2023 Writers and Illustrators of the Future Contest Winners Named

Grand Prize winners David Henrickson and Dao Vi. Photo courtesy of Author Services Inc.

David Henrickson from Sterling, VA, was named the 2023 Grand Prize Writer Winner and Dao Vi from Sylmar, CA who was born in Ho Chi Minh City, Vietnam was named the 2023 Illustrator Grand Prize Winner at the 39th Annual L. Ron Hubbard Achievement Awards Gala for Writers and Illustrators of the Future Contests on April 28. The event was held at the Taglyan Cultural Complex in Hollywood, CA.
 
David Henrickson said: “I never imagined I would be here. I’ve loved Science Fiction all of my life.  When I was nine years old I was first inspired by the genre of science fiction after reading Andre Norton’s Star Guard.  When somebody asks what I do and who I am, I give them an easy answer, ‘I am an Application Architect,’ that’s what I do, but that’s not who I am.  Five years before I retired I started writing.  I told myself if I could write 100,000 lines of code, I can write a novel.  Hopefully one day we will all be able to pay this forward.  Thank you!”
  
Dao Vi said: “Wow!  I didn’t believe I was going to win.  I am humbled and honored to be surrounded by so many talented writers and illustrators.  It’s been a huge blessing.  I want to thank Samuel Parr for his wildly provocative story, ‘The Last History,’ which I illustrated.  This award is for you too.  Life is what happens when you are having fun.  I’m excited to see where this leads for all of us.  Thank you very much!”
 
During the course of the awards show a Time Capsule from 25 years ago in 1998, was opened by Writers of the Future Judges Kevin J. Anderson and Tim Powers which contained predictions on the Quality of Education in 25 years from famous Science Fiction writers.  As it turned out, one prediction from Tim Powers was quite accurate.  On October 2, 1998, Tim Powers wrote: “Voice recognition and transcription programs will have made literacy (all of spelling and most of grammar) obsolete; morality will be discarded as archaic.”
 
Winners from this year’s competitions hailed from all over the United States, as well as from Canada, China, Costa Rica, Jamaica, Romania, South Korea, United Kingdom and Vietnam.

Joni Labaqui, Director of the Contests for Author Services, Inc. who oversaw the presentations of the Grand Prize Awards, said, “This year the theme for our awards show will be Fantasy and Illusion with a motif including a fiery dragon, and Asian pagodas and temples.”
 
Emily Goodwin, Vice President of Public Affairs for Author Services, Inc., served as Event Producer and presented a Lifetime Achievement Award to Dr. Robert J. Sawyer, who penned sff classics like The Terminal Experiment and Flashforward, who has also served as a Writers of the Future judge since 2005.
 
During his acceptance speech, Dr. Robert J. Sawyer said, “Thank you all so very much!  Although I entered this contest when I was starting out, I’ve only ever been on the stage here at the L. Ron Hubbard Presents Writers and Illustrators of the Future Gala as a presenter, never an award recipient. I am thrilled to have finally made it!  I thank John Goodwin, Emily Goodwin, Joni Labaqui, and everyone else at Author Services, Inc. from the bottom of my heart—which is beating awfully fast right now!”

Left to right: John Goodwin, Emily Goodwin, Lifetime Achievement Recipient Robert J. Sawyer, Gunhild Jacobs and Joni Labaqui. Photo courtesy of Author Services, Inc.

An In Memoriam Tribute part of the awards show honored the late multiple New York Times bestselling author, Eric Flint, a Writers of the Future Winner for Volume 9 in 1993, writer of over 40 novels, Founder and Editor of Jim Baen’s Universe, and contest judge.

John Goodwin, President of Galaxy Press, unveiled Volume 39 of L. Ron Hubbard Presents Writers of the Future, with cover artwork illustrated by Writers of the Future Illustrator Judge, Tom Wood, entitled, “Wyvern Crucible,” which was set to a cover story written by Writers of the Future Writer Judge, Kevin J. Anderson entitled, “Fire in the Hole.”  And simultaneously an audio book of Volume 39 of L. Ron Hubbard Presents Writers of the Future, recorded by Jim, Tamra and Taylor Meskimen, was unveiled.

This year’s event, an Invitation Only function, was streamed live. Goodwin added: “According to United Public Radio Network, this year’s awards show was seen by 340,000 viewers on Roku and was heard by over 1.1 million listeners on the live broadcast.”

Keynote Speaker Dan Farr, Founder and CEO of the FanX Salt Lake Comic Convention, said:  “It is indeed my honor to be speaking to you tonight about something that is near and dear to me.  Pop culture and pop culture conventions.  The modern concept of a fan convention dates back to the late 1930s with various gatherings of a few dozen science fiction fans in Philadelphia and New York. Hardcore science fiction readers met at these underground affairs, mainly to discuss science fiction, which at that time consisted of pulps.
 
“In the 60s fans and culture started to explode, when mainstream TV series and movies such as Star Trek, The Twilight Zone, Lost in Space, The Day the Earth Stood Still, and Forbidden Planet, came onto the convention scene.  And with the film industry popularizing characters such as Batman, Spider Man, The X-Men, the Green Lantern, and about a dozen other superheroes, the convention landscape exploded by leaps and bounds through the 70s, 80s and 90s.  By the mid-2000s, upwards of 300,000 people would flock to what had truly turned into pop culture conventions that embrace far more than the original buying and selling of comics.
 
“Fashion, costumes, characters, dance, film, cyberculture, music, art, literature, television, and radio – none of it would exist without the writer or the artist creating that script, that picture, that song, that universe.  Writing and art has always been and will always be a healing influence.  As writers and artists, you carry a large responsibility for the future.  Because it is you who carry that powerful torch to unite, while others are trying to tear it down.  Do not ever give up on your dreams.  As L. Ron Hubbard, the founder of the contests stated:  ‘The greatest joy there is in life, is creating.  Splurge on it!’  Writers and Illustrators, congratulations on your accomplishments and…keep creating!”
 
Writer’s Contest Coordinating Judge, Jodi Lynn Nye and Emmy Award-winning actress, Nancy Cartwright, announced writer David Henrickson as the 2023 the Golden Pen Award winner presenting him a trophy and check for $5,000, for his story, “White Elephant.”

Coordinating Illustrator Contest Judge Echo Chernik and Keynote Speaker Dan Farr announced illustrator Dao Vi as the 2023 Golden Brush Award winner presenting him a trophy and a check for $5,000.  Dao Vi illustrated writer Samuel Parr’s story, “The Last History.”

The 12 quarterly winners and one published finalist of the 2023 writer’s contests who were presented with trophies and cash prizes included:  Samuel Parr of Market Harborough, United Kingdom; Spencer Sekulin of Newmarket, Ontario, Canada; L.H. Davis of Malabar, FL; Devon Bohm of West Hartford, CT; Arthur H. Manners of Cambridge, England; David Hankins of Bettendork, IA; David Henrickson of Sterling, VA; J.R. Johnson of Ottawa, Canada; Elaine Midoch of Pembroke Pines, FL; Marianne Xenos of Amherst, MA; Jason Palmatier of State College, PA;  and T.J. Knight of Glen Spey, NY.  Britany Rainsdon of Blackford, IN a 2022 Quarterly Writer winner was also honored.
 
The 12 Quarterly Winners of the 2023 Illustrator’s Contests who were presented with trophies and cash prizes included:  Alexandra Albu (AKA Cyberaeon) of Iasi, Romania; Clarence Bateman of Bronx, NY; Dao Vi of Sylmar, CA, born in Ho Chi Minh City, Vietnam; Sarah Morrison of Malden, MA; Ximing Luo of Ellicott City, MD born in Hangzhou, China; Alaya Knowlton of Sarasota, FL; Kristin Hadaway of Abington, MD; José Sánchez of San José, Costa Rica; Helen Yi of Sarasota, FL and Seoul, South Korea; Chris Binns of Hillsboro, OR;  April Solomon of Laguna Beach, CA and Chris Arias of Cartago, Costa Rica.
  
Contest Writer Judges in attendance included: Kevin J. Anderson, Nina Kiriki Hoffman, Nancy Kress, Rebecca Moesta, Larry Niven, Jody Lynn Nye, Dr. Nnedi Okorafor, Timothy Thomas “Tim” Powers, Dr. Robert J. Sawyer, Dean Wesley Smith and S.M. Stirling.

Other Distinguished Writer Judges who were not able to be in attendance include:  Dr. Doug Beason, Dr. Gregory Benford, Orson Scott Card, Brian Herbert, Katherine Kurtz, Todd McCaffrey, Kristine Kathryn Rusch, Brandon Sanderson, Robert Silverberg and Dr. Sean Williams.
 
Contest Illustrator Judges in attendance included: Echo Chernik, Lazarus Chernik, Larry Elmore, Dr. Laura Freas Beraha, Brian C. Hailes, Brittany “Bea” Jackson, Val Lakey Lindahn, Sergey Poyarkov, Rob Prior, Dan dos Santos and Tom Wood.
 
Other Distinguished Illustrator Judges who were not able to be in attendance include:  Vincent Di Fate, Diane Dillon, Stephan Martiniere, Mike Perkins, Irvin Rodriguez, Shaun Tan and Stephen Youll.

A photo gallery from the award ceremony is here: Writers & Illustrators of the Future Workshop Week 2023 – Day 7.

Author Services, Inc. and Galaxy Press Executives with 2023 Writer and Illustrator Winners and Judges. Photo courtesy of Author Services, Inc.

[Based on a press release.]
 

Pixel Scroll 4/30/23 I Demand That The Emergency Pixel System Be Activated Immediately 

(1) ROAD TRIP. Connie Willis told her Facebook readers all about attending the 2023 Jack Williamson Lectureship in mid-April:

…This year’s guest of honor was Arkady Martine, and she brought her wife, Vivian Shaw, with her, so we got two guests for one. They were great, and so were the panels, which the Lectureship features. I especially loved the one on Artificial Intelligence, which focused on the new dangers and possibilities of ChatGPT, and one on worldbuilding. I also loved Cordelia’s lecture on a very out-of-the-ordinary experience she had while working at the Santa Clara County Crime lab. Unlike the usual investigation of shoeprints, surveillance tapes, cell phones, etc., she suddenly found herself in a convoy with a SWAT team in L.A., driving a coworker’s car without the lights on in an attempt to arrest a bunch of human traffickers….

(2) SAWYER GETS LIFETIME ACHIEVEMENT AWARD. Robert J. Sawyer was presented with the L. Ron Hubbard Lifetime Achievement Award at the Writers and Illustrators of the Future award banquet in LA on April 28. In his acceptance speech Sawyer describes career decisions where he followed his heart in ironic terms as if they had been mistakes. But they weren’t mistakes, were they.

…Many writers do media tie-ins or work in other people’s universes. My first agent tried to steer me in that direction, too, getting me a three-book contract in the STAR WARS universe. But I bailed out; I just couldn’t bring myself to play in somebody else’s sandbox.

And then I screwed up AGAIN: my second novel was called FAR-SEER, and, at its end, I gave the protagonist, a talking dinosaur named Afsan, a heroic death scene. Well, when I sent the manuscript to my agent, he said I was nuts for killing the main character: “Rob, baby,” he said — that’s how agents talk — “Rob, baby, this could be an ongoing series, and, if not a cash cow, then certainly a monetary Megalosaurus!”

So, Afsan got a reprieve and I forced out two more books about the lovable lizard. But, as before, I just couldn’t stand it; at the end of the third book, I took the same escape route Charlton Heston did from the PLANET OF THE APES sequels: I destroyed the entire planet!…

(3) BEM IN A FLASH. Cora Buhlert has had a flash story called “Bug-eyed Monsters and the Women Who Love Them” published at Way Station, a brand-new space opera magazine, which she says doesn’t have an actual issue out yet.

Captain Crash Martigan of the rocket scout squad was on patrol, protecting New Pluto City and its inhabitants from bug-eyed monsters.

Of course, bug-eyed monsters wasn’t their real name. No, the creatures had a long and official Latinate name that no one could remember nor pronounce. So the colonists took to calling them bug-eyed monsters, because that’s what they looked like….

(4) IS ANALOG USEFUL AGAIN? [Item by Mike Kennedy.] Back in the day (the 1970s when I was an Electrical Engineering student at the University of Alabama), I had occasion to build a special-purpose hybrid analog/digital computer. The only reason for its existence was so high school students visiting us as prospective UA engineering students could play tic-tac-toe and see EE at work. It was used one day, then stripped down for parts. The very idea of a programmable analog component gets my EE juices flowing a little bit, though it’s certainly nowhere enough to entice me out of retirement. There have always been problems for which analog computation was perfectly suited. But, as the article below notes, building those damn things is no joke, and every time the problem changes, the design changes. Or, perhaps, the tense should be changed to, well, “changed.“ This could become a very exciting field going forward.  “The Unbelievable Zombie Comeback of Analog Computing” in WIRED.

When old tech dies, it usually stays dead. No one expects rotary phones or adding machines to come crawling back from oblivion. Floppy diskettes, VHS tapes, cathode-ray tubes—they shall rest in peace. Likewise, we won’t see old analog computers in data centers anytime soon. They were monstrous beasts: difficult to program, expensive to maintain, and limited in accuracy.

Or so I thought. Then I came across this confounding statement:

Bringing back analog computers in much more advanced forms than their historic ancestors will change the world of computing drastically and forever.

Seriously?

I found the prediction in the preface of a handsome illustrated book titled, simply, Analog Computing. Reissued in 2022, it was written by the German mathematician Bernd Ulmann—who seemed very serious indeed.

I’ve been writing about future tech since before WIRED existed and have written six books explaining electronics. I used to develop my own software, and some of my friends design hardware. I’d never heard anyone say anything about analog, so why would Ulmann imagine that this very dead paradigm could be resurrected? And with such far-reaching and permanent consequences?

I felt compelled to investigate further….

(5) HOWARD DAYS. Ken Lizzi shares a report and several photos of the Robert E. Howard Days, which took place in April this year: “Howard Days 2023. Plus Savage Journal Entry 41.”

I made the Hajj, the Pilgrimage, to Cross Plains, Texas this weekend to visit the Robert E. Howard museum. Not coincidentally, it was also the weekend of the 2023 edition of Howard Days. I am, to be blunt, tired. It is only a five hour drive from Casa Lizzi, which is why I had no excuse to put off the visit. Still, on top of non-stop activity and limited sleep, that drive back proved less pleasant than the lovely drive out: putting a Gulf Coast thunder storm behind me Thursday morning as I wended my way north and west deep into the heart of Texas, into cattle and old oil boom country to the AirBnB I shared with Bryan Murphy and Deuce Richardson….

(6) APPENDIX N. The good folks at Goodman Games continue their articles on SFF authors listed in Appendix N:

Ngo Vinh-Hoi profiles Jack Williamson: “Adventures in Fiction: Jack Williamson”.

In the storied list of Appendix N authors, there is one name that encapsulates nearly the entire course of modern American science fiction and fantasy: Jack Williamson. John Stewart Williamson was born on April 29th, 1908 in an adobe hut in what was then still the Arizona Territory. Seeking to better themselves, the Williamson family travelled by horse-drawn covered wagon to New Mexico in 1915, where Williamson recalled that they “homesteaded in Eastern New Mexico in 1916 after the good land had been claimed. We were living below the poverty line, struggling for survival.”

This isolated, hardscrabble existence continued throughout Williamson’s entire youth, but his imagination and inquisitive mind helped him to endure…. 

Jeff Goad profiles Fletcher Pratt: “Adventures in Fiction: Fletcher Pratt”.

The Appendix N is a list of prolific authors of science fiction and fantasy. But Fletcher Pratt is not one of them, at least not in comparison to most of the authors on the list. He primarily wrote historical nonfiction about the Civil War, Napoleon, naval history, rockets, and World War II. So why is Fletcher Pratt listed in the Appendix N and why does he have the coveted “et al” listed after The Blue Star?

Well, digging a bit deeper into his writings and his career, it is no surprise that Gary Gygax was smitten with this fellow….

(7) MEMORY LANE.

1999[Compiled by Cat Eldridge.]

Our Beginning this Scroll comes courtesy of Richard Wadholm. Green Tea was a novella first published in Asimov’s Science Fiction in the October-November 1999 issue. It was shortlisted for the Theodore Sturgeon Memorial Award. 

Wadholm, a Clarion graduate, had a very brief visit in our corner of things writing one novel, Astronomy, and six stories. None are available at the usual suspects. 

He was, interestingly enough, a contributing writer, to Synapse, the Electronic Music Magazine  which published in the Seventies.

And now for our Beginning…

Friend Beltran, this moment has weighed on me for the past six days. At last we meet.

Will you take tea with me? Not to worry, I am not here to poison you with tainted tea. Not from a beautiful service like this, certainly. This tea kettle is pewter, yes? And the brew pot— terra cotta, in the manner of the great smuggling mandarins of the Blanco Grande? Quite so. I must beg your indulgence for its use. I was very thirsty; I have come a long way to see you.

Perhaps my name escapes you. That is the way in this profession we share. Say that I am your delivery man. Indeed, the item you procured at such dear cost is close to hand.

My fee? Whatever you arranged with the navigator Galvan will suffice. A cup of tea from this excellent terra cotta pot would do nicely. And, if you are not too pressed, the answer to a simple question?

Who was it for, the thing you birthed on our ship? Was it for the mercenaries on Michele D’avinet? Or for the Chinese smugglers who used the glare of D’avinet to hide their passing?

I suppose it doesn’t matter much either way. Whoever your treasure was intended for, they were someone’s enemy, but they were no enemy of Beltran Seynoso’s, yes? And we, the crew of the Hierophant, we were merely witnesses. Our only offense was that we could connect you with the destruction of a little star in the outer reaches of Orion.

I wronged you, my friend. You are indeed a man of pitiless resolve. Sitting here, making tea in your kitchen, in this rambling manse, on this pretty little moon of yours, I underestimated you. I pictured a dilettante, playing at a rough game.

Forgive, forgive.

That story you told our captain, that you represented an Anglo syndicate dealing in—what was it? April pork bellies? We took that for naivete. No one goes from trading in April pork bellies to dealing in ‘Tuesday morning perbladium. Not even the Anglos.

And then there was that improbable load you hired us to turn.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1913 Jane Rice. Her first story “The Dream” was published in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
  • Born April 30, 1920 E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
  • Born April 30, 1926 Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
  • Born April 30, 1934 William Baird Searles. Author and critic. He‘s best remembered for his long-running review work for Asimov’s  where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
  • Born April 30, 1938 Larry Niven, 85. One of my favorite authors to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading but did listen in preparing this Birthday — most excellent!) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
  • Born April 30, 1968 Adam Stemple, 55. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy TalesPay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging. 
  • Born April 30, 1973 Naomi Novik, 50. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novel which won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. 

(9) COMICS SECTION.

(10) WHAT’S ON THE WAY? John Shirley interviews Charles Stross about The Future in “Optimism Optimized & Pessimism Prodded” at Instant Future.

Q. Will the pace of change overwhelm us? I seem to perceive, behind many of your novels, a writer conflicted about technological advancement; not against it, certainly no luddite, but concerned about its nature. It would seem that we need that advancement—but we’ve failed to develop a protocol for advancing technology intelligently. For one thing, a technology that pollutes is only half-invented. This seems clear in the age of anthropogenic climate change. Should we slow the pace? Can we?

A: I think, going by the news headlines, the pace of change has *already* overwhelmed us. The Tofflers made this case fairly well in their book *Future Shock* back in the 1970s, and that was in a then-stable media environment that wasn’t polluted with memes generated by bad actors (eg. state level disinformation agencies) and chatbots (often just trying to sell something — Ivermectin as a cure for COVID19, for example).

One problem is that we’re nearing the crest of a sigmoid curve of accelerating advances in a new technological area — computing, networking, and information processing. It seems unlikely progress on miniaturization of semiconductors will proceed for many more generations (our densest integrated semiconductor circuits already have tracks and other features on the order of a hundred atoms wide: it’s hard to see how we can shrink mechanisms below the atomic scale). So, just as progress with steam locomotion had tapered off by the 1920s after a brisk acceleration from roughly 1790 through 1870, and aviation surged from the original Wright Flyer and its contemporaries around 1900 to the SR-71 and Boeing 747 by the early 1970s but subsequently stopped getting bigger or faster, we’re approaching an era of consolidation and very slow incremental gains in our IT. People are now exploring the possible ways of monetizing the technologies we’ve acquired over the past few decades, rather than making qualitative breakthroughs. I first saw a virtual reality headset and interface in use at a conference in the early 1990s; the fact that Apple are apparently bringing one to market this summer, and Meta (aka Facebook) sank billions — evidently fruitlessly — into trying to commercialize VR over the past few years, should be a huge warning flag that some technologies just don’t seem to be as useful as people expected.

(11) UPHEAVAL IN THE SIXTIES. [Item by Cora Buhlert.] At Galactic Journey I was talking about some of the 1968 unrest in (West) Germany as well as the 1968 Oberhausen Short Film Festival, where George Lucas won an award for the original short film version of THX-1138 4EB. Also present at the festival was a very young Werner Herzog, which is interesting since Herzog claimed not to be familiar with Star Wars or Lucas, when he guest-starred in The Mandalorian. Of course, Herzog might just have forgotten meeting at a festival Lucas 55 years ago. Oh yes, and there also was a scandal at that festival surrounding a short film with a very upstanding cast member. “[April 14, 1968] In Unquiet Times: The Frankfurt Arson Attacks, the Shooting of Rudi Dutschke and Electronic Labyrinth THX-1138 4EB” at Galactic Journey.

…With West Germany burning and all the terrible things happening here and elsewhere in the world, it’s easy to forget that there are bright spots as well. One of those bright spots is the 14th West German Short Film Days in Oberhausen….

(12) SURVIVING THE RUNWAY. “Louis Vuitton collaborates with the director of Squid Game in a bid to woo South Korea’s elite”Yahoo! has the story.

…The event was dreamed up by Ghesquière and Hwang Dong-hyuk, the director of the hit Netflix series, Squid Game, in which contestants compete in a series of children’s games and are murdered if they lose. He could hardly have found a more effective way of winnowing out weaklings than this runway. HoYeon Jung, a Korean actress who opened the show, took it in her stride. She was probably used to tough conditions having starred in Squid Game….

[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, Paul Di Filippo, Lise Andreasen, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Marty Cantor (1935-2023)

Marty Cantor in the 1980s. Photo by Galen Tripp.

Devoted fanzine fan and longtime LASFS member Marty Cantor died April 29 of cancer. He was 88.

Cantor started reading science fiction when he was 10 but did not find fandom until he was 40, joining the Los Angeles Science Fantasy Society in May 1975.

Years before discovering fandom Cantor lived in the San Gabriel Valley in Sierra Madre Canyon. He helped save the wash – a natural channel for rain runoff — from being paved over by the Army Corps of Engineers, and was appointed to Sierra Madre’s Downtown Youth Plan committee. I used to tell him the idea of a city where Marty Cantor helped run the government is awesome – of course, this is also the city where outdoor location shots for the Kevin McCarthy Invasion of the Body Snatchers were filmed.

As a brand new LASFSian in the Seventies Marty plunged into club life, writing for its weekly amateur press association, APA-L, eventually serving as its Official Collator. He later helped start a second local apa, LASFAPA, which he ran as official editor (or the title he preferred, “Little Tin God”). Together with Mike Gunderloy he even briefly revived the club’s legendary genzine Shangri-L’Affaires in 1980.

For many years Marty was married to Robbie Bourget (Cantor). As Marty told it, he arrived at Chicon IV, the 1982 Worldcon, “as a 47- year-old, more-or-less confirmed bachelor and left in a lovely emotional turmoil, thoroughly in love.” A few weeks later he proposed and they wed in January 1983. No sooner had Robbie’s name joined his on the masthead of their fanzine Holier Than Thou than they immediately scored three consecutive Best Fanzine Hugo nominations (1984-1986). They also were elected the Down Under Fan Fund delegates to Aussiecon II (1985). Each wrote a DUFF trip report which they published in the format of a kind of Ace double – with Marty’s Duffbury Tales on one side, and Robbie’s Tales of Duffbury on the reverse, a single volume of over 100 pages.

Their marriage ended in divorce around 1998.

Originally, Marty was a tobacconist by trade. He had his own shop for a number of years, then later worked for another tobacco store owner. While that was a way to encounter Hollywood characters and gather colorful anecdotes, it never approached his bizarre experience in 1994 while working as the manager of a U-Haul facility — when he auctioned off an unclaimed locker the winning bidder found several decomposing corpses inside. (Eventually the renter was tracked to Jakarta and arrested for murder.)

In later years he produced the genzine No Award (although I don’t really believe he was opposed to the idea of winning one if offered).

On the conrunning side, he organized Lasfapacon, helped run Corflu 9, and chaired Corflu 34.

Late in life Marty continued to be one of LASFS’ most active members, editing issues of the clubzine De Profundis. He was honored with the club’s Evans-Freehafer Award for service in 2016.

His remains will be cremated, says John Hertz, and there will be a memorial service.

John Hertz, DUFF delegate Clare McDonald-Sims, and Marty Cantor in the LASFS library (2016).

JMS Confirms The Last Dangerous Visions Still on Schedule

J. Michael Straczynski has generously answered a question about the status of The Last Dangerous Visions.

A question about whether the book is still on track came up because some of the Blackstone Publishing links reported last July in “The Last Dangerous Visions Has Release Date” (see Internet Archive) no longer work. Also, while a person can still Google “Harlan Ellison Blackstone” and be linked to his Blackstone author page, if one runs a search for Harlan Ellison from Blackstone’s own author index it doesn’t return that page. 

This week I asked Straczynski if these changes meant there had been new developments. He replied:  

“Nothing really new…I think they shut down the links when they realized it was getting out there prematurely. The first Dangerous Visions is slated for this fall/winter, Again, Dangerous Visions comes out in the spring, and The Last Dangerous Visions comes out fall ’24. Nothing’s changed.”

2023 Tomorrow Prize Finalists

The Tomorrow Prize and The Green Feather Award: Celebrity Readings & Honors recognizes outstanding new works of science fiction written by Los Angeles County high school students, as well as this year’s winning ecology-themed sf story.

The 2023 finalists’ stories will be read by celebrity guests on Sunday, May 20 from 4:00-6:00 p.m. Pacific at Vroman’s Bookstore in Pasadena, CA. Register to attend the free event at Eventbrite.

The winners will receive cash prizes. 

  • First, Second, and Third place Tomorrow Prize winners will receive $250, $150, and $100 USD cash prizes.
  • The First place Tomorrow Prize winner will be published in L.A. Parent Magazine

The Green Feather Award is an additional special prize category for an environmentally focused sci-fi story. The winner will receive $250 and online publication.

THE TOMORROW PRIZE – FINALISTS

  • “What Lies Beyond” by Rafael Chavez (Port of L.A. High School)
  • “Burn the World, Build with the Ashes” by Barrie Komsky (Cleveland Charter High School)
  • “Nights in the City” by Miguel Jujan (Downtown Magnets High School)
  • “The Blanket” by Evin Manlapaz (John Marshall High School)
  • “Obsolete” by Jasmine Sov (Pasadena High School)

THE TOMORROW PRIZE – HONORABLE MENTIONS

  • “Gehenna’s Sanctum” by Sadika Mahmud (Downtown Magnets High School)
  • “Oh Kanada” by Isaac Graham (Pasadena High School)
  • “Time” by Luis Martinez (Hollywood High School)
  • “Valiente” by Valery Rodriguez (Downtown Magnets High School)
  • “Ocean Crash” by Acaju Gastelum (Port of L.A. High School)
  • “Digital” by Natalie Martinez (Port of L.A. High School)

The Omega Sci-Fi Awards have also announced the winners and honorable mentions of The 2023 Green Feather Award.

THE GREEN FEATHER AWARD 2023 WINNERS

  • “Painting the Way through the Future” by Diana Pena (Downtown Magnets High School)
  • “Connections with Sage the Fungi” by Haifa Maung and Fia Layne (Culver City High School)

THE GREEN FEATHER AWARD – HONORABLE MENTIONS

  • “Dirty Waters” by Trotsky Cartagena (Port of L.A. High School)
  • “Our Second Earth” by Abida Chowdhury (Orthopaedic Medical Magnet High School)
  • “Aqua” by Nafisa Islam (Downtown Magnets High School)
  • “A Manatee’s Hope” by Adam Kim (Downtown Magnets High School)
  • “The Box” by Giovanni Lorenzo (Downtown Magnets High School)
  • “Evolution is the Solution” by Aryan Punj, Hambee Makinoda, and Bato Euol (Port of L.A. High School)

2023 Origins Awards Finalists

The 2023 Origins Awards Finalists were announced by the Game Manufacturers Association on April 24.  

The winners will be revealed at the Origins Award Ceremony on June 24.

BOARD GAMES
Social/Light Strategy
Castle Panic: Crowns and Quests ExpansionFireside Games
Creature ComfortsKids Table Board Gaming
FlamecraftLucky Duck Games
Long Shot: The Dice GamePerplext
The Finest FishLast Night Games
Strategy
EvergreenHorrible Guild
Foundations of RomeArcane Wonders
Hoplomachus: VictorumChip Theory Games
Planet UnknownAdam’s Apple Games
Three Sisters25th Century Games
Thematic
Dead ReckoningAlderac Entertainment Group (AEG)
Merchants of the Dark RoadElf Creek Games
My Father’s WorkRenegade Game Studios
Tokyo SidekickJapanime Games
Wonderland WarDruid City Games
CARD GAMES:
Cat in the BoxBezier Games
ScoutOne More Game!
Sea Salt & PaperStudio Bombyx
Turing MachineHachette Boardgames
Undaunted: StalingradOsprey Games
CHILDREN’S GAME:
Castle Panic: Second EditionFireside Games
Disney A Goofy GameFunko Games
HONK!Sinister Fish Games
The Lunch Room GameEAP Toys and Games
Turtle SplashLucky Duck Games
COLLECTABLES
Flesh and Blood – UprisingLegend Story Studios
Magic the Gathering The Brothers War CollectionWizards of the Coast
Magic the Gathering Universes Beyond WarhammerWizards of the Coast
Heroclix: Hellfire GalaWizKids
Unmatched: Houdini vs the GenieRestoration Games
MINIATURES GAME:
Lion Rampant: Second EditionOsprey Games
Northgard: Uncharted LandsHachette Boardgames
Omicron ProtocolDead Alive Games
Polyversal Sci-Fi Miniatures SystemCollins Epic Wargames
Rapture Gravity Bay
RPG CORE
BlackbirdsAndrews McMeel Publishing
Bladerunner the Roleplaying GameFree League Publishing
Coyote & CrowCoyote & Crow
Teatime AdventuresSnowbright Studio
The One RingFree League Publishing
RPG SUPPLEMENTS
Agents of DuneModiphius
Blade Runner Starter BoxFree League Publishing
Fallout Starter BoxModiphius
Warhammer Fantasy: Enemy Within Volume 5Cubicle 7 Entertainment
Zweihander Starter BoxAndrews McMeel Publishing
ACCESSORY
Call to Adventure Art DecksBrotherwise Games
Deluxe Board Game Train SetsLittle Plastic Train Co.
Power Rangers Zordon Dice Tower & GM’s ScreenRenegade Game Studios
The Deck of Many Animated ConditionsHit Point Press
The Deck of Many Animated IllusionsHit Point Press
2D ART & ILLUSTRATION:
7 SinnersMana Project Studios
Cowboys with Big HeartsBully Pulpit Games
Cult of the DeepB.A. Games
Everyday Heroes – The HuntEvil Genius Games
Galaxy Trucker – Keep on TruckinCzech Games Edition
3D ART
Fallout: Wasteland Warfare – Super Mutants: SwanModiphius
Frostgrave – Fireheart ElkOsprey Games
Omicron Protocol – Jugger the ElephantDead Alive Games
Time CapsulesRed Cat Games
GRAPHIC DESIGN
Defiant RPGGame Machinery
DulceIndie Game Studios/ Stronghold Games
Norse GrimoireMana Project Studio
Pathfinder Savage Worlds Boxed SetPinnacle Entertainment Group
Tome of ChaosR. Talsorian Games, Inc.
REVIEWS
Doctors & Daleks Player GuideTheRatHole.ca
Doctor Who The Roleplaying GameTheRatHole.ca
Grant’s Greatest Games of NovemberGrant’s Game Recs
Mind MGMT ReviewBoard Game Quest
The Best of Origins Game Fair from Grants Game RecsGrant’s Game Recs

2022 Agatha Awards

Malice Domestic announced the 2022 Agatha Award winners on April 29.

BEST CONTEMPORARY NOVEL

  • A World of Curiosities by Louise Penny (Minotaur)

BEST HISTORICAL NOVEL

  • Because I Could Not Stop for Death by Amanda Flower (Berkley)

BEST FIRST NOVEL

  • Cheddar Off Dead by Korina Moss (St. Martin’s)

BEST SHORT STORY

  • Beauty and the Beyotch,” by Barb Goffman (Sherlock Holmes Magazine, Feb. 2022)

BEST NON-FICTION

  • Promophobia: Taking the Mystery Out of Promoting Crime Fiction, Diane Vallere Ed.(Sisters in Crime)

BEST CHILDREN’S/YA MYSTERY

  • Enola Holmes and the Elegant Escapade by Nancy Springer (Wednesday Books)

Pixel Scroll 4/29/23 Don’t Go Chasing Waterscrolls, Please Stick To The Pixels And The Clicks That You Know

(1) HUGO NOMINATING DEADLINE 4/30. The deadline for submitting nominations to the 2023 Hugo Awards is tomorrow, April 30 at 11:59 p.m. Hawaiian time.

Eligible voters can submit or make change to their selections up until the deadline. Submit nominations here. The committee says:

The nomination traffic is often heavy in the final moments of the process, which can sometimes slow down the process. Please nominate in advance of the deadline to make sure your selections are counted appropriately.

If you have any problems in accessing the website or other questions about the nomination, please feel free to contact us at hugoteam@chengduworldcon.com

(2) WFA SHORT ON ANTHOLOGIES. Ellen Datlow has a word for fantasy publishers:

The deadline for consideration is June 1 – and note: that’s when judging ends. As Peter Dennis Pautz has said, “If, for instance, something is received on May 31 the judges may well have only one day to read it before their deliberations conclude. Anything received after June 1 will receive little or no consideration.”

(3) A LOOK IN THE MIRROR. “Masters-of-the-Universe-Piece Theatre: ‘The Story of Keldor (In His Own Words)’” | Cora Buhlert

This story was inspired by getting a new toy in the mail, namely the Masters of the Universe Origins He-Skeletor figure. So who is He-Skeletor? Well, best let him tell his story himself.

“I am Keldor, Prince of Eternia and defender of the secrets of Castle Grayskull…”

“…and this is Panthor, my fearless friend.”

“Meow.”

“And yes, I know you think you know how this story goes, but trust me, you don’t.”

(4) STAND BY TO READ. Publisher Weekly stokes the hype machine for Chuck Tingle’s horror novel Camp Damascus, coming from Tor Books: “Chuck Tingle Goes Mainstream…ish”.

…To a niche corner of the internet, Tingle has since achieved superstardom due to his delightfully outrageous book covers. All sport stock image collages and titles that take on a Mad Libs quality, generally beginning “Pounded in the Butt by….” Tingle then fills in the blank with whatever supernatural creature, sentient object, or personified concept strikes his fancy. (Pounded by President Bigfoot is on the tame end of the spectrum; things get more high-concept in Pounded in the Butt by My Own Butt, which realizes its conceit through some unexpectedly intricate sci-fi worldbuilding.)

These covers have earned Tingle the nickname My Favorite Author I’ve Never Read, but he hopes that Camp Damascus will make this moniker obsolete. Asked about his decision to traditionally publish, Tingle cites the opportunity to grow his readership: “I am constantly striving to prove love to a broader audience.”…

Camp Damascus is never sleep-with-the-lights-on scary, but it conjures a menacing atmosphere. Though the book is crawling with demons, it’s the humans that truly terrify. This was intentional.“Writing horror for any marginalized group,” Tingle says, “you have to recognize that what is happening in the dang world—without any supernatural elements—is already traumatic.”…

(5) NEXT TRIBUTES. The Hunger Games: The Ballad of Songbirds & Snakes in theaters November 17, 2023.

THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES follows a young Coriolanus (Tom Blyth) who is the last hope for his failing lineage, the once-proud Snow family that has fallen from grace in a post-war Capitol. With his livelihood threatened, Snow is reluctantly assigned to mentor Lucy Gray Baird (Rachel Zegler), a tribute from the impoverished District 12. But after Lucy Gray’s charm captivates the audience of Panem, Snow sees an opportunity to shift their fates. With everything he has worked for hanging in the balance, Snow unites with Lucy Gray to turn the odds in their favor. Battling his instincts for both good and evil, Snow sets out on a race against time to survive and reveal if he will ultimately become a songbird or a snake.

(6) THINKING THE UNTHINKABLE. The New York Times makes a strike sound almost inevitable: “Hollywood, Both Frantic and Calm, Braces for Writers’ Strike”.

Writers scrambling to finish scripts. Rival late-night-show hosts and producers convening group calls to discuss contingency plans. Union officials and screenwriters gathering in conference rooms to design picket signs with slogans like “The Future of Writing Is at Stake!”

With a Hollywood strike looming, there has been a frantic sprint throughout the entertainment world before 11,500 TV and movie writers potentially walk out as soon as next week.

The possibility of a television and movie writers’ strike — will they, won’t they, how could they? — has been the top conversation topic in the industry for weeks. And in recent days, there has been a notable shift: People have stopped asking one another whether a strike would take place and started to talk about duration. How long was the last one? (100 days in 2007-8.) How long was the longest one? (153 days in 1988.)

“It’s the first topic that comes up in every meeting, every phone call, and everyone claims to have their own inside source about how long a strike will go on and whether the directors and actors will also go out, which would truly be a disaster,” said Laura Lewis, the founder of Rebelle Media, a production and financing company behind shows like “Tell Me Lies” on Hulu and independent movies like “Mr. Malcolm’s List.”

Unions representing screenwriters have been negotiating with Hollywood’s biggest studios for a new contract to replace the one that expires on Monday. The contracts for directors and actors expire on June 30….

(7) MISSED CONNECTION. Dark Worlds Quarterly’s G.W. Thomas profiles “Albert dePina, Space Opera Specialist”. DePina, like Ray Bradbury, got a lift from Henry Hasse – so it’s surprising that although this article does mention Bradbury, it does not note that Hasse also co-authored Bradbury’s first sale.

Albert dePina was a name blazoned across the covers of Planet Stories in 1944. He was never a prolific writer, not a professional in terms of volume. But dePina was a fan. Writing with Henry Hasse, he produced ten stories over ten years, 1943 to 1953. (Robert) Albert dePina died in 1957. (He is not to be confused with the comics creator, Alberto dePina 1907-2002). Sadly, there is little solid information on him….

(8) PUTTING A LIGHT ON INJUSTICE. Among Cora Buhlert’s most recent “Non-Fiction Spotlights” is one about “The Life and Art of Dave Cockrum by Glen Cadigan”.

Tell us about your book.

The Life and Art of Dave Cockrum is a cradle to grave biography of the comic book artist best known for co-creating the All New, All Different X-Men for Marvel, and before that, for revitalizing the Legion of Super-Heroes at DC. It tells the story of how he went from an enthusiastic fan and aspiring pro in the ’60s to the driving force behind the X-Men reboot in the ’70s to a down-on-his luck-creator in the early 2000s, fighting for his life in a veteran’s hospital while Marvel was making millions off his creations as he made nothing.

It’s a story about justice and injustice, both on the page and off.

(9) CARRIE FISHER WILL BE ADDED TO WALK OF FAME. Actress Carrie Fisher will be honored posthumously by the Hollywood Chamber of Commerce with a posthumous star on the Hollywood Walk of Fame on May 4th, Star Wars Day. The star, in the category of Motion Pictures, be unveiled near the historic El Capitan Theatre at 6840 Hollywood Boulevard at 11:30 a.m.

(10) MEMORY LANE.

1953[Compiled by Cat Eldridge.]

Our Beginning tonight is short but oh-so- sweet.  It is from Alfred Bester’s The Demolished Man which was published by Shasta Publishers in 1953. 

As you know, the version printed in Galaxy in January, February and March won a Hugo at Philcon II.

The novel is dedicated to Galaxy’s editor, H. L. Gold, who made suggestions during its writing. 

Yes, it’s one of my favorite novels, both to read and to listen to. Gerard Doylle narrates the novel and does a fantastic job of doing so.

Without further notes, here’s our Beginning…

IN THE ENDLESS UNIVERSE there is nothing new, nothing different. What may appear exceptional to the minute mind of man may be inevitable to the infinite Eye of God. This strange second in a life, that unusual event, those remarkable coincidences of environment, opportunity, and encounter… all may be reproduced over and over on the planet of a sun whose galaxy revolves once in two hundred million years and has revolved nine times already. 

There are and have been worlds and cultures without end, each nursing the proud illusion that it is unique in space and time. There have been men without number suffering from the same megalomania; men who imagined themselves unique, irreplaceable, irreproducible. There will be more… more plus infinity. This is the story of such a time and such a man… 

THE DEMOLISHED MAN.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 29, 1887 H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Game are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. Wildside Press published in 2006 a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
  • Born April 29, 1908 Jack Williamson. By the end of his long career in sff he had won eight lifetime achievement / grand master honors, and been inducted to the Science Fiction Hall of Fame. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. Aussiecon Two awarded him a Hugo for Wonder’s Child: My Life in Science Fiction (1985), and Millennium Philcon saw him get one for his “Ultimate Earth” novella (2000), which also won the Nebula. (Died 2006.)
  • Born April 29, 1923 Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way, several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
  • Born April 29, 1943 Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God was his first novel, I remember that novel as being a rather excellent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made into the digital realm yet. (Died 1986.)
  • Born April 29, 1946 Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.)
  • Born April 29, 1960 Robert J. Sawyer, 63. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. 

(12) COMICS SECTION.

  • The Far Side shows why it can be dangerous to work as a scientist.
  • The Far Side notes there are hazards to working as an artist, too.
  • Tom Gauld displays a librarian’s idea of good architecture.

(13) CONAN COMICS WRITER INTERVIEWED. The Rogues in the House podcast interviews Jim Zub, writer of the new Conan comics for Titan.

(14) THEY MADE IT SO. “‘The Bridge Is Yours:’ You Can Now Virtually Visit Every Star Trek Enterprise Bridge” says Gizmodo. (The direct link is: “U.S.S. Enterprise NCC-1701-D (2364) – Roddenberry Archive”.)

Save for Star Trek: Deep Space Nine, and—obviously—Star Trek: The Lower Decks, most of the action for Star Trek takes place upon the fabled bridge. Over the course of Star Trek’s over-five decade runtime, there have been more than one fan who has imagined themselves working under lights at their station. You can close your eyes and imagine yourself among a crew of like-minded people sharing in that optimistic hope for the future that the show was known for. Finally, there’s now a way to truly put yourself into the captain’s chair of whatever version of the show was your favorite and watch through the viewscreen at all the twinkling stars and imagine where you too might boldly go.

To commemorate the end of Star Trek: Picard’s third and final season, on Thursday the Roddenberry Archive created a new web portal that includes dozens and dozens of accurate 3D models of the famed Starship Enterprise alongside an inside look at its bridge….

(15) FRANK TALK ABOUT MENTAL HEALTH. Kevin Smith, director of Dogma, Clerks, Mallrats and many other at least SFF-adjacent movies and showrunner of Masters of the Universe: Revelation, opens up about his struggles with mental health at People: “Kevin Smith Tells PEOPLE About His Recent Mental Health Crisis”.

One morning last January, film director Kevin Smith awoke in terror, convinced he was losing his mind.

The next day Smith, 52, checked into Arizona’s Sierra Tucson treatment center where he spent the next month in intensive therapy, learning how several childhood traumas had led him to create and hide behind a “larger than life” public persona he calls “the other guy” that eventually usurped his core sense of self.

“It was scary,” he says, speaking about the incident—that he describes as a “complete break from reality”—publicly for the first time in this week’s PEOPLE.

“At that moment, I wouldn’t have been averse to not being around any longer. I called a friend and said, ‘I’m in a weird, dark place. I need to go somewhere and get help.'”…

(16) SCI-FI LONDON FILMS. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi London has just announced its initial tranche of films for this year’s fest 31st May to 6th June 2023.

Even if you are not in the London region, you can check out the trailers below and keep an eye out for the DVD.

All the films are recent and a good few are having their UK, some even, World, premiere at the fest.

There will also be six thematic sessions of short films among much else.

(17) VIDEO OF THE DAY. [Item by Cora Buhlert.] The Dad-at-Arms podcast has a great interview with Netflix producer Ted Biaselli: “Revolution News! Dad-at-Arms Interview: Netflix MOTU Producer Ted Biaselli”. It’s a Masters of the Universe podcast, so the interview focuses on Masters of the Universe: Revelation, but Biaselli worked on a lot of Netflix SFF shows like Wednesday, The Dark Crystal and Castelvania. He also offers some excellent insights into the workflow of an animated TV episode is made and how long it takes. For example, I had no idea that they record the dialogue first and then do the animation, though it makes sense.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Cora Buhlert, Danny Sichel, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Olivia Atwater Wins Self-Published Fantasy Blog-Off #8

Olivia Atwater is the champion of Self-Published Fantasy Blog-Off #8 sponsored by Mark Lawrence. In 11 months of hard work by ten blogs, 300 books were whittled down to 10 finalists, and then to today’s winner. 

Small Miracles finished three-tenths of a point ahead of the next two finalists — click to see the finalists’ score-board.

The other finalists were:

  • The Thirteenth Hour by Trudie Skies
  • Song for the Void by Andrew C. Piazza
  • Miss Percy’s Pocket Guide by Quenby Olson
  • The Umbral Storm by Alec Hutson
  • Scales and Sensibility by Stephanie Burgis
  • A Touch of Light by Thiago Abdalla
  • Tethered Spirits by T. A. Hernandez
  • Mysterious Ways by Abbie Evans
  • Fire of the Forebears by L.A. Buck

The blogs that judged SPFBO 8 were:

SPFBO 9 is expected to open for contestants on May 17.

2023 Rhysling Award Finalists

The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2023 Rhysling Award Finalists.

There are two categories: Short poems of 11–49 lines (101–499 words for prose poems) and Long poems of 50–299 lines (500–1999 words for prose poems)

The selected poems will appear in the 2023 Rhysling Anthology and will be on the ballot for SFPA members to vote on beginning July 1.

SHORT POEMS (50 FINALISTS)

  • A Creation Myth, John C. Mannone, Songs of Eretz, Spring
  • A Spell for Winning Your Personal Injury Lawsuit, Marsheila Rockwell, Dreams and Nightmares 120
  • Biophilia, Sarah Grey, Strange Horizons, Fund Drive
  • Bitch Moon, Sarah Grey, Nightmare Magazine 118
  • Blå Jungfrun, Deborah L. Davitt, Strange Horizons, September 26
  • Black Pastoral: On Mars, Ariana Benson, Paranoid Tree 17
  • Cassandra as Climate Scientist, Jeannine Hall Gailey, California Quarterly 48:4
  • Dinner Plans with Baba Yaga, Stephanie M. Wytovich, Into the Forest: Tales of the Baba Yaga, ed. Lindy Ryan (Black Spot Books)
  • Exulansis, Silvatiicus Riddle, Liquid Imagination 51
  • Field Notes from the Anthropocene, Priya Chand, Nightmare Magazine 116
  • First Contact, Lisa Timpf, Eye to the Telescope 44
  • Fracking-lution, Linda D. Addison, Hybrid: Misfits, Monsters and Other Phenomena, eds. Donald Armfield & Maxwell I. Gold (Hybrid Sequence Media)
  • Gosh, it’s Too Beautiful to Exist Briefly in a Parallel Planet, Nwuguru Chidiebere Sullivan, Strange Horizons, November 21
  • Harold and the Blood-Red Crayon, Jennifer Crow, Star*Line 45.1
  • If I Were Human, Marie Vibbert, Star*Line 45.2
  • In Stock Images of the Future, Everything is White, Terese Mason Pierre, Uncanny 46
  • Intergalactic Baba Yaga, Sandra Lindow, Dreams and Nightmares 122
  • Jingwei Tries to Fill Up the Sea, Mary Soon Lee, Uncanny Magazine 45
  • Laws of Exponents, John Reinhart, NewMyths.com 59
  • Leda Goes To The Doctor, Pankaj Khemka, Carmina Magazine, September
  • Lines to a Martian (Palabras a un habitante de Marte), Alfonsina Storni, Asimov’s Science Fiction, November/December
  • Medea leaves behind a letter, FJ Doucet, Star*Line 45.1
  • Mind Compression, Madhur Anand, Parasitic Oscillations (Random House)
  • Monitors, David C. Kopaska-Merkel (with Kendall Evans), Star*Line 45.1
  • Near the end, your mother tells you she’s been seeing someone, Shannon Connor Winward, SFPA Poetry Contest
  • Necklace, Carolyn Clink, Frost Zone Zine 6
  • New Planet, Kathy Bailey, Dreams and Nightmares 122
  • Old Soldier, New Love, Vince Gotera, Eye To The Telescope 45
  • On the Limitations of Photographic Evidence in Fairyland, Nicole J. LeBoeuf, Eternal Haunted Summer, Summer Solstice
  • Petrichor, Eva Papasoulioti, Utopia Science Fiction, April/May
  • Pittsburgh Temporal Transfer Station, Alan Ira Gordon, Star*Line 45.2
  • Please Hold, Anna Remennik, NewMyths.com 58
  • Raft of the Medusa, Marge Simon, Silver Blade 53
  • Regarding the Memory of Earth, Angela Acosta, Radon Journal 1
  • Sabbatical Somewhere Warm, Elizabeth McClellan, Star*Line 45.4
  • Shipwrecked, Gretchen Tessmer, The Deadlands 12
  • Status Transcript, Lee Murray, A Woman Unbecoming, eds. Rachel A. Brune & Carol Gyzander (Crone Girls Press)
  • Strange Progeny, Bruce Boston, Hybrid: Misfits, Monsters and Other Phenomena, eds. Donald Armfield & Maxwell I. Gold (Hybrid Sequence Media)
  • Tamales on Mars, Angela Acosta, The Sprawl Mag, October
  • The Epidemic of Shrink-Ray-Gun Violence Plaguing Our Schools Must End, Pedro Iniguez, Star*Line 45.3
  • The Gargoyle Watches the Rains End, Amelia Gorman, The Gargoylicon: Imaginings and Images of the Gargoyle in Literature and Art, ed. Frank Coffman (Mind’s Eye Publications)
  • The Long Night, Ryfkah, Eccentric Orbits 3, ed. Wendy Van Camp (Dimensionfold Publishing)
  • The Optics of Space Travel, Angela Acosta, Eye to the Telescope 43
  • The Watcher on the Wall, Rebecca Bratten-Weiss, Reckoning 6
  • Time Skip, Alyza Taguilaso, The Deadlands 16
  • We Don’t Always Have to Toss Her in the Deep End, Jordan Hirsch, The Future Fire 62
  • Werewolves in Space, Ruth Berman, Dreams and Nightmares 121
  • What Electrons Read, Mary Soon Lee, Simultaneous Times 31
  • What the Old Woman Knows, Melissa Ridley Elmes, Listen to Her UNF, March 23
  • What Wolves Read, Mary Soon Lee, Uppagus 54

LONG POEMS (25 FINALISTS)

  • The Bone Tree, Rebecca Buchanan, Not a Princess, but (Yes) There was a Pea, and Other Fairy Tales to Foment Revolution (Jackanapes Press)
  • Corvidae, Sarah Cannavo, Liquid Imagination 50
  • The Dead Palestinian Father, Rasha Abdulhadi, Anathema: Spec from the Margins 15
  • Debris, Deborah L. Davitt, The Avenue, May 18
  • EMDR, Marsheila Rockwell, Unnerving Magazine 17
  • ex-lovers & other ghosts, Herb Kauderer, Cold & Crisp 518
  • field notes from an investigation into the self, Max Pasakorn, Strange Horizons, August 29
  • From “Poem without Beginning or End”, Vivek Narayanan, Poetry, May
  • Georgia Clay Blood, Beatrice Winifred Iker, Fantasy Magazine 80
  • Herbaceous Citadel, Avra Margariti, The Fairy Tale Magazine, January 4
  • How to Skin Your Wolf, G. E. Woods, Strange Horizons, December 19
  • Igbo Landing II, Akua Lezli Hope, Black Fire—This Time, ed. Kim McMillon (Aquarius Press)
  • Interdimensional Border Town, Lauren Scharhag, Unlikely Stories, August
  • Living in Rubble, Gerri Leen, Eccentric Orbits 3, ed. Wendy Van Camp (Dimensionfold Publishing)
  • Machine (r)Evolution, Colleen Anderson, Radon Journal 2
  • The Machines Had Accepted Me For So Long, Angel Leal, Radon Journal 2
  • Matches, Rebecca Buchanan, Not a Princess, but (Yes) There was a Pea, and Other Fairy Tales to Foment Revolution (Jackanapes Press)
  • Mouth of Mirrors, Maxwell I. Gold, Seize the Press, June 14
  • My Great-Grandmother’s House, Madalena Daleziou, The Deadlands 11
  • Queen of Cups, Crystal Sidell, The Magazine of Fantasy & Science Fiction, November/December
  • The River God Dreams of Death By Water, Ryu Ando, Abyss & Apex 84
  • The Second Funeral, Kurt Newton, Synkroniciti 4:1
  • Spring, When I Met You (Spring, When I Woke), Gerri Leen, Dreams and Nightmares 121
  • The Thing About Stars, Avra Magariti, The Saint of Witches (Weasel Press)
  • Who Came from the Woods, Lev Mirov, Strange Horizons, January 3