Pixel Scroll 10/15/24 Like Scrolls Thru The Hourglass, So Are The Pixels Of Our Lives

(1) SEATTLE 2025 CONSIDERING ARTISTS TO DESIGN HUGO BASE. The 2024 Worldcon committee announced on Facebook:

Seattle Worldcon 2025 is currently accepting information from artists interested in designing the 2025 Hugo Base. Have an idea that builds yesterday’s future for everyone?

If, after reading the information listed at the link below, you are interested, please fill out the form. Our Hugo Base Subcommittee will be reviewing submissions until November 15, 2024. After that point, we will contact you to either move forward with further discussions or with a heartfelt thanks for sharing your interest.

There’s a Google Doc link in the post that takes readers to the complete guidelines. They say in part:

Our Hugo Base sub-committee will be reviewing submissions based on the following criteria:

  1. Ability to produce an initial order of 45 bases;
  2. Ability to possibly produce more bases upon request in the 3 months after our convention;
  3. Concept that fits with the theme of our Worldcon (https://seattlein2025.org/about/our-theme/); and,
  4. Ability to have the initial order delivered to us by July 24, 2025;

(2) ALSO KNOWN AS. Dave Hook discusses “My Favorite Speculative Fiction Pen Names” at A Deep Look by Dave Hook.

….Historically, it was not that hard for an author in pulp or genre fiction to publish under a name different than their legal name. Many works of fiction were submitted to editors in the mail, perhaps with a cover letter and address or post office box. Correspondence and payment could go back to that address, with someone ultimately cashing the check. Especially before the internet, it was not hard to do this. I assume the editors often knew there was a pen name, or even requested one be used.

With today’s copyright laws and the internet, it is my suspicion that using a pseudonym without anyone other than your agent, editor or publisher knowing it is you is a good deal harder than it might have been in the past….

Cordwainer Bird was used by Harlan Ellison for “material he was partially disclaiming”, to quote SFE. This was substantially scripts for TV, including “The Price of Doom” (1964) episode of Voyage to the Bottom of the Sea, “You Can’t Get There from Here” (1968) episode of The Flying Nun; and “Voyage of Discovery” (1973) episode of The Starlost. Harlan Ellison’s first published story was “Glow Worm“, a short story, Infinity Science Fiction, February 1956. He wrote under many pseudonyms especially early in his career. For those not familiar with his broad work in speculative fiction including SF, fantasy, and horror and combinations thereof, you would not go wrong with the recent collection Greatest Hits, J. Michael Straczynski editor, 2024 Union Square & Co. (see my review).

Cordwainer Bird was also used as a pseudonym by Philip José Farmer with permission of Harlan Ellison for the “The Impotency of Bad Karma“, a short story, Popular Culture June 1977. His first published work was “The Lovers“, a novella, Startling Stories August 1952. 1952, rather revolutionary and still important. Farmer went through what he called his “fictional author phase” from 1974 to 1978, when he used pseudonyms that were often the names of fictional writers in works by others or by him. My own favorite in terms of pseudonym used by Farmer is “Venus on the Half-Shell“, a novella, F&SF December 1974, as by Kilgore Trout, who first appeared in Kurt Vonnegut’s God Bless You, Mr. Rosewater, 1965 Holt, Rinehart and Winston….

My fave did not make his list – “Tak Hallus”, a Steven Robinett pseud that supposedly is Persian for “pen name”.

(3) SFWA UPDATE. SFWA’s Interim President Anthony W. Eichenlaub today sent a message to members that said in part:

…Recent resignations prove to us how much we’ve come to depend on our staff while also highlighting flaws in the structure of our organization. SFWA must change as it rebuilds. To help guide us in this, we are bringing in Russell Davis in a transitional leadership position. He knows SFWA well, understands corporate structure, and is already getting up to speed.

At last week’s Board meeting we discussed new formats for the Nebula Conference that will allow us to serve both members and non-members without burning out volunteers or staff. Our yearly event has taken many forms throughout the years, and we want to focus this year on a celebration of everything SFWA has accomplished over these past sixty years. None of the details are nailed down yet, but it will likely be a significant change from the Nebulas of recent years. We’re focusing on the Midwest and we’ll have more to share as soon as possible.

We also now have a finalized confidentiality policy. It’s back from the lawyer, and the next step is to vote both this and the corresponding OPPM changes in so that we can start rolling it out. My hope is that we can make this the start of a cultural shift toward transparency for the organization. Change is easier when it happens in the light of day….

(4) SIFTING AND SIEVING. Uncanny Magazine coeditor Michael Damian Thomas today expanded on his previous comments about an AI-inspired surge in submissions.

(5) LIVE FROM BROOKLYN. The Brooklyn SciFi Film Festival is now live through October 20.

We kick off the 5th annual Brooklyn SciFi Film Festival by making over 200 films available to stream online and upvote for recognition.

(6) A NICE PAYCHECK, TOO. Variety hears the actor say — “Harrison Ford: Rejecting Marvel Roles Is ‘Silly’ When Audiences Love It” – and you can quote him.

Harrison Ford is no stranger to blockbuster Hollywood franchises, having played Han Solo and Indiana Jones across decades. And now, the 82-year-old actor is joining the Marvel Cinematic Universe as Thaddeus “Thunderbolt” Ross / Red Hulk in next year’s “Captain America: Brave New World.” Speaking to GQ magazine, Ford said it would be “silly” to avoid Marvel when it’s something moviegoers have clearly responded to for years now.

“I mean, this is the Marvel universe and I’m just there on a weekend pass. I’m a sailor new to this town,” Ford said about his MCU debut. “I understand the appeal of other kinds of films besides the kind we made in the ’80s and ’90s. I don’t have anything general to say about it. It’s the condition our condition is in, and things change and morph and go on. We’re silly if we sit around regretting the change and don’t participate. I’m participating in a new part of the business that, for me at least, I think is really producing some good experiences for an audience. I enjoy that.”…

(7) WARD CHRISTENSEN (1945-2024). Ars Technica pays tribute to “Ward Christensen, BBS inventor and architect of our online age” who died October 11:

Ward Christensen, co-inventor of the computer bulletin board system (BBS), has died at age 78 in Rolling Meadows, Illinois. He was found deceased at his home on Friday after friends requested a wellness check. Christensen, along with Randy Suess, created the first BBS in Chicago in 1978, leading to an important cultural era of digital community-building that presaged much of our online world today.

In the 1980s and 1990s, BBSes introduced many home computer users to multiplayer online gaming, message boards, and online community building in an era before the Internet became widely available to people outside of science and academia. It also gave rise to the shareware gaming scene that led to companies like Epic Games today….

…Christensen and Suess came up with the idea for the first computer bulletin board system during the Great Blizzard of 1978 when they wanted to keep up with their computer club, the Chicago Area Computer Hobbyists’ Exchange (CACHE), when physical travel was difficult. Beginning in January of that year, Suess assembled the hardware, and Christensen wrote the software, called CBBS.

“They finished the bulletin board in two weeks but they called it four because they didn’t want people to feel that it was rushed and that it was made up,” Scott told Ars. They canonically “finished” the project on February 16, 1978, and later wrote about their achievement in a November 1978 issue of Byte magazine.

Their new system allowed personal computer owners with modems to dial up a dedicated machine and leave messages that others would see later….

Tom Becker also notes, “There is some indication that he was active in Chicago fandom. He has a mention on Fancyclopedia as one of the founders of the Build-A-Blinkie organization.” — “Ward Christensen”.

… Dale Sulak, Dwayne Forsyth and Ward Christensen created the Build-a-Blinkie organization. Build-a-Blinkie is a 501(c)3 dedicated to the teaching of STEM. They run learn-to-solder events in the Great Lakes area. Build-a-Blinkie has the world’s largest mobile soldering stations and participates at numerous Maker Faires, libraries, universities, Maker Spaces, and Chicago-area sf conventions…. 

(8) TODAY’S BIRTHDAY?

Born October 15 [allegedly], 1953 Walter Jon Williams, 71. [The Science Fiction Encyclopedia says he was born October 2, 1953. The Internet Science Fiction Database says his birthday is October 15, and so does IMDb. His blog (“Geezer Test”) celebrates October 28 as does the Wikipedia. We’re celebrating the ISFDB’s choice this year.]

By Paul Weimer: I mentioned Walter Jon Williams before in my remembrance of the work of John Ford. And I stand by what I said there: he is one of the most widely writing people in SFF today. The sheer breath of the type of work he writes, from the post singularity(?) Metropolitan, to the sword and singularity of Implied Spaces, the Drake Majestal future space opera crime capers, and so much more. The impossibility to pin him and his work down, I think is part of the reason why his work isn’t better known–he doesn’t stick to a line long enough to get complete traction in it so that he attracts a critical mass of readers. 

And that is a shame. 

His work is clever, erudite, witty, and bears up to multiple readings. The intensity and subtlety of the Dread Empire’s Fall series, one of the best space opera series out there, is criminally underappreciated. Or his Quillifer series, which feels like early Renaissance with magic and Gods sort of world, as Quillifer is the “Most Interesting Man” made flesh–but that doesn’t help him get out of his latest schemes and problems. He has to work hard with cleverness, boldness and ingenuity to continue his rise. (Quillifer is a favorite of mine, and it feels resonant with the work of K J Parker).

And he’s also written a solid Star Wars novel, The New Jedi Order: Destiny’s Way.

He’s also written outside of genre, from historicals to near future thrillers to a straight up disaster novel (The Rift— really good!)  He always seems ready to invent and try something new. .

Williams also runs the Taos Toolbox workshop in New Mexico every year.

I got to meet him in Helsinki, where he was GOH for the 2017 Worldcon, but he doesn’t remember me. Alas!

Walter Jon Williams

(9) COMICS SECTION.

(10) ATWOOD ON THE RADIO. [Item by SF Concatenation’s Jonathan Cowie.] This week’s BBC Radio 4’s The Verb programme had as one of its two guests the SF grandmaster Margaret Atwood, firmly in poetry mode of course.

Ian McMillan talks to Margaret Atwood and Alice Oswald about how we write poetry, and their own process, the natural world, time, and the possibilities of myth…

You can download the 42-minute programme here.

(11) ROCKY HORROR. Buzzfeed shares a collection of “Rocky Horror Picture Show Behind The Scenes Facts”. Lucky thirteen is —

13. Rocky is wearing a prosthetic plug to cover his belly button. Because Frank-N-Furter created him, he wouldn’t have had an umbilical cord.

(12) KEVIN SMITH NEWS. [Item by Danny Sichel.] Kevin Smith has finally regained the rights to his 1999 religious fantasy DOGMA, which were being controlled by Harvey Weinstein. Yes, that  Harvey Weinstein.

Smith is planning to rerelease the movie on home video format as well as streaming; he’s also mentioned the possibility of sequels and associated TV material, now that Weinstein will no longer be getting any of the profit. “Kevin Smith Regains Control of Dogma, Coming to Streaming” at Consequence Film.

Kevin Smith’s celebrated 1999 comedy, Dogma, will soon be re-released in theaters and made available on streaming for the first time, now that the director has finally secured the rights to the film after its one-time owner, Harvey Weinstein, held it “hostage” for years.

Smith confirmed the acquisition during a recent interview on The Hashtag Show, explaining that the rights had been bought off Weinstein recently, which allowed him to finally regain them. “The movie had been bought away from the guy that had it for years,” he said. “The company that bought it, we met with them a couple months ago. They were like, ‘Would you be interested in re-releasing it and touring it like you do with your movies?’ I said, ‘100 percent, are you kidding me? Touring a movie that I know people like, and it’s sentimental and nostalgic? We’ll clean up.’”

(13) RED PLANET AGRICULTURE. In Nature, “Rebeca Gonçalves explains how plant food could be grown on the red planet”: “Planning for life on Mars”.

The day this photo was taken, in November 2021, I got the best of presents. One hundred kilograms of material designed to simulate Mars regolith, the dense, soil-like deposits present on the planet’s surface, arrived from Austin, Texas, at the Wageningen University laboratory in the Netherlands, where I was then working. Mars has no nutrients or organic matter, so there’s no real soil in its regolith. The simulant I received had been developed by NASA researchers on the basis of data retrieved and analysed by rovers that have visited the red planet.

Over the next few months, my colleagues and I started to explore what we could grow in the material. We found that tomatoes, peas and carrots all took to the soil and grew well. But could these plants realistically survive on Mars?

The planet does have water, but most of it is frozen at its poles or buried deep underground. So for plants to live, water would need to be pumped up to the surface. Mars has almost no atmosphere and no magnetic field, so plants would have to be housed in colonies, with greenhouse-like structures to protect them. In these, an internal ecosystem with a controlled atmosphere could help the plants to retrieve oxygen through hydrolysis.

In modern agriculture, those techniques are already used to protect crops. And research to understand how to help food grow in harsh conditions won’t be wasted if it doesn’t get to Mars. That’s because restoring infertile, degraded soil that’s been damaged by climate change, or events such as flash flooding and droughts, will become more and more important in the future.

I’d love to visit Mars, but preferably when some kind of life-support system is in place. Our research might represent a step in that direction….

(14) CASH OFFENDS NO ONE. The Hollywood Reporter says the litigation is over: “Microsoft Settles Antitrust Suit Seeking Divestiture From Activision”.

Microsoft has settled an antitrust lawsuit brought by gamers challenging the tech giant’s $69 billion acquisition of Activision Blizzard.

The two sides on Monday notified the court of a deal to dismiss the lawsuit “with prejudice,” meaning it can’t be refiled. Terms of the agreement weren’t disclosed. “Each party shall bear their own costs and fees,” agreed the lawyers in a court filing.

The lawsuit, filed in California federal court in 2022 by gamers across multiple states, stressed that the merger will create among the largest video game companies in the world, with the ability to raise prices, limit output and reduce consumer choice. One example cited in the complaint was the possibility that Microsoft makes certain titles exclusive to Xbox. It was filed less than two weeks after the Federal Trade Commission sued to block the deal….

(15) IN TIMES TO COME. [Item by Mike Kennedy.] Should someone check to make sure these are not plutonium-producing breeder reactors? “Google inks nuclear deal for next-generation reactors” reports The Verge.

Google plans to buy electricity from next-generation nuclear reactors. It announced the deal yesterday, which it says is the world’s first corporate agreement to purchase electricity from advanced small modular reactors (SMRs) that are still under development.

Google inked the deal with engineering company Kairos Power, which plans to get its first SMR up and running by 2030. Google agreed to purchase electricity from “multiple” reactors that would be built through 2035.

Google needs a lot more clean energy to meet its climate goals while pursuing its AI ambitions. New nuclear technologies are still unproven at scale, but the hope is that they can provide carbon pollution-free electricity while solving some of the problems that come with traditional nuclear power plants…

(16) PRIMARY APPEAL. “Rainbow Brite: New TV Show and Theatrical Movie in the Works”Variety covers the spectrum.

Rainbow Brite is getting a remix from Crayola Studios and Hallmark, which are teaming to develop a new TV series and feature film inspired by the 1980s children’s franchise.

The theatrical movie is in the works from “Fast & Furious” and “Sonic the Hedgehog” producers Neal H. Moritz and Toby Ascher, while Cake Entertainment is developing a series with “contemporary appeal” based on the themes of “friendship, teamwork and the power of color and optimism to overcome darkness and negativity.”

Per the series logline, “Rainbow Brite, a friend, hero, role model and creative inspiration who brings all the colors of the rainbow to the universe, is transported to a dark and gloomy place with a mission to bring color, light and happiness to the world.”…

(17) IMITATION IS THE SINCEREST FORM OF BEING RIPPED OFF. [Item by N.] “Elon Musk, Tesla Mocked for Copying ‘I, Robot’ Designs”The Hollywood Reporter tells why.

At Tesla‘s big Cybercab Robotaxi presentation last week at the Warner Bros. lot in Burbank, the company also showed off the latest iteration of the Tesla Bot, dubbed Optimus, as well as a Robovan. The initial reveal of the trio of robot products caused great excitement on social media, but, very quickly, praise turned to mockery as the designs were scrutinized with a host of people accusing Elon Musk‘s company of ripping off the designs found in the 2004 sci-fi film I, Robot starring Will Smith.

Tesla had dubbed the event “We, Robot,” which plays into the title of Isaac Asimov’s 1950 short-story collection on which the film is based, so there was some recognition of the cross-pollination of ideas. However, many on social media called out the uncanny resemblance that all three of Tesla’s planned robot offerings have to similar products in Alex Proyas‘ film, which is set in 2035 Chicago….

Optimus, a general-purpose robotic humanoid Tesla is currently developing that takes its name from the Transformers character, does bear similarities to the NS5 robots found in I, Robot. But it was the fact that the Robovan (a self-driving people mover that looks like the robot delivery vehicle in the film) and Robotaxi (a self-driving taxi that looks like the Audi RSQ in the film) also aped similar vehicles found in I, Robot that really inspired the relentless mockery on social media and even a response from Proyas.

Alex Proyas also directed the 1998 film Dark City.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Paul Weimer, N., Tom Becker, Danny Sichel, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

SFWA Calls Special Election for President and Secretary, Reports Progress on Issues

The Science Fiction and Fantasy Writers Association (SFWA) today announced they will hold a Special Election to fill the offices of President and Secretary. Those elected will serve for the remainder of the current terms, until June 30, 2025.

The office of President was vacated by the resignation of SFWA President Jeffe Kennedy on August 1. And when Interim President Chelsea Mueller resigned on August 15, Secretary Anthony W. Eichenlaub moved up to take her place.

Candidates for the two offices must post their platforms by September 24. Members will begin voting on October 9. The ballots will be counted after October 23.

The full SFWA Board consists of the President, Vice President, Chief Financial Officer, Secretary, and five (5) Director-at-Large positions.

Progress Report. Also today, Interim President Anthony W. Eichenlaub sent members a “Report on SFWA Progress” with updates on these issues:

Non-Discloure Agreements:

The Board made significant progress on a new and limited confidentiality agreement to replace the current NDAs in last week’s meeting. This is the cornerstone of our push toward transparency, and we’re pleased with how it’s turning out. We spent the weekend wordsmithing and will be sending it to the lawyer at the beginning of this week. Our goal is to get it out as soon as possible.

SFWA Website:

A Website Content Audit Taskforce has been formed to locate and fix errors and omissions on the sfwa.org website. This is a limited duration taskforce and its goal is to fix inaccuracies and omissions on the current website as we put together plans for a full website overhaul. Please look in the next issue of the Singularity for volunteer opportunities to help with this taskforce.

International Writers:

The Board discussed our statement regarding writers in crisis around the world. This statement has been stalled too long, and now it’s on my desk. It needs some work, but I’m putting it as a top priority next week.

SFWA tasked a committee to write such a statement in 2022. A draft reportedly was produced but the Board did not take action. This year there has been a renewed call from members who want a response to the plight of Palestinians in Gaza. Some members doubt such a statement would be appropriate under the organization’s purpose statement. Some others believe it would relate to SFWA’s function of “supporting and empowering” writers. They note that earlier in the decade there was “A Statement from SFWA on Black Lives Matter and Protests” and “A Statement and Plan of Support for the Asian Diaspora Communities”, as well as an announcement that “SFWA Stands With Ukraine”.

Internal Communication:

The Board has decided to leverage the Airtable volunteer database to facilitate communication between committees.

Staff replacement:

The Board has been working on strategies for replacing staff. The first job listings are almost ready to go out.

SFWA: In My House There Are Many Issues

When Science Fiction and Fantasy Writers Association turned to their third President this month many asked what problems the organization is having to cause this result? Michael Damian Thomas supplied a plentiful list of SFWA’s issues, which follows below.

However, the two presidents’ resignations cite the needs of their families as their primary reason for leaving office.   

CHANGE AT THE TOP. Chelsea Mueller resigned August 15 as Interim President of SFWA, just two weeks after stepping up from Vice-President when SFWA President Jeffe Kennedy resigned on August 1. Both Kennedy and Mueller said the need to take care of family members overhwhelmed their resources.

Kennedy said:

…However, the last several months have been particularly demanding in my personal life, and I have come to the realization that I can no longer provide the focused attention SFWA needs from its President. Without going into too much detail, I continue to be the sole caregiver and financial support for my disabled husband, whose progressive condition is worsening. In addition, my stepfather of twenty years passed away suddenly, widowing my elderly mother for the third time, and I am in the process of taking over all of her finances and care….

Mueller said:

…Many of you may already know, but my husband was in a major motor vehicle accident a couple of months ago. The journey after that, as well as caring for our small child, has severely limited my bandwidth. I had intended to forge on and make as much time for this organization as I could.

However, I am out of spoons, and must use those I have to care for myself and my family….

Anthony W. Eichenlaub, SFWA Secretary, has taken Mueller’s place as the new Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

SFWA’S PROBLEMS. Michael Damian Thomas, urging SFWA members to seek out the details in the members-only Forum, gave X.com readers this list of issues troubling the organization:

It is fairly winding! One employees left & wasn’t replaced. One employee asked for accessibility accommodations, didn’t get them, gave 90 days notice, & then was immediately shut out of their SFWA email account. (That one gets more and more complicated.)

Multiple committees seem to have had members forced out or resigned, including Griefcom. There is a general pattern of these committee members saying there was little or no communication from the Board. Now we have multiple Board members resigning. Lots of claims about NDA stuff.

A check was issued to a charity antho and then the antho was told to not cash the check and destroy it, as the payment was in error. There is a lot going down!

Here is what File 770 has learned so far about those issues.

One Employee Left and Wasn’t Replaced

This is a reference to Deputy Executive Director Terra LeMay, a longtime SFWA employee whose status is a matter of controversy and is discussed in the next section. 

SFWA’s other employee is Executive Director Kate Baker.

One Employee Asked for Accessibility Accomodations; Gave 90 Days Notice; Was Shut Out of Email Account

Michael Capobianco, a former SFWA President, said in a comment on a public Facebook post on August 15:

I’m following along as best I can considering that everyone involved (and a lot of new Board members that aren’t) are on a rollercoaster ride of resignations and can’t tell anyone what’s going on explicitly because of the overbroad NDA’s they signed. It looks like it may be leveling off, but there are still a lot of members who are pissed off about the treatment of Deputy Executive Director Terra LeMay, and there’s no sign of a resolution to that problem, which could cascade into other problems of staff and Board behavior.

Jon Del Arroz’ Fandom Pulse newsletter has published – although misattributing the quote to the wrong author — the text of a SFWA Forum post on the subject in “SFWA Whistleblower Exposes Private Online Forum Post With Frustrated Members Demanding Jeffe Kennedy Be Ousted As President” [Internet Archive link]. The post was not written by Michael Capobianco, as asserted by JDA. The quoted post (dated August 2) says:

“The immediate event that kicked this off was Terra LeMay being terminated from her staff position after putting in a 90-day notice due to being denied reasonable disability accommodations, and then banned from Discord and blocked from accessing her SFWA email (presumably by Jeffe [Kennedy]) after she asked for an explanation on Discord in the ask-the-board channel.”

As of August 15, Terra LeMay’s status is that she still is employed by SFWA. She was not fired. And her terminal date would be 90 days from when notice was given – which was on June 30th — not that day. LeMay’s Discord access has been restored, but not her email account. She remains an employee, apparently without duties.

The following commentary is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information. (They are not anyone named in this post.)

Most recently, on June 30th, the SFWA employee Michael Damian Thomas mentions put in a notice of resignation. This notice expressed that the actual date of resignation would be negotiated between the two parties, but (per the terms of an existing employment contract) would be no later than 90 days. This employee is well-loved by the SFWA membership as someone who is always helpful, effective, and thoughtful, and has done a ton of great work for the organization, as well as holding a significant amount of institutional knowledge. The employee expressed their intent to continue working until the resignation date to ensure as smooth a transition as possible, but two weeks after that was abruptly locked out of SFWA email and other work accounts, which were all needed for job purposes. When the employee asked why this had happened on the SFWA Discord, someone (it’s not clear who) deleted the messages and banned the employee from the server. The first that most board members heard about this is when people started to demand it be addressed, so it definitely seems like someone in a position of power in the organization was acting on their own, without these being approved board actions.

A number of members have demanded that employee’s access be restored and they be given an apology, but that has not happened even a month later. Nobody has heard from the executive director in that time, and board members say they are unable to speak about it due to NDAs [Non-Disclosure Agreements] or because it’s an “employment situation.” My understanding is that the employee in question has since contacted the board a number of times with questions which have been ignored or only partially answered.

Committees Have Had Members Forced Out, or Resigned, Including Griefcom

The anonymous longtime SFWA member responded:

Regarding GriefCom, the chair and co-chair of that committee resigned after being told their work would have to expand to writers not in SFWA due to its nonprofit status. I think this happened a year ago or more, and don’t think it’s related to the current situation. In fact, a number of writers I know received very condescending and dismissive emails from the former GriefCom chair which essentially blamed them for problems they were facing with publishers. The new GriefCom chair is much better, and I have not heard any complaints recently about GriefCom, so in my opinion this particular case is actually the organization working as it should to serve writers.

There have been a few other committees with people resigning, and the fundraising committee was dissolved in order to set up a new structure of fundraising task forces (which I’m not sure has happened), but I am not aware of any committee volunteers actually being “forced out.”

File 770 has yet to determine who Michael Damian Thomas is referencing as “forced out”.

The list of SFWA Committees (and there are many) is at the link.

There is a general pattern of these committee members saying there was little or no communication from the Board.

The anonymous longtime SFWA member commented:

It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA. I have seen one of these, and it does not include any kind of end date, nor does it include detailed descriptions of what the people who signed it need to keep confidential. 

I want to note that the current board does really seem to be making a good faith effort to fix the issues around transparency and communication. I believe they are also setting up a special election for some time in the next couple of months, and both Chelsea [Mueller] and the new interim president [Anthony W. Eichenlaub] did make some good steps down that road when writing the membership. Chelsea provided a list of topics the board will discuss in the next four months, and Anthony has been above board as well in scheduling a special election and explicitly asking the membership to hold him accountable. Anthony was serving as secretary before this, and he’s also been working his way through the backlog of board meeting minutes at the same time as being interim president. 

While I definitely don’t think the organization is out of the woods yet, I’m hopeful that these are signs it’s moving in the right direction.

Multiple Board Members Resigning

Beyond the two presidents who have resigned, File 770 has not yet identified other board resignations.

However, SFWA has lost several other highly visible workers over the past year. Five employees and a contractor have left.

Beth Dawkins (volunteer coordinator) was a part time employee not a contractor. She gave two weeks notice on July 1. 

Kathleen Monin (event coordinator) was also a part time employee. She gave notice later on in the first part of July. 

Oz Drummond (bookkeeper and CPA) was a contractor. She resigned at the end of December, stayed a few months longer in a more limited capacity until March 2024. 

Rebecca Gomez Farrell (former communications director) was a part time employee and resigned in October of 2023.

Emily May (publications director) was a part time employee and resigned earlier in 2023, shortly before or after the Nebulas. 

No new employees or contractors have been hired in that time.

Another volunteer known to have stepped down this year is Mishell Baker, from her lead position on the Estates Project, but that was unrelated to the current situation. (Pixel Scroll — March 5, 2024, item 7)

Claims About NDAs

The anonymous longtime SFWA member said above, “It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA.”  

Author Jenny Rae Rappaport is urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws…

We move that Article V Directors be amended by the addition of a new section, to be numbered 10. [The complete wording of the amendment is at the link.]


  1. Confidentiality and Non-Disclosure Agreements

a. Duty of confidentiality

Members of the Board of Directors, as part of their fiduciary duties, have a duty of confidentiality, which covers such items as private financial information about the corporation (accounts, for example, as opposed to the financial status, which must be disclosed), nor use any of the information for personal gain. This does not need to be further specified.

  1. Examples of such types of information include recipients of SFWA’s medical fund, information about unannounced Nebula award winners or nominees, information about contracts committee work, and all other information that would identify confidential information about specific individuals.

b. Duty to disclose

Additionally, the members of the Board have a duty to disclose, which means they must share any information they have which will affect SFWA or its beneficiaries (writers of science fiction, fantasy, and related genres), or that will affect their ability to perform their duties….

d. No NDAs

Given that these duties are already codified, no member of the Board of Directors will be required to sign a non-disclosure agreement (NDA), nor shall any employee or volunteer be asked or expected to sign an NDA. When appropriate, Board members, employees, or volunteers may be required to sign a confidentiality agreement, which must be circumscribed in nature, listing the specific items that will be held confidential and the timeframe for which this will be required.

Any and all NDAs already existing when this bylaw becomes effective will be considered null and void, and no legal action will be considered against anyone who may be considered to have breached their NDA unless they have otherwise violated a law.


For a comparison of how NDA’s are handled by another organization of genre professionals, Horror Writers Association President John Edward Lawson explained on X.com why their organization requires elected officers and trustees, paid employees, and certain committee chairs or volunteers (but not all volunteers) to sign Non-Disclosure Agreements. Lawson’s ten-part thread starts here.

Check Issued to Charity Antho; Then SFWA Told Antho to Destroy Check

This complaint is about the handling of a charity anthology originally intended to be underwritten by SFWA, Embroidered Worlds: Fantastic Fiction from Ukraine and the Diaspora edited by Valya Dudycz Lupescu, Olha Brylova, and Iryna Pasko. It was ultimately funded through a Kickstarter appeal.

The following commentary about SFWA’s handling of the anthology is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information.

I’ve volunteered with SFWA for close to ten years, and the organization has frankly always been a little dysfunctional in terms of opaqueness and poor internal communications. The last two years in particular, though, have been Kafkaesque, with projects that committees had spent dozens of hours working on being abruptly cancelled by the board with no notice or real rationale, and volunteers being blamed for failing to communicate when they ask what happened.

Because the cancelled anthology project is emblematic of these problems, I’m going to talk about it at a little more length.

After the Russian invasion of Ukraine in early 2022, the international committee began work on setting up an anthology of Ukrainian science fiction in translation, supposedly with the agreement and approval of the board. (For context, SFWA had previously published a blog post stating that it “stands with Ukraine”). That work included contacting writers and editors living in parts of Ukraine that were being bombarded daily by Russian artillery, drones, and missiles to solicit work, and a couple of these folks put in significant amounts of effort on the project. This work proceeded for more than a year, with committee members in contact with their board liaison and other board members including the CFO, throughout. Committee members also contacted several different publishers before finding one who was interested in the project. As Michael Damian Thomas notes, that included sending the publisher a check to offset costs in printing the anthology and paying authors.

There was no indication at any time that the board disapproved of the project for over a year. Indeed, the project was announced in several different member newsletters. Early in 2023, Jeffe Kennedy [SFWA President] sent the committee chair and the publisher an email saying it was cancelled. I’m just going to quote from that email here:

“We’ve heard that there’s still confusion as to the Board’s recent decision to end SFWA’s involvement with the Ukrainian Anthology project. This email is intended to clearly communicate that to all involved parties.

“At our most recent meeting, the Board made the decision to end the project. There were two main reasons for this decision. The first is that we do not have either the staff time or expertise in Ukrainian cultural matters to take this on. That includes judging whether someone else may or may not be a good fit for editing it. This means it cannot be a SFWA project.

“It also cannot be a SFWA grant because of the extent of work that International Committee members have put into it and the potential credit they may receive as editors in any format. Of course, we recognize that the participating committee members did not know their efforts could jeopardize the grant, but that does not change the end result. Scenarios involving self-dealing and nonprofits are extremely delicate. As soon as we get into parsing shades of exemptions, we’ve crossed into the territory of an appearance of Conflict of Interest. That is our boundary; not whether a situation is legally a conflict of interest, but whether it generates the appearance of one.”

This is typical of the kind of dismissive, condescending communications I have seen from some former board members to volunteers. Note the passive “there’s still confusion” and the other ways this email makes it sound like volunteers were the ones to blame for the current situation.

The first reason Jeffe cites for the cancellation might sound reasonable on the face of things, but in light of the context above I find it ridiculous. That would have been a good reason not to start the project. It makes no sense at all at essentially the end of the project, given that one member of the international committee at the time was Ukrainian disapora and we had been working with two Ukrainian editors. The board was also not being asked to “take this on.” We already had experts in Ukrainian cultural matters working on it, and had already done all the work Jeffe said the board didn’t have time for.

The second reason is a complete misunderstanding of what “self-dealing” is. The Council of Foundations defines self-dealing as activities that result in disproportionate benefit by distribution of the organization’s earnings to insiders, such as founders, directors and officers. To claim that people who are not founders, directors, or officers of the organization receiving editor credit in a print anthology without any pay is self-dealing is clearly ludicrous. I don’t know if the board genuinely misunderstood what “self-dealing’ meant or if Jeffe was just looking for some excuse to cancel the project, or what. 

I emailed the board to tell them how bad this would be for SFWA if they really went through with it, and how disappointed I was that they would seek to blame volunteers for their own decisions (which I felt were without any merit) but I never got a response. I also still have not seen any of the meeting minutes where the project was discussed, despite requesting them repeatedly in the last year and a half, so I don’t really know what the discussion was at that board meeting or any of the ones prior.

This email also asked the publisher to shred the check they had been sent, but did not at any point apologize or say there had been any mistakes made in sending it. The publisher we had selected is a small press which runs on tight margins and which has a reputation for publishing inclusive, thoughtful fiction. Despite the situation this cancellation put them in, when the publisher said they had shredded the check, Jeffe did not thank them or apologize. Neither was there any recognition at any point that this meant people living in a literal warzone would not get paid by SFWA, after a SFWA committee had spent a year telling them they would, supposedly with the approval of the board.

The publisher was still interested in trying to do right by these authors, and several of us who had been on the international committee worked with them outside of SFWA to help bring it to publication. It’s a great anthology from a great press, and I’m proud of it. If you’d like to tell the folks at File 770 about it, they can find it here

All the same, I remain deeply frustrated at how SFWA handled the situation, and the whole thing was a giant mess.

SFWA’s Good Work Should Not Be Eclipsed.

The anonymous longtime SFWA member wants it known that despite these problems there is good work being done by the organization:

…Also, I want to be really explicit in saying that even though the organization has been having some issues, I sincerely do believe that the vast majority of current and former board members are working in good faith to meet SFWA’s mission of supporting and promoting all genre writers. 

The organization has done some great work in the last couple of years, creating more inclusive membership qualifications that better reflect professional writers as they exist today and which recognize historical and current inequities in publishing. I was also part of an effort which won the organization an NEA grant to put out a series of blog posts called “Publishing Taught Me”, a project that highlights the contributions of BIPOC editors and writers to publishing. SFWA does important work in the community as well, supporting other organizations with its Givers Grant Funds, helping authors with GriefCom, contract work, and the medical fund, and working to limit the harm of bad actors in the publishing industry through its support for Writer Beware.

I’m deeply sad that all these great things SFWA does are being overshadowed by what seems to have been one or two people abusing the organization’s lack of accountability and transparency, which could have been avoided without these overly broad NDAs. It makes me feel terrible to think that all those things may disappear if the organization doesn’t fix its issues. 

SFWA’s Interim President Anthony W. Eichenlaub feels the same, as he said in his introductory message to members:

SFWA is at a critical moment.

I hope you’ll take a pause to go through all of the emotions you are feeling because you’re right. Whatever you are feeling right now is appropriate because something you deeply care about is threatened. And many of us do love this organization. When it is functioning well, SFWA is truly a force for good, and it is unique in this industry.

SFWA BOARD MEMBERSHIP, BEFORE AND AFTER

As of August 6

  • Chelsea Mueller – Interim President
  • Jonathan Brazee – CFO
  • Anthony Eichenlaub – Secretary
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

As of August 15

  • Anthony Eichenlaub – Interim President
  • Jonathan Brazee – CFO
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

Update 08/18/2024: Made additions and corrections based on comments.

Pixel Scroll 8/15/24 Have Spice Suit, Will Travel

(1) SFWA ON ITS THIRD PRESIDENT THIS SUMMER. Chelsea Mueller today resigned as Interim President of the Science Fiction and Fantasy Writers Association. Mueller had been in office only since the beginning of August, as SFWA’s VP becoming the organization’s Interim President upon the resignation of SFWA President Jeffe Kennedy on August 1. Anthony W. Eichenlaub, SFWA Secretary, is stepping up as the new  Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

To learn why the organization is in a crisis SFWA members must read the Forum. Those outside can get only a very general idea from social media posts like M L Clark’s statement on Bluesky.

Author Jenny Rae Rappaport his urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows. The wording of the amendment is at the link.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws:

(2) INDUSTRY REACTS TO GAME HUGO WINNER. PC Gamer marvels that “Somehow, Baldur’s Gate 3 isn’t done winning yet: It’s just claimed the most prestigious award for science fiction and fantasy writing”.

….A special videogame category was added in 2021 to recognize the increased impact of videogames amidst the early days of the Covid-19 pandemic, but it was a one-off: No game-related Hugo was awarded in 2022 or ’23.

In 2023, however, Worldcon voted to make the Best Game or Interactive Work a permanent category for 2024—wouldn’t you know it, just in time for the Baldur’s Gate 3 behemoth to smash through the walls like the Kool-Aid Man and run off with it. BG3 beat out Alan Wake 2 (yet again), Chants of Senaar, Dredge, The Legend of Zelda: Tears of the Kingdom, and Star Wars Jedi: Survivor for the big prize….

“The Hugo nominees and awards have determined my reading list since forever, so it’s a huge honor to be standing here,” Larian boss Swen Vincke said during his acceptance speech (via Polygon). 

“Videogame writing is often underestimated. It is very very very hard work. For Baldur’s Gate 3 we had to create over 174 hours of cinematics just to be able to respect the choices of the players and to make sure that each and every single one of them would have an emotional story that was reflecting their choices and their agency. It takes a very long time, it takes a very large team … It takes a lot of perseverance and a lot of talent. So I’m very happy for all of them and for all of the team back home that we can get this, and very grateful to the fandom.”

Vincke isn’t kidding when he says Larian wanted to ensure Baldur’s Gate 3 was as reactive as possible to player choices: The studio recently revealed that the game’s rarest ending has only been unlocked by 34 players—and remember, this is a game that’s sold well over 10 million copies. (For a little added context, 1.9 million Baldur’s Gate 3 players were turned into a cheese wheel. Which is fine, really: No one has as many friends as the man with many cheeses.)…

(3) ELLISON FOUNDATION HAD IRS CHARITABLE STATUS REVOKED. The IRS has revoked the 501(c)(3) charitable status of The Harlan and Susan Ellison Foundation after it failed to file the required Form 990 for three straight years. Douglas J. Lane provides detailed coverage of the Foundation’s creation, activities, and status in his blog post “For Want of a Form”:

On Monday, August 12, 2024 the Internal Revenue Service updated its monthly list of 501(c)(3) organizations for whom it was revoking charitable status based on failure to file Form 990, Return of Organization Exempt from Income Tax, for three consecutive years. 

Among the organizations freshly listed was EIN number 873507738, The Harlan and Susan Ellison Foundation.

The revocation of charitable status puts the Foundation and its president, J. Michael Straczynski, in a tricky spot, as it makes the organization fully taxable. They cannot receive tax-free donations or offer deductions to donors. Under California law, they will also not be able to distribute charitable funds. There are other ramifications, and while reinstatement is possible, it comes with a swath of requirements.

It’s critical to say at the outset of this account of the public-facing facets of the Foundation: I ascribe no malicious intent or nefarious purpose to anyone involved in any of the events that led to this revocation, and no impropriety is indicated by anything that has occurred. Indeed, Joe Straczynski speaks in a caring and sincere way about the place the Ellisons have in his heart, and how he wants to carry out their wishes. The Foundation has a laudable vision. But malicious intent and carelessness are two different things, and it’s clear a severe breakdown occurred somewhere along the way that resulted in opacity where transparency was required, creating a situation in which warnings were missed and the Foundation was positioned for a catastrophic setback that was wholly avoidable…

Lane also posted the information today at The Harlan Ellison Facebook Fan Club, leading to this series of comments from J. Michael Straczynski.

Thursday, August 15, 2024 at 10:21 a.m.

This is literally the first time I’m hearing this. We’ve had no contact from them directly or indirectly. If the forms were not submitted that’s strictly a paperwork issue and that’s on us. I need to find out what happened on the attorney side. This will be fixed and as per this the status will then be reinstated once we’ve sent in the forms.

Thursday, August 15, 2024 at 11:21 a.m.

Okay, last quick update for the moment. It looks like the notices were being sent to the wrong address/suite number. Also, as for the Packard, it was not sold, it was given freely to a member of this very forum in exchange for looking after it and maintaining it in Harlan’s memory. He can confirm this here if he so desires.

So bottom line for now: the paperwork fell through a crack between different offices over who was handling what, and the address (as noted in the link) was incorrect for the notices. I assumed all this was being properly attended to, while I was busy getting Harlan’s work back into print. That error was mine. The good news is that since this was apparently a comedy of errors on both sides, there should be no issue with getting this rectified swiftly by simply filing the paperwork.

Thursday, August 15, 2024 at 12:41 p.m.

Okay…I just heard from the business management firm we’ve been using and they confirmed that they hadn’t looked after this because they believed it was already being handled by others. They’re filing the paperwork as we speak and this will be rectified promptly.

Thursday, August 15, 2024 at 3:25 p.m.

This has now been officially resolved. We just confirmed with the tax dept that we never received any notices from the IRS. We sent in and they have now filed the returns with the correct address. After the IRS processes them, we will handle the paperwork to reinstate the Foundation which will apparently not be a problem. The IRS will update their records so no further notices are missed. The tax dept now has the Foundation on their schedule so they won’t miss it again anyway. Just to be on the safe side moving forward we are going to hire a nonprofit attorney on retainer to coordinate all of the moving parts so nothing falls through the cracks in future.

A colorful day but at least it’s ending better than it began.

(4) ANOTHER LOOK AT GAIMAN ALLEGATIONS. The Spinoff books editor Claire Mabey listened to the Tortoise Media podcast “Master: the allegations against Neil Gaiman” and distilled the information into a timeline with explicit details of the encounters described by survivors in “The New Zealand allegations at the centre of a Neil Gaiman podcast investigation”.

(5) AMERICAN NON-IDOL. I don’t know that any of the many ways John Scalzi restates the basic point in his 3,600-word post really feels like it stuck the landing, but the oft-repeated message makes sense: “Please Don’t Idolize Me (or Anyone, Really)” at Whatever.

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?…

…Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!…

Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing….

(6) GET READY FOR FANTASTIC FEST. “Fantastic Fest 2024 Lineup Featuring Terrifier 3, Never Let Go, More Unveiled”Deadline has details.

Fantastic Fest, the country’s largest genre film festival, has unveiled the feature lineup for its 19th edition, taking place at the Alamo Drafthouse South Lamar in Austin, TX, from September 19th- 26th.

Featuring 28 World Premieres, 23 International and North American Premieres, and 15 U.S. Premieres, the fest opens with the world premiere of James Ashcroft’s The Rule of Jenny Pen, a new thriller starring John Lithgow and Geoffrey Rush. Lionsgate’s horror thriller Never Let Go will be presented during the opening night gala, with director Alexandre Aja, star Halle Berry and the team from 21 Laps in attendance. Meanwhile, opening night will also feature the world premiere of Terrifier 3, the latest film in Damien Leone’s horror franchise, centered on the horrifying Art the Clown.

(7) AURORA AWARDS VOTING STATISTICS. Clifford Samuels has posted the “Final results for the 2024 Aurora Awards” at the Canadian Science Fiction and Fantasy Association website. The direct link to the statistics is here.

(8) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA brings listeners Simultaneous Times episode 78. Stories featured in this episode:

“When You See A Dragon, You Run” by Jenna Hanchey, read by the author

“The Darling Murders” by Jonathan Nevair. Read by Jean-Paul Garnier

Music by Phog Masheeen. Theme music by Dain Luscombe.

(9) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 15, 1933 Bjo Trimble, 91.

By Lis Carey: Bjo was born in Holdenville, Oklahoma, in 1933, discovered sf fandom in 1952. She was serving in the US Navy, at the Great Lakes Naval Station, and saw an announcement in Astounding Science Fiction about the science fiction convention that weekend in Chicago—the 10th Worldcon, the one we now call Chicon II, though at the time it had no official name. The largest Worldcon ever at the time, with 870 members, it was a great place for a smart and friendly young woman to meet people and make connections in fandom. Her new acquaintances included Robert Bloch, Willy Ley, August Derleth, and Harlan Ellison.

Bjo Trimble attends the 2024 Peabody Awards at Beverly Wilshire on June 9. Photo by Jon Kopaloff.

When it was discovered that she was an artist and cartoonist, she was recruited to provide illustrations for fanzines, sealing her fate. She claims to have met her husband, John Griffin Trimble, under Forrest J Ackerman’s piano, during a particularly crowded party. He was serving in the US Air Force, and they traded Stupid Officer Stories.

But as we all know, this was mere prelude. Bjo was active in LASFS (Los Angeles Science Fiction Society), and organized a fashion show for Solacon (the 16th Worldcon). In 1960, she started Project Art Show, which brought the first modern, organized art show at a science fiction convention to Pittcon, the 1960 Worldcon. Bjo continued the project, bringing art shows to Worldcons and other conventions. By 1969, Project Art Show had become The International Science-Fantasy Art Exhibition” (ISFAE), and was judging and awarding prizes, as well as organizing the art shows.

But in 1968, Bjo started turning her attention to a new fannish interest–Star Trek. Bjo and John Trimble were active in the letter-writing campaign credited with getting the show a third season, after it was initially canceled after its second season. They also helped convince NASA to name the first of the Space Shuttles Enterprise, although that was a test vehicle never intended for space flight.

Bjo was a major contributor to the Star Trek Concordance, containing cross-referenced details on every character, setting, event and device in every episode of the original Star Trek, and, in later editions of the book, its animated incarnation, and the Star Trek films. Originally self-published, it got a mass market publication by Ballantine Books in 1976, and an updated edition by Citadel Press in 1995. On the Good Ship Enterprise: My 15 Years with Star Trek, her memoir of her experiences in Star Trek fandom, was published in 1982.

Bjo was a Guest of Honor at Dragon Con, which was also the 6th North American Science Fiction Convention, in 1995. Bjo and John Trimble were Fan Guests of Honor at ConJosé, the 60th Worldcon. Bjo, or Bjo and John, were also honored at many Star Trek and other science fiction conventions.

 In addition, Bjo and John Trimble were Baron and Baroness of the Society for Creative Anachronism’s Barony of the Angels, from September 2008 to January 2012. That’s at least fandom adjacent, right?

 Sadly, John in April 2024, but Bjo is still with us. Her contributions to fandom will remain.

(10) COMICS SECTION.

(11) MUTANTS DESERVE AWARDS. The Walt Disney Studios has a “For Your Consideration” website for the X-Men ’97 series.

(12) PAGING ALL READERS. “Book Bars Gain Momentum Around New York”: Eater tells you where to find the ones in New York City.

A flurry of book bars has recently opened that prioritize solo time as much as low-key conversation, offering a fun alt-combo to record bars and libraries. These spaces for reading, drinking, listening to music, and chatting with other book lovers (or not) are a post-shutdown pivot from social distancing. And while the throwback staple had started to revive just after the pandemic, their openings have gained momentum around the city.

Like wine bars and cocktail bars, the focus in book bars is less on needing labor to make complicated dishes as the case may be in a full-fledged restaurant. Instead, the business relies on easier-to-procure revenue streams: booze, books, and sometimes, ready-made snacks, like olives, nuts, and tinned fish. But book bars, owners say, are less about practicality than about creating a community, a third place that’s conducive to reading and chatting while enjoying a drink…

(13) PURINA HOBBIT CHOW. “What’s on the Menu in Your Fantasy World?” at Gastro Obscura.

FOOD AND FANTASY HAVE LONG gone hand in hand. Our oldest myths and fairy tales abound with ravenous monsters and enchanted apples, while modern fantasy literature has brought us the second breakfast-savoring hobbits of The Lord of the Rings and the sprawling medieval banquets of A Song of Ice and Fire. Fantasy fans rally around official cookbooks from the worlds they love, as well as unofficial recreations and fanfiction that explores the diets of their favorite characters.

(14) THE TREES THAT GREW THE POOH-STICKS. BBC Countryfile invites readers to “Discover the real-life Winnie-The-Pooh locations that inspired the famous children’s books by AA Milne”.

Ashdown Forest in East Sussex is perhaps best known as The Hundred Acre Wood, the beloved setting of arguably the most famous children’s books ever written, Winnie-the-Pooh, published in 1926, and The House at Pooh Corner (1928)….

…Today, the 6,500-acre heathland and woodland 36 miles south of London, is a rare and protected area, providing habitat for endangered flora and fauna. In this gentle, ancient landscape, we can enjoy its literary, cultural and environmental history; we can be twitchers, walkers or pub-goers….

(15) NOW LEAVING ON TRACK 9-3/4. “Back to Hogwarts pop-up coming to Grand Central Terminal with spellbinding interactive activities” reports AMNY.

For the first time ever, Warner Bros. Discovery will be hosting a Back to Hogwarts pop-up in New York City. From Aug. 30 through Sept. 1, “Harry Potter” fans can gather at Vanderbilt Hall at Grand Central Terminal to celebrate the start of a new school year at Hogwarts.

In the “Harry Potter” universe, all students board the Hogwarts Express and return for a new year on Sept. 1. Warner Bros. Discovery hosts global celebrations in cities like London, Paris, Rio de Janeiro, and Tokyo, uniting fans worldwide with digital activities, in-person gatherings, and watch-alongs, plus huge celebrations at “Harry Potter” destinations such as the Wizarding World of Harry Potter at Universal Studios.

At the New York pop-up, guests can expect to find magical performances, LEGO building activities, an interactive “Harry Potter: Quidditch Champion” experience, and a Butterbeer toast, courtesy of the flagship Harry Potter New York store. On Sept. 1, there will be a ticketed event with a live 11 a.m. countdown, marking when the Hogwarts Express would leave Kings Cross station in the series.

Though all of the events are free to attend, “Harry Potter” fans must sign up for a timed-entry ticket, which will be available starting Aug. 19. To make sure you don’t miss it, sign up and opt into email communications from the Harry Potter Fan Club by Aug. 17. On Aug. 19, an email will be sent including a link to the ticket site ahead of release at 12 p.m. EST. 

(16) NOT A ROLLING STONE. SAILING, MAYBE. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature has Stonehenge on the cover. There’s a Nature News item here.

The history of Stonehenge poses many challenges, not least of which is where all of the stones came from and how they were transported to the site. The Neolithic structure is made up of two main types of stone — sarsens sourced some 25 kilometres away near Marlborough, and bluestones that originated in Wales. The largest of the bluestones at the site is the six-tonne Altar Stone, but it is an anomaly: it did not come from Wales. In this week’s issue, Anthony Clarke and colleagues reveal that the Altar Stone probably made a remarkable journey of some 750 kilometres from Scotland. The researchers analysed two fragments from the stone and discovered a striking similarity to the Old Red Sandstone of the Orcadian Basin in northeast Scotland. The team suggests that the stone could have been transported by sea, indicating that there might have been a significant level of societal organization within Neolithic Britain.

The original research by Anthony Clarke and colleagues link above is to “A Scottish provenance for the Altar Stone of Stonehenge”.

(17) UPLIFTING HUMANS. [Item by SF Concatenation’s Jonathan Cowie.] In a series of stories and novels, David Brin explored the idea of species uplift where by a technological civilization genetically manipulates a non-sentient species into full-blown sentience: a process called ‘uplifting’. Brin’s series has a climax in the Hugo-winning The Uplift War (1986).

Last weekend, while folk in Glasgow were preparing for the Hugo Awards ceremony, Isaac Arthur posted one of his monthly ‘Sci-Fi Sunday’ videos. While in David Brin’s stories the humans appeared to be the exception in the Galaxy who evolved sentience naturally whereas every other civilization seems to have been uplifted with the original uplift being made by some ancient and now extinct civilization. Conversely, in Isaac’s video, he explores the notion that humans were uplifted by an alien race.

Now, it has to be said that Isaac himself does not subscribe to the idea of humans being uplifted (he makes that clear both at the video’s beginning and end), but explores the concept hypothetically.  Included in the mix is a slightly more sober idea that the Earth might have been subject to panspermia and specifically directed panspermia… As well as a brief dive into Eric von Daniken which, mercifully, he looks at purely through an SFnal lens… “Were Primitive Humans Uplifted By Aliens?”

Many believe humanity’s climb upward may have been assisted by outsiders. Is this possible, and if so, what does that tell us about our own past… and future?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Clifford Samuels, Christian Brunschen, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office

Chelsea Mueller today resigned as Interim President of the Science Fiction and Fantasy Writers Association. Mueller had been in office only since the beginning of August, having as SFWA’s VP become the organization’s Interim President following the resignation of SFWA President Jeffe Kennedy on August 1.

Anthony W. Eichenlaub, SFWA Secretary, has stepped up as Interim President. He says there will still be a Town Hall for members on September 10. And SFWA’s Board will be sticking to the agenda topics that were previously scheduled.

Chelsea Mueller sent a statement to SFWA members today that said in part:

…With the immense change happening in our organization right now and the need to respond swiftly, thoughtfully, and with full attention, I’d be doing a disservice to SFWA by remaining in a key role that could cause lag in acting quickly and appropriately.

Burnout is a constant refrain within our volunteers, and I can see why. Since taking an officer role on the board on July 1, I’ve worked nearly the hours of a full-time job. So many tasks for our officers could be off-loaded to appropriate staff members if we reviewed our structure. I have shared input with the Executive Director and the Board around what roles I think the organization may need moving forward to better balance the load and allow the Board of Directors to act as a steering governance body instead of an operational one.

One of my main initiatives for this term was to see our official website overhauled to improve navigation and discoverability. I have already prepared a document for a Request for Proposal (RFP) to begin that process (though it needs input and validation from the InfoSys and Accessibility committees). If the continuing board wants to move forward with the RFP, I am willing to advise on the process to select a vendor and negotiate pricing.

Also, because it feels inappropriate to leave during this time and ignore the current situation, I will depart by saying that I believe our staff—current and past—care deeply about SFWA and deserve respect, kindness, and fairness. I will debrief with whomever I need on the board in order to pass on the limited knowledge I’ve gained in these last few weeks on the priority matters at hand.

I thank you all for your trust in me, the stories you write, and the expertise you share. I’ve learned so much from our members, and it’s been an honor to serve you on the board the last year.

New Interim President Anthony W. Eichenlaub followed with a statement of his own:

Dear SFWA Membership,

In the Hitchhiker’s Guide to the Galaxy, Douglas Adams wrote “A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have.” The towel is there to protect from panic and ease anxiety during an adventure. I realize that this is a challenging time. We have our towels and are preparing.

Our president and vice president have both stepped down. Most of our employees have resigned.

SFWA is at a critical moment.

I hope you’ll take a pause to go through all of the emotions you are feeling because you’re right. Whatever you are feeling right now is appropriate because something you deeply care about is threatened. And many of us do love this organization. When it is functioning well, SFWA is truly a force for good, and it is unique in this industry.

Now let’s take a deep breath, in fact several breaths.

I ask that you think of one thing that you can do to help SFWA move forward. Not one hundred things that someone else can do, but one thing that you can do. Maybe you can think of a way to improve communication on a committee that you are on. Maybe you can lend your unique expertise when the next volunteer call comes out for a targeted task force. Maybe the only thing you can do is vote in the upcoming special election. On that note, we will be sending more information on this election in the coming weeks, and we ask that you please vote.

Don’t get me wrong, though. I still want that list of a hundred things that we can do. I’ve seen dozens of great suggestions in the past few weeks, and I do not want that to stop.

Because I have stepped into the interim President role and was not elected on a platform, I feel like it might be good if I share a little bit about my philosophy for the Board. I believe that the Board’s duty is to provide direction, both ethical and strategic. I believe that the Board should rely heavily on the expertise and efforts of employees and volunteers to accomplish the organization’s mission. In its current state, Board members take on too much. This leads to Board member burnout and it leads to reduced involvement in member volunteers. It also takes autonomy away from the volunteers still involved, which I believe is one of several causes for volunteer burnout. This is a vicious cycle that we need to break.

That said, I am treating this short-term position as my primary job. I currently have the privilege of financial security and a lack of hard deadlines. I do not expect your next elected President to follow suit, but I do believe that at this critical point the extra attention will benefit SFWA.

I believe in transparency. There are limits, of course, but I believe that when we hit a limit to what can be ethically, legally, or safely disclosed, I at least owe you a reason. Please hold me to that.

The Board will be sticking to the agenda topics that were previously scheduled, and I am looking forward to the upcoming Town Hall on September 10th. I’m also planning to write more letters to the membership with updates on what SFWA is currently doing.

Still processing all of this? Me too.

The only way that I know of to move forward in a constructive and productive way is to find that one thing that might make things better. My one thing is accepting this position as interim President. It’s a big one, but yours doesn’t have to be. I’m going to need all the help I can get.

Pixel Scroll 10/23/22 The Scrolls Of The Prophets Are Written In The Pixel Files

(1) THE LIBRARY OF RAY’S YOUTH. “Work begins on renovation of Carnegie Library building” in Waukegan, IL reports the Chicago Tribune in a paywalled story.

Janet Kilkelly, the president of the Waukegan Park District’s Board of Commissioners and the city clerk, remembers spending time in her youth at the Carnegie Library, built in 1903 at the northeast corner of Washington Street and Sheridan Road.

“The children’s room was there,” Kilkelly said, pointing to the room to the left as people walk in the door thinking about how it will soon be the home of the Waukegan History Museum. “It was a magical place. I like books. This was nirvana.”

Kilkelly led a group of federal, state and local officials at the groundbreaking ceremony Tuesday in front of the Carnegie as a prelude to the start of construction for the renovation of the former library into the permanent home of the museum.

…“It will be a chance for them to learn about the history of Waukegan,” Kilkelly said. “Perhaps one of them will be inspired like the young Ray Bradbury when he spent his days here,” she added, referring to the Waukegan native and world-renowned author.

Ty Rohrer, the Park District’s manager of cultural affairs, the chair of the city’s Historic Preservation Commission and a historian by profession, said the onetime children’s reading room will be redone to look as it did in Bradbury’s youth.

When complete, Rohrer said the room will contain the collection of papers, books and other memorabilia Bradbury willed to the Waukegan Public Library. The collection will be there on a long-term loan from the library to the museum….

(2) SPOILERY DOCTOR WHO NEWS. Don’t even hover your cursor over the link to Deadline’s coverage of Jodie Whittaker’s last Doctor Who episode if you want to preserve all surprises til you can view it yourself. On the other hand, if you want to know what happened, click through.  

(3) CORFLU AWARDS. Corflu today adopted Tom Becker’s proposal that fwa, the “fan writers of America”, be changed to mean “fan writers association”, with the proviso that “writer” stands in for any creative fannish endeavor. Subsequently, Claire Brialey was elected “past president of fwa” for 2021.

Also, Geri Sullivan was presented with the Lifetime Achievement Award.

(4) IRISH NATIONAL SF CON COVID REPORT. [Item by Edmund Schluessel.] Octocon 2022 returned to in-person in its new venue of Croke Park, Dublin and, with 283 warm bodies present, reports NO cases of COVID-19 one week after the convention wrapped.

Octocon had a policy of mandatory masks (exemptions were available) and requested all in-person members take self-tests before attending.

From the post-Octocon edition of the members’ newsletter: “Thank you to everyone for complying with our mask requirements. We would like to remind people to let us know if they have tested positive following Octocon, either by using our #covid-safety channel on Discord, which has a ticketing bot to create a private message thread visible only to the committee, or by contacting chair@octocon.com. We’re happy to report that we’ve had no reports of positive tests so far.”

(5) FINLAY ART OFFERED. Doug Ellis has been asked to raise some money quickly for Virgil Finlay’s granddaughter, Brien, and so rather than putting together his usual type of catalog, Ellis has taken pictures of 42 pieces of Finlay art that have not appeared in any of his catalogs and posted the images here on Dropbox.

All of this art is on consignment from Brien.  All of the files have an identifying number in the image together with the price, and that info also is included in the file name (except for the one Word file, which contains info on the size of each piece). The prices do NOT include shipping.

If you’d like to purchase any of these, please email Doug Ellis at pulpvault@msn.com 

(6) FLY FREE. The SFWA Blog series “The Indie Files” continues with Anthony W. Eichenlaub’s advice about “An Indie Approach to Series”.

…Fixing a Series After Publication

You’ve crunched the numbers. Readers who get through the second book in your series tend to read every book after that. You expect a dropoff from the first to the second, but the numbers are terrible, and you know why:

The first book isn’t good.

You’ve grown as a writer, and now that book’s flaws are painfully obvious. The later books in your series are fantastic. Reviews are great. People who get that far are turning into your best fans. The problem is that most of them just aren’t getting that far.

A traditionally published author would likely be stuck. They could either work on a new series or, if their publisher allowed it, continue to crank out books hoping to overcome the weak start with rave reviews for later entries.

An indie author has the power to fix a bad Book 1. You can go in and tweak a few things, send it through another round of edits, or even in extreme circumstances, give it a complete rewrite. You can make the imperfect first book a prequel or even remove it entirely, promoting Book 2 to the first spot….

(7) JUSTIN E.A. BUSCH DIES. [Item by George Phillies.] Justin Edwin Anton Busch, editor of the N3F zine Films Fantastic and monthly fanzine review column “Fanfaronade”, died peacefully in his sleep in the early evening of Friday, October 21, 2022. His death, while untimely, was not unexpected.

Justin E. A. Busch, a long-time fan from St. Paul, Minnesota authored the nonfiction work The Utopian Vision of H.G. Wells, published by McFarland Company in 2009.

(8) MEMORY LANE.

1962 [By Cat Eldridge.] Bradbury wrote one of the shortest opening narrations that Serling gave in the series:

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — “I Sing the Body Electric”

Though I didn’t know that Bradbury had a script produced for the one and true Twilight Zone, it doesn’t at all surprise me that he did. I had assumed Serling wrote all of the episodes. Not true as it turns out, to my delight, as we get the “I Sing the Body Electric”. It is said that he contributed several scripts to The Twilight Zone, but this was the only one produced. He certainly was no stranger to tv script writing with five scripts for the Alfred Hitchcock Presents series alone. 

This would air as the thirtieth-fifth episode of the third season on May 18, 1962. This was one of six Twilight Zones episodes directed by James Sheldon and his co-director William Clazton who did four. 

LOOK, GO EAT A CANDY APPLE FOR A MINUTE PLEASE. 

Just three words this time— sweet robotic grandmothers. Ok, a few more. My god, this episode drips with cloyness, it does. A recent widower, needing care for his three young children, orders a robotic “grandmother”. Two of the children accept her, but one of his daughters adamantly rejects her, with what might be near fatal consequences. 

DID YOU ENJOY THAT CANDY APPLE? 

You can see it on Paramount +

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 23, 1880 Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre-adjacent The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film. She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. And that’s it. (Died 1959.)
  • Born October 23, 1918 James Daly. He was Mr. Flint in Trek‘s “Requiem for Methuselah” episode. He also showed up on The Twilight ZoneMission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler.  (Died 1978.)
  • Born October 23, 1935 Bruce Mars, 87. Here for his most excellent role on Star Trek in the “Shore Leave” episode as Finnegan. Earlier he had been brought in to audition for the role of Junior Navigations Officer Dave Bailey in episode “The Corbomite Maneuver” but someone else got that part, but he did come back for a part in “Assignment Earth” where he was listed as First Policeman.  He had one-offs in Time TunnelVoyage to the Bottom of the Sea and Mission: Impossible. He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969. 
  • Born October 23, 1948 Brian Catling. Author of The Vorrh trilogy whose first novel, The Vorrh, has an introduction by Alan Moore. Writing was just one facet of his work life as he was a sculptor, poet, novelist, film maker and performance. And artist. Impressively he held Professor of Fine Art at the [John] Ruskin School of Drawing and Fine Art in Oxford and was a fellow of Linacre College. Yeah that John Ruskin. (Died 2022.)
  • Born October 23, 1953 Ira Steven Behr, 69. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond RealityDark AngelThe Twilight ZoneThe 4400Alphas, and Outlander
  • Born October 23, 1959 Sam Raimi, 63. Responsible for, and this is not a complete listing, the Darkman franchise, M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy. 
  • Born October 23, 1969 Trudi Canavan, 53. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel.  It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well. 
  • Born October 23, 1974 Naomi Alderman, 48. English novelist and game writer. The Power with its premise being the women suddenly the ability to release electrical waves from their hands, thus leading them to become the dominant sex. The novel is set to be turned an Amazon Prime Video television series, but what isn’t? She’s also written two Doctor Who novels set in the new series, Borrowed Time and Time Lapse, and some short fiction there as well.

(10) COMICS SECTION.

(11) COSTUME PARTY. Lis Carey’s dog Cider went to a Howloween party at the dog park today.

(12) HIDE THAT BOOK! To enrich your Colleen Hoover knowledge, we bring you Mayi H.S. Hughes’ article “In Defense of Colleen Hoover: Intellectual Snobbery at Harvard” from The Harvard Crimson.

A few weeks ago, I did something bizarre. I was sitting in the dining hall, reading a book when my friend approached me from behind and, peering over my shoulder, asked me what I was reading. Almost immediately, I slammed the book shut and spluttered, “Oh, nothing.”.

As the conversation moved on, my eyes turned to the cover of my Colleen Hoover novel, which I had so shamefully hidden. The truth is, I was embarrassed. I had bought the book solely because of a TikTok video, with thousands of likes and comments raving about Hoover’s “It Ends With Us.” Having been up all night ripping through its pages, I had come to several conclusions: It was a terribly written book; it was repulsively predictable ]; and most importantly, I loved it.

My shame of being found reading Colleen Hoover stemmed from a culture of intellectual snobbery — feeling superior and prideful about the type of culture you consume. It’s the person who prides themselves on their knowledge of “classical” literature, listing off the last names of authors such as John Milton, Charles Dickens, and Jane Austen as if they are family friends….

…David M. Levine, a Theater, Dance, and Media professor, described intellectual snobbery as “automatically excluding materials from intellectual consideration because they give immediate pleasure.” Being an intellectual snob means feeling superior to e mass culture, due to the status and inaccessibility of the type of culture you consume, literary and beyond.

Intellectual snobbery can feel especially pervasive at Harvard, where books like Hoover’s are rarely on reading lists. But her work was clearly popular amongst the masses – number one in the New York Times Best Sellers List as of January 2022. It was an easy read with a simple plot….

(13) TITANS MOVE TO THE CITY. That’s The City. HBO Max dropped this trailer for the new season of Titans last week.

Having saved Gotham, the Titans hit the road to head back to San Francisco. But after a stop in Metropolis, they find themselves in the crosshairs of a supernatural cult with powers unlike anything they’ve faced before.

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Andy Martin asks if people can stand the titanic genius of Mr. Director.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Lis Carey, Doug Ellis, Jeffrey Smith, Lise Andreasen, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]