Pixel Scroll 5/5/25 Piles Of Pithecanthropic Purple Pixels

(1) JMS MOVES TO ENGLAND. J. Michael Straczysnki told Facebook followers he is pursuing his goal to write for British TV by becoming a Resident of the UK, which he is as of today.

…So it should come as no surprise that every year, when my agent and I have our “what goals should we set for the coming year” discussion, I’ve asked one question every time: “Is there any way I can produce a series in the UK and live there for a while?”

The answer, alas, has always been no, for the obvious reason that I’m not a British citizen or resident with a visa that would allow me to work in the UK. The closest I came was when we shot a big chunk of Sense8 in London. Rather than satisfy my desire to live and work in the UK, the experience only reinforced it.

Well, I finally decided to do something about it. Because that’s what dreams are for….

…Even though the outcome was far from certain, I made the decision to sell the house that has been my home for 25 years as a way of saying I’m committing to the path. Gave away or donated a ton of clothes and other stuff. If the visa went through, I wanted a fresh start, so I used much of what was left after selling the house to pay off debt accumulated during one pandemic, two strikes, and four years of paralysis in the film/TV business.

…As of today, I am officially a Resident of the United Kingdom. I can stay on indefinitely, can apply for full citizenship in three years, and finally, at long last, I am free to work for any studio, producer or network in the UK, from ITV to Channel 4, Britbox, Acorn…BBC….

…All of that being said, I’m not just leaving the US behind. My plan is to divide my time between both countries. In addition to looking after the Ellison Estate, there’s my ongoing comics work, several US-based projects that require my attention, and the possibility of more in the future, I want to launch some US/UK film and television co-productions, create series that can be shot in both places, and perhaps join arms with UK studios and networks already working to bring homegrown characters from comics and past TV series to an international audience.

But there’s that old joke: Q: How do you make God laugh? A: Tell Him your plans….

(2) RHYSLING AWARD NEWS. The Science Fiction & Fantasy Poetry Association (SFPA) has announced the “2025 Rhysling Award Finalists”, 50 short poems and 25 long poems.

A short poem finalist is Pat Masson’s “The Last Valkyrie” from Forgotten Ground Regained 2. Paul Deane tells the story behind that poem’s publication and Rhysling eligibility in this Bluesky thread.

(3) PULITZER PRIZES 2025. The New York Times has the “Pulitzer Prizes: 2025 Winners List”. Complete list at the link, which bypasses the paywall. There are no winners of genre interest, however, File 770 has taken an interest in James because it has in common with Julia, based on 1984, the concept of retelling a classic from another character’s point of view.

FICTION

“James,” by Percival Everett

Mr. Everett’s book won for “an accomplished reconsideration of ‘Huckleberry Finn’ that gives agency to Jim to illustrate the absurdity of racial supremacy and provide a new take on the search for family and freedom,” the committee said.

Finalists “Headshot: A Novel,” by Rita Bullwinkel; “The Unicorn Woman,” by Gayl Jones; “Mice 1961,” by Stacey Levine

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Daryl Gregory and Carol Gyzander on Wednesday, May 14, 2025, at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs.)

Daryl Gregory

Daryl Gregory is a Seattle writer whose latest novel is When We Were Real, which Kirkus in a starred review called “a marvel.” His books and short stories have been translated into a dozen languages and have won multiple awards, including the World Fantasy, Shirley Jackson, and Crawford awards, and have been nominated for the Hugo, Nebula, Edgar, and other awards. His ten other books include the novels Revelator and Spoonbenders, the novellas The Album of Dr. Moreau and We Are All Completely Fine, and the collection Unpossible and Other Stories. He also teaches writing and is a regular instructor at the Viable Paradise Writing Workshop

Carol Gyzander

Carol Gyzander is a two-time Bram Stoker Award® nominee who writes and edits horror, weird fiction, and science fiction—with strong women in twisted tales that touch your heart. She has stories in Weird Tales 367Weird House MagazineUnder Twin Suns, and numerous other publications. Carol edited and contributed to the Stoker-nominated Discontinue If Death Ensues: Tales from the Tipping Point (Flame Tree Publishing), including her poem “Bobblehead,” which is nominated for a Rhysling Award. She’s Co-Chair of HWA NY Chapter and co-host of their Galactic Terrors online reading series. Follow her on Instagram @carolgyzander.

(5) SOMEBODY STILL WANTS TO RUN A WORLDCON? The Brisbane in 28 Worldcon bid woke from its ordinary social media slumber to leave this announcement on Facebook today:

Our apologies for being so quiet, we’ve been busy trying to organise ourselves for Seattle, and then a Federal Election happened. We plan on being more visible again from this point on.

Our bid is currently for Thursday the 28th of July to Monday the 31st of July, 2028. This is on the weekend following the total eclipse that will be passing through Australia on Saturday the 22nd of July, 2028.

We do plan on having a presence in Seattle for this year’s Worldcon, but the current situation is making that challenging. However, even if we are not there in person, we have people willing to handle things on our behalf, so we will have a presence there.

(6) ON THE TUBE. Camestros Felapton continues his 2025 Hugo review series with a Dramatic Presentation: Long Form finalist: “Hugo 2025: I Saw the TV Glow”.

I Saw the TV Glow is billed as horror and while it contains a bunch of disturbing ideas and images it is not what I would regard as a frightening film. That’s not a criticism of the film just an indication that it sits in its own place rather than comfortably within one genre category. Of course, depending on your own life experiences (and particularly teenage experiences) this film may hit very differently….

(7) NEA PULLS PLUG ON GRANTS. “NEA Begins Terminating and Withdrawing Grants” reports Publishers Lunch (behind a paywall). (And the agency itself is getting the ax says Publishers Weekly.)

The National Endowment for the Arts began terminating and withdrawing grant offers on Friday night, after President Trump proposed cutting NEA funding from the government budget. Many small publishers, magazines, and publishing-related organizations lost funding.

The Community of Magazines and Literary Presses (CLMP) tells PL that they reached out to all fiscal year ’25 Grants for the Arts round one grantees in the literary/arts publishing category. “Of the 51,” said executive director Mary Gannon, “I’ve heard from 40 so far and all 40 have had their grants ‘terminated’ or ‘withdrawn.’ Some have already received payments, but not all.”

Among the institutions impacted were Open Letter Books, which publishes literature in translation; literary magazine N+1, which lost a $12,500 grant; Hub City Press, which lost $25,000; and Deep Vellum, which lost $20,000; Milkweed Editions, which lost $50,000; Electric Literature, which lost $12,000; Nightboat Books, which lost $30,000; McSweeney’s Literary Arts, which lost $25,000, and many more. (Find a growing list here.)…

(8) NASA PROPOSED BUDGET. “White House Announces Plans to Rip Up NASA’s Moon Program”Futurism has the stats.

The Trump administration has released its proposed budget for next year, revealing massive budget cuts that could deal NASA’s space exploration and science efforts a devastating blow.

The agency’s budget would be slashed by 24 percent year over year, a difference of $6 billion, which is the biggest single-year cut in US history, according to the Planetary Society.

While space and Earth science funding would face massive lacerations, human space exploration could see its budget increase by roughly $1 billion in “new investments for Mars-focused programs,” according to the proposal, highlighting Trump’s desire to plant a flag on the Red Planet.

Notably, the Trump administration proposes canceling NASA’s “grossly expensive and delayed” Space Launch System (SLS) rocket and Orion capsule after Artemis 3, the first attempt to return astronauts to the Moon’s surface in over half a century, which is tentatively scheduled for 2027….

(9) BEWARE: THIS IS A THUNDERBOLTS* SPOILER. According to The Independent: “Thunderbolts: Marvel fans react to ‘spoiler’ New Avengers title change”.

…At the end of Thunderbolts*, CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) announced the group’s rebrand as The New Avengers. A graphic on screen after the film’s post-credits scene then informs cinemagoers that “The New Avengers will return”.

Now, posters for Thunderbolts* appearing in cinemas and on billboards around the world have been updated to reveal its new title: The New Avengers.

This development also reveals the meaning of the asterisk featured at the end of the original title, which was part of a carefully orchestrated publicity stunt….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 5, 1979Catherynne Valente, 46.

By Paul Weimer: Reading Catherynne Valente for me started with Palimpsest. The idea of a map on people’s skin, pieces transmitted by sex, was a little out of my comfort zone. But the dream/faerie reality of the titular city, accessible after nights of passion, entranced me. Valente’s work was lush, gorgeous, vivid, fey, The writing was poetic in language and form, a puzzle like the map on the visitors’ skin.  

Catherynne Valente

I was enchanted by her work, even if it wasn’t my usual. I skipped into and Valente’s work here and there rather than making her a solid must-buy. Sometimes for my own personal reading, a little Valente was enough. It’s as if her work was too potent for me to consume continually.  But I enjoyed Six Gun Snow White, and Deathless, particularly. 

And then there’s Space Opera

Space Opera is glorious, and was glorious to me, who is not immersed into the world of Eurovision, which it borrows shamelessly from. Space Opera is part of the branch of Space Operas in the same realm that Cat Rambo and Valerie Valdes and Lavanya Lakshminarayan play in: Frothy, fun, and light, and yet with hidden depths. Character focused and oriented science fiction space opera, and yet interesting and intriguing worldbuilding. Space Opera is the leading edge of this slice of space opera, and even someone with Amusia can and does enjoy it.  

Sadly, for me, the follow-up, Space Oddity, charitably didn’t live up to the first.  But I expect that I will get the urge to taste the potency of Valente’s work again in the future. Like that map in Palimpsest, I will be irresistibly drawn to the faerieland of her work once more.

(11) COMICS SECTION.

(12) LOTR EAGLES RETURNING TO THE ROOST. “New Zealand airport to remove Hobbit-themed eagle sculptures” – BBC has the story.

For more than a decade, a pair of Hobbit-inspired eagle sculptures have cast a watchful eye over visitors at New Zealand’s Wellington Airport.

But the giant birds will be unfastened from the ceiling on Friday to make way for a new mystery exhibit, airport authorities said.

The eagles appear as messengers in JRR Tolkien’s The Lord of the Rings and The Hobbit, which were adapted to film by New Zealand’s Sir Peter Jackson.

The spectacular New Zealand landscapes featured in Mr Jackson’s films are a consistent draw for tourists, who are greeted at the airport by the eagle sculptures.

“It’s not unusual to see airborne departures from Wellington Airport, but in this case, it will be emotional for us,” Wellington Airport chief executive Matt Clarke said in a statement.

The giant eagles will be placed in storage and there have not been long-term plans for them.

Each eagle weighs 1.2 tonnes (1,200kg) with a wingspan of 15m (49ft). Riding on the back of one of the birds is a sculpture of the wizard, Gandalf.

Made of polystyrene and with an internal steel skeleton, each eagle has hundreds of feathers, the longest one measuring 2.4m (8ft).

While the iconic eagles will soon be gone, not all is lost for fans of the franchise: Smaug the Magnificent, the dragon in The Hobbit, will continue to be displayed at the check-in area….

(13) TODAY’S THING TO WORRY ABOUT. [Item by Mark Roth-Whitworth.] End of the world coming… well, it is, about a billion years from now. “Neither climate change nor meteorites – NASA confirms that the end of life on Earth will be due to loss of oxygen, according to Toho University study – here’s when it will happen” at El Adelanto de Segovia.

If you’re worried about the end of the world, you can scratch asteroids and climate change off the list of final threats —at least in the very long term. According to new research from Toho University in Japan, supported by NASA modeling, the slow fade of life on Earth won’t come with a bang. Instead, it’ll happen with a lack of breathable air.

That’s right: the distant future of Earth won’t end in fire or ice, but in something far more subtle: oxygen loss. And while that sounds ominous, you can relax. This isn’t something that will affect you, your children, or even your great-great-great-great-grandchildren. In fact, the end is about a billion years away, give or take a few hundred million….

(14) REVIVAL TRAILER. “SYFY Debuts First Trailer for Highly Anticipated Image Comics Adaptation” at ComicBook.com.

The first trailer for SYFY’s upcoming adaptation of the fan-favorite Image Comics title Revival has been officially released online. The trailer provides people with a basic overview of the general premise; a rural Wisconsin town has to adjust to a startling new reality when the dead mysteriously come back to life. What sets Revival apart from similar zombie-themed titles is that the “revived” appear and act as they did before they passed away. At the center of the story is Officer Dana Cypress (played by Melanie Scrofano), who has to make sense of it all as the town’s residents struggling coming to terms with the situation….

(15) CITY IN FLIGHT. “Starbase: Elon Musk’s SpaceX launch site becomes an official Texas city” reports AP News.

The South Texas home of Elon Musk’s SpaceX rocket company is now an official city with a galactic name: Starbase.

A vote Saturday to formally organize Starbase as a city was approved by a lopsided margin among the small group of voters who live there and are mostly Musk’s employees at SpaceX. With all the votes in, the tally was 212 in favor to 6 against, according to results published online by the Cameron County Elections Department.

Musk celebrated in a post on his social platform, X, saying it is “now a real city!”

Starbase is the facility and launch site for the SpaceX rocket program that is under contract with the Department of Defense and NASA that hopes to send astronauts back to the moon and someday to Mars.

Musk first floated the idea of Starbase in 2021 and approval of the new city was all but certain. Of the 283 eligible voters in the area, most are believed to be Starbase workers….

(16) SHOCKING NEW TASTE. “Scientists unveil RoboCake with edible robots and batteries” claims New Atlas.

Researchers from Switzerland’s École Polytechnique Fédérale de Lausanne (EPFL) and the Italian Institute of Technology (IIT) have formed an unlikely collaboration team with pastry chefs and food scientists to create the RoboCake, currently on show at Osaka’s Expo 2025.

But this is a cake with a bit of a twist. Sitting atop the elaborate piece are edible robotic bears, which are reported to taste like pomegranate gummies, which have an internal pneumatic system that provides movement for their limbs and head. And, yes, these little dancing robots are completely edible….

… Not to be outdone, IIT researchers have made the world’s first edible rechargeable battery, using a recipe of vitamin B2, quercetin, activated carbon and chocolate.

“These batteries, safe for consumption, can be used to light the LED candles on the cake,” said Valerio Galli, a PhD student at IIT. “The first flavor you get when you eat them is dark chocolate, followed by a surprising tangy kick, due to the edible electrolyte inside, which lasts a few seconds.”…

(17) SQUID GAME 3. Courtesy of Gizmodo: “The End Is Here in the First Trailer for Squid Game 3”.

…What was up with that baby cry at the end there? And what game could possibly be coming with everyone getting their team out of a giant gumball machine?

We don’t know and that’s just the tip of the iceberg for all these questions. We love to see how 456 (Lee Jung-jae) is brought back into the game and that the story from the boat, and of the Front Man, will continue. In fact, everything has to wrap up here because the show’s creator, Hwang Dong-hyuk, has said this is the end….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Michael J. Walsh, Jim Janney, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

2025 Rhysling Award Finalists

The Science Fiction and Fantasy Poetry Association’s juries have chosen the 2025 Rhysling Award finalists from the previously announced longlists. 

SHORT POEMS (50 FINALISTS)

• After they blasted your home planet to shrapnel • P. H. Low • Haven Spec 14
• aftermath, in the city. a diary • Peter Roberts • Chrome Baby 133
• Battle of the Sexless • Colleen Anderson • Bestiary of Blood (Crystal Lake Publishing, October)
• A Black Hole is a Melting Pot That Will Make Us Whole • Pedro Iniguez • Star*Line 47.1
• Bobblehead • Carol Gyzander • Discontinue if Death Ensues (Flame Tree Collections, October)
• Born Against Teeth • Tiffany Morris • Grimm Retold (Speculation Publications, September)
• Brandy Old Fashioned • Amelia Gorman • Eye to the Telescope 53
• Chronoverse • Jeffrey Allen Tobin • Star*Line 47.3
• Colony Xaxbara 4 • Kimberly Kuchar • The Space Cadet Science Fiction Review 2
• Dodging the Bullet • Lisa M. Bradley • Small Wonders 13
• Fractal • Jack Cooper • Poetry News Spring 2024
• from Venus, to Mars • Cailín Frankland • Eye to the Telescope 55
• Generation Ship • Akua Lezli Hope • Star*Line 47.3
• Gravitation is Only a Theory • Alan Katerinsky • Wheeling, Yet Not Free (Written Image Press, July)
• The High Priestess Falls in Love with Death • Ali Trotta • The Deadlands 35
• In the Future, AI Will Make Ofrendas • Felicia Martinez • Asimov’s Jan/Feb 2024
• The Last Valkyrie • Pat Masson • Forgotten Ground Regained 2
• The Last Woman • Anna Taborska • Discontinue if Death Ensues (Flame Tree Collections, October)
• Lesson’s End • Brian Hugenbruch • Samjoko Summer 2024
• Let’s Pretend It’s A Bird • Roger Dutcher • NewMyths 69
• Lost Ark • F. J. Bergman • Space & Time Magazine 146
• Make me a sandwich • Marisca Pichette • Star*Line 47.2
• New Homestead • Akua Lezli Hope • Sublimation Volume 1, Issue 5
• Notes from a Centaur’s Curator • Gwen Sayers • Ghost Sojourn (Southword Editions, April)
• The Oarfish Bride • Amelia Gorman • Baubles From Bones 2
• Odysseus’s Apology to Anticlea • Anastasios Mihalopoulos • Lit Magazine 37
• The Old Tradition • Zaynab Iliyasu Bobi • FIYAH 32
• One Bright Moment (International Research Station, Nili Fossae, Mars) • Kate Boyes • SFPA Valentines Day Reading 
• One Large Deep Fried Thistle Burr • Jonathan Olfert • Strange Horizons 8/19/2024
• Our Combusted Planet • Brian Garrison • Dreams & Nightmares 126
• Pa(i)ncakes •  Dex Drury • Slay and Slay Again! (Sliced Up Press, July)
• Right to Shelter • Mary Soon Lee • Radon Journal 7
• Rising Star • David C. Kopaska-Merkel • Spectral Realms 21
• Robin’s Rest • Lisa Timpf • Eye to the Telescope 54
• Sea and Sky • Megan Branning • The Magazine of Fantasy and Science Fiction Winter 2024
• Song Through Wires • Jacqueline West • Star*Line 47.4
• Sonnet for the Unbeliever • Paul Chuks • Strange Horizons 5/20/2024
• Space Psychiatry • Anna Cates • Star*Line 47.3
• Things to Remember When Descending Through the Ocean • Sandra Kasturi • Poetry Society Stanza Poetry Competition October
• the time travel body • Angel Leal • Radon Journal 8
• Transhumanist Classroom • Pedro Iniguez • Mexicans on the Moon: Speculative Poetry from a Possible Future (Space Cowboy Books, November)
• traveling through breaths • Eva Papasoulioti • Radon Journal 6
• Trinary • Amabilis O’ Hara • Heartlines Spec 4
• Trip Through the Robot • Carolyn Clink & David Clink • Giant Robot Poems (Middle West Press, July)
• Visions of Manhattan • Ian Li • Eye to the Telescope 53
• A War of Words • Marie Brennan • Strange Horizons 9/16/2024
• We Carry Our Ghosts to the Stars • Richard Leis • Star*Line 47.3
• What Dragons Didn’t Do • Mary Soon Lee • Uppagus 6
• The Witch Recalls Her Craft • Angel Leal • Uncanny 60
• You Are a Monster • Beth Cato • Worlds of Possibility August 2024 Issue

LONG POEMS (25 FINALISTS)

• 9n Lives • Mary A. Turzillo • Eccentric Orbits 5 (Dimensionfold Publishing, October)
• The Blackthorn • Mary Soon Lee • Dreams & Nightmares 126
• Body Revolt • Casey Aimer • Strange Horizons 7/29/2024
• Change Your Mind • Gwendolyn Maia Hicks • Small Wonders 16
• Divide By Zero • Michael Bailey • Written Backwards 12/22/24 Post
• Draco Hesperidum • Eric Brown • Eternal Haunted Summer Summer Solstice 2024
• Elemental Scales • Ruth Berman • Star*Line 47.1
• The Fabulous Underwater Panther • Marsheila Rockwell • Blood Quantum & Other Hate Crimes (Fallen Tree Press, July)
• The Final Trick • Angela Liu • Strange Horizons 8/26/2024
• Giant Robot and His Person • Akua Lezli Hope • FIYAH 31
• The High Priestess Writes a Love Letter to The Magician • Ali Trotta • Uncanny 58
• The House of Mulberry Leaves • Ryu Ando • Crow & Cross Keys 2/7/2024
• In Graves Wood • Siân Thomas • Long Poem Magazine 32
• The Last Voyage: Island Relocation Program • Steve Wheat • Radon Journal 8
• Medicine For The Ailing Mortal, as Told in Seven Stories • Silvatiicus Riddle • The Fairy Tale Magazine 5/1/2024
• The Museum of Etymology • F.J. Bergman • Star*Line 47.3
• My Queens Last Gift • Adele Gardner • Dark Dead Things 3
• Porphyria’s Lover • Anna Cates • Abyss & Apex 92
• The Price of Becoming a Villain is to Quell One’s Kin in a Charade of Pact with The Gods • Nwuguru Chidiebere Sullivan • The Deadlands 36
• Shattered Souls at Heaven’s Gate • Ayòdéjì Israel • The Deadlands 36
• Star Stitcher • A. J. Van Belle • Haven Spec 13
• Watching • Vonnie Winslow Crist • Shivers, Scares, and Chills (Dark Owl Publishing, October)
• We Makes It • J.H. Siegal • Penumbric April 2024 Issue
• What Beautiful Heavens These • Kaya Skovdatter • Strange Horizons 12/23/2024
• When it Really is Just the Wind, and Not a Furious Vexation • Kyle Tran Myrhe • Academy of American Poets Poem-a-Day 8/6/2024

The 2025 Rhysling Award Long Lists

The Science Fiction and Fantasy Poetry Association (SFPA) has posted the Rhysling Awards Long Lists of poems published in 2024.

SFPA’s juries will have until April 30 to pick the shortlists for the “Best Long Poem” category (50–299 lines; for prose poems, 500–1,999 words) and the “Best Short Poem” category (11–49 lines; for prose poems, 101–499 words). These selected poems will appear in the 2025 Rhysling Anthology which will be sent to SFPA members who will begin voting for the winners on July 1.

SHORT POEMS (83 nominated poems)

  • Abstain from Spinning, beauty • Dyani Sabin • Small Wonders 14
  • After they blasted your home planet to shrapnel • P. H. Low • Haven Spec 14
  • aftermath, in the city. a diary • Peter Roberts • Chrome Baby 133
  • Amateur Mycologists • Mariel Herbert • Baubles From Bones 2
  • Battle of the Sexless • Colleen Anderson • Bestiary of Blood (Crystal Lake Publishing, October)
  • A Black Hole is a Melting Pot That Will Make Us Whole • Pedro Iniguez • Mexicans on the Moon: Speculative Poetry from a Possible Future (Space Cowboy Books, November)
  • Bobblehead • Carol Gyzander • Discontinue if Death Ensues (Flame Tree Collections, October)
  • Born Against Teeth • Tiffany Morris • Grimm Retold (Speculation Publications, September)
  • Brandy Old Fashioned • Amelia Gorman • Eye to the Telescope 53
  • Briar Tea Party • Gretchen Tessmer • A Frolic of Fairies (West Avenue Publishing, April)
  • Bridge of Grass, Bridge of Suspension • Katherine Quevedo • The Inca Weavers Tale (Sword & Kettle Press, January)
  • Chronoverse • Jeffrey Allen Tobin • Star*line 47.3
  • Colony Xaxbara 4 • Kimberly Kuchar • The Space Cadet Science Fiction Review 2
  • Dietary Advice • P. S. Cottier • BFS Horizons 17
  • Dodging the Bullet • lisa M. Bradley • Small Wonders 13
  • Dragon Flight • Vince Gotera • Dragons & Rayguns (Final Thursday Press, August)
  • Dragonette • Wendy Van Camp • Eccentric Orbits 5 (Dimensionfold Publishing, October)
  • Dryad’s Temple • Colleen Anderson • Journ-E Volume 3, Number 1
  • Flyaway • Eva Papasoulioti • Utopia Science Fiction August
  • Fractal • Jack Cooper • Poetry News Spring 2024
  • from Venus, to Mars • Cailín Frankland • Eye to the Telescope 55
  • The Future We Build Today • Jenny Thompson • The Pink Hydra Volume 1, Issue 2
  • Generation Ship • Akua Lezli Hope • Star*line 47.3
  • Ghost Land of Giants • linda D. Addison • Folk Horror Short Stories (Flame Tree Press, August)
  • Gingerbread • Stephanie M. Wytovich • The Orange & Bee 2
  • A Golden Flame/The Beheading of a Ram • Nnadi Samuel • Abyss & Apex 89
  • Gravitation is Only a Theory • Alan Katerinsky • Wheeling, Yet Not Free (Written Image Press, July)
  • Grendelsong: A Merewif’s Lament • Carina Bissett • Mother Knows Best (Black Spot Books, May)
  • Here’s Flowers for You • Diana Webb • Contemporary Haibun Online 20.2
  • The High Priestess Falls in Love with Death • Ali Trotta • The Deadlands 35
  • In the Future, AI Will Make Ofrendas • Felicia Martinez • Asimov’s Jan/Feb 2024
  • #LANDBACK • Marsheila Rockwell • Blood Quantum & Other Hate Crimes (Fallen Tree Press, July)
  • The Last Valkyrie • Pat Masson • Forgotten Ground Regained 2
  • The Last Woman • Anna Taborska • Discontinue if Death Ensues (Flame Tree Collections, October)
  • Lesson’s End • Brian Hugenbruch • Samjoko Summer 2024
  • Let’s Pretend It’s A Bird • Roger Dutcher • NewMyths 69
  • liminal • ayana walker • Space & Time Magazine 147
  • Lost Ark • F. J. Bergman • Space & Time Magazine 146
  • Make Me a Sandwich • Marisca Pichette • Star*line 47.2
  • Menomin’s Dragon • Sandra lindow • Eye to the Telescope 52
  • Mourning Person • Anuja Mitra • The Deadlands 33
  • New Homestead • Akua Lezli Hope • Sublimation Volume 1, Issue 5
  • Notes from a Centaur’s Curator • Gwen Sayers • Ghost Sojourn (Southword Editions, April)
  • The Oarfish Bride • Amelia Gorman • Baubles From Bones 2
  • Odysseus’s Apology to Anticlea • Anastasios Mihalopoulos • lit Magazine 37
  • The Old Tradition • Zaynab Iliyasu Bobi • FIYAH 32
  • One Bright Moment (International Research Station, Nili Fossae, Mars) • Kate Boyes • SFPA Valentines Day Reading
  • One Large Deep Fried Thistle Burr • Jonathan Olfert • Strange Horizons 45523
  • Our Combusted Planet • Brian Garrison • Dreams & Nightmares 126
  • Pa(i)ncakes • Dex Drury • Slay and Slay Again! (Sliced Up Press, July)
  • Poor Unfortunate Souls • R. Thursday • The Sprawl Mag 2.1
  • Questions Asked of the Scrying Sword During the Quest for the Princess • Elis Montgomery • Small Wonders 17
  • Ravens • Vonnie Winslow Crist • Shivers, Scares, and Chills (Dark Owl Publishing, October)
  • Right to Shelter • Mary Soon Lee • Radon Journal 7
  • Rising Star • David C. Kopaska-Merkel • Spectral Realms 21
  • Robin’s Rest • lisa Timpf • Eye to the Telescope 54
  • Sea and Sky • Megan Branning • The Magazine of Fantasy and Science Fiction Winter 2024
  • Song Through Wires • Jacqueline West • Star*line 47.4
  • Sonnet for the Unbeliever • Paul Chuks • Strange Horizons 45432
  • SOS • Simon MacCulloch • Dreams & Nightmares 126
  • Space Psychiatry • Anna Cates • Star*line 47.3
  • Stargazing • Stewart C. Baker • Eccentric Orbits 5 (Dimensionfold Publishing, October)
  • Storm-Stolen • Elena Sunyoung Kang • Carmina Magazine September 2024 Issue
  • The Suns in Her Eyes • Deborah L. Davitt • Baubles From Bones 3
  • The Tentacular Crown • Bernardo Villela • Psythur 2 (Ravens Quoth Press, December)
  • there are no taxis for the dead • Angela liu • Uncanny 58
  • Things to Remember When Descending Through the Ocean • Sandra Kasturi • Poetry Society Stanza Poetry Competition October
  • Time Lord Thief • Vince Gotera • Altered Reality Journal June
  • the time travel body • Angel Leal • Radon Journal 8
  • Totality • Mary A. Turzillo • The New Verse News 45390
  • Transhumanist Classroom • Pedro Iniguez • Mexicans on the Moon: Speculative Poetry from a Possible Future (Space Cowboy Books, November)
  • traveling through breaths • Eva Papasoulioti • Radon Journal 6
  • Trinary • Amabilis O’ Hara • Heartlines Spec 4
  • Trip Through the Robot • Carolyn Clink & David Clink • Giant Robot Poems (Middle West Press, July)
  • Visions of Manhattan • Ian li • Eye to the Telescope 53
  • A War of Words • Marie Brennan • Strange Horizons 45551
  • We Carry Our Ghosts to the Stars • Richard Leis • Star*line 47.3
  • What Dragons Didn’t Do • Mary Soon Lee • Uppagus 6
  • Wildlife and Rainforests Inside My Father • Angel Leal • Strange Horizons 45452
  • The Witch Recalls Her Craft • Angel Leal • Uncanny 60
  • The Woodcutter • Anna Cates • Disabled Tales 45477
  • You Are a Monster • Beth Cato • Worlds of Possibility 45505
  • You can’t just sit there crafting hopefully-viral insta posts and expect a dragon to show up (tl; dnr: how to catch a dragon c. 2024) • Melissa Ridley Elmes • Eccentric Orbits 5 (Dimensionfold Publishing, October)

LONG POEMS (61 nominated poems)

  • 9n lives • Mary A. Turzillo • Eccentric Orbits 5 (Dimensionfold Publishing, October)
  • The Baker at the Beggar’s Wedding • Amelia Gorman • Spectral Realms 20
  • Battle of the Bards • Frank Coffman • Forgotten Ground Regained 2
  • Becoming a Veteran • Herb Kauderer • Distilled from Water (Written Image Press, July)
  • The Blackthorn • Mary Soon Lee • Dreams & Nightmares 126
  • Body Revolt • Casey Aimer • Strange Horizons 45502
  • A Bullock of Special Burden • Denise Dumars • Animal Gnosis (Alien Buddha Press, September)
  • Change Your Mind • Gwendolyn Maia Hicks • Small Wonders 16
  • Comet, Cow(nota)girl, & A Cry for Cold • Elizabeth R. McClellan • Eco Punk literary 2
  • Defiance by Cake • Beth Cato • Worlds of Possibility August
  • Divide By Zero • Michael Bailey • Written Backwards 12/22/24 Post
  • Draco Hesperidum • Eric Brown • Eternal Haunted Summer Summer Solstice 2024
  • Elemental Scales • Ruth Berman • Star*line 47.1
  • Emily Austenson Brontëbot • Adele Gardener • Star*line 47.4
  • The Fabulous Underwater Panther • Marsheila Rockwell • Blood Quantum & Other Hate Crimes (Fallen Tree Press, July)
  • fear of pipes and shallow water • William O. Balmer • Reckoning 8
  • The Final Trick • Angela liu • Strange Horizons 45530
  • First Women • Colleen Anderson • Polar Borealis 29
  • Five Nights in the Castle • Beth Cato • Penumbric December 2024 Issue
  • Giant Robot and His Person • Akua Lezli Hope • FIYAH 31
  • Gretel • Nico Martinez Nocito • Grimm Retold (Speculation Publications, September)
  • The High Priestess Writes a Love Letter to The Magician • Ali Trotta • Uncanny 58
  • Hot Enough to Collapse • Eugen Bacon • Galaxy Science Fiction 263
  • The House of Mulberry Leaves • Ryu Ando • Crow & Cross Keys 45329
  • I’ve Seen the Ruby Slippers • Alan Ira Gordon • Pittsburgh and Other Poems (Hiraeth Books, June)
  • In Graves Wood • Siân Thomas • Long Poem Magazine 32
  • The Keep • Gerri Leen • Eccentric Orbits 5 (Dimensionfold Publishing, October)
  • The Large Reckoning • linda D. Addison • Bestiary of Blood (Crystal Lake Publishing, October)
  • The Last Voyage: Island Relocation Program • Steve Wheat • Radon Journal 8
  • life’s Goal • Herb Kauderer • Distilled from Water (Written Image Press, July)
  • Longfellow’s Mars • John C. Mannone • Sublimation Volume 1, Issue 2
  • Max Returns to His Home World • Miguel O. Mitchell • Surrealia (Gnashing Teeth Publishing, August)
  • Meat, Bone, and Soul • Beth Cato • Haven Spec 17
  • Medicine For The Ailing Mortal, as Told in Seven Stories • Silvaticus Riddle • The Fairy Tale Magazine 45413
  • Melissa • Akua Lezli Hope • Bestiary of Blood (Crystal Lake Publishing)
  • The Minotaur in His Maze (after a fragment of Helvius Cinna) • Eric Brown • Carmina Magazine March 2024 Issue
  • The Museum of Etymology • F.J. Bergman • Star*line 47.3
  • My Queens Last Gift • Adele Gardener • Dark Dead Things 3
  • One Less Pie in the Face • Michael Payne • Silver Blade 58
  • The Place Between • Herb Kauderer • Distilled from Water (Written Image Press, July)
  • Porphyria’s Lover • Anna Cates • Abyss & Apex 92
  • The Price of Becoming a Villain is to Quell One’s Kin in a Charade of Pact with The Gods • Nwuguru Chidiebere Sullivan • The Deadlands 36
  • The Reptile Men (Lovecraftiana) • Jose Ángel Conde • Psythur 2 (Ravens Quoth Press, December)
  • Second Coming • Nicholas Montemarano • Rattle: Poets Respond 45298
  • Second life • Christina Sng • Feisty Felines and Other Fantastical Familiars (WordFire Press, July)
  • Shattered Souls at Heaven’s Gate • Ayòdéjì Israel • The Deadlands 36
  • Southern Graves • Allanah Benae • God’s Cruel Joke 4
  • Spawn Red Meat Arachnid • Chris Panatier • The Deadlands 35
  • Speak of the Wolf • Silvaticus Riddle • SFPA Halloween Reading
  • Star Stitcher • A. J. Van Bell • Haven Spec 13
  • The Third Seal • Jamal Hodge • Long Division: Stories of Social Decay, Societal Collapse, and Bad Manners (Bad Hand Books, December)
  • Three Acts of Mercy • Megan Diedericks • Sublimation Volume 1, Issue 3
  • A Tour of the Blue Palace • Bree Wernicke • Strange Horizons 45452
  • Veiling the Statues • Raven Jakubowski • Strange Horizons 45537
  • Watching • Vonnie Winslow Crist • Shivers, Scares, and Chills (Dark Owl Publishing, October)
  • We Makes It • J.H. Siegal • Penumbric April 2024 Issue
  • Weight • Ayana Walker • Daddies, Demons, and the Dawn (Bookleaf Publishing, February)
  • What Beautiful Heavens These • Kaya Skovdatter • Strange Horizons 45649
  • What It Tastes like • Gerri Leen • Eye to the Telescope 53
  • When it Really is Just the Wind, and Not a Furious Vexation • Kyle Tran Myrhe • Academy of American Poets Poem-a-Day 45510
  • XOXO • Hannu Afere • Sahtu Press 9/10/24 Post

Pixel Scroll 12/11/24 If You Stare At A Scroll Too Long, It Dissolves Into Pixels

(1) CITY TECH SF SYMPOSIUM. For Andrew Porter it was a short walk to yesterday’s City Tech SF Symposium in Brooklyn. He brought his camera with him and shot these photos during the “Asimov/Analog Writers Panel”.

L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, moderator Emily Hockaday, senior managing editor of Analog and Asimov’s SF magazines. Photo by and (c) Andrew Porter.
Emily Hockaday. Photo by and (c) Andrew Porter.
Sakina Hoefler. Photo by and (c) Andrew Porter.

(2) SKYWALKER SHELTERS IN PLACE. The Franklin Fire has forced several well-known celebrities to evacuate, but some haven’t left.

The Franklin fire is raging through California’s Malibu coast, causing evacuations and ravaging homes while some celebrities like Mark Hamill shelter in place.

Hamill took to Instagram on Tuesday to share with fans that he would not evacuate his California home, with the “Star Wars” star telling his 6.2 million followers on the platform to “stay safe.”

“We’re in lockdown because of the Malibu fires. Please stay safe everyone! I’m not allowed to leave the house, which fits in perfectly with my elderly-recluse lifestyle,” Hamill wrote.

Hollywood legend Dick Van Dyke is also one of the celebrities in the affected area, saying on Facebook that he evacuated the area with his wife Arlene.

The Franklin Fire continued to explode in size overnight and covers 3,983 acres as of Wednesday morning with 7% containment, according to CalFire. Late Tuesday night, officials said 2,667 had burned. It was fueled by strong Santa Ana winds and low humidity, a dangerous combination prompting red flag warnings in the region through Wednesday evening….

Others who have evacuated include Cher, Eagles rocker Don Henley, and Cindy Crawford.

(3) PRODUCERS GUILD AWARDS. Super/Man: The Christopher Reeve Story is a nominee in documentary category for the 36th annual PGA Awards. The complete list of nominated documentaries is at the link. That is the first and only PGA category announced so far.

(4) THESE GHOSTS WANT TO BE SEEN. [Item by Steven French.] The UK’s “Society of Authors calls for celebrity memoir ghostwriters to be credited” – the Guardian tells why.

The SoA’s call comes following writers expressing frustration in recent months about celebrities writing books at a time when author incomes are in decline. Last year, Stranger Things star Millie Bobby Brown was criticised over her novel, Nineteen Steps, which was ghostwritten by Kathleen McGurl. While Brown publicly acknowledged McGurl’s work in an Instagram post, critics said that McGurl’s name “should be on the cover”.

(5) GHOSTLY GIFTS. [Item by Steven French.] If anyone happens to be in the Chicago area: “Ghoulish Mortals – St. Charles, Illinois” in Atlas Obscura.

JUST WEST OF CHICAGO, THERE is a little spot of spooky in the charming downtown of St. Charles, Illinois. Ghoulish Mortals is made up of equal parts immersive haunted house-style vignettes, macabre art gallery, and pop culture collector gift shop.

Haunting organ music leads you down the quaint downtown sidewalks and into the dark mysterious doors. As you make your way exploring through the shop, you will travel through a haunted mansion, a fortune teller’s tent, an 80s living room inspired by Stranger Things, a killer clown circus, abandoned hospital operating room, cannibal swamp cabin, and even come face to face with Audrey II from Little Shop of Horrors

If you love horror movies, true crime, the occult, oddities, or fantasy, leaving this shop empty-handed is nearly impossible!

(6) SIMULTANEOUS TIMES PODCAST. Space Cowboy Books of Joshua Tree, CA presents episode 81 of “Simultaneous Times – Eric Fomley & Adele Gardner”. Stories featured in this episode:

(7) RHYSLING AWARD CHAIR NAMED. The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2025 Rhysling Award Chair will be Pixie Bruner.

Pixie Bruner (HWA/SFPA) is a writer, editor, mutant, and cancer survivor. She lives in Atlanta, GA, with her doppelgänger and their alien cats. Her collection The Body As Haunted was published in 2024 (Authortunities Press). She co-curated and edited Nature Triumphs : A Charity Anthology of Dark Speculative Literature (Dark Moon Rising Publications). Her words are in/forthcoming from Space & Time Magazine, Hotel Macabre (Crystal Lake Publishing), Star*Line, Weird Fiction Quarterly, Dreams & Nightmares, Angry Gable Press, Punk Noir, and many more. She wrote for White Wolf Gaming Studio. Werespiders ruining LARPs are all her fault.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Thirty-two years ago, The Muppet Christmas Carol premiered, directed by Brian Henson (in his feature film directorial debut) from the screenplay by Jerry Juhl. 

Based amazingly faithfully off that beloved story, it starred Michael Caine as Ebenezer Scrooge with a multitude of Muppet performers, to wit Dave Goelz, Steve Whitmire, Ed Sanders, Jerry Nelson, Theo Sanders, Kristopher Milnes, Russell Martin, Ray Coulthard and Frank Oz, to name just some of them. 

I must single out Jessica Fox as the voice of Ghost of Christmas Past, a stellar performance indeed. 

Following Jim Henson’s death in May 1990, the talent agent Bill Haber had approached Henson’s son Brian with the idea of filming an adaptation. It was pitched to ABC as a television film, but Disney ended up purchasing it instead. That’s why it’s only available on Disney+ these days. 

Critics in general liked it with Roger Ebert being among them though he added that it “could have done with a few more songs than it has, and the merrymaking at the end might have been carried on a little longer, just to offset the gloom of most of Scrooge’s tour through his lifetime spent spreading misery.” 

Ebert added of Caine playing Scrooge that, “He is the latest of many human actors (including the great Orson Welles) to fight for screen space with the Muppets, and he sensibly avoids any attempt to go for a laugh. He plays the role straight and treats the Muppets as if they are real. It is not an easy assignment.” 

They did give him his own song which showed us the cast.

Those songs were by Paul Williams, another one of his collaborations with the Jim Henson Company after working on The Muppet Movie.

Box office wise it did just ok, as it made twenty-seven million against production costs of twelve million, not counting whatever was spent on marketing. And that Christmas goose. 

Audience reviewers at Rotten Tomatoes currently give it a rather ungloomy rating of eighty-eight percent.

(9) COMICS SECTION.

(10) ‘INNER LIGHT’ WRITER HAS SHOW IN DEVELOPMENT. Inverse reports: “32 Years Later, One of Star Trek’s Most Celebrated Writers is Launching a Gritty Sci-Fi Show”.

The writer responsible for the most celebrated episode of Star Trek: The Next Generation, is launching a new gritty sci-fi series. As reported by Deadline, Morgan Gendel — writer of TNG’s “The Inner Light” — has just secured a deal with Welsh broadcaster S4C, Hiraeth Productions, Canada’s Fun Republic Pictures and Karma Film, to develop a new “eco-thriller” science fiction show currently titled Isolation. The in-development series will focus on an ensemble of characters attempting to combat climate change in the near future, who also encounter an extraterrestrial force capable of direct contact with human minds.

“There’s a whole ‘Inner Light,’ kind of linkage here, to the extent that both deal with alien technology and the human brain,” Gendel tells Inverse. “And you’ve got a team thrown together isolated from humanity to one extent or another. Those are not intentional [parallels]. My writing often puts people in a pressure cooker to see what emotions or truths boil out of them.”…

(11) SURREALISM OF GENRE INTEREST. John Coulthart assembles a gallery of “The art of Jean Ransy, 1910–1991” at { feuilleton }.

… All the same, Jean Ransy may fit the Surrealist bill even if he doesn’t seem to have had any lasting connections with those groups who regarded themselves as the official guardians of the Surrealist flame. Ransy was Belgian artist which makes him Surrealist by default if you subscribe to Jonathan Meades’ proposition that Belgium is a Surrealist nation at heart. (Magritte wasn’t a Surrealist, says Meades, he was a social realist.)

Ransy’s paintings appear at first glance like a Belgian equivalent of Rex Whistler in their pictorial realism and refusal to jump on the Modernist bandwagon. Whistler and Ransy were contemporaries (Whistler was born in 1905) but Whistler’s paintings were much more restrained even when outright fantasy entered his baroque pastiches. The “metaphysical” vistas of Giorgio de Chirico are mentioned as an influence on Ransy’s work so he was at least looking at living artists, something you never sense with Whistler. There’s a de Chirico quality in the tilted perspectives and accumulations of disparate objects, also a hint of Max Ernst in one or two paintings….

Le chemin de ronde au visage soleil (1985).

(12) JUSTWATCH SHARES 2024 TOP 10 LISTS. What were the most-watched movies and TV shows on streaming services in 2024? JustWatch compiled these year-end Streaming Charts based on user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >45 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

2024 was packed with standout streaming hits. Movies like “Civil War”, “Oppenheimer”, and “The Fall Guy” drew huge audiences with their mix of action and drama. On the TV side, shows like “Shogun”, “Fallout”, and our streaming charts champion “The Bear” kept viewers hooked all year long. Whether it was blockbuster films or binge-worthy series, there was something for everyone. These titles set the tone for another exciting year in entertainment.

(13) WE STAND CORRECTED. [Item by Steven French.] The Guardian says people have jumped to the wrong conclusion about an image in the trailer we ran yesterday: “Emaciated zombie in 28 Years Later is not Cillian Murphy, sources confirm”.

When the trailer for Danny Boyle’s belated zombie sequel 28 Years Later released on Tuesday, the less-than-rosy-cheeked appearance of the first film’s star, Cillian Murphy, did not escape comment.

A scene in which a strikingly skinny member of the undead suddenly rears up, naked, behind new star Jodie Comer was taken as confirmation of rumours that Murphy had returned for an appearance in the new film….

…Yet the Guardian can reveal that the actor playing “Emaciated Infected” in the film, due for release in June 2025, is not Murphy but rather newcomer Angus Neill.

Neill, an art dealer specialising in old masters, was talent-spotted by Boyle, who was much struck by his distinctive looks. Neill also works as a model, with his professional profile suggesting he has a 28-inch waist….

(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] Ryan George takes us inside the “Elf Pitch Meeting” – one of the retro reviews stockpiled in anticipation of his baby arriving.

Will Ferrell is one of the most successful comedy actors of our time – but back in 2003, it was kind of a surprise to see him leading a Christmas movie as a giant non-elf. Elf ended up becoming a holiday classic, but it still raises some questions. Like what happened to that poor nun? Why didn’t the news reporter follow up on anything? Is Buddy the elf actually kind of creepy? So check out the pitch meeting that led to Elf to find out how it all came together!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2024 Rhysling Award Winners

The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2024 Rhysling Awards winners.

There are two categories: Short poems of 11–49 lines (101–499 words for prose poems) and Long poems of 50–299 lines (500–1999 words for prose poems)

The selected poems appear in the 2024 Rhysling Anthology.

SHORT POEM CATEGORY

First Place

  • No One Now Remembers • Geoffrey Landis • Fantasy and Science Fiction Nov./Dec.

Second Place

  • Language as a Form of Breath • Angel Leal • Apparition Lit October

Third Place

  • The Day We All Died, A Little • Lisa Timpf • Radon 5

Short Poem Honorable Mentions

  • As Does the Crow • Beth Cato • Uncanny 53
  • Let Us Dream • Myna Chang • Small Wonders 3
  • Mass-Market Affair • Casey Aimer • Star*Line 46.4

LONG POEM CATEGORY

First Place

  • Little Brown Changeling • Lauren Scharhag • Aphelion 283

Second Place

  • The Witch Makes Her To-Do List • Theodora Goss • Uncanny 50

Third Place

  • An Interrogation About A Monster During Sleep Paralysis • Angela Liu • Strange Horizons November

Long Poem Honorable Mentions

  • Pilot • Akua Lezli Hope • Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)
  • Archivist of a Lost World • Gerri Leen • Eccentric Orbits 4
  • Cradling Fish • Laura Ma • Strange Horizons May

The 2024 Rhysling Award Finalists

The Science Fiction and Fantasy Poetry Association’s  juries have chosen the 2024 Rhysling Award finalists from the previously announced longlists

SHORT POEMS (50 finalists)

  • Attn: Prime Real Estate Opportunity!, Emily Ruth Verona, Under Her Eye: A Women in Horror Poetry Collection Volume II
  • The Beauty of Monsters, Angela Liu, Small Wonders 1
  • The Blight of Kezia, Patricia Gomes, HWA Poetry Showcase X
  • The Day We All Died, A Little, Lisa Timpf, Radon 5
  • Deadweight, Jack Cooper, Propel 7
  • Dear Mars, Susan L. Lin, The Sprawl Mag 1.2
  • Dispatches from the Dragon’s Den, Mary Soon Lee, Star*Line 46.2
  • Dr. Jekyll, West Ambrose, Thin Veil Press December
  • First Eclipse: Chang-O and the Jade Hare, Emily Jiang, Uncanny 53
  • Five of Cups Considers Forgiveness, Ali Trotta, The Deadlands 31
  • Gods of the Garden, Steven Withrow, Spectral Realms 19
  • The Goth Girls’ Gun Gang, Marisca Pichette, The Dread Machine 3.2
  • Guiding Star, Tim Jones, Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)
  • Hallucinations Gifted to Me by Heatstroke, Morgan L. Ventura, Banshee 15
  • hemiplegic migraine as willing human sacrifice, Ennis Rook Bashe, Eternal Haunted Summer Winter Solstice
  • Hi! I am your Cortical Update!, Mahaila Smith, Star*Line 46.3
  • How to Make the Animal Perfect?, Linda D. Addison, Weird Tales 100
  • I Dreamt They Cast a Trans Girl to Give Birth to the Demon, Jennessa Hester, HAD October
  • Invasive, Marcie Lynn Tentchoff, Polar Starlight 9
  • kan-da-ka, Nadaa Hussein, Apparition Lit 23
  • Language as a Form of Breath, Angel Leal, Apparition Lit October
  • The Lantern of September, Scott Couturier, Spectral Realms 19
  • Let Us Dream, Myna Chang, Small Wonders 3
  • The Magician’s Foundling, Angel Leal, Heartlines Spec 2
  • The Man with the Stone Flute, Joshua St. Claire, Abyss & Apex 87
  • Mass-Market Affair, Casey Aimer, Star*Line 46.4
  • Mom’s Surprise, Francis W. Alexander, Tales from the Moonlit Path June
  • A Murder of Crows, Alicia Hilton, Ice Queen 11
  • No One Now Remembers, Geoffrey Landis, Fantasy and Science Fiction Nov./Dec.
  • orion conquers the sky, Maria Zoccula, On Spec 33.2
  • Pines in the Wind, Karen Greenbaum-Maya, The Beautiful Leaves (Bamboo Dart Press)
  • The Poet Responds to an Invitation from the AI on the Moon, T.D. Walker, Radon Journal 5
  • A Prayer for the Surviving, Marisca Pichette, Haven Speculative 9
  • Pre-Nuptial, F. J. Bergmann, The Vampiricon (Mind’s Eye Publications)
  • The Problem of Pain, Anna Cates, Eye on the Telescope 49
  • The Return of the Sauceress, F. J. Bergmann, The Flying Saucer Poetry Review February
  • Sea Change, David C. Kopaska-Merkel and Ann K. Schwader, Scifaikuest May
  • Seed of Power, Linda D. Addison, The Book of Witches ed. Jonathan Strahan (Harper Collins)
  • Sleeping Beauties, Carina Bissett, HWA Poetry Showcase X
  • Solar Punks, J. D. Harlock, The Dread Machine 3.1
  • Song of the Last Hour, Samuel A. Betiku, The Deadlands 22
  • Sphinx, Mary Soon Lee, Asimov’s September/October
  • Storm Watchers (a drabbun), Terrie Leigh Relf, Space & Time
  • Sunflower Astronaut, Charlie Espinosa, Strange Horizons July
  • Three Hearts as One, G. O. Clark, Asimov’s May/June
  • Troy, Carolyn Clink, Polar Starlight 12
  • Twenty-Fifth Wedding Anniversary, John Grey, Medusa’s Kitchen September
  • Under World, Jacqueline West, Carmina Magazine September
  • Walking in the Starry World, John Philip Johnson, Orion’s Belt May
  • Whispers in Ink, Angela Yuriko Smith, Whispers from Beyond (Crystal Lake Publishing)

LONG POEMS (25 finalists)

  • Archivist of a Lost World, Gerri Leen, Eccentric Orbits 4
  • As the witch burns, Marisca Pichette, Fantasy 87
  • Brigid the Poet, Adele Gardner, Eternal Haunted Summer Summer Solstice
  • Coding a Demi-griot (An Olivian Measure), Armoni “Monihymn” Boone, Fiyah 26
  • Cradling Fish, Laura Ma, Strange Horizons May
  • Dream Visions, Melissa Ridley Elmes, Eccentric Orbits 4
  • Eight Dwarfs on Planet X, Avra Margariti, Radon Journal 3
  • The Giants of Kandahar, Anna Cates, Abyss & Apex 88
  • How to Haunt a Northern Lake, Lora Gray, Uncanny 55
  • Impostor Syndrome, Robert Borski, Dreams and Nightmares 124
  • The Incessant Rain, Rhiannon Owens, Evermore 3
  • Interrogation About A Monster During Sleep Paralysis, Angela Liu, Strange Horizons November
  • Little Brown Changeling, Lauren Scharhag, Aphelion 283
  • A Mere Million Miles from Earth, John C. Mannone, Altered Reality April
  • Pilot, Akua Lezli Hope, Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)
  • Protocol, Jamie Simpher, Small Wonders 5
  • Sleep Dragon, Herb Kauderer, The Book of Sleep (Written Image Press)
  • Slow Dreaming, Herb Kauderer, The Book of Sleep (Written Image Press)
  • St. Sebastian Goes To Confession, West Ambrose, Mouthfeel 1
  • Value Measure, Joseph Halden and Rhonda Parrish, Dreams and Nightmares 125
  • A Weather of My Own Making, Nnadi Samuel, Silver Blade 56
  • Welcoming the New Girl, Beth Cato, Penumbric October
  • What You Find at the Center, Elizabeth R McClellan, Haven Spec Magazine 12
  • The Witch Makes Her To-Do List, Theodora Goss, Uncanny 50
  • The Year It Changed, David C. Kopaska-Merkel, Star*Line 46.4

2024 Rhysling Award Longlists

The Science Fiction and Fantasy Poetry Association (SFPA) has posted the Rhysling Award Long Lists of poems published in 2023.

One hundred and one members nominated 98 short poems and 62 long poems. Juries will now take these lists and narrow them down to 50 for the short category and 25 for the long category. The selected poems will appear in the 2024 Rhysling Anthology and will be on the ballot for SFPA members to vote on.

The jury will have their selections made no later than April 30. The Anthology will be sent shortly after that date, and voting will begin July 1.

SHORT POEMS (98 nominees)

  • Alternating Current • F. J. Bergmann • North American Review Vol 308 No 1
  • Apposite and Opposite • Michael Bailey • HWA Poetry Showcase X
  • As Does the Crow • Beth Cato • Uncanny 53
  • As the Night Sky Burns • Eugen Bacon • Texture of Silence (Independent Legions Publishing))
  • Attn: Prime Real Estate Opportunity! • Emily Ruth Verona • Under Her Eye: A Women in Horror Poetry Collection Volume II
  • Bathsheba’s Corsage • Elena Sichrovsky • The Deadlands 30
  • The Beauty of Monsters • Angela Liu • Small Wonders 1
  • Beloved Death • Rebecca Marjesdatter • The Owl Kingdom and Other Poems
  • Binary Star System • Lae Astra • Strange Horizons November
  • The Blight of Kezia • Patricia Gomes • HWA Poetry Showcase X
  • The Broken Blade • Denise Dumars • JOURN-E, The Journal of Imaginative Literature 2.1
  • Chemical Rebalance For Young Cyborg Housewives • Mahaila Smith • Radon Journal 4
  • The chittering moon • P S Cottier • Body of Work, ed. C.Z. Tacks (Canberra Speculative Fiction Guild)
  • Conspiracy Theories • Vince Gotera • The Ekphrastic Review May
  • The Day We All Died, A Little • Lisa Timpf • Radon 5
  • The Dead Man • Robert Wooten • Dreams and Nightmares 125
  • Deadweight • Jack Cooper • Propel 7
  • Dear Mars • Susan L. Lin • The Sprawl Mag 1.2
  • Dispatches from the Dragon’s Den • Mary Soon Lee • Star*Line 46.2
  • Dr. Jekyll • West Ambrose • Thin Veil Press December
  • Dracula Considers Writing a Memoir • LindaAnn LoSchiavo • Quail Bell Magazine October
  • Dragon Sighting • Patricia Hemminger • Carmina Magazine September
  • Einstein’s Eyes • G. O. Clark • Dreams and Nightmares 123
  • First Eclipse: Chang-O and the Jade Hare • Emily Jiang • Uncanny 53
  • Five of Cups Considers Forgiveness • Ali Trotta • The Deadlands 31
  • For the attention of my future self • Brian Hugenbruch • Haven Speculative 12
  • Gods of the Garden • Steven Withrow • Spectral Realms 19
  • A Good Soul, Really, When You Know Them • Elizabeth R. McClellan • Worlds of Possibility October
  • The Goth Girls’ Gun Gang • Marisca Pichette • The Dread Machine 3.2
  • Guiding Star • Tim Jones • Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)
  • Hallucinations Gifted to Me by Heatstroke • Morgan L. Ventura • Banshee 15
  • The Hatter Shakes • Christina M. Rau • Neologism Poetry Annual April
  • heart sings to changeling heart • Rasha Abdulhadi • The Sprawl Mag • 1.2
  • Hell Rising • Michael Pendragon • Evermore 2
  • hemiplegic migraine as willing human sacrifice • Ennis Rook Bashe • Eternal Haunted Summer Winter Solstice
  • Hi! I am your Cortical Update! • Mahaila Smith • Star*Line 46.3
  • Hora Somni • Tiffany Morris • Uncanny Magazine 54
  • How Noah Saved the Dinosaurs–a Litany • David Clink • The Black Ship
  • How to Help Hubble • Mary Soon Lee • How to Navigate Our Universe
  • How to Make the Animal Perfect? • Linda D. Addison • Weird Tales 100
  • How to Plant an Olive Tree on the Moon When All Is Lost • Elena S. Kotsile • The Future Fire June
  • I Dreamt They Cast a Trans Girl to Give Birth to the Demon • Jennessa Hester • HAD October
  • In Your Dreams • Silvatiicus Riddle • Spectral Realms 18
  • Invasive • Marcie Lynn Tentchoff • Polar Starlight 9
  • Janeway Was Absolutely Right to Kill Tuvix • Jordan Hirsch • Strange Horizons July
  • kan-da-ka • Nadaa Hussein • Apparition Lit 23
  • Language as a Form of Breath • Angel Leal • Apparition Lit October
  • The Lantern of September • Scott Couturier • Spectral Realms 19
  • Let Us Dream • Myna Chang • Small Wonders 3
  • Look into the Christmas Box • Amabilis O’Hara • Whispers from Beyond (Crystal Lake Publishing)
  • Made of Glass • Anna Madden • Haven Speculative 12
  • The Magician’s Foundling • Angel Leal • Heartlines Spec 2
  • The Man with the Stone Flute • Joshua St. Claire • Abyss & Apex 87
  • Mass-Market Affair • Casey Aimer • Star*Line 46.4
  • Masters of the Future • Bruce Boston • Asimov’s July/August
  • Me • Jamal Hodge • Qualia Nous 2
  • Metal Lullaby • Herb Kauderer • The Book of Sleep
  • Mom’s Surprise • Francis W. Alexander • Tales from the Moonlit Path June
  • Mother Hubble Tames the Unicorn Black Hole • Sandra Lindow • Dreams & Nightmares 125
  • Much After the Fact • Zebulon Huset • Phantom Kangaroo 29
  • A Murder of Crows • Alicia Hilton • Ice Queen 11
  • My Grotesque Treasure • Abi Marie Palmer • Star*Line 46.4
  • My Mother Dreams of Endlessness • Angel Leal • Strange Horizons December
  • No One Now Remembers • Geoffrey Landis • Fantasy and Science Fiction Nov./Dec.
  • orion conquers the sky • Maria Zoccula • On Spec 33.2
  • Patchwork Girl • Deborah L. Davitt • HWA Poetry Showcase X
  • Pines in the Wind • Karen Greenbaum-Maya • The Beautiful Leaves (Bamboo Dart Press)
  • The Poet Responds to an Invitation from the AI on the Moon • T.D. Walker • Radon Journal 5
  • Poul Anderson’s Lay • Frida Westford • Speculative Poetry and the Modern Alliterative Revival: a Critical Anthology
  • A Prayer for the Surviving • Marisca Pichette • Haven Speculative 9
  • Pre-Nuptial • F. J. Bergmann • The Vampiricon (Mind’s Eye Publications)
  • The Problem of Pain • Anna Cates • Eye on the Telescope 49
  • The Return of the Sauceress • F. J. Bergmann • The Flying Saucer Poetry Review February
  • Rubik’s Cube • Colleen Anderson • The Lore of Inscrutable Dreams (Yuriko Publishing)
  • Sea Change • David C. Kopaska-Merkel and Ann K. Schwader • Scifaikuest May
  • Seed of Power • Linda D. Addison • The Book of Witches ed. Jonathan Strahan (Harper Collins)
  • Self-Internalized • Maxwell I. Gold • Bleeding Rainbows and Other Broken Spectrums June
  • Shipwrecker’s Ball • Alannah Guevara • The Crow’s Nest December
  • The Singing Girl • Kim Salinas Silva • Abyss & Apex 87
  • Sleeping Beauties • Carina Bissett • HWA Poetry Showcase X
  • Solar Punks • J. D. Harlock • The Dread Machine 3.1
  • Song of the Last Hour • Samuel A. Betiku • The Deadlands 22
  • Sphinx • Mary Soon Lee • Asimov’s September/October
  • Storm Watchers (a drabbun) • Terrie Leigh Relf • Space & Time
  • A Stranger There • Eugen Bacon • Texture of Silence (Independent Legions Publishing)
  • Sunflower Astronaut • Charlie Espinosa • Strange Horizons July
  • Tea Leaf Reading • Juleigh Howard-Hobson • Myth and Lore 7
  • Three Hearts as One • G. O. Clark • Asimov’s May/June
  • To the Emperor’s Nightingale • Adele Gardner • Collected Winning Poems from the Poetry Society of Virginia
  • Troy • Carolyn Clink • Polar Starlight 12
  • Twenty-Fifth Wedding Anniversary • John Grey • Medusa’s Kitchen September
  • Uncensored Footage of the Cyborg at the U.S. Embassy • Abu Bakr Sadiq • Boston Review June
  • Under World • Jacqueline West • Carmina Magazine September
  • Walking in the Starry World • John Philip Johnson • Orion’s Belt May
  • We Are Orphans • Avra Margariti • Heartlines Spec Fall/Winter
  • When We Could Finally See Our Ribcages • Angela Nicole Duggins • Chrome Baby 120
  • Whispers in Ink • Angela Yuriko Smith • Whispers from Beyond (Crystal Lake Publishing)
  • Whole World • Colleen Anderson • Polar Starlight 12

LONG POEMS (62 nominees)

  • Archivist of a Lost World • Gerri Leen • Eccentric Orbits 4
  • As the witch burns • Marisca Pichette • Fantasy 87
  • Below the Bible Belt • Lauren Scharhag • Thanatos 2
  • Between Scylla and Charybdis • Carina Bissett • The Future Fire June
  • Brigid the Poet • Adele Gardner • Eternal Haunted Summer Summer Solstice
  • Chantress • Akua Lezli Hope • Unioverse
  • Coding a Demi-griot (An Olivian Measure) • Armoni “Monihymn” Boone • Fiyah 26
  • Consent For Facial Reconstruction With the Shelley Concepts Inc Custom Patient-Fitted Reconstruction Prosthesis • Katie R. Yen • Apparition Lit 21
  • Cradling Fish • Laura Ma • Strange Horizons May
  • The Creature from the Black Lagoon is Your Father • Brandon O’Brien • Strange Horizons October
  • Cupid Visits the Archery Club • Lisa Timpf • Illumen Summer
  • Don’t Make me Come Back • Gerri Leen • Eccentric Orbits 4
  • Dragons Got Wings • Ruth Berman • Dreams and Nightmares 124
  • Dream Visions • Melissa Ridley Elmes • Eccentric Orbits 4
  • Eight Dwarfs on Planet X • Avra Margariti • Radon Journal 3
  • The Empress Chides the Hermit • Ali Trotta • Small Wonders 0
  • The Giants of Kandahar • Anna Cates • Abyss & Apex 88
  • Glitterman • Richard Stevenson • The Flying Saucer Poetry Review February
  • The Grey Witch’s Haibun: Japan 1870 – 1871 • Calie Voorhis • Strange Horizons August
  • Had She Lived • Lori R. Lopez • Dreams and Nightmares 124
  • Hades Baedeker • Ken Chen • Granta 27
  • Hamelin in the Distance • Maria Schrater • Heroic Fantasy Quarterly 58
  • How A Xenomorph Knows • Annika Barranti Klein • Kaleidotrope winter
  • How to Haunt a Northern Lake • Lora Gray • Uncanny 55
  • How to Make Love to a Saguaro Cactus • Spencer Nitkey • Cream Scene Carnival August
  • hyphae hot pot • D.A. Xiaolin Spires • Eye to the Telescope 48
  • I Was on My Way to Tell You There Is a Vast Machine Intelligence Plotting Our Downfall, Or, the Time Machine • David Clink • The Black Ship
  • Imposter Syndrome • Robert Borski • Dreams and Nightmares 124
  • The Incessant Rain • Rhiannon Owens • Evermore 3
  • Interrogation About A Monster During Sleep Paralysis • Angela Liu • Strange Horizons November
  • Knight of Wands, Six of Swords • Ali Trotta • Uncanny 54
  • The Lay of Géac Ettinfell • Adam Bolivar • Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology December
  • Little Brown Changeling • Lauren Scharhag • Aphelion 283
  • Lost Lines from Ariel’s Song • Gretchen Tessmer • Fantasy and Science Fiction 768
  • Lying Flat • Lynne Sargent • Strange Horizons October
  • A Mere Million Miles from Earth • John C. Mannone • Altered Reality April
  • The mirror-backed cabinet in oak • Richard Magahiz • Otoliths 69
  • Never an Oasis • Brian Hugenbruch • Star*Line 46.1
  • The Nomad • Marge Simon • Fantasy and Science Fiction Mar./Apr.
  • Pilot • Akua Lezli Hope • Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)
  • Protocol • Jamie Simpher • Small Wonders 5
  • Robin Hood’s Larder’s Torn Roots • Kim Malinowski • Fairy Tale Magazine Spring
  • St. Sebastian Goes To Confession • West Ambrose • Mouthfeel 1
  • She Seeks a Home • Beth Cato • Small Wonders 0
  • Skinner • Frank Coffman • What the Night Brings August
  • Sleep Dragon • Herb Kauderer • The Book of Sleep (Written Image Press)
  • Slow Dreaming • Herb Kauderer • The Book of Sleep (Written Image Press)
  • The Thing That Leaps • Elis Montgomery • Apparition Lit 23
  • To the Far-Shooting God of Poetry, Healing, and Sunlight • Calliope Mertig • Eternal Haunted Summer Summer Solstice
  • Tomorrow I’ll Be Five • Jamal Hodge • Whispers from Beyond (Crystal Lake Publishing)
  • Troop No. 80085 • Marisca Pichette • The Deadlands 32
  • The Truth Is As Intimate As The Teeth That Bit Your Legs Off First • Elizabeth McClellan • Sand, Salt, Blood: An Anthology of Sea Horror
  • The Two of Coins • Lauren Scharhag • Decomp Journal 6
  • Value Measure • Joseph Halden and Rhonda Parrish • Dreams and Nightmares 125
  • A Weather of My Own Making • Nnadi Samuel • Silver Blade 56
  • Welcoming the New Girl • Beth Cato • Penumbric October
  • What You Find at the Center • Elizabeth R McClellan • Haven Spec Magazine 12
  • When the Honeymoon is Over • Lauren Scharhag • Aphelion 282.27
  • The Witch Makes Her To-Do List • Theodora Goss • Uncanny 50
  • Would You, Empress • Tara Campbell • Voices of the Winter Solstice December
  • The Year It Changed • David C. Kopaska-Merkel • Star*Line 46.4

Pixel Scroll 1/1/24 All These Pixels Are Someone Else’s Fault

(1) SOME PEOPLE SHINE. Let Looper introduce you to “Stephen King’s Harry Potter: The Fan-Made Concept That’s Too Weird To Be Real”. This is quite something.

When it comes to accomplished fiction writers, you don’t get much more prodigious than Stephen King. So iconic is his work that the YouTube channel Yellow Medusa created an artificial intelligence-driven video that hypothesizes how the “Harry Potter” films would look like if King — and not J.K. Rowling — created the franchise. This is one of several videos where the channel reimagines the “Harry Potter” movies if they were directed or written by other famous creators….

(2) SFPA MEMBERS NOMINATE FOR AWARDS. The Science Fiction & Fantasy Poetry Association reminded members today of the deadlines to submit nominees for three annual awards.

RHYSLING AWARD NOMINATIONS The 2024 Rhysling Chairs are Brian U. Garrison & David C. Kopaska-Merkel. Nominations are open until February 15 for the Rhysling Awards for the best poems published in 2023. Only SFPA members may nominate one short poem and/or one long poem for the award. Poets may not nominate their own work. All genres of speculative poetry are eligible. Short poems must be 11–49 lines (101–499 words for prose poems); Long poems are 50–1,199 lines, not including title or stanza breaks, and first published in 2023; include publication and issue, or press if from a book or anthology. Online nomination form: bit.ly/2024RhyslingNom. Or nominate by mail to: SFPA, PO Box 6688, Portland OR 97228, USA.

DWARF STARS AWARD NOMINATIONS The 2024 Dwarf Stars Chair is Brittany Hause. Nominations due by May 1, but poems may be suggested year-round. Enter title, author, and publisher of speculative micro poems published in 2023 at https://bit.ly/ dwarfstars or by mail to: SFPA, PO Box 6688, Portland OR 97228, USA. Anyone may suggest poems, their own or others’; there is no limit.

ELGIN AWARD NOMINATIONS The 2024 Elgin Chair is Felicia Martínez. Nominations due by June 15; more info will come by MailChimp. Send title, author, and publisher of speculative poetry books and chapbooks published in 2022 or 2023 to elgin@sfpoetry.com or by mail to: SFPA, PO Box 6688, Portland OR 97228, USA. Only SFPA members may nominate; there is no limit to nominations, but you may not nominate your own work. Books and chapbooks that placed 1st, 2nd or 3rd in last year’s Elgin Awards are not eligible.

(3) BE ON THE LOOKOUT. [Item by Steven French.] “Fiction to look out for in 2024” in the Guardian includes an SF novel tipped for the Booker:

…in September, there’s my early pick for this year’s Booker: Creation Lake (Jonathan Cape) by Rachel Kushner. It’s a wild and brilliantly plotted piece of science fiction. This is the story of a secret agent, the redoubtable Sadie Smith, sent to infiltrate and disrupt a group of “anti-civvers” – eco-terrorists – in a France of the near future where industrial agriculture and sinister corporations dominate the landscape. Think Kill Bill written by John le Carré: smart, funny and compulsively readable….

(4) NO MCU? REALLY? Rolling Stone calls these “The 150 Best Sci-Fi Movies of All Time”.

…So when it came time to rank the greatest sci-fi movies of all time, we couldn’t stop at 100. Instead, we went bigger and bulked it up with an extra 50 entries, all the better to pay lip service to more of the pulpy, the poppy and the perverse entries — not to mention some of our personal favorites — that don’t normally get shout-outs in these kinds of lists. There were more than a few arguments when it came to the picks. (It was also decided early on that superhero movies as a whole usually fall out the parameters of science fiction, so you won’t the MCU, et al., canon on this list — with one very notable exception.) Here are our picks for the best the genre has to offer. Live long and prosper. May the force be with you….

At the bottom:

150 ‘Tank Girl’ (1995)

What would the post-apocalyptic world look like if the hero was a riot grrrl and the soundtrack was curated by Courtney Love? Behold the adventures of Tank Girl (Lorri Petty), as our hero roams through the decimated Outback, years after a comet hit earth and an evil corporation seized control. It’s got some of the hallmarks of a traditional sci-fi adventure — a jet-flying sidekick played by Naomi Watts; an army of half-kangaroo, half-man beings, including one played by Ice-T — but Rachel Talalay’s adaptaion of the cult British comic diverges from the typical dystopia formula by layering everything over a very 1990s alt aesthetic, all bright colors and snappy, sexualized wisecracks. “No celebrities, no cable TV, no water — it hasn’t rained in 11 years,” Tank Girl explains early on in the film. “Now 20 people gotta squeeze inside the same bathtub — so it ain’t all bad.” —Elisabeth Garber-Paul

Rated number one:

1 ‘2001: A Space Odyssey’ (1968)

It begins at the Dawn of Man and ends with the rebirth of humanity, with Homo sapiens having finally been granted one last evolutionary level-up. In between those two poles of the human experience — one in our prehistoric past, the other light years into our future (hope springs eternal) — Stanley Kubrick give us what still feels like the benchmark for science fiction cinema that engages you in mind, body, and soul. It’s not just that his adaptation of Arthur C. Clarke’s short story “The Sentinel” has become part of our collective consciousness, enough that Barbie could kick off with an extended riff on one of its most famous scenes and everyone got the joke. Or that 2001 contains what may be the single best example of film editing as a communicative art form unto itself. Or that the closest the film has to an antagonist, the self-aware HAL 9000 supercomputer who discovers that machines are no more immune from neurosis and malice than its flesh-and-blood programmers are, is the character we end up feeling the most sympathy towards. “Daissss-yyyy… daisssss-yyyyy…”….

…The wisecrack was always that 2001: A Space Odyssey was exactly like the big, black monolith that connected its eon-spanning chapters: gorgeous, meticulously constructed, inhuman in its perfection and inscrutable in terms of concrete meaning. Conventional wisdom is that it’s actually closer to the Star Child — something that takes the entirety of the universe in and stares at it in awe, reflecting back how far we have come and how far we still have to go. —DF

(5) LAWYERS ASSEMBLE! We know this, but it’s a new year so let’s pretend it’s news: “Mickey Mouse Hits Public Domain With Disney’s ‘Steamboat Willie’” at Deadline.

As of today, the traditionally protective Walt Disney Co will have to deal with an onslaught of Mickey Mouse parodies, mockeries and likely rather explicit variations as the iconic character slips into the public domain.

Sorta.

In the sober light of 2024, Steamboat Willie, the 1928 short that effectively launched the empire that Walt built, can now be used by anyone and everyone. The legal status of Mickey and Minnie Mouse from Steamboat Willie and Plane Crazy, from earlier that same year, has been long fought over and probably not something to which Disney was looking forward. Yet, in a new year that also sees Virginia Woolf’s groundbreaking Orlando, Peter Pan, Charlie Chaplin’s The CircusBuster Keaton‘s The Cameraman and Tigger from AA Milne’s The House at Pooh Corner now in the public domain, if you are anticipating a Steamboat Willie free-for-all, think again.

Besides Disney being notoriously litigious, the color version of Mickey that came into being in 1935’s The Band Concert, is a lot different in 2024 than the non-speaking Mickey of Steamboat Willie in 1928. Evolving over the decades, the brand icon that is today’s Mickey has a lot more meat on his bones, is full of many more smiles, has that chirpy voice and a far less rough disposition, wears white gloves, and clearly looks a lot less a rat than the Steamboat Willie Mickey – and, to paraphrase MC Hammer: you can’t touch that.

“More modern versions of Mickey will remain unaffected by the expiration of the Steamboat Willie copyright, and Mickey will continue to play a leading role as a global ambassador for the Walt Disney Company in our storytelling, theme park attractions, and merchandise,” a Disney spokesperson said of the dos and don’ts of the sound-synched film entering the public domain today….

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 1, 1954 Midori Snyder, 70. This first novel by Midori Snyder that I read was The Flight of Michael McBride, a three decades old work by her set in the old American West blending aspects of  First Folk, Irish-American and Mexican folklore. A most excellent read. 

Like Pamela Dean with her Tam Lin novel, she’s delved in Scottish myth as her first novel, Soulstring, was inspired by the Scottish legend of Tam Lin

Midori Snyder

It was however not her first published work as that was “Demon” in the Bordertown anthology, the second of the Bordertown series.  She would later do two more Bordertown stories, “Alison Gross” that’d be in Life on the Border, and “Dragon Child” in The Essential Bordertown.

Now don’t go looking for any of these as ePubs as, like the Year’s Best Fantasy & Horror series which I noted in Ellen Datlow’s Birthday a few days ago, ePub rights weren’t written into the publication contracts. 

The newest Bordertown anthology, Welcome to Bordertown, is available as an ePub.

Next up is a trilogy of books that remind me of Jane Yolen’s The Great Altar Saga in tone  — New MoonSadar’s Keep, and Beldan’s Fire. They were published as adult fantasy by Tor Books starting thirty four years ago where they were The Queens’ Quarter Series. Interestingly they would be reprinted as young adult fantasy by Firebird Books just eighteen years ago as The Oran Trilogy. I see that Firebird is no longer the domain of Sharyn November which it was explicitly related for.

Now I positively adore The Innamorati which draws off the the Commedia dell’Arte theatre and the Roman legends as well. This stellar novel gained her Mythopoeic Fantasy Award for Adult Literature. It is without doubt her best novel – great characters, fascinating setting and a wonderful story.

Hannah’s Garden was supposed to be one of the novels inspired by a painting by Brian Froud. (I remember de Lint’s The Wild Wood and Windling’s The Wood Wife are two of the others but I forget the fourth. I know they got their novels with his art but I don’t if she or the fourth writer did.) It’s a more personal novel, more scary in tone I think than her other work is. 

Except the Queen was written by her and Yolen. It’s a contemporary fantasy featuring two fey who are banished here in the guise of old women. I’ll not spoil what happened next. That was her last novel and it was published thirteen years ago. 

She wrote the title short story for Windling The Armless Maiden and Other Tales for Childhood’s Survivors anthology anthology about child abuse survivors. Grim reading but recommended. It was nominated for an Otherwise Award.

It’s one of a not deep number of short stories she’s written, none collected so far. 

She did the text to the “Barbara Allen” graphic story Charles Vess illustrated and first published in his Ballads chapbook in 1997 which I’ve got here somewhere. Let me go see… yes, it’s also in the autographed copy of The Book of Ballads that he sent me. That came out on Tor seventeen years ago. God, time goes by fast! 

Though not about her fiction writing, she would win a World Fantasy Award for her editorial work on Windling’s Endincott Studio website. It is a fascinating site covering what Terri, Midori and others think is interesting in fairy tales, myth, folklore, and the oral storytelling tradition. It is here now.

(7) EASING A BARRIER TO CHINA TOURISM. For the next wave of fans who may be thinking about the trip: “China to simplify visa applications for US tourists as both countries seek to improve relations” at the South China Morning Post.

China will simplify the visa application process for tourists from the United States as part of its efforts to step up interactions between people from the two countries.

Beijing has also been seeking to woo more international visitors as part of its wider efforts to boost its sluggish economic recovery.

Starting from January 1, those applying for tourist visas within the US will no longer need to submit proof they have a round-trip air ticket and hotel reservation, as well as their itinerary or a letter of invitation, according to a notice published on the website of the Chinese embassy in Washington on Friday.

The measure aims to “further facilitate people-to-people exchanges between China and the United States”, it said.

It added that “since visa applications are processed on a case-by-case basis”, applicants should still refer to the Chinese embassy and consulates-general for specifics….

The move follows a cut in visa fees for US applicants of around 25 per cent until December 31, 2024 announced earlier this month, and a previous decision to allow walk-in visa applications.

(8) WHAT, ME WARP? Currently open for bids at the Heritage Auctions site is “Jack Rickard MAD #186 Star Trek Cover Original Art”. It was up to $1,950 when I last checked.

Jack Rickard MAD #186 Star Trek Cover Original Art (EC, 1976). Captain Kirk (William Shatner) and Spock (Leonard Nimoy) join Vulcan officer Alfred E. Neuman (who will likely soon meet a terrible fate, hinted at by his red shirt) tap dance their way across the cover of the parody magazine to promote the “Star Trek” Musical buried within its pages. Spock looks surprised to see Neuman sporting a pair of pointy Vulcan ears, with the adage “Keep on Trekin'” printed on his uniform. A fun poke at the beloved sci-fi TV series painted in gouache on illustration board with an image area of 16″ x 16.75″, matted and Plexiglas-front framed to 27″ x 28.5″. Light frame wear. Signed by Rickard in the lower right corner and in Excellent condition.

(9) TROLLING WITH A MAGNET. “He Has Fished Out Grenades, Bikes and Guns. Can Fame Be Far Behind?” He couldn’t make a living streaming himself playing video games – but people want to see what his powerful magnet retrieves from the waters around New York.  

… The grenade was not without precedent. Two months before, Mr. Kane managed to pull a gun out of a lake near where he lives. It might have been used in a murder, he suggested, and he was told there was a chance he might be subpoenaed. He was eager to avoid that entanglement.

On that unseasonably warm November afternoon, Mr. Kane, who is 39 and looks a bit like the actor Seth Rogen playing a deckhand, just yanked the thing right off his magnet. It took quite a bit of effort, given that the magnet (from Kratos Magnetics, for $140) was advertised as having a “pull force” of 3,800 pounds. The gunpowder had been emptied out of the bottom, so he figured the corroded explosive was something that would put him on the map, rather than blow him off it. Still, he put it on the ground and covered it with a plastic bucket — just in case.

As he dialed 911, he paused to wonder: Would the operator remember him? Was he something of a known quantity by now? Just the week before, he’d found a top-loading Smith & Wesson in Prospect Park Lake. And he’d also found a completely different grenade about a month ago, which he said led the police to evacuate a restaurant near the United Nations. But to his disappointment, that day’s dispatcher didn’t react.

“You’re gonna know Let’s Get Magnetic,” Mr. Kane told the operator, referencing the name of his YouTube channel. “I’m getting famous.”

His partner, Barbie Agostini, continued filming as the police arrived. Two beat cops who showed up took some pictures of the grenade on their phones. Meanwhile, a woman pushed a baby carriage inches away from it. More cops eventually came to cordon off the area, but the content creation did not stop there. Another officer squatted on the ground to take more close-ups. Wanting a wider-angle view of the ruckus he’d wrought, Mr. Kane moved slightly down the sidewalk and kept fishing.

It wasn’t long before a well-put-together young woman in a pinned-on hat stopped and stared as Mr. Kane pulled a hunk of junk out of the water with his magnet.

“What are you guys fishing for?” she asked.

“Anything metal,” he told her. “This is a bed frame from the 1900s.”

The woman looked astounded at this dubious bit of history.

“God bless you,” she said….

…After lunch, Mr. Kane, Ms. Agostini and Jose returned to their duplex. Mr. Kane pulled out a Styrofoam chest full of his favorite finds. They included the magazines from four guns, the barrel of a sniper rifle and two tiny cannonballs that might predate the city itself, which he plans on giving to the American Museum of Natural History.

Evidence of a collector’s lifestyle exists throughout the apartment — unopened retro video games and hand-painted Japanese anime figurines covered nearly every spare inch of wall space. Mr. Kane pulled out some tiny pieces of metal from the cooler, one in the shape of a bow and arrow, and another that looked like a ball-peen hammer.

“This is black magic,” he said. “One hundred percent.” Then came a key fob for an Audi that still lit up when he pressed a button. “This unlocks a car,” he said. “We just don’t know where the car is.” Then came his collection of iPhones, which he proudly displayed on his purple couch. All of them worked. Well, all but one. “It smokes if you turn it on,” he said. “But that’s the only problem.”…

(10) BUT IF HE TELLS – THEN WE’LL KNOW! No, content moderation is not supposed to be a big secret. “Elon Musk’s X Loses Bid To Change California Content Moderation Law” reports Deadline.

Elon Musk‘s X on Thursday has lost its bid to change a California law on content moderation disclosure by social media companies.

X sued California in September to undo the state’s content moderation law, saying it violated free speech rights under the U.S. Constitution’s First Amendment and California’s state constitution.

Today, U.S. District Judge William Shubb dismissed the social media company’s request in an eight-page decision .

The law requires large social media companies to issue semiannual reports that describe their content moderation practices. They must also provide data on the number of objectionable posts and how they were addressed.

“While the reporting requirement does appear to place a substantial compliance burden on social medial companies, it does not appear that the requirement is unjustified or unduly burdensome within the context of First Amendment law,” Shubb wrote.

X did not immediately respond. The company’s content moderation policies have long been contentious, dating to before Musk bought the company.

(11) ANOTHER INKLING NAMED LEWIS. This postcard ad for The Major and the Missionary edited by Diana Pavlac Glyer caught my eye and reminded me to kick off the new year by mentioning this collection of letters of interest to Inklings fans.

After the death of his brother, Warren Lewis lived at The Kilns in Oxford, spent time with friends, edited his famous brother’s letters, and did a little writing of his own. Then, out of the blue, he got a letter from a stranger on the far side of the world. Over the years that followed, he and Blanche Biggs, a missionary in Papua New Guinea, shared a vibrant correspondence. These conversations encompassed their views on faith, their politics, their humor, the legacy of C. S. Lewis, and their own trials and longings.

Taken as a whole, these collected letters paint a colorful portrait that illuminates not only the particulars of distant times and places but the intimate contours of a rare friendship.

Edited and introduced by Bandersnatch author Diana Pavlac Glyer.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Scott Edelman, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

2023 Rhysling Award Winners

The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2023 Rhysling Award Finalists.

There are two categories: Short poems of 11–49 lines (101–499 words for prose poems) and Long poems of 50–299 lines (500–1999 words for prose poems)

The selected poems appear in the 2023 Rhysling Anthology which can be purchased here.

SHORT POEMS

First Place

[Tie]

  • “Harold and the Blood-Red Crayon” by Jennifer Crow, Star*Line 45.1
  • “In Stock Images of the Future, Everything is White” by Terese Mason Pierre, Uncanny 46

Second Place

  • “Bitch Moon” by Sarah Grey, Nightmare Magazine 118

Third Place

[Tie]

  • “First Contact” by Lisa Timpf, Eye to the Telescope 44
  • “The Gargoyle Watches the Rains End” by Amelia Gorman, The Gargoylicon: Imaginings and Images of the Gargoyle in Literature and Art, ed. Frank Coffman (Mind’s Eye Publications)

Short Poem Honorable Mentions

  • “Field Notes from the Anthropocene” by Priya Chand, Nightmare Magazine 116
  • “Near the end, your mother tells you she’s been seeing someone” by Shannon Connor Winward, SFPA Poetry Contest
  • “Dinner Plans with Baba Yaga” by Stephanie M. Wytovich, Into the Forest: Tales of the Baba Yaga, ed. Lindy Ryan (Black Spot Books)

LONG POEM CATEGORY

First Place

  • “Machine (r)Evolution” by Colleen Anderson, Radon Journal 2

Second Place

  • “The Bone Tree” by Rebecca Buchanan, Not a Princess, but (Yes) There was a Pea, and Other Fairy Tales to Foment Revolution (Jackanapes Press)

Third Place

  • “Igbo Landing II” by Akua Lezli Hope, Black Fire—This Time, ed. Kim McMillon (Aquarius Press)

Long Poem Honorable Mentions

  • “Herbaceous Citadel” by Avra Margariti, The Fairy Tale Magazine, January 4
  • “Living in Rubble” by Gerri Leen, Eccentric Orbits 3, ed. Wendy Van Camp (Dimensionfold Publishing)
  • “The Thing About Stars” by Avra Magariti, The Saint of Witches (Weasel Press)

PRESENTING THE SHORT POEM WINNERS

Shy and nocturnal, Jennifer Crow has never been photographed in the wild, but it’s rumored that she lives near a waterfall in western New York. Her work has appeared in a number of print and electronic venues, including Uncanny Magazine, Asimov’s Science Fiction, The Wondrous Real and Analog Science Fiction. Curious readers can catch up with her on Bluesky @writerjencrow.bsky.social.

Terese Mason Pierre is a writer and editor whose work has appeared in Uncanny, Star*Line, and Fantasy Magazine, among others. Her poetry has been nominated for the bpNichol Chapbook Award, the Aurora Award, and the Ignyte Award. She is one of ten winners of the Writers’ Trust Journey Prize, and was named a Writers’ Trust Rising Star. Terese is the co-Editor-in-Chief of Augur Magazine and the author of chapbooks, Surface Area (Anstruther Press, 2019) and Manifest (Gap Riot Press, 2020). Terese lives and works in Toronto, Canada.

Sarah Grey’s poetry and short fiction have appeared in LightspeedNightmare, Uncanny, Strange HorizonsFantasy Magazine, and elsewhere. She has degrees in Art History, Medieval Studies, and law, speaks multiple languages poorly, and enjoys world travel and roller skating. She lives in California with her family and an excessive quantity of cats.

Lisa Timpf is a retired HR and communications professional who lives in Simcoe, Ontario. Her speculative poetry has appeared in New Myths, Star*Line, Triangulation: Seven-Day Weekend, Polar Borealis, and other venues. Her collection of speculative haibun poetry, In Days to Come, is available from Hiraeth Publishing. You can find out more about Lisa’s writing projects at http://lisatimpf.blogspot.com/.

Amelia Gorman spends her free time exploring forests and fostering dogs. Read her fiction in Nightscript 6 and Cellar Door. Read her poetry in Dreams & Nightmares and Vastarien. Her chapbook, the Elgin-winning Field Guide to Invasive Species of Minnesota, is available from Interstellar Flight Press. Her microchapbook, The Worm Sonnets (2023), is available from The Quarter Press.

PRESENTING THE LONG POEM WINNERS

Colleen Anderson lives in Vancouver, BC and has a BFA in writing. A multiple award nominee, her work has been widely published in seven countries, in such places as Lucent DreamingHWA Poetry Showcases, and the award-winning Shadow Atlas and Water: Sirens, Selkies & Sea Monsters. “Machine (r)Evolution” is part of Tenebrous Press’s 2023 Brave New Weird. She is author of two poetry collections, I Dreamed a Worldand the just released The Lore of Inscrutable Dreams. She served as a 2023 HWA Poetry Showcase judge and co-taught a poetry workshop through Crystal Lake. 
www.colleenanderson.wordpress.com

Rebecca Buchanan is the editor of the Pagan literary ezine Eternal Haunted Summer and is a regular contributor to ev0ke: witchcraft*paganism*lifestyle. She has published short stories, novelettes, and poems in a wide variety of venues, most speculative in nature. When she is not writing, she is baking chocolate chip cookies and avoiding yard work. A complete list of her publications can be found at Eternal Haunted Summer.

Akua Lezli Hope, a Grand Master of Fantastic Poetry (SFPA), is a paraplegic creator & wisdom seeker who uses sound, words, fiber, glass, metal, & wire to create poems, patterns, stories, music, sculpture, adornments & peace. She wrote her first speculative poems in the 6th grade and has been in print since 1974 with nearly 500 poems published. Her collections include Embouchure: Poems on Jazz and Other Musics (Writer’s Digest book award winner), Them Gone, & Otherwheres: Speculative Poetry (2021 Elgin Award winner). A Cave Canem fellow, her honors include the NEA, two NYFA fellowships, Science Fiction and Fantasy Poetry Association award & multiple Best of the Net, Rhysling, Dwarf Star & Pushcart Prize nominations. She won a 2022 New York State Council on the Arts grant to create Afrofuturist, speculative, pastoral poetry. She created the Speculative Sundays Poetry Reading series. She edited the record-breaking sea-themed issue of Eye To The Telescope #42 & NOMBONO: An Anthology of Speculative Poetry by BIPOC Creators, the history-making first of its kind (Sundress Publications, 2021). Her short fiction is included in the ground-breaking speculative anthology Dark Matter, and in the new, celebrated, Africa Risen anthology (Tor 2022,) among others. She founded a paratransit nfp in her small town that needs a vehicle. She exhibits her artwork regularly, practices her soprano saxophone, and dreams of access and freedom in the ancestral land of the Seneca.

[Based on a press release.]

2023 Rhysling Award Finalists

The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2023 Rhysling Award Finalists.

There are two categories: Short poems of 11–49 lines (101–499 words for prose poems) and Long poems of 50–299 lines (500–1999 words for prose poems)

The selected poems will appear in the 2023 Rhysling Anthology and will be on the ballot for SFPA members to vote on beginning July 1.

SHORT POEMS (50 FINALISTS)

  • A Creation Myth, John C. Mannone, Songs of Eretz, Spring
  • A Spell for Winning Your Personal Injury Lawsuit, Marsheila Rockwell, Dreams and Nightmares 120
  • Biophilia, Sarah Grey, Strange Horizons, Fund Drive
  • Bitch Moon, Sarah Grey, Nightmare Magazine 118
  • Blå Jungfrun, Deborah L. Davitt, Strange Horizons, September 26
  • Black Pastoral: On Mars, Ariana Benson, Paranoid Tree 17
  • Cassandra as Climate Scientist, Jeannine Hall Gailey, California Quarterly 48:4
  • Dinner Plans with Baba Yaga, Stephanie M. Wytovich, Into the Forest: Tales of the Baba Yaga, ed. Lindy Ryan (Black Spot Books)
  • Exulansis, Silvatiicus Riddle, Liquid Imagination 51
  • Field Notes from the Anthropocene, Priya Chand, Nightmare Magazine 116
  • First Contact, Lisa Timpf, Eye to the Telescope 44
  • Fracking-lution, Linda D. Addison, Hybrid: Misfits, Monsters and Other Phenomena, eds. Donald Armfield & Maxwell I. Gold (Hybrid Sequence Media)
  • Gosh, it’s Too Beautiful to Exist Briefly in a Parallel Planet, Nwuguru Chidiebere Sullivan, Strange Horizons, November 21
  • Harold and the Blood-Red Crayon, Jennifer Crow, Star*Line 45.1
  • If I Were Human, Marie Vibbert, Star*Line 45.2
  • In Stock Images of the Future, Everything is White, Terese Mason Pierre, Uncanny 46
  • Intergalactic Baba Yaga, Sandra Lindow, Dreams and Nightmares 122
  • Jingwei Tries to Fill Up the Sea, Mary Soon Lee, Uncanny Magazine 45
  • Laws of Exponents, John Reinhart, NewMyths.com 59
  • Leda Goes To The Doctor, Pankaj Khemka, Carmina Magazine, September
  • Lines to a Martian (Palabras a un habitante de Marte), Alfonsina Storni, Asimov’s Science Fiction, November/December
  • Medea leaves behind a letter, FJ Doucet, Star*Line 45.1
  • Mind Compression, Madhur Anand, Parasitic Oscillations (Random House)
  • Monitors, David C. Kopaska-Merkel (with Kendall Evans), Star*Line 45.1
  • Near the end, your mother tells you she’s been seeing someone, Shannon Connor Winward, SFPA Poetry Contest
  • Necklace, Carolyn Clink, Frost Zone Zine 6
  • New Planet, Kathy Bailey, Dreams and Nightmares 122
  • Old Soldier, New Love, Vince Gotera, Eye To The Telescope 45
  • On the Limitations of Photographic Evidence in Fairyland, Nicole J. LeBoeuf, Eternal Haunted Summer, Summer Solstice
  • Petrichor, Eva Papasoulioti, Utopia Science Fiction, April/May
  • Pittsburgh Temporal Transfer Station, Alan Ira Gordon, Star*Line 45.2
  • Please Hold, Anna Remennik, NewMyths.com 58
  • Raft of the Medusa, Marge Simon, Silver Blade 53
  • Regarding the Memory of Earth, Angela Acosta, Radon Journal 1
  • Sabbatical Somewhere Warm, Elizabeth McClellan, Star*Line 45.4
  • Shipwrecked, Gretchen Tessmer, The Deadlands 12
  • Status Transcript, Lee Murray, A Woman Unbecoming, eds. Rachel A. Brune & Carol Gyzander (Crone Girls Press)
  • Strange Progeny, Bruce Boston, Hybrid: Misfits, Monsters and Other Phenomena, eds. Donald Armfield & Maxwell I. Gold (Hybrid Sequence Media)
  • Tamales on Mars, Angela Acosta, The Sprawl Mag, October
  • The Epidemic of Shrink-Ray-Gun Violence Plaguing Our Schools Must End, Pedro Iniguez, Star*Line 45.3
  • The Gargoyle Watches the Rains End, Amelia Gorman, The Gargoylicon: Imaginings and Images of the Gargoyle in Literature and Art, ed. Frank Coffman (Mind’s Eye Publications)
  • The Long Night, Ryfkah, Eccentric Orbits 3, ed. Wendy Van Camp (Dimensionfold Publishing)
  • The Optics of Space Travel, Angela Acosta, Eye to the Telescope 43
  • The Watcher on the Wall, Rebecca Bratten-Weiss, Reckoning 6
  • Time Skip, Alyza Taguilaso, The Deadlands 16
  • We Don’t Always Have to Toss Her in the Deep End, Jordan Hirsch, The Future Fire 62
  • Werewolves in Space, Ruth Berman, Dreams and Nightmares 121
  • What Electrons Read, Mary Soon Lee, Simultaneous Times 31
  • What the Old Woman Knows, Melissa Ridley Elmes, Listen to Her UNF, March 23
  • What Wolves Read, Mary Soon Lee, Uppagus 54

LONG POEMS (25 FINALISTS)

  • The Bone Tree, Rebecca Buchanan, Not a Princess, but (Yes) There was a Pea, and Other Fairy Tales to Foment Revolution (Jackanapes Press)
  • Corvidae, Sarah Cannavo, Liquid Imagination 50
  • The Dead Palestinian Father, Rasha Abdulhadi, Anathema: Spec from the Margins 15
  • Debris, Deborah L. Davitt, The Avenue, May 18
  • EMDR, Marsheila Rockwell, Unnerving Magazine 17
  • ex-lovers & other ghosts, Herb Kauderer, Cold & Crisp 518
  • field notes from an investigation into the self, Max Pasakorn, Strange Horizons, August 29
  • From “Poem without Beginning or End”, Vivek Narayanan, Poetry, May
  • Georgia Clay Blood, Beatrice Winifred Iker, Fantasy Magazine 80
  • Herbaceous Citadel, Avra Margariti, The Fairy Tale Magazine, January 4
  • How to Skin Your Wolf, G. E. Woods, Strange Horizons, December 19
  • Igbo Landing II, Akua Lezli Hope, Black Fire—This Time, ed. Kim McMillon (Aquarius Press)
  • Interdimensional Border Town, Lauren Scharhag, Unlikely Stories, August
  • Living in Rubble, Gerri Leen, Eccentric Orbits 3, ed. Wendy Van Camp (Dimensionfold Publishing)
  • Machine (r)Evolution, Colleen Anderson, Radon Journal 2
  • The Machines Had Accepted Me For So Long, Angel Leal, Radon Journal 2
  • Matches, Rebecca Buchanan, Not a Princess, but (Yes) There was a Pea, and Other Fairy Tales to Foment Revolution (Jackanapes Press)
  • Mouth of Mirrors, Maxwell I. Gold, Seize the Press, June 14
  • My Great-Grandmother’s House, Madalena Daleziou, The Deadlands 11
  • Queen of Cups, Crystal Sidell, The Magazine of Fantasy & Science Fiction, November/December
  • The River God Dreams of Death By Water, Ryu Ando, Abyss & Apex 84
  • The Second Funeral, Kurt Newton, Synkroniciti 4:1
  • Spring, When I Met You (Spring, When I Woke), Gerri Leen, Dreams and Nightmares 121
  • The Thing About Stars, Avra Magariti, The Saint of Witches (Weasel Press)
  • Who Came from the Woods, Lev Mirov, Strange Horizons, January 3