARENESS. Edmonton’s Hugo Award Book Club blog encourages Hugo voters to consider some unusual choices when nominating works for Best Professional Artist in their blog post “Beyond The Standard Palette”.
Thanks to the Internet, digital print-on-demand services, small-press art books, alternate art posters, the availability of new artistic tools, and the fact that science fiction has gone mainstream, we are in the middle of a boom in science fiction art. Over the past decade, there have likely been more artists making science fiction art than there have ever been before. Some of the work that is flying under the radar of Hugo voters is breathtakingly imaginative, technically accomplished, and worthy of consideration.
Their post includes sample work by their suggested favorites.
Remember how 2016 was a terrible year and we were all “what a trash fire of a year”? Good times. 2017 proved to be even worse in many ways – and yet, somehow through it all, I did manage to read MORE than last year. It was just the ONE book more – 61 as opposed to 2016’s 60 – but hey, I will take my victories where I can.
And just like last year, I had to be extremely careful picking the books I’d read – not only because of time constraints but also because I wanted to read happy, light books. My average rate for 2017 is pretty dam high at 7.9, an all-time high. Predictably, picking a mere top 10 was a super difficult task and at one point, I emailed Thea to ask if my top 10 could be a top 12.
As usual, this list is presented in alphabetical order of the author’s surname:
My Favorite Thing is Monsters, Book One by Emil FerrisIt’s amazing to think that this long, dense, expertly-crafted volume was Ferris’s first published work. It feels like the grand capping-off of an illustrious career, not an introduction of an exciting new artist. The book itself, however, is very much about the emergence and development of a young talent. In pen-stroke drawings meant to evoke a child’s sketchbook, Ferris introduces us to Karen Reyes, a ten-year-old girl growing up in a seedy 1968 Chicago neighborhood. Karen’s life is troubled by her mother’s illness, her father’s absence, her older brother’s emotional problems, and the death of her beloved upstairs neighbor, the Holocaust survivor Anka. She is also, however, struggling with her own identity–as an artist, as a working class woman of color, as a lesbian, and, as she thinks of it, as a monster, straight out of the schlocky horror movies she loves so much. Her drawings dash between fantasy and reality, between Chicago in the 60s and Germany in the 30s, as she listens to Anka’s recorded testimony of the things she did to survive, which went on to haunt her and may have gotten her killed. The result is a mystery story, a coming of age tale, a narrative of artistic growth, and a major art object in itself….
(5) TIME FOR THE STARS: As the year disappears, Jason returns quickly with the “Annual Summation: 2017” which looks back on the last twelve months of Featured Futures and the world of webzines.
This summation has three parts. The first is a list and slideshow of the magazines Featured Futures covered in 2017, with statistics and lists of the stories read and recommended from them. The second is a list of this blog’s popular posts and most-visited stories, with a pitch for some “underclicked” stories. The third is a note about some non-webzine readings I did for Tangent.
(7) BY THE NUMBERS. Dorothy Grant opens the discussion of what is a “Successful Author” at Mad Genius Club.
Dean Wesley Smith, who’s been in this business for a few decades, has said that he knew a crusty old bookstore owner who figured you weren’t a “pro” until you had ten books out, as he’d seen far too many writers quit before they got that far. So the day Dean slapped that tenth published book on the table, the old gent acknowledged that he was “no longer a neo-pro.”
But for actual hard numbers, Author Earnings has pulled back the curtain and let us take a good hard look at actual sales figures, and the amount of money going to the author from those sales. They found about 10,000 authors are making $10,000+ a year from their sales on Amazon.com. (May 2016 Report). Of those, slightly over 4,600 were earning above $25K/yr on Amazon.com (not counting .co.uk, .au, .de, .ca, or kobo/iTunes, etc., so I expect the actual numbers are a little higher.)
This month’s Analog, the last sf digest of the month, complements the news situation. It’s filled with pages and pages of pages, none of which will likely stick with you long after you set it down. The stories in this month’s issue don’t even have the virtue of being terrible. Just redolent in that smug mediocrity that so frequently characterizes this mag, once the flagship of science fiction.
Wilson is the author of over 50 books, many of which feature his popular anti-hero, Repairman Jack. Among his numerous awards are the Bram Stoker Award, the Prometheus Award, the Porgie Award and the Inkpot Award. His first published story, “The Cleaning Machine,” appeared in the March 1971 issue of Startling Mystery Stories, while his second appeared a month later, in the April 1971 issue of the John Campbell edited Analog. His newest novel, “The God Gene,” is scheduled to be released by Forge Books on January 2, 2018. Wilson contributed the Foreword to The Art of the Pulps, published in October 2017, where he shared that “I love the pulps. … I’ve been a fan of the pulps since my teens…” We’re excited to have him as our GoH, and we know that our attendees will enjoy meeting him at the convention!
(10) HE WENT PSYCHO.Doctor Strangemind’sKim Huett ends the year by explaining his theory about director Alfred Hitchcock’s decisions for adapting The Birds — “Psycho Birds Bloch Hitchcock!”
Having at last seen the film version of The Birds I find I was right to assume that a 1963 Hollywood production, even with Hitchcock at the helm, could not match the power of du Maurier’s original. Overall I thought The Birds was okay, certainly better than I had assumed it would be, but still not great. I can see why Hitchcock made so many changes as I doubt that in 1963 a more faithful translation of the story would sell tickets, but I can also see why Daphne du Maurier hated what he did to her story. I didn’t hate it myself but I did think it was the least impressive Hitchcock film I’ve ever seen.
None the less I was fascinated the way Hitchcock started off the film with a light romance that had nothing to do with du Maurier’s story and didn’t begin to introduce anything by du Maurier until the romance plot was well advanced. Why did he take such an unexpected approach I wondered as I watched this story unfold? Afterwards however it occurred to me that Hitchcock began The Birds the way he did in order to replicate the success of Psycho.
This theory of mine starts with not with Hitchcock but Robert Bloch for it was he who wrote the 1959 novel Hitchcock turned into his famous film….
…And then we hear a sound from the radio: “a tolling, like the slow note of a big, listless bell. Mixed with the reverberations was an unearthly dirge of moaning and wailing.” The trio react with panic, but Aunt Nora reassures them, “It’s not likely the Green Bell was tolling for us — that time!” We learn that whenever the bell tolls, it means death and insanity….
(12) TODAY IN HISTORY
December 31, 1935 — C. B. Darrow received a patent for his Monopoly game
December 31, 1958 — We saw The Crawling Eye which was originally entitled The Trollenberg Terror.
December 31, 1958 — The Strange World Of Planet X premiered.
December 31, 1961 — The Phantom Planet premiered.
(13) TODAY’S BIRTHDAY GIRLS
Born December 31, 1945 – Connie Willis
Born December 31, 1949 – Susan Shwartz
Born December 31 – Sharon Sbarsky
(14) COMICS SECTION.
It’s not easy to crack a joke about an in memoriam presentation – Mike Kennedy says Brewster Rockit managed to do it.
Nearly every month held a new PR crisis for the company where Iron Man, Thor and Captain America live.
2017 has been a bad year for Marvel Entertainment’s comic book division. It’s not simply that sales have tumbled (the company’s traditional dominance in year-end sales charts is absent this year), but that Marvel’s comic book publishing arm has suffered through a year of PR disasters so unforgiving as to make it appear as if the division has become cursed somehow. Here’s how bad things have been over the last twelve months.
(16) BEST COMICS. According to Erik and Paul from Burbank’s House of Secrets, here are the Best Comic Books of 2017.
(17) DANGEROUS TO WHO? Milo’s lawsuit against Simon & Schuster has made the editor’s complaints about his manuscript part of the public record. Follow the tweet to see two pages of the publisher’s rebuttal submitted to the court.
Ivers considered plaintiff’s first draft to be, at best, a superficial work full of incendiary jokes with no coherent or sophisticated analysis of political issues of free speech… Plainly it was not acceptable to Simon & Schuster for publication.
It looks like Solo: A Star Wars Story is getting a theme from the legendary Star Wars music composter John Williams.
According to a report by Variety, Williams is to continue his working relationship with Lucasfilm, working on a new them for the studio’s upcoming standalone film, Solo. Williams is to work with How to Train Your Dragon composer John Powell, who is set to work on the rest of the music of the film. Powell’s involvement with the project was announced way back in July last year, and in an interview with the publication, Williams explained how he and Powell would collaborate on Solo’s music.
“[Powell’s] assignment is something I’m very happy about. What I will do is offer this to John, and to [director] Ron Howard, and if all parties are happy with it, then I will be happy. … John [Powell] will complete the score. He will write all the rest of the themes and all of the other material, which I’m going to be very anxious to hear.”
(19) SORTING HAT. I agree with the Facebook matchup, so maybe the others are right, too.
Apple is Ravenclaw. Google is Hufflepuff. Facebook is Slytherin. No one is Gryffindor.
One of science fiction’s most famous food tropes, spice often exists as something outside its everyday culinary use. Whether a deadly, interstellar travel enhancer in Frank Herbert’s Dune, a magical form of seduction in Chitra Banerjee Divakaruni’s The Mistress of Spices, a drug in George Lucas’s Star Wars or currency in EA Games sci-fi simulation Spore, across mediums the term has become synonymous with things it ostensibly isn’t. As a result, it’s altered the way we understand food within imagined, futuristic settings. But why are science fiction writers making something so commonplace such a notable element of their universes? The answer lies in the extensive global history of spice.
For many writers, creating new worlds in genre requires first mining through the social and scientific things they’re familiar with and then making them unfamiliar, either by changing their composition or context. Speaking to Food & Wine, Georgia Tech University professor and former president of the Science Fiction Research Association Lisa Yaszek noted that because spice is both a regionally distinctive and internationally mundane aspect of life, it’s a fitting launching board for establishing that familiar/unfamiliar dichotomy in a world of altered technology.
Do you get a lot of negative comments on the internet?
It comes with the territory, I get, “Why are you disturbed,” “Why do you do that”, “how can you make this”…and I’m like, “At the end of the day, it’s only a cake.” It’s food. I’m not burying anyone, or digging anyone up, or killing anyone. It’s food. With the baby heads if you google the comments I was called out for “inciting cannibalism,” being a “satanist,” as well as called a racist because they were white chocolate. It was just the best. And with all of that, people were asking if I was upset. No, because I’m none of those. [However], if somebody said they were really badly made I would have cried. If somebody said this tasted like crap then yeah, I’d be upset. The other stuff I just find entertaining. Priorities, you know.
Even a Star Wars franchise novice such as myself picked up on how epic they are right off that bat, and I’ve only seen one-and-a-half of the movies in my 25 years of life. Why should you be as obsessed with them as I am? Because if the Jedi are the head of the universe, then the caretakers are the neck that supports it. And newsflash people: without the neck, there’s no head!
Hey, thanks anyway, but I see some people over there I promised to sit with….
(24) OUT WITH THE OLD. Let Camestros Felapton be the first to wish you…
[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, Carl Slaughter, Andrew Porter, Will R., Jason, Olav Rokne, Cat Rambo, and JJ for some of these stories, Title credit goes to File 770 contributing editor of the day Will R.]
Harlan Ellison’s “‘Repent, Harlequin!’ Said the Ticktockman” has been chosen by members of the Libertarian Futurist Society as the 2015 Prometheus Hall of Fame winner.
Originally published in Galaxy in December 1965, “Repent, Harlequin!” portrays one man’s surrealist rebellion against a repressive future society obsessed with timeliness. Ellison’s rule-breaking narrative structure and style have made the story memorable to generations of readers.
Prometheus Awards for Best Novel and Hall of Fame commemorate works of science fiction and fantasy with pro-freedom themes.
The award ceremony will take place Saturday, May 9, at Marcon in Columbus, Ohio, as part of the Libertarian Futurist Society’s participation in the celebration of Marcon’s fiftieth anniversary. The LFS will present a Special Award for Lifetime Achievement to F. Paul Wilson in the same ceremony.
The awards consist of plaques with gold coins mounted on them, a symbol of free minds and free trade.
A full list of past Prometheus Award winners in all categories is here.