Pixel Scroll 4/27/25 Pixel, If You Will, An Ordinary Man, Filing The University’s Ancient Scrolls

(1) AUTHOR’S ADDITIONAL COMMENTS ABOUT HORROR PUBLISHING GRIEVANCE. Todd Keisling posted a follow-up message on Bluesky to yesterday’s complaint about his experience with Cemetery Dance publisher Richard Chizmar. In the new post he also takes the Horror Writers Association to task.

(2) WHEN THE DEAN OF SCIENCE FICTION WAS A FRESHMAN. A Deep Look by Dave Hook asks, “Was ‘The Runaway Skyscraper’ Really the first SF story by Murray Leinster?” Hook analyzes several rival candidates and explains why they are unpersuasive before agreeing with the canonical answer.

…Finally, we come to novelette “The Runaway Skyscraper“, Argosy and Railroad Man’s Magazine, February 22, 1919, which I also believe is the first SF story by Murray Leinster.

There are some first published stories by authors that are quite stunning and can be considered classics. I wrote about this at Dave’s Favorite First Stories of Science Fiction. I believe there are varying reasons for this, including learning one’s craft at non-genre publications under other names as one common example. “The Runaway Skyscraper”, the 58th story by Murray Leinster published that I know of, is not one of those.

I am not willing to say it’s a “Great” story, or even “Very good”, but I was entertained by it and I have no regrets on reading it….

(3) WEDNESDAY ON THE CALENDAR. Entertainment Weekly says that new cast members include Steve Buscemi, Joanna Lumley, Thandie Newton, Christopher Lloyd, and Lady Gaga: “’Wednesday’ season 2: Release date, cast, plot details, and more”.

…Netflix shared an action-packed teaser trailer for season 2 that highlights Wednesday’s return to Nevermore alongside her family.

“This is the first time you’ve ever willingly returned to a school,” says Morticia. “How does it feel?”

“Like returning to the scene of a crime,” Wednesday deadpans….

Wednesday’s eight-episode second season will arrive in two installments. The first four episodes strut onto the streamer on August 6, and the last four land on September 3….

(4) MACE WINDU IS FEELING BETTER. “Samuel L. Jackson, Hayden Christensen surprise ‘Star Wars’ screening” reports Entertainment Weekly.

The Force was strong at the El Capitan Theatre in Los Angeles on Friday.

Star Wars castmates Hayden Christensen and Samuel L. Jackson surprised fans when they showed up at a special 20th-anniversary screening of Star Wars: Episode III – Revenge of the Sith.

Christensen first took the stage at the historic Hollywood cinema while wielding a red lightsaber, telling the crowd that he had “so many amazing memories of making” the final Star Wars prequel, in which Anakin Skywalker embraces the dark side as he becomes Darth Vader and aids Palpatine in his hostile takeover of the Galactic Republic.

“I see a lot of lightsabers out here,” Christensen said to the audience. “I see a lot of red lightsabers, which truth be told is my personal favorite lightsaber color.”

He was then interrupted by the voice of an unseen visitor. “Hold on, Skywalker,” Jackson said from off stage. “This party ain’t even over.”

Christensen then introduced his former costar. “Ladies and gentlemen, please welcome to the stage Mace Windu himself, Samuel L. Jackson.”

Jackson seemed thrilled by the audience’s thunderous applause. “This is so, so, so awesome,” he said. “Twenty years later, I can hardly believe that we’re still as popular — as happenin’ — as we are. I haven’t seen Hayden in a while, but so, so, so happy to come back, see him, and see all of you at the same time. Thank you all so much. We had a great time making the film down in Australia. We were hangin’ out, doin’ stuff.”…

(5) IMPERIAL Q&A. Variety quizzes the actor: “’Star Wars’ Star Ian McDiarmid on ‘Revenge of the Sith,’ Playing the Emperor”.

How carefully mapped out was Palpatine’s arc when you were first re-hired to play him in “The Phantom Menace”?

It wasn’t mapped out at all, really. When I first got the part, I had no idea what the world was that I’d be in charge of as the Emperor. So it started off as a big mystery. I had no idea that Palpatine would figure [into the story so heavily]. But by then it so happened that I was young enough to play the younger Senator. When I first met George about it, he said, “Do you know anyone who wants to play an Emperor?” I said, “I think you know the answer to that question.” And then I got the script and realized that he was more than one character, which made it even more fascinating to play — an ordinary, everyday, fairly hypocritical politician with a monster hiding inside his body…

….This is a character who can turn on emotion when needed. What reality are you playing as an actor to be able to tap into those feelings?

Well, he’s a hypocrite, plain and simple — and a very good actor. He’s a performance. He’s only interested in one thing: absolute power. It sounds objective and black and white, but it’s extraordinary. If you think of people who have absolute power or pretty damn near it, you think that’s all they want, really — wealth and to be able to run people. But also, he was a Sith from way back. Now, I don’t really know what that means, but that particular personality is completely different from everybody else. He plays the human, but he isn’t one. Palpatine embodies the dark side. He relishes it. He thinks people who don’t enjoy it or don’t allow themselves to be drawn to it are stupid….

(6) CONQUEST OF SPACE. With ideas from a Willy Ley book with art by Chesley Bonestell, “70 Years Ago, A Forgotten Sci-Fi Failure Secretly Changed The Genre Forever” remembers Inverse.

When Paramount Pictures gave producer George Pal a then-sizable $1.5 million to make Conquest of Space, his idea was to create the most realistic film about space travel yet. Released in 1955, Conquest of Space followed several other sci-fi hits — including 1951’s Destination Moon and When Worlds Collide, and Pal’s arguable masterpiece, 1953’s The War of the Worlds — that established Pal as a purveyor of the kind of sci-fi spectacle that still puts butts in theater seats today.

With Byron Haskin, his War of the Worlds director, returning to the center seat for Conquest of Space, Pal went against standard Hollywood practice and eschewed hiring expensive stars for his movie. In fact, the opening credits don’t even list a single actor; the little-known ensemble, none of which distinguished themselves here, was relegated to the end credits scroll….

…Some aspects of Conquest of Space are accurate for the era, including the length of time it would take to get to Mars, and certain scenes still make an impact (the funeral in which a crew member’s body is released into space foreshadows a similar scene in Alien 24 years later). Real-life concerns about space travel are addressed (albeit with clunky exposition), and the scenes on Mars are also fairly well-conceived in terms of what scientists knew about our closest planetary neighbor… until it snows near the end, providing the astronauts with much-needed water….

(7) BERT TANNER (1933-2024). Artist Seabourne Herbert (Bert) Tanner Jr. of Maine died March 2, 2024 reports the Duxbury Clipper. His resume included 11 covers for The Magazine of Fantasy and Science Fiction between 1965 and 1973.

…Bert’s career centered on illustration, animation and working with major New York advertising agencies doing animatics and television test commercials. His earlier career focused on science fiction illustration, comic books, aviation and textbook illustration.

He was commissioned to illustrate the then future NASA lunar landing module and was an animator for the startup children’s show “Sesame Street.” He was a long-standing member of the Society of Illustrators. Bert’s wide range of interests included Crimson Tide Football, photography, music, video, film, kites, birds, meteorology, astronomy, hiking, beach volleyball, skiing, snorkeling, current events, and an extraordinary fascination with flight, specifically World War II aviation. To say he loved art is an understatement, he adored all art. He will be remembered for his wonderful creativity, curious mind and great sense of humor. Bert was drawn to the written word and was known by many for his witty poems and limericks. ‘pop’ loved his family and will always be missed for his creative cartoon cards to mark every family occasion…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 27, 1922Jack Klugman (Died 2012.)

Only three individuals did four or more appearances on Rod Serling’s Twilight Zone and Jack Klugman was one of them. 

Let’s discuss his appearances. He was in “A Passage for Trumpet,” “A Game of Pool”, “Death Ship” and “In Praise of Pip”. 

In “A Passage for Trumpet” he’s Joey Crown, a hopeless NYC trumpeteeer with no money, no friends, and no job prospects due to being an alcoholic. He ends in Limbo talking to an Angel. 

Next he’s Jesse Cardiff in “A Game of Pool,” where we get told the story of the best pool player living and the best pool player dead. No points for guessing which he is. 

Now this episode was remade in the eighties Twilight Zone. That version featured Esai Morales as Jesse Cardiff and Maury Chaykin as Fats Brown. This version used the original alternate ending that Johnson intended for the original version. (Nope in keeping with the File 770 policy of not having spoilers if at possible, I’m not telling you what that ending was. After all it’s only been sixty years and some of you might not have seen it yet.) 

The next episode he’s in is definitely SF and based on a Richard Matheson short story with the same title, “Death Ship”. (It was first published in Fantastic Story Magazine, March 1953.) Matheson wrote sixteen episodes of The Twilight Zone including “Nightmare at 20,000 Feet”. Only Serling wrote more. In this episode, a spaceship crew discovers a wrecked replica of their ship with their own dead bodies inside. Klugman plays the Captain Paul Ross.

The model used in this episode of the hovering spaceship is that of a C-57D Cruiser, a leftover prop from Forbidden Planet. It would also be used in the episodes “The Monsters Are Due on Maple Street” and “Third from the Sun”. The crashed ship is a model created for this episode.

The final appearance by him is in “In Praise of Pip” where his role is Max Philips,  a crooked bookie, who after learning that his soldier son has suffered a mortal wound in the Vietnam War, apparently encounters a childhood version of his son.

The Twilight Zone streams on Paramount +. 

Jack Klugman in “A Game of Pool”

(9) COMICS SECTION.

(10) ISSUES IN GAME HISTORY. “Fallout creator Tim Cain says he was ‘ordered to destroy’ his personal archive of the RPG’s development: ‘Individuals and organizations actively work against preservation’” at GamesRadar+.

With each passing year, game preservation grows more and more relevant, and you can add Fallout creator Tim Cain to the many voices calling for a more serious approach to saving video game history. Cain knows the struggle of actually preserving this stuff better than most – after all, he was ordered to destroy his own Fallout archives when he left developer Interplay.

“There’s a lot of organizations out there that demand to be the archive keeper, and then they do a terrible job at it,” Cain says in a new YouTube vlog. “They lose the assets they were in charge of keeping. This has happened multiple times in my career. When I left Fallout, I was told ‘you have to destroy everything you have,’ and I did. My entire archive. Early design notes, code for different versions, prototypes, all the GURPS code – gone.”Cain says that Interplay intended to keep an archive internally, but “they lost it. When they finally, a few years after I left, contacted me and said ‘oops, we lost it’ I thought they were trapping me into ‘we’re going to sue you if you say you have it.’ Turns out, no, they really lost it.”…

(11) SOCIAL LEARNING, BRICK BY BRICK. “What makes successful learners? How Minecraft can help us understand social learning” at Phys.org.

The ability to learn socially from one another is a defining feature of the human species. Social learning enables humans to gradually accumulate information across generations. And although we are able to build cities full of skyscrapers, send people into space, and collectively develop cures for diseases, most studies investigating social learning mechanisms focus on relatively simple, abstract tasks that bear little resemblance to real-world social learning environments.

As a result, little is known about how humans dynamically integrate asocial and social information in realistic, real-world contexts. To investigate this, an international team of scientists from the Cluster of Excellence Science of Intelligence (SCIoI), the Max Planck Institute for Human Development (MPIB), the University of Tübingen, and NYU developed a virtual foraging task programmed in the popular video game Minecraft.

In their study, published in Nature Communications, they found that adaptability (i.e. flexibly using asocial and social learning strategies, rather than fixed strategies) is the most important driver of success….

(12) HUBBLE BIRTHDAY E-BOOK IS A FREE DOWNLOAD. To celebrate Hubble’s 35th birthday (how time has flown!) NASA has released a free e-book containing some of the stunning images received over the years, and more! “Hubble’s Beautiful Universe” from NASA Science.

For 35 years, the Hubble Space Telescope has orbited above Earth’s atmosphere, teaching us more than we ever imagined we could know about our universe and place within it. In addition to Hubble’s extraordinary scientific value, its transformative views of space continue to inspire and shape how we think about the cosmos.

In celebration of this benchmark anniversary, we’re sharing a new, free, and downloadable e-book. Hubble’s Beautiful Universe takes readers on a journey through Hubble’s mission, from 1990 to today, with many of the breathtaking images of the cosmos it’s collected along the way.

This book unfolds Hubble’s long-ranging story decade by decade, highlighting each era’s contributions to astronomy. It showcases Hubble’s important “firsts” that changed the way we understand our universe, and also explains the groundbreaking scientific concepts that Hubble studies, like mysterious dark matter and our universe’s accelerating expansion.

From groundbreaking astronaut servicing missions, to record-shattering observations, to jaw-dropping peeks into the deepest reaches of space, Hubble has shown Earth a universe more beautiful and more mysterious than anyone could have understood before its launch. As the Hubble team anticipates more years of discovery ahead, Hubble’s Beautiful Universe offers an exciting overview of the first 35 years of NASA’s most prolific astronomy mission.

(13) 10 EXPECTATION DEFYING SF/F BOOKS. [Item by SF Concatenation’s Jonathan Cowie.] Book Pilled has an interesting life collecting and selling SF/F books. He is also an avid reader.  Here he reveals 10 SF/F books that defied his expectations in a 20 minute video.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 4/26/25 (Light) Years To You, Space Family Robinson, Earworms Love You More Than Etaoin Shrdlu

(1) CEMETERY DANCE KERFUFFLE HAS CONSEQUENCES. StokerCon today announced on Facebook a punitive action against small press Cemetery Dance in response to publisher Richard Chizmar’s exchange with an author who wrote to him seeking overdue royalties.

Due to recent information coming to light, Cemetery Dance will not be allowed to hear pitches during StokerCon. The Horror Writers Association stands up for the rights of its members, including the right to receive royalties as contracted, to have their works published as contracted, and to have its members treated with civility and respect. Cemetery Dance appears to be lacking in all of these areas.

Todd Keisling is the author whose experience at the hands of Cemetery Dance publisher Richard Chizmar led to HWA’s action. It seems he did finally get paid.

Screencaps of the exchanges were posted by Keisling in comments on Facebook after Chizmar doubled down on calling Todd a funny little man and then did a “dirty delete” of the comment.

Several authors have followed up with comments about having to dun Cemetery Dance for payment.

(2) MAURICE BROADDUS’ BOOKSHELF. Shelfies, edited by Lavie Tidhar and Jared Shurin, “Takes a unique peek each week into one of our contributors’ weird and wonderful bookshelves.” A recent entry was “Shelfies #33: Maurice Broaddus”. Photo at the link.

The why I do what I do shelf. This is the shelf of books that have inspired me or push me to do what I do. Futureland (Walter Mosley) was the first book that made me re-think my writing trajectory. When I read it, I thought to myself “we can do that?” It was the first sf book I read that had characters who looked like me, that had worldbuilding done through a different cultural lens….

(3) TOO GOOD TO BE TRUE, CHAPTER 37. Victoria Strauss introduces Denise Beck-Clark’s writeup before turning over the microphone in “Guest Post: My Twenty-Four Hour Dream” at Writer Beware.

I’ve written many scam case studies and investigations on this blog, all of which reference and/or describe writers’ direct experiences (while protecting their identities, as Writer Beware always promises to do). But when the essay below landed in my inbox this week, it presented the perfect opportunity to offer a different perspective: a writer’s own first-person description of her encounter with a scammer.

The scam in question is an extremely common one: out-of-the-blue contact from someone claiming to be a well-known film producer/famous movie director/executive with a major production company supposedly eager to turn the writer’s book into a movie. The essay details all the typical elements of this often-elaborate fraud: praise and promises carefully calibrated to manipulate the writer’s hopes and dreams (and ego), contracts and other items that lend a veneer of authenticity, even a phone call from the famous director attached to the project! But also warning signs, which this writer didn’t ignore but too many writers do–such as American movie people speaking with strong foreign accents.

Denise Beck-Clark has kindly given me permission to use her name and bio (at the bottom of the post). Hopefully her experience will help other writers recognize and avoid this type of scam. (My favorite part of the story: when the scammer recommends using Writer Beware.)…

(4) JOSH ROUNTREE Q&A. “Nuts & Bolts: Author Josh Rountree on Transitioning From Short Stories to Novels” on the Horror Writers Association blog.

Q: How is writing a novel different from writing short fiction?

A: I don’t think there’s one perfect answer for this, but in general I think short stories and novels require us to access different parts of our writer brains.

Being a short story writer, my brain is always telling me to tighten, tighten, tighten. Leave nothing in the story that’s not important to character, advancing plot, etc. You try to make every sentence you write do double duty.

When I transitioned to working on a novel, I felt that same instinct, and I had to remind myself that it’s okay to let things breath.  I can go deeper into the characters, their personal stories, and figure out who these people are on a deeper level. I still want every sentence to work hard, advancing the story and building the character, but I can be a bit more leisurely about it.

Some people are skilled at one form and not the other. I think I’m one of them. Short stories come easily to me, but novels are much more challenging.  I wrote a half dozen novels that will never see the light of day, for good reason. Books that I thought were wonderful at the time, but with hindsight I can see they’re a mess. As much as I love short story writing, I did want to prove to myself I could write a novel, but the process became discouraging with each new failure.

Finally, I decided to split the difference and see if I could write a novella.  I told myself it was really nothing more than a longer short story. I was consciously trying to trick myself, and ultimately it worked.

(5) ALEXANDER SKARSGÅRD Q&A. There are four Murderbot questions near the end: “Alexander Skarsgård: The Empire Interview” at Empire Online.

How did you approach that evolution, of portraying a machine that is becoming a bit more human?

Ironically, I found Murderbot more relatable than most characters I’ve ever played.

(6) NEW AI COPYRIGHT SUIT. “Publisher of PCMag and Mashable Sues OpenAI” reports the New York Times. (Behind a paywall.) “Ziff Davis, which owns more than 45 media properties, is accusing the tech company of infringing on the publisher’s copyrights and diluting its trademarks.”

… In a 62-page complaint filed in federal court in Delaware, where OpenAI is incorporated, Ziff Davis says the tech company has “intentionally and relentlessly reproduced exact copies and created derivatives of Ziff Davis works,” infringing on the publisher’s copyrights and diluting its trademarks. It claims that OpenAI used Ziff Davis content to train its artificial intelligence models and generate responses through its popular ChatGPT chatbot.

“OpenAI has taken each of these steps knowing that they violate Ziff Davis’s intellectual property rights and the law,” the complaint says.

The company is seeking at least hundreds of millions of dollars in its lawsuit, according to two people familiar with the matter.

A spokesman for OpenAI said in a statement that its models were “grounded in fair use,” referring to the legal standard for use of copyrighted material….

(7) COLONEL MUSTARD IN THE MOVIE THEATER WITH THE CASH REGISTER. CrimeReads says it’s time to praise this 1985 movie: “The Clues, the Clueless, and the Critics: Appreciating Clue at CrimeReads.

…[It] is this latter element of the film (the board game come to life) that all its contemporary critics found both equally vexing and ingenious. The film, written and directed by Johnathan Lynn, features three different endings. Three different outcomes to the mystery, just as is possible in the board game. There is no motive in the board game, so one must be supplied for the film to have any meaning. That is, if it strives for meaning. It doesn’t. Instead, it embraces the randomness of a shuffled card deck, offering three random endings that might satisfy the clues in the story as well as the next.

This is what Ebert in referencing in the aforementioned quote, the start of his review of the film—an element that, on its own, he found brilliant. “The way Paramount is handling its multiple endings,” he wrote, “is ingenious. They’re playing each of the endings in a third of the theaters where the movie is booked. If this were a better movie, that might mean you’d have to drive all over town and buy three tickets to see all the endings.” He concludes, though, “[w]ith ‘Clue,’ though, one ending is more than enough.”

But he was correct in finding creative merit in this aspect of Clue. Writing in 2021, the scholar Milan Terlunen noted that “Clue lays bare the inner workings of all detective stories. Clue‘s multiple endings aren’t just a clever cinematic translation of the board game’s structure — they reveal something crucial about the nature of clues in general.” He goes on to explain that the very point of “solving” a mystery is “the process of distinguishing clues from red herrings… [t]here’s always too much evidence in a detective story, which fits beautifully with the general too-muchness of Clue.”…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 26, 2010Iron Man II

Fifteen years ago the sequel to the highly successful and quite popular Iron Man se premiered in select markets before opening nationwide on May 7. 

Titled just Iron Man 2, it was directed by Jon Favreau who had done the first film, and written by Justin Theroux, who had not done the first film (which had been written by a committee of Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway. Hey it worked, didn’t it?) The first film got nominated for a Hugo at Anticipation. 

Iron Man 2 premiered at the El Capitan Theatre, a fully restored movie palace in Hollywood. This theater and the adjacent Hollywood Masonic Temple (which are now known as the El Capitan Entertainment Centre) are owned by the Disney Company and serve as the venue for a majority of the Disney film premieres.

Although fandom is very fond of saying it did substantially worse than the first film at the box office that’s a lie as it actually did better. Iron Man did five hundred and eighty million against one hundred and forty million in costs, whereas this film took in six hundred and thirty million against the same production costs. 

So how was it received by critics at the time? Anthony Lane at the New Yorker liked it better than its competitors Spider-Man and Superman: “To find a comic-book hero who doesn’t agonize over his supergifts, and would defend his constitutional right to get a kick out of them, is frankly a relief.” 

Roger Ebert writing for the Chicago Sun-Tribune was impressed: “Iron Man 2 is a polished, high-octane sequel, not as good as the original but building once again on a quirky performance by Robert Downey Jr.”

Audience reviewers at Rotten Tomatoes currently give it a rather good seventy-two percent rating. 

It is of course streaming where all things Marvel are which is Disney+. I am going to have to subscribe, aren’t I?

(9) COMICS SECTION.

(10) ANTI-RULES. Karl K. Gallagher has done an interesting thought experiment on X:

(11) BATTLING THE BLAHS. [Item by Steven French.] The Guardian’s Luke Holland considers the declining fortunes of assorted TV ‘super-franchises’ and comes up with some radical suggestions for reviving their fortunes: “May the force be with you! How to save every tired TV superfranchise, from Star Wars to Game of Thrones”.

It’s amazing to think that, not so very long ago, people were actually excited at the prospect of a new Star Wars show. Or when it emerged that a fresh Lord of the Rings saga was, through some kind of Gandalfian wizardry, being squeezed on to the small screen, the reaction was one of giddy awe. Even the faintest whisper of another trip to Hogwarts would have set the whole internet ablaze. And now? Well, here’s a test: there’s a new Harry Potter series coming out soon. How does that make you feel? Exactly.

There’s no doubt about it – a worrying number of what used to be the world’s most untouchable franchises are in trouble. But how did they arrive at this point of terminal audience ennui? And is there any route for them back into our hearts?

(12) TATOOINE-ALIKE. “Rare exoplanet orbits twin stars in ‘Star Wars’-like twist” reports Phys.org.

Astronomers have discovered a planet that orbits at a 90-degree angle around a rare pair of strange stars—a real-life ‘twist’ on the fictional twin suns of Star Wars hero Luke Skywalker’s home planet of Tatooine.

The exoplanet, named 2M1510 (AB) b, orbits a pair of young brown dwarfs—objects bigger than gas-giant planets but too small to be proper stars. Only the second pair of eclipsing brown dwarfs known—this is the first exoplanet found on a right-angled path to the orbit of its two host stars.

An international team of researchers led by the University of Birmingham made the surprise discovery using the European Southern Observatory’s Very Large Telescope (VLT). The brown dwarfs produce eclipses of one another, as seen from Earth, making them part of an “eclipsing binary.”

Publishing their discovery in Science Advances, the researchers note that this is the first time such strong evidence for a “polar planet” orbiting a stellar pair has been collected.

Thomas Baycroft, a Ph.D. student at the University of Birmingham who led the study commented, “I’m particularly excited to be involved in detecting credible evidence that this configuration exists.’…

(13) TRAILER PARK. “Love Death + Robots Volume 4”. Extreming May 15 on Netflix.

The Emmy-winning anthology of twisted tales from strange worlds returns, with stories featuring MrBeast and the Red Hot Chili Peppers

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

2018 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).

The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2018 novellas which you’ve read, as well.

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Read more…

AudioFile’s Best Sci-Fi, Fantasy & Horror Audiobooks of 2017

AudioFile, a print and ezine, reviews audiobooks to “recommend good listening, top-notch performances and dynamic listening experiences.” The editors annually honor their choices of the best audiobooks across a variety of categories.

This year File 770 is partnering with AudioFile to announce the winners of the 2017 Best of Sci-Fi, Fantasy & Horror Audiobooks. They are listed here with links to the AudioFile reviews and, for some, a sample sound clip. (To see the winners in all the other categories, page through the AudioFile 2017 Best Audiobooks ezine.)

2017 Best of SCI-FI, FANTASY & HORROR Audiobooks

THE BEAR AND THE NIGHTINGALE by Katherine Arden, read by Kathleen Gati

FANTASTIC BEASTS AND WHERE TO FIND THEM by J.K. Rowling, Newt Scamander, read by Eddie Redmayne

GWENDY’S BUTTON BOX by Stephen King, Richard Chizmar, read by Maggie Siff

IT DEVOURS! by Joseph Fink, Jeffrey Cranor, read by Cecil Baldwin

NORSE MYTHOLOGY by Neil Gaiman, read by Neil Gaiman

SLEEPING BEAUTIES by Stephen King, Owen King, read by Marin Ireland

THE STONE SKY by N.K. Jemisin, read by Robin Miles

STRANGE WEATHER by Joe Hill, read by Wil Wheaton, Dennis Boutsikaris, Kate Mulgrew, Stephen Lang

MARVEL: THANOS by Stuart Moore, read by Richard Rohan and a Full Cast

UNIVERSAL HARVESTER by John Darnielle, read by John Darnielle

Exclusive Narrator Video

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2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

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