2024 Rhysling Award Winners

The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2024 Rhysling Awards winners.

There are two categories: Short poems of 11–49 lines (101–499 words for prose poems) and Long poems of 50–299 lines (500–1999 words for prose poems)

The selected poems appear in the 2024 Rhysling Anthology.

SHORT POEM CATEGORY

First Place

  • No One Now Remembers • Geoffrey Landis • Fantasy and Science Fiction Nov./Dec.

Second Place

  • Language as a Form of Breath • Angel Leal • Apparition Lit October

Third Place

  • The Day We All Died, A Little • Lisa Timpf • Radon 5

Short Poem Honorable Mentions

  • As Does the Crow • Beth Cato • Uncanny 53
  • Let Us Dream • Myna Chang • Small Wonders 3
  • Mass-Market Affair • Casey Aimer • Star*Line 46.4

LONG POEM CATEGORY

First Place

  • Little Brown Changeling • Lauren Scharhag • Aphelion 283

Second Place

  • The Witch Makes Her To-Do List • Theodora Goss • Uncanny 50

Third Place

  • An Interrogation About A Monster During Sleep Paralysis • Angela Liu • Strange Horizons November

Long Poem Honorable Mentions

  • Pilot • Akua Lezli Hope • Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)
  • Archivist of a Lost World • Gerri Leen • Eccentric Orbits 4
  • Cradling Fish • Laura Ma • Strange Horizons May

Pixel Scroll 7/23/24 I’m Pixel, This Is My Brother Scroll, And This Is My Other Brother Scroll

(1) HAPPENING AT GLASGOW 2024. Sunyi Dean announced this on Bluesky. Click for larger images.

(2) GEOFFREY LANDIS PROFILE. “A NASA Engineer Spent Years Writing Fiction About Venus. Now He Wants to Send a Mission There For Real” at Cleveland Scene.

In writer Geoffrey Landis’s short story “Cloudskimmer,” a pair of astronauts in the near future gaze down at planet Venus from their idling spacecraft. Hired by some unnamed government backer, the two, Zara and Sanjay, begin a loose debate after one decides to—for the sake of better research!—travel to Venus’s surface himself. Why? Zara asks.

“Same reason Mallory climbed Everest,” Sanjay says. “Because I can.”

“What are we going to tell our backers?” she tells Sanjay later in the story. “They’re paying us for science, not for stunts.”

Sanjay makes the trip personal. “Humans see different things than drones do,” he says.

The vision and risk in Landis’s science fiction, like in that 2022 short story, are barely contained to the realm of make believe. Landis, besides being an award-winning novelist and fiction writer, is an aerospace engineer at NASA Glenn, which has gifted the now 69-year-old a reciprocal gift in by-day and by-night lives: interplanetary research that feeds into his writing; writing that foreshadows his research….

(3) WRITER’S COUNTRY. “Unravelling the Mystery of Agatha Christie’s Country Retreat” at CrimeReads.

A ceramic skull, grinning at visitors from a side table in the entry hall, offers a clue to the identity of the former owner of this grand home perched above the banks of the River Dart in Devon. 

You don’t need Hercule Poirot’s little grey cells or the observational skills of Jane Marple to solve this mystery. Who else but the Queen of Crime would display such a macabre ornament? 

Welcome to Greenway, the country retreat of Agatha Christie. This compact Georgian mansion, faced in white stucco that gleams in England’s rare bursts of spring sunshine, was her refuge from the demands of being the world’s most famous and beloved crime writer. It’s secluded – accessible only by boat or via a long, narrow driveway – and set on more than thirty acres of gardens and woodland. Her dream home, she called it, “the loveliest place in the world.”

Each year thousands of Christie fans make the pilgrimage to Greenway, which opened to the public fifteen years ago….

…Staff members circulate through the house, answering questions and offering insights and anecdotes. The doll a bored-looking, four-year-old Christie clutches in a portrait housed in the morning room? Her name is Rosie and, 130 years later, she’s propped up in a nearby chair. Ask about the cuneiform tablet embedded in an outside wall – Mallowan brought it back from Iraq in the 1930s – and a staff member hands over a printout explaining it dates from 600 BCE and is a plea to the Assyrian god Nabu. The black gown with gold trim hanging in a bedroom closet? Christie wore it to the 1952 premiere of The Mousetrap, her record-setting play that has been performed in London’s West End more than 29,000 times and is still going strong…

(4) DAVID BRIN ON FIRST CONTACT. The Science in Fiction podcast hosted David Brin after they talked to Avi Loeb. So “first contact scenarios, Fermi Paradoxf and plausible types of alien probes in the Solar System all came up.” “David Brin on First Contact in ‘Existence’” at Spotify.

Marty and Holly speak with David Brin, science fiction icon, scientist, futurist and civilizational optimist.  We discuss his particular view of first contact with extraterrestrial intelligence, as portrayed in his 2012 novel ‘Existence’, along with his predictions about how artificial intelligence and virtual reality will change our world in the near future.  We discuss the UFO phenomenon (a sophisticated form of cat lasers for us to chase) and the unspeakably rude behaviour of these hypothetical silvery teaser punks.  David speaks directly to the artificial intelligences and possibly alien intelligences who may be inveigled in our internet.  We talk about Cixin Liu’s ‘The Three Body Problem’ (there is no three body problem), the likely prevalence of life in the universe (90% of star systems), the Fermi Paradox, SETI, METI, and various forms that first contact with alien civilizations may take, among them Von Neumann machines and artificial alien intelligences stored in ‘envoy eggs’ orbiting our planet for millions of years. David tells us how to make the most powerful telescope in the universe, by turning the Kuiper Belt into a solar system sized lens.  Finally, he implores us to fight back against the ingrate habit of cynicism and pessimism rotting our global civilization today, and declares “I’m proud as hell and nothing can stop us! … Be citizens of wonder, help save a good civilization.”

(5) RARE CODEX. The Folio Society’s illustrated edition of A Canticle for Leibowitz can be yours for $600.

Explore a world of feudal futurism in the beloved classic A Canticle for Leibowitz, a post-nuclear masterwork featuring 12 full-page pieces of original artwork by premier fantasy artist Elliot Lang. Folio presents Walter M. Miller Jr’s Hugo-award winning novel as never before seen. This vital chapter in the canon of 20th century science fiction takes place in a scorched earth in which an order of monks is dedicated to recovering the remnants of scientific knowledge lost to nuclear war. Evocative, complex and gently funny, A Canticle for Leibowitz most recently provided direct inspiration for the Fallout games and TV show, and has been one of Folio’s most consistently requested titles. Having recommended the book himself, Pulitzer Prize-winning literary essayist Michael Dirda provides an illuminating introduction, while Elliot Lang’s brilliant designs and illustrations create a truly immersive reading experience. Along with medieval-style historiated chapter initials, scrollworked part-titles, ingenious endpaper design, an illustrated cover and slipcase, Lang also contributes an exclusive afterword that tells the uncanny story of his own personal connection to this timeless work of spiritual wonder and post-apocalyptic terror. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 23, 1947 Gardner Dozois. (Died 2018).  

By Paul Weimer: I mentioned Dozois recently in my birthday appreciation of James E Gunn.  And like Gunn, Dozois has both fictional and non-fictional elements to his oeuvre, but for Dozois that balance is even more on the nonfictional side.

Gardner Dozois

But the piece of Dozois fiction I want to mention before his editorial work is near and dear to me — his “Counterfactual”.  It is an alternate history story of the metafictional kind, as someone who is in an alternate history (where the Civil War went very differently) and is trying to write a story about a world where the South lost, and not hitting the mark of our own world, but coming up with a complete and different variant. Since I had read The Man In the High Castle by the time I came across “Counterfactual”, I saw immediately what Dozois was doing, and was delighted he was going for that approach, too. 

But really, Dozois as an anthologist is really what his bread and butter is. The Year’s Best SF collections were bread and butter to me, and once I got into Hugo nominations and voting regularly, they served as a guidepost as to help inform my choices. Those volumes not only had a great set of stories every year, but the gigantic editorial/field review essay Dozois provided gave a perspective as to what he thought the field was doing, where it had been and where it was going. I didn’t always agree with his assertions and ideas (once I had enough feet under me to do so) but I found his arguments and perspective fascinating. And that essay always included a whole additional set of recommendations of stories (and novels!) that he could not anthologize in that volume.  I could set up a good half year’s reading just from one of those Year’s Best volumes and working my way through his recommendations.

Aside from the Year’s Best, I always found a new original or reprint anthology of Dozois’ to command my attention, and my wallet. And the sheer variety of the subgenres and topics he anthologized showed his Renaissance Man-like knowledge of the field. From The Good Old Stuff, to One Million AD, to The Book of Swords, Dozois provided endless reading of short fiction carefully curated and collected for particular tastes. One of my favorite of this was among his last.  Ever since I read A Princess of Mars, Mars in its dying civilization mode has always fascinated me as a setting. So his collection Old Mars, with many stories in that vein, was a particular favorite. And with a kickass set of authors including Michael Moorcock, Ian McDonald and Melinda Snodgrass, the reputation of Dozois meant that when he cast for an anthology of new stories, authors jumped at the chance.  

While there are plenty of year’s best and other anthologies since, no one, IMHO, has quite shown the power and magic of a collector of stories, be it reprints or original fiction, quite like Gardner Dozois did.

(7) COMICS SECTION.

(8) COMIC-CON SCOUTING REPORT. “San Diego Comic-Con 2024: Pre-Show News, Must-Go Panels, and More” at Publishers Weekly. The piece ends with a roster of their picks for the top programs.

It wouldn’t be San Diego Comic-Con without a little drama, some big questions, and a lot of hype. Just 24 hours before this year’s show floor opens at the San Diego Convention Center, it appears that the con will deliver all that and more—including some terrific programming set to begin on Thursday and Friday’s Eisner Awards ceremony. And with downtown San Diego abuzz with comics fever, some companies are ramping up their presence at the show while others are leaving the playing field.

(9) HOPE SPRINGS ETERNAL. “Could Star Trek’s Wesley Crusher Get His Own Spinoff? Wil Wheaton Has Thoughts” at CinemaBlend. It was only as long ago as 1988 that I ran a convention program called “Solving the Wesley Problem”. My 1988 self would be surprised to hear I like this solution.  

Star Trek: Prodigy gave Wesley Crusher the story he’s deserved for decades while also providing Wil Wheaton with the experience of watching his voiceover performance, one that made us both emotional talking about it. I think it’s a given at this point that fans would love to see more of him, potentially via his own upcoming Trek spinoff, but is that a realistic hope hold onto? Wil Wheaton had some thoughts.

As the host of The Ready Room (available to stream with a Paramount+ subscription) and someone who is around the Star Trek fandom and its creatives quite a bit, Wil Wheaton has a definite read on the franchise. If anyone would know rumblings about what is and isn’t possible, it’s probably him. So I decided to get his thoughts on the probability of a Wesley Crusher spinoff happening down the road, noting that Star Trek rarely produces projects centered around non-Starfleet characters (Prodigy being the first). When I asked whether a spinoff was a realistic hope or just a pipe dream, he told me:

“Well, if there’s one thing that we have learned through like 60 years of Star Trek, It’s that anything is possible. Like no one’s ever really gone. Things are constantly in flux, and when you have a character who can manipulate spacetime and thought to kind of do anything and go anywhere, sure, you could put him any place. As an audience member, as a fan of the characters and Prodigy, and as a fan of the actors who play them, I would love to see more. I am fascinated by stories in the Star Trek universe that do not take place inside of Starfleet. I’ve always been fascinated by that. I’ve always wanted to know what it is like. What is this universe that Starfleet is kind of like looking after? What goes on on these planets before and after the Federation shows up?”…

(10) SMILE, YOU’RE ON X-RAY CAMERA. “NASA releases never-seen-before images of Peacock galaxy” at Yahoo!

NASA is celebrating the 25th anniversary of its Chandra X-ray Observatory launch by sharing never-before-seen photos of the largest known spiral galaxy in the universe.

The Chandra X-ray observatory was launched on July 23, 1999. Since then, it has scoured the universe to look for X-ray emissions from exploded stars, clusters of galaxies and more, according to NASA. The observatory returns data to the Chandra X-ray Center at Harvard University’s Smithsonian Astrophysical Observatory.

Since its launch, the observatory has captured images of the aftermath of exploded stars, photographed the supermassive black hole that exists at the center of the Milky Way, and helped scientists learn more about dark matter, dark energy and black holes….

… The observatory captured thousands of images of the spiral galaxy, known as NGC 6872, since its launch. The galaxy, located in the Peacock constellation of the universe, is over 522,000 light-years across, or more than five times the size of the Milky Way, according to NASA

(11) COSMIC EYEBALL. Ars Technica tells how “Mini-Neptune turned out to be a frozen super-Earth”.

Of all the potential super-Earths—terrestrial exoplanets more massive than Earth—out there, an exoplanet orbiting a star only 40 light-years away from us in the constellation Cetus might be the most similar to have been found so far.

Exoplanet LHS 1140 b was assumed to be a mini-Neptune when it was first discovered by NASA’s James Webb Space Telescope toward the end of 2023. After analyzing data from those observations, a team of researchers, led by astronomer Charles Cadieux, of Université de Montréal, suggest that LHS 1140 b is more likely to be a super-Earth.\

If this planet is an alternate version of our own, its relative proximity to its cool red dwarf star means it would most likely be a gargantuan snowball or a mostly frozen body with a substellar (region closest to its star) ocean that makes it look like a cosmic eyeball. It is now thought to be the exoplanet with the best chance for liquid water on its surface, and so might even be habitable.

Cadieux and his team say they have found “tantalizing evidence for a [nitrogen]-dominated atmosphere on a habitable zone super-Earth” in a study recently published in The Astrophysical Journal Letters….

(12) JOKER TRAILER. When you’re smiling, the whole world smiles with you. Joker: Folie À Deux in theaters and IMAX, October 4.

(13) PRIME VIDEO. “Amazon Prime Video’s next big sci-fi spy thriller gets action-packed teaser” reports T3.

…The next in the line-up is Italian-language Citadel: Diana, which will tell a completely fresh story when it arrives on 10 October, and will have little overlap with the main series, other than the fact that it’ll involve the mysterious Citadel agency. 

Diana herself is played by Matilda De Angelis, who’s been making quite a name for herself in Italian productions, and looks suitably big-budget and high-concept, fusing the same sci-fi aesthetic as the first season of Citadel did….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

SFPAs 2024 Grand Master Nominees

Voting continues through January 31 as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Five candidates are under consideration: F. J. Bergmann, G.O. Clark, Terry A. Garey, Deborah P Kolodji, and Geoffrey Landis.

F. J. BERGMANN

F. J. Bergmann

F. J. Bergmann‘s speculative poetry has appeared in AnalogAsimov’s SFDreams and NightmaresSpectral RealmsWeird Tales, and many other magazines. She has won SFPA’s Rhysling Award in both long and short categories, the Elgin award for best chapbook (2x), and the SFPA Poetry Contest in the dwarf, short and long categories. Her poetry has won the Rannu Award for Speculative Poetry, the Gold Line Press poetry chapbook contest, Wisconsin Fellowship of Poets contests, the Joy Bale Boone Poetry Prize, the Mary Roberts Rinehart National Poetry Award, and many others, and has received 14 Pushcart Prize nominations. F. J. was also the editor of Star*Line (2012–2017 and 2020–2021) and co-editor of The 2022 Rhysling Anthology. Her speculative chapbooks include Shelf Life (Space Cowboy Books, 2023), A Catalogue of the Further Suns (Gold Line Press, 2017) and Out of the Black Forest (Centennial Press, 2012).

G.O. CLARK

G. O. Clark

G. O. Clark‘s writing has been published in Asimov’s Science Fiction, Analog, Talebones Magazine, Strange Horizons, Dreams & Nightmares, Space & Time, A Sea Of Alone: Poems For Alfred Hitchcock, Midnight Under The Bigtop, The Best Of Lovecraftiana (GB) and many other speculative publications over the past 30 years. He’s the author of fifteen poetry collections, including “Tombstone: Selected Horror Poems” (2022), Weird House Press, and, Easy Travel To The Stars, (2020), Alban Lake Publishing. His reviews of SF and Horror poetry collections appeared in Star*Line from 1997 – 2013, and, Small Press Review, 2000 – 2003. He won the Asimov’s Readers Award for poetry in 2001, was a 2011 Stoker Award poetry Finalist, and, has been a repeat Rhysling and Stoker Award nominee. He was also an Elgin Award runner up for both chapbook and full-length collections; 2018 and 2020 respectively. SFPA member since 1994. https://goclarkpoet.weebly.com/

TERRY A. GAREY

Terry A. Garey has been writing and editing speculative poetry since the 1980s. Her poetry has been published in many journals and anthologies, including Aliens and Lovers, Asimov’s, Burning With A Vision, The Cascadia Subduction Zone, Dodeca, Dreams and Nightmares, Lady Poetesses from Hell, The Magazine of Speculative Poetry, Pandora, Paper Bag Writer, Raw Sacks, Serve it Forth: Cooking with Anne McCaffrey, Star*Line, Tales of the Unanticipated, Uranus, Weird Tales, and Women en Large. She wrote three introductions (as editor or co-editor) to speculative poetry anthologies, Time Gum (1988), Time Frames (1991), and Lady Poetesses from Hell (2012). She edited or co-edited the speculative anthologies Paper Bag Writer (1990) and Raw Sacks (1991). She was Poetry Editor for Tales of the Unanticipated during it’s first years (1986-2002). Of Terry’s four Rhysling nominations, she earned first place in 2013 for her short poem “The Cat Star” and first place in 1997 for her long poem “Spotting UFOs While Canning Tomatoes.” Her poetry is collected in The Cat Star and Other Poems (crumbfairy press, 2022). https://www.joyofwine.net/poetry.htm

DEBORAH P KOLODJI 

Deborah P. Kolodji

Deborah P Kolodji is the author of more than 1000 haiku and speculative poems. Her speculative poetry has appeared in Strange Horizons, Star*Line, Grievous Angel, The Magazine of Speculative Poetry, Tales of the Unanticipated, Tales of the Talisman, and Dreams and Nightmares, as well as mainstream magazines such as Rattle. Her fantasy scifaiku “Basho After Cinderella (iii)” placed first in the 2013 Dwarf Stars Awards and was collected in Nebula Awards Showcase 2015, and she has won numerous haiku awards. Her early writing included Star Trek inspired poetry for fanzines in the 1970s. Her poetry collections include Tug of a Black Hole (Title IX Press, 2021), Highway of Sleeping Towns (Shabda Press, 2016), Red Planet Dust (2007), Symphony of the Universe (Sam’s Dot Publishing, 2006), Unfinished Book (Shadows Ink Publications, 2006), and Seaside Moon (Saki Press, 2004). https://deborahpkolodji.weebly.com/

GEOFFREY LANDIS 

Geoffrey A. Landis

Geoffrey Landis has had a significant body of poetry published over the last thirty-plus years, as evinced by his winning the Rhysling award twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. His poetry has appeared in Asimov’s Analog, The Magazine of Fantasy & Science Fiction, Astropoetica, Electric Velocipede, Goblin Fruit, Kaleidotrope, and Star*Line, among other places, and has been selected for Best of Ohio and the Year’s Best Fantasy volumes.

In addition to writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years ran the Clevelandpoetics blog, which distributes news and information about poetry in northern Ohio; he has also been active in workshops and readings in the Cleveland area, and participating in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels in 2009 from Van Zeno, and The Book of Whimsy in 2015 from Night Ballet. http://www.geoffreylandis.com/


To date, the SFPA has conferred eleven Grand Master Awards:

  • Akua Lezli Hope (2022)
  • Mary Soon Lee (2022)
  • Linda D. Addison (2020)
  • Ann K. Schwader (2018)
  • David C. Kopaska-Merkel (2017)
  • Marge Simon (2015)
  • Steve Sneyd (2015)
  • Jane Yolen (2010)
  • Ray Bradbury (2008)
  • Robert Frazier (2005)
  • Bruce Boston (1999)

[Based on a press release.]

SFPA’s 2020 Grand Master Nominees

Voting continues as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Four candidates are under consideration: Linda Addison, F.J. Bergmann, Geoffrey A. Landis, and John Grey.  SFPA members have until December 1 to cast their ballots.

  • Linda Addison
Linda Addison

Linda D. Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, & How To Recognize A Demon Has Become Your Friend, and a recipient of the HWA Lifetime Achievement Award. She is the first African-American recipient of the HWA Bram Stoker Award®, co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African- American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019. Her work has made frequent appearances over the years on the honorable mention list for Year’s Best anthology. She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona. Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA. For further information please see Linda’s website.

  • F. J. Bergmann
F. J. Bergmann

F. J. Bergmann has a distinguished body of speculative poetry from the last 20 years, winning the Rhysling (Short and Long), the Elgin Chapbook (twice), the SFPA Poetry Contest (several), and other contests. Her service to SFPA includes editing Star*Line, designing publications, and serving as webmaster and VP. Nor is her service to poetry limited to the SFPA.

  • Geoffrey A. Landis

Geoffrey A. Landis has had a strong body of work published over the last thirty-plus years, noted by his winning the Rhysling Long twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. In addition to his excellence in writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years has run the Clevelandpoetics blog, which distributes news and information about poetry in the Cleveland area; he has also been active in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels (Van Zeno, 2009) and The Book of Whimsy (Night Ballet, 2015). For more for more about Geoffrey visit his website.

  • John Grey

John Grey is Australian-born, U.S. resident, poet, short story writer, musician and playwright. He has had over 16,000 poems published throughout the world in magazines as diverse as Christian Science Monitor, Relix, Poetry East, Agni, Rhino, Rattle, Poet Lore and JAMA as well as numerous anthologies and books, including his latest, Leaves On Pages. A good percentage of those poems have been in genre magazines, (both sci-fi and horror, with the occasional fantasy) having grown up devouring the classic horror writers such as Blackwood, James, Bierce, Poe, etc. Publications in this field include work in Weird Tales, Space & Time, Dreams and Nightmares, The Pedestal, The Magazine Of Speculative Poetry, The Fifth Di, Leading Edge, Andromeda Spaceways, Not One Of Us, Strange Horizons, Chrome Baby and many many many more. Winner of the Rhysling Award (Short) in 1998. Was theater critic and poetry columnist for a local Providence, RI, weekly arts magazine and has had plays produced off-off Broadway and in Los Angeles.

Daniel Dern’s Thursday Dublin 2019 Photos

Let’s begin with Peter S. Beagle here and post the rest of Daniel Dern’s gallery after the jump —

Peter S. Beagle

Peter S. Beagle
Continue reading

Pixel Scroll 7/11/18 Your Arms Too Short to Scroll With Pixels

(1) GWW TEAMS UP WITH WW. ComicsBeat spreads the word: “G. Willow Wilson and Cary Nord Are Your New WONDER WOMAN Creative Team”.

Dan DiDio revealed in the “DC Nation” portion of this week’s DC All Access video that award-winning writer G. Willow Wilson will be the new regular series writer on Wonder Woman. Wilson will team with artist Cary Nord following Steve Orlando’s forthcoming guest-arc. In the video, DiDio says that Wilson will be expanding on the concepts and ideas that initial Rebirth Wonder Woman writer Greg Rucka introduced in his year-long run on the series. The creative team’s first story will be titled “The Just War,” and will feature Wonder Woman facing off again with Ares while attempting to rescue a missing Steve Trevor.

On G. Willow Wilson’s site a headline says “The rumors were true”.

“I’m delighted to be writing such an iconic character as Wonder Woman and to be working with DC once again,” said Wilson. “With more than 75 years of history, Wonder Woman has a wealth of backstory and drama to draw from, and I look forward to putting a spin on Diana and her supporting cast that’s both new, yet familiar. It’ll be a challenge to do her justice, but I like a challenge and can’t wait to get started.”

(2) POOH MAP SETS RECORD. CNN has the story — “Winnie-the-Pooh original map illustration sells for record $570,000”.

The original drawing of the map that appears inside the cover of A.A. Milne’s beloved book “Winnie-the-Pooh” sold at a Sotheby’s auction for nearly $600,000 — a record for any book illustration.

The Hundred Acre Wood map is the work of E.H. Shepard, who was asked to illustrate the book in 1926. Sotheby’s valued the map between $130,000 and nearly $200,000 (or between £100,000 and £150,000), according to a news release from May announcing the sale.

The auction house described the drawing, which was unseen for 50 years, as “possibly the most famous map in children’s literature.”

(3) MOON MISSION. There’s a plan for an “Israeli unmanned spacecraft to land on Moon in 2019”

An Israeli non-profit organisation has announced plans to send the first privately-funded unmanned spacecraft to the Moon.

SpaceIL said the probe would be launched from Cape Canaveral, Florida, in December on a Falcon 9 rocket built by Elon Musk’s SpaceX company.

It is expected to land on the Moon in February 2019.

The spacecraft will plant an Israeli flag on the Moon’s surface and carry out research into its magnetic field.

SpaceIL’s project began as part of the Google Lunar XPrize, which offered $30m (£23m) in prizes to inspire people to develop low-cost methods of robotic space exploration. However, the competition expired this March, with the $20m grand prize for landing on the Moon unclaimed….

(4) EATING THE FANTASTIC. Scott Edelman takes a page right out of history in Episode 71 of his Eating the Fantastic podcast. Join Arlan Andrews, Sr., Gregory Benford, Geoffrey A. Landis, and Charles Sheffield for lunch in 1993.

Join me for lunch at the World Science Fiction Convention. No, not this year’s San Jose Worldcon, which won’t happen until August. Or even last year’s Worldcon in Helsinki. But the 1993 San Francisco Worldcon!

Here’s how we’re going to do that …

Late last year, I repurposed a Science Forum I’d recorded for Science Fiction Age magazine on March 1, 1994 into Episode 56 of Eating the Fantastic. You got to hear Charles Sheffield and Arlan Andrews, Sr. chatting over lunch at an Italian restaurant about the many ways the world might end. But for this episode, we’ll be going even further back into the past.

On September 1, 1993, I shared lunch during the San Francisco Worldcon with not only Andrews and Sheffield, but Gregory Benford and Geoffrey Landis as well. I thought it would be fun to bring together working scientists to have them discuss over a meal everything wrong (and a few things which might be right) with how their profession is portrayed in science fiction.

I no longer have any idea which convention hotel restaurant we gathered in for our recording session, but we were definitely eating—as you’ll be able to hear for yourself when a sizzling platter of something called a “Laredo” is put in front of us and we worry about whether it’s safe to eat without burning ourselves.

An edited transcript of this conversation was published in the January 1994 issue of Science Fiction Age. So who were this quartet of scientist/science fiction writers when we recorded this Science Forum 25 years ago? Here’s how I described them in that issue—

Gregory Benford is a professor of physics working at the University of California at Irvine, who has also written over a dozen SF novels. Arlan Andrew, Sr. is an executive at a national laboratory, who has worked in the White House Science Office in both the Bush and Clinton administrations. A longtime SF reader, Geoffrey Landis has long looked at the role of the scientist both as an experimentalist and as an SF writer. Charles Sheffield holds a Ph.D in theoretical physics and serves as Chief Scientist for the Earth Satellite Corporation.

And I should add that during my years editing Science Fiction Age magazine from 1992 through 2000, I published short fiction by each of them.

(5) SPEAKER FOR THE FED. In the Washington Post Magazine, Rachel Manteuffel interviews Marc Okrand about how his development of Klingon came about as a consequence of his work on closed captioning — “He invented the Klingon language for ‘Star Trek.’ But how?”.

And how did that happen?

Because I did Vulcan for “Star Trek II.”

And how did that happen?

My real job, the one that really paid the bills, was closed captioning. The first program we did live was the Oscars, 1982. They flew me out to L.A., and I was having lunch with a friend who worked at Paramount. She and I go out to lunch, and the fact that I was a linguist came up — I have a PhD in linguistics. She said: “That’s really interesting. We’ve been talking to linguists. There’s this scene in the movie where Mr. Spock and this female Vulcan character have a conversation. When they filmed it, the actors were speaking English. But in postproduction, everyone thinks it would be better if they were speaking Vulcan.” They wanted a linguist to come and make up gobbledygook that matches the lip movements. And I said, “I can do that!”

(6) DUBIOUS TIE-IN PRODUCT. Vulture says it’s already off the market: “And The Handmaid’s Tale Wine Has Already Been Pulled”.

Look, we all agree, blessed be his fruit, but the newly announced The Handmaid’s Tale wine seemed a little off-brand for a dystopian drama about a totalitarian government forcing women to reproduce against their will. Looks like Lot18 and MGM, the manufacturers of the newly announced themed wines, agreed, removing them for purchase from their website on Tuesday. A representative for Lot18 also confirmed to Vulture the line has been pulled, though the website currently lists the Offred pinot noir as “sold out.” Then again, it also lists the “seductive and appealing” wine, named after Elisabeth Moss’s Handmaid character, as “useless to resist,” so yeah, better to bail out of this whole thing now, and hard.

(7) CONFERENCE QUOTE. Bird is the word.

(8) THREADBARE GAUNTLET. Galaxy didn’t measure up to expectations this month says The Traveler at Galactic Journey. This month being one that fell in the middle of 1963…. “[July 10, 1963] (August 1963 Galaxy)”

Speaking of revolutions, every two months, we get to take the pulse of the one started by H.L. Gold, who threw down the gauntlet at the feet of pulp sci-fi in 1950 when he started his scientifiction magazine, Galaxy.  It was once a monthly magazine, but since 1959 it has been a half-again-sized bi-monthly.  This was a cost-saving measure, as was the reduction of writers’ rates.  The latter caused a tangible (if not fatal) drop in quality, and it is my understanding that it either has recently been or will soon be reversed.

Thus, the August 1963 Galaxy is a mixed bag, with standout stories by lesser authors and lesser stories by standout authors….

(9) TODAY IN HISTORY

  • July 11, 1976 — K&E produced its last slide rule, which it presented to the Smithsonian Institution. A common method of performing mathematical calculations for many years, the slide rule became obsolete with the invention of the computer and its smaller, hand-held sibling, the calculator.
  • July 11, 1997 – Carl Sagan’s Contact premiered in theatres.

(10) TODAY’S BIRTHDAYS

  • Born July 11, 1899 — E.B. White (Stuart Little, Charlotte’s Web)
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known as Cordwainer Smith
  • Born July 11 – Stephen Land, 66. Miles Quaritch in more Avatar films than bears thinking about, the Into the Badlands fantasy series, and Terra Nova to name but a few genre roles.
  • Born July 11 – Sela Ward, 62. The President in Independence Day: Resurgence, regular cast in Once and Again and a voice role in The New Batman Adventures. Also an appearance in Westworld.
  • Born July 11 – Rachel Taylor, 34. Regular cast member in The Defenders and Jessica Jones series, 666 Park Avenue, roles in Hercules mini-series, Transformers and Man-Thing. No, the latter is not the Marvel Comic character.
  • Born July 11 – Tom Holland, 23. Spider-Man in Captain America: Civil War, Spider-Man: Homecoming, and Avengers: Infinity War and at least two MCU films to come

(11) WELLINGTON PARANORMAL. The truth is out there – but there’s small risk these cops will run into it. The New Zealand TV series follows two oblivious cops who work out of the Wellington police station where Sgt Maaka has a secret office he uses to investigate the paranormal —

In this new factual reality *cough* *cough* show, go behind the scenes of New Zealand’s first Paranormal Unit. As we all know, Wellington is a hotbed of supernatural activity… so Officers Minogue and O’Leary, who featured in the vampire documentary What We Do In The Shadows, take to the streets to investigate all manner of paranormal phenomena.

Wellington Paranormal is executive produced by Taika Waititi (Hunt For The Wilderpeople, Thor: Ragnorok) and Jemaine Clement (Flight of The Conchords), two locals who have an interest in exposing what is really going on in the streets of Wellington.

In episode one of the series, Wellington’s Paranormal Unit, fresh off a successful retrieval of 5 pairs of stolen trousers that were taken from Blackfield Menswear, officers are tasked with bringing in Bazu’aal – a body-hopping demon. His name, which translates to ‘He who brings hell on earth’.

Actor Maaka Pohatu has been channelling the spirit of Winston Peters while dealing with paranormal occurrences around Wellington.

Pohatu, who plays the diplomatic Sergeant Ruawai Maaka, is obsessed and a little bit frightened of the spirit world in the new television series Wellington Paranormal. So his bosses encouraged him to look to our (temporary) leader.

“Initially, when I was thinking of building Sergeant Maaka [as a character], I got inspired by Willie Apiata, mainly because I wanted to grow a heavy moustache. But producer Paul [Yates] said no, and so did Jemaine [Clement, who directed the series],” Pohatu says.

 

(12) HANDMAID. NPR’s Linda Holmes dislikes “The Truck, The Choice And The ‘Handmaid’s Tale’ Finale” – beware fullscale spoilers.

This review of the second-season finale of The Handmaid’s Tale discusses in detail what happens in the second-season finale of The Handmaid’s Tale.

The sound of the second season of Hulu’s The Handmaid’s Tale coming to an end was the sound of a balloon, expertly inflated to the point where it seemed about to break, being let go so that it releases its tension in a long, anticlimactic raspberry….

(13) USED BOOK. This one’s older than dirt: “Homer Odyssey: Oldest extract discovered on clay tablet”.

A clay tablet discovered during an archaeological dig may be the oldest written record of Homer’s epic tale, the Odyssey, ever found in Greece, the country’s culture ministry has said.

Found near the ruined Temple of Zeus in the ancient city of Olympia, the tablet has been dated to Roman times.

It is engraved with 13 verses from the poem recounting the adventures of the hero Odysseus after the fall of Troy.

(14) BIG DINO. They got their growth even earlier in prehistory than was known before: “Fossil of ‘first giant’ dinosaur discovered in Argentina”.

Analysis: By Dr Steve Brusatte of the University of Edinburgh

Dinosaur fans need to learn a new name, the lessemsaurids, because these were the first dinosaurs to grow to giant sizes of around 10 tonnes, back in the Triassic Period some 215 million years ago. The remarkable discovery of four lessemsaurid skeletons forces us to rethink when, and how, dinosaurs got so huge.

We used to think that the first giant dinosaurs arose in the early part of the Jurassic Period, after supervolcanoes caused a global extinction at the end of the Triassic. But the lessemsaurids tell us that at least some dinosaurs were able to attain giant sizes during the latest part of the Triassic, before the extinction.

(15) SOLID BRASS. BBC recounts “The crypto-currencies that die before they have bloomed”. Fewer than half survive for four months from ICO — just in case there were any Filers who thought the recent e-coin payments for stories idea sounded attractive.

It has been the biggest craze in investment of the last two years – the idea that creating your own crypto-currency through an Initial Coin Offering (ICO) is the route to riches.

But now an academic study has revealed just how many of these ICOs end up disappearing without trace after a short while.

A Boston College research paper entitled Digital Tulips finds that fewer than half of these projects survive more than 120 days after the completion of their sales of tokens to the public.

The researchers arrived at this conclusion by examining the official Twitter accounts of the crypto-currencies. They found only 44.2% of them were still tweeting after that four-month period and concluded that the rest of the ICOs had died.

(16) THEY’RE PINK. BBC finds another obscure record to report: “World’s ‘oldest coloured molecules’ are bright pink”.

Scientists have discovered what they say are the world’s oldest surviving biological colours, from ancient rocks beneath the Sahara desert.

The 1.1 billion-year-old pigments have a bright pink hue, but range from blood red to deep purple in their concentrated form.

The pigments are fossilised molecules of chlorophyll produced by sea organisms, Australian scientists said.

Researchers ground shale rocks into powder to extract the pigment.

“Imagine you could find a fossilised dinosaur skin that still has its original colour, green or blue… that is exactly the type of discovery that we’ve made,” Associate Prof Jochen Brocks from the Australian National University (ANU) told the BBC.

[Thanks to JJ, Carl Slaughter, Errolwi, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 10/13/16 A Simple Pixeltory Scrollipic

(1) FREE CLIMATE CHANGE SF ANTHOLOGY. Twelve stories from the Climate Fiction Short Story Contest are collected in Everything Change, a new fiction anthology from Arizona State University’s Imagination and Climate Futures Initiative (ICF). Kim Stanley Robinson wrote the foreword, and there is also an interview with Pablo Bacigalupi.

In the midst of Earth’s hottest year on record, the effects of climate change are more apparent than ever. But how do we come to grips with the consequences on the ground, for actual people in specific places? New York Times bestselling science fiction author Paolo Bacigalupi believes the answer lies in fiction: “Fiction has this superpower of creating empathy in people for alien experiences. You can live inside of the skin of a person who is utterly unlike you.”

The anthology includes the grand prize winner of the Climate Fiction Short Story Contest, “Sunshine State,” a quasi-utopian disaster story set in the Florida Everglades. The story’s authors, Adam Flynn and Andrew Dana Hudson of Oakland, CA, will receive a $1000 prize, and four other prizewinners will receive book bundles signed by Bacigalupi. The contest received 743 submissions from 67 different countries and from more than half of the states in the U.S.

The title Everything Change is drawn from a quote by Margaret Atwood, the first Imagination and Climate Futures lecturer in 2014.

The book is free to download, read, and share in PDF, EPUB, and MOBI formats at the Imagination and Climate Futures website, and at the Apple iBooks store and the Kobo store.

Table of Contents:

  • Kim Stanley Robinson, Foreword
  • Manjana Milkoreit, Meredith Martinez, and Joey Eschrich, Editors’ Introduction
  • Adam Flynn and Andrew Dana Hudson, “Sunshine State”
  • Kelly Cowley, “Shrinking Sinking Land”
  • Matthew S. Henry, “Victor and the Fish”
  • Ashley Bevilacqua Anglin, “Acqua Alta”
  • Daniel Thron, “The Grandchild Paradox”
  • Kathryn Blume, “Wonder of the World”
  • Stirling Davenport, “Masks”
  • Diana Rose Harper, “Thirteenth Year”
  • Henrietta Hartl, “LOSD and Fount”
  • Shauna O’Meara, “On Darwin Tides”
  • Lindsay Redifer, “Standing Still”
  • Yakos Spiliotopoulos, “Into the Storm”
  • Ed Finn, “Praying for Rain: An Interview with Paolo Bacigalupi”

(2) THE TIMES THEY ARE A-CHANGIN’. The New York Times reports on another history-making moment in the career of this musician: “Bob Dylan Awarded Nobel Prize in Literature”.

Half a century ago, Bob Dylan shocked the music world by plugging in an electric guitar and alienating folk purists. For decades he continued to confound expectations, selling millions of records with dense, enigmatic songwriting.

Now, Mr. Dylan, the poet laureate of the rock era, has been rewarded with the Nobel Prize in Literature, an honor that elevates him into the company of T. S. Eliot, Gabriel García Márquez, Toni Morrison and Samuel Beckett.

Mr. Dylan, 75, is the first musician to win the award, and his selection on Thursday is perhaps the most radical choice in a history stretching back to 1901. In choosing a popular musician for the literary world’s highest honor, the Swedish Academy, which awards the prize, dramatically redefined the boundaries of literature, setting off a debate about whether song lyrics have the same artistic value as poetry or novels.

(3) CALIFORNIA COLLECTIBLES LAW UPDATE. The American Booksellers Association says: “California Collectibles Bill Clarification Expected”.

At press time, Bookselling This Week learned that California Assemblywoman Ling Ling Chang plans to submit a letter to the state legislature stipulating that a new law covering the sales of collectibles does not apply to either general bookstores or author signing events. Chang was the sponsor of the bill. The law requires sellers of signed books and artwork to provide the buyer with a certificate of authenticity (COA) for any item sold for $5 or more.

“While ABA’s reading of the bill matched that of Assemblywoman Chang’s intent in drafting the law — that the law was meant specifically for the collectibles industry to stave off fraud — we are grateful for how responsive Assemblywoman Chang and her staff were to the concerns of booksellers,” said David Grogan, senior public policy analyst for ABA. “It also clearly shows how much of an impact booksellers can have when they voice their concerns to their legislators. We are happy that a clarification is expected to be entered into the record.”

The clarification comes as a direct response to a blog post and subsequent letters from independent bookstores in California. Concerned that some might assume the law applied to general bookstores, Eureka Books in Eureka, Book Passage in Corte Madera, and others opposed the new law, fearing that it would have a negative financial impact on their businesses.

(4) VENUS IF YOU WILL. Here’s a clickbait-worthy headline: “Why Obama may have picked the wrong planet”.  And as a bonus, the article quotes SF writer and NASA scientists Geoffrey Landis.

On Tuesday, Obama published an op-ed at CNN laying out his vision (once again) for visiting Mars.

“We have set a clear goal vital to the next chapter of America’s story in space: sending humans to Mars by the 2030s and returning them safely to Earth, with the ultimate ambition to one day remain there for an extended time,” he wrote.

The Obama administration has been pursuing a visit to Mars for years. But Obama may be overlooking an easier target, if the arguments of one NASA researcher (and numerous supporters) are to be believed. While Mars may seem to be an attractive destination, we should consider sending people to Venus instead, these people argue….

You see, Mars is a challenging destination. It’s far away, the gravity is a fraction of Earth’s — posing additional health hazards beyond the lack of atmospheric radiation shielding — and you have to be suited up just to breathe outside.

By contrast, Venus is a lot closer to Earth than Mars is. At their closest points, Venus is only 25 million miles away, compared with Mars’s 34 million miles. The shorter distance means you’d need less time and fuel to get there, reducing the cost. And although Venus’s surface temperature is hot enough to melt metal, and the crushing pressure will squish you like a bug, the upper atmosphere is actually rather habitable.

“At about 50 kilometers above the surface the atmosphere of Venus is the most earthlike environment (other than Earth itself) in the solar system,” wrote Geoffrey Landis, a NASA scientist, in a 2003 paper. Landis has spent much of his career dreaming up ways to make a human trip to Mars actually feasible, so he knows what he’s talking about.

At high altitude, Venusian temperatures are hot but not unbearable, and the barometric pressure drops to the equivalent of one Earth atmosphere. You’d have droplets of sulfuric acid to worry about, but only if your skin is directly exposed.

It helps that NASA has already taken steps to research a manned mission to Venus.

(5) RON MILLER ON SPACESHIPS. Smithsonian.com plugs artist Ron Miller’s new opus from Smithsonian Books in “How Artists, Mad Scientists and Speculative Fiction Writers Made Spaceflight Possible”.

The realization of human spaceflight has long stood as a testament to the power of human temerity, a triumph of will and intellect alike. Pioneers such as Yuri Gagarin, Neil Armstrong and Sally Ride have been immortalized in the annals of history. Their impact on terrestrial society is as indelible as the footprints left by the Apollo astronauts on the windless surface of the Moon.

Perhaps yet more wondrous than the Cold War-era achievement of extraterrestrial travel, however, is the long and meandering trail that we as a species blazed to arrive at that result. Such is the argument of author-illustrator Ron Miller, an inveterate spaceship junkie and one-time planetarium art director at the National Air and Space Museum in Washington, D.C.

Miller’s just-published book, Spaceships: An Illustrated History of the Real and the Imagined from Smithsonian Books, is a paean to the exploratory yearning of humankind across the centuries. The profusely illustrated volume tracks technological watersheds with diligence, but its principal focus is those starry-eyed visionaries, the dreamers….

(6) TOO TANGLED FOR TINGLE? I was wondering what the chances were of Chuck Tingle setting up his own SadPuppies.com site when it’s Hugo season again. But Huge Domains already has that registered and is asking $1,895 for the rights.

Well then, what about SadPuppies5.com? Nope, that’s registered, too, by a proxy that contains a reference to the real Sad Puppies site, SadPuppies.org – have they been thinking ahead?

Of course, if Tingle wanted  to make a File 770 reference, he could always start up SadPuppiesSecond5th – and that would be fine by me.

(7) VULICH OBIT. Special effects make-up artist John Vulich died October 13. Dread Central recalls:

Vulich worked on some of the horror genre’s most classic films and TV shows such as “Buffy the Vampire Slayer,” George A. Romero’s Day of the Dead, The Dark Half, Castle Freak, From Beyond, Ghoulies, Dolls, TerrorVision, The Texas Chainsaw Massacre Part 2, The Lost Boys, Two Evil Eyes, “The X-Files,” “Angel,” and “Werewolf: The Series” and was one of the founders of Optic Nerve Studios.

(8) TODAY’S BIRTHDAY BOY

  • Born October 13, 1957 — Chris Carter, creator of “The X-Files.”

(9) FIFTH NEWS IS BEASTLY. We’re always on the lookout for news items featuring the number five. I may run only about 10% of them, but Tor.com broke through with “J.K. Rowling Confirms There Will Be Five Fantastic Beasts Films”.

At Warner Bros’ global fan event for Fantastic Beasts and Where to Find Them today, the studio made a big announcement: There will be five Fantastic Beasts films total, instead of the trilogy, as originally thought.

(10) SHOCKED, I TELL YOU. In “thoughts on the processing of words” at Text Patterns, a blog on The New Atlantis website, Baylor University English professor Alan Jacobs gives a long review of Matthew Kirschenbaum’s Track Changes: A Literary History of Word Processing, including the revelation that the first author to write a book on a word processor was not Gerrold, Pournelle, or Crichton, but historical novelist Gay Courter.

In any case, the who-was-first questions are not as interesting or as valuable as Kirschenbaum’s meticulous record of how various writers — Anne Rice, Stephen King, John Updike, David Foster Wallace — made, or did not quite make, the transition from handwritten or typewritten drafts to a full reliance on the personal computer as the site for literary writing. Wallace, for instance, always wrote in longhand and transcribed his drafts to the computer at some relatively late stage in the process. Also, when he had significantly altered a passage, he deleted earlier versions from his hard drive so he would not be tempted to revert to them.

(11) LACKING THAT CERTAIN SOMETHING. IGN’s’ video interview with the actor reveals “Why George Takei Doesn’t Like the New Star Trek Movies and the Old Animated Series”.

Mr. Sulu explains why he doesn’t like the Star Trek cartoon and reveals the magic ingredient he believes the new films are missing. The Star Trek 50th Anniversary TV and Movie Collection Blu-ray Boxset is out now.

(12) WELLS MEETS SOLOMON. Richard Chwedyk’s “Teaching Stuff: Vast and Cool and Unsympathetic” at the SFWA Blog tells about a fascinating exercise:

Here’s an assignment I give my students:

They receive a copy of the first chapter of H. G. Wells’ War of the Worlds.

It is roughly 2,250 words.

I tell the students that Mr. Wells has just received a note from his editor. “Great stuff, Herbie, but you go on too long here. Cut this first chapter in half.”

How to make 2,250 words into 1,125 words?

Mr. Wells, alas, has passed on. Fortunately for us, so has the novel’s copyright.

…Ask students to do this to their own stories and their faces turn ashen. Their babies? By half? What madness is this?

So by practicing at first on Wells, they can see what the process entails before going on to apply the knife to their own deathless prose. The exercise not only requires careful editorial skills, but an equally careful reading of the text. What’s important in the telling? What’s icing on the cake?

(13) DEEP READING. Connie Willis, in an article for Unbound Worlds, discusses her new book Crosstalk“Connie Willis Wants You to Think Twice About Telepathy”.

What led me to write Crosstalk?  Oh, lots of things.  For one, like everybody else, I’ve always been intrigued by the idea of telepathy and have often thought how nice it would be to be able to tell what other people were thinking, to know if they were lying and how they really felt about you.  For another, I live in Colorado, home of the infamous Bridey Murphy, who started the whole channeling-past-lives thing back in the fifties by claiming she’d had a previous life in nineteenth-century Ireland.  Which turned out not to be true and which left me with a healthy skepticism of all things paranormal, from psychics to Dr. Rhine’s ESP experiments.

(14) WHAT’S WRONG WITH THINKING OUT LOUD. She also did an interview with The Verge“Novelist Connie Willis explains why telepathy is a terrible superpower”.

You’ve said many of your stories are about working through arguments with yourself, and working through different aspects of the idea you obsess over. Are you working through an argument in Crosstalk?

Well, looking at the society we’re living in right now, we’re bombarded with information. We have all these new ways of communicating. We can talk face-to-face to somebody in Asia, you can have a best friend who lives across the world. But our relationships don’t seem to be improving radically as a result of all this extra communication.

We’re always looking to technology, thinking it can solve our human problems. Usually it does, but with big side effects we hadn’t counted on. It’s an argument I don’t know how to solve. I’m not suggesting we go be Luddites. But occasionally I’m on panels with all these really gung-ho tech people, and they’re like, “Oh this new development will solve all our problems.” And I think “Anything that solves all our problems will create a whole mess of new problems that would have never occurred to us.” We need to start thinking more in terms of cost-benefit analysis. Maybe that would be more productive.

But mostly with Crosstalk, I just wanted to have fun with the idea of whether communication is a good idea, generally. Not tech communication, communication between people. Most people would say, “We all need more communication in our relationships.” But really, most relationships benefit from all the things we don’t say, all the things we keep to ourselves.

(15) MEMORIES. In a Rue Morgue interview, the actress looks back: “35 years of pleasant screams: an interview with Cassandra Peterson, aka ELVIRA”.

When it comes to the horror genre, there are many icons in the business but none more so than a woman who created a character that has permeated pop culture; her name is Cassandra Peterson and her wonderful, wicked, and hilarious alter ego is Elvira, Mistress Of The Dark. For 35 years, the sexy, dark, and comedic valley girl/gothic goddess has appeared on television, film, pinball machines, comic book covers, record albums, and any other product you could imagine. She is one of the most beloved incarnations in history, and is still surging in popularity to this very day. Peterson herself is now in her mid-sixties but looks like she has discovered the fountain of youth, or made a deal with the devil, she is absolutely beautiful and timeless. Her comedic timing is unmatched, quick fire and quite daunting considering the jokes come straight from her mind like bullets, one of the funniest women alive, hands down. She is also one of the hardest working women in the business, an actress who became her own boss and made her own rules (and still does); truly an inspiration in regard to drive, conviction, and perseverance.

Rue Morgue spoke to Peterson about her 35th Anniversary and her new photo book, entitled ELVIRA MISTRESS OF THE DARK, which is a love letter to her fans, and a testament to her many years as a reigning queen in horror comedy….

(16) ACES AND BAIT. In addition to the news I missed while I was in the hospital, I also fell behind reading Adventures With Kuma. From August “Dodge City Bear”.

Bears wents to lots of places todays. Boys will writes abouts bigs holes in the grounds laters. Bears gots to plays a games in Dodges Citys withs a nices Doctors nameds Hollidays.

Bears saids, “Bears has fives fishes. Whats yous gots?”

 

Kuma Meets Doc Holliday

[Thanks to John King Tarpinian, Joseph Eschrich, Bartimaeus, Sean R. Kirk, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing edtor of the day Cath.]

Geoffrey Landis Wins AIAA Award

Acclaimed sf writer Geoffrey A. Landis, a R&D engineer at NASA Glenn Research Center, received the 2013 AIAA Aerospace Power Award on July 16 at a luncheon during the 11th International Energy Conversion Engineering Conference (IECEC)

Landis is being recognized for 35 years of developing advanced photovoltaic power systems for extreme space environments; providing leadership, fostering innovation, interfacing with the public; and contributing to an improved scientific understanding of operating solar power devices from the solar corona to the Martian surface and beyond.

Starship Century Symposium: Geoffrey Landis

Geoffrey Landis

Geoffrey Landis

[This post is part of a series about the Starship Century Symposium held May 21-22, 2013.]

Geoffrey Landis is a scientist at the NASA John Glenn Research Center working on Mars missions and on developing advanced concepts and technology for future space missions — interstellar propulsion, solar power and photovoltaics. Landis, supported by his scientific background, also writes hard sf and is the winner of a Nebula Award, two Hugo Awards – plus two Rhysling Awards for his poetry.

Landis opened by echoing a mantra of earlier speakers — Starflight requires producing and controlling vast levels of energy resources – ice and 3He harvested from the outer Solar System.

“The Moon was easy,” he teased, then said seriously, “It was the hardest technical project ever accomplished.” But the chemical rockets that took us there aren’t good enough for missions to the farther reaches of the Solar System, and certainly not for starflight.

Landis argued that the next thing we need is the spaceship equivalent of a pickup truck capable of hauling cargo for a wide variety of jobs – thus the title of his presentation, “Workhorse of the Solar System – The Nuclear Rocket and Beyond.”

Chemical fuels run up against the “rocket equation,” which dictates that as you go faster, it takes exponentially more fuel.  Missions to the distant reaches of the Solar System really need an energy source that is more energetic per unit of mass like nuclear, or an energy source you don’t have to carry on board (microwave, laser).

He added that ion thrusters have been successful for some missions, but electronic propulsion scales poorly to high thrust, requiring large amounts of power.

NASA tested a NERVA (Nuclear Energy for Rocket Vehicle Applications) NTR engine in the 1960s. All the requirements for a human mission to Mars were demonstrated, but it wasn’t pursued at that time.

Landis extolled the simplicity of nuclear rockets. The nuclear reactor produces heat. If you pass a gas over that heated reactor core, the gas heats up – and you can expand heated gas out a nozzle to produce thrust. A nuclear thermal rocket (NTR) is far simpler than nuclear generators used to generate electricity.

Hydrogen has been used because its atoms are the lightest and move the fastest when heated. But because of its low density large tanks are required to hold hydrogen fuel.

Another advantage of choosing hydrogen is that water is abundant in the outer Solar System. “Water is rocket fuel ore,” he noted. And once you get far from the Sun, “Water is just another type of rock.” So a nuclear rocket could be refueled using hydrogen generated from rocks harvested among the Trojan Asteroids or short period comets.

Landis devoted some time to the limits on NERVA’s efficiency inherent in the high-temperature sensitivity of the materials available to build the rocket. He mentioned several hypothetical ways to get higher temps without melting the reactor, suggesting “it’s an engineering problem,” so may eventually be overcome.

Lastly he outlined a manned mission to Callisto, a moon of Jupiter, that was studied in NASA’s Revolution Concepts for Human Outer Planet Exploration (HOPE). Two reasons for choosing Callisto are that it is believed to have water ice, and is far enough from Jupiter to be subject to only 0.01 rem a day. A surface base might be built there that would produce fuel for further exploration of the Solar System.

These developments are prerequisites to creating the energy economy needed to support interstellar missions.

[Note: Landis acknowledged Stanley Borowski of NASA for some material used in the presentation.

[The Starship Century anthology, Symposium edition, is currently available in paperback for $28 — click here.]  

Clarke Center Lifts Off With Public Events

The Arthur C. Clarke Center for Human Imagination will launch this month with a series of free events on the UC San Diego campus. 

May 1 through 31, 2013

“Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego

Tuesday, May 14, 2013

1-5 p.m., “Visions of the Future”
An afternoon of conversations and presentations featuring Clarke Center affiliates on their visions of science and culture 33 years into the future (in honor of Clarke’s imagining of 2001 in 1968).
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego

7 p.m., “The Literary Imagination”
A conversation between authors Jonathan Lethem and Kim Stanley Robinson presented by the Helen Edison Lecture Series, UC San Diego Extension and the Arthur C. Clarke Center for Human Imagination
Price Center West Ballroom, UC San Diego

Tuesday and Wednesday, May 21 and 22, 2013

“Starship Century Symposium”
A two-day event devoted to an ongoing exploration of the development of a starship in the next 100 years. Scientists will address the challenges and opportunities for our long?term future in space, with possibilities envisioned by Freeman Dyson, Paul Davies, Peter Schwartz, John Cramer and Robert Zubrin. Science fiction authors Neal Stephenson, Allen Steele, Joe Haldeman, Gregory Benford, Geoffrey Landis and David Brin will discuss the implications that these trajectories of exploration might have upon our development as individuals and as a civilization.
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego
Note: Seating is limited, but the two-day event will be offered via live streaming video at http://imagination.ucsd.edu.

Tuesday, May 21, 2013

Reception 6-8 p.m., “Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Also screening of documentary film, “Arthur C. Clarke: The Man Who Saw the Future,” a BBC/NVC ARTS Co-Production in association with RAI Thematic Channels, 1997. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego

Created by UCSD and the Arthur C. Clarke Foundation, the Clarke Center “will honor the late author and innovator through activities that will focus on cultural, scientific and medical transformations that can occur as we increase our understanding of the phenomena of imagination and become more effective at harnessing and incorporating our imaginations in our research and daily lives.”

UCSD’s Sheldon Brown, professor of computing in the arts in the department of visual arts, is the director of the center. The center’s associate director is David Kirsh, professor and former chair of the department of cognitive science.

In addition to drawing upon a wide range of disciplines and collaborations, the Clarke Center will engage the creative worlds of media, the arts and literature to help with discovery. UC San Diego’s unique relationship with speculative fiction and science fiction authors, including Kim Stanley Robinson, David Brin, Nancy Holder, Greg Benford, Vernor Vinge, Greg Bear and Aimee Bender, will allow the center to dismantle traditional boundaries and forge new ways of thinking about the future.