Tag Archives: John Grayshaw

Pixel Scroll 1/31/25 I Will Not Be Pixeled, Scrolled Or Filed

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(1) GAIMAN CLICKBAIT. I clicked, so you don’t have to. Despite the Variety headline – “Neil Gaiman’s The Sandman Canceled at Netflix After Season 2, Allegations” – the showrunner says Season 2 was intended to be the series’ last, and it’s apparently still going to air, so what about that is a “cancellation”?

Netflix’s adaptation of Neil Gaiman‘s “The Sandman” will end with its upcoming second season.

“The Sandman” Season 2 has been a long time coming. The first season debuted in August 2022, and it wasn’t renewed at Netflix until November of that year. At that time, Netflix was also hesitant to label it as a second season at all, choosing instead to say it was “a continuation of ‘The Sandman’ world,” and wouldn’t commit to an episode count. Variety has confirmed the second season was intended to be the last prior to filming.

“‘The Sandman’ series has always been focused exclusively on Dream’s story, and back in 2022, when we looked at the remaining Dream material from the comics, we knew we only had enough story for one more season,” “The Sandman” showrunner Allan Heinberg said in a statement to Variety Friday. “We are extremely grateful to Netflix for bringing the team all back together and giving us the time and resources to make a faithful adaptation in a way that we hope will surprise and delight the comics’ loyal readers as well as fans of our show.”…

(2) COURTHOUSE KRYPTONITE. “Warner Bros. Sued Over International Superman Rights” – The Hollywood Reporter briefs the case.

Warner Bros. Discovery has been sued over the rights to Superman in a lawsuit seeking to block the release of the studio’s tentpole film in several countries ahead of its July debut.

The estate of Joseph Shuster, the co-creator of Superman, alleges that WBD lost its international rights to the character and story years ago but continued to exploit them without its permission or compensation. In a complaint filed in New York federal court on Friday, it seeks a share of profits from all works attributable to the alleged copyright infringement — including Zack Snyder’s Justice League, Black Adam and Shazam! — in key countries such as Canada, the U.K. and Australia.

The legal action marks a potential hitch in WBD’s rollout of Superman, which arrives July 11 as the first solo movie for the character in more than a decade since Man of Steel. …

DC’s ownership of Superman dates back to 1938, when writer Jerome Siegal and Shuster, a graphic artist, sold their rights to the character and story for $130. The hero’s first appearance under DC’s banner was in Action Comics No. 1, which detailed his backstory, secret identity as newspaper reporter Clark Kent, and powers of super strength and speed (his first time flying came in 1943 in Action Comics No. 65).

Since then, it’s frequently been the target of litigation, starting in 1947 when the duo sued to invalidate DC’s ownership of the rights to Superman. The case settled, with a $94,000 payout to Shuster and Siegel to resolve the case.

Under U.S. copyright law, Shuster would typically be able to reclaim his domestic rights to Superman under a provision in intellectual property law that allows authors to claw back ownership of their works after a certain period of time. But his sister and brother reached a deal with DC in 1992 that terminated that right in exchange for $25,000 per year. A federal appeals court later upheld that determination.

This time, Shuster’s estate looks to take advantage of U.K. copyright law, which automatically terminates copyright assignments 25 years after an author’s death. By its thinking, it reclaimed the rights to Superman in 2017 since the graphic artist died in 1992.

Also at play: the possibility that Shuster’s sister didn’t have the authority to bind the estate to the agreement that purportedly surrendered its right to terminate DC’s ownership of Superman. In that case, the court stated that the issue is a “complex one” and punted on deciding it.

The lawsuit claims infringement of copyright laws in the U.K. Australia, Canada and Ireland….

(3) SCUTTLEBUTT. “Disney’s Star Wars hotel jumps from deep space to office space” – The Verge explains what that means.

Disney’s extraordinarily expensive Star Wars hotel isn’t coming back. The building that housed the Galactic Starcruiser is being converted into office space, scuppering hopes that it could be reborn or repurposed into a new interactive attraction.

The Wrap reports that the hotel will be converted into an office for Walt Disney Imagineering, the creative arm of the company responsible for its theme parks, retail, and cruise ships. The team located there will reportedly work on upcoming expansions for Florida’s Walt Disney World resort, including a Latin American section of the Animal Kingdom and a Monsters Inc. area within Hollywood Studios.

Galactic Starcruiser was an immersive hotel experience set in the Star Wars universe, where the minimum stay cost $4,800 for two people over two nights. It opened in March 2022 but ran for just a year and a half, shutting in September 2023. It returned to headlines in May 2024 when YouTuber and theme park superfan Jenny Nicholson’s four-hour video on its “spectacular failure” went viral, amassing 11 million views…

(4) IT’S PEOPLE! Inverse reviews Companion: “The Wildest Sci-Fi Thriller Of The Year Flips The Killer Robot Movie On Its Head”. BEWARE SPOILERS.

It’s a tale as old as time: boy meets girl, boy falls in love with girl, girl turns out to be a killer robot. Except Companion isn’t exactly the typical take on the classic sci-fi horror story. Instead, Drew Hancock’s cleverly constructed sci-fi horror movie is a fun takedown of the AI cautionary tale we know so well. And in the process, it may have given us the most sneakily feminist social horror movie this side of Gone Girl….

…The reason it all works, aside from Hancock’s admirably deft script, is because of Sophie Thatcher’s wonderfully malleable performance as Iris. Right off the bat, we sense that something is off with Iris — she’s a little too demure, a little too smiley, a little too doe-eyed. However, Thatcher seeds in tiny human quirks that spark some recognition for us: the way her mouth twitches uncomfortably when Josh’s friend Kat (Megan Suri) treats her with contempt, the way she glances down sadly when Josh brushes her off, and, of course, the way she would do anything to survive. By the time Companion drops its robot reveal (which again, happens very early on), we’re already primed to root for Iris, even as she starts to accumulate quite the body count….

(5) AFROFUTURIST SHORT FICTION. The Black Fantastic: 20 Afrofuturist Stories edited by andré m. carrington will be released in bookstores on February 4, and is available immediately from Library of America.

Inspired by Afrofuturist pioneers like Octavia E. Butler and Samuel R. Delany, a new generation of Black writers is fashioning a renaissance in speculative fiction. Edited and introduced by SF expert andré m. carrington, The Black Fantastic brings together Hugo, Locus, Nebula, Bram Stoker, Tiptree/Otherwise, and World Fantasy Award winners with emerging voices to showcase this watershed moment in American literature.

Here are twenty beguiling, unsettling, and visionary stories spanning the cosmos and a dazzling array of alternate timelines. Phenderson Djèlí Clark and Alaya Dawn Johnson stare down the specters of history in their haunting fictions, set, respectively, on a Founding Father’s brutal plantation and in the vampire-built internment camps of a dystopian Hawai‘i. Violet Allen’s would-be superhero stories turn to searing metafiction when her main character is repeatedly shot and killed by the police. Nana Kwame Adjei-Brenyah and Rion Amilcar Scott explore otherworldly forces at play in a small-town barbershop and in a young writer’s ambitions, while Victor LaValle tells the story of a man living on the streets of New York City, his bag of deposit bottles and cans bearing urgent messages from another dimension.

Other stories are by turns comic, provocative, and terrifying: Thaddeus Howze delivers a crowd-pleasing tall tale about a battle with aliens over the fate of Earth, by way of an epic baseball game; Maurice Broaddus spins a coming-of-age fantasy about an American girl in a utopian future Africa; Craig Laurance Gidney offers a Lovecraftian tour of the ballroom drag scene; Tara Campbell weaves a spell of ecofeminist horror; and much more.

Reimagining the past and laying claim to the future, these writers are bringing forth kaleidoscopic new visions of Black identity and creative freedom.

(6) POWER COUPLE. At One Geek’s Mind, John Grayshaw puts a spotlight on Edmond Hamilton and Leigh Brackett with the help of a Luna Monthly interview from 1975: “Interview about Edmond Hamilton and Leigh Brackett”. (The well-known sff writers wed in the 1940s; Ray Bradbury was Hamilton’s best man.) The interview touches on many different fandoms: classic movies, Star Wars, sff books, and comic books. As well as what it was like for female writers in the Forties. 

Wesley Grubb: Edmond Hamilton is one of those bridge-authors, who began writing before the “Golden Age” and continued to write into the “New Wave” era. How well did his writing develop, and how well did his stories mature, from his early career compared to his later career in the 50s and 60s? 

In a 1975 interview with Luna Monthly, Hamilton talked about how quickly he was writing stories back in the pulp era. He said:

“How do I feel about the rapid, high-production way we oldtime pulp writers employed in our work? I can’t speak for others, but for me it was the best way in the world to work. I might have been a more polished writer had I worked in more leisurely fashion, but I might too have been the centipede who didn’t know which leg to lift first.

One of the most ghastly stories I ever wrote was “Outside the Universe,” a wild tale of three galaxies at war. I wrote that in 1928, over 50,000 words of it first draft. I used a very small portable typewriter on a big, flat-top inherited desk. In writing those hectic space-battles, my hard pounding made the little typewriter creep all over the desk, and I would stand up and follow it in my burning enthusiasm.”

(7) THEY CAME FROM MILES AROUND. “Rebecca Yarros’s ‘Onyx Storm’ Is the Fastest-Selling Adult Novel in 20 Years” – the New York Times covers a personal appearance by the author, with quotes and comments by several of the fans on hand. (Link bypasses the paywall.)

….When Yarros became a fixture on the best-seller list, with the release of “Fourth Wing,” she had already published around 20 contemporary romance novels. But sales from book to book were largely stagnant, and she struggled with a chronic illness, Ehlers-Danlos syndrome, a genetic connective tissue disorder.

Her illness, though debilitating at times, inspired her to write “Fourth Wing,” she said. Yarros grew up loving fantasy, but had never read a fantastical novel with a protagonist who had physical limitations like she did. She decided to write about a young woman named Violet, who enrolls in an elite military academy for dragon riders, and is determined to succeed despite a chronic illness that makes her weak and physically frail….

…Fans’ fervor was palpable at the event, which was held in a huge auditorium in St. Paul. Many in the crowd were dressed up in sweatshirts, T-shirts and hats that said “Basgiath War College,” the military academy of the series. Some were fully decked out in costume, dressed as Violet, in leather body armor, or as dragons….

…At the start of the event, Yarros was introduced by the romance writer Abby Jimenez, who noted that the Empyrean series had taken over the top three slots on the New York Times best-seller list.

Yarros uttered an expletive to express her surprise and gratitude. “Thank you,” she said to the crowd. “You guys did that.”

(8) GRUMPY BUT NOT DOPEY. The star of this event is rather less thrilled to be there than the celeb in the previous item. “Grumpy Harrison Ford, a mystery asterisk and AI gone wild: everything from Disney’s new slate presentation” in the Guardian.

There are moments in life when you expect to be confronted by greatness: hearing a live orchestra swell into the opening notes of John Williams’ Star Wars theme; standing at the edge of the Scottish Highlands; watching a dog somehow open a fridge and retrieve a beer for its owner. And then there are moments when greatness sneaks up on you in the form of an 82-year-old Hollywood legend, materialising like a grumpy mirage, one metre from your face, during what you thought was a routine Disney presentation of new movies and TV shows.

Harrison Ford is not a man one simply stumbles upon. He is a force of nature, a living relic of an era when leading men didn’t have to spend six months on a chicken-and-rice diet before taking their shirts off. And yet, here he is, looking suitably nonplussed with the entire concept of being on a stage, fielding questions alongside his Captain America: Brave New World co-stars in an impromptu Q&A with all the enthusiasm of a guy who somehow finds himself trapped in the world’s most boring hostage video….

…The assembled audience is also treated to an exclusive clip of the new film, out 14 February, in which we already know Ford will end up transforming into the Red Hulk. It’s an action-packed set piece in which Wilson (Anthony Mackie) infiltrates an enemy base, and showcases the new winged Captain America suit, which we’re told was given to Sam by those helpful Wakandans. . Marvel has always been a franchise built on increasingly wobbly physics, but even the most generous audience might struggle to believe that a bloke with no serum and no billionaire gadgets could stand toe-to-toe with a bad guy whose brain is so large it requires its own postcode….

(9) JOHN ERWIN (1936-2025). “John Erwin Dead: ‘He-Man,’ ‘Archie’ Voice Actor Was 88” – The Hollywood Reporter summarizes his career —

John Erwin, the reclusive actor who provided the voices for the heroic title character in He-Man and the Masters of the Universe and the vain frenemy Reggie Mantle in a series of Archie cartoons, has died. He was 88.

Erwin died of natural causes “around Dec. 20” in his home in Camarillo, California, his reps at the PR firm Celebworx announced.

For nearly a decade starting in 1969, Erwin was heard in dozens of TV commercials as the snarky Morris the Cat, the finicky orange tabby who would eat nothing but the 9Lives brand of cat food. The hugely successful campaign was created by the Leo Burnett advertising firm.

…For Filmmation, Erwin voiced the blond, muscular He-Man (and his alter ego, Prince Adam) on He-Man and the Masters of the Universe from 1983-85 and on She-Ra: Princess of Power from 1985-87. He also played the villain Beast Man and other secondary characters on the syndicated shows that were based on a line of Mattel toys….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Roger Zelazny’s This Immortal

Fifty-nine years at Tricon where Isaac Asimov was Toastmaster, Roger Zelazny’s This Immortal won the Hugo for Best Novel in a tie with Frank Herbert’s Dune. 

It was first published as “…And Call Me Conrad” in The Magazine of Fantasy and Science Fiction in October and November 1965, then as This Immortal in 1966 by Ace Books, and in 1967 by UK publisher Hart-Davis in hardcover. 

So it was only in the magazine that it had that title? So why the name change? Marketing having one of their not so genius ideas? 

Algis Budrys in Galaxy Bookshelf was fond of this novel saying it was “an extremely interesting and undeniably important book” with “a story of adventures and perils that is utterly charming and optimistic.”

(11) COMICS SECTION.

(12) COPYRIGHT OFFICE RELEASES ANOTHER PAPER ON AI. “New Government Report Addresses ‘Copyrightability’ of AI Works” – Publishers Weekly gives a quick rundown. (Download the full report here.) 

The U.S. Copyright Office has released the second installment of what is envisioned as a three-part report on copyright and artificial intelligence. The most recent release addresses the issue of “copyrightability of outputs generated by AI systems.” Its recommendations are based on the comments the Copyright Office received after it posted a Notice of Inquiry in August 2023 seeking public input on the full range of copyright issues raised by AI.

Based on an analysis of copyright law and policy and comments from the public, the Copyright Office made the following conclusions and recommendations:

  • Questions of copyrightability and AI can be resolved pursuant to existing law, without the need for legislative change.
  • The use of AI tools to assist rather than stand in for human creativity does not affect the availability of copyright protection for the output
  • Copyright protects the original expression in a work created by a human author, even if the work also includes AI-generated material
  • Copyright does not extend to purely AI-generated material, or material where there is insufficient human control over the expressive elements
  • Whether human contributions to AI-generated outputs are sufficient to constitute authorship must be analyzed on a case-by-case basis
  • Based on the functioning of current generally available technology, prompts do not alone provide sufficient control
  • Human authors are entitled to copyright in their works of authorship that are perceptible in AI-generated outputs, as well as the creative selection, coordination, or arrangement of material in the outputs, or creative modifications of the outputs
  • The case has not been made for additional copyright or sui generis protection for AI generated content

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch on pepper chicken masala with Larry Hama” in Episode 246 of the Eating the Fantastic podcast.

I’ve known writer/editor/artist Larry Hama for at least half a century now, but his career started long before that, when he sold his first cartoon to Castle of Frankenstein magazine in 1966. He’s probably best known as a writer and editor for Marvel Comics, where he wrote the licensed comic book series G.I. Joe: A Real American Hero, based on the Hasbro toy line, writing nearly every issue of the book’s 13-year run.

Larry Hama

He’s also written for the series Wolverine, Nth Man: The Ultimate Ninja, and Elektra. He worked as an editor at both DC and Marvel, and at the latter edited the humor magazine Crazy, as well as Conan, The ‘Nam, and Peter Porker, The Spectacular Spider-Ham. He co-created the character Bucky O’Hare, who not only appeared in comic books, but as a television cartoon. Last year, he was inducted into the Harvey Awards Hall of Fame.

We discussed how cataract surgery changes the way an artist perceives the page, what really happened at a mid-’70s penthouse comic book party, Bernie Krigstein’s anger at being asked questions about comics, why Wally Wood felt it was so important for his assistants to learn how to letter, what it was like being part of the famed Crusty Bunkers inking collective, why getting to edit Crazy was the fulfillment of a lifelong dream,  which Marvel Comics Bullpenner was the visual inspiration for Obnoxio the Clown, why getting his freelancers to hit their deadlines was never a hassle, the editing advice Archie Goodwin gave him early on, the real reason he needed to create that famous silent issue of G. I. Joe, the differing zeitgeists of Marvel vs. DC during the ’70s, his approach to taking over the editing of legacy characters, our joint confusion over memes of previous generations, and much more.

(14) TODAY’S THING TO NOT WORRY ABOUT? “Asteroid 2024 YR4 Could Strike Earth, Researchers Say, But the Odds are Small” in the New York Times (bypasses paywall).

You may hear about a large asteroid headed toward Earth. Don’t panic.

Just after Christmas Day, astronomers spotted something zipping away from Earth: a rock somewhere between 130 feet and 330 feet long that they named 2024 YR4. Over the next few weeks, they simulated its possible future orbits. They now say, based on the most up-to-date information, that there is a 1.3 percent chance that this asteroid will strike somewhere on Earth on Dec. 22, 2032.

Should this keep you up at night?

“No, absolutely not,” said David Rankin, a comet and asteroid spotter at the University of Arizona.

The object’s current odds of striking Earth may sound scary — and it’s fair to say that an asteroid in this size range has the potential to cause harm. Should it strike a city, the damage would not cause anything close to a mass extinction, but the damage to the city itself would be catastrophic.

But a 1.3 percent chance of a hit is also a 98.7 percent chance of a miss. “It’s not a number you want to ignore, but it’s not a number you need to lose sleep over,” Mr. Rankin said….

(15) A LONG WAY FROM THE BEACH. [Item by Mike Kennedy.] The roads must roll. Or the sand must flow, anyway. Meet the Dune Express, the second-longest conveyor belt in the world. At 42 miles in length, it’s built to take the place of trucks in moving sand from a quarry to an oil field where it’s used in fracking.

The Dune Express is the Texas-sized, if risky, baby of Atlas Energy Solutions. And, yes, the company is named after that book. “The World’s Second-Longest Conveyor Belt Comes to West Texas” in Texas Monthly.

I rapped my knuckles on the galvanized aluminum exterior to make sure it wasn’t some sort of desert mirage. It was solid: $400 million worth of concrete, electronics, and steel assembled to rotate a thick rubber belt along roughly 66,000 metal rollers. Something on the order of 13 million tons of sand can be carried the entire length of the machine—42 miles—each year. If all of that were used to build sandcastles, you could have a couple of dozen the size of Buckingham Palace, with more than enough left over for a Taj Mahal.

But this sand isn’t for beachside amusement. It’s for fracking. When drillers crack open subterranean rock in the Permian Basin to allow oil to flow out, sand rides alongside the injected fluid to prevent the spider’s web of new fractures from closing up again. Each grain of sand functions like a tiny support beam in a minuscule mine shaft. Fracking a single well can consume more than four hundred truckloads of sand…

(16) ELIXIR OF YOUTH. [Item by SF Concatenation’s Jonathan Cowie.] They say change is good, but I am totally with Sheldon Cooper in that it rarely is… And now we have under-reported news that could really shake things up for the planet…!

One of science’s greatest successes/failures is that the technology it spawns has benefited humanity so well that our global population has soared from a billion in 1804 to two billion in 1927 to 8 billion in 2024!  The resulting pollution, the loss of wildlife habitat to agriculture, is disrupting the Earth system…  And if that was not bad enough, now comes news that we may soon have a drug that can significantly (by a decade) extend human life spans….!

Yes, you read that correctly: ‘life extension’!  Our planet’s population could soar? Inequality could increase? 

The news was reported in this week’s issue of Nature. It seems that injecting old mice with an RNA molecule seems to reverse some signs of ageing – helping them to live longer, regrow hair and maintain their physical and mental abilities.

They used mice aged between 20 and 25 months, which is akin to between about 60 and 70 in human years. They went on to live for about 4.5 months longer, on average. They regrew hair that had become sparse, maintained a higher body weight, could stay balanced on a rotating rod for longer and had better grip strength for their weight

Now, don’t get too excited/worried just yet as the mouse may not be a good model for humans when it comes to RNA treatment, however this is still something of a breakthrough…

Primary research here.   

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John Grayshaw, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/10/25 Quantum Scream And Leap

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(1) OCTAVIA’S BOOKSHELF IS SAFE. In response to the Eaton Fire, Nikki High, owner of Octavia’s Bookshelf in Pasadena, turned the shop into a “mutual aid pit stop”. The shop itself is a mile or two away from the active fire area, outside the current evacuation zone but in the warning area.

When the bookstore opened yesterday they broadcast that they had food items and many other household necessities available. They put out a call for donations needed which was answered abundantly because they later said they are full for today – but check back for what is needed tomorrow.

Octavia’s Bookshelf is at 1353 N. Hill Ave. in Pasadena.

Nikki High has also posted this video of damage to the area:

Publishers Weekly has more coverage in “Brush Fires, Severe Weather Threaten L.A. Bookstores and Publishers”.

(2) CULTURAL ICONS LOST TO FIRE. There are probably more, but these have already made the news.

“Zane Grey House in LA Consumed by fires” reports the New York Times.

In Altadena, the Eaton fire has already claimed two cultural treasures: the 1907 Zane Grey Estate, the Mediterranean-style residence of one of California’s great Western novelists; and the 1887 Andrew McNally House, a Queen Anne gem that was home to the mapmaking tycoon who co-founded Rand-McNally.

Here’s a photo of the place Curbed LA ran in 2020.

The Theosophical Society building and archives in Altadena also burned.

…The Pasadena location was “the world’s largest archive of Theosophical materials, including a library with 40.000 titles, the entire archive of the history of the TS, including ca. 10.000 unpublished letters, pertaining to HPB, the Mahatmas, W.Q. Judge, G.R.S. Mead, Katherine Tingley, and G. de Purucker, membership records since 1875, art objects, and countless other irreplaceable materials. The archives also contained works of Boehme, Gichtel, donations from the king of Siam including rare Buddhist scriptures, and so on.”…

(3) RELEASED ON THEIR OWN RECOGNIZANCE. In “The Last Orphan Stories” John Grayshaw shares what he learned while pursuing the interesting question of what became of the stories purchased by Harlan Ellison for Last Dangerous Visions that did not get included in the recent anthology produced by Ellison’s literary executor J. Michael Straczynski. He reached out to the authors and the responses ranged from warm to hostile.  

…But ever since JMS announced LDV was finally seeing the light of day, I was very interested to see which stories would be included, which would not and especially what became of the ‘orphans’. In practical terms, the rights to any of the stories not included by JMS revert to the authors/estates. For 45 years all fans (we are both fans, if you have not guessed by now!) have had is the list of titles and authors and endless speculation, fueled by our imaginations. In a way this is appropriate for SF, the literature of the imagination.

I decided to take a look at the list of unpublished stories and contact the authors, or their estates in the case of this who have died, to ask them if these stories have been or will ever be shared with the world. I have followed the original structure of the three ‘books’ as set out by Ellison in the following discussion and I have highlighted the titles of the stories where I had a reply from them or their estate. Sadly not all my inquiries were successful, but I have shared as much information about the authors as I could in the hopes that maybe down the line we will hear more about these unpublished stories. Short biographies of the writers have been included; many of these will be known to you, some may be less well known and sadly there are a few for which almost no information is available….

(4) WHY IT’S HARD TO TELL. The New Yorker tries to figure out, “Did a Best-Selling Romantasy Novelist Steal Another Writer’s Story?” “Tracy Wolff, the author of the ‘Crave’ series, is being sued for copyright infringement. But romantasy’s reliance on standardized tropes makes proving plot theft tricky.”

(5) THE CAPTAIN HAS TURNED ON THE NO CATNIP SIGN. Camestros Felapton returns with more “Missing Moments in Movie History: When Worlds Collide”. No excerpt because that would spoil your fun. However, you don’t need to be told how this turns out: Never count on Timothy the Talking Cat to save humanity.

(6) WHY NOT SAY WHAT HAPPENED? Episode 14 of Scott Edelman’s Why Not Say What Happened? podcast takes us back to the Seventies to learn about “Tony Isabella’s Essential Edit of My Early Avengers Script Assist”. (A dozen possible places to listen to the show are hat this link.)

While destroying hundreds of pages of bad poetry I scribbled as a teenager, I made a few surprising discoveries which cause me to reminisce about my poem “Ode on Comic Book Company Loyalty,” written 18 days after I was hired by Marvel Comics, my extremely rough sketch for the second Scarecrow splash page, my team-up with Quicksilver and 7-Eleven to freeze your brain with Slurpees during the summer of 1975, Tony Isabella’s heavy edit on my early Avengers script assist (and why we should all be grateful), my forgotten horror pitches bounced by Marvel in 1974, and much more.

(7) TODAY’S BIRTHDAY.

[Written by Valentin D. Ivanov.]

Born January 10, 1950 — Lyubomir Nikolov-Narvi. (Died 2024.)

By Valentin D. Ivanov: Lyubomir Nikolov – Narvi was a towering figure among the Bulgarian speculative genre writers. Author, translator, and journalist, he is best known for the translation of the Bulgarian translation of The Lord Of The Rings in 1990 making this great book accessible for the first time in our country. My first memory of Lyubomir Nikolov dates soon after that, at a meeting of the Sofia society of speculative fiction, heuristics and prognostics (what a name!) “Ivan Efremov”. The political transformation of the country had just begun, the publishing had “exploded” and immersed us in books and authors that we had only heard about before – Tolkien among them. Nikolov held the equivalent of a master’s degrees in mechanical engineering and journalism.

Narvi read a freshly translated story at that gathering, but it is his own writing I can talk about here. The Mole, Worm under the Autumn Wind, On the Wall and especially The Tenth Righteous Man. The last one won the fans’ award for work of the 1990s decade. Although he was primarily a social science fiction writer, that particular book contains a wonderful and original science fiction assumption that deserves to be noted. I will reveal it here, even though it is an important plot-forming element, because I am not optimistic about the chances the novel would ever get an English translation: the Universe undergoes… a phase transition, the fundamental physical constants change and as a result the nuclear fission reactions become much “easier” to achieve. 

It is enough to light a small fire and the aches can exceed the critical mass and blast into another Hiroshima. Lyubomir Nikolov investigates in the books the consequences of giving such immense powers to everyone. Pretty much like what the nanotechnologies have the potential of doing, but he reaches the same effect by means of physics rather than technology. A lesser writer may have turned this into a cheap horror tale; not Narvi – his pen gave birth to a Greek tragedy of epic proportions, with its own Odysseus figure.

He passed away less than a year ago and was active until almost the end: recently he published a two-volume novel The Gray Road – a tale of power struggle on a terraformed Moon where the humanity has slid back into a nearly feudal society.

Narvi is one of the fathers of the game books phenomenon that took our country by storm in the 1990s too. Unfortunately, I hardly knew this side of his writing – I missed the entire game books phenomenon and only rediscovered it much later when I had to teach my own children to read… with his game books.

Lyubomir Nikolov holds Eurocon (1987), Sotscon (1989) and Graviton (2001) awards.

Lyubomir Nikolov-Narvi

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 10, 1969 — Star Trek’s “Let That Be Your Last Battlefield”

Fifty-three years ago this evening, Star Trek’s “Let That Be Your Last Battlefield” first aired on NBC. It was the fifteenth episode of the third season. 

It written by Oliver Crawford who also penned “The Galileo Seven”. It was based on a story by Gene L. Coon who was writing under his pen name “Lee Cronin” due to contractual reasons. Coon was the showrunner for the series through most of the second season and was responsible for such major elements as the Klingons and the naming of the United Federation of Planets and Starfleet Command. 

The co-stars here were Frank Gorshin as Commissioner Bele and Lou Antonio as Lokai. Gorshin would be known in this period for his recurring role on Batman as The Riddler. Lou Antonio did a few genre one-offs. 

The episode has since been rated as one of the best of the Trek series with Collider, Hollywood Reporter, PopMatters, SciFi and ScreenRant all rating it among the best episodes produced. 

Spock’s comment that “Change is the essential process of all existence” which remains one of the most memorable lines of dialogue ever said on Trek comes from this episode.

The original version when Beale and Lokai run through the Enterprise shows the burning cities of World War II Europe. The remastered version shows the Cheron cities still burning from space. That scene was done because the episode was running short.

It’s streaming on Paramount+. 

(9) COMICS SECTION.

(10) GOREYGRAM. [Item by Steven French.] The Paris Review shares “The Illustrated Envelopes of Edward Gorey”.

Tom Fitzharris and Edward Gorey met one afternoon in 1974 when Fitzharris, long a fan of Gorey’s books and illustrations, bumped into him outside of the Town Hall, the performance space in Midtown Manhattan. Gorey—in his trademark fur coat, long beard, and sneakers—was immediately recognizable. The two struck up a brief but intense friendship. When Gorey was in New York, they met frequently, especially to go the ballet—Gorey planned his time in the city around the New York City Ballet’s performance schedule. His summers were spent in Cape Cod. It was in August of that year that Gorey began sending Fitzharris mail, richly illustrated both inside and out. Reproduced [here] are four of the fifty notes, quotations, and letters Fitzharris received over the course of their correspondence.

(11) GO RIGHT TO THE SOURCE AND ASK THE HORSE. Sounds like a variation on “Let the Wookiee win”. From Fighter Guy.

(12) UK VIEWS MERCURY. [Item by SF Concatenation’s Jonathan Cowie.] BBC reports “New images of Mercury captured by UK spacecraft BepiColombo”.

Astrium in Stevenage was where SF² Concatenation  co-founding editor  Graham Connor. If we still have him, he would undoubtedly have designed the probe’s onboard communication system.

A spacecraft built in the UK has captured new images of Mercury as it made its sixth and final flyby ahead of entering the planet’s orbit in 2026.

BepiColombo was built by the Stevenage-based company Astrium, now Airbus, and launched in 2018.

The spacecraft comprises two satellites that will gather data for at least a year, and needs special shielding to withstand the heat from the sun.

Monitoring cameras on the spacecraft captured images of the planet as it flew 295km (183 miles) above Mercury’s surface, including views of the planet’s north poles, as it was lit by sunlight.

(13) IT ROLLS. IT FLIES. BUT WHAT, NO BOAT? [Item by Mike Kennedy.] A mere monster SUV is so yesterday. Chinese company XPeng AeroHT has announced a 6-wheel SUV/truck with 4 seats for the land vehicle and an additional 2 seats in the included manned hexacopter. All powered by electricity. They call this configuration a “Land Aircraft Carrier“. The company website assures potential buyers that pre-sales are coming soon. “XPeng Aero HT Land Aircraft Carrier comes with onboard EVTOL” at Wallpaper*.

… Whilst this particular combo occupies something of a legislative grey area, at least in heavily certified airspaces like Europe and the USA, XPeng has set out to make the aircraft as easy as possible to fly. Controls are reduced to a single-lever, take-offs and landings are automated and an autonomous flight system takes control of navigation. ‘Five minutes to learn, three hours to master,’ is the relevant strapline….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Valentin D. Ivanov, Danny Sichel, Scott Edelman, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/3/22 My Positronic Brain It Teems With Endless Subroutines

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(1) FANTASTIC FICTION AT KGB FUNDRAISER. Fantastic Fiction at KGB is a monthly speculative-fiction reading series held on the second Wednesday of every month at the KGB Bar in Manhattan, hosted by Ellen Datlow and Matthew Kressel. Admission is always free. To cover the next round of guest expenses, they have launched their first fundraiser in three years, with a $6,000 goal: “Fantastic Fiction reading series at the KGB Bar Gofundme”.

The monthly series, which has been running since the late 1990s , serves as a salon, where writers, editors, agents, and fans of science fiction, fantasy, and horror can co-mingle in a shared event space. The series also served a vital social function during multiple Covid lockdown periods, when we featured authors from all over the globe on our live YouTube channel, and people who were isolated due to the lockdown could keep in contact with the writing community. We also release a free podcast, where we post audio recordings of the monthly readings.

Running the series costs us money. We pay a stipend to our guests, we pay for their drinks at the bar, and we also take them out to dinner after the readings. At present, the series costs about $2,000 per year to run. Unfortunately, we are almost out of money from our last fundraiser three years ago. We hope to raise at least $6,000, which will fund the series for three more years. It would be great if we could raise more.

(2) BLACK PANTHER. “Show them who we are.” A new trailer for Marvel Studios’ Black Panther: Wakanda Forever dropped today. See it only in theaters beginning November 11.

(3) CALL FOR SUBMISSIONS — JOURNEY PLANET: ANTHROPOCENE RUMINATIONS. [Item by Olav Rokne and Amanda Wakaruk.] When Chris Garcia and James Bacon approached us to guest edit an edition of their Hugo-winning fanzine Journey Planet, they asked us “what subject would you most like to tackle?”

The answer was easy: climate fiction.

Climate change is the defining crisis of our age. Given that the causes of climate change are rooted in technological transformations celebrated by the past century of science fiction, enthusiasts like us have some responsibility to grapple with what it means.

The upcoming “Anthropocene Ruminations” will contain some of the various ways in which SFF fans are grappling with a rapidly heating and chaotic planet: through fiction, through art, through poetry, and through critical discourse. 

We’re hoping to have reviews of books depicting climate change, discussions of historical trends, and examinations of aspects of climate change that may have been neglected by genre fiction. 

We’d love to hear article and art pitches from across the fandom community (that means all y’all). Send us your ideas before October 15 (email BOTH of us at amanda.wakaruk at gmail dot com and olavrokne at gmail dot com). We’re aiming to have the finished works submitted by November 15. 

Will “Anthropocene Ruminations” singlehandedly solve climate change? It’s too early to say for certain. What it’s not too early to say is that it will contain some pieces by Hugo-finalist and Hugo-winning fanwriters.

Drop us a line. Amanda & Olav. Unofficial Hugo Book Club Blog co-editors

(4) KEEPING UP WITH CORA BUHLERT. The alumni newsletter of Bremen University, Kurzmeldungen, listed Cora Buhlert’s Hugo win.

Issue Zero of New Edge Sword & Sorcery Magazine published Cora’s article about C.L. Moore and Jirel of Joiry, as well as fiction and non-fiction by Howard Andrew Jones, Brian Murphy, Milton J. Davis, Nicole Emmelhainz, David C. Smith, Dariel R.A. Quiogue, Remco van Strane and Angeline B. Adams, Bryn Hammond, J.M. Clarke, T.K. Rex, Robin Marx and editor Oliver Brackebury. The digital edition is free, the print editions are fairly cheap.

And Cora has an essay about anime in West Germany in the 1970s and 1980s in Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-Up Kids.

In these pages you will find glowing memories of flights of fancy such as Ultraman, Johnny Sokko and His Flying Robot, Astro Boy, Battle of the Planets, Space Giants, Speed Racer, Robotech, and many, many more—including a few you may never even heard of!

(5) NOBEL PRIZE FOR PHYSIOLOGY OR MEDICINE. “Svante Pääbo Wins Nobel Prize for Unraveling the Mysteries of Neanderthal DNA” – Smithsonian Magazine has the story.

The Nobel Committee for Physiology or Medicine awarded the field’s top prize on Monday to Svante Pääbo, a Swedish geneticist who determined how to extract and analyze DNA from 40,000-year-old Neanderthal bones. Pääbo’s decades of research have made it possible for scientists to begin probing differences between today’s modern humans and their ancient ancestors.

Pääbo, who is 67, has spent decades pioneering and perfecting new methods of extracting Neanderthal DNA, an extremely complex and challenging process. Over time, very old DNA degrades and can become polluted with the DNA of bacteria, and modern scientists can also easily contaminate it with their own genetic material.

But time and again, Pääbo found ways around these and other issues. In 2010, after years of painstaking work, Pääbo and his team published the sequenced Neanderthal genome, a feat that at one time was considered impossible, reports the New York Times’ Benjamin Mueller. As Elizabeth Kolbert wrote in her book The Sixth Extinction, the process was like trying to reconstruct a “Manhattan telephone book from pages that have been put through a shredder, mixed with yesterday’s trash, and left to rot in a landfill.”

…On Monday morning, Pääbo was just finishing a cup of tea when he got a call from Sweden. He assumed the call was bad news about his family’s summer home in Sweden and was instead surprised to learn he’d won the Nobel Prize. When asked whether he ever envisioned winning science’s most prestigious prize, Pääbo humbly replied that he “somehow did not think that this really would… qualify for a Nobel Prize,” per an interview posted on the Nobel Prize website….

Here’s a further excerpt from the Nobel’s “Svante Pääbo – Interview”.

…AS: Your work is of course on the sequencing of these early hominins. What does our knowledge, your knowledge of the genetic makeup of those species tell us about our relationship with them.

SP: Well, it does tell us that we are very closely related, first of all, and we’re actually so closely related that they have contributed quite directly, 50, 60 thousand years ago, DNA to the ancestors of most people today, those who have their roots outside Africa. And that variation that, sort of, those variants do have an influence, and influence many things in our physiology today.

AS: Do you think that changes our view of ourselves, knowing that?

SP: In some sense, I do think it does so, the sort of realisation that until quite recently, maybe 14 hundred generations or so ago there were other forms of humans around and they mixed with our ancestors and have contributed to us today. The fact that the last 40 thousand years is quite unique in human history, in that we are the only form of humans around. Until that time, there were almost always other types of humans that existed.

(6) A MOMENT IN SFF HISTORY. “Science Fiction In Communist Bloc Changed Forever 40 Years Ago” writes Jaroslav Olsa Jr., the Consul General of the Czech Consulate in Los Angeles.

In October 1982, the first issue of FANTASTYKA, Polish science fiction monthly reached its first readers. This was the first real science fiction magazine in the former Soviet bloc! And it had an enormous impact on science fiction in other neighbouring countries as the situation in Eastern Europe was significantly different than in Western Europe as all publishing business in Soviet bloc was under strict control of each state and its leading (often Communist) party. The publishing houses were operated and owned predominantely by state ministries or its subsidiaries, controlled more or less visibly by various types of censorship bodies and though in some Soviet bloc countries in different times publishing was allowed greater freedom (e. g. Yugoslavia, Hungary and/or 1980s Poland), there was never allowed a free press.

And thus even publishing SF fanzines was a sort of risky adventure…

Thank you late Adam Hollanek, late Maciej Parowski, late Andrzej Krzepkowski, Jacek Rodek, Andrzej Wójcik and many many others, who gave us Fantastyka, and who helped us to open the window to science fiction in the West and internationalize science fiction – something then a real novelty….

(7) MICKEY MOUSE CAPITALISM. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Elaine Moore discusses how Disney CEO Bob Chapek is concerned that people who show up at a Disney park every week are crowding out the occasional visitor who will spend a lot of money on stuff.

The problem is that super fans don’t spend as much per visit as occasional park visitors.  There are only so many Minnie Mouse headbands a person can wear.  For some, the annual pass that allows buyers to visit Disney parks throughout the year is extremely good value too.  A one day trip to Disney World in Florida is $109.  The annual Incredi Pass is $1,299 plus tax. Visit once a month and you break even.  Go every week and you’d save over $4,000.  The mismatch has shades of the MoviePass debacle, in which subscribers paid less than $10 per month for multiple cinema trips.  MoviePass guessed they might visit once or twice a month.  But their willingness to go day after day left the company bankrupt…

…At the recent D23 Expo there were complaints that passes were still suspended.  Unluckily for them, Chapek used to run the parks division.  He knows that demand is far higher than supply and is sufficiently unsentimental to take advantage.  Prices would double and visitors would pay them.  Disney fans may moan but they will still keep coming back.”

(8) ANTI-MUSLIM SENTIMENTS. The culture war is engulfing Bollywood reports the Guardian: “Bollywood under siege as rightwing social media boycotts start to bite”.

…For decades, India’s Hindi film industry, known as Bollywood, has been one of the country’s most popular products, for Indians themselves and the world at large. But the consolidation of Hindu nationalism under the ruling Bharatiya Janata Party (BJP), has marked a cultural shift.

Laal Singh Chaddha stars, and is produced by, Aamir Khan, one of Hindi cinema’s trio of superstar Khans (Shahrukh and Salman are the other two, all unrelated). On its release, social-media platforms witnessed a tidal wave of targeted attacks calling for a boycott of the movie. The resurfacing of remarks made by Khan on the rise of “intolerance” in India in 2015, as well as clips from his 2014 film PK (which criticised blind-faith belief) were coupled with targeted tweets. Laal Singh Chaddha has fared poorly at the box office, but the calls for a boycott have not stopped. Other movies, such as Vikram Vedha, Dobaara, Shamshera and Brahmastra, are also in the line of fire, the last two owing to the recirculation of 11-year-old remarks by the lead actor, Ranbir Kapoor, on eating beef….

(9) SALES FIGURES. In the Washington Post, David Betancourt looks at the process that Hasbro uses to make 32-inch action figures that cost $399,99.  (The latest, Galactus, will be “a towering 32-inch monstrosity of plastic articulation.”)  Betancourt says Hasbro uses a crowdfunding method of deciding which giant action figures to make; they greenlit the huge Galactus last summer after 14,000 people agreed to buy it.) “Would you buy a $400 Marvel action figure? Thousands of people can’t wait.”

In comic books,Galactus is known as the devourer of worlds. When it comes to action figures, Galactus is now the destroyer of wallets.

Hasbro decided that its newest figure depicting the giant planet eater from Marvel’s Fantastic Four wouldn’t be the typical six-inch toy that retails inthe $20 to $30 range and decorates work desks and bookshelves. This Galactus,with a design based on the art of famed Marvel writer-artist John Byrne, would be a towering 32-inch-tall monstrosity of plastic articulation. The figure, scheduled for release some timethis fall, is the biggest toy Hasbro has ever built for its Marvel line, which is fitting, given Galactus’s gigantic stature….

(10) A FREE-TO-READ STORY. Sunday Morning Transport presents “A Hole in the Light” by Annalee Newitz, “an astounding new world wrapped around a stellar story of grief and growth.”

Arch had never been to a ritual of dissolution for someone who mattered.

Of course, there were distant kin who had died. But when they dissolved, it felt like they had moved to the next village: poignant, but not a disaster. The artificiality of the ritual made her more uncomfortable than their loss. Well, perhaps that wasn’t quite true. She had genuinely suffered when her physics teacher had died, and she could no longer ask questions about what lay beyond the village of Slope-Toward-Sea, on the planet Skiff, wrapped in the mottled glow of the eroding firmament. Even when her teacher dissolved, though, the ritual had seemed absurd….

(11) MEMORY LANE.  

2016 – [By Cat Eldridge.] Six years ago on NBC the Timeless series debuted. (Yes, I do delve into the recent past on occasion). It would last but two seasons. (Yes, two seasons. Read below for why it was only two seasons, really.)

Not terribly original in concept, it involved a group that attempts to stop a mysterious organization from changing the course of history through time travel. 

It was created by Eric Kripke who of Supernatural series fame along with the later The Boys, and Shawn Ryan who’s done nothing else they genre wise but has created S.W.A.T. that I love and Lie to Me, a rather odd crime drama series I also like a lot. Yes, I have odd tastes.

Project Lifeboat, among its members, had a history professor, a Delta forces soldier, a computer programmer and a creator of the Lifeboat time machines. Ok I did say it wasn’t a terribly original concept, didn’t I so guess what? NBC got sued by the Spanish series El ministerio del tiempo (The Ministry of Time), which follows the adventures of a three-person team made up of two men and a woman who travel to the past with a view to preserving past events.  

It went to court but eventually “their attorneys of record hereby stipulate that the entire civil action may be and hereby is dismissed with prejudice, with each party bearing that party’s fees and costs of suit.” One assumes that large sums of money were involved. Isn’t there always money involved when such things need to be settled?

Getting back to the series, it was cancelled after the second season but a massive, and I do mean massive, fan campaign sort of saved it, so it got a special two-part finale. It originally didn’t make the cut for the next fall season but when they started getting a pushback from fans, NBC responded saying “And then we woke up the next morning, heard the outcry (from fans). We went back to the drawing board, with our partners at Sony, and we found a way to bring it back. It’s extraordinarily well produced and deserved to come back.”

Unlike many similar series, it was allowed a proper wrap-up. Fandango noted, “A fitting farewell, Timeless wraps with a fun, festive finale that ties up loose ends and provides enough fan service to satisfy.”

It carries a most excellent seventy-seven percent rating among audience reviewers at Rotten Tomatoes. It does not appear to be streaming for free anywhere. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 3, 1933 — Norman Adams. The SF Encyclopedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966.  I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
  • Born October 3, 1927 — Don Bensen. Best-known for his novel And Having Writ… which is not in print in form digitally or in hard copy — damn it. Indeed, nothing by him is. Huh. (Died 1997.)
  • Born October 3, 1931 — Ray Nelson, 91. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live.  He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
  • Born October 3, 1935 — Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
  • Born October 3, 1944 – Katharine Kerr, 78. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them.
  • Born October 3, 1964 — Clive Owen, 58. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
  • Born October 3, 1973 — Lena Headey, 49. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better.  She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about. 

(13) COMICS SECTION.

(14) SURPRISE BEGINNING. John Grayshaw of the Middletown PA Public Library arranged for questions about Murray Leinster to be answered for his Online Science Fiction Book Club by Steven H Silver and the author’s daughter, Billee Stallings. See the Q&A here: “Interview about Murray Leinster”. Note: Murray Leinster was the pen name of Will Jenkins, but I never knew til now that H.L. Mencken was behind his decision to use one.

Damo Mac Choiligh: A trivial question perhaps, but where did he get the pseudonym ‘Leinster’? The word is the English version of the name of a region of Ireland, well known to any Rugby fans.

Billee: When Will was published in Smart Set magazine in his teens, H. L. Mencken put down the other magazines he was selling to and said he should use a pen name and save his own for the “good stuff” (ie; Smart Set). Dad selected Murray from his mother’s maiden name (Murry. Wyndham Martyn, an English writer for the magazine, suggested Leinster. Martyn (known for the Anthony Trent novels) told him the Fitzgeralds (Dad’s middle name) were descended from the Dukes of Leinster.

(15) A DIFFERENT KIND OF TIMELESS NEWS. In 2020, Alex Ross crafted over 30 extraordinary depictions of Marvel’s most beloved super heroes in a beautiful art piece known as Timeless. This iconic imagery was used to produce a best-selling variant cover program and now… it’s the villains turn.

The legendary artist’s newest art piece deviously unites 37 of Marvel’s classic villains! Capturing the menace, danger, and allure of characters like Green Goblin, Doctor Doom, and Thanos, this stunning group shot represents the definitive takes on Marvel’s deadliest foes straight from one the industry’s most revered talents! Look for this beautifully painted artwork to be used for a new series of variant covers starting in March 2023.

“The passion I held for illustrating many of Marvel’s heroes in a timeless representation was easily matched by the passion I felt for illustrating the villains,” Ross said. “Marvel clearly has some of the greatest concepts in the realm of supervillains as well as heroes.”

Find more information about Alex Ross’ new piece including which titles it’ll grace the covers of at Marvel.com.

(16) HERE THEY COME AGAIN. “’The Rings of Power’ Season 2 Has Started Filming” in the UK says The Hollywood Reporter.

The news follows the first official Nielsen ratings being released Thursday for the Prime Video series, showing The Rings of Power topped the streaming charts for its debut week with 1.3 billion minutes viewed (likely an Amazon series record given that only two hours were released).

The first season of the show was filmed in New Zealand over an epic stretch of 18 months during the pandemic. For season two, which will consist of eight episodes, Amazon switched the show’s production to the U.K., which is considered more economical and is also where the company is establishing a multishow hub….

(17) SCREEN TIME. Here are JustWatch’s September’s Sci-Fi Top 10 lists:

Rank*MoviesTV shows
1NopeQuantum Leap
2Everything Everywhere All at OnceThe Handmaid’s Tale
3Jurassic World DominionSeverance
4MoonfallWar of the Worlds
5AvatarThe Twilight Zone
6PreyOrphan Black
7Jurassic World: Fallen KingdomDoctor Who
8The ThingLa Brea
9Jurassic WorldThe X-Files
10Crimes of the FutureMoonhaven

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(18) MORE HOLLYWOOD BUZZ. The teaser trailer for the new Ant-Man and the Wasp: Quantumania movie dropped Friday.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Kate Yeazel, Kathy Sullivan, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/27/22 We Will All Scroll Together When We Scroll, All Suffused With A Pixelicious Glow

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(1) HOARDED GOLD. Amazon’s Rings of Power will cost $1B to make? That nice round number is bringing out skeptics.

https://twitter.com/GrahamB47/status/1563000905762766850

Behind a paywall at Business Insider is an extensive analysis of “What Amazon’s ‘Lord of the Rings’ Series Means for Its Streaming Future”.

…With “Rings of Power,” Amazon has given Hollywood something to talk about. No single season of television has ever cost as much. On top of the $250 million deal to secure the rights from J.R.R. Tolkien’s estate in 2017 — Amazon outbid rival big spenders HBO and Netflix — it’s been widely reported that the studio spent north of $460 million on production in New Zealand. Add tens of millions of dollars in marketing, promotions, and global red-carpet events and you arrive at the $1 billion total estimated by industry observers — with four more seasons planned.

The show is expected to be a hit, but if it somehow misses the mark, several sources told Insider the studio may face an existential crisis.

“The reason why it’s going to succeed is because the executives at Amazon need it to succeed. If it doesn’t succeed, there’s going to be a big question from Andy Jassy and the board,” said one former senior Amazon Studios exec. “If we can’t take this piece of IP and make it successful, why is Amazon Studios even here?”

“It has to succeed,” this person added. “There’s no option.”…

(2) ONE FOOT IN FRONT OF THE OTHER. Gizmodo points the way to a clip about one of the peoples in the forthcoming series: “Lord of the Rings: The Rings of Power: Meet the Harfoots”.

…Since Rings of Power’s ensemble is rather enormous, Prime Video has released this video focusing on just the Harfoots—according to Dylan Smith, who plays Largo Brandyfoot, they’re “arguably the biggest secret of the show,” since J.R.R. Tolkien didn’t write too much about them—to give viewers a sense of who they’ll be meeting when the series arrives….

(3) A LOOK AT VAN VOGT. The Middletown (PA) Public Library’s Science Fiction Book Club has added another to its online archive of Science Fiction Author Interviews. The new one is an interview with Charles Platt about A.E. van Vogt.

John Grayshaw: What makes van Vogt interesting from a critical perspective? What first drew you to his work?

CP: I first read his work when I was reading literally every science-fiction novel that was published. About one book per day. He wasn’t my favorite author, but I did respond to his flood of strange ideas and his unique way of building a narrative. It was utterly impossible to guess what would happen next. I loved that unexpectedness, and still do. (I re-read World of Null-A just recently. Its plot is so convoluted, I felt as if I should be taking notes. But instead I just enjoyed the roller-coaster ride.)…

(4) ERIC HOFFMAN (1944-2022). LA-area fan Eric Hoffman died August 27 after being badly burned in a home electrical fire. Hoffman, born in Brooklyn, came to California, and in 1965 joined LASFS. His deep interest in monster/horror films and sff TV history were reflected in the innumerable programs he assembled about those topics for local conventions, becoming a frequent panelist at Loscon, Westercon and the San Diego Comic-Con. The latter recognized Hoffman’s work as a film historian with the Inkpot Award in 1974. Also a Doctor Who fan, he did presentations at the local Gallifrey One event for thirty years.

Hoffman assisted in providing archival posters and images for movie documentaries, and provided history commentary for several monster and horror videos. He got in front of the camera twice, according to IMDB, first in Don Glut’s short Rocketman Flies Again (1966), and then as a bartender in Sorority House Massacre II (1990).  

(5) MEMORY LANE.  

1955 – [By Cat Eldridge.] Sixty-seven years ago, “Hyde and Hare”, a Warner Bros. Looney Tunes cartoon, was released in theaters as part of a reel with other such Looney Tunes cartoons. One reel would have six to ten minutes of these cartoons.  This cartoon was particularly long at seven minutes. 

SPOILER ALERT. REALLY, DO WE NEED ONE THIS LONG ON? 

Bugs is looking for a warm, comfortable home instead of his hole in the Park, and he meets a Doctor who takes him home. That Doctor turns out to be Doctor Jekyll. Soon Hyde is trying to kill our rabbit. He fails repeatedly. Quite amazingly he fails.

It ends when Bugs leaves after drinking all of the potions. (Yes, there are two potions shown.) Nice take at the end on the Hyde like Bugs. 

Yes, I rewatched it just now. Research you know. Not on HBO+ where it’s streaming but off iTunes where I downloaded a copy.

YOU CAN COME BACK NOW. REALLY YOU CAN.

It was directed by I. Freleng who was an animator, cartoonist, composer, director and producer (a man of many talents, wasn’t he?), mostly working at Warner Bros on the Looney Tunes and Merrie Melodies series. He’s responsible for over three hundred cartoons. 

The story was by Warren Foster, a writer, cartoonist and composer for the animation division of Warner Brothers and later on with Hanna-Barbera. Of special note I think, he was the composer of Tweety’s theme song, “I Taut I Taw a Puddy Tat.” It was sung by Mel Blanc. Yes, I’m weird. 

Mel Blanc of course did all the voices. Who else would? 

Animation was by Gerry Chiniquy, Arthur Davis, Virgil Ross and Ted Ike . I’ll be honest and note that I don’t recognize any of them by name but the style here certainly is recognizable. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 27, 1922 — Frank Kelly Freas. I’ve no idea where I first encountered his unique style on a cover of a SF book, but I quickly spotted it everywhere. He had a fifty-year run on Astounding Science Fiction from the early Fifties and through its change to the Analog name — amazing! Yes, he won ten Pro Artist Hugos plus one Retro-Hugo, an impressive feat by anyone. There doesn’t appear to a decent portfolio of his work. (Died 2005.)
  • Born August 27, 1945 — Edward Bryant. His only novel was Phoenix Without Ashes which was co-authored with Harlan Ellison and was an adaptation of Ellison’s pilot script for The Starlost. He won two Nebulas for his short stories “Stone” (1979) and “giANTS” (1980), which also were nominated for the Hugo, as was his novelette “The Thermals of August” (1982). I’m personally familiar his short fiction in the Wild Cards anthologies. Phoenix Without Ashes and all of his short stories are available in digital form. (Died 2017.)
  • Born August 27, 1947 — Barbara Bach, Lady Starkey, 75. She’s best known for her role as the Bond girl Anya Amasova in The Spy Who Loved Me.  One of her other genre appearances is in Caveman which her husband Ringo Starr is also cast.
  • Born August 27, 1952 — Darrell Schweitzer, 70. Writer, editor, and critic. For his writing, I’d recommend Awaiting Strange Gods: Weird and Lovecraftian Fictions and Tom O’Bedlam’s Night Out and Other Strange Excursions. The Robert E. Howard Reader he did is quite excellent as is The Thomas Ligotti Reader.
  • Born August 27, 1957 — Richard Kadrey, born 1957, aged sixty five years. I’m admittedly way behind on the Sandman Slim series having only read the first five books. I also enjoyed Metrophage: A Romance of the Future and I’ve still several years later got The Grand Dark on my interested to be read list.
  • Born August 27, 1962 — Dean Devlin, 60. His first produced screenplay was Universal Soldier. He was a writer/producer working on Emmerich’s Moon 44. Together they co-wrote and produced Stargate, the first movie to have a web site. The team then produced Independence Day, Godzilla and Independence Day: Resurgence. They’re also credited for creating The Visitor series which lasted 13 episodes, and The Triangle, a miniseries which I’ll bet you can guess the premise.
  • Born August 27, 1965 — Kevin Standlee, 57. He attended his first con in 1984, L.A. Con II. Later he co-chaired the 2002 Worldcon, ConJosé, in San José. One source says he made and participated in amateur Doctor Who films in the late 1980s. I wonder if he played Doctor Who? And I wonder if we can see these films? 
  • Born August 27, 1978 — Suranne Jones, 44. Not a long genre performance history but she shows up on the Doctor Who spin-off, The Sarah Jane Adventures as Mona Lisa. Yes, that Mona Lisa. She’ll be back on Doctor Who in “The Doctor’s Wife”, an Eleventh Doctor story as written by Neil Gaiman. She is Idris, a woman hosting the Matrix of the TARDIS. 

(7) COMICS SECTION.

Peanuts / Endless mashup.

(8) THE NEXT EXORCIST. In the midst of a Q&A primarily about her history with Actors Studio and Lee Strasberg, “Ellen Burstyn Reveals Why She Said Yes to an ‘Exorcist’ Sequel” in The Hollywood Reporter.

I just got a scoop. Thank you.

You’re welcome. And I’ve shot most of the picture. The writer-director, David Gordon Green, I like very much. I met with him and we talked about the script and so forth, and I promised him four more days if he needed them. And he’s edited the film and he wants the four days, so I’m going back in November to shoot four more days. And it’ll come out in 2024, on the 50th anniversary of The Exorcist, the original.

(9) GETTING OFF THE GROUND. Francis Hamit urges everyone to contribute to “The All American film organizing fund” at Indiegogo. “I have to raise money to raise more money for this great epic World War Two film.  Not just a war film but also a musical.  That might not be science fiction or fantasy, but it sure feels like it.” 

That image is of a real event that happened on February 1, 1943.  A B-17 Flying Fortress Bomber named The All American was returning from a bombing raid when it was struck by a German fighter and almost cut in half.  It lost part of its tail and suffered a 16 foot long, four foot wide gash on its left side.  Ten men were aboard, all young men who a year before had been civilians and who had volunteered for the most dangerous duty of the war, aerial combat.  They were part of the 414th Bomb Squard, 97th Bombardment Group, United States Army Air Force.   Originally they were based at Grafton Underwood, England.  It was there that Margaret Bourke-White   joined the 97th.  She was a beautiful, world famous photojournalist for LIFE magazine and determined to tell  their story.  Part of that meant flying with them on a bombing mission….  

To actually make the film will take millions of dollars.  I don’t expect to raise that here, but would like your help getting to the next phase.  I need help paying for legal, publicity and staff.  The next phase is raising the money,

(10) THROWING SAND IN THE GEARS. Variety took notes: “Neil Gaiman Says He Sabotaged Jon Peters’ ‘Sandman’ Movie by Leaking ‘Really Stupid’ Script”.

This year, Neil Gaiman’s comic book series “The Sandman” was finally adapted on screen in Netflix’s popular television series. But this is far from the first time that Hollywood tried to put the sprawling fantasy world to film.

In fact, Gaiman declined several movie offers for “The Sandman” throughout the last three decades, but the author recently revealed that he went as far as to sabotage an idea from “Wild Wild West” and “A Star Is Born” producer Jon Peters by leaking the script to the press.

“It was the worst script that I’ve ever read by anybody,” Gaiman said in an interview with Rolling Stone.

“A guy in Jon Peters’ office phoned me up and he said, ‘So Neil, have you had a chance to read the script we sent you?’ And I said, ‘Well, yes. Yes, I did. I haven’t read all of it, but I’ve read enough.’ He says, ‘So, pretty good. Huh?’ And I said, ‘Well, no. It really isn’t.’ He said, ‘Oh, come on. There must have been stuff in there you loved.’ I said, ‘There was nothing in there I loved. There was nothing in there I liked. It was the worst script that I’ve ever read by anybody. It’s not just the worst Sandman script. That was the worst script I’ve ever been sent.’”…

(11) BACK TO THE MOON. While we’ve done a lot of Artemis Program stories, have we ever linked to the NASA: Artemis I website where all kinds of information and educational resources are gathered?

And here’s an update: “Our Artemis I Flight Test is “Go for Launch” on This Week @NASA – August 26, 2022”.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Jeffrey Smith, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 8/25/21 Helen O’Loy And The Scrollcrank Redemption

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(1) BLACK STARS. SYFY.com offers a preview of a Black Stars story plus comments by series editor Nisi Shawl: “Amazon Original Stories Black Stars: Read an excerpt by Chimamanda Ngzoi Adichie”.

…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson. 

“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.” 

Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.

“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …

(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.

(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.

EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.

The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue.  The hotly anticipated premier issue features a definitive guide to Captain Kirk!

Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!

(4) SLF NEEDS GRANT JURORS. The Speculative Literature Foundation is looking for grant application readers.

The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.

If interested, please send a brief note to Catherine Lin (catherine@speculativeliterature.org) with the subject line: JUROR.

Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.

(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:

…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:

Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:

First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.

Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product.
All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.

Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.

(6) RATIONALIZATIONS. James Davis Nicoll was able to think of “Five Ludicrous Reasons for Not Reading a Perfectly Good Book”. How about you?

There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….

(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:

 Ngo Vinh-Hoi, co-host of the Appendix N Book Club podcast, profiles Andrew J. Offutt: A “Adventures in Fiction: Andrew Offutt”.

Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …

Pulp scholar Jason Ray Carney talks about dehumanising violence and compassion in “Red Nails”, Robert E. Howard’s final Conan story: “Dehumanizing Violence and Compassion in Robert E. Howard’s ‘Red Nails’”.

Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….

(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.

The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote. 

The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.

Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.

(9) ON THE RADIO, Listen to “Black Sci-Fi: Stories from the End of the World” at BBC Radio 4.

Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.

This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.

Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.

(10) DAVIN Q&A. The collection of “Science Fiction Author Interviews” linked at the Middletown Public Library, conducted by the Science Fiction Club Facebook group, has a new addition this month — “Interview with Eric Leif Davin (Aug. 2021)”.

Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”

John Grayshaw: What is the Gernsback era?

[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s

(11) SPACED OUT LIBRARIAN. David Nickle offers a personal tribute: “In the orbit of Lorna Toolis – 1952-2021”.

…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.

I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.

Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.

Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….

(12) MEMORY LANE.

  • 2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.) 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
  • Born August 25, 1930 — Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
  • Born August 25, 1940 — Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1955 — Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best. 
  • Born August 25, 1958 — Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though. 
  • Born August 25, 1970 — Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
  • Born August 25, 1987 — Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven. 

(14) SMALL WONDER. The biggest hit sci-fi movie of 1966 (to date, anyway) – read the raves at Galactic Journey: “[August 24, 1966] Fantastic Voyage lives up to its name!”

It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.

Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.

(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.

Portable Wormhole

(16) INSTANT CLASSIC. Joe H. contributed a fine verse to yesterday’s comments:

As we go filing, filing
In the pixel of the scroll
We climb our Mount Tsunduko
And we make our series whole

Our shelves shall not be emptied
From birth until life closes
Eyes starve as well as bodies
Into books we’ll stick our noses

(17) A LOOK BACK. Cora Buhlert has posted a new Retro Review: “’More Than Shadow’ by Dorothy Quick” about a 1954 Weird Tales story. Spoiler warning!

…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..

(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.

(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison.  Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply.  Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels.  Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling.  Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 2/27/21 If Sharon Carter Became A Zombie, Would She Be Agent Rot-13?

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(1) SIDEBAR. Cat Rambo has some of the most insightful comments yet offered about the harassment spawned by Jason Sanford’s report on Baen’s Bar, as well as Mercedes Lackey’s response to others’ claims made about her history with the Bar, in “Opinion: When Writers Punch – Up, Down, or Sideways” at The World Remains Mysterious.

… When a writer publicly calls someone out, they need to be aware of all of the implications, including the fact that the more popular the writer, the more devastating the results can be, not due to any intrinsic quality of the writer, but the number of fans. The more fans, the more likely it is that the group will contain people who, emboldened by the idea of pleasing a favorite writer, can — and will — go to lengths that go far beyond the norms of civil, and sometimes legal, behavior.

This played out recently with reactions to Jason Sanford’s piece on a specific forum within the Baen’s Bar discussion boards administered by Baen Publishing, which have included web posts doxxing Sanford and calling for complaints to be made to a lengthy list of people at Sanford’s placement of employment about the post he made on his free time on a platform that has nothing to do with his employment.

As I’ve said earlier, I have a great deal of respect for Baen and hope it emerges from this watershed moment in a way that suits the bigheartedness of its founder. But in the fray, a lot of writers have been egging their followers on to do shitty things in general, and what has emerged include the above specifics.

It’s not okay to point your readers at someone and basically say “make this person miserable.” It is okay to vote with one’s pocketbook. To not buy the books of people you don’t support. That is called a boycott, and it is an established tactic. (One of my consistent practices throughout the years, though, is to read a book by each one before I make that decision, so I know what I might be missing out on. So far, no regrets.) Going beyond that is, in my opinion, is the act of someone who’s gotten carried away and is no longer seeing their target as a fellow human being, and who needs to stop and think what they are doing….

(2) COMMENTING ON THE UNSTOPPABLE. Harper Campbell reviews Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction edited by Joshua Whitehead in “An Indigenous sci-fi moment” at The Ormsby Review.

…It really matters that so much space is being created by Native writers to tell Native sci-fi stories. Science fiction has seeped into the cultural subconscious of the world, providing our basic frame of reference for each successive wave of technological change. We understand that we have entered an age of technological modernity, and it isn’t enough to see the future as simply an extension of the past. Science fiction is what helps people all over the world make sense of a “normal” that is in perpetual change.

It is a serious shortcoming of science fiction, then, that it tends to gloss over colonialism and imperialism. The implicit view of most science fiction, after all, is one in which colonizers are the true vehicle of world-historical change. Science fiction is always saying — look how far we’ve come, look how much we’ve accomplished, see how unstoppable we’ve been. And what they mean is, look how unstoppable colonialism has been.

And like colonizers, the implicit perspective of science fiction tends to see the cosmos as a field of pure resource. The tendency is to insist that the earth, our beloved green and blue earth, is after all just one planet, theoretically interchangeable with any other that could support life. And why stick to just one planet? Like Cecil Rhodes, the arch-imperialist, sci-fi aspires to annex the stars.

So when an Indigenous writer starts to put down the first words of a science fiction story, they must already be grappling with nothing less than the significance of the history of the world and what it will mean for the future. They must wrestle with the cosmic dimension of colonialism from the other side, from a perspective that could never say “Look how unstoppable we’ve been.”

(3) FUTURE TENSE. Released today, the latest in a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives (and the second presented by ASU’s Mary Lou Fulton Teachers College, as part of its work on Learning Futures and Principled Innovation.) Leigh Alexander’s short story “The Void” at Slate begins –

Five things you can touch, whispers Rose, and I touch: duvet, her hand, my own hair, the rough plaster of the wall, and my device. It wakes up, a rectangle of soft light in our dark bedroom.

Four things you can hear, she says, and I listen for the tap-tap of water from somewhere in the kitchen, the rhythm of a neighbor’s music through the floor, the rustling of bedsheets and my pounding heart.

Then Andrea Thomer, an expert on information science, provides a response essay: “Leigh Alexander’s “The Void” and information overload”.

In grad school, I remember reading about—or at least, I think I remember reading about—a new browser plug-in designed to capture your internet click trails for later re-searching. The promo materials visualized this as a beautiful network of interconnected websites, making it possible to refind any page, article, recipe, meme etc. I am easily distracted and spend approximately 18 hours a day on the internet, so this sounded like a dream come true: Never again would I waste time retracing my digital steps to find something vaguely remembered reading but neglected to bookmark! I signed up to beta test this tool immediately. Or at least I think I did. I never heard anything about this widget again, and my attempts to remember its name have all been in vain. I’ve searched through my email, browser history, Twitter likes: nothing. I may have imagined this thing. Looking for it made me feel like a character in a Borges story: wandering the library stacks in search for the one book that will tell me what stacks I’ve already been in….

On Thursday, March 4, at noon Eastern, author Leigh Alexander and Andrea K. Thomer, information scientist and assistant professor at the University of Michigan’s School of Information, will discuss this story in an hourlong online discussion moderated by Punya Mishra, professor and associate dean of scholarship and innovation at the Mary Lou Fulton Teachers College. RSVP here.

(4) THE NEXT GRANTVILLE GAZETTE. On March 1, 2021, 1632 Inc. will release Issue 94, March 2021 of The Grantville Gazette at www.grantvillegazette.com.

The Gazette is a SFWA-approved venue for professional writers, and pays professional rates. The Gazette is published every other month, and has been published since 2007. It is available in several different electronic editions, including Kindle, ePub, PDF, and more. It can be downloaded directly from the Gazette website, or from our distributor, Baen.com.

This issue features works by best-selling authors Virginia DeMarce, Iver P. Cooper, and Edward M. Lerner, as well as columns by Kristine Katherine Rusch and Walt Boyes.

Edited by Walt Boyes, with Bjorn Hasseler as managing editor, and Garrett Vance as Art Director, the Gazette offers fiction and fact, both from the 1632Universe and from the UniverseAnnex, which is designed to provide a venue for general SFF.

More than 160 authors have had their first professional sale to The Grantville Gazette, through the medium of critique and workshops, both for 1632 fiction and general SF. Some of these authors have gone on to successful careers as writing professionals.

(5) LAPL FUNDRAISER. Charles Yu will be one of the Honorary Chairs for “The Stay Home and Read a Book Ball” on March 7, hosted by the Library Foundation of Los Angeles.

WHEN:
Anytime, and for as long as you choose to celebrate on Sunday, March 7, 2021.

WHERE:
Stay safe and read in the comfort of your home, bed, or even in the bathtub! Or mask up and go for a walk with an audiobook from the Library!

HOW:
Choose a book (or many!) and let the pages transport you! Have a ball while reading at home, and show your support for the Los Angeles Public Library by donating what you would have spent at an annual gala or a night out.

Share photos of your literary festivities on Facebook, Instagram or Twitter and tell us what you’ll be reading – tag #StayHomeandRead to let others know how you are celebrating!

ATTIRE:
Choose formal or warm and fuzzy – anything goes when you’re having a ball at home.

FOOD & DRINK:
Feast on lobster and champagne, milk and cookies, or wine and cheese.

Kindly RSVP by visiting LFLA.org/StayHome, or text the word LIBRARY to 41444.

(6) SMALL TOWN, GREAT RESOURCE. The Middletown Public Library, a small town library outside of Harrisburg PA, is associated with the Science Fiction Book Club on Facebook. In 2017 the library’s Director, John Grayshaw, started reaching out to sci-fi authors and doing Q&As with them. There are now over 60 Science Fiction Author Interviews in the archives with many well-known writers including Lois McMaster Bujold, Samuel R. Delany, and Robert J. Sawyer.

The latest addition is the interview with Adrian Tchaikovsky:  

Bryan Stewart: I’m curious what’s your favorite answer to the Fermi Paradox? Do you think we’ll make first contact in our lifetimes?

[AT] I have become more pessimistic about this as I’ve got older (and the personal element of that ‘in our lifetimes’ necessarily becomes shorter). I do believe life is common in the universe, but the universe is very big so that can still produce colossal, uncrossable vistas between any two species that might appreciate each other’s’ existence. On a bad day I feel that a sufficiently advanced civilization is likely to destroy itself rather like we’re in the process of doing ourselves. On a good day I suspect that our attempts to find life are predicated far too much on that life being like us, and that we may simply not be sifting unusual alien signals from the background hiss, or may be looking in the wrong place.

(7) YOU’VE READ HER. Jonathan Lethem tells Literary Hub “Why Shirley Jackson is a Reader’s Writer”.

Ten and twenty years ago I used to play a minor parlor trick; I wonder if it would still work. When asked my favorite writer, I’d say “Shirley Jackson,” counting on most questioners to say they’d never heard of her. At that I’d reply, with as much smugness as I could muster: “You’ve read her.” When my interlocutor expressed skepticism, I’d describe “The Lottery”—still the most widely anthologized American short story of all time, I’d bet, and certainly the most controversial, and censored, story ever to debut in The New Yorker—counting seconds to the inevitable widening of my victim’s eyes: they’d not only read it, they could never forget it. I’d then happily take credit as a mind reader, though the trick was too easy by far. I don’t think it ever failed.

Jackson is one of American ?ction’s impossible presences, too material to be called a phantom in literature’s house, too in-print to be “rediscovered,” yet hidden in plain sight….

(8) FANCASTS TO CONSIDER. Cora Buhlert has expanded her Fanzine Spotlight project to fancasts, of which these are the latest entries. She says, “I’m really enjoying this project, though it has upset my Hugo ballot, because there are so many great podcasts out there I never knew about.”

Tell us about your broadcast.

The Journey Show is an outgrowth of Galactic Journey, our time machine to 55 years ago in fact and fiction. That site has been around since 1958…er…2013, and the conceit is that we are all fans living in the past, day by day, reviewing all the works of the time in the context of their time.

Tell us about your podcast or YouTube channel.

On our podcast we like to explore how narrative helps people to envision and achieve a better future. In turn, we like to talk to writers, editors, activists, gamers, and anyone else who helps us imagine those worlds. We consider our podcast to be linked thematically with HopePunk. Our interpretation of HopePunk takes a stance of hope through resistance to the current norms. Emphasis on the PUNK. Any given podcast discussion can range from a specific novel or story, to a guest’s career, politics, religion, music, writing tips, and ttrpgs. Guests often include editors, traditionally published writers, and Indie writers.

Some other previous guests have included folks like Bill Campbell, Tobias Buckell, Malka Older, P. Djeli Clark, and James Morrow, Janet Forbes (founder of the world building platform World Anvil), and Graeme Barber (writer and ttrpg critic).

Why did you decide to start your site or zine?

[Alasdair Stuart] I had it gently and affectionately pointed out to me that there was no reason not to. I’d had a lot of frustrations with freelance projects at that point (multiple projects paid years late, another company going insolvent, etc). So one day I made a joke about what my newsletter would be and 50 ‘I’d read that’ emails later I realised I had an audience if I wanted to do it. And I did. I took Matt Wallace’s words about building your own platform to heart and started building mine.

Sisters Alice Baker and Ann Spangler have set themselves the goal of reading and discussing all Hugo and Nebula winning novels.

Why did you decide to start your podcast or channel?

Alice: For me, it was because I was looking for a way to connect with my sister who I do not often get to see in person. We both have a love of the genre (although Ann likes Fantasy more), and since we were going to be discussing it anyway, I thought we should record them. I have some previous experience on the Educating Geeks podcast. Also, I find it difficult to read for hours like I used so I am trying to retrain myself.

Why did you decide to start your podcast or channel?

Way back in 2014, Andi was live-tweeting her first time through Star Trek, Grace was podcasting on All Things Trek, Jarrah was blogging at Trekkie Feminist, and Sue was podcasting and blogging at Anomaly Podcast. At different points in time, Andi, Jarrah, and Sue had all been guests with Grace on All Things Trek on TrekRadio – sometimes with each other, sometimes individually. Having been connected through podcasting, and with that show coming to a close, Andi proposed that we start our own. After much planning, Women at Warp launched as an independent podcast in 2015.

(9) PREPARING FOR THE APOCALYPSE. RS Benedict theorizes about the state of genre film in “Everyone Is Beautiful and No One Is Horny” at Blood Knife.

When Paul Verhoeven adapted Starship Troopers in the late 1990s, did he know he was predicting the future? The endless desert war, the ubiquity of military propaganda, a cheerful face shouting victory as more and more bodies pile up?

But the scene that left perhaps the greatest impact on the minds of Nineties kids—and the scene that anticipated our current cinematic age the best—does not feature bugs or guns. It is, of course, the shower scene, in which our heroic servicemen and -women enjoy a communal grooming ritual.

On the surface, it is idyllic: racial harmony, gender equality, unity behind a common goal—and firm, perky asses and tits.

And then the characters speak. The topic of conversation? Military service, of course. One joined for the sake of her political career. Another joined in the hopes of receiving her breeding license. Another talks about how badly he wants to kill the enemy. No one looks at each other. No one flirts.

A room full of beautiful, bare bodies, and everyone is only horny for war.

… This cinematic trend reflects the culture around it. Even before the pandemic hit, Millennials and Zoomers were less sexually active than the generation before them. Maybe we’re too anxious about the Apocalypse; maybe we’re too broke to go out; maybe having to live with roommates or our parents makes it a little awkward to bring a partner home; maybe there are chemicals in the environment screwing up our hormones; maybe we don’t know how to navigate human sexuality outside of rape culture; maybe being raised on the message that our bodies are a nation-ending menace has dampened our enthusiasm for physical pleasure. 

Eating disorders have steadily increased, though. We are still getting our bodies ready to fight The Enemy, and since we are at war with an abstract concept, the enemy is invisible and ethereal. To defeat it, our bodies must lose solidity as well….

(10) MEDIA BIRTHDAY.

  • February 27, 1994 — On this date in 1994, the TekWar episode TekLab first aired. Though created by William Shatner, it was actually ghost-written by writer Ron Goulart. This extended episode was directed by Timothy Bondoff the the story by Westbrook Claridge which was developed into a teleplay by? Chris Haddock. As always the lead character was Jake Cardigan played by Greg Evigan, and yes, Shatner was in the series as Walter Bascom. Torri Higginson, of later Stargate fame, got her start on this series. The series doesn’t far well with the audience reviewers at Rotten Tomatoes where it currently has a dismal thirty six percent rating. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 27, 1807 – Henry Wadsworth Longfellow.  Taught at Bowdoin and Harvard.  First American translator of Dante’s Divine Comedy; better known to many for “Paul Revere’s Ride” and Hiawatha, whose accessibility had better not blind the thoughtful.  Book-length poems, novels, plays, anthologies, a dozen volumes of poetry.  “What a writer asks of readers is not so much to like as to listen.”  (Died 1882) [JH]
  • Born February 27, 1850 – Laura Richards.  Ninety books addressed to children; fifty stories ours, at least (what should count can be unclear with “children’s”).  LR’s mother Julia Ward Howe wrote the words to “The Battle Hymn of the Republic”; 1917 Pulitzer Prize for biography of JWH by LR & sister Maud Howe Elliott “assisted by [sister] Florence Howe Hall”.  LR also wrote biographies of Abigail Adams, Florence Nightingale, Joan of Arc; 5 others.  Maybe best known for “Eletelephony”.  (Died 1943) [JH]
  • Born February 27, 1934 — Van Williams. He was the Green Hornet (with the late Bruce Lee as his partner Kato) on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, and also do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.) (CE) 
  • Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well-disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)  (CE) 
  • Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it.  Writer of several impressive genre novels including Breakthrough and Replay which I’ve thoroughly enjoyed and Into the Deep and Elise which are listed in ISFDB but which I’m not at all familiar with. So what else is worth reading by him? (Died 2003.) (CE) 
  • Born February 27, 1960 — Jeff Smith, 61. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! (CE)
  • Born February 27, 1945 – Hank Davis, age 76.  Nine short stories in e.g. Analog, F&SF, not counting one for The Last Dangerous Visions.  A dozen anthologies.  Correspondent of SF Commentary, SF Review.  Served in the Army in Vietnam.  [JH]
  • Born February 27, 1951 – Mark Harrison, age 70.  Two hundred sixty covers, fifty interiors.  British SF Ass’n Award.  Here is The Story of the Stone.  Here is Valentine Pontifex.  Here is the Mar 93 Asimov’s.  Here is the Mar 95 Analog.  Here is Mercury.  Artbook, Dreamlands.  [JH]
  • Born February 27, 1964 — John Pyper-Ferguson, 57. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser which turns only such role. And though he has an extensive one-off career in genre series with over two dozen appearances, his occurrence as a repeated cast member is not uncommon as he’s Agent Bernard Fainon the new Night Stalker for the episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship as Tex  Nolan. (CE)
  • Born February 27, 1970 – Michael A. Burstein, age 51.  Twoscore short stories.  Served a term as SFWA Secretary (Science Fiction & Fantasy Writers of America), simultaneously Vice-President of NESFA (New England SF Ass’n).  Campbell Award (as it then was) for Best New Writer.  President, Society for the Preservation of Pluto as a Planet.  Fanzine (with wife Nomi Burstein), Burstzine.  [JH]
  • Born February 27, 1976 — Nikki Amuka-Bird, 45. The Voice of Testimony in the Twelfth and Thirteenth Doctor story, “Twice Upon A Time”.  She’s shown up quite a bit in genre work from horror (The Omen), space opera (Jupiter Ascending), takes on folk tales (Sinbad and Robin Hood) and evening SF comedy (Avenue 5). (CE)
  • Born February 27, 1993 – Ellen Curtis, age 28.  Three novels (with Matthew LeDrew), three shorter stories; four anthologies (with Erin Vance).  Has read The Essential Calvin and Hobbes, The Adventures of Huckleberry Finn, The Castle of Otranto, The Name of the Rose, a Complete Stories & Poems of Lewis Carroll, Grimms’ Fairy Tales, Hans Andersen’s Fairy Tales.  [JH]

(12) REDISCOVERING ‘UNDISCOVERED COUNTRY’. [Item by Olav Rokne.] Looking back on the final voyage of the original Star Trek crew, Escapist scribe Darren Mooney makes a compelling argument for the subtext of the movie. He reads the movie as a rejection of nostalgia, and the need to hear new voices within genre fiction. It’s an article that’s relevant to several of fandom’s ongoing internecine struggles: “Star Trek VI: The Undiscovered Country Rejected Franchise Nostalgia in a Way Impossible Today” at Escapist Magazine.

…Three decades later, it’s impossible to imagine a major franchise demonstrating this level of introspection without provoking a fandom civil war. The Undiscovered Country provides a contrast with films like The Rise of Skywalker, in that The Undiscovered Country is about an older generation learning that they need to step aside and make room for those that will follow, while The Rise of Skywalker is about how the older generation is never too old for a joyride in the Millennium Falcon….

(13) SLIPPED DISC. [Item by Cora Buhlert.] Talking of mysterious bronze age artefacts, here is an article about the archeological dispute involving the famous Nebra sky disc:  “Archaeologists Are Caught Up in an Intense Fight Over Just How Important the Mysterious Nebra Sky Disk Really Is” at Artnet News. Even if the sky disc is not as old as previously assumed, it is still an intensely cool artefact. I was lucky enough to see it in person a few years ago, since I have family in Halle/Saale, the town where it’s kept.

  … In September, Rupert Gebhard, director of the Munich’s Bavarian State Archaeological Collection, and Rüdiger Krause, an early European history professor at Goethe University in Frankfurt, published a paper in the German journal Archäologische Informationen arguing that the artifact—which features images of the sun, the moon, and the Pleiades star cluster—is not the remarkable earliest-known depiction of astronomical phenomena that it had been heralded as.

“It’s a very emotional object,” Gebhard told the New York Times. He believes that the looters who discovered the disk before it was recovered in 2002 moved it from its original site and reburied it with real Bronze Age artifacts to make it appear older and more valuable.

Now, a competing paper put forth by experts including Harald Meller, director of the State Museum of Prehistory in Halle, Germany, which owns the disk, has fired back….

(14) ALL THAT ROT. Here’s an interesting article about cryptography for everyday use in the 17th century: “Beyond Espionage: Cryptography for Everyday Use in 17th Century England” at Criminal Element.

 Cryptography in seventeenth-century England was not just the stuff of spies and traitors, a fact that became a major plot point in The Sign of the Gallows, my fifth Lucy Campion historical mystery. While ciphers had grown more complex between the 16th and 17th centuries with the development of new mathematics, the actual practice of secret and hidden writing occurred in different domains of everyday life. Merchants might send messages about when and where shipments might occur out of fear of theft. Leaders of non-conformist religious sects like the Quakers might communicate with their followers in code, informing them of their next meeting. Friends and merry-makers might write riddles and jests using ciphers to entertain one another, in a type of pre-parlor game. Lovers, especially those unacknowledged couples, might write amorous messages that could not be read if discovered by jealous husbands or angry parents….

(15) WRITERS’ BLOCK. Mental Floss knows fans will enjoy these “8 Facts About ‘Attack the Block’”.

5. PLACES IN THE ATTACK THE BLOCK ARE NAMED AFTER FAMOUS BRITISH SCIENCE FICTION AUTHORS.

The movie takes place in a fictional neighborhood. The main council block in the film is called Wyndham Tower in honor of John Wyndham, the English science fiction writer famous for novels such as The Day of the Triffids (1951) and The Midwich Cuckoos (1957). Other locations include Huxley Court (Aldous Huxley), Wells Court (H.G. Wells), Moore Court (Alan Moore), Ballard Street (J.G. Ballard), and Adams Street (Douglas Adams). Just after the movie title appears, the camera pans across a map of the area, showing the various names.

(16) WORSE THAN THE DIET OF WORMS. Antonio Ferme, in “George A. Romero’s Lost Movie ‘The Amusement Park’ Comes to Shudder” at Variety, says that Shudder will show Romero’s 1973 film The Amusement Park which was believed lost until it was found and restored in 2018.  The film was commissioned by the Lutheran Society to showcase problems of elder abuse but suppressed because the Lutherans thought it was too gory.

… “Amusement Park” stars Lincoln Maazel as an elderly man who finds himself increasingly disoriented and isolated during a visit to the amusement park. What he initially assumed would be an ordinary day quickly turned into a hellish nightmare filled with roller coasters and chaotic crowds….

(17) NOTHING SECEDES LIKE SUCCESS. In the Washington Post, Alexandra Petri interviews residents of Potatopia about their threat to secede if Mr. and Mrs. Potato Head became gender-neutral. “Opinion | An oral history of the Mr. Potato Head secession”.

… Helen Helenson, first applicant for asylum in Potatopia: The minutes when I thought I would have to look at a brownish plastic oval and not clearly know what gender it was were some of the most frightening of my life. I started to sob. I thought, what will they come for next? Soon I won’t know what gender any of the plastics are around my home….

(18) STREAMLINED FELINE. Gizmodo’s Andrew Liszewski sounds quite revolted by the whole idea: “Meet Flatcat, the Creepiest Robot We’ve Ever Seen”. Question: is the writer aware of that term’s sf roots? He doesn’t acknowledge them in the article.

…To make Flatcat more endearing so people will actually want to touch and interact with it, its creators at a Berlin-based robotics startup called Jetpack Cognition Lab have wrapped it in soft, fluffy fur so that it looks more like a cat—or at least a cat that somehow survived repeated run-ins with a semi-truck. In reality, Flatcat is more like like a ThiccFurrySnake, or maybe a FlattenedCaterpillar. Calling it a cat is certainly a stretch….

(19) VIDEO OF THE DAY. In “That Mitchell and Webb Look–Holmes And Watson” on YouTube, British comedians David Mitchell and Robert Webb play two actors who keep fighting over who gets to play Holmes and who gets to play Watson.

[Thanks to John Hertz, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Andrew Porter, Kurt Schiller, Mike Kennedy, Michael Toman, JJ, Walt Boyes, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]