(1) PAID REVIEW WORTH IT? Jeb Kinnison evaluates Kirkus Reviews’ reception of sf.
So I was leery of spending my publisher’s money to get a Kirkus review done. The review was glowing, but without the coveted star that tends to get notice from other reviewers and purchasing agents. I was interested in how they had treated other genre books, so I did a quick survey.
It appears that in the past, Kirkus assigned reviewers who were less than sympathetic to the book’s genre and intended audience. This review [of GHOST by John Ringo] made me laugh: …
But other than that, how was the play, Mrs. Lincoln? This is Ringo. His books aren’t likely to be accidentally purchased by people like the reviewer, so the review is useless for deciding which violent testosterone-infused male fantasy adventure book to buy for people who enjoy that sort of thing.
One of the best writers of science fiction and fantasy, Lois McMasters Bujold, never got a starred review from Kirkus. Here’s the summary of their review of middle Miles Vorkosigan in Mirror Dance: “A well-conceived series, solidly plotted and organized, though heavy going in places and, finally, lacking that spark of genuine originality that would blazon it as truly special.” Kind of missing the point, no?
(2) DOCTOR WHO PUN OPPORTUNITY. We ought to be able to do something with a character who is married to River, and whose series will be hstreamed on Amazon Prime beginning in March.
Welp, it wasn’t the longest of national nightmares, but now it appears it is over. Last week, I wrote about how and where you could watch Doctor Who following its abrupt pulling from streaming services on February 1 of this year. But it wasn’t to last, it seems; Amazon announced today via their Twitter that Series 1-8 of the show will be back on their Prime streaming service beginning in March.
(3) WHEN DID YOU FIRST SUSPECT? I got a kick out of Sarah A. Hoyt’s “Ten Signs That You Might Be A Novel’s Character” at Mad Genius Club. Number 10 and the Bonus sign are especially funny.
1- Nothing is ever easy, nor simple. Say you are walking across the street to get a gallon of milk. A rare make of car will almost run you down. The store that sells the milk will be out of milk. You’ll have to walk across the most dangerous area of town to get to the next store.
This means someone is making you terminally interesting….
(4) FROM REJECTION TO ANGRY ROBOT. Peter Tieryas details “My Experience Publishing With Angry Robot” at Fantasy-Faction.
My journey to being a writer almost never happened. With my new book, United States of Japan, coming out, I wanted to reflect on how I got here and what it’s been like working with the fantastic Angry Robot Books.
Back in 2009, almost seven years before I joined the robot army, I’d gotten so many short story rejections, I wondered if I was even meant to be a writer. While I’d had a series of short stories published when I was younger, there’d been a gap of about five years where I’d only gotten one piece accepted. I was devastated when I received that issue and found all sorts of typos and formatting errors in my story. What I thought would be a brief moment of victory had been ruined…..
As the decision to publish was made by the whole of Angry Robot and Watkins Media staff, I knew it wasn’t going to be easy. It took USJ about four months to get to “acquisitions” which is the meeting where they make their choice to “acquire” or not. I got an email from Phil the week of the acquisition meeting telling me when it was going to happen. I could not sleep the night before and kept on hitting refresh on my emails, awaiting final word. The notification came from Phil on March 5, 2015 with a simple subject line: “You’re in.” Even though it was late, I got up and started dancing in what might be better described as an awkward fumbling of my hips.
(5) HOLLYWOOD READIES SF/F MOVIES. News of three different sf/f film projects appears in Deadline’s story “Ava DuVernay Set To Direct Disney’s ‘A Wrinkle In Time’; Script By ‘Frozen’s Jennifer Lee”.
EXCLUSIVE: Selma director Ava DuVernay has just been set by Disney to direct A Wrinkle In Time, an adaptation of the 1963 Newbery Medal-winning Madeleine L’Engle fantasy classic novel that has a script by Oscar-winning Frozen writer and co-director Jennifer Lee. Deadline revealed February 8 that DuVernay had been offered this film and was also in the mix at DreamWorks for Intelligent Life, a sci-fi thriller scripted by Colin Trevorrow and his Jurassic World collaborator Derek Connolly. DuVernay now has the offer on that film and is in negotiations on a pic that has 12 Years A Slave Oscar winner Lupita Nyong’o attached to a fable about a UN worker in a department designed to represent mankind if there was ever contact with aliens, who falls for a mystery woman who turns out to be one. That film is produced by Frank Marshall, Trevorrow and Big Beach principals Peter Saraf and Marc Turtletaub.
(6) TRUST & SAFETY. Here’s Twitter’s announcement of the Trust & Safety Council in case you want more info, tweeted February 9. It lists all the members of the Council. (Somebody may have put that in a comment here already.)
As we develop products, policies, and programs, our Trust & Safety Council will help us tap into the expertise and input of organizations at the intersection of these issues more efficiently and quickly. In developing the Council, we are taking a global and inclusive approach so that we can hear a diversity of voices from organizations including:
- Safety advocates, academics, and researchers focused on minors, media literacy, digital citizenship, and efforts around greater compassion and empathy on the Internet;
- Grassroots advocacy organizations that rely on Twitter to build movements and momentum;
- Community groups with an acute need to prevent abuse, harassment, and bullying, as well as mental health and suicide prevention.
We have more than 40 organizations and experts from 13 regions joining as inaugural members of the Council. We are thrilled to work with these organizations to ensure that we are enabling everyone, everywhere to express themselves with confidence on Twitter.
(7) AXANAR SUIT DEVELOPMENT. Inverse discusses why “Paramount Must Explain ‘Star Trek’ in Court or Lose Ownership”.
Enter the lawyers. Obviously, they can claim to own Star Trek because they acquired the series from Lucille Ball’s Desilu Productions in the late 1960s. Now they’ve been merged with CBS and that’s how we’re getting both a new TV series and a continuing film franchise. But the Axanar team has a card up its sleeve.
The Paramount lawsuit claims that this infringes upon “thousands of copyrights” and the Axanar team has asked the simple question: “Which ones?” Because Star Trek now exists over several different universes, time periods, and casts, it’s not so simple. The universe is so spread out, it is almost impossible to define what Star Trek actually is. To that end, the burden is on Paramount to explain what Star Trek is — in a legal sense.
(8) CLIFF AMOS OBIT. Louisville fan Cliff Amos passed away February 22 after a long battle with heart disease. Bob Roehm wrote a fine appreciation on Facebook:
Louisville fan Cliff Amos passed away February 22. Cliff was the founder of Louisville fandom, creating both the Falls of the Ohio Science Fiction Association (FoSFA) and RiverCon. I first met Cliff around 1970 while he was teaching a free university course in SF at the University of Louisville. We had both separately attended the St. Louis worldcon the year before, but had not met. Seeing an announcement of the Free U. meeting, I began attending the weekly gatherings. A year… or two later, the local fan club was organized and in 1975 Cliff chaired the first RiverCon (combined with DeepSouthCon that year). Cliff continued to head RiverCons for several years and was a regular at Midwestcon and Kubla Khan. He was given the Southern Fandon Confederation Rebel Award in 1979, and also chaired the second NASFiC, NorthAmeriCon, that year. His interests were certainly wide-ranging and eclectic (for example, he once appeared on Tom Snyder’s late night talk show as warlock Solomon Weir), and he will be missed by his many friends both within and without the science fiction community. There will no funeral service or visitation but a memorial wake is being arranged for the near future (probably this coming Sunday); details forthcoming.
(9) GAMBLE OBIT. Australian childrens’ book artist Kim Gamble passed away February 19 at the age of 63.
The much-loved, award-winning artist is known for illustrating the best-selling Tashi books, written by mother and daughter authors Barbara and Anna Fienberg.
Gamble created the lively, elfin boy with the towering curl of hair and gypsy earrings, who looked nothing like the authors initially imagined, more than 20 years ago….
Anna Fienberg called Gamble’s imagination “a magic gift which he shared with the world”….
“Working with Kim was like learning a new way to see. It was perhaps the magical appearance of Tashi that inspired us to go deeper into the mythical land of dragons, witches, giants, ogres … the world lying beneath.”
…Gamble’s favourite book as a child was Moominsummer Madness, by Finnish writer Tove Jansson, and artists he admired included Marc Chagall and Odilon Redon.
When asked about the success of the Tashi series, Gamble said, “It’s very popular because he’s the smallest kid in the class and in every story he’s up against the odds … and he uses his head, he doesn’t fight to get out of the problem. I think kids really just enjoy how cleverness beats brawn.”
(10) TODAY’S BIRTHDAY BOYS
- Born February 24, 1786 — Wilhelm Grimm, historian and, with his brother Jacob, compiler of Grimm’s Fairy Tales.
- Born February 24, 1947 — Edward James Olmos
(11) MORE MARK OSHIRO COMMENTARY. Mark Oshiro updated his Facebook readers about the response to his complaint about sexual harassment at ConQuesT.
3) MidAmeriCon II was the first to make a public statement, which you can find on their Twitter account. I wasn’t expecting a response from them, so I appreciated a very direct message about their commitment to safety for this year’s WorldCon. I *am* going to be at WorldCon, even if some of the people who were responsible at ConQuesT are on staff/the board. WorldCon has become a tradition for me because it was my first introduction to this community, so I will be there and be on programming. Say hello if you like!
4) Chris Gerrib was the first to apologize to me, and I appreciated and accepted the apology. I respect that he did so without being asked to.
5) Yesterday, Kristina Hiner sent me an apology. I am keeping it private because I see no reason to publish it. It is a *very* good apology, and I accepted it, too. I am very thankful for her response, and more so than anyone else, she was the only person I really *wanted* an apology from. I have also informed her that at this point, I actually don’t need each of the complaints followed up on at this point. It seems redundant to me. Everyone knows about the post now, and I don’t need an apology from anyone else. I just wanted someone to inform these people that their behavior was unwelcoming, rude, or hostile. I’ve now done that, so I think the board and ConQuesT can devote time and energy to future conventions instead of last year’s.
Mikki Kendall used the discussion about Oshiro to launch her post “On Bad Cons & How You Kill An Event in Advance”.
I get invited to a lot of cons that have a diversity problem. I also get a lot of requests from cons that claim to want to create anti harassment policies. Aside from my feelings on an expectation that I donate hours of work to strangers for events I have no interest in attending, there’s the sad reality that many small cons are so entrenched on reinventing the wheel they’ve missed the window to do better. Younger fans, fans of color, disabled fans…they don’t have to keep going to cons that aren’t welcoming to be able to connect with other fans. They can go to the big commercial cons, to the smaller cons that do get it & to social media for their community needs. So no, they won’t keep giving cons with bad reps chance after chance. They won’t be patient with serial offenders or the places that enable them. Why should they donate that time & energy to some place that doesn’t want them, that thinks they deserve to be hazed, deserve to be mistreated in order to prove something to bigots?
Bluntly? Most small cons will age out of existence because of bad behavior, because of a focus on the past that prioritizes the social mores of the dead over the actual experiences of the living.
(12) THE LIGHT’S BACK ON. The Wertzone says “Pacific Rim 2 re-greenlit for 2018”.
It was on, off and now back on again. Universal and Legendary Pictures are moving ahead with Pacific Rim 2, probably for a 2018 release date….
This has unfortunately meant that Guillermo Del Toro will be unable to return to direct, having already moved on to other projects. However, Del Toro will still co-write (with Jon Spaihts) and produce the movie. The new director is Steven S. DeKnight, the Buffy the Vampire Slayer veteran who went on to create Spartacus and is currently working on Netflix’s Daredevil. The film will be DeKnight’s directorial debut.
(13) THIS COULD RUIN ANDY WEIR’S SEQUEL. This video argues we can reach relativistic speeds using new technologies.
Imagine getting to Mars in just 3 days… or putting points beyond our solar system within our reach. New propulsion technologies could one day take us to these cosmic destinations making space travel truly interstellar! NASA 360 joins Professor Philip Lubin, University of California Santa Barbara, as he discusses his NASA Innovative Advanced Concept (NIAC) for energy propulsion for interstellar exploration.
(14) ADMIT IT, YOU DO. Motherboard asks, “Why Do We Feel So Bad When Boston Dynamics’ New Robot Falls Down?”
Even though all the things the engineers do to mess with the robot are done to showcase its ability to correct itself, recover from falls, and persevere in performing tasks, the human tendency to anthropomorphize non-sentient objects is so strong as to override our common-sense knowledge that Atlas is an object incapable of feeling. Engineers commonly kick robots to demonstrate their ability to recover, and it always feels a tiny bit cruel. It’s a strange quirk of the brain—though the tendency is stronger in some people than in others.
(15) A LONG TIME AGO IN DOG YEARS. Some Sad Puppies writing on Facebook are grieved that I have not excerpted Stephanie S.’ “Opening a Moderate Conversation on Fandom with ‘Standback’” atThe Right Geek.
Let’s talk first about what I like to call the “pre-history” of the Sad Puppies. For the past fifteen years (at least), the character of fandom has shifted in a way that many Puppies find very troubling — and by the way, for the vast majority of our number, this has nothing to do with race, gender, or sexuality. A significant number of us are women who accept the precepts of first wave feminism at the very least. A number of us are “people of color.” And a number of us are gay or, at minimum, amenable to leaving gay people alone to live their lives as they see fit. No — what has disturbed the Puppies is the increasingly strident tone that many fans have adopted in support of their favored cultural and political causes. In our perception, the vague “codes of conduct,” the “shit lists,” the pilings on, the endless internet flame-wars, and the non-falsifiable accusations of racism/sexism/homophobia/etc. have all created an environment that is extraordinarily hostile to points of view that don’t hew to a particular left-wing party line. The result? We’ve felt unwelcome and stomped on for what, to our mind, should be recognized as sincere and well-meant differences of opinion.
Over the same time frame, the Puppies have also become concerned about the artistic direction of our field. The “Human Wave” movement, the “Superversive” movement, and the more generalized complaints about “message fic” and “grey goo” that started gaining steam before last year’s Sad Puppies campaign are all flailing attempts by the Puppies to describe the flatness we’ve perceived in many recent award winners — particularly in the shorter fiction categories, where the stylistic sophistication and emotional catharsis beloved by creative writing professors and MFA programs the world over appear to be crowding out more accessible stories with identifiable plots and recognizably science-fictional ideas.
(16) EDIT AND GET CREDIT. Michael J. Martinez singles out for praise and award consideration five editors who worked on his fiction in 2015.
Yes, these are editors I’ve worked with. Each one of them has contributed both to the quality of my work as well as my ever-ongoing education as a writer. They are also lovely humans, which goes a very long way with me.
(17) ANY SUFFICIENTLY ADVANCED TECHNOLOGY. Radio Times found a very funny site: “Someone is pretending to be the IT guy at Hogwarts and it’s hilarious”.
Let’s be honest: magic is great and everything, but if Hogwarts didn’t have WiFi, we probably wouldn’t be so interested.
A Tumblr account called The Setup Wizard took this premise and ran with it. The blog is the fictionalised account of an American muggle named Jonathan Dart working as Hogwarts’ first IT guy. The somewhat grumpy character is constantly solving problems and handling the struggles of being a Muggle in a magic world.
How is it that the first person in this school I’ve successfully been able to explain network bandwidth to is the 500 year old partially decapitated ghost?
Today I taught a centaur how to use a hands free Bluetooth headset. Apparently he really felt the need to make phone calls while wielding a bow and arrow.
[Thanks to Will R., Michael J. Walsh, Reed Andrus, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]