Premio Italia 2024 Shortlist

This The finalists for the 2024 Premio Italia were revealed on July 12.

The winners will be announced on November 7 during Science+Fiction in Trieste.

2024 FINALISTS

ILLUSTRAZIONE O COPERTINA / ILLUSTRATION OR COVER ART

  • Claudia Corso Marcucci, Fantascienza, un genere (femminile) (copertina), Delos Digital
  • Franco Brambilla, Il trentunesimo giorno (copertina), Mondadori
  • Ksenja Laginja, Dormono sulla collina – Tra Masters e De André, Kipple Officina Libraria
  • Luca Oleastri, Fondazione 31 (copertina), Fondazione 31
  • Maurizio Manzieri, La costa del Pacifico (copertina), Mondadori

CURATORE / EDITOR

  • Alfredo Castelli
  • Carmine Treanni
  • Emanuele Manco
  • Franco Forte
  • Laura Coci e Roberto Del Piano

TRADUTTORE / TRANSLATOR

  • Annarita Guarnieri
  • Camilla Scarpa
  • Davide De Boni
  • Lucio Besana
  • Salvatore Deodato

COLLANA / COLLECTION

  • 42 Nodi, Zona 42
  • Dystopica, Delos Digital
  • Odissea Fantasy, Delos Digital
  • Urania, Mondadori
  • Urania Jumbo, Mondadori

RIVISTA PROFESSIONALE / PROFESSIONAL MAGAZINE

  • Dimensione Cosmica, Tabula Fati
  • FantasyMagazine, Delos Books
  • Inside Star Trek Magazine, Ultimo Avamposto Editore
  • World Sf Italia Magazine, Edizioni Scudo
  • Zotique, Dagon Press

RIVISTA O SITO WEB NON PROFESSIONALE / NON-PROFESSIONAL MAGAZINE OR WEBSITE

SAGGIO / ESSAY

  • Alessandro Fambrini, Un’altra Germania. Voci dalla notte della storia, Elara
  • Daniele Comberiati, La fantascienza contro il boom economico? Quattro narrazioni distopiche degli anni Sessanta (Aldani, Buzzati, De Rossignoli, Scerbanenco), Cesati
  • Laura Coci, Fantascienza, un genere (femminile), Delos Digital
  • Mauro Antonio Miglieruolo, Il dilemma della fantascienza, Edizioni Scudo
  • Paolo Gulisano, Clive Staples Lewis. Nella terra delle ombre, Ares

ROMANZO DI AUTORE ITALIANO – FANTASCIENZA / SCIENCE FICTION NOVEL

  • Daniela Piegai, Nicoletta Vallorani, Strega di sera bel tempo si spera, Delos Digital
  • Dario Tonani, Il trentunesimo giorno, Mondadori
  • Davide Del Popolo Riolo, Per le ceneri dei padri, Urania Mondadori
  • Leonardo Patrignani, La cattedrale di sabbia, Mondadori
  • Nino Martino, Prigionieri dell’effimero, Delos Digital

ROMANZO DI AUTORE ITALIANO – FANTASY / FANTASY NOVEL

  • Beppe Roncari, Engaged 1 – Il libro di Renzo, Sperling & Kupfer
  • Dario De Judicibus, Oltre il velo, Delos Digital
  • Irene Grazzini, Polvere al vento, Delos Digital
  • Lorenzo Vargas, La resa, Zona42
  • Maddalena Marcarini, Seiðmaður lo Sciamano, Agenzia Alcatraz

ANTOLOGIA / ANTHOLOGY

  • Daniela Piegai, Incanti alieni, Delos Digital
  • Emanuele Manco, Sogni e Rivoluzioni. Racconti ispirati agli ideali e alle epiche di Valerio Evangelisti, Kipple
  • Fabio Novel, Sounds & Visions – Tributo a David Bowie, Delos Digital
  • Luca Ortino, Carmine Treanni, Tempesta dal nulla, Delos Digital
  • Lukha B. Kremo e Sandro Battisti, Le colpe che ci imponiamo e altri racconti, Kipple

RACCONTO DI AUTORE ITALIANO SU PUBBLICAZIONE PROFESSIONALE / STORY BY AN ITALIAN AUTHOR IN A PROFESSIONAL PUBLICATION

  • Claudio Chillemi, CiFlac, Robot 99, Delos Books
  • Francesca Cavallero, Chora, Urania Millemondi, Mondadori
  • Francesco Spadaro, L’ obsolescenza della ruota, Omega Short & Graphics Volume 2, Ultimo Avamposto
  • Franci Conforti, Colonikon Evangelion, Urania Millemondi, Mondadori
  • Maico Morellini, Mimes, Urania Millemondi, Mondadori

RACCONTO DI AUTORE ITALIANO SU PUBBLICAZIONE AMATORIALE / STORY BY AN ITALIAN AUTHOR IN AN AMATEUR PUBLICATION

  • Elisa Franco, Ballata di Alessandro e della luna, Un’ambigua Utopia 13
  • Giovanna Repetto, Proficuo scambio, Fondazione SF 31
  • Luigi Musolino, Naftalina, Specularia
  • Maico Morellini, Questa casa prima di me, maicomorellini.it
  • Roberto Furlani, L’estremo del segmento, Fondazione SF 31
  • Valeria Barbera, Oggetti Non Intelligenti, www.recenso.com

ARTICOLO SU PUBBLICAZIONE PROFESSIONALE / ARTICLE IN A PROFESSIONAL PUBLICATION

  • Alessandro Fambrini, Borges, il fantastico, la fantascienza, World Sf Italia Magazine 6, Edizioni Scudo
  • Carmine Treanni, Una casa nell’universo: storie di coloni e di pianeti terraformati, Millemondi Urania, Mondadori
  • Emanuele Manco e Letizia Mirabile, Un giorno a Movieland, FantasyMagazine, Delos Books
  • Laura Coci, Women’s Science Fiction Calling, World Sf Magazine 6 novembre 2023, Edizioni Scudo
  • Maico Morellini, Di sogni, di fantascienza e di Elon Musk, Robot, Delos Books

ARTICOLO SU PUBBLICAZIONE AMATORIALE / ARTICLE IN AN AMATEUR PUBLICATION

  • Claudio Chillemi, Il Fantastico Totò, Fondazione SF 31
  • Emanuele Manco, Trinacria Station. Della sicilianità nella fantascienza, Fondazione SF 31
  • Maico Morellini, I frammenti di una generazione alla deriva, maicomorellini.it
  • Nino Martino, L’eterna querelle della narrativa di genere e di come creare un bestseller, Fondazione SF 31
  • Salvatore Deodato, Intelligenza Artificiale tra scienza e Fantascienza, Fondazione SF 31

ROMANZO INTERNAZIONALE / INTERNATIONAL SF NOVEL

  • Andy Weir, Project Hail Mary, Mondadori
  • Charles Stross, Fattore Rh, Mondadori
  • John Scalzi, The Kaiju Preservation Society, Fanucci Editore
  • Lindsey Drager, L’archivio dei finali alternativi, Zona42
  • R. J. Barker, Le navi d’ossa, Meridiano Zero – Elara

FUMETTO DI AUTORE ITALIANO / COMIC BY AN ITALIAN AUTHOR

  • Alessandro Mainardi, Enrico Lotti, Walter Venturi, Martin Mystère 406: La rivolta degli abeti di Natale, Bonelli
  • Carlo Recagno, Alfredo Orlandi, Daniele Rudoni, Martin Mystère: L’enigma del Satellite, Bonelli
  • Carlo Recagno, Giancarlo Alessandrini, Fabio Grimaldi, Alfredo Orlandi, Rodolfo Torti, Daniele Rudoni, Martin Mystère 400: I Colori Impossibili, Bonelli
  • Medda Michele, De Angelis Roberto, Denna Simona, Nathan Never 380: In un mondo perfetto, Bonelli
  • Ostini Alberto, Corbetta Silvia, Nathan Never 381: Storia di Aurore, Bonelli

FILM FANTASTICO (PREMIO NON UFFICIALE) / FANTASTIC FILM (UNOFFICIAL PRIZE)

  • Asteroid City
  • Guadiani della Galassia vol. 3
  • Il ragazzo e l’airone
  • Indiana Jones e il quadrante del destino
  • Spider-Man. Across the Spiderverse
  • The Creator

SERIE TELEVISIVA (PREMIO NON UFFICIALE) / TV SERIES (UNOFFICIAL PRIZE) 

  • Star Wars: The Mandalorian
  • Fondazione (stagione 2)
  • For All Mankind
  • La caduta della casa degli Usher
  • Star Trek: Lower Decks
  • Star Trek: Strange New Worlds

2024 Inkpot Award Recipients

Many creators were honored with Inkpot Awards at Comic-Con International 2024 for their contributions to the worlds of comics, science fiction/fantasy, film, television, animation, and fandom services.

The convention has not yet updated its list of winners, but all of the following artists, writers, and media figures have been reported by social media as 2024 award recipients.

RODNEY BARNES

LIZ CLIMO

CRAIG “SPIKE” DECKER

JO DUFFY

JUANJO GUARNIDO

JOSEPH P. ILLIDGE

KLAUS JANSON

REV. DAVE JOHNSON

LEE KOHSE

RICK PARKER

ERIC POWELL

KEANU REAVES

TOM SITO

KENICHI SONODA AND HITOSHI ARIGA

MARIKO TAMAKI

2024 Diana Jones Award

The 2024 Diana Jones Award for Excellence in Gaming was presented at the annual Diana Jones Award ceremony in Indianapolis on July 31, the unofficial start of the Gen Con Indy convention.

The winner is United Paizo Workers, a workers’ union.

The award is given to the person, product, company, event or any other thing that has, in the opinion of the Diana Jones committee, best demonstrated the quality of ‘excellence’ in the world of tabletop gaming in the previous year.

United Paizo Workers’ finalist citation explains why the union was up for the award:

UNITED PAIZO WORKERS

A workers’ union

As a union of workers at Paizo, Inc. (publisher of the Pathfinder and Starfinder roleplaying games), United Paizo Workers is the first of its kind in the tabletop roleplaying game industry. Organized as part of the Communication Workers of America’s CODE-CWA project to support workers in the tech and game industries who are organizing for change, United Paizo Workers was voluntarily recognized by Paizo management and ratified their first union contract with Paizo in 2023. In addition to achieving raises, expanded benefits, and enhanced protections for workers at Paizo, the union provides a voice for Paizo’s workers to communicate their needs to upper management and speak out about issues that matter to the union’s members.

Learn more at UnitedPaizoWorkers.org.

Pixel Scroll 7/31/24 There Ain’t Nobody Here But Us Ugly Chickens

(1) GLASGOW 2024 PROGRAMME. The Glasgow 2024 Programme is live. Explore the full programme from the Worldcon website via ConClár at “Glasgow 2024 Programme Guide”. Users can search participant names, and individual program items.

They remind members, “Live streams and recorded streams of much of the programme will also be available on our online platform, so if you aren’t able to attend something you can always go back and rewatch at your leisure.”

(2) SILVERMAN, TREMBLAY AND COATES LOSE MOMENTUM IN SUIT AGAINST OPENAI. The judge has tossed another claim in a suit about AI copyright violation brought by celebrities in a state court due to a Federal law preempting it. “Sarah Silverman Lawsuit Against OpenAI Suffers Setback As Judge Trims Case” at The Hollywood Reporter.

Top authors suing OpenAI over the use of their novels to train its artificial intelligence chatbot have hit a stumbling block, with a federal judge narrowing the scope of their case.

U.S. District Judge Araceli Martínez-Olguín on Tuesday evening dismissed a claim accusing the Sam Altman-led firm of unfair business practices by utilizing the works of authors — including Sarah Silverman, Paul Tremblay and Ta-Nehisi Coates — without consent or compensation to power its AI system.

The writers’ primary claim for direct copyright infringement was left untouched.

In February, the court dismissed other claims for negligence, unjust enrichment and vicarious copyright infringement. It denied dismissal of the unfair competition law claim, but lawyers for the authors tweaked it after lawsuits from Silverman, Tremblay and Michael Chabon — all of whom originally brought their own class actions — were grouped together. OpenAI seized upon the changes for a second try at dismissal, which was challenged by the plaintiffs.

In the order, Martínez-Olguín not only found that the company is allowed to move to dismiss the claim but that the Copyright Act bars it. She said that the law “expressly preempts state law claims” relating to works “within the subject matter of copyright.”

The authors argued that the unfair business practice at issue was using their works to train ChatGPT without permission. But since the allegedly infringed materials are copyrighted books and plays, they cannot bring a state law claim, which the court concluded should be under the purview of copyright law….

(3) UKRAINE’S READERS. The Christian Science Monitor’s Editorial Board says “Book reading, from the war trenches to the bedrooms of children, has helped Ukrainians assert their cultural independence and mental toughness.” “Ukraine’s freedom, book by book”.

…Fighting a war for their survival has turned many Ukrainians into avid book readers, eager to find solace, freedom, wisdom, or, perhaps, empathy. They are aware of Russian forces trying to wipe out Ukrainian culture by, for example, destroying more than a hundred libraries.

In May, the country’s largest printing house, Factor Druk, was badly damaged by Russian missiles. Donors quickly pledged to restore the book publisher. President Volodymyr Zelenskyy likened the attack to events in Ray Bradbury’s 1953 dystopian novel “Fahrenheit 451,” the temperature at which book paper ignites. Since the invasion, more than one hundred books have been printed for children to help them cope with the war’s trauma. The number of bookstores has expanded significantly. From May 30 to June 2, the country’s annual book festival in Kyiv drew 35,000 visitors, up from 28,000 last year…

(4) SUCCESSFUL HUMAN TRAFFICKING STING AT COMIC-CON. “Comic-Con Human Trafficking Operation: 14 People Arrested”The Hollywood Reporter has the story.

Fourteen people were arrested and 10 victims were recovered in a human trafficking sting during Comic-Con over the weekend, authorities said.

The operation to recover victims of sex trafficking and target sex buyers using the San Diego convention was initiated from July 25-27, according to the California Department of Justice’s San Diego Human Trafficking Task Force.

“Unfortunately, sex traffickers capitalize on large-scale events such as Comic-Con to exploit their victims for profit,” California Attorney General Rob Bonta shared in a statement. “These arrests send a clear message to potential offenders that their criminal behavior will not be tolerated. We are grateful to all our dedicated partners involved in the San Diego Human Trafficking Task Force, whose collaboration has been invaluable. We take great pride in our office’s commitment to uplifting vulnerable Californians by offering them assistance and guidance when they need it most.”

… Officials said after the nine adult potential victims and a 16-year-old juvenile were recovered, adult and juvenile support service advocates were there to provide support as needed….

(5) OF WHAT NATURE? Orion Magazine bids us “Return to Area X” with Helen Macdonald’s introduction to Acceptance: A Novel by Jeff Vandermeer.

…I came to Acceptance in a kind of hermeneutic fever, burning with questions and desperately wanting answers on the true nature of Area X, even though I knew the categories question and answer were ones Area X would laugh at. The novel opens with a scene from Annihilation: the death of the psychologist on the twelfth expedition (we learn she is the Southern Reach’s director). This time we are given the scene from her point of view, and Acceptance takes us forward in this way, switching between multiple timelines and revisiting characters we already met but only partially knew—Gloria, the psychologist/director, whose girlhood on that coastline has abiding relevance for her actions in the story; John Rodriguez, aka “Control,” a word whose multiple meanings—the exercise of power, an experimental necessity, and an institutional role—are bound up in his fate; Saul, the lighthouse keeper and former preacher, whose story is a tender and terrible tragedy; Ghost Bird, the biologist’s double, a person made by Area X and whose relationship to it is thus both complicated and transformative—and a whole panoply of other characters, some new, all made anew, rebuilt and recast. As I read, my questions about Area X became less insistent; what I wanted was to follow this cast of characters to better understand their various compasses and motivations: what pulled at them, what pushed them, what brought them to each other, and which beacons drew them, willingly or unwillingly, on their journeys, for Acceptance is, of course, a book of journeys both metaphysical and physical…

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and James Chambers on Wednesday, August 14 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

CHRISTOPHER ROWE

Christopher Rowe was born in Kentucky and lives there still. Neither of these facts are likely to change. He has been a professional writer of speculative fiction since before the turn of the millennium. His stories and books have been reprinted and translated around the world, and have been finalists for every major award in the field, including the Hugo, the Nebula, the World Fantasy, and the Theodore Sturgeon awards. He is the author of one of the most well-regarded collections of recent years, Telling the Map (Small Beer Press), and of two critically acclaimed novellas, These Prisoning Hills and The Navigating Fox (Tordotcom Publishing). He likes golden retrievers, good food, and giant robots. He probably watches more professional bicycle races than you do, but who knows?

JAMES CHAMBERS

James Chambers is a Bram Stoker Award and Scribe Award-winning author. He is the author of A Bright and Beautiful Eternal WorldOn the Night Border and On the Hierophant Road; the novella collection, The Engines of Sacrifice, the novellas, Kolchak and the Night Stalkers: The Faceless God and Three Chords of Chaos, and the original graphic novel, Kolchak the Night Stalker: The Forgotten Lore of Edgar Allan Poe. He edited the Bram Stoker Award-nominated anthologies, Under Twin Suns: Alternate Histories of the Yellow Sign and A New York State of Fright as well as Where the Silent Ones Watch, forthcoming from Hippocampus Press.

(7) PRESENT AT THE CREATION: SFWA. Michael Capobianco is putting together an organizational history. Here’s the first installment: “A Brief History of SFWA: The Beginning (Part 1)”.

On January 15, 1965, Damon Knight, a well-known author, critic, and co-founder of the Milford Conference writer’s workshop, sent an announcement by US Mail to every professional science fiction writer he could locate, asking for $3 from anyone who wanted more of the same. Science Fiction Writers of America (SFWA) was born.

It was not the first attempt to create an organization of American professional science fiction authors, and there were genre writer precursors. In the 1930s, The American Fiction Guild was formed to help pulp writers with their business concerns; it’s mainly remembered now because L. Ron Hubbard was president of its NY chapter. Mystery Writers of America, arguably a model for some aspects of SFWA, had been established in 1945. MWA’s membership policy was not one of those aspects, however.

Writing in the 10th-anniversary issue of the SFWA Bulletin, SFWA’s primary publication through most of its existence, Knight talks about attending a meeting of the MWA and realizing that most of the attendees were not writers: “I knew that about 70 percent of that audience was composed of hangers-on, relatives, friends, and friends of friends. And I made up my mind that if I ever did start SFWA, it would not be like that.”…

(8) SENDS GREETINGS. [Item by Krystal Rains.] Dr. Gregory Benford had a couple appointments yesterday and thought to send a photo to share, so folks knew he was doing well.

(9) YSANNE CHURCHMAN (1925-2024). English actress Ysanne Churchman died July 4 at the age of 99. The Guardian obituary recalls:  

Alongside many small character roles on television, Churchman voiced Sara Brown in the puppet series Sara and Hoppity (1962) and Soo the computer in The Flipside of Dominick Hide (1980), a time-travelling Play for Today, and its sequel, Another Flip for Dominick (1982).

In Doctor Who, she mustered a squeaky falsetto voice as Alpha Centauri, a diplomat from the hermaphrodite hexapod species featured in the stories The Curse of Peladon (1972) and The Monster of Peladon (1974), with Stuart Fell wearing the costume. She returned to voice the part again in the 2017 adventure Empress of Mars.

(10) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

July 31, 1950 Steve Miller. (Died 2024.)

By Lis Carey: Steve Miller was one half of the writing team of Sharon Lee & Steve Miller, who created the thoroughly satisfying and fun Liaden Universe® series.

Steve was an active member of fandom, along with being a writer. Some of his notable fan activities included being Director of Information of the Baltimore Science Fiction Society, and serving as Vice Chair of the bid committee to hold the 38th World Science Fiction Convention in Baltimore. (They lost to Boston.)

Meanwhile, Steve was working on his writing skills. He attended the Clarion West Writers Workshop in 1973, wrote for fanzines and sold stories to semi-professional markets. He made his first professional sale, a short story called “Charioteer,” to Amazing Stories, for the May 1978 issue.

Steve Miller and Sharon Lee. Photo at Legacy.com

Steve and another science fiction writer just at the beginning of her career, Sharon Lee, married in 1980. Sharon has mentioned that they started collaborating very early, and the big thing that came out of that was the Liaden Universe®. Loosely speaking, it’s space opera, but individual novels and recurring themes include political intrigue, adventure, coming of age, first contact, and romance. The current count of Liaden novels stands at 26, and there are also dozens of short works in the series, many of which have been gathered together, for your convenience, in the Liaden Constellation collections, of which there are now five.

Steve himself was a lively, fun, friendly guy, and the Liaden stories are lively and fun, too. He and Sharon were regulars at Boskone for quite a few years, and very welcome. Sadly, Steve died at home on February 20, 2024, at home in Waterville, Maine.

Sharon Lee is working on the next Liaden book. She makes no guarantees on how long she will continue writing the series but will continue to credit Steve as co-author on any new Liaden works she writes. She’s adamant that Liaden would not exist without both her and Steve, and that he is still an integral part of continuing to tell stories in that setting. Because of that, new Liaden stories will continue to bear both names.

(11) COMICS SECTION.

(12) GET READY FOR DC CASH. The U.S. Treasury tells comics fans about “A New Coin & Medal Series Coming In 2025”. The webpage includes a survey asking the public to score which superheroes they want to show them the money.

We’ve joined forces with DC—celebrating comic book art as a uniquely American artform. This new series promises to surprise and delight comic aficionados and coin collectors alike!

Superman, Batman, and Wonder Woman launch the series in 2025, but who will join them?

This is where we need YOU! Help us choose six more DC Super Heroes—three each for 2026 and 2027.

Take the super quick survey below and vote for the DC Super Hero you want included in this epic collection!

Your Hero, Your Choice!

The press release tells how many coins will be in the series: “Mint Collaboration with Warner Bros, DC Super Heroes”.

…The new series will feature nine iconic superheroes depicted on 24-karat gold coins, .999 fine silver medals, and non-precious metal (clad) medals. Debuting in summer 2025 with Superman, Batman, and Wonder Woman, the three-year series will include six additional DC characters—three each in 2026 and 2027.

Beginning on July 10 and continuing through August 11, 2024, the Mint invites the public to vote for the DC Super Heroes they would like to see included in this series. Public participation ensures that this multi-year series represents the most beloved of DC’s Super Heroes. The public may vote in this survey by visiting: www.usmint.gov/dc.

(13) GOING BOLDLY LOWER. Animation Magazine returns from Comic-Con to tell how “’Star Trek: Lower Decks’ Boldly Goes on with IDW Comics”.

While the show will be embarking on its fifth and final animated series mission this fall, the misadventures of the U.S.S. Cerritos B-crew will continue in a new Star Trek: Lower Decks comic book! Announced at San Diego Comic-Con, IDW Publishing has unveiled a first look at the ongoing series inspired by the hit Paramount+ adult animated comedy.

Writer Ryan North and artist Derek Charm, the Eisner-nominated duo behind Star Trek: Day of Blood – Shaxs’ Best Day, reunite to kick-off this next chapter of Starfleet history, featuring the lovably flawed characters from the show.

… “Just when you thought we couldn’t go lower… we’re back with the first ever ongoing Lower Decks series,” said IDW Group Editor Heather Antos….

(14) ALIEN STAR WILL PERFORM SHAKESPEARE. “Sigourney Weaver Sets West End Debut As Prospero In Shakespeare’s ‘The Tempest’” reports Deadline.

Sigourney Weaver will make her West End stage debut as storm-creating sorcerer Prospero in The Tempest and Tom Hiddleston and Hayley Atwell will play sparring lovers Benedick and Beatrice in Much Ado About Nothing when director Jamie Lloyd returns Shakespeare early this winter to the historic Theatre Royal Drury Lane, a landmark venue in Covent Garden owned by Andrew Lloyd Webber.

Weaver, star of Ridley Scott’s Alien movies and James Cameron’s Avatar epics, last starred in one of Will’s plays when she played Portia in a 1986 off-Broadway revival of The Merchant of Venice

(15) SQUID GAME DROPS ON BOXING DAY. “’Squid Game’ Season 2 Sets Premiere Date, Series to End With Season 3”Variety has details.

“Squid Game” Season 2 finally has a premiere date at Netflix, with the streamer also announcing that the hit Korean drama has been renewed for a third and final season.

Season 2 will drop on Dec. 26, while the third season will premiere in 2025. The premiere date and final season announcement were made via a video, which can be viewed below.

In addition, series creator, director, and executive producer Hwang Dong-hyuk posted a letter to fans in which he wrote in part, “I am thrilled to see the seed that was planted in creating a new Squid Game grow and bear fruit through the end of this story.”

… The official description for Season 2 states:

“Three years after winning Squid Game, Player 456 remains determined to find the people behind the game and put an end to their vicious sport. Using this fortune to fund his search, Gi-hun starts with the most obvious of places: look for the man in a sharp suit playing ddakji in the subway. But when his efforts finally yield results, the path toward taking down the organization proves to be deadlier than he imagined: to end the game, he needs to re-enter it.”…

(16) VIDEO OF THE DAY. Ryan George tees up “The Acolyte Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Lis Carey, Steven Paul Leiva, Krystal Rains, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Robert Tilendis Review: Folkmanis Snow Leopard Cub Puppet

By Robert Tilendis: LOVE THIS FLOOF. Yes, I love cats of all sizes, but this little fella? He’s simply adorable. Okay, so maybe little is incorrect; this guy is about the size of an average housecat. My kitty got jealous immediately. I don’t blame him. Look at that picture – how fuzzy-wuzzy is this cub? Answer: extremely. I adore running my fingers through the soft, silky faux fur that covers this puppet. It’s a marvel. Then there’s his velvety paws, with a shorter, slicker fur, so the stitching can show the individual “toe beans” clearly. The nose is covered in a fabric similar to the Jabberwock’s scaly but soft skin, though with this puppet it’s a matte black.

I couldn’t help but notice a knot of clear plastic thread near his nose, and being a bit of a perfectionist it was driving me crazy. So I gave it a tug to see where it was attached, and found it was actually the bottom of his whiskers. They’re pushed through the fur at, well, whisker level, and hidden away at the sides of his nose, and I could have easily removed ’em. This knot-end must have slipped out of its hiding spot, so I pushed it back in, allowing the whiskers to fan out again, and gave the whiskers a good solid tug. They’re not going anywhere, and now the knot is all but impossible to find after my efforts.

This puppet has a tummy entrance for your hand, which can either slide into his front paws, or into his jaw to move his mouth. I can’t seem to do both, but then I’ve never been the most dexterous person in the world. I just stare into his big dark blue eyes and give him a pat. And another. And yet another. I think I’m in love.


Robert M. Tilendis lives a deceptively quiet life. He has made money as a dishwasher, errand boy, legal librarian, arts administrator, shipping expert, free-lance writer and editor, and probably a few other things he’s tried very hard to forget about. He has also been a student of history, art, theater, psychology, ceramics, and dance. Through it all, he has been an artist and poet, just to provide a little stability in his life. Along about January of every year, he wonders why he still lives someplace as mundane as Chicago; it must be that he likes it there.

Pixel Scroll 7/30/24 Then Shall All The Scrolls Be Still And Peace Will Come To Pixelville

(1) BOOKER PRIZE 2024 LONGLIST. [Steven French.] Several genre or adjacent works tucked away in here! “Three British novelists make Booker 2024 longlist among ‘cohort of global voices’” in the Guardian surveys all 13 books.

Percival Everett, Hisham Matar and Sarah Perry are among the 13 novelists longlisted for the 2024 Booker prize. The “Booker dozen” also features works by Richard Powers, Tommy Orange, Rachel Kushner and Anne Michaels.

This year’s “glorious” list comprises “a cohort of global voices, strong voices and new voices”, said judging chair and artist Edmund de Waal….

File 770 has a genre-focused post here: “Booker Prize 2024”.

(2) REJECTING TACIT AGREEMENT. Christopher Golden sends a message “To those of you nodding along with Tom Monteleone…”

A note to certain members of the horror community. I know you’re out there—writers and readers who saw the substack post from Tom Monteleone over the weekend and quietly agree with his estimation of many of the writers who’d received Stoker Awards, or Lifetime Achievement Awards from the HWA. Honestly, it’s easy to do. We get wrapped up in our lives and perceptions and rely on our own experiences and acquired knowledge to filter the information we’re receiving. If you read Monteleone’s screed and agreed with it, even somewhat, maybe you haven’t taken the single moment of wondering if there’s another way to approach it….

… Let’s take a look at some of the authors Monteleone views as unworthy of recognition.

He dismisses Linda Addison mostly, I believe, because she’s best known as a poet. In order to receive the Lifetime Achievement Award, Monteleone reminds us, one must have “significantly contributed to and influenced the field.” It’s obvious he views the field as comprised as writers like himself, never considering that one’s contributions and influence do not need to touch you or even enter your awareness to be legitimate and worth celebrating. Linda Addison does not need you to acknowledge her worth to be worthy. She doesn’t need to have been embraced by readers who are not interested in poetry for her contributions to be significant. You don’t need to have felt her influence or even observed it for her to be influential. I wonder how many horror writers have written poetry because Linda Addison makes them sit up and take notice of the art form. I’d wager the number is far higher than the number of authors who took up writing horror novels because they’d read something by Thomas F. Monteleone. Linda has blazed a trail for others to follow, and lit the goddamn path for them. She’s been a mentor and an example to follow. How many can say the same?

And to claim you consider her your friend? Shame on you. Learn something. Instead of assuming Linda’s race is the reason for her recognition, consider that her race is the reason you haven’t educated yourself as to why she has actually been honored….

(3) KSR ON BBC. The Climate Question team interviews Kim Stanley Robinson in this episode of the BBC World Service program: “The Climate Question, Can Science Fiction help us fight climate change?”

The acclaimed US sci-fi author Kim Stanley Robinson is also a star in the world of climate activism because his work often features climate change – on Earth and beyond. Robinson has been a guest speaker at the COP climate summit, and novels such as The Ministry For The Future and The Mars Trilogy are admired by everyone from Barack Obama to former UN climate chief Christiana Figueres. Robinson’s books are not just imaginative but scientifically accurate, and some of their ideas have even inspired new thinking about climate-proofing technology. Kim Stanley Robinson has been talking to the Climate Question team.

(4) STOP PALPATINE! Gizmodo introduces us to a three-book Star Wars tale coming out in 2026 and 2027: “Star Wars’ New Book Trilogy Explores the Politics Behind the Rise of the Rebellion”.

…As you can tell by the cover of the first novel in the series, The Mask of Fear by Alexander Freed (writer of the absolutely incredible Alphabet Squadron series) Reign of the Empire will examine the struggle against the Empire through the eyes of some familiar faces. Mon Mothma, Bail Organa, and Saw Gerrera–all with their own differing perspectives on what must be done to stop Palpatine–play key roles in the trilogy, alongside a new cast of original characters as the galaxy begins to reckon with the grip of the Empire. Here’s the official logline for The Mask of Fear:

Before the Rebellion, the Empire reigned.

“In order to ensure the security and continuing stability, the Republic will be reorganized into the first Galactic Empire! For a safe and secure society!”

With one speech, and thunderous applause, Chancellor Palpatine brought the era of the Republic crashing down. In its place rose the Galactic Empire. Across the galaxy, people rejoiced and celebrated the end to war—and the promises of tomorrow. But that tomorrow was a lie. Instead the galaxy became twisted by the cruelty and fear of the Emperor’s rule.

During that terrifying first year of tyranny, Mon Mothma, Saw Gerrera, and Bail Organa face the encroaching darkness. One day, they will be three architects of the Rebel Alliance. But first, each must find purpose and direction in a changing galaxy, while harboring their own secrets, fears, and hopes for a future that may never come, unless they act.

The Mask of Fear will be followed by two more novels: the first written by Resistance Reborn‘s Rebecca Roanhorse, and the second by Fran Wilde…

(5) RHONDI SALSITZ (1949-2024). Prolific sff novelist Rhondi Salsitz, who went into hospice care on June 30, died on July 29 Facebook friends learned today.

She was a 1979 Clarion graduate. Her first published story, “Persephone”, appeared in Damon Knight’s Orbit 21 (1980).

Salsitz was born in Phoenix, Arizona. She told a BookReview.com interviewer:

I started writing short stories when I was in the 3rd grade. I wrote my first science fiction novel when I was in the 5th grade. Needless to say, they weren’t very good but I knew very early on that I wanted to be an author. My mother was a writer …so, I grew up with an inherent love for books and I thought being a writer was probably one of the best things in the world you could be. I spent a lot of my early years trading letters with Walter Farley of Black Stallion fame. He was a wonderful author for a child to communicate with. He always wrote back… He was …very encouraging. …I was very lucky. I was always encouraged.

…I got a lot of rejections for a lot of years before I finally started selling. But I’m stubborn. My dad used to say that if I fell in a river, I’d float upstream. I was determined to get published and I did….

During her career she wrote under many names: Sara Hanover, Emily Drake, Anne Knight, Elizabeth Forrest, Charles Ingrid, Rhondi Greening, Rhondi Vilott Salsitz, Jenna Rhodes, R.A.V. Salsitz, and Rhondi Vilott.

Her eight series included the space opera Sand Wars books and fantasy sequences such as Magickers, Patterns of Chaos, and Dragontales. The 14-book Dragontales series was interactive fiction similar to Choose Your Own Adventures. Salsitz also told the BookReview.com interviewer, “I received hundreds of letters from kids who read those. As a matter of fact, I still run into people who read them when they were younger.”

A 2022 anthology she co-edited with Crystal Sarakas, Shattering The Glass Slipper, boasted a finalist for the 2023 WSFA Small Press Award, R.Z. Held’s story “Ashes of a Cinnamon Fire”.

You can hear Salsitz interviewed by Scott Edelman – another 1979 Clarion grad – at the link for his Eating the Fantastic podcast in 2023.

Rhondi Salsitz at the 1988 ABA. Photo by and (c) Andrew Porter.

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: July 30, 1966 — Batman (also known as Batman: The Movie) (1966)

So let’s have pure nostalgia for this Scroll which is the Batman film that came out in 1966. Need I say it starred Adam West as Batman and Burt Ward as Robin? Of course not. But who were the villain or villians here this time that our cape crusaders dealt with while protecting the citizens of Gotham City and keeping their real identities secret?

I’ll come to that eventually but first let us look at who put the Batman film together.  It was written by Lorenzo Semple Jr., one of the primary writers for the series who would go one to write the scripts of two best political thrillers ever produced, The Parallax View and Three Days of the Condor. I’d consider The Parallax View to be genre adjacent.

The director was Leslie Herbert Martinson who’s later was responsible for Wonder Woman: Who’s Afraid of Diana Prince? along with episodes of This Immortal, Mission: Impossible, Wonder Woman, Fantasy Island and several other genre series. He produced Rescue from Gilligan’s Island.

Yes, Bob Kane is credited as the creator, but Bill Finger alas goes uncredited. 

So most members of the original series cast, with the exception of Julie Newmar as Catwoman are here. She was replaced by Lee Meriwether. I must say that she made a most purrfect Catwoman just as Newmar had. 

Those villains are a Rouges Gallery of Gotham City’s criminal masterminds. In addition to Catwoman, we have Cesar Romero as The Joker, Burgess Meredith as The Penguin and Frank Gorshin as The Riddler. I’ll freely admit that Newmar’s Catwoman was by far my favorite of Batman’s foes. She was just the funnest of them, and the one I think the actress liked playing her role most of all the villains. 

It premiered in Austin, Texas on this date followed by general release the following weekend.

It cost one point four million dollars and made three point nine million making it a rather nice box office success in those days. 

We don’t do Story here even on an almost sixty-year-old films as we got criticized for giving away the plot of a forty-year-old TV episode once. Suffice it to say that if you like liked the series, this is for you; if you’ve not seen the series, it’s still a good piece of entertainment. 

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 30, 1975 Cherie Priest, 45.

By Paul Weimer: I started with Priest’s work as many people have done–her Steampunk Clockwork Century novels. Boneshaker came out during a boom cycle for Steampunk fiction, and since I was avidly reading Steampunk at the time (trying to keep up with the trend). I decided to give Boneshaker a try. I loved its alternate American take on a subgenre that for a long while seemed terribly British-centric. With its sequels, Priest proved to me that she could master a subgenre with her characters and sharp writing, and I started picking up novels of interest she’s written ever since.

Cherie Priest in 2009. Photo by Caitlin Kittredge.

Horror and dark fantasy, with mystery and gothic touches, make up her major power chords of books she’s written since, with books like The Toll, or the more recent Cinderwich. Cinderwich shows that, beginning with and since her Clockwork Century novels, she has a really excellent sense and style of making a place come to life. Sure, her characters are fully fleshed and real, and sometimes so badly hurt by events. But it is the locales and places that they inhabit, or are trying to escape from, that really makes her fiction special for me. Grave Reservations, a supernatural mystery that is less Gothic and more quirky, has its Seattle come to life for me, for example. 

Her most audacious work, and my favorite, are Maplecroft and Chapelwood.  Lizzie Borden in this pair of novels faces off against Cosmic Horrors, with her axe. These two books are exactly for the people excited by that concept and Priest delivers in spades. The really strong use of point of view makes the novels feel inhabited, and alive. (And a really good message about confronting prejudice and hate that make the novels feel endlessly timely). And yes, once again, the settings and landscapes come alive in her writing.

(8) COMICS SECTION.

(9) HEATHER WOOD’S MUSIC. Thank Goodness It’s Folk devotes an episode of the podcast to “Remembering HEATHER WOOD”, a sff publishing figure who enjoyed even greater musical fame.

James and Sam bring this season of TGIF to a close with a special episode dedicated to the memory of Heather Wood, the inspirational singer and folklorist who sadly passed away this week. Her records with The Young Tradition are benchmarks in unaccompanied harmony singing, nearly sixty years after they formed. We play some of her wonderful solo singing, an absolute belter of a Young Tradition live performance, and some of the music that surrounded them in London in the 1960s where they lived, sang and worked together. 

In the second half, Sam is joined by Eliza Carthy to talk about her plans with Martin Carthy to record his latest, and critically important, project “East” – and how you can get involved to help this be born. Sam plays two exclusive, never-before-broadcast live recordings of Martin singing from this project. 

(10) MUST HAVE? [Item by Daniel Dern.] Here’s the buy-it link for the book bookbag: “Library Print Shoulder Bag” at TeezAvenue. (They also offer the design as a skirt or a dress.)

(11) HERE THERE BE SPOILERS. You’ve been warned. Variety explains “‘Deadpool & Wolverine’s Shockingly Sweet Eulogy for 20th Century Fox”.

For all the raunchy jokes, club drugs, buckets of blood and meta punchlines, “Deadpool & Wolverine” may be the most sentimental movie of the summer. Hollywood insiders and superhero film fans were stunned to discover that last weekend’s Marvel blockbuster basically amounts to a big, sobbing, “Steel Magnolias”-grade sendoff to 20th Century Fox.

After all, it was at that defunct studio, founded in 1935 and sold by Rupert Murdoch to Disney in 2019, that “Deadpool” first shimmied on-screen in a skintight bondage suit and pistols. It’s also where two decades’ worth of Marvel films were made, most notably the “X-Men” series, which catapulted Hugh Jackman to stardom. These characters first appeared in Marvel Comics but were licensed to Fox, leaving them operating outside the Marvel Cinematic Universe (the moniker for Disney’s film and TV Marvel adaptations). The merger with Disney changed all that….

(12) AND IF YOU WANT SPOILERS. The New York Times heads this article: “Spoiler Alert: Here’s a Guide to the Cameos in ‘Deadpool & Wolverine’”. However, it’s paywalled, so it may be hard to give into the temptation to peek at the list.  

(13) BAD TRIP. “Astronaut traveling to Titan loses his grip on reality in 1st ‘Slingshot’ trailer”Space.com has a synopsis:

Laurence Fishburne…shares the screen with the Academy Award-winning Casey Affleck (“Manchester By the Sea”) and Tomer Capone (“The Boys”) in Bleecker Street’s upcoming outer space thriller, “Slingshot,”…The basic plot revolves around a harrowing 1.5-billion-mile trek to Saturn’s moon Titan and one astronaut’s inability to distinguish nightmares from real-life due to the side effects of a drug meant to induce hibernation sleep for the long haul….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Daniel Dern, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Booker Prize 2024 Longlist

The thirteen novels on the Booker Prize 2024 longlist revealed July 30 include two books of genre interest, titles shown in boldface.

  • Colin Barrett, Wild Houses
  • Rita Bullwinkel, Headshot   
  • Percival EverettJames 
  • Samantha HarveyOrbital       
  • Rachel Kushner, Creation Lake
  • Hisham Matar, My Friends 
  • Claire Messud, This Strange Eventful History 
  • Anne Michaels, Held
  • Tommy Orange, Wandering Stars                    
  • Sarah Perry, Enlightenment 
  • Richard Powers, Playground
  • Yael van der Wouden, The Safekeep
  • Charlotte Wood, Stone Yard Devotional

James reimagines The Adventures of Huckleberry Finn:

1861, the Mississippi River. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, toward the elusive promise of free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.

With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live, and together, the unlikely pair must face the most dangerous odyssey of them all…

Orbital focuses on six astronauts in the International Space Station.

They are there to do vital work, but slowly they begin to wonder: what is life without Earth? What is Earth without humanity?

Together they watch their silent blue planet, circling it sixteen times, spinning past continents, and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.

Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.

The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part – or protective – of it.

The Booker Prize is open to works of long-form fiction by writers of any nationality, written in English and published in the UK and/or Ireland.

The judging panel is chaired by artist and author Edmund de Waal, joined by award-winning novelist Sara Collins; Fiction Editor of the Guardian, Justine Jordan; world-renowned writer and professor Yiyun Li; and musician, composer and producer Nitin Sawhney.

The judges’ selection was made from 156 books published between October 1, 2023 and September 30, 2024.

The shortlist of six books will be announced on September 16. The shortlisted authors each receive £2,500 and a specially bound edition of their book. The winner of the Booker Prize 2024 will be announced at Old Billingsgate in London on November 12. The winning author will receive £50,000. 

[Based on a press release.]

2024 Dream Foundry Contest Finalists

Dream Foundry announced the 2024 finalists of its latest contest for speculative fiction writers and artists on July 31. 

The Art Contest and Writing Contests are open to relatively new artists and writers.  The finalists for each category are:

WRITING CONTEST

ART CONTEST

The finalists’ entries have been sent to the judges, who will pick three winners. In both contests the first-place winner receives $1000; second place, $500; and third place, $200. In addition, all of the winners will be featured at Flights of Foundry.

Paul Weimer Review: The Fireborne Blade

The Fireborne Blade by Charlotte Bond (Tordotcom, 2024)

By Paul Weimer: Charlotte Bond’s The Fireborne Blade provides a modern sensibility to the standard “knight versus dragon” scenario.

Maddileh is a knight, one of the few female knights in point of fact. She is stalking one of the oldest and most dangerous of dragons, The White Lady. Just why she is going after the most dangerous of dragons, and the story of that quest is encapsulated in the title of the novella, the eponymous Fireborne Blade. 

The Fireborne Blade would have been a relatively straightforward and perhaps unremarkable novella as a read, not even to the level of a beach read, if the novella had been told in a straight up and linear fashion. Bond, however, has a couple of narrative tricks up its sleeve to hold the reader interest and help keep turning pages. 

First of all is the apparent or possible framing device that the novella has. While there is Maddileh’s story, we also get a series of vignettes from a fictional in-world book, “The Demise and Demesne of Dragons”. This gives us a series of short stories of knights facing various dragons in history. Some of these are poignant, a couple are funny, and all of them provide an excellent undergirding of worldbuilding on dragons and this world.  A couple of them turn out to be extremely relevant in Maddileh’s quest to retrieve the Fireborne Blade from the White Lady.  It gives a quasi-documentary feel to some of the proceedings. 

The other narrative trick is that while most of Maddileh’s narrative (and aside from the vignettes, she is our primary point of view throughout), is that Bond is willing to tell a couple of the pieces of the narrative out of order. This amps up the dramatic tension with the clever information control that Bond uses to obfuscate and make the reader guess as to what really is going on with Maddileh, her squire, and the entire quest in general. Between the aforementioned vignettes and the clever narrative framework, this elevates the novella into a rather interesting dragon quest narrative world.

 The world we are presented feels mostly like a relatively straightforward Western Fantasy kingdom set firmly within the Great Wall of Europe, at least on the surface. Feudal nobility. High Mage and trained magicians. It looks nearly completely patriarchal at first. Maddileh appears to be a extreme rarity among knights, almost unique in their ranks. Too, in the matter of magic, women are extremely rare, if not completely discouraged. For those who despair at the idea of yet another narrative where men are men and women suffer what they must, Bond is using the patriarchal world she sets up here as a method of critiquing it, and making moves to change it.

And as I alluded to before, we get a good look at Bond’s ideas on dragons, dragons lairs and the like. Bond brings some interesting inventions to the nature of Dragons, how to fight them, and the consequences of opposing them. I am reminded of how Dragons are handled in Delicious in Dungeon (although there is definitely no eating of dragons) with some out of the box and inventive thinking on not only dragons, their powers, weaknesses and even the ecosystem in which they live and inhabit. 

The problem I found with the novella is that the climax and denouement feel a bit unclear and not as cleverly plotted out as the remainder of the novella most enjoyably is. It feels like a tangle that is suddenly and very abruptly revealed and then resolved in a not so clear fashion. It is for me a bit of a misstep in a narrative that had been humming quite nicely to that point. I am being extremely vague because this reveal and climax at the denouement is absolutely spoilery without question. It’s a wobble that didn’t completely ruin the book for me, mind, but it felt like a misstep. I did give the novella a re-read (the book is short and a fast read) and I spotted a few more clues here and there, but I still think the resolution could have been handled a bit better. The re-read did reinforce the virtues of the novella, and how entertaining and fun it is. 

The Fireborne Blade is the first in a series (possibly just a duology, given the promotional matter, but the structure and nature as mentioned above give a fairly open-ended world). Even given the aforementioned wobble in the ending of this novella, I am curious as to where the narrative goes in the next installment. I found the novella a pleasant and quick and light read (twice!) and I am certain to be in the mood for another such read this summer. 

2024 Trigon Awards

The 2024 Trigon Awards were presented at SpiralCon 3, held online this past weekend.

The awards are given by Spiral Tower Press, which publishes the magazines Whetstone and Witch House, and celebrate “the past, present, and future of science fiction, fantasy, and horror”.

LITERARY ACHIEVEMENT

  • Howard Andrew Jones

SCHOLARLY ACHIEVEMENT

  • Jeffrey Shanks

SPECIAL ACHIEVEMENT

Oliver Brackenbury