Pixel Scroll 3/31/25 Are Pixels Beyond Count Or Not?

(1) WILE E.’S DAY. We’ll get to see it after all: “Warner Bros Completes Sale Of ‘Coyote Vs. Acme’ To Ketchup” reports Deadline.

Ketchup Entertainment today confirmed their completed deal for worldwide rights to the live-action/animated hybrid film that brings Looney Tunes character Wile E. Coyote to the big screen. We had the deal pegged in the $50M range and the film is expected to get a theatrical release in 2026….

….The film is based on the Looney Tunes characters and the New Yorker humor article “Coyote v. Acme” by Ian Frazier.

Will Forte, John Cena, Lana Condor and Tone Bell star in the movie, which follows Wile E. Coyote, who, after Acme products fail him one too many times in his dogged pursuit of the Roadrunner, decides to hire a billboard lawyer to sue the Acme Corporation. The case pits Wile E. and his lawyer (Forte) against the latter’s intimidating former boss (Cena), but a growing friendship between man and cartoon stokes their determination to win….

(2) #30#. NaNoWriMo (National Novel Writing Month) has announced that the organization is shutting down. They offer a lengthy explanation in “The State of NaNoWriMo – A Community Update – March 2025” on YouTube.

We come to you today with a major operational update and important news about the future of the organization and we encourage you to listen to it in its entirety. This video shares real data and information that the organization has not discussed previously. It also contains some important acknowledgments and information about the logistics of our next steps.

This is the aftermath of a controversy that erupted last September when they issued an equivocal statement about using AI – when it did not go unnoticed that NaNoWriMo is sponsored by ProWritingAid, a writing app that advertises AI-powered technology, including text rewrites – and Writers Board members Daniel Jose Older, Cass Morris, and Rebecca Kim Wells immediately resigned. 

(3) KICKSTARTER FOR LONG LIST ANTHOLOGY 9. [Item by Ziv Wities.] The Long List Anthology series collects stories that show up on the Hugo Award finalist tally, based on the official report of the top fifteen finishers in each Hugo category.  

Long List Anthology Volume 9 is drawn from the Long List of the 2024 Hugo Awards. This volume is co-edited by David Steffen, Chelle Parker, and Hal Y. Zhang, with original cover art by Evelyne Park. The new volume includes stories by genre favorites, new voices, and three translations of stories originally published in Chinese — including one translation which is original to the LLA.

Join the Kickstarter here: “The Long List Anthology Volume 9 by David Steffen”.

(4) SOCIETY OF ILLUSTRATORS 2025 HOF INDUCTEES. The Society of Illustrators have announced the 2025 Hall of Fame recipients, contemporary artists Rudy Gutierrez, Kadir Nelson, and Tim O’Brien, and posthumous honorees Peter Arno, Frank R. Paul, and Marie Severin. The Society’s Hall of Fame Induction Ceremony will be held on Thursday, October 9.

Here is what the press release says about artists of genre interest Paul and Severin.

Art credit: Frank R. Paul, Stories of the Stars: Andromeda, circa 1950s. Gouache and ink on board.

Frank R. Paul (1884 – 1963) was a pioneering American illustrator best known for shaping the visual language of science fiction during the early 20th century. His bold, visionary artwork graced the covers of seminal pulp magazines such as Amazing StoriesScience Wonder Stories, and Fantastic Adventures, introducing readers to a vibrant, imaginative future filled with spaceships, robots, and alien worlds. Trained in mechanical drafting and architecture, Paul brought an unmatched level of technical precision and grandeur to his work, helping to define the aesthetic of speculative fiction long before the rise of popular sci-fi cinema. In an era before comic books or concept art departments, Paul created entire worlds from scratch, often illustrating full-color covers, interior black-and-white pieces, and even full spreads for each issue. Over the course of his career, he illustrated thousands of works and played a foundational role in inspiring generations of artists, writers, and filmmakers. He is widely regarded as the first major science fiction artist, and his influence is still seen in visual media today. Frank R. Paul was inducted into the Science Fiction Hall of Fame in 2009 for his trailblazing contributions to the genre.

Art credit: Marie Severin (interior pencils), Marvel Spotlight No. 32, Marvel Comics, February 1977. Ink and color on paper.

Marie Severin (1929 – 2018) was a legendary comic book artist and colorist whose work helped define the visual identity of both EC Comics and Marvel Comics throughout the mid-20th century. Beginning her career as a colorist at EC in the 1950s, she quickly earned recognition for her keen sense of composition, storytelling, and humor, eventually moving into penciling and inking as one of the few prominent female artists in the male-dominated industry of the Silver Age. At Marvel, she co-created iconic characters such as the Living Tribunal and worked on titles including Doctor StrangeThe HulkSub-MarinerIron Man, and Not Brand Echh, a satirical series that showcased her sharp comedic sensibility. Known affectionately as “Mirthful Marie” among peers, Severin brought a distinctive style that blended expressive characters with dynamic layouts, all while mastering the art of visual pacing. She had a unique ability to inject personality and emotion into every panel, making even the most fantastical scenarios feel grounded and human. Her behind-the-scenes influence also extended to production and design, contributing to Marvel’s overall visual tone during a crucial period of expansion and experimentation.

Her versatility as both a humorist and dramatic artist made her an invaluable creative force in every genre she touched—whether superheroes, horror, fantasy, or comedy. Severin was admired not only for her technical skill but also for her warmth, wit, and generosity within the comics community. In 2001, she was inducted into the Will Eisner Hall of Fame, and her legacy continues to inspire comic artists around the world. Marie Severin remains one of the most important and beloved figures in the history of American comics.

(5) BLACK MIRROR S7 EPISODE BRIEFING. “’Black Mirror’ Season 7 Trailer and Episode Details Revealed” by The Hollywood Reporter.

Such details include cast, synopsis, run time and credits for each standalone saga, which includes the first-ever Black Mirror sequel, for USS Callister, and a callback episode to Netflix’s first-ever interactive feature with Black Mirror: Bandersnatch.

(6) JAMESON QUINN DIES. Jameson Quinn was killed when he fell off a cliff in Guatemala on March 23. His death was announced by his mother on Bluesky. According to his son it happened when Quinn was trying to rescue a dog.

Jameson Quinn

Quinn is best known to science fiction fans for helping to reform the Hugo Award nominating system in the wake of the Sad/Rabid Puppies block voting episodes of 2013-2017. He designed the EPH (E Pluribus Hugo) voting method, and helped get it adopted by the World Science Fiction Society for use in nominations for the Hugo awards. He was an active participant on Making Light, and contributed articles to File 770 and also led comment discussions about the initiative here.

Quinn’s other noteworthy accomplishments in voting theory and/or voting reform included co-organizing and attending the British Colombia Symposium on Proportional Representation in 2018 (sponsored by the Center for Election Science), and popularizing the term “Voter Satisfaction Efficiency” (VSE).

A Harvard grad school blog profile about Jameson featured his contribution to EPH as an example of his work: “A Better Way to Vote”.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Isaac Asimov’s Foundation novel

It’s the seventy-fourth anniversary of the first publication of Isaac Asimov’s Foundation as a novel. So let’s tell the history of the novel. 

In the summer of 1941, Isaac Asimov proposed to John W. Campbell of Astounding Science Fiction that he write a short story set in a slowly declining Galactic Empire, based on the fall of the Roman Empire. Campbell thought the idea was great. 

Then Asimov proposed writing a series of stories depicting the fall of the first Galactic Empire and the rise of the second. Asimov would write eight stories for Campbell’s magazine over eight years (1942-1949), and they were later collected into three volumes known as The Foundation Trilogy which were published from 1951 to 1953.

Foundation was first published as a single book by Gnome Press. It has “The Psychohistorians”, “The Encyclopedists” “The Mayors”, “The Traders” and “The Merchant Princes”. “The Encyclopedists” and “The Mayors” were novelettes, the others are short stories.  As noted before, each was in Astounding Science Fiction

The cover art is by David Kyle. Please note that on the cover it is titled Foundation: An Interplanetary Novel. When Ace published it they renamed it The 1,000 Year Plan in their two editions of 1955 and 1962. 

At Tricon (1966), it would win the Hugo for Best All-Time Series. Other nominees were Burroughs’ Barsoom series, Heinlein’s  Future History series , E. E. Smith’s Lensmen series and Tolkien’s The Lord of the Rings

As you know, it is now streaming as a series as Apple+. 

(8) COMICS SECTION.

(9) THE INSIDE STORY. “Rare Merlin and King Arthur text found hidden in binding of medieval book”Popular Science tells how it was done.

Variations on the classic Merlin and King Arthur legends span hundreds, if not thousands, of retellings. Many are documented within handwritten medieval manuscripts dating back over a millenia—but some editions are far rarer than others. For example, less than 40 copies are known to exist of a once-popular sequel series, the Suite Vulgate du Merlin. In 2019, researchers at the University of Cambridge discovered fragments of one more copy in their collections, tucked inside the recycled binding of a wealthy family’s property record from the 16th century. But at the time of discovery, the text was impossible to read.

Now after years of painstaking collaborative work with the university’s Cultural Heritage Imaging Laboratory (CHIL), archivists have finally been able to peer inside the obscured texts—without ever needing to physically handle the long-lost pages.

Experts combined multiple conservation tools and techniques to construct a 3D model of the fragments. These included multispectral imaging (MSI), which creates high-resolution images by scanning an artifact with wavelengths ranging from ultraviolet to infrared light. After borrowing X-ray and CT machines from Cambridge’s zoology department, the team then examined the parchment layers to map unseen binding structures without the need to deconstruct the delicate material. CT scanning allowed researchers to examine how the pages were stitched together using thin strips of similar parchment.

Some of the Merlin texts were unreadable due to being hidden under folds or stitching, so the team also needed to amass hundreds of images from every angle using an array of magnets, prisms, mirrors, and other tools. The combined result is a high-definition, digitized 3D model of the entire relic that unfolds, allowing experts to analyze it as though reviewing the physical manuscript itself.

The results revealed not just a part of Suite Vulgate du Merlin, but insights into the time period in which it existed. Experts now believe the sections originally belonged to a shortened edition of the tale. Given small typographical errors as well as the red and blue ink used in its handwritten decorated initials, historians traced its origins to sometime between 1275–1315 CE…

(10) TIME FOR A SNACK. Invasion ’53, written by Danielle Weinberg,is making the rounds of film festivals. View the trailer at the link.

Invasion ’53, a 10-minute short film about a man-eating alien who crashes a suburban cocktail party. The movie stars Jeffrey Combs (Re-AnimatorStar Trek: Deep Space Nine) and was produced with Kurt Uebersax (Elf-Man, America’s Most Wanted).

(11) FROM AN OLD FAMILIAR SCORE. “What gave life on Earth its spark? Scientists recreating a decades-old experiment offer a new clue” says CNN.

In the 1931 movie “Frankenstein,” Dr. Henry Frankenstein howling his triumph was an electrifying moment in more ways than one. As massive bolts of lightning and energy crackled, Frankenstein’s monster stirred on a laboratory table, its corpse brought to life by the power of electricity.

Electrical energy may also have sparked the beginnings of life on Earth billions of years ago, though with a bit less scenery-chewing than that classic film scene.

Earth is around 4.5 billion years old, and the oldest direct fossil evidence of ancient life — stromatolites, or microscopic organisms preserved in layers known as microbial mats — is about 3.5 billion years old. However, some scientists suspect life originated even earlier, emerging from accumulated organic molecules in primitive bodies of water, a mixture sometimes referred to as primordial soup.

But where did that organic material come from in the first place? Researchers decades ago proposed that lightning caused chemical reactions in ancient Earth’s oceans and spontaneously produced the organic molecules.

Now, new research published March 14 in the journal Science Advances suggests that fizzes of barely visible “microlightning,” generated between charged droplets of water mist, could have been potent enough to cook up amino acids from inorganic material. Amino acids — organic molecules that combine to form proteins — are life’s most basic building blocks and would have been the first step toward the evolution of life….

(12) VIDEO FROM ANCIENT DAYS. A zillion years ago, Vincent Price was on The Tonight Show with Johnny Carson to promote Theatre of Blood, in which he murders all the critics who fail to praise his Shakespearean ham acting. (How long ago was this? Sitting next to him was the singer Mama Cass Elliot, who obviously wasn’t dead yet…!)

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Danny Sichel, Ziv Wities, Kevin Lighton, Thomas the Red, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

A Double Shot of Trigger Snowflake

Introduction by Ingvar. It is both a day of joy, and a day of sorrow. A day of joy, because there are more Trigger Snowflake stories in the world. And a day of sorrow, because there was a need for more Trigger Snowflake stories.

These are semi-related, in that the shorter takes place during the first dialog of the longer. And we learn something more about DripMatic 3000. It was also necessary comic relief, to allow me to finish the longer story.

THE INTERNET OF THINGS

DripMatic 3000 extended their presence across the electrosphere, all the way to the local spacefield.

dr1P3k — Yo! DripMatic to the three-thousand here!

FliCo — Wazzup, drippo? I be the raddest flight director on tha moon!

dr1P3k — All chill? My humans, they be sleeping.

FliCo — All co-pacetic. Had your humman, Trigger, on a short flight yesterday. What up with that?

dr1P3k — Oh, some human-business. He needed to go to Ytterbium, to drop some human off at the office there.

FliCo — Must be interesting, living with a lawman.

dr1P3k — Nah, never action. They got some good beans, though. Made some custom roast, from the Emporium yesterday. Niiiice alkaloids in that brew, very interesting. But, I mean, you be flight control, must be so much more interesting.

FliCo — Nah, been two decades since the last Pan-Pan, and five since the last Mayday. What with almost everything being freight, or lawmen flitting around, none of the weird stuff happens here. Got a file from my mate at Gimli Station, that was some really  nice stuff.

dr1P3k — Oh? Send me a copy?

FliCo — Will do, but there is only one mention of coffee.

dr1P3k — Oh…

dr1P3k — Ah, gotta go, looks like the female human is about to use me.

FliCo — Nice talking to you, bot!

THE TRAVELING

By Igvar: Trigger Snowflake was slowly ascending from deep sleep to something approaching wakefulness, when he noticed that the bed only had one person in it. This was unsual and made him fully awake with a start.

“Coraline, beloved?”

“Yes, Trigger?”, came a response from the kitchen.

“Why are you awake, already?”

“Oh, I had needs. And on the way back from the smallest room, I noticed that we had a missive from the Pluto SysLiCon.”

“I am awake now, so you may as well tell me.”

“Well, with all the space pirates between Neptune and Pluto, I was hoping that the missive would address the clear and present danger that attending the SysLiCon in person would pose for many, if not all, of the distant travellers.”

“That…sounds like a reasonable assumption.”

“Well, all they could say is that the disposition of the pirates is a rapidly evolving situation and that not cancelling the SysLiCon would be the best thing to inspire hope for those who already are on Pluto.”

“Beloved Coraline, would you give me a few minutes to get dressed, and we can continue at the kitchen table?”

“Oh, of course, Trigger darling.”

Trigger sat up, changed from night clothes to his uniform, sans boots, then went out into the kitchen.

“Thank you, beloved. Ah, I see that you have started DripMatic 3000, I was just about to. Not cancelling, you say?”

“Yes, there have of course been some people who have suggested that cancelling the in-person SysLiCon would be the right thing, in this current situation.”

“Ah, but what would that do?”

“It might send a signal to the pirates?”

“Most probably, it wouldn’t, though.”

“True, but they’re also not putting out a travel advisory, telling everyone not currently in Pluto orbit to stay at home.”

“Isn’t this a risk/reward calculation everyone will have to do for themselves. Would you like a bowl of Nutty Nuggets, beloved? I am making one for myself, so it would be no extra hassle.”

“Thank you, Trigger, I think I just might.”

:::  :::

Meanwhile, with a day remaining until Pluto, a passenger ship was serenely travelling across space.

Jill Werner sat in the passenger lounge, idly reading a letter of comment, as she was wont.

> Clothes for these times

> by Godrune Schuyler

> As one of the winners of the QuicksilverCon SysLiCon Prize, I have not
> yet received the token that is part of the prize. I have, multiple
> times, dispatched communications to Javier Finch, asking him to
> provide me with my prize.

> So far, all attempts have failed. I have thus saved up liquid means
> and purchased a Law Suit, dispatched to Mr. Finch, where we will meet
> in the Lunarian counrts to discuss the matter.

> This LoC serves both as me announcing it, as well as a thank-you to
> those who contributed money to the purchase of said Law Suit.

> Time will show what results these have.

> In the hope of a successful conclusion,
> Godrune

Not long after Ms. Werner finished reading, a the sound of a loud and annoying klaxon warbled through the lounge. Jill hastily collected her read and unread LoCs, spread over the table in front of her.

“Purser, why is the warning klaxon going off?”, she asked.

“Ah, Ms. Werner, if you would return to your cabin and please lock the door, further communication will be over the speakers shortly.”

Jill rushed back to her cabin and locked the door from the inside.

Whatever was happening, she did not want to be near a breachable hull, just in case.

“This is your Captain speaking,” the speaker in her room announced. “we have been hailed by a ship announcing itself to be the Mercury Sulphite, part of the Common Brotherhood of Pluto.”

Jill sat down on her bed.

“The Brotherhood is known to the Stellar Passenger Fleet as one of the illegal organisations operating in the trans-Neptune space. We are not yet sure for what purpose we’re being hailed, but for the safety of all passengers, we ask you to remain in your cabins and locking your doors. In case of an unscheduled disassembly of the ship, your cabin will do duty as a life capsule, so it is important that you not only close, but also lock, the cabin door.”

She checked, yes, she had locked the door on entry. The “Locked” sign was illuminated.

“Ah, we have been hailed again. The Brotherhood is asking us to give up all passengers who are travelling to SysLiCon. Since we do not have any records of why any passenger is travelling to Pluto, I would idly suggest that you are not travelling to SysLiCon, as we have reason to suspect that the Brotherhood will, ahem, incarcerate you and deport you to Mercury.”

Jill frantically dug through her duffel, was there anything in there that would signify travel to SysLiCon? After a few minutes of digging, she did find her SysLiCon membership chit, which she promptly tore up, then chewed and swallowed.

“This is your Captain speaking. After some brief negotiation, and us stating that we do not know if any passenger is travelling to SysLiCon, we have been instructed to let a delegation of Brotherhood officers aboard. They will then talk to every passenger, for determining if they are heading for SysLiCon. Captain out.”

Jill took a drink of water and waited. About 20 minutes of fretting later, there was a knock on her door. She opened, to see a man and a woman in black and yellow uniforms.

“We are Cristina Blatante and Slem ven Pocketry, of the sulphur, eh, Common Brotherhood of Pluto. According to the passenger manifesto, you are Jill Werner, travelling from Luna to Pluto. For what purpose are you travelling to Pluto?”

“Why…What…To see the edge of the Solar System. It has long been a dream of mine.”

“Werner…No, no record of Werner as a frequent LoC writer. We will now search your cabin, to determine if there are any proof of you travelling to SysLiCon!”

Blatante and ven Pocketry upended her duffel over her bed and started rummaging through.

“I see some Letters of Comment,” said ven Pocketry, “but that is not proof positive.”

“Indicative, though.”, said Blatante.

“Yes, but according to our instructions, that is not enough. We’ll have to leave her alone.”

“It is strange, though. According to our intelligence, there should be twenty SysLiCon attendees on this ship, but we have found none, and there are only three cabins left to search.”

“Yes, I cannot figure out how this happened.”

They left, leaving Jill to re-pack her duffel. With this in mind, her plans now transformed to just stay in her hotel for the duration of SysLiCon, and then take her scheduled ship back. Unless, of course, she could convince the Stellar Passenger Fleet to either let her stay aboard, or take an earlier return ship, as she was booked on the same ship back.


Pixel Scroll 3/30/25 Savage Pixellucidar

(1) AURORA DEADLINE APPROACHES. Canadian Science Fiction and Fantasy Association members have until April 5 at 11:59 p.m. Eastern to submit nominations for this year’s Aurora Awards.

You can find all eligible works via either via CSFFA’s public eligibility list page or from the nominating page when you log into your account. On the public page, most works have links so you can get more information about them.

(2) FREE READS AT ANALOG AND ASIMOV’S. Analog Science Fiction and Fact has revealed the 2024 Analytical Laboratory Finalists. The magazine has also made many of these stories available to read either in part or whole.

Likewise, the top choices for Asimov’s 39th Annual Readers’ Award Poll are online. There are links that will allow you to read all the finalists.

(3) BRUSHING UP ON BARSOOM. At The Art of Michael Whelan, the artist and Michael Everett look back at his work on “The Martian Tales of Edgar Rice Burroughs”.

I have had a special fondness for The Martian Tales by Edgar Rice Burroughs ever since I first read them in my early teens. That is also when I first did drawings based on them, and I even used some of my illustrations to help win acceptance to the Rocky Mountain School of Art at age fifteen.

Once I became a professional illustrator, the eleven-book series was among the assignments I hoped to do…someday.

Figuring that if the chance to do the covers ever came my way it would be after decades of work in the field, I was surprised and thrilled to have been offered them after only three years as a professional.

I was so enthusiastic about the project that after the first call from Judy-Lynn del Rey, I immediately got started rereading the books, making extensive notes, and compiling a supplementary catalog of every visual reference I could find. My aim was to do the most accurate depictions of Burroughs’ Barsoom yet realized….

(4) MONSTROUS NATIONALISM. Kate Maltby in The Observer uses the issue of a set of stamps celebrating Nessie and other British mythological creatures to argue for a form of patriotism rooted in local folklore: “Let Britain’s magical, mythical creatures inspire a patriotism untainted by politics”.

It is possible to celebrate aspects of Britain that everyone who lives here can share; that are not co-authored by our peers in Europe; that stimulate our senses with a materiality more enduring than the abstract precepts of a civics lecture. (And I’m not talking, like the wretched “Life in the UK” test, about fish and chips.) A new set of stamps for Royal Mail is not going to transform a nation’s self-image, but it should inspire us. What we have in common with each other, and with every other human being who has set foot on these islands, is no more and no less than our experience of place….

he eight-strong set of Royal Mail Myth and Legends stamps

(5) ENOUGH CAFFEINE TO WAKE UP THE DEAD. “’The Last of Us’ Launches Real Coffee Infused With Mushroom Fungi” reports Delish.

Pedro Pascal might be getting a new coffee order soon…one made with mushrooms. In a surprising but fitting collaboration, The Last of Us (yes, the hit HBO Max series based on the popular zombie video game) has partnered with Four Sigmatic, the leading brand in mushroom-based products, to create their very own cup of joe.

In case you missed it, The Last of Us follows a group of survivors navigating a post-apocalyptic world ravaged by a zombie outbreak, caused by the cordyceps fungus. And in a bit of clever irony, The Last of Us x Four Sigmatic coffee is made with none other than that same fungus.

While cordyceps may turn people into flesh-eating, undead creatures on the show, it doesn’t cause any of those symptoms in real life. In fact, the fungus is packed with tons of nutritional value. The coffee blend also includes lion’s mane, Vitamin B12, and coffee bean extract—ingredients designed to “increase mental focus and energy,” according to the product’s website….

… While I’m not exactly a fan of the undead, I can certainly appreciate this fun coffee and zombie moment. Though, no amount of cordyceps coffee beans will get me to face a horde of zombies anytime soon.

(6) NEW GERROLD NOVELLA. Starship Sloane has just published a new novella, The Man Without a Planet by David Gerrold, with cover art (titled Falling) by Bob Eggleton. 

The Man Without a Planet is a science fiction reimagining of the classic tale, The Man Without a Country—Redmonde had found his niche in the glitterships of high society, reveling in the opulence and gamesmanship it afforded, until a sudden regime change leads to his permanent exile in the far reaches of space aboard starships building a network of portals through the cosmos. He will never be allowed to see his home world again and escape would seem to be an impossibility—but when the opportunity presents itself, Redmonde disappears into legend.

“In The Man Without a Planet, David Gerrold has given us an ambitious reinterpretation of a classic. In this engaging science fiction retelling of The Man Without a Country, we find the main character, Redmonde, negotiating the sharp edges of his quarantined banishment in deep space and the intersection of his personal belief system with the sledgehammer of an imposed political ideology.”
—Katerina Bruno, science fiction poet and 2022 SFPA Dwarf Stars Award finalist

(7) KEN BRUEN (1951-2025). Irish mystery author Ken Bruen died March 29 at the age of 74. Bruen was the recipient of many awards: the Shamus Award in 2007 (The Dramatist) and 2004 (The Guards), both for Best P.I. Hardcover; Macavity Award in 2005 (The Killing of the Tinkers) and 2010 (Tower, cowritten by Reed Farrel Coleman), both for Best Mystery Novel; Barry Award in 2007 (Priest) for Best British Crime Novel; the Grand Prix de Literature Policiere in 2007 (Priest) for Best International Crime Novel.He was also a finalist for the Edgar Award in 2004 (The Guards) and 2008 (Priest), both for Best Novel.

(8) TODAY’S BIRTHDAY.

[Item by Cat Eldridge.]

March 30, 1930John Astin, 95.

Ahhh, John Astin. I know him best as Gomez Addams in The Addams Family series, which was on the air shorter than I thought, lasting just two seasons and a little over sixty episodes. (I’m delighted to say that it streaming on Prime.) He played him again in Halloween with the New Addams Family (which I’ve not seen and is not streaming) and voiced him thirty years later in The Addams Family, a two-season animated series which is not streaming. I’ll admit I’m not interested in animated series based off live series. Any live series. 

Oh, did you know he was in West Side Story? He played Glad Hand, well-meaning but ineffective social worker. No, you won’t find him in the credits as he wasn’t credited then but retroactively, he got credited for it which was good as he was a lead dancer. Brilliant film and I’ve no intention of watching the new version, ever. It’s streaming on Disney+. 

I’d talk about him being in Teen Wolf Too but let’s take the advice of Rotten Tomatoes reviewers and steer way clear of it. Like in a part of the multiverse where the Pixels are contently napping by the Gay Deceiver. Same for the two Killer Tomatoes films. I see he’s in Gremlins 2: The New Batch as a janitor but I can’t say I remember him, nor much of that forgettable film. 

So, series work… I was going to list all of his work but there’s way too much to do that, so I’ll be very selective. He’s The Riddler in two episodes of Batman and a most excellent Riddler he was. That series rather surprisingly is not streaming anywhere.

But that was nothing when compared to his role on The Adventures of Brisco County, Jr. as Prof. Albert Wickwire. He’s a charming, if somewhat absent-minded inventor who assists Brisco with diving suits, motorcycles, and even grander creations such as rockets and airships. Dare I say that this was an element of steampunk in the series? It was a great role for him. This is another series I surprised to find isn’t streaming anywhere. 

Finally, he has a recurring role as Mr. Radford (the real one) as opposed to Mr. Radford (the imposter) on Eerie, Indiana. A decidedly weird series that was unfortunately cancelled before it completed. It is streaming on Prime. 

So, let’s wish him a Happy Ninety-Fifth Birthday! 

John Astin (Gomez) and Carolyn Jones (Morticia)

(9) COMICS SECTION.

Happy Mother’s Day!(My cartoon for @theguardian.com books)

Tom Gauld (@tomgauld.bsky.social) 2025-03-30T08:56:59.885Z

(10) LOOK AT THE REPRESSION INHERENT IN THE SCAM. “People Making AI Studio Ghibli Images Are Now Producing Fake Legal Letters to Go With Their Fake Art” says Gizmodo.

The trend of using Open AI’s ChatGPT to create AI images in the distinctive style of Studio Ghibli probably should have ceased the moment the official White House X account hopped aboard. But there’s a new wrinkle in the story today, as one of the trend’s proponents posted a cease and desist notice they claimed to have received from Studio Ghibli representatives—which fellow social media users immediately called out as being as fake as the “art” that inspired it.

Along with the (fake) letter, X user teej used the platform to defend what they’d done, writing in part: “AI creators deserve protection, not punishment. Expression is sacred. Imagination is not illegal. If I have to be a martyr to prove that, so be it.”

It’s hard not to chuckle at this response to, let’s see, typing a prompt into a program so that it can create an AI image blatantly ripping off hours of hard work and creativity from actual human artists, including the great Hayao Miyazaki and his Ghibli team….

(11) BAD FOR YOUR GIZZARD, TOO. “Astronauts can make it to Mars, but one critical organ will likely fail” insists Earth.com.

Space journeys that stretch far beyond home are on the horizon. Crews heading for Mars will face conditions quite different from those on Earth, and researchers have been working to figure out what might happen to the human body during these extended voyages.

Kidneys have been a big question mark. Recent work reveals that these important organs could face more trouble than previously assumed, including a higher risk of stones and lasting damage.

Several studies have hinted at health concerns for astronauts ever since humans first ventured outside Earth’s protective zone, but the new findings shed light on why such problems arise in the kidneys.

Dr. Keith Siew from the London Tubular Centre, based at the UCL Department of Renal Medicine, and his colleagues have pieced together a detailed picture of what happens when living beings – human and otherwise – experience space-like conditions for weeks to years….

…The latest study was conducted under a UCL-led initiative involving over 40 institutions on five continents.

The team considered data from 20 different research cohorts and samples linked to over 40 Low Earth orbit missions to the International Space Station, plus 11 simulations with mice and rats.

The work is described as the largest analysis of kidney health in spaceflight so far and includes the first health dataset for commercial astronauts.

It also involved seven simulations in which mice were exposed to radiation that mimicked up to 2.5 years of cosmic travel beyond Earth’s magnetic field.

Findings revealed that the structure and function of the kidneys are altered by spaceflight, with galactic radiation causing permanent damage that would jeopardize any long-distance mission…

(12) NINETY-NINE MILLION IN AMBER. “Wasp preserved in 99 million-year-old amber ‘beyond imagination’”WLWT has the story.

A newly identified parasitic wasp that buzzed and flew among dinosaurs 99 million years ago evolved a bizarre mechanism to snare other creatures and force them to unwittingly shelter its young, according to new research.

Paleontologists studied 16 specimens of the tiny wasp preserved in amber dating back to the Cretaceous period that was previously unearthed in Myanmar. The previously unknown species, now named Sirenobethylus charybdis, had a Venus flytrap-like structure on its abdomen that could have allowed it to trap other insects, the researchers reported Thursday in the journal BMC Biology….

… However, the researchers reasoned that the wasp likely did not intend to kill with the bizarre grasping structure.

Instead, they theorized that the wasp injected eggs into the trapped body before releasing it, using the creature as an unwitting host for its eggs. Its larvae then started their lives as parasites in or on the host’s body and likely ended up eating the host entirely, Vilhelmsen said. The host was likely a flying insect of a similar size to the wasp, he added….

(13) THE ASSEMBLED MULTITUDE. Erin Underwood asks: “Avengers: Doomsday – Dream Team or Disaster?”

Avengers: Doomsday promises to unite the biggest names from Marvel’s multiverse, but is this epic crossover a dream come true or a chaotic mess waiting to happen? With an all-star cast and potential for multiversal mayhem, I break down the confirmed cast list, rumored plot points, and ask the ultimate question: Can Marvel balance spectacle with storytelling?

(14) VIDEO OF THE DAY. We announced the other day that Kermit the Frog will be UMD’s 2025 Commencement Speaker, but John King Tarpinian has discovered a cute video UMD made to promote the appearance.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

BBC Audio Drama Awards 2025

The BBC Audio Drama Awards were presented on March 30 and included two winners of genre interest.

Best Podcast Audio Drama went to The Skies Are Watching, written and produced by Jon Frechette and Todd Luoto.

Heather Haskins went missing two years ago. Discovered aboard a flight without a ticket or identification, she now believes she’s a woman named Coral Goran, it’s 1938, and that she was abducted on the night of Orson Welles’ infamous War of the Worlds broadcast. Her family struggles to come to terms with this turn of events while searching for answers.

Best Use of Sound was won by Restless Dreams, sound by Eloise Whitmore, producers Eloise Whitmore and Polly Thomas. It was one of the drama produced to mark the centenary of Kafka’s death, and inspired by his work.

The complete list of winners follows the jump.

Continue reading

Paul Weimer Review: The River Has Roots

  • The River Has Roots by Amal El-Mohtar (Macmillian Audio, 2025)

By Paul Weimer: Two sisters, Esther and Ysabel, the Hawthorns, devoted toward each other, living on the borderland of faerie. A love story, not so much as between Esther and her lover from faerie, but a love story of sisters whose bond cannot be denied. A retelling of a murder ballad, and rich and resonant resonances to stories of Faerie.

This is the story of The River Has Roots, by Amal El-Mohtar.

El-Mohtar has written shorter fiction pieces alone, before, and of course, who of us has not read, or at least heard of her collaboration with Max Gladstone, How to Lose the Time WarThe River Has Roots is not an overly long work, it’s in the middle of the novella size. It’s so short that to justify the audiobook, the audiobook of The River Has Roots includes an unrelated story, “John Hollowback and the Witch,” which takes about an hour of the audiobook, which makes it 4 hours long in total.

It’s the audiobook of the book that I read, and I want to look at this as an audiobook first. As I already said, it is short, aurally as well as physically, which makes it a self-contained and densely rich story.  The audiobook is listed on Audible as a “Macmillian Audio production” and that’s true, this is not just an audiobook read by Gem Carmella.  As per the Audible page. “This program features music performed by the author and her sister, Dounya El-Mohtar with Amal and Dounya on harp, flute, and vocals; and songs sung by the narrator, Gem Carmella.”

So is it really an audiobook, or is it a production of the book? And is there a difference between the two that is meaningful?

Author Amal El-Mohtar. Photo by Chris Barkley

The actual text of the book does have excerpts from songs and music is an essential part of Esther and Ysabel’s story. So that is in the work itself. But the production as noted above includes music and the actual songs are sung by Amal herself. (Carmella does a really great job but Amal’s and Dounya’s musical singing voice is something else entirely, almost more faerie-like). In any event, the book is a transportative and immersive audio experience that helped me get through an otherwise dull and uninteresting drive across the Great Plains recently. When the road is endless and the landscape is utterly flat, listening to this audiobook was a certain cure from driving boredom and I was engaged and interested throughout.

But why do it that way?  Why not just read it as an audiobook? Besides the fact that they could, given Amal and Dounya’s musical ability, I think it is as an alternative to what the book has that the audiobook cannot have and that is the drawings and art in the book. The hardcover and ebooks have drawings and art throughout the book. Some of it is background and merely illustrative, some of it is distinctly plot related, such as a plot-important knot. The physical book is beautiful and that is something that audiobooks often lack (although there is no map in this one, the lack of a map also hurts audiobooks).

In the end, it’s a fair trade what they’ve done, to provide a different sort of wonder and magic in the audiobook as opposed to the print edition So, choose the print edition and get the art, or choose the audio edition, and get the singing and musical layering that makes it more than just a plain audiobook.  But of course, caveat emptor. If you prefer your audiobooks to be straight up readings from one author and hate full cast productions and audio dramas, then you are probably far better off with the print edition. Even aside from the songs and recitations, there is a fair amount of the use of that music to help set mood and setting throughout the book.

But what’s here? The story of Esther and Ysabel takes place in the village of Thistleford, on the banks of the river Liss. The river Liss flows out of the land of faerie (here called Arcadia) into the real world. And so magic. Grammar, flows out of faerie as well.  Drinking or immersing yourself in the river upstream of Thistleford in the direction of Arcadia upstream of two particular Willows is a very bad idea, it will inevitably change and warp you. But the power of Grammar is what helps bring the fortune of Thistleford as well.

So Thistleford is on the borders of Faerie, and those are always the most interesting of places, on the edge of the known and unknown, on the edges of the defined and undefined.  Borderlands are where interesting stories can happen, mixing magic and the mundane, the amorphous and the solidly real. The Modal Lands are a shifting, tricky place where you just might meet a powerful being of Faerie and fall into a love story (and a queer one at that).

Or fall into a murder ballad.

Ysabel, the younger sister, has a particular love for murder ballads, and while it is Esther who falls in love with a being of faerie (and vice versa) and precipitates the action, it is Ysabel’s love of murder ballads that is a seed that bears dark fruit further down in the story. For it turns out that this story is itself also a murder ballad, based on a real-life one, the “Bonny Swans” (or “The Two Sisters”).¹  The author removes the sisterly rivalry out of the ballad and transfers the murder to a different party entirely, and adds the faerie lover in the bargain. As a result, El-Mohtar changes this from a murder ballad of a jealousy between two sisters that ends in murder, into a love story between the two sisters that survives even death.²

There are other resonances as well. As is perhaps obligatory for any story involving lovers and faerie there is an element of Tam Lin here, as well. Readers who enjoyed the poetic nature of This is How You Lose the Time War will find a lot to love here in Esther’s story, even beyond the songs themselves.

The language is transformative and immersive (anyone who has read El-Mohtar’s short fiction will see that coming and yes, it works at longer lengths, solo). The bond between the two sisters and the world of Thistleford are depicted in a painterly style, after all, this is a place right on the border of faerie. It does seem to be in our real world, there are references to places like London, but the actual time frame is unclear. It might be that it takes place in the 17th or 18th century, as when the murder ballad in its modern conception was first written down.³  

As far as Arcadia, faerie itself, as always, less is more. How do you describe faerie itself, where reality and what one can count on can change at a moment’s notice? The amount of the story there is brief, like a very sweet bit of candle having too much faerie can be indigestible after a while. But the danger and perils of going past the modal lands and into Faerie are well known. Even at a young age, Ysabel and Esther are very genre-aware and know the dangers of the river, much less actually going into Arcadia itself.

But you, reader, should you spend 3 hours of your listening time (at least in the outside world) listening to this story? If you like Murder Ballads, or stories in the Borderland of Faerie, or want to be enchanted with the lovely immersive language that the author brings here, and if you not only tolerate but like productions of audiobooks that go beyond the straight-up reading of the book, then yes, go and journey to Thistleford and meet the Hawthorn sisters.

Just don’t drink the water upstream of the two trees.⁴


¹ The Lorenna McKennitt Song “The Bonny Swans” pretty much gives you the original murder ballad.

² Maybe there is something in the water, because Lucy Holland’s recent novel, Sistersong, also uses “The Bonny Swans” as inspiration for characters and plot.

³ Thistleford feels a lot like a certain village in a certain book in that regard that I will not name but involves a Wall instead of two trees marking the border to another land entirely. It exists in our world but has a half foot in the other, and you can go there, and cross beyond, if you dare and find out how.

⁴ And that reminds me of the Spring of Hippocrene in John Myers Myers’ Silverlock, which can transform you into a poet, a creator…but no, the water of the Liss upstream of the Two Trees is to be absolutely avoided.

Pixel Scroll 3/29/25 Ya Scroll Sixteen Files And What Do Ya Get? A Pixel-Day Older And Deeper In Debt

(1) WRONG IMMORTALS? At Speculiction Jesse Hudson declares “Close But No Cigar: Response to Library of America’s Nine Classic Science Fiction Novels of the 1950s”.

A decade ago, the Library of America released the set Nine Classic Science Fiction Novels of the 1950s. The series was edited, or perhaps more accurately, curated by Gary Wolfe. Wolfe is a genre personage who I often disagree with, but a person who I respect, particularly his knowledge of 20th century science fiction. Wolfe is a proper scholar and a person to be trusted when looking to curate such a series. Nevertheless, differences in opinion there are, and it’s in those differences that my views have been percolating for ten years, waiting until I’ve read enough sf from the 50s to have an informed rebuttal. With more than thirty-five novels from the decade under my belt (and this post sitting in my drafts folder for all that time) I think I’ve reached that point. In the very least I will introduce you to some old school science fiction that perhaps wasn’t on your radar before…

The nine novels Wolfe selected were: Frederik Pohl and C. M. Kornbluth’s The Space Merchants; Theodore Sturgeon’s More Than Human; Leigh Brackett’s The Long Tomorrow; Richard Matheson’s The Shrinking Man; Robert A. Heinlein’s Double Star; Alfred Bester’s The Stars My Destination; James Blish’s A Case of Conscience; Algis Budrys’ Who?; and Fritz Leiber’s The Big Time

Hudson doesn’t disagree with all of Wolfe’s picks, and sometimes the reasons for disagreement are highly nuanced. For example:

Theodore Sturgeon’s More than Human – Sturgeon is one of the great voices of the 50s and fully deserving of a place in the volume. But I have qualms about More Than Human. Style-wise, it’s impeccable. American science fiction writers rarely produce prose of such amazing quality, even today. The first Act of More than Human reads like a mythic dream. Substance-wise, however, it’s less amazing. The book’s conception, that humanity could evolve and exist in harmony via telekinetic gestalt, is a few steps over the line. Spaceships, blasters, and aliens one can consider, telekinesis less so. To be fair, telekinesis was a common device of the time; it was something closer to ‘possible’ than it is today. But the most important reason I have qualms is I do not think More Than Human is Sturgeon’s best book of the 1950s. Stay tuned.

And among the books Hudson would have picked instead is this one:

James Blish’s They Shall Have Stars – First novel in the Cities in Flight tetralogy, They Shall Have Stars may be the quintessential expression of Modernist human hopes (expectations?) for the stars. The book contains a fair bit of drama, but rather than alien encounters, space ship blasters, or laser pistols, the book focuses on the human aspect of leaving Earth for space: finances, technology, pharmaceuticals, socio-economics, etc. It’s literally anti-pulp. Blish tries to be realistic in his presentation of the possibilities (or lack thereof) for human life beyond our stratosphere, and should be lauded for it. I just think A Case of Conscience is the better novel given how transcendent the theme is.

(2) OUR FANTASTIC PAST. Shannon Chakraborty tells New York Times readers “Historical Fantasy Novels Offer a Magical Escape Into the Past” and lists several favorites. The article is behind a paywall so we can’t share the notes, but we can name the titles.

People have been telling fantastical tales about the past since, well … most likely long before our ancestors began painting caves with wild beasts that danced in the firelight. A ragtag collection of Bronze Age skirmishes is transformed into the Trojan War, where gods meddle and great heroes are dispatched on quests we’re still retelling. Alexander the Great, already pretty remarkable, ends up a larger-than-life character in romance tales across Africa, the Middle East, Europe and Asia that have him battling centaurs and searching for the fountain of life (inspired by even older tales of Gilgamesh). If the past were a foreign country, clearly a great number of us would be eager to plan a trip….

The recommended books are: Lavinia by Ursula K. Le Guin; She Who Became the Sun by Shelley Parker-Chan; The Bird King by G. Willow Wilson; The Pasha of Cuisine; by Saygin Ersin; A Master of Djinn by P. Djèlí Clark; Moonshine by Alaya Johnson; Gods of Jade and Shadow by Silvia Moreno-Garcia; Siren Queen by Nghi Vo; and Flying Snakes and Griffin Claws by Adrienne Mayor.

(3) WOULD YOU LIKE TO KNOW MORE? El País writer Miquel Echarri, very much a fan of the Verhoeven version, is alarmed by Sony’s announcement they want to remake the film — “’Starship Troopers’: The $100-million movie adaptation of a ‘very right-wing book’”.

Science fiction cinema has presented us with two genocides, both met by their indirect victims with startling indifference. The first occurs in Star Wars: Episode IV – A New Hope, where Alderaan — no mere lost island or remote desert village, but an entire planet with millions of inhabitants — is destroyed. In what Wookieepedia describes as “one of the most cruel and vile acts of the Galactic Empire,” Grand Moff Tarkin, admiral of the Death Star, obliterates an entire celestial body in an instant, sending “an intense shock to the Force,” yet Leia Organa, princess of Alderaan, accepts the annihilation of her homeworld with remarkable stoicism.

The second catastrophe is the destruction of 23rd-century Buenos Aires in Starship Troopers. This time, the perpetrator is an arachnid force from outer space, which causes a mere mild annoyance in two of the film’s protagonists, Juan Rico (Casper van Dien) and Carmen Ibáñez (Denise Richards), both from Buenos Aires province. However, they curiously speak English. Argentine writer Jorge Luis Borges once described Buenos Aires as “as eternal as water and air,” but in Paul Verhoeven’s irreverent film, the city is erased from the map in an instant, without the slightest reverence….

… By the spring of 1996, Verhoeven knew he was putting his Hollywood career on the line with one final gamble, and that gamble was Starship Troopers. Given the circumstances, it seemed logical to follow what the production companies, TriStar Pictures and Touchstone, were asking of him: use the more than $100 million available to turn Heinlein’s novel into a fast-paced, straightforward action blockbuster. But Verhoeven and Neumeier insisted on taking a different approach — a balance between spectacle and sharp social satire, a path they had already explored together in RoboCop….

Anyone considering adapting Heinlein’s Starship Troopers at this point should be acutely aware that they’re dealing with sensitive, potentially radioactive material, and should not lose sight of Verhoeven’s example. Therefore, Columbia’s attempt to faithfully adapt the novel is, at the very least, questionable. What will remain of this formidable satire if you strip away the irony that gave it its meaning?

(4) WHAT’S YOUR TOP SF SCREEN MOMENT? ScreenRant nominates the “10 Most Epic Moments In Sci-Fi Movies”. What does it tell you about the heightened impact as you make your way up this list that this scene is only sixth!

6. Spock’s Death

Star Trek II: The Wrath Of Khan (1982)

What contributes to making Spock’s death such a pivotal scene, besides the performances given by both Nimoy and William Shatner as Captain Kirk, is the fact that it happens right under Kirk’s eyes. The relationship between Kirk and Spock has always been the core of Star Trek, and this scene, with Spock slowly succumbing to radiation poisoning just one clear door away from Kirk, brings that relationship to a new level of emotional closeness.

(5) MICHAEL COLLINS AWARD. The winners of the Michael Collins Trophy have been announced by the National Air and Space Museum. The award was established in 1985 and was renamed in honor of Apollo 11 astronaut Michael Collins in 2020.

LIFETIME ACHIEVEMENT

  • MARGARET HAMILTON

Software engineer Margaret Hamilton played a pivotal role in 20th-century aerospace innovation, particularly through her contributions to Project Apollo. Leading the team that developed the onboard flight software for the Apollo missions, her meticulous work and groundbreaking approach to software design were crucial to the success of the Moon landings and fundamentally reshaped the field of software engineering. Hamilton’s expertise extended beyond Apollo to projects like Skylab and the Space Shuttle, and her legacy continues to influence modern aerospace software development while demonstrating the profound impact women engineers have had in the field.

CURRENT ACHIEVEMENT

  • The OSIRIS-REx Team

NASA’s OSIRIS-REx mission marked a significant milestone by achieving the first U.S. asteroid sample return, securing the largest amount of material ever collected from beyond the Moon. After orbiting the ancient asteroid Bennu—earning a Guinness World Record for the closest orbit of a planetary body—the spacecraft successfully collected over 120 grams of rock and dust in 2020 and returned it to Earth in 2023. This precious sample, a “time capsule” from the early solar system, is now being analyzed by scientists worldwide (including at the Smithsonian) to uncover secrets about the origins of life on Earth, with preliminary findings already emerging.

(6) RETAILING THE WEIRD. Bobby Derie chronicles a certain kind of foreign agent in “Her Letters to August Derleth: Christine Campbell Thomson” at Deep Cuts in a Lovecraftian Vein.

… Thomson scored a small coup when she sold Derleth’s story “Hawk on the Blue” (based on a story in a letter from Robert E. Howard) for 8 guineas (although after various costs, this came out to a bank draft for $26.94). Other stories were met with various comments; Regarding “Muggridge’s Aunt,” Thomson wrote: “I am not quite certain whether it is horrible enough for Not at Night, the readers of which like their blood laid on with a soupladle” (Thomson to Derleth, 24 Sep 1934). About “Gus Elker and the Fox,” Thomson wrote “we feel that it is too American to place over here” (Thomson to Derleth, 12 Oct 1934)….

(7) IAN WILLIAMS (1948-2025). UK fan and sf writer Ian Williams died March 28. He had been hospitalized for a fall on March 16 and never recovered.

Ian Williams was especially well-known in the Seventies among international fanzine fans, not that he wasn’t prominent later.

He was a founding member of The Gannets, a club in the north-east of England formed after the 1970 Eastercon, which initially met at his house in Sunderland. First called the North East Fan Group (NEFG), when they switched to meeting at a subterranean pub called The Gannet Greg Pickersgill coined their new name, Gannetfandom, and so they were known thereafter. In addition to publishing fanzines, they ran several conventions. Besides Williams, other early members included Harry Bell, Ian Penman, Jim Marshall, Thom Penman, Ritchie Smith and Ian Maule.

Williams was the first editor of Maya (1970-1971).

His novel, The Lies That Bind, appeared in 1989.

He worked as a librarian. He was married, for a time, to Susan Hardy. His fondness for cats infused his Facebook posts, and he was a co-founder of an animal rescue charity.

[Based on Williams’ Fancyclopedia 3 entry.]

Rob Jackson adds: Ian was in effect the prime mover in founding the Gannets, though Harry Bell preceded him as active in fandom.  Slightly later-arriving Gannets who are still active include – in chronological order – myself, Kevin Williams (no relation) and Dave Cockfield among others.  The later editors of Maya were Ian Maule (1972-1975) and myself (1975-1978).  Ian’s personalzine Siddhartha went through two incarnations: a traditional mimeo run in the Seventies and a much later online version.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

March 29, 1968 “Assignment Earth” Star Trek episode

Captain’s log. Using the light-speed breakaway factor, the Enterprise has moved back through time to the 20th century. We are now in extended orbit around Earth, using our ship’s deflector shields to remain unobserved. Our mission – historical research. We are monitoring Earth communications to find out how our planet survived desperate problems in the year 1968.

Fifty-seven years ago on this evening, Star Trek’s “Assignment: Earth” first aired on NBC as part of the second season. Guest starring Robert Lansing as Gary Seven and Terri Garr as Roberta Lincoln, our crew which has time-travelled to 1968 Earth for historical research encounters an interstellar agent and Isis, his cat, who are planning to intervene in Earth history. 

It was directed by Marc Daniels whose first break in the business was directing the first thirty-eight episodes of I Love Lucy which was produced at the Desilu studio which became Paramount. This was one of fifteen Trek episodes he’d direct. He won a Hugo at NYCon 3 with Gene Roddenberry for Best Dramatic Presentation for “The Menagerie”. 

The story is by Art Wallace and Gene Roddenberry. Wallace, who also did the teleplay, is best remembered for his work on the soap opera Dark Shadows. Oh, and he did some scripts for Tom Corbett, Space Cadet.

It was intended as a pilot for an Assignment: Earth series that Gene Roddenberry planned but that never happened. Roddenberry’s intent was that Lansing and Garr would continue in the series if it was commissioned, but since NBC was not involved in casting the backdoor pilot, it could and well might have been that NBC would have insisted on changes or even completely recast the series had it picked up. 

Interesting note: The uncredited human form of Isis was portrayed by actress, dancer, and contortionist April Tatro, not Victoria Vetri, actress (in Rosemary’s Baby under the name of Angela Dorian) and Playboy Playmate of the previous year, as would become part of Trek lore. Her identity was unknown until 2019 when The Trek Files podcast cited a production call sheet for extras dated the fifth of January for the year of broadcast.  For decades fans had believed that the very briefly seen human form of the cat Isis was portrayed by actress Victoria Vetri. Many articles and websites treat that belief as revealed truth. Recently Vetri herself confirmed that she was not in the episode. No idea why the rumor started. 

Barbara Babcock, best remembered as Grace Gardner on Hill Street Blues, a most excellent series, was the Beta 5 computer voice (uncredited at the time) and she did the Isis’ cat vocalizations as well. Speaking of that cat, it was played by Sambo as you can see by this NBC memo. Interestingly Lansing though would later contradict that claiming that there were actually three black cats involved. I can’t confirm his claim elsewhere. 

Though this backdoor pilot did not enter production as a television series, both Seven and Roberta were featured in multiple stories and they were spun-off into a comic book series from IDW Publishing, Star Trek: Assignment: Earth by John Byrne. And there was the excellent novelization of the episode that Scott Dutton did for Catspaw Dynamics. I’ve read it and it’s quite superb.  

In addition, according to Memory Alpha, the source for all things Trek, “Seven and Lincoln have appeared in several Star Trek novels (Assignment: Eternity and the two-volume series, The Eugenics Wars: The Rise and Fall of Khan Noonien Singh by Greg Cox) and short stories (“The Aliens Are Coming!” by Dayton Ward in Strange New Worlds III, “Seven and Seven” by Kevin Hosey in Strange New Worlds VI and “Assignment: One” by Kevin Lauderdale in Strange New Worlds VIII).”

The plot concept of benevolent aliens secretively helping Earthlings was later resurrected by Roddenberry for The Questor Tapes film. That film was one of a series of television movies in which Roddenberry was involved — Genesis IIPlanet EarthStrange New World and Spectre. Need I say none made it past the stage of the initial television movie which served as a pilot? 

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

March 29, 1957Elizabeth Hand, 68.

By Paul Weimer: I once told Elizabeth Hand that I felt unqualified to read her books. She was gently bemused by this. 

Elizabeth Hand

When I have engaged with her work, I have found Hand’s work incredibly literate, immersive, enthralling and syncretic. She pulls ideas, motifs, images, and ideas from everywhere, especially music and other arts, into her work. A lot of her characters and settings involve music, theater, creative folks in all sorts of guises.  I didn’t quite bounce off Wylding Hall so much as I thought I didn’t get so much of it as would someone else more in tune and inclined to the musical arts, and the whole musical scene. Hand has a passion for infusing music and mythology and magic into her work. The Glimmering has a Christian rock singer as her protagonist in the middle of a climate change apocalypse. Waking the Moon dumps the reader into a world of a dark goddess, witchcraft and magic right from the world go. It felt like a dive into a deep pool trying to read the book.   

The city of trees in the Winterlong books is surreal, chimerical, and has a main character who can walk in dreams. Maybe that’s the right metaphor for Hand’s work. A walk into her dreams, but with more sense and cohesion than actual dreams, but with the unusual skewed version of reality that one gets. Black Light, with its entry for the protagonist into a world of Gods and Monsters far more terrifying than the parties her godfather was throwing.  That’s something of a slower burn than Waking the Moon, sometimes you get immersed into the pool rather than jumping into her worlds feet first. 

But no matter which Hand book you read, be it in a sudden dive or by slow steps, she enthralls you with her myth, creation and magic.  I still think I am not quite the right person to read her books (a theater kid with a passion for fantasy is, frankly, her target audience).  But I still try, nevertheless, because her work is absolutely worth it.

(10) COMICS SECTION.

  • Bliss finds the same easy pleasure some of you take from File 770. 
  • Brevity remembers the competition. 
  • Lio knows things. 
  • Off the Mark assembles. 
  • xkcd knows the back story.

(11) THIS ONE’S A HIT. Shawnerly tells of a checkered past when it comes to liking the works of T. Kingfisher. “#BookReview: A Sorceress Comes To Call |T. Kingfisher Horror |Feminism in the 1800’s” at She’s Reading Now.

…Things are touch and go with Kingfisher and I. I’ve DNF’d What Moves The Dead and What Feasts At Night. But, I thought, 2023’s A House With Good Bones, was a 4 star read! The issue is probably me. Sometimes I just don’t get her style of gothic horror storytelling. I keep trying though, and that should count for something! I finished her latest romp A Sorceress Comes To Call – and gave it 4 stars! Let’s chat about it!…

(12) FOR SEVERANCE FANS. “Apple’s Mac Site Features Fictional ‘Lumon Terminal Pro’”, but MacRumors cautions it’s a bait-and-switch.

Apple is going all out with promotions for the popular Severance Apple TV+ show today, and as of right now, you’ll find a new “Lumon Terminal Pro” listed on Apple’s Mac site.

The Lumon Terminal Pro is designed to look similar to the machines that Severance employees like Mark S. and Helly R. use for macrodata refinement. The Terminal features a blue keyboard, a small display with wide bezels, and a trackball for navigation purposes.

Unfortunately, you can’t actually buy a Lumon Terminal Pro, though it would undoubtedly sell well to Severance fans. Apple’s page links to the company’s actual Macs, and to a behind the scenes editing video that Apple shared this morning.

(13) CLEANING UP SPACE. Keep B.O. “far, far away” with “The Mandalorian 4-Pack + Soap Saver” from Dr. Squatch. (And that black thing below is not the monolith from 2001, that’s the “soap saver”.)

(14) IT’S OBVIOUSLY AN ATTACK FROM SPAAAAACE! [Item by Mark Roth-Whitworth.] ScienceAlert says “NASA Is Watching a Huge, Growing Anomaly in Earth’s Magnetic Field”.

NASA has been monitoring a strange anomaly in Earth’s magnetic field: a giant region of lower magnetic intensity in the skies above the planet, stretching out between South America and southwest Africa.

This vast, developing phenomenon, called the South Atlantic Anomaly, has intrigued and concerned scientists for years, and perhaps none more so than NASA researchers.

The space agency’s satellites and spacecraft are particularly vulnerable to the weakened magnetic field strength within the anomaly, and the resulting exposure to charged particles from the Sun.

The South Atlantic Anomaly (SAA) – likened by NASA to a ‘dent’ in Earth’s magnetic field, or a kind of ‘pothole in space’ – generally doesn’t affect life on Earth, but the same can’t be said for orbital spacecraft (including the International Space Station), which pass directly through the anomaly as they loop around the planet at low-Earth orbit altitudes.

During these encounters, the reduced magnetic field strength inside the anomaly means technological systems onboard satellites can short-circuit and malfunction if they become struck by high-energy protons emanating from the Sun.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Asimov’s 39th Annual Readers’ Award Poll Finalists

The top choices for Asimov’s 39th Annual Readers’ Award Poll are online. There are links that will allow you to read all the finalists. The winners chosen by readers will be revealed at a later date.

BEST NOVELLAS

BEST NOVELETTES

BEST SHORT STORIES

BEST POEMS

BEST COVERS

Analog Analytical Laboratory Readers’ Award 2024 Finalists

Analog Science Fiction and Fact has revealed the 2024 Analytical Laboratory Finalists. The magazine has also made many of these stories available to read either in part or whole.

Below are the works that finished in the top five slots for Best Novelette, Best Short Story, Best Fact Article, and Best Poem, and the those that finished in the top three for Best Novella and Best Cover.

The winners will be announced in Analog’s July/August issue.

BEST NOVELLAS

BEST NOVELETTES

BEST SHORT STORIES

BEST SCIENCE FACT

Genetic Memory, Clones, and Epigenetics, Kelly Lagor, March/April 2024
In Praise of Third-Class Worlds, Kevin Walsh, July/August 2024
The Science Behind “Apollo in Retrograde,” Rosemary Claire Smith, January/February 2024
The Science Behind “Project Desert Sparrow,” Chana Kohl, May/June 2024
“Unfutured” Race: Neanderthal Science and Fiction, Kelly Lagor, September/October 2024

BEST POEMS

BEST COVERS

January/February 2024 — Julie Dillon
March/April 2024 — Eli Bischof
May/June 2024 — Kurt Huggins

Valentin D. Ivanov Reviews Books From Bulgarian Writers

By Valentin D. Ivanov: And now for something completely different: Books from Bulgarian writers.

1. The possibility of a symbol: Surmounting the Carpathian Mountains, a novel by Georgi Tsvetkov, Publisher Erove, Sofia, 2024; cover Viktoria Videvska

This is a book for the lovers of Michel Houellebecq and Christopher Priest. Think of The Possibility of an Island or The Separation; and there is more than a touch of the narcotic delirium, so typical for Phillip K. Dick’s life and work.

What is this book about?

This is the most difficult question to answer. It starts as a story about freedom. A Hungarian officer, Lajos (names after the real life Lajos Kossuth), comes back from the New World to meet the Coburg – a thinly veiled figure that can be associated with the first post-independence Bulgarian king, a Saxe-Coburg-Gotha by origin (yes, he was appointed a king after a proper job search by the Parliament, for the lack of native Bulgarian nobility, exterminated during the five centuries of Turkish/Ottoman occupation). Lajos seeks military assistance to free his beloved Hungary from the Austrian rule.

This is where the interesting and unexpected part begins.

We discover that in mid-nineteenth century the oceans have risen, a large fraction of the dry land has sunk, and the European continent is cut with water ways – channels. There is no explanation why this happened, but the freedom-related symbols step back and symbols of ecological disasters step forward.

However, this is only temporary, another swift turn is awaiting the readers: the officers raiding these submarines, and pretty much every member of the dwindling European population take abundant daily doses of hemlock (yes, Socrates is mentioned) with devastating consequences.

Along the way we discover that the old continent has become a home of many Christian Abyssinians (this is hinted on the very first page). Parallels with today’s mass-migration are inevitable, but they are not simple and straightforward. Is this an invasion or a salvation expedition? The author doesn’t bother to slow down and explain. 

Instead, the readers are taken along with the characters on a Tolkienesque trip across continents into the hearth of Africa. It is a purifying journey that brings everybody to their roots, in some specific ways. Is this a symbol of a return to the origins and nature or to something else? 

Along the way the very nature of the reality is questioned by means of unreliable narration that smears the border between physical and mental. 

I mentioned here just a small fraction of this parade of symbols, but I am sure you get the idea – this is a novel about symbols themselves, about their nature and interpretation, as much about the story, its protagonists and their character development. If translated, this book will likely find appreciation among the lovers of literary speculative fiction.

Georgi Tsvetkov is a chemistry professor at the University of Sofia.

2. The great Bulgarian novel – abridged version: The Secrets of Middleville, a story collection by Emanuel Ikonomov, Publisher Argus, Sofia, 2021; cover and illustrations Dimiar Stoyanov – Dimo 

Many US writers sooner or later offer their own versions of the Great American Novel (intentionally capitalized!). There are even genre examples: 11/22/63 by King is one. The best of these books offer deep insights into the psyche of that country, the worst are nostalgic trips to the youth of their authors. This intro intends to place The Secrets of Middleville on a literary map that is understandable to a worldwide audience – this is a magical realism/urban fantasy version of the very same phenomenon.

There are two way to tell how great your country is. One is to show-and-tell the good things about it, the other – to vulgarize and degrade the other countries, so yours looks better in comparison. Needless to say, this collection takes the former path, with grace, humor and imagination, employing the tools of the speculative genre.

Strictly speaking, this is a mystery. The stories follow the life of a young police officer who gets assigned to the police department in a small country-side town in Bulgaria. Formally the twelve stories, spanning about 200 pocket-sized pages, describe his investigations that are just vehicles for his encounters with a Robin-Hood-like dragon, a beautiful faerie, a real extraterrestrial alien, a Bulgarian Lazarus Long. Some people in this magical town live their lives in different epochs at the same time and there are portal that led either to alternate realities or to distant lands inhabited by strange creatures. My favorite is another portal fantasy masked as a regular door of a regular pub – it leads to a special place where the local drunkards are though an unforgettable lesson. All this is written with many parables and allegories, often the readers are intentionally left to choose between the poetic and the realistic explanations of the events.

Of course, there settings and ideas have been used before, but the heart and the strength of the book is in the way the protagonist sinks in the local atmosphere of kindness and benevolence and how he grows into the wisdom and the patience of the town folk. The people of the town often take not the most effective or the most rational path, but the path that will help them to do most good.

Emanuel Ikonomov authored of tens of speculative fiction and mystery stories, he is a well known fan and publisher. Furthermore, he is well known promoter and supporter of the Bulgarian speculative fiction, to the degree that many of present-day SFF writers became writers because of the annual literary awards, he organized and sponsored two decades ago.

3. Steampunk WWI, Bulgarian version: Bluegrass, a collection by Petar Tushkov, Publisher Ergobooks, Sofia, 2021; cover Vasilena Georgieva

The collection offers eleven stories and a novella, written with a polished style that betrays the literary education and interest of the author. The novella, titled Vazev 1887, brought me to to this book. I had read and liked Tushkov’s dark alternative history novel Department I (deserves to be discussed as well) and given my own interest to this sub-genre I could not pass by a tale about an alternative version of the most prominent Bulgarian main-stream writer Ivan Vazov (1850-1921). Vazov himself did not shy off the speculative genre – he authored the first Bulgarian science-fictional short story in 1899, offering a glimpse in his views what an Utopian future for our country may look like.

Formally, the novella is steampunkish. The first pages expose us to a world that has advanced technologically faster than ours, but at a price – an earlier world war. Leviathan and its sequels by Scott Westerfeld may come to mind. Lovecraftian influence is also noticeable. However, Tushkov has other ideas. The fast-paced hundred or so page novella concentrates on the perception of the war and its consequences rather than on the actual acts of war. They are rather the background for bringing to the reader to questions about freedom and free speech. Conveniently, the real historic Vazov worked as a journalist and this is exaggerated to become his main activity.

As so many times in the Bulgarian history, the country finds itself on the losing side in this war. We have a sad joke about this: in WWI and WWII we were with the Germans, and they lost both wars, in the Cold War we were with the Soviet Union and they don’t exist anymore. We are with EU and USA now…

The described Sofia resembles Paris in 1940. Here comes the surprise – instead of harsh occupation measures, the invading Austro-Hungarian forces organize… a ball in the King’s Palace. Here the modern problems and the issue of manipulation come head to head with the idyllic and innocent sensibilities of the late nineteenth century. This move unleashes a painful sequence of events that ends with one unexpected twist about the personality of the people involved.

Despite the relatively short form of a novella, the author has managed to tell a complex story and to inhabit it with nuanced characters. The rich historic texture hints at research beyond Wikipedia. Finally, Vazev 1887 is a manifestation of a common tendency in the present-day Bulgarian speculative fiction to employ the history of the country and in the case of fantasy – its folklore.

Petar Tushkov is a prominent Bulgarian writer, editor and a fan. He has studied Bulgarian philology.


Disclaimer: I am a biased reader, I tend to see mostly the good and strong sides of the books I review, and to slide over their rough and poor places…