Monthly Archives: June 2023

Pixel Scroll 6/30/23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

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(1) A FINE IDEA. “Fake reviews are illegal and subject to big fines under new FTC rules” says the Washington Post’s article about a Federal Trade Commission notice of proposed rulemaking.

Fake reviews are ruining the web. But there’s some new hope to fight them.

The Federal Trade Commission on Friday proposed new rules to take aim at businesses that buy, sell and manipulate online reviews. If the rules are approved, they’ll carry a big stick: a fine of up to $50,000 for each fake review, for each time a consumer sees it.

That could add up fast.

It’s the biggest step to date by the federal government to deter the insidious market for buying and selling fake reviews, though the FTC’s rules don’t do as much to hold big review sites like Yelp, Google, Tripadvisor and Amazon directly accountable. (Amazon founder Jeff Bezos owns The Washington Post. Interim chief executive Patty Stonesifer sits on Amazon’s board.)…

Here’s the FTC press release: “Federal Trade Commission Announces Proposed Rule Banning Fake Reviews and Testimonials”.

…In its notice of proposed rulemaking, the Commission cited examples of clearly deceptive practices involving consumer reviews and testimonials from its past cases, and noted the widespread emergence of generative AI, which is likely to make it easier for bad actors to write fake reviews.

The Commission is seeking comments on proposed measures that would fight these clearly deceptive practices. For example, the proposed rule would prohibit:

  • Selling or Obtaining Fake Consumer Reviews and Testimonials: The proposed rule would prohibit businesses from writing or selling consumer reviews or testimonials by someone who does not exist, who did not have experience with the product or service, or who misrepresented their experiences. It also would prohibit businesses from procuring such reviews or disseminating such testimonials if the businesses knew or should have known that they were fake or false.
  • Review Hijacking: Businesses would be prohibited from using or repurposing a consumer review written for one product so that it appears to have been written for a substantially different product. The FTC recently brought its first review hijacking enforcement action.
  • Buying Positive or Negative Reviews: Businesses would be prohibited from providing compensation or other incentives conditioned on the writing of consumer reviews expressing a particular sentiment, either positive or negative.
  • Insider Reviews and Consumer Testimonials: The proposed rule would prohibit a company’s officers and managers from writing reviews or testimonials of its products or services, without clearly disclosing their relationships. It also would prohibit businesses from disseminating testimonials by insiders without clear disclosures of their relationships, and it would prohibit certain solicitations by officers or managers of reviews from company employees or their relatives, depending on whether the businesses knew or should have known of these relationships.
  • Company Controlled Review Websites: Businesses would be prohibited from creating or controlling a website that claims to provide independent opinions about a category of products or services that includes its own products or services.
  • Illegal Review Suppression: Businesses would be prohibited from using unjustified legal threats, other intimidation, or false accusations to prevent or remove a negative consumer review. The proposed rule also would bar a business from misrepresenting that the reviews on its website represent all reviews submitted when negative reviews have been suppressed.
  • Selling Fake Social Media Indicators: Businesses would be prohibited from selling false indicators of social media influence, like fake followers or views. The proposed rule also would bar anyone from buying such indicators to misrepresent their importance for a commercial purpose.

(2) NICOLA GRIFFITH WINS FIRST ADCI LITERARY PRIZE. The inaugural ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize went to Nicola Griffith for Spear (Tordotcom Publishing), “a lyrical, queer reimagining of Arthurian legend, in which ‘those usually airbrushed from history take centre stage’” (Via Ansible.)

The prize, launched in 2022 to encourage greater positive representation of disability in literature, was announced alongside ten other prizes which make up the annual Society of Authors’ Awards. The SoA Awards is the UK’s biggest literary prize fund, worth over £100,000, this year shared between 30 writers, poets and illustrators.

The ADCI Literary Prize. Sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy, the ADCI Literary Prize is awarded to a disabled or chronically ill writer, for an outstanding novel containing a disabled or chronically ill character or characters. Judged by Penny Batchelor, Rowan Hisayo Buchanan, Nydia Hebden, Karl Knights, Julia Lund, Nii Ayikwei Parkes, Vikki Patis and Chloe Timms.

(3) CON OR BUST GRANT OPPORTUNITIES. Dream Foundry’s Con or Bust program for creators and fans of color makes direct cash grants to assist with travel, food, registration, and other expenses associated with attending industry events.

If you’re a person of color planning to go to a convention this year and need support, our Con or Bust program is here for you. Right now we have memberships to the following conventions for any Con or Bust qualifying application.

  • Readercon (July 13-16, 2023)
  • Pemmi-con, aka Nasfic (July 20-23, 2023)
  • Capricon (February 1-4, 2024)

If you want one of these memberships, or need other support from this program, you can apply on the Con or Bust page.

(4) DIAL OF DESTINY. Los Angeles Times’ Mary McNamara joins Harrison Ford on a lap of his marathon promotional tour: “’Indiana Jones’: There will never be another Harrison Ford”.

…That said, his desire for “Dial of Destiny” to succeed feels quite personal.

“I wanted to be ambitious, for those things we have not necessarily done in such measure,” he said. When asked what he means by “those things,” he explains in that instantly recognizable, back-straightening “take this seriously” tone. “I mean take a chance on telling the story of an older character, take a chance on introducing your character in present day in a totally anti-iconic way, reducing him to his underwear and a La-Z-Boy with a glass in his hand.

“That moment in film,” he says, relaxing into a laugh, “may be one of my favorite things I’ve ever done in a movie. That and grabbing a baseball bat and going out to the neighbors’.”

… Mostly, he said, he wanted to see Indy “inveigled into one last adventure. I wanted to see him at the nadir, where we could pick him up and kick him in the ass. I know what age is about. I wanted to bring that into the story. If I was going to be the actor playing this guy, I wanted the reality of my age.”

But first, in the film’s opening scene, he had to play a younger Indy, which made the contrast of past and present more striking. Ford’s face was de-aged through the miracle of artificial intelligence and Lucasfilm’s trove of images from the earlier films, but “the mouth is my mouth, the eyes are my eyes,” he said. “The voice is me talking in a higher register because age lowers the voice, and the body language I had to act. But he moves like I move and I remembered.”…

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a baconless BLT with Jordan Kurella in Episode 201 of the Eating the Fantastic podcast.

Jordan Kurella

This episode’s guest is Jordan Kurella, who was a Nebula Award nominee this year in the category of Best Novella for I Never Liked You Anyway, which was also longlisted for the BSFA award.  His stories have appeared in Beneath Ceaseless Skies, Apex, Mermaid Monthly, Glitter + Ashes, Strange Horizons, and many other magazines and anthologies. Some of these were gathered in his short story collection, When I Was Lost, published by Trepidatio in December. In his past lives, he was a photographer, radio DJ, and social worker, and he has also taught at Iowa State University and Rambo Academy.

We discussed which ice cream flavor he chose to celebrate his Nebula Award nomination, the way readers can tell which stories writers had the most fun writing, how  all he needs to pants a story is the first line, what caused him to say “it’s not write what you know, it’s write what you’re embarrassed about,” why he doesn’t like to reread his own published work unless he has to, how to avoid getting stuck in rabbit holes of research, the ways writing a book can be like spending time with your best friends, his rule about story titles, why we’re both so attracted to writing love stories, how playing the violin in public prepared him for surviving rejection, why he published only a single piece of literary fiction before realizing the fantastic was where he belonged, and so much more.

(6) SWATTING. NBC News’ report “The FBI has formed a national database to track and prevent ‘swatting’” includes a long Q&A with Patrick Tomlinson.

Author Patrick Tomlinson and his wife, business owner Niki Robinson, have been “swatted” at their home in Milwaukee more than 40 times, often resulting in police pointing guns at their heads. Their tormentors have also called in false bomb threats to venues using their names in three states. Yet law enforcement hasn’t been able to stop the calls.

The couple’s terror comes as these incidents appear to be on the rise in the U.S., at least on college campuses. In less than a single week in April, universities including Clemson, Florida, Boston, Harvard, Cornell, Pittsburgh, Rutgers and Oklahoma, as well as Middlebury College, were targeted by swatters.

To combat the growing problem, the FBI has begun taking formal measures to get a comprehensive picture of the problem on a national level.

Chief Scott Schubert with the bureau’s Criminal Justice Information Services headquarters in Clarksburg, West Virginia, told NBC News that the agency formed a national online database in May to facilitate information sharing between hundreds of police departments and law enforcement agencies across the country pertaining to swatting incidents.

… Security expert Lauren R. Shapiro, who is an associate professor at John Jay College of Criminal Justice, said: “Swatting involves people making fraudulent 911 calls reporting serious-level criminal threats or violent situations like bomb threats, hostages, killing, etc. to fool the police into raiding the house or business of somebody who is not actually committing a crime.”…

… Tomlinson’s troubles began after he posted a casual remark on Twitter in 2018 saying he’d never personally found the comedian Norm Macdonald very funny. As The Daily Beast reported, the tweet caught the attention of online trolls who soon began to harass, stalk, impersonate and defame Tomlinson and his wife, using a website of their own along with social media accounts on Reddit, Twitter and YouTube to target the couple and invite others to pile on. 

Their harassers mostly converge on a website that’s cloned elsewhere so participants can migrate rapidly if their forum is ever banned by a service provider. 

 Since The Daily Beast report, the harassment escalated both online and offline.

The couple was mostly recently swatted at their home on Tuesday, bringing the total of swatting incidents to 43. Tomlinson’s parents, who are senior citizens, also suffered swatting at their home about 2 hours outside of Milwaukee this year…

Whether the FBI’s database will lead to any results is open to question based on past performance.

… At a federal level, Tomlinson filed a complaint with the Internet Crime Complaint Center in November 2020. He never saw a reply to that, so in early May 2022, he went to the Milwaukee branch of the FBI in person to file a new one.

An FBI special agent was assigned to evaluate his case. He says the agency already had a file on Tomlinson because of a false bomb threat that swatters had called into a hotel outside of Detroit in April 2022, a few weeks prior to a presentation he was scheduled to give. The presentation, part of PenguiCon, was titled,”Elon Musk is Full of S—.” 

Since then, “There has been nearly zero communication by the FBI,” Tomlinson said. 

One agent has requested more evidence from his family by email on rare occasions. But the agency has not brought him or his wife in for an interview, and have not arrested people who the couple identified as participants in their harassment and swatting…

(7) CALIFORNIA AVENGERS. Critic Todd Martens tells how “Broadway-style ‘Rogers: The Musical’ charms at Disney’s California Adventure” in the Los Angeles Times.

“Rogers: The Musical” started as a joke in the Disney+ series “Hawkeye,” which presented a challenge for the Disneyland Resort’s live-entertainment team. How, in a 30-minute, heavily condensed Broadway-style show, do you bring a little heft to a production in which fans will be clamoring for cheese? Sure, there’s Captain America, Iron Man, Black Widow and the Hulk, among others, but these are superheroes who spend more time flexing jazz hands than muscle.

In the show opening today, directed by Disney’s Jordan Peterson with a book from Hunter Bell, known best for Broadway’s “[title of show],” the answer was simple: heartbreak.

The story of Steve Rogers’ transformation into Captain America is framed by longing — for better days, for acceptance and for love. It allows the production, which veers close to overt patriotism in its opening moments, to find a sense of personal grounding. When an actor playing a young Rogers is framed by an Uncle Sam military recruitment poster, he gets all wistful and rejected: “What’s a guy to do when ‘I want you’ doesn’t mean you?”

Don’t worry, the production doesn’t stay down for long. “Hawkeye” introduced fans to the over-the-top corniness of the song “Save the City,” a work written by Broadway vets Marc Shaiman and Scott Wittman, and it pops up multiple times, each one leaning into the showtune parody that it is. When it wants to, “Rogers: The Musical” embraces its silliness….

…The musical features five original songs, not counting the previously heard “Save the City” and “Star Spangled Man,” which dates to the film “Captain America: The First Avenger.” The new works are credited to composer Christopher Lennertz, with lyrics by Peterson, Lennertz and Alex Karukas. None quite reach the heights of “Save the City,” which went all out in its showtune glitz. “Rogers: The Musical” comes off as a series of puzzle pieces constructed around that signature number.

Lennertz, a composer with a lengthy résumé of film and television credits, including Marvel’s “Agent Carter,” plays it more low-key. The new works largely attempt to take “Rogers” out of parody mode, a decision that accounts for a series of tonal shifts and results in a theatrical mood that’s not quite serious yet not fully goofy.

(8) CSI SKILL TREE. The latest episode in the ASU Center for Science and Imagination’s Skill Tree series on video games, possible futures, and worldbuilding is out, featuring the award-winning science fiction roleplaying game Citizen Sleeper (2022). This episode’s guests are Gareth Damian Martin, the game’s developer, and Phoebe Wagner, a speculative fiction author, researcher, and editor of three solarpunk anthologies, including Sunvault. Here’s a link to the entire Skill Tree playlist, with 12 episodes so far.

(9) ALAN ARKIN (1934-2023). Four-time Oscar nominee Alan Arkin, who won Best Supporting Actor for Little Miss Sunshine (2007), died June 30 at the age of 89. He was perhaps best known for playing Yossarian in Catch-22 but his other three Oscar nominations honored his portrayals of deaf-mute Singer in The Heart Is a Lonely Hunter, Russian Lt. Rozanov in one of my favorite movies, The Russians Are Coming, the Russians Are Coming, and the has-been producer Lester Siegel in the genre-adjacent Argo.  

In Argo (2012), Arkin played the fictional producer of a fake sff movie that provided cover for a CIA operation to rescue Americans caught up in the Iranian Revolution of 1979. He acted in collaboration with a character based on real-life Planet of the Apes makeup man John Chambers, played by John Goodman.

Within the sff genre Arkin did a lot of voice work late in his career – including Dumbo (2019) and Minions: Rise of Gru (2022), but early on voiced Schmendrick in The Last Unicorn (1982).

He’s been in a Muppets movie, in The Monitors (1969), in the film adaptation of Kurt Vonnegut’s Mother Night (1996), played Detective Hugo in Gattaca (1997), The Chief in the movie Get Smart (2008). He had parts in The Seven Percent Solution (Dr. Sigmund Freud — 1976) Edward Scissorhands (1990), and The Rocketeer (1991).

Arkin also won a Tony for his Broadway debut in 1963’s Enter Laughing.

(10) MEMORY LANE.

1989 – [Written by Cat Eldridge from a choice by Mike Glyer.]

This time Mike picked one of my favorite writers, Sheri S. Tepper. Her series have too many exemplary books to list them all and her standalone novels such as Singer from the Sea and The Companions are excellent as well.

She’s been nominated for a lot of Awards but garnered only two, one of which is the World Fantasy Award for Life Achievement. Grass, the source of our Beginning this time, was published by the Doubleday Foundation in 1989 (one of their first books was Asimov’s Prelude to Foundation), and was a Hugo finalist at ConFiction. 

And it has an absolutely stunning Beginning as you can read here…

Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses—some high, some low, some feathered, some straight—making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Grass. Ruby ridges, blood-colored highlands, wine-shaded glades. Sapphire seas of grass with dark islands of grass bearing great plumy green trees which are grass again. Interminable meadows of silver hay where the great grazing beasts move in slanted lines like mowing machines, leaving the stubble behind them to spring up again in trackless wildernesses of rippling argent. 

Orange highlands burning against the sunsets. Apricot ranges glowing in the dawns. Seed plumes sparkling like sequin stars. Blossom heads like the fragile lace old women take out of trunks to show their granddaughters.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. He was the first Canadian to have a major publishing role in Britain. (Died 1982.)
  • Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
  • Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
  • Born June 30, 1959 — Vincent D’Onofrio, 64. His long running-role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in Wilson Fisk / Kingpin in four television series of the Marvel Cinematic Universe, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
  • Born June 30, 1963 — Rupert S. Graves, 60. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. 
  • Born June 30, 1966 — Peter Outerbridge, 57. Dr. David Sandström in what I think is the terribly underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black and a recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. 
  • Born June 30, 1972 — Molly Parker, 51. Maureen Robinson on the Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man as Sister Rose / Sister Thorn. She also was Alma Garret on Deadwood. No, not genre but Emma and Will love the series. 

(12) COMICS SECTION.

(13) WIDOWMAKER. Sarah Gailey will be writing Marvel’s White Widow comic reports The Mary Sue: “Yelena Belova Fans, Our Time Is Now With This New ‘White Widow’ Comic!”

Being a fan of Yelena Belova keeps getting better and better. The younger sister of Natasha Romanoff, Yelena is also a widow and is everything that a sassy younger sister could be. And now she’s getting her very own time in the spotlight with a new comic series! First appearing in 1998, Belova quickly became a popular character for fans of Nat but she gained a new level of fame when Florence Pugh took on the role in the Marvel Cinematic Universe.

Getting her own comic storyline is just exciting evidence of how popular Yelena Belova has grown throughout the last twenty-five years. As someone who relates to Yelena Belova a lot (and she’s one of my all-time favorite Marvel characters), this comic makes me incredibly excited for the future of her character!

Called White Widow, the series is created by writer Sarah Gailey and they worked along side artist Alessandro Miracolo to bring her to life. David Marquez gave us a perfectly Yelena cover and the entire reveal is a dream come true for fans. Sometimes, you wait a long time to see a character you love get their time in the spotlight and that’s exactly what is happening with White Widow. She’s not the little sister in Nat’s shadow anymore with this series!

(14) AI IN CINEMA. [Item by Steven French.] The Guardian seems to be having a bit of a bout of listmania these days but this one contains some interesting recommendations: “The best films about AI – ranked!”

16. Avengers: Age of Ultron (2015)

The first Avengers sequel isn’t particularly good, but at least it introduced cinema to the AI lifeform Ultron. Tasked with sparing the Avengers from having to suit up whenever a new baddie rolls into town, Ultron quickly realises that the greatest threat to world peace is humanity and – in time-honoured AI fashion – attempts to eradicate it himself. The moral of Age of Ultron is clear: trust AI less than the irresponsible billionaires who invented it.

(15) FUTURE TENSE. The June story in the Future Tense Fiction monthly series is “The Big Four v. ORWELL,” by Jeff Hewitt, about a copyright lawsuit against a prolific AI author.

The response essay is by sff novelist Ken Liu, “The Imitation Game”.

… But what about ChatGPT-5, ChatGPT-15, or ChatGPT-55? Assuming this goes on, in classic science fiction fashion, the LLMs will surely continue to blur the lines between artificial and “real” authors. That blurriness is the setup for Jeff Hewitt’s “The Big Four v. ORWELL,” a courtroom drama in which a group of publishers sue ORWELL, an A.I. that has become a prolific author, for copyright infringement.

I have my doubts that the current approach to building LLMs, essentially an exercise in statistically predicting the most likely next “token” given a string of tokens, can lead to the holy grail of artificial general intelligence, an imagined state of crafted cognition capable of accomplishing any intellectual task a human can. (ORWELL definitely appears to be an AGI.) Symbol manipulation alone, without more, must plateau at some point short of “true” intelligence—or so I tell myself (using strings of symbols, of course, smug with irony). To be sure, there is reason to be humble here. Decades ago, when I was studying A.I. in college, the idea that anything resembling the current brute-force approach could construct a virtual entity that could tutor you on any subject you liked, compose college essays, and even answer personal ads would have seemed like handwavium sci-fi. And yet, here we are. So, maybe I’m wrong about the future this time too….

(16) SERVING KAIJU CHOW. “Taiwan restaurant launches ‘Godzilla’ crocodile ramen” reports Taiwan News. These days there’s always a suspicion that such a photo is produced with AI, but the ingredient seems plausible.

A restaurant in Douliu City, Yunlin County debuted its “Godzilla” ramen featuring crocodile meat as its main ingredient.

Nu Wu Mao Kuei (女巫貓葵) announced on Facebook the launch of its “Godzilla” ramen, which is prepared by steaming or braising the front leg of a crocodile. In a clip, a young female customer samples both flavors and describes the dish as surprisingly delicious.

She says the steamed version of the dish resembles chicken, while the braised meat has a taste similar to pork feet. The soup contains over 40 spices, and the owner reportedly learned how to make the spicy “witch soup” during a trip to Thailand, SETN reported

The crocodiles used for this dish are sourced from a farm in Taitung. The owner was inspired by the giant isopods ramen, which went viral at another restaurant.

(17) TYPECASTING. [Item by Tom Becker.] Womprat is a bold font, inspired by the classic “STAR WARS” text on the movie poster. But that is just the beginning. There are alternate character sets, ligatures, symbols, and special glyphs galore. It is clearly the work of obsessive font geeks who are also massive Star Wars fans. It is a delight just to browse the glyphs or the free desktop background at http://womprat.xyz

(18) VIDEO OF THE DAY. From Good Omens’ second season: “What’s The Point Of It All? – Season 2 Sneak Peek”.

A brand new Good Omens Season 2 clip from the upcoming return of Amazon Studios’ fantasy comedy series has been released, featuring David Tennant as Crowley. The next installment will be available for streaming on July 28 on Prime Video.

The video confirms Crowley’s current status in Hell as persona non grata, as the fan-favorite demon continues to question the point of Heaven and Hell. It also features Miranda Richardson’s newest character, who has now assumed the role of Hell’s representative in London after previously playing the role of Madame Tracy in Season 1.

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Juli Marr, Tom Becker, Lise Andreasen, Joey Eschrich, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Chengdu Worldcon Will Miss Latest Estimated Date for Release of Hugo Ballot

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The Chengdu Worldcon committee today posted an appeal that people “check your email without delay” to find out if they need to accept a Hugo nomination: “114 Lucky Emails Have Been Sent”. The message appeared on the 2023 Worldcon’s Chinese and English websites, and in its social media including Facebook.

114 Lucky Emails Have Been Sent

According to the WSFS Constitution , the 2023 Hugo Awards Subcommittee is currently sending emails to the finalists for final confirmation. The official list will be announced once all the finalists have confirmed by email. We appreciate your support and attention. We kindly request you to check your email without delay, as there might be pleasant surprises for you.

Hugo Awards Subcommittee of 2023 Chengdu Worldcon

June 30, 2023

The 114 number represents the total number of finalists in seventeen Hugo categories plus the Astounding and Lodestone awards. The committee is silent about how many acceptances they have already received, although they began contacting people earlier this month and it is known some finalists have already said yes.  

Making a public request such as this without setting any deadline for responses leaves open how long completing the process will be allowed to delay release of the final ballot. Just last week the committee said they were “looking at the end of June” to announce the finalists.

The rules in the WSFS Constitution require using “reasonable efforts to notify the finalists”. With certain exceptions, there is no requirement that a finalist respond or that they be passed over as finalists if they don’t respond. The exceptions are in the Best Professional Artist, Best Fanzine, and Best Semiprozine categories where a response is needed to self-certify the finalist’s eligibility for the year.

These rules were originally added decades ago to give people an opportunity to decline if they wanted to – like those who have withdrawn themselves from the award for a year or permanently, or who might have had two works in the same category make the final cut and want to decline one in order to avoid weakening their chance of winning. The portion requiring self-certification of eligibility in certain categories is a more recent addition, and the use of “should/shall” verbs in those sections implies a positive response must be received in order for the person or work to be on the ballot.

Here are the current rules governing the notification process:

Section 3.10: Notification and Acceptance.

3.10.1 Worldcon Committees shall use reasonable efforts to notify the finalists, or in the case of deceased or incapacitated persons, their heirs, assigns, or legal guardians, in each category prior to the release of such information. Each person notified shall be asked at that time to either accept or decline the nomination. If the person notified declines nomination, that finalist(s) shall not appear on the final ballot. The procedure for replacement of such finalist(s) is described in subsection 3.9.4.

3.10.2 In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.

3.10.3 Each finalist in the categories of Best Fanzine and Best Semiprozine shall be required to provide information confirming that they meet the qualifications of their category.

Mid-Year Crime Fiction Awards Roundup

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Three more crime fiction awards announced their winners or longlists in June.

2023 ELEANOR TAYLOR BLAND EMERGING CRIME FICTION WRITER OF COLOR AWARD

The winner of the 2023 Eleanor Taylor Bland Crime Fiction Writers of Color Award was announced by Sisters in Crime on June 20.

  • Nicole Prewitt

The winner of the 2023 Award is Nicole Prewitt of Milwaukee, Wisconsin. Her winning submission, “Harts Divided”, follows Neema Hart, a black, bisexual thief-turned-P.I., who owns a detective agency and therapy office with her estranged wife, Genie Hart. When what should be a bread-and-butter infidelity case results in unsuspecting women getting burned, in more ways than one. The Harts are pushed to prove their commitment to their clients, their community, and each other.

The winner receives a $2,000 grant intended to support the recipient in crime fiction writing and career development activities. The grant may be used for activities that include workshops, seminars, conferences, and retreats, online courses, and research activities required for completion of the work.

 Prewitt’s story was selected from over 60 submissions by 2023 judges Shizuka Otake — winner of the award in 2022 — plus novelists R. Franklin James and Andrea J. Johnson.

Sisters in Crime also awarded five runners-up a year-long membership to the organization:

  • Josette Covington (Wilmington, Delaware)
  • Ann Harris (Atlanta, Georgia)
  • Kathryn Harrison (Bingham Farms, Michigan)
  • Karabi Mitra (Toronto, Ontario)
  • Deena Short (Stonecrest, Georgia).

THE NGAIO MARSH AWARDS 2023 LONGLIST

The 14 books up for the 2023 Ngaio Marsh Award for Best Novel, the New Zealand crime fiction award, were announced June 29.

  • Too Far From Antibes by Bede Scott
  • Exit .45 by Ben Sanders
  • Blue Hotel by Chad Taylor
  • Remember Me by Charity Norman
  • The Darkest Sin by D. V. Bishop
  • Poor People With Money by Dominic Hoey
  • The Doctor’s Wife by Fiona Sussman
  • Miracle by Jennifer Lane
  • Better the Blood by Michael Bennett
  • In Her Blood by Nikki Crutchley
  • The Pain Tourist by Paul Cleave
  • Blood Matters by Renée
  • The Slow Roll by Simon Lendrum
  • Paper Cage by Tom Baragwanath

DASHIELL HAMMETT AWARD

The winner of the 2022 Dashiell Hammett Award for Literary Excellence in Crime Writing was named by the International Association of Crime Writers (North American Branch) on June 24. The award is given to a book, originally published in the English language in the United States or Canada, “that best represents the conception of literary excellence in crime writing.”

  • Pay Dirt Road by Samantha Jayne Allen

[Thanks to Cora Buhlert for these stories.]

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

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(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Cisco and Farah Rose Smith on Wednesday, July 12, beginning at 7 Eastern.

MICHAEL CISCO

Michael Cisco is the author of several novels, including The Divinity Student, The Great Lover, The Narrator, and Pest, as well as the Stoker-nominated nonfiction book Weird Fiction: A Genre Study. His short fiction has appeared in numerous anthologies, and his most recent collection is Antisoc. He is the author of two novellas: ETHICS, and Do You Mind If We Dance With Your Legs? He lives in New York City.

FARAH ROSE SMITH

Farah Rose Smith is the author of the horror and dark fantasy novellas Eviscerator, The Almanac of Dust, Anonyma, and Lavinia Rising. She has also written two collections of short supernatural fiction, Of One Pure Will and The Witch is the Body. Smith recently completed a master’s degree in English Literature, Language, and Theory and is writing her third collection. Born and raised in Rhode Island, Smith currently lives in New York City with her husband, weird fiction author Michael Cisco, and their three cats.

Location: The KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(2) BANKS ACCOUNT. On the 10th anniversary of the author’s death, the Guardian’s Steven Poole helps readers decide “Where to start with: Iain Banks”. The second book he considers is Consider Phlebas:

The billionaires’ favourite

Banks originally wanted to be a science-fiction author, but after several unsuccessful drafts in the 1970s decided to write something “normal” instead, thus rocket-boosting his literary career with The Wasp Factory. He then started publishing science fiction as Iain M Banks, beginning with Consider Phlebas, a phrase taken from Eliot’s The Waste Land. It’s a cosmos-spanning romp that introduces the Culture, a post-human galactic civilisation in which AI does all the work and no one wants for food or other resources. (Fully automated luxury communism – in space.)

In this first story, the smug liberal Culture is at war with the Idirans – AI refuseniks who are waging a jihad against them. Through this backdrop wanders sympathetic mercenary Bora Horza Gobuchul, a Mandalorian-style drifter with a very particular set of skills. Banks’s vision of a starfaring, post-scarcity civilisation run by AIs, in which people can change their DNA at will and live for 400 years, is publicly admired by tech giants such as Jeff Bezos and Elon Musk – even as they toil along with us in the capitalist present. Unfortunately for Bezos, a planned Amazon TV series based on the novel was cancelled in 2020 after Banks’s estate withdrew permission.

(3) APOCALYPSE, THE NEXT GENERATION. The New York Times magazine looks at media to probe the question “Will Children Save Us at the End of the World?”

…There’s “Station Eleven,” the 2014 novel by Emily St. John Mandel about the aftermath of a swine flu, which was turned into a much-discussed 2021 HBO Max series, in which an 8-year-old girl manages to survive with the help of a stranger turned surrogate parent. “The Last of Us,” HBO’s video game adaptation, which debuted in January, features a zombie-fungus pandemic; a seemingly immune teenage girl is humanity’s one hope. “Leave the World Behind,” Rumaan Alam’s 2020 novel — soon to be a movie — about a bourgeois family vacation gone very bad, features a vague but menacing threat of apocalypse. Also loosely belonging to this category are the shows “Yellowjackets” (2021-present) — a girls’ soccer team turns to cannibalism after a plane crash — and “Class of ’07” (2023) — a school reunion coincides with a climate apocalypse — and the new-to-Netflix 2019 Icelandic movie “Woman at War” (a renegade activist tries to stop the destruction of the environment and adopt a child).

These stories are, in various ways, about how and whether our children can survive the mess that we’ve left them — and what it will cost them to do so. In “Station Eleven,” post-pans (children who were born after the pandemic) are both beacons of optimism and conscripted killers deployed by a self-styled prophet who hopes to erase anyone who holds on to the trauma of the past. And in “The Last of Us,” Ellie, the young girl with possible immunity (played by the actor Bella Ramsey), is forced to kill to survive, and to grapple with whether it’s worth sacrificing her own life in the search for a cure….

The anxieties that these works explore — about planetary destruction and what we did to enable it — are, evidence suggests, affecting the desire of some to have children at all, either because of fear for their future or a belief that not procreating will help stave off the worst. But following the children in these fictions, who didn’t create the conditions of their suffering, isn’t just a devastating guilt trip. Almost all these stories also frame children as our best hope, as we so often do in real life. Children, we need to believe, are resilient and ingenious in ways that adults aren’t. In these stories, when the phones stop working and Amazon stops delivering, it’s children, less set in their ways, who can rebuild and imagine something different. They’re our victims but also our saviors….

(4) SALVAGE RIGHT NEWS. Salvage Right by Sharon Lee and Steve Miller, the 25th Liaden Universe® novel (and their 100th collaborative work), will be officially released in paper and ebook editions July 4, 2023. Some stores already have the hardback on the shelves; signed copies are available from Uncle Hugo’s bookstore in Minneapolis.

Sample chapters from Salvage Right are available online at Baen Books

In honor of Salvage Right Lee and Miller are taking part in a number of podcasts and special events:

  • Annies Bookstore: Selina Lovett at Annie’s Bookstore did a Zoom interview with the authors, which can be found here
  • Watch for Griffin Barber’s interview with them at the Baen Free Radio Hour
  • Upcoming: An interview with fyyd: CultureScape with Peter PischkeCultureScape with Peter Pischke with release date TBA
  • Another interview with Under The Radar SFF Books is due later in July
  • The authors will be doing a virtual book signing at Pandemonium Books, Wednesday July 26, details TBA

(5) MANNERS, PLEASE. Oghenechovwe Donald Ekpeki thought a timely reminder was in order about the awards etiquette published by the Unofficial Hugo Book Club Blog a couple of months ago, so he retweeted it today. Thread begins here. Here’s an excerpt:

(6) AMY WISNIEWSKI (1947-2023). Mythopoeic Society member Amy Wisniewski died June 20 at the age of 76. She is survived by her wife, Edith Crowe. David Bratman has written a tribute on Kalimac’s corner, “Amy Wisniewski”, which says in part:

…Amy was already in the Society when I arrived. The first meeting I attended was at the small house that she and her partner (and later wife) Edith Crowe were living at in the flatlands of Redwood City. 48 years later, in a larger house further up in the hills, they were still hosting meetings. Almost every year, except during pandemics, they hosted the annual Reading and Eating Meeting. We would gather for a potluck meal and then take turns reading short selections around the (once real, later theoretical) fire.

For a few years, Amy was our discussion group’s moderator, and she actually directed meetings with a skill and knowledge surpassing that of anyone else who had that title. Amy wasn’t a Tolkien scholar; she didn’t give papers at Mythcon; but she had read and absorbed his books and did the same for the books we were discussing, and consequently always had intelligent things to say….

(7) MEMORY LANE.

2002 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tonight we have a Beginning by Carol Emshwiller. She was prolific as a short fiction writer with more stories than I can comfortably count.  The two volume collection of The Collected Stories of Carol Emshwiller that Nonstop Press did a decade back collects nearly twelve hundred pages of her stories. 

She did just six novels of which four were genre and two were in the cowboy genre, Ledoyt and Leaping Man Hill.  No, I didn’t know she’d written the latter. All four of her genre novels are quite excellent.  The Mount which is where our Beginning comes from garnered a Philip K. Dick Award. 

And now from stage left comes our Beginning…

We’re not against you, we’re for. In fact we’re built for you and you for us – we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like mother-walk.

You’ll be free. You’ll have a pillow. You’ll have a water faucet and a bookcase. We’ll pat you if you do things fast enough and don’t play hard to catch. We’ll rub your legs and soak your feet. Sams and Sues, and you Sams had better behave yourselves.

You still call us aliens in spite of the fact that we’ve been on your world for generations. And why call aliens exactly those who have brought health and happiness to you? And look how well we fit, you and us. As if born for each other even though we come from different worlds.

We mate the stock with the stocky, the thin with the thin, the pygmy with the pygmy. You’ve done a fairly good job of that yourselves before we came. As to skin, we like a color a little on the reddish side. Freckles are third best.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. Simply astounding. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
  • Born June 29, 1943 — Maureen O’Brien, 80. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
  • Born June 29, 1947 — Michael Carter, 76. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”. 
  • Born June 29, 1950 — Michael Whelan, 73. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
  • Born June 29, 1956 — David Burroughs Mattingly, 67. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1986 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
  • Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing almost a decade back. (Died 2015.)

(9) COMICS SECTION.

Catching up with Tom Gauld —

(10) JEOPARDY! [Item by David Goldfarb.] From the June 28 episode, three clues in the single Jeopardy round.

Open Door, $1000: Gandalf initially struggles to open the door to this place, but after speaking the Elvish word for “friend” he gets it right

This was a triple stumper.

Google Easter eggs, $400: A Google search for what’s the answer to life, the universe, & everything gives you this number

Bryan White (whose score was $4200!): “What is 37?”

Neither of the other two could respond correctly. Douglas Adams is spinning in his grave.

$800: Google this HBO show with Pedro Pascal & keep clicking the mushroom icon for your screen to be enveloped by some humongous fungus

Bryan knew “The Last of Us”.

(11) ALL KAIJU ALL THE TIME. “24-Hour Godzilla Channel Coming to Pluto TV With Exclusive Films” promises Comicbook.com.

Godzilla is coming to Pluto TV with a huge new channel dedicated to showing off tons of Godzilla movies and shows 24 hours a day with some exclusive films to boot! TOHO’s famous Kaiju has been stomping through many eras since the giant monster was first introduced back in the 1950s, and has since amassed a massive library of TV shows and movies that fans still enjoy to this day. Now Pluto TV has made checking out your favorite Godzilla projects easier than ever before with a new streaming channel with the platform highlighting all of the biggest and best Godzilla outings over the years! 

Pluto TV has announced a new Godzilla channel filled with not only classics such as the original 1954 Godzilla debut film, Godzilla vs. Megalon, and more but even left-field additions such as the animated Godzilla: The Series from the late ’90s and early ’00s. But the biggest surprise is that this new Godzilla channel will also offer up seven Godzilla films that are exclusive to Pluto TV as fans won’t be able to find them streaming anywhere else. Read on to see the massive list of movies and TV shows coming to Pluto TV’s new Godzilla channel launching on July 1st…. 

(12) HERE’S MY NUMBER AND A DIME, DIAL ANYTIME. “The Real History Behind the Archimedes Dial in ‘Indiana Jones and the Dial of Destiny’” in Smithsonian Magazine.

Off the coast of the Greek island of Antikythera in 1900, sponge divers came across a shipwreck filled with ancient treasures. Hidden among flashier finds like marble statues and jewelry was a mysterious device known today as the Antikythera mechanism.

Dated to more than 2,000 years ago, the device “is probably the most exciting artifact that we have from the ancient world,” says Jo Marchant, author of the 2008 book Decoding the Heavens: Solving the Mystery of the World’s First Computer. More than a millennium before 13th-century Europeans invented the first mechanical clocks, the Antikythera mechanism employed similarly complex technology—including gear wheels, dials and pointers—to chart the cosmos. The ancients used it to predict eclipses, track the movement of the sun and the moon, and even see when sporting events like the Olympics were scheduled to take place.

Contrary to what Indiana Jones and the Dial of Destiny, the latest installment in the epic franchise, suggests, the Antikythera mechanism won’t transport you back in time—not literally, at least. Every Indiana Jones adventure needs an exotic MacGuffin; in the new outing, which arrives in theaters this week, the hero chases after the Archimedes Dial, a fictionalized version of the Antikythera mechanism that predicts the location of naturally occurring fissures in time.

…In the film’s 1944-set prologue, Indy (Harrison Ford) captures a train loaded with Nazi plunder, including the titular Dial of Destiny. The movie then jumps ahead to 1969. Indy is set to retire from teaching archaeology, and the world is celebrating the safe return of the Apollo 11 crew. One of the men most responsible for the United States’ victory in the space race is Jürgen Voller (Mads Mikkelsen), a former Nazi who was given sanctuary by the Allies in exchange for his expertise, much like the real-life NASA engineer Wernher von Braun. When Indy learns that Voller wants to use the Archimedes Dial to travel for nefarious purposes, he reluctantly dusts off his old hat and bullwhip to (again) keep a potentially devastating weapon out of Nazi hands….

(13) NATURE EDITORIAL WARNS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] You know, I simply love the end of the world.  You can’t beat it. Of course, as long as it is firmly in SF.  (Wouldn’t like it in reality: it’d get in the way of afternoon tea and evening real ale down the pub…)

Today’s Nature editorial once more tackles doomsday.  Beware of tech companies achieving their goals through obsfucation… “Stop talking about tomorrow’s AI doomsday when AI poses risks today”.

Talk of artificial intelligence destroying humanity plays into the tech companies’ agenda, and hinders effective regulation of the societal harms AI is causing right now.

The idea that AI could lead to human extinction has been discussed on the fringes of the technology community for years. The excitement about the tool ChatGPT and generative AI has now propelled it into the mainstream. But, like a magician’s sleight of hand, it draws attention away from the real issue: the societal harms that AI systems and tools are causing now, or risk causing in future. Governments and regulators in particular should not be distracted by this narrative and must act decisively to curb potential harms. And although their work should be informed by the tech industry, it should not be beholden to the tech agenda.

Many AI researchers and ethicists to whom Nature has spoken are frustrated by the doomsday talk dominating debates about AI. It is problematic in at least two ways. First, the spectre of AI as an all-powerful machine fuels competition between nations to develop AI so that they can benefit from and control it. This works to the advantage of tech firms: it encourages investment and weakens arguments for regulating the industry. An actual arms race to produce next-generation AI-powered military technology is already under way, increasing the risk of catastrophic conflict — doomsday, perhaps, but not of the sort much discussed in the dominant ‘AI threatens human extinction’ narrative.

Second, it allows a homogeneous group of company executives and technologists to dominate the conversation about AI risks and regulation, while other communities are left out. Letters written by tech-industry leaders are “essentially drawing boundaries around who counts as an expert in this conversation”, says Amba Kak, director of the AI Now Institute in New York City, which focuses on the social consequences of AI.

To all of which the SF fan might ask how the genre might contribute…?

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven French, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day –dsr-.]

2024 NASFiC Site Selection Opens

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Pemmi-Con, this year’s NASFiC in Winnipeg, has posted the 2024 Site Selection ballot at their Site Selection page.

The only filed bid for the 2024 NASFiC is for Buffalo, NY. Their proposed dates are July 18-21, 2024. Details of their bid, including their organizing document and their facilities agreement with the Buffalo Niagara Convention Center and the Hyatt Regency Buffalo, can be found on the NASFiC Bids website or their bid webpage.

Other groups may file as write-in bids up until the close of at-convention voting, currently scheduled for Friday, July 21, 2023, 6 PM Central. To file a bid in advance of the convention, send it by email to siteselection@pemmi-con.ca.

Kevin Standlee provided the following explanation:

The 2024 NASFiC Site Selection ballot is posted with instructions on how to vote at the Pemmi-Con Site Selection page

Only members of Pemmi-Con can vote, although you can buy a membership before voting or by including a separate membership payment with a site selection ballot.

Ways to vote:

1. In person at Pemmi-Con, the 2023 NASFiC in Winnipeg. Voting will be open on Thursday, July 20 and Friday, July 21, 2023, and closes at 6 PM on July 21. Payment in person of the Advance Supporting Membership (voting) fee of CAD 40 / USD 30 can be in cash, cheque/check/money order, or by credit card. Credit card payments are processed in CAD.

2. Download  and print the 2024 NASFiC Site Selection ballot from the Site Selection page and send a completed ballot by postal mail to one of the addresses on the ballot. Postal ballots must be received by July 11. (Payment can be by CAD or USD checque/check/money order or by paying of a Voting Token online through the Pemmi-Con registration site.)

3. Download and print the 2024 NASFiC Site Selection ballot, purchase a Voting Token through the Pemmi-Con registration site, complete the ballot, scan/photograph it, and send the ballot to the Site Selection administration. Email ballots must be received by 4 PM on Friday, July 21.

4. Send a completed ballot with someone else to deliver to Site Selection in person in Winnipeg.

Ray Harryhausen On Miklos Rozsa … Bernard Herrmann … And Max Steiner

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Ray Harryhausen

By Steve Vertlieb: Ray Harryhausen remains one of the most revered figures in fantasy/sci-fi motion picture history. Born June 29, 1920, Ray was not only a childhood hero, but became a dear and cherished friend of nearly fifty years duration. June 29, 2020, commemorated his genius, as well as the joyous centennial of his birth with numerous remembrances, events, and exhibitions in celebration of his 100th birthday throughout the world.

His work in films inspired and influenced generations of film makers, and garnered him a special Academy Award, presented by Tom Hanks, for a lifetime of cinematic achievement. Steven Spielberg joyously proclaimed that his own inspiration for directing Jurassic Park was the pioneering special effects work of Harryhausen.

My loving remembrance of Ray was published by The Thunderchild shortly after his death on May 7, 2013, nominated by the annual Rondo Awards for Best Article of the Year, and published once more for what would have been his 100th birthday on June 29th, 2020, by the Hugo Award winning web magazine File 770. 

It was my celebration and loving remembrance of the life and work of cinematic master, and special effects genius, Ray Harryhausen. It was also the tender story of a very special man, as well as an often remarkable personal friendship. I love you, Ray. You filled my dreams, my life, and my world with your wondrous creatures.

In sweet recollection of this wonderful soul, here is an affectionate tribute to my friend of forty-eight years, and boyhood hero of interminable recollection and duration, as well as a pioneering champion of original music written for the motion picture screen … the incomparable Stop Motion genius, and Oscar honored special effects pioneer, Ray Harryhausen.  

Journey with me now to a “Land Beyond Beyond” where dreams were born, cyclopean creatures thundered across a primeval landscape, mythological dragons roared in awe struck wonder, and magical stallions ascended above the clouds in intimate personal correspondence … Once Upon A Time.

Ray and Diana Harryhausen with Steve Vertlieb

Pixel Scroll 6/28/23 As Ye Scroll, So Shall Ye Pixel

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(1) RE-ENTERING THE LIST. The USA Today Bestseller List relaunched today. It had gone “on hiatus” in December 2022 because USA Today/Gannett laid off the long-time employee who created the list on her own every week. A USA Today press release says the formerly manual process is now automated:

USA TODAY’s Best-selling Booklist, a leading force in the market since 1993, ranks the 150 top-selling book titles weekly based exclusively on sales analysis from U.S. booksellers including bookstore chains, independent bookstores, mass merchandisers and online retailers. Using technology to enhance the user experience and automation to increase data sources, the rankings are aggregated from sales data without editorial subjectivity, giving readers an accurate and inclusive list of what people are reading – from books for kids to romance, from memoirs to thrillers.

Publishers Lunch says “reporting stores include Amazon, B&N, Costco, Walmart, Books Inc, and indie stores in markets including Pasadena, CA, Lexington, KY, Portland, OR, St. Louis, MO, Madison, CT, Grand Rapids, MI, and Denver, CO. Any store that wants to report can be quickly added to the list.”

(2) MEDICAL UPDATE. Ursula Vernon is glad to report things aren’t as terrible as they could have been.

(3) SFF TRANSLATION AWARD CALLED OFF FOR 2023. Last year, Spain’s Asociación Española de Fantasía, Ciencia Ficción y Terror combined with ACE Traductores (ACE Translators) to created the Premio Matilde Horne a la Mejor Traducción de Género Fantástico (Matilda Horne Award for the Best Fantastic Genre Translation) in honor of translator Matilde Zagalsky. (Matilda Horne was her pseudonym.)

However, it was announced this week that there has not been enough voter support to justify presenting the award in 2023. (The following is a Google translation.)

Last year, the Matilde Horne Translation Prize was launched, divided into two phases: a first with a popular vote, in which the finalist works were chosen, and a second in which a jury appointed by ACE Traductores evaluated these works and selected the best translation of the fantasy genre in 2021. The winner was David Tejera Expósito for his translation of Gideon la Novena, a novel by Tamsyn Muir published by Nova.

Unfortunately, this year we will not be able to repeat what Pórtico and ACE Traductores consider to be a well-deserved recognition of a work that is often invisible, but vital in the literary market (of the titles registered with the ISBN Agency, translations account for approximately 16.2% of the total in 2015). The Administration of the awards has transferred the news of the cancellation of the prize in this edition after checking the participation rate and votes cast in the 2023 edition, which has not reached the minimum required by the regulations

“Although the census has grown by 43%, participation has fallen by 15%. Of the 1854 people registered, only 130 have cast any vote for the Matilde Horne Prize, which represents only 7% participation, less than the 10% required by Article 14 of the Regulations. On the other hand, with 238 valid proposals, the minimum that a candidacy had to meet to be a finalist was to have more than 10 votes (Article 15). Only one of the proposed works met all the requirements, so the cancellation of the Awards was finally proposed and this was confirmed by the Board of Directors of Pórtico”.

This cancellation is a wake-up call to the entire community, both for the associations promoting the award and for translators and readers. From Pórtico and ACE Traductores we believe that recognition of translation work is essential, but this recognition must be accompanied by continuous work of visibility and dissemination throughout the year. In this line we will continue working so that next year we will have a Matilde Horne Award.

(4) THE STARS NOT MY DESTINATION. Gareth L. Powell argues that “We Need to Stop Rating Art”.

Book reviews are great. When written by professional critics, they can provide valuable feedback for the author, and when written by readers who have been moved to put pen to paper, they can help guide other readers with similar tastes.

It’s the star ratings on sites like Amazon and Goodreads I have a problem with.

5 stars leaves no room for nuance. How can you rate books from across the whole range of literature, from utter pulp to Pulitzer-winning masterpiece, using only five stars?

If you give The Great Gatsby five stars, does that mean it’s as good as Hamlet? But if you give it only four, do you have to bump some other books down as well?

And it’s not like those stars have any objective meaning. Everybody rates things slightly differently. Some might add a star for comedic moments in the text, while others may delete one for the same reason. I’ve even seen books given one-star reviews because they were damaged in the mail. So, how can we usefully compare ratings that are all based on different subjective criteria?

Art is about appreciation and the development of your personal taste. Encouraging a good/bad framework erodes this by equating enjoyment with quality—and you only have to look at some of the star ratings for classic novels on Amazon to see how this kind of arbitrary points system treats them….

(5) JEWISH IDENTITY IN GENRE FICTION. Israeli fantasy author and agent Rena Rossner and author Steven H Silver were part of the “A Novel Idea: Jewish Identity in Genre Fiction” panel at the ALA on Sunday. Read about it in “Providing Access Points” at American Libraries Magazine.

…Silver said that science fiction examines how technology changes everyday life, and he puts that in a Jewish perspective when writing. “Every time a new technology or a new social construct comes across, Jews sit down and say, ‘Okay, how do we tie this into what we’ve been taught in the Bible or the Talmud?’” he said. “We’ve been arguing about this for 3,000, 4,000, 5,000 years, so writing science fiction is just a continuation of that kind of discussion.”

…Just being a Jewish fiction writer, said Silver, is not enough to make something a Jewish novel. Nor is just having a Jewish character in the book. “When you are reading it, do you get the feeling, ‘This is speaking to me as a Jew’?” Silver said. “Is this addressing Jewish issues in a Jewish manner? [The character’s] Judaism has to be important to their character development, to the plot, to the way they interact with the rest of the world. Otherwise, it’s just a prop.”…

(6) SOUTHERN FANDOM CONFEDERATION. At the Southern Fandom Confederation (SFC) Business Meeting held last weekend at Libertycon 35 / DeepSouthCon 61 in Chattanooga, Tennessee the current SFC Officers were re-elected unanimously: President: Randy Boyd Cleary; Vice President: Regina Kirby; Treasurer: Brandy Bolgeo Hendren; Secretary: Jennifer Liang.

Next year DeepSouthCon 62 will be held jointly with ConToberfest from October 11-13, 2024 in Helen, GA.

The site selection voters awarded DeepSouthCon 63 (2025) to New Orleans, Louisiana to be run by Jessica Styons and several of the ContraFlow convention volunteers. Watch the Facebook group for news.

(7) BET AWARDS. The BET Awards were given Sunday night. They included at least one category with a genre winner. “2023 BET Awards Winners: Full List” at Billboard.

Best Movie
WINNER: Black Panther: Wakanda Forever

Those who know more about music than I do might discover others.

(8) MEMORY LANE.

2019 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Rebecca Roanhorse is one of the finest writers that I’ve ever had the pleasure to read. She is one of the reasons that I think that is the true Golden Age of the genre for readers, with her, Arkady Martine, Kathryn Rusch, Cat Rambo and oh so many others making for what I think is the best reading era ever. 

Roanhorse’s only Hugo was at Worldcon 76 for her “Welcome to Your Authentic Indian Experience™” short story which also garnered a Nebula as well. It was nominated for a Sturgeon and a World Fantasy Award. She also got the Astounding Award for Best New Writer. 

Roanhorse herself has been extraordinary so far with six novels so far since she wrote her first Trail of Lightning, four years ago. That novel is where we get our Beginning this time. Surprisingly she has not written a lot of short fiction, just a double handful to date.

And now for our Beginning…

The monster has been here. I can smell him. 

His stench is part the acrid sweat of exertion, part the meaty ripeness of a carnivore’s unwashed flesh, and part something else I can’t quite name. It fouls the evening air, stretching beyond smell to something deeper, more base. It unsettles me, sets my own instincts howling in warning. Cold sweat breaks out across my forehead. I wipe it away with the back of my hand.

I can also smell the child he’s stolen. Her scent is lighter, cleaner. Innocent. She smells alive to me, or at least she was alive when she left here. By now she could smell quite different.

The door to the Lukachukai Chapter House swings open. A woman, likely the child’s mother, sits stone-faced in an old dented metal folding chair at the front of the small meeting room. She’s flanked by a middle-aged man in a Silver Belly cowboy hat and a teenage boy in army fatigues who looks a few years younger than me. The boy holds the woman’s hand and murmurs in her ear.

Most of the town of Lukachukai is here too. For support or for curiosity or because they are drawn to the spectacle of grief. They huddle in groups of two or three, hunched in morose clumps on the same battered gray chairs, breathing in stale air made worse by the bolted-up windows and the suffocating feel of too many people in too small a space. They are all locals, Navajos, or Diné as we call ourselves, whose ancestors have lived at the foothills of the Chuska Mountains for more generations than the bilagáanas have lived on this continent, who can still tell stories of relatives broken and murdered on the Long Walk or in Indian boarding schools like it was last year, who have likely never traveled off the reservation, even back when it was just a forgotten backwater ward of the United States and not Dinétah risen like it is today. These Diné know the old stories sung by the hataałii, the ancient legends of monsters and the heroes who slew them, even before the monsters rose up out of legend to steal village children from their beds. And now they are looking to me to be their hero. But I’m no hero. 

I’m more of a last resort, a scorched-earth policy. I’m the person you hire when the heroes have already come home in body bags. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 28, 1926 — Mel Brooks, 97. Young Frankenstein (1974) (Hugo and Nebula winner) and Spaceballs (1987) would get him listed even without The 2000 Year Old Man, Get Smart  and others. Here is an appreciation of Mel on YouTube. (Alan Baumler)
  • Born June 28, 1946 — Robert Lynn Asprin. I first encountered him as one of the co-editors along with Lynn Abbey of the stellar Thieves’ World Series for which he wrote the most excellent “The Price of Doing Business” for the first volume. I’m also very fond of The Cold Cash War novel. His Griffen McCandles (Dragons) series is quite excellent. I’m please to say that he’s well stocked at the usual suspects. (Died 2008.)
  • Born June 28, 1947 — Mark Helprin, 76. Author of three works of significance to the genre, Winter’s Tale, A City in Winter which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it as I love the novel. 
  • Born June 28, 1948 — Kathy Bates, 75. Her performance in Misery based on the King novel was her big Hollywood film. She was soon in Dolores Claiborne, another King derived film. Another genre roles included Mrs. Green in Dick Tracy, Mrs. Miriam Belmont in Dragonfly, voice of the Sea Hag in Popeye’s Voyage: The Quest for Pappy, voice of Bitsy the Cow in Charlotte’s Web and Secretary of Defense Regina Jackson in The Day the Earth Stood Still , a very loose adaption of the Fifties film of the same name. 
  • Born June 28, 1951 — Lalla Ward, 72. She is known for her role as Romana (or Romanadvoratrelundar in full) on Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production.  And she was Helga in an early horror film called Vampire Circus.
  • Born June 28, 1954 — Deborah Grabien, 69. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It’s coming out in trade paper and ebook editions soon. It leads off with The Weaver and the Factory Maid.  Oh, and she makes truly great dark chocolate fudge. And she sent me miniature palm tree seeds which are growing here now. 
  • Born June 28, 1954 — Alice Krige, 69. I think her first genre role was in the full role of Eva Galli and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the 2001 finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I only note that she was Eir in Thor: The Dark World.
  • Born June 28, 1979 — Felicia Day, 44. She was Vi in Buffy the Vampire Slayer, Dr. Holly Marten in Eureka, and had a recurring role as Charles Bradbury on Supernatural. She also appears as Kinga Forrester in Mystery Science Theater 3000. And on the animated Marvel’s Spider-Man, she voiced Mary Jane Watson.

(10) COMICS SECTION.

(11) THE NEXT CHAPTER (OF BANKRUPTCY). In 2020 we reported that the UK’s Cineworld theaters were going out of business, victims of the pandemic, but it seems that reports of their death were greatly exaggerated. BBC News now says, “Cineworld screens stay open despite administration”.

…”Cineworld continues to operate its global business and cinemas as usual without interruption and this will not be affected by the entry of Cineworld Group plc into administration,” it said.

“The group and its brands around the world – including Regal, Cinema City, Picturehouse and Planet – are continuing to welcome customers to cinemas as usual.”

Cineworld has more than 28,000 staff across 751 sites globally, with 128 locations in the UK and Ireland.

Last year, it filed for bankruptcy protection in the US but it hopes to emerge from this next month following the restructuring of its finances.

Cineworld will apply for administration in July, which will see shares in the firm suspended and existing shareholders wiped out.

The restructuring of the company’s finances will see its debts cut by about $4.5bn. A sale of rights in the business has raised $800m and it will also have access to a further $1.46bn in funds if required….

(12) HE WASN’T STIRRED BY THE PERFORMANCE. There’s plenty of blame to go around in “The Flash: Too Many Cooks” at Leonard Maltin’s Movie Crazy.

Blame the ancient Greeks for inventing the general idea of the multiverse. Blame DC for propagating the concept in one of its Flash comics in 1961. And blame anyone you like for this hot mess of a film, directed by Andy Muschietti from a screenplay credited to Christina Hodson and Joby Harold. I found it especially frustrating because The Flash is an intriguing character and the film has some solid ideas. It also has a tendency to shoot itself in the foot, repeatedly….

(13) A NAME YOU’VE HEARD BEFORE. The current Lord Dunsany made the New York Times. They’ve been following his plan to rewild part of his domain.

In Ireland, where the average farm size is 83 acres, such large-scale rewilding would seem to be unfeasible. The big exception, so far, has been in the unlikely setting of County Meath, in the flat, highly fertile and intensively farmed east of the island, and in the unlikely person of Randal Plunkett, a New York-born filmmaker, vegan and death metal enthusiast.

Since Mr. Plunkett — better known, to some, as the 21st Baron of Dunsany — inherited his 1,700 acre ancestral estate in 2011, he has cleared it of livestock and left one-third to revert to unmanaged forest, complete with a wild herd of native red deer.

“Biodiversity is expanding dramatically,” said Mr. Plunkett, 30, standing in thick woodlands humming with bees and other busy insects. “At least one species has returned every year since we started. Pine martens. Red kites. Corncrakes. Peregrine falcons. Kestrels. Stoats. Woodpeckers. Otter. We think there’s salmon in the river again, for the first time in my life.”

(14) NO BARS IN THE WAY. Smithsonian Magazine tells “How a Jungle Prison Became a Famous Spaceport”. Dare we say, it metamorphosized?

…To understand why the French decided to bring their spaceport to French Guiana, we have to make a detour to a different, former French colony: Algeria. Prior to and since the establishment of the French space agency, known by the French acronym CNES, in 1961, France had a launch base in Hammaguir, Algeria. But when Algeria successfully fought through a bloody campaign for independence, it negotiated the termination of the rocket site as part of the Évian Accords, leaving France in a pickle. With the ongoing Space Race between the United States and the Soviet Union, the French were desperate not to fall too far behind and thus quickly started their search for a replacement site.

After drafting a shortlist of 14 sites, CNES ranked potential replacements on the basis of several criteria, including logistics, geography, infrastructure and geopolitical status. With a latitude of 5 degrees, favorable weather conditions and the possibility to launch both north and eastward, Kourou ticked all the boxes for an operational spaceport. Additionally, the territory officially integrated as an overseas department into the French state in 1946, which avoided the political complications of launching in a different nation, and provided the steady political climate deemed necessary for sustainable success. It emerged as the clear winner.

But the location has a sordid role in French history. Less than two decades prior, French Guiana was a cruel penal colony and a forced settlement for many French convicts. This served a dual purpose: not only did it solve the problem of overcrowded prisons in metropolitan France, but it also created the workforce deemed necessary to develop the infrastructure of French Guiana….

(15) BEAUTY AND THE BEAST. This video reminded me of the 1946 Cocteau movie, La Belle Et La Bete (Beauty and the Beast) …which I saw a bazillion decades ago. My main memory from it was the human, moving arms holding the candelabras along the walls… I love this for the staging: “Martin Short and Shania Twain Perform ‘Be Our Guest’ – Beauty and the Beast: A 30th Celebration” on YouTube.

And it led me to looking for an Angela Lansbury version (to hear her sing the lead), such as this from-the-recording-studio one (for the animated movie — watch thru to the end): Angela Lansbury records “Be Our Guest” (BEAUTY AND THE BEAST, 1991)

My search also turned up this one, where Jerry Orbach (who was a Broadway (on and off) star long before Law & Order, starting with The Fantastics (best known for singing “Try To Remember”) (via Wikipedia), does the main role — he (and the song start around the 3:40 mark).

And here’s Wikipedia on Cocteau’s film  — and here’s the trailer trailer and here’s the full film.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Danny Sichel, Kathy Sullivan, Daniel Dern, Steven French, Paul Di Filippo, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Mike Kennedy.]

Nuzo Onoh Calls for Writers to Be Recognized as Co-Winners of Best Anthology Awards

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Reflected glory isn’t enough – maybe it was never enough. Now some writers are demanding an explicit share of the glory when anthologies win awards.

Nuzo Onoh, a Nigerian-British writer of Igbo descent popularly known as the “Queen of African Horror”, wrote in an open letter posted immediately after the Locus Awards were announced last weekend: “A Best Anthology Award should be an award for every contributor to the book and not just for the editors.” Her call is gaining traction.

What supporters are pressing for is that everyone with a story in the anthology be treated as sharing any Best Anthology award. “Pins or certificates and names included should be happening for all award-winning anthologies. The editor steers the ship, but writers should be publicly credited,” tweeted Dan Coxon, a 2022 British Fantasy Award winner.

A few of the groups with Best Anthology awards have already responded.

L. D. Lewis of the Ignyte Awards:

The Ignyte Awards now display “Featuring works by” information for the 2023 finalists, having recently added the names of writers to Best Anthology/Collected Works titles that previously showed only the names of the editors. L. D. Lewis said:

Nuzo Onoh has also heard from the Locus Award people:

There has been much behind-the-scenes discussion that this represents a backlash against one or more editors of recent award-winning anthologies. For example:

Eugen Bacon said:

However, Nuzo Onoh today tweeted:

Although neither the Hugos, the Nebulas, nor the Seiun Awards have a Best Anthology category, many other major international sff awards have added one over the years.

The Locus Awards have had an Anthology category of some stripe since the second year of existence, 1972. (For the first several years it was restricted to Original Anthologies.) The World Fantasy Awards added a Best Anthology category in 1988. The Horror Writers Association and the British Fantasy Society each added a Best Anthology category to (respectively) the Bram Stoker Awards and British Fantasy Awards in 1999. In Australia, the Ditmar Awards given at the national convention have honored Collected Work since 2000, which encompasses anthologies and single-author collections, and the Aurealis Awards added a Best Anthology category in 2009.

The Hugos recognize fiction editors themselves, in a category created in 1973 and split in 2007 into two categories, for editing Long Form and Short Form works.

Lis Carey Review: The Sleeper and the Spindle

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The Sleeper and the Spindle, by Neil Gaiman (author), Chris Riddell (illustrator)
HarperCollins, September 2015

Review by Lis Carey: There are brave, hardy, loyal dwarves. There’s a beautiful young queen, never identified as Snow White, but there are at least suggestions that her backstory matches that one.

There’s a neighboring kingdom, on the other side of the mountains, where the dwarves, seeking a suitable gift for the queen’s wedding, find instead a strange sleep spreading across the whole kingdom. They also here of a princess cursed by an evil witch, sleeping in a castle surrounded by thorns, which no prince, no knight, no hero has ever penetrated, to save her.

Realizing there is an evil magic at work here, they head back through the mountains (yes, through, not over) to their queen.

The queen is about to be married, in just a day. She isn’t looking forward to it. Not that her fiancé is objectionable, but it means all the major choices of her life are made. No more adventures. When she hears the dwarves’ report, she delays the wedding, tells her first minister that he’ll be responsible for the kingdom in her absence. She then prepares her weapons, supplies, clothing suitable for an extended journey on horseback, and rides off with her dwarves.

This is not just a gender-flip of the hero; we also get a different view of the witch, her motive, and the princess herself. We also see the queen and her dwarves having to combat the curse themselves, not just ride through it because this is the right hero at the right time.

Riddell’s black and white art is beautiful, and gives more life to Gaiman’s storytelling, and twist on the Sleeping Beauty story. I thoroughly enjoyed this.

I bought this book.

2023 Deutscher Science Fiction Preis Finalists

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The nominees for the Deutscher Science Fiction Preis 2023 were announced June 26.

The juried award for the best short story and best novel published in the German language in the previous year is sponsored by the SFCD, Germany´s largest science-fiction club. Each winner will receive €1000.

The awards will be presented at BuchmesseCon, this year’s annual convention of the Science Fiction Club Deutschland, on October 21, 2023 in Dreieich-Sprendlingen, Germany. 

BEST GERMAN LANGUAGE SHORT STORY

  • “Fast Forward” by C. M. Dyrnberg, published in Nova 31, p.machinery, ISBN-13 978-3-95765-270-6, ISSN 1864-2829
  • “Die Summe aller Teile” (The Sum of All Parts) by Christoph Grimm, published in Alien Contagium, edited by Christoph Grimm, Eridanus-Verlag, ISBN-13 978-3-946348-33-7
  • “Briefe an eine imaginäre Frau” (Letters to an Imaginary Woman) by Michael K. Iwoleit, published in Nova 31, p.machinery, ISBN-13 978-3-95765-270-6, ISSN 1864-2829
  • “Hayes‘ Töchter und Söhne” (Hayes’ Daughters and Sons) by Thorsten Küper, published in Der Tod kommt auf Zahnrädern (Death Comes On Gears), edited by Janika Rehak and Yvonne Tunnat, Amrûn, ISBN-13 978-3-95869-500-9
  • “Die Grenze der Welt” (The Limit of the World) by Aiki Mira, published in Exodus 44, edited by René Moreau, Heinz Wipperfürth and Hans Jürgen Kugler, Eigenverlag René Moreau, ISSN 1860-675X
  • “Der blassblaue Punkt” (The Pale Blue Dot) by Helen Obermeier, published in Alien Contagium, edited by Christoph Grimm, Eridanus-Verlag, ISBN-13 978-3-946348-33-7
  • “Morsche Haut” (Rotten Skin) by Yvonne Tunnat, published in Der Tod kommt auf Zahnrädern (Death Comes On Gears), edited by Janika Rehak and Yvonne Tunnat, Amrûn, ISBN-13 978-3-95869-500-9

BEST GERMAN LANGUAGE NOVEL

  • Roboter: Fading Smoke (Robots: Fading Smoke) by R. M. Amerein, Atlantis-Verlag, 180 pages, ISBN-13 978-3-86402-826-7
  • Ruf der Unendlichkeit [Omni Band 3] (Call of Infinity [Omni, Vol. 3]) by Andreas Brandhorst, Fischer TOR, 540 pages, ISBN-13 978-3-596-70575-7
  • A. R. T. – Coup zwischen den Sternen (A.R.T. – Coup Between the Stars) by Kris Brynn [Regine Bott], Knaur, 382 pages, ISBN-13 978-3-426-52915-7
  • Pantopia by Theresa Hannig, Fischer TOR, 463 pages, ISBN 978-3-596-70640-2
  • Wo beginnt die Nacht (Where Does the Night Begin) by Sven Haupt, Eridanus-Verlag, 370 pages, ISBN 978-3-946348-35-1
  • Freier Fall (Free Fall) by Hans-Jürgen Kugler, Hirnkost, 156 pages, ISBN 978-3-949452-46-8
  • Reaktor (Reactor) by Timo Leibig, Belle-Époque-Verlag, 370 Pages, ISBN 978-3-96357-307-4
  • Neongrau (Neon Gray) by Aiki Mira, Polarise, 520 Pages, ISBN 978-3-949345-28-0
  • Titans Kinder (Titan’s Children) by Aiki Mira, p.machinery, 195 Pages, ISBN 978-3-95765-294-4
  • Das Geflecht. An der Grenze (The Mesh at the Border) by Jol Rosenberg, ohneohren-Verlag, 520 Pages, ISBN 978-3-903296-43-5
  • Interspace One by Andreas Suchanek, Piper, 380 Pages, ISBN 978-3-492-70634-6
  • Athos 2643 by Nils Westerboer, Klett-Cotta Hobbit-Presse, 432 Pages, ISBN 978-3-608-98494-1

[Thanks to Cora Buhlert for translating these titles from German to English.]