Pixel Scroll 4/20/25 With Six You Get Pixel

(1) WORLDCON TABLES AT EASTERCON 76. [Item by Cath Jackel.] I’m attending Reconnect this weekend — Eastercon 76 in Belfast. Here are some photos of the Worldcons and bids doing promotion at the event. Elayne Pelz and Joyce Lloyd are representing for LAcon V. Mary Ellen Moore is behind the table for the Montreal in 2027 bid. Alex McKenzie is at the Dublin in 2029 bid table. I don’t have a table, but do have a pile of flyers promoting the Edmonton in 2030 bid (my home town).

Elayne Pelz and Joyce Lloyd of LAcon V
Mary Ellen Moore for the Montreal in 2027 bid
Alex McKenzie at the Dublin in 2029 bid table
Edmonton 2030 bid flyers

(2) SEE WHELAN AND GIANCOLA ART IN UTAH. The Compass Gallery in Provo, UT will host the “Fantastically Human 2025” art exhibit from June 6-July 12. It will feature art on loan from Brandon and Emily Sanderson’s Collection:

  • Cover for The Way of Kings – Michael Whelan
  • The Herald Taln – Donato Giancola
  • Tress – Howard Lyon

The Compass Gallery. 250 W Center St. Suite 101, Provo, UT 84601

(3) HORROR UPDATE. “’Sporror’ and The Substance: horror fiction spreads its spores as submissions pile in” reports The Bookseller. (Possibly behind a paywall.)

Sporror (fungal horror), The Substance-style body horror and commodification of breast milk are among the more ghoulish themes booming across fiction as horror-influenced submissions continue to pile in, the trade has said.

A year on from the record-breaking high of horror books published, editors and agents are still reporting huge interest along with a shift towards more adventurous or alternative realities. 

This year’s sales continue the upward trend for the horror category to just over £8m for the full year 2024, according to Nielsen BookScan. In the first quarter of 2025, it is up over a third (37%) in value against the same period in 2024 to £1.78m and volume is up 18% to nearly 161,000 copies. But the category remains small – no book has sold more than 10,000 in 2025 and just three – Grady Hendrix’s Witchcraft for Wayward Girls (Pan Macmillan), Lucy Rose’s debut The Lamb (W&N) and Stephen King’s Holly (Hodder) – have sold more than 5,000 copies, remaining mostly backlist-driven.

“I think there has been discussion about the evolving horror space for such a long time and the fact remains at the moment that very few ‘horror’ novels have broken out,” Curtis Brown agent Cathryn Summerhayes told The Bookseller. She represented Rose and said that The Lamb “has been a break out and I guess is both traditional – in that it is a cannibal novel set in a dark wood – and non traditional in that it deals with themes of queerness, infanticide and is both a modern and fable-esque setting at the same time.”

Summerhayes added: “What Lucy Rose has done brilliantly is tap into a younger, curious readership, targeting horror film and TV fans through her social media – and they seem willing to migrate back to books away from the screen. By publishing The Lamb as both horror and literary fiction […] we’ve hit two book buying markets instead of one.”

The strange political and social events of the last few years have paved the way towards different kinds of horror, according to Summerhayes. “I think horror hasn’t necessarily changed but our openness to reading stark horror about environmental meltdown, the isolation and devastation of people and places (thanks Trump) and the reality of monsters in our midst has grown hugely now we are away from the real life horror of the pandemic and lockdown. So reader openness plays a huge part – and BookTok is really making these authors and books pop.”…

(4) HE MADE A LITTLE MISTAKE. Brian Keene tells what happened.

I accidentally signed in @haileypiperfights.bsky.social’s spot, and she made her feelings on it known. ?????? Whichever one of you gets this sig sheet in their book will have a true one of a kind item.

Brian Keene (@briankeene.bsky.social) 2025-04-20T13:40:58.916Z

(5) DARTH JAR JAR. At the end of this video there’s a flash of this frightening new Fortnite character.

An all new Star Wars themed Season arrives soon, drop in for Fortnite Galactic Battle on May 2, 2025

(6) NEVER SAY NEVER. WELL, EXCEPT IN THIS CASE. “Lucasfilm Finally Acknowledges the 39-Episode ‘Star Wars’ Series No One Will Ever See for the First Time in a Decade” at Movieweb.

After more than a decade, one of the lost Star Wars projects that will probably never be seen by anyone has received a surprising acknowledgment from Lucasfilm as they celebrated 20 years of Lucasfilm Animation. The project in question is the animated comedy series Star Wars: Detours , which was created by the team who brought the world Robot Chicken but was never released despite almost 40 episodes being completed and dozens of other scripts being written.

Detours’ surprising reappearance came thanks to a small reference in a poster released by Lucasfilm which incorporates characters from their many animated shows and movies, including those from The Clone Wars and Rebels, and, somehow, Detours. Fans of the world’s biggest franchises always love a good Easter egg or two making an appearance, and the poster offered up one of the most obscure of any Star Wars references you could name by including a very unorthodox-looking Stormtrooper with big googly eyes crumpled up in the bottom right of the poster, as seen in the locked away series.

(7) BELLA RAMSEY PROFILE. [Item by Steven French.] Bella Ramsey on going straight from acting school to Game of Thrones, starring in The Last of Us and coming out as non-binary: “’When medieval times return, I’ll be ready’: Bella Ramsey on friendship, fashion and The Last of Us” in the Guardian.

Bella Ramsey self-recorded their audition tape for The Last of Us at their parents’ home in Leicestershire and sent it off more in hope than expectation. Ramsey, who was 17 at the time, had never played the post-apocalyptic zombie video game on which the new TV series was based, but knew it was a big deal: released in 2013, it had sold more than 20m copies. It would later emerge that Craig Mazin and Neil Druckmann, the show’s creators, looked seriously at more than 100 actors for the role of Ellie, the sassy and quirky but also complicated and vicious American protagonist of The Last of Us. “Yeah, I’ve been told,” says Ramsey with a wry smile.

When Ramsey got the first callback from Mazin and Druckmann, they joined the Zoom from their childhood bedroom. “I’ve gotten very used to sending in a self-tape and forgetting about it,” they say, when we meet at a photo studio in north London. “But the problem was when there was a self-tape that really meant something to me, like The Last of Us did. It feels quite scary. And when I got the phone call saying they wanted me to be Ellie it did feel surreal for a few days. I understood that if I said yes – which obviously I was going to – my life was going to change.”

Life-changing is one way to describe it. Ramsey was hardly inexperienced when they were cast: their professional debut was aged 11 as the no-nonsense Lyanna Mormont in Game of Thrones; they had also been the star of the CBBC series The Worst Witch and appeared in the BBC/HBO adaptation of His Dark Materials. But The Last of Us was something else. About 40 million people watched the first episode in 2023 and the series, which is said to have cost $100m, became the most popular HBO show ever in Europe. Brutally violent at times, but also tender and poignant, the odd-couple chemistry between Ramsey’s Ellie and Pedro Pascal’s Joel has attracted an obsessive fanbase far beyond video-game nerds….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 20, 1939Peter S. Beagle, 86.

By Paul Weimer: It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle.  As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.  

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel.  As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form.  “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

Peter S. Beagle

(9) COMICS SECTION.

  • Brewster Rockit shows how a xenomorph celebrates the holiday. 
  • Strange Brew has different invaders. 
  • Tom Gauld pitches an Easter doubleheader.

An exclusive extract for easter! (From this week’s @theguardian.com books)

Tom Gauld (@tomgauld.bsky.social) 2025-04-19T08:26:06.196Z

Happy Easter! (From me and @newscientist.com)

Tom Gauld (@tomgauld.bsky.social) 2025-04-20T08:56:00.867Z

(10) UP ON THE ROOFTOP. “Royal Mile unicorns have horns restored”. BBC says now they need names.

A pair of 19th Century unicorn sculptures at the top of Edinburgh’s Royal Mile have had their horns restored

The sandstone sculptures adorn the façade of the Scotch Whisky Experience, just in front of the Edinburgh Castle esplanade.

Their original horns, made from wood and lead, had long been missing, but as part of the building’s restoration the attraction’s facilities manager Ross Morris, a keen woodworker, crafted some new ones.

A competition has now been launched to name the unicorns, with some whisky-themed puns such as Amber, Isla and Pete among the suggestions….

…Winners of the “spirit of the unicorn” naming contest, which runs until 27 April, will receive a whisky tour and a special unicorn cocktail at the visitor attraction’s bar.

Entries can be submitted via the Scotch Whisky Experience website.

(11) NEEDS TO BE NEWER ON THE OUTSIDE. A Doctor Who replica owner seeks help in making repairs: “Burbank TARDIS” at LAist.

A blue police box in Burbank has hosted wedding proposals, family Christmas photo shoots and countless excited smiles over the past 15 years — but now, it needs your help.

It’s a replica of a TARDIS, which stands for “Time and Relative Dimension in Space.” It’s one of the most recognizable and iconic inventions from the long-running TV series Doctor Who.

This box may not be able to travel through time and is just as big on the inside as the outside, but it was engineered by the late Grant Imahara, a roboticist best known for his work on Mythbusters and White Rabbit Project.

The creation has been in the care of Donna Ricci, friend and owner of Geeky Teas and Games, who is now looking for handy Whovian volunteers who can give the Burbank TARDIS an overdue facelift….

… The TARDIS got banged up at Geeky Teas and Games’ last location, where it sat in the glaring SoCal sun for about five years.

The heat warped the doors and pulled pieces of wood away from itself. It’s been marred with graffiti and scratches, and someone even threw a full container of orange juice through one of the windows.

“She used to also light up and make the roaring noise when you open the door,” Ricci said. “She doesn’t do that anymore.”…

(12) WILLEM DAFOE Q&A. “How Willem Dafoe Became The Secret Weapon Behind The Most Surprising Fantasy Epic Of The Year” at Inverse.

Willem Dafoe is a legend of the screen, the kind of actor you see pop up in anything and everything. He’s appeared in over one hundred films, each drastically different from the last — but even with so many projects under his belt, he’s still finding stories that surprise him.

The Legend of Ochi is one such surprise. Distributed by A24 and helmed by music video director Isaiah Saxon, the film is a Millennial update on the family-friendly creature films that dominated the ‘80s. Think E.T. the Extra-Terrestrial spliced with Planet of the Apes and rendered with visuals so dreamy, most assumed it’d been created with AI. In reality, Saxon spent years crafting the world of Ochi — and the eponymous, ape-like creatures in it — with a mixture of puppetry, CGI, and matte paintings. Even after its hands-on, “down and dirty” production in Romania, Dafoe still can’t believe a project of this caliber found him.

“I read it and I thought, ‘Whoa, they want me to do this?’” Dafoe tells Inverse. “It’s very different from anything I had done.”…

I’m curious what it was like on set. Were you interacting with puppets for the ochi?

I don’t have that many scenes [with the ochi], because I’m looking for the ochi — but when I finally find him, it’s a puppet. And that was interesting, because you’d think it would be difficult to perform with a puppet, but in fact, no. Because those six, seven people that are operating the puppet, all their energy is going into it, so the puppet has a kind of presence. And you’ve got the energy of all those people that you’re playing the scene with, so it’s much more engaging than you might think….

(13) STAR WARS’ NEXT ANIME. “Star Wars Visions Volume 3’s First Trailer Is an Anime Extravaganza” says Gizmodo.

After a sojourn around the globe for a second volume of international animationStar Wars: Visions is returning to Japan for another volume of anime-centric adventures. So it’s perhaps fitting then, that Lucasfilm just gave us our first look at the latest anthology right out of Star Wars Celebration Japan.

Today in Tokyo, Lucasfilm lifted the lid on the first teaser for Visions Volume 3 to gathered fans at Star Wars Celebration. The latest volume will feature tales created by nine Japanese animation studios, each reflecting their own unique perspective and vision for the galaxy far, far away–including some returning stories, building on episodes from the first volume. Although the trailer has yet to be fully released online, it was shared with fans via the official Star Wars Celebration livestream. Check it out below!

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Cath Jackel, Carl, Paul Weimer, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 10/26/22 Did You Know That Pixel Chases Transdimensional Scrolls?

(1) SHAUN TAN Q&A. Steven Heller interviews artist Shaun Tan for Print in “The Daily Heller: One-Eyed, One-Horned, Flying Purple People Eater”.

You create nightmarish visions that have a witty or acerbic quality, like the one-eyed creature on the cover of your book. Do you lean towards high or comic graphic depictions?
I suppose I hover in between, or try to fuse, as there’s no reason a thing can’t be both. I think of Philip Guston’s paintings, for instance, or a film like Terry Gilliam’s Brazil, which was very influential for me as a teenager, or the comics of Daniel Clowes and Chris Ware—which can be simultaneously funny and painful—the stories of Kelly Link. In fact, I love anything that exists in that space between scary and funny, or serious and frivolous. I suppose I’m interested in figuring out the difference, why we react to some things as creepy and disconcerting, and to others as delightful and amusing. I think the one-eyed creature you mention is a good one for that kind of emotional litmus test. It is both disquieting and inviting, cool and warm. A lot of the work at the easel is about striking that balance, and it is a very precarious balance that can take days to get right. For me it comes down to a backlit feather, the obscured parts of a face, the movement of shadow on stems of grass.

(2) GIANCOLA EXHIBITION. The Huntsville (AL) Museum of Art will host “Donato Giancola: Adventures in Imagination” from October 30 through January 22. Giancola is the winner of three Hugo Awards, a World Fantasy Award, plus 23 Chesley Awards for his superlative work in the field.

Donato Giancola is an American artist specializing in narrative realism with science fiction and fantasy content. Considered the most successful sci-fi/fantasy illustrator working today, he creates engaging paintings that bridge the worlds of contemporary and historical figurative arts. Exclusive to the Huntsville Museum of Art, Adventures in Imagination will include a range of thematic subjects, including paintings and drawings based on the popular HBO series Game of Thrones, J.K. Rowling’s Harry Potter, J. R. R. Tolkien’s Lord of the Rings, and the fantasy tabletop role-playing game Dungeons & Dragons. Also included are works created to illustrate the covers and stories of recent fantasy novels, as well as other surprises….

(3) CLOSE YOUR EYES. “Doctor Who: Every Companion Featured in the Centenary Special” – in case you don’t have enough spoilage already, CBR.com says they’ve named them all.

“The Power of the Doctor” was significant in Doctor Who history in more ways than one. Not only did the episode see Jodie Whittaker’s Thirteenth Doctor regenerate into one of her former selves for the first time in the series’ history, but the special was part of the BBC’s centenary celebration. The episode marked the occasion well with the return of some familiar faces from the sci-fi series’ long history, which spans more than half the BBC’s lifetime….

(4) A BOOK WITH A DIFFERENT KIND OF PROMOTION. Tananarive Due is named one of the “5 Female Demi-Gods of Horror” by CrimeReads.

TANANARIVE DUE: “Ghost Summer: Stories” (Sept. 2015)

From the USA, I present Ghost Summer: Stories, a collection of horror stories featuring fourteen short stories and the novella, Ghost Summer, from which the book gets its title. The work showcases Due’s undisputable skill as a master storyteller. Due also makes little intimate notes after each story which the reader will find just as engaging. The stories are creepy, and the horror subtle, yet powerful. Stories like The Knowing, (dealing with a woman who knows when everybody she meets is going to die, including her own son) and Ghost Summer, (featuring a town where the children are the only ones to see the ghosts dwelling in their midst) are my personal favourites. The themes of racial injustices, as well as historical events, come together to make this book a must-read for every horror fan this Halloween. Another hit by this fiercely unconventional American horror writer….

(5) IS IT A GOOD FAKE? “When a Modern Director Makes a Fake Old Movie: A Video Essay on David Fincher’s Mank. Open Culture analyzes how effective the deception is.

As of this writing, Mank is David Fincher’s newest movie — but also, in a sense, his oldest. With Netflix money behind him, he and his collaborators spared seemingly no expense in re-creating the look and feel of a nineteen-forties film using the advanced digital technologies of the twenty-twenties. The idea was not just to tell the story of Citizen Kane scriptwriter Herman J. Mankiewicz, but to make the two pictures seem like contemporaries. As Fincher’s production designer Donald Graham Burt once put it, the director “wanted the movie to be like you were in a vault and came across Citizen Kane and next to it was Mank.” ….

Here’s a video about the challenge David Fincher took on.

(6) BECALMED IN WINTER. George R.R. Martin was on Stephen Colbert’s show to promote other books and projects, however, you won’t be surprised that it was only the book he doesn’t have out that made news. In The Hollywood Reporter: “George R.R. Martin Says ‘The Winds of Winter’ Is Now Three-Quarters Finished”.

George R.R. Martin is giving a specific update on his Winds of Winter progress.

The Game of Thrones and House of the Dragon author was on The Late Show with Stephen Colbert on Tuesday, where he was asked the mandatory, yet wearisome, question about his progress on the long-long-awaited next A Song of Ice and Fire book.

“I think it’s going to be a very big book [more than 1500 pages] and I think I’m about three-quarters of the way done,” Martin said. “The characters all interweave and I’m actually finished with a couple of the characters, but not others. I have to finish all that weaving.”

Colbert did the math. “So [it’s taken] 10 years to go 75 percent of the way through … which means about … three more years?”

“That’s depressing,” Martin replied, and also lamented that the moment he finishes, he’ll get the first tweet asking when his seventh and final ASOIAF book is coming, A Dream of Spring. The author said he hasn’t even played his hit game, Elden Ring, due to his writing commitment….

(7) THE HILLS ARE ALIVE WITH THE SOUND OF GAIMAN. “Author Neil Gaiman to Release First Album with Australian String Quartet” reports American Songwriter.

Creator of The Sandman, Stardust, American Gods, and countless graphic novels and books, Neil Gaiman is releasing his first album of original music, Signs of Life (Instrumental Recordings) in collaboration with the Australian FourPlay String Quartet, out April 28, 2023.

All words, music, and backing vocals provided by Gaiman, the album comes after the author and quartet have collaborated for more than 12 years. The quartet was first commissioned to compose a soundtrack for Gaiman’s 2010 novella, The Truth Is a Cave in the Black Mountains, which they later performed together.

Ahead of the April 2023 release, Gaiman and the quartet shared two new singles, “Bloody Sunrise” and “Credo,” the former accompanied by an official music video, directed by James Chappell, featuring Goodridge, who sings lead vocals, lying in a coffin and rising to perform with the FourPlay String Quartet in a graveyard. Gaiman, who also sings backing vocals, also makes a cameo on a flickering television screen at the beginning of the video….

(8) PLANETARY POSTER CHILD. In time for Halloween, NASA’s Exoplanet Exploration webpage invites us into the “Galaxy of Horrors”.

Take a tour of some of the most terrifying and mind-blowing destinations in our galaxy … and beyond. After a visit to these nightmare worlds, you may never want to leave Earth again! You can also download our free posters – based on real NASA science – if you dare.

Here’s an example:

(9) MEMORY LANE.

1950s [By Cat Eldridge.] Ray Bradbury’s EC Comics 

During a particularly wonderful moment in the early 1950s, EC Comics adapted twenty-five classic Ray Bradbury stories into comics form. Al Feldstein scripted, and all of EC’s artists illustrated, his tales  — Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Roy Krenkel, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood. 

Now the twenty-five stories themselves were done between 1951 and 1954 in oversized newspaper style design. The volume also includes ten “related” stories.

The title story apparently combines two of his stories, those being “Kaleidoscope” and “Rocket Man”, and Bradbury was very proud of the result. “Sound of Thunder”, which was later filmed, is here as well. So is a favorite story of mine, “The Million Years Picnic”. 

Bradbury had several primary sources for these stories  — the Dark Carnival tales, The Martian ChroniclesThe Golden Apples of the Sun and The Illustrated Man stories.

Now Fantographics has gathered all them including those maybe unauthorized stories in Home to Stay!: The Complete Ray Bradbury EC Stories.

Not at all surprisingly, it has a load of bonus features, including introductions and commentary by Greg Bear, Thommy Burns, Bill Mason, Dr. Benjamin Saunders, and Ted White; a nice look at the comics by Bradbury; and two full-color paintings by Frank Frazetta.

It’s the usual superbly fine work by Fantographics at, all things considered, a very reasonable price, just seventy-five dollars.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1934 Dan McCarthy. The grand old man of New Zealand fandom. He belonged to Aotearapa, New Zealand’s APA, for 25 years, and was its official editor from 1986-1987 and 2001-2003. As a member, he contributed 77 issues of his fanzine Panopticon, for which he did paintings and color graphics. His skills as a fanartist were widely appreciated: he was a Fan Guest of Honour at the New Zealand national convention, a nominee for the Sir Julius Vogel Award, and he won NZ Science Fiction Fan Awards (the predecessor of the Vogel) Best Fan Artist twice. (Died 2013.) (JJ) 
  • Born October 26, 1942 Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role although I suppose Mario Mario in Super Mario Bros. could be said… Just kidding!  He played Professor George Challenger in a film version of Arthur Conan Doyle’s The Lost World, and also appeared in Snow White and The Huntsman, Hook, the Hugo-nominated Brazil, A Christmas Carol, Son of The Mask, and as the voice of The Badger in an animated version of The Wind in The Willows. (Died 2014.)
  • Born October 26, 1945 Jane Chance, 77. Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for EnglandTolkien the MedievalistThe Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”
  • Born October 26, 1953 Jennifer Roberson, 69. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert-based adventure series of sort, but the series I’ve enjoyed most is her Sherwood duology that consists of Lady of the Forest and Lady of Sherwood that tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1962 Cary Elwes, 60. He’s in the ever-so-excellent Princess Bride as Westley / Dread Pirate Roberts / The Man in Black which won a Hugo at Nolacon II. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. And that’s hardly all his genre roles. 
  • Born October 26, 1963 Keith Topping, 59. Writer from England. It being the month of ghoulies, I’ve got another academic for you. He’s published a number of non-fiction reference works – frequently in collaboration with Martin Day and/or Paul Cornell – for various genre franchises, including The Avengers, The X-Files, Stargate SG-1Star Trek Next Generation and Deep Space NineBuffy the Vampire Slayer, Angel, and for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written four novels in the Doctor Who universe, and co-authored The DisContinuity Guide.
  • Born October 26, 1971 Anthony Rapp, 51. Lieutenant Commander Paul Stamets on Discovery. His first role ever was Wes Hansen in Sky High, and he showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors.
  • Born October 26, 1976 Florence Kasumba, 46. Actor of German Ugandan heritage who has done films in English, German, and Dutch languages. She is best known for her role as Ayo in the Marvel universe movies Captain America: Civil War, the Hugo nominated Black Panther, and Avengers: Infinity War, but she also had a role in the Hugo-winning Wonder Woman, played the Wicked Witch of the East in the TV series Emerald City, and voiced a character in the live-action remake of The Lion King.

(11) HO HO HO, IT’S THE GUARDIANS OF THE GALAXY. Entertainment Weekly cues up the clip: “The Guardians of the Galaxy kidnap Kevin Bacon in their first holiday special trailer” .

Yes, the real Kevin Bacon.

The Guardians of the Galaxy are rockin’ around the Christmas tree — or is that the Christmas Groot?

Director James Gunn has shared the first trailer for the Guardians of the Galaxy Holiday Special, teasing our first look at Marvel’s most festive project yet. The upcoming special will debut on Disney+ in November, and it follows everyone’s favorite ragtag band of space weirdos as they cavort around the universe and try to spread a little Christmas cheer….

(12) MAYBE IT’S JUST SOCIAL MEDIA DOES THAT. Try not to be disappointed, however, video games may not rot your brain after all! The Verge reports “Kids who play video games score higher on brain function tests”.

Kids who play video games have better memory and better control over their motor skills than kids who don’t, according to a new study looking at adolescent brain function.

Video games might not be responsible for those differences — the study can’t say what the causes are — but the findings add to a bigger body of work showing gamers have better performance on some tests of brain function. That lends support to efforts to develop games that can treat cognitive problems.

… To study video games and cognition, the research team on this new study pulled from the first set of assessments in the ABCD study. It included data on 2,217 children who were nine and 10 years old. The ABCD study asked participants how many hours of video games they played on a typical weekday or weekend day. The research team divided the group into video gamers (kids who played at least 21 hours per week) and non-video gamers (kids who played no video games per week). Kids who only played occasionally weren’t included in the study. Then, the research team looked at the kids’ performance on tests that measure attention, impulse control, and memory.

The video gamers did better on the tests, the study found…. 

(13) HOW LONG CAN YOU HOLD YOUR BREATH? “NASA instrument detects dozens of methane super-emitters from space” at Yahoo!

An orbital NASA instrument designed mainly to advance studies of airborne dust and its effects on climate change has proven adept at another key Earth-science function – detecting large, worldwide emissions of methane, a potent greenhouse gas.

The device, called an imaging spectrometer, has identified more than 50 methane “super-emitters” in Central Asia, the Middle East and the Southwestern United States since it was installed in July aboard the International Space Station, NASA said on Tuesday.

The newly measured methane hotspots – some previously known and others just discovered – include sprawling oil and gas facilities and large landfills….

(14) WHY I OTTER… “In Prehistoric Ethiopia, Otters Were as Big as Lions” according to Atlas Obscura.

SOME THREE MILLION YEARS AGO, one of our early hominin ancestors was chowing down on some leaves along a riverbank in what is now Ethiopia. And there it was—440 pounds of fur, with teeth strong enough to crush bone. An otter the size of a large male lion ambled through the dense grasses before bending down to drink from the muddy riverbank. Our ancestor, we figure, crept back into the surrounding woodlands. It doesn’t matter how potentially adorable the giant otter may (or may not) have been, you just don’t want to cross an animal that size.

The otter, Enhydriodon omoensis, is the largest ever found. A new study in the French journal Comptes Rendus Palevol is the first to classify the species, naming it after Ethiopia’s Omo River, where its remains were uncovered. While the study calls the otter “lion-sized,” paleontologist Margaret Lewis of Stockton University in New Jersey, who first analyzed some of the fossils in 2008*, thinks “that’s kind of underselling it.” “Bear otter,” she says, is perhaps a better term to encapsulate just how massive these otters were. Okay, grizzly otter it is….

(15) TOM AND JERRY ON THEIR WAY TO THE CRUSADES. “Artist Makes Astonishing Armor for Cats & Mice”. Open Culture admires the work.

…Using steel, silver, brass, bronze, nickel, copper, leather, fiber, wood, and his delicate jewelry making tools, DeBoer became the cats’ armorer, spending anywhere from 50 to 200 hours producing each increasingly intricate suit of feline armor.  A noble pursuit, but one that inadvertently created an “imbalance in the universe”:

The only way to fix it was to do the same for the mouse.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Grounded,” the Screen Junkies say this game, where you shrink to bug size and run around a back yard, is a cross between Honey, I Shrunk The Kids and “any survival game you’ve ever played.” With the game explorers’ “greatest fear:  touching grass.”  But what other game lets you paint your own sphid?

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Arnie Fenner, Daniel Dern, Jennifer Hawthorne, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Le Guin Stamp Issued Today

The Ursula K. Le Guin commemorative Forever stamp was officially unveiled today during a ceremony at the Portland (OR) Art Museum.

“Ursula once said she wanted to see science fiction step over the old walls of convention and hit right into the next wall — and start to break it down, too,” said Joseph Corbett, U.S. Postal Service chief financial officer and executive vice president, who served as the stamp ceremony’s dedicating official. “She felt the ideas represented in her fiction could help people become more aware of other ways to do things, other ways to be and to help people wake up.”

SF author Brenda Clough attended the ceremony and wrote it up for Book View Cafe.

…  The ceremony was attended by Le Guin’s husband Charles, her son Theodore and his wife Nancy, and her granddaughter. Speakers included Linda Long, curator and archivist at the University of Oregon library, where all of Le Guin’s papers and letters are housed. Amy Wong, a book editor at the Portland Oregonian, spoke of Le Guin’s many letters to the newspaper, covering topics that ranged from protesting the cancellation of Star Trek to the nation’s democratic process. And granddaughter India Downs Le Guin spoke of living with her grandmother after graduate school….

You can watch highlights from the Ursula K. Le Guin Stamp Ceremony in this YouTube video.

The outdoor ceremony was held in the Evan H. Roberts Sculpture Mall of the Portland Art Museum.

The 33rd stamp in the Literary Arts series honors Ursula K. Le Guin (1929–2018), who “expanded the scope of literature through novels and short stories that increased critical and popular appreciation of science fiction and fantasy.” The stamp features a portrait of Le Guin based on a 2006 photograph. The background shows a scene from her landmark 1969 novel The Left Hand of Darkness, in which an envoy from Earth named Genly Ai escapes from a prison camp across the wintry planet of Gethen with Estraven, a disgraced Gethenian politician. 

The artist for the stamp is Donato Giancola, a three-time Hugo winner who also was named a Spectrum Awards Grandmaster in 2019.

Information about how to order first day covers is here.

Best Professional Artist Hugo: Eligible Works from 2020

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 800 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2020.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, cover reveal blog posts, and other sources on the internet. This year, Filers Martin Pyne and Karen B. also collected this information, and though we had a lot of overlap, their extra entries have greatly increased the information we are able to provide you. My profound thanks go to Martin and Karen for all of their hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2020. Clicking on the thumbnail will open a full-screen version of each work; where I could find a version of the work without titles, that is the image which is linked.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2020-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 3 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Best Professional Artist Hugo: Eligible Works from 2019

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 660 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have greatly increasead the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2019-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Spectrum 26 Awards Recipients

The Spectrum 26 Awards were presented at the historic Folly Theater in Kansas City, MO on Saturday, March 30.

Spectrum 2019 Grand Master
Donato Giancola

Spectrum 2018 Rising Star
Gawki

ADVERTISING CATEGORY

GOLD
Greg Ruth

SILVER
Valentin Kopetzki

BOOK CATEGORY

GOLD
Francis Vallejo

SILVER
Chase Stone

COMIC CATEGORY

GOLD
Alex Alice

SILVER
Jeffrey Alan Love

CONCEPT ART CATEGORY

GOLD
Abe Taraky

SILVER
Danny Moll

DIMENSIONAL CATEGORY

GOLD
Patrick Masson

SILVER
Paul Komoda

EDITORIAL CATEGORY

GOLD
Qiuxin Mao

SILVER
Leonardo Santamaria

INSTITUTIONAL CATEGORY

GOLD
Jesper Ejsing

SILVER
John Jude Palencar

UNPUBLISHED CATEGORY

GOLD
Konstantin Kostadinov

SILVER
Annie Stegg Gerard

Best Professional Artist Hugo: Eligible Works from 2018

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 560 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2018.

These credits have been accumulated during the course of the year, from copyright pages, Acknowledgments sections, and public posts by artists, authors, and publishers, as well as other sources on the internet.

Because it is difficult to provide a list ordered by name when artwork is frequently credited to two or more artists and/or designers, I have uploaded my main spreadsheet with all accumulated data here.

In this post I will display up to 12 images of artworks for each artist for whom I have identified 4 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2018.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2018-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Mythcon 49 Guests of Honor

Conference theme: On the Shoulders of Giants

Mythcon 49 will be held in Atlanta, Georgia, July 20-23. Congratulations to Filer Dr. Reid for being named one of the headliners —

Our Scholar Guest of Honor for 2018 is Dr. Robin Anne Reid. She is a Professor in the Department of Literature and Languages at Texas A&M University-Commerce. Her teaching areas are creative writing, critical theory, and marginalized literatures. Please see her full bio on the Mythcon 49 site for publishing credits. Perhaps most notably for Mythies, she wrote an outstanding bibliographic essay on the history of scholarship surrounding female characters in Tolkien’s legendarium in Perilous and Fair, published by the Mythopoeic Press.

Our Artist Guest of Honor is Donato Giancola. He balances modern concepts with realism in his paintings to bridge the worlds of contemporary and historical figurative arts. He also teaches at the School of Visual Arts in New York City, the Illustration Master Class in Amherst, Massachusetts and online through the SmArt School, and appears at various institutions, seminars, and conventions, from San Diego to Rome to Moscow, where he performs demonstrations in oil paint and lectures on his aesthetics. Please see his full bio on his donatoart.com for influences, awards, and credits.

Visit www.mythcon.org for more information and to register for the con.

[Thanks to Lynn Maudlin for the story.]

Giancola Art Featured on Two New Space Stamps

The U.S. Postal service has released two commemorative stamps illustrated by Hugo-winning artist Donato Giancola. One celebrates the 50th anniversary of Mercury Project astronaut Alan Shepard’s 1961 flight. The other honors NASA’s unmanned MESSENGER spacecraft, which has made two flybys of Venus and three of Mercury since it was launched in 2004.  

Giancola described how the work was done to a reporter for the New York Daily News:

Giancola created small oil paintings for each of them, which were scanned and transformed into stamps by post office designers.

The whole process took about nine months.

“When you’re creating art that’s going to be a historical record like these stamps, there’s no room for mistakes,” said Giancola.

“You’ve got to make sure you get the details right. It’s a lot of work – but totally worth it,” he said.

Giancola’s website is here.

Donato Giancola with his painting of Alan Shepard.

[Thanks to Michael J Walsh for the story.]