25 Piles Of Pithecanthropic Purple Pixels

Posted on May 5, 2025 by Mike Glyer

(1) JMS MOVES TO ENGLAND. J. Michael Straczysnki told Facebook followers he is pursuing his goal to write for British TV by becoming a Resident of the UK, which he is as of today.

…So it should come as no surprise that every year, when my agent and I have our “what goals should we set for the coming year” discussion, I’ve asked one question every time: “Is there any way I can produce a series in the UK and live there for a while?”

The answer, alas, has always been no, for the obvious reason that I’m not a British citizen or resident with a visa that would allow me to work in the UK. The closest I came was when we shot a big chunk of Sense8 in London. Rather than satisfy my desire to live and work in the UK, the experience only reinforced it.

Well, I finally decided to do something about it. Because that’s what dreams are for….

…Even though the outcome was far from certain, I made the decision to sell the house that has been my home for 25 years as a way of saying I’m committing to the path. Gave away or donated a ton of clothes and other stuff. If the visa went through, I wanted a fresh start, so I used much of what was left after selling the house to pay off debt accumulated during one pandemic, two strikes, and four years of paralysis in the film/TV business.

…As of today, I am officially a Resident of the United Kingdom. I can stay on indefinitely, can apply for full citizenship in three years, and finally, at long last, I am free to work for any studio, producer or network in the UK, from ITV to Channel 4, Britbox, Acorn…BBC….

…All of that being said, I’m not just leaving the US behind. My plan is to divide my time between both countries. In addition to looking after the Ellison Estate, there’s my ongoing comics work, several US-based projects that require my attention, and the possibility of more in the future, I want to launch some US/UK film and television co-productions, create series that can be shot in both places, and perhaps join arms with UK studios and networks already working to bring homegrown characters from comics and past TV series to an international audience.

But there’s that old joke: Q: How do you make God laugh? A: Tell Him your plans….

(2) RHYSLING AWARD NEWS. The Science Fiction & Fantasy Poetry Association (SFPA) has announced the “2025 Rhysling Award Finalists”, 50 short poems and 25 long poems.

A short poem finalist is Pat Masson’s “The Last Valkyrie” from Forgotten Ground Regained 2. Paul Deane tells the story behind that poem’s publication and Rhysling eligibility in this Bluesky thread.

(3) PULITZER PRIZES 2025. The New York Times has the “Pulitzer Prizes: 2025 Winners List”. Complete list at the link, which bypasses the paywall. There are no winners of genre interest, however, File 770 has taken an interest in James because it has in common with Julia, based on 1984, the concept of retelling a classic from another character’s point of view.

FICTION

“James,” by Percival Everett

Mr. Everett’s book won for “an accomplished reconsideration of ‘Huckleberry Finn’ that gives agency to Jim to illustrate the absurdity of racial supremacy and provide a new take on the search for family and freedom,” the committee said.

Finalists “Headshot: A Novel,” by Rita Bullwinkel; “The Unicorn Woman,” by Gayl Jones; “Mice 1961,” by Stacey Levine

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Daryl Gregory and Carol Gyzander on Wednesday, May 14, 2025, at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs.)

Daryl Gregory

Daryl Gregory is a Seattle writer whose latest novel is When We Were Real, which Kirkus in a starred review called “a marvel.” His books and short stories have been translated into a dozen languages and have won multiple awards, including the World Fantasy, Shirley Jackson, and Crawford awards, and have been nominated for the Hugo, Nebula, Edgar, and other awards. His ten other books include the novels Revelator and Spoonbenders, the novellas The Album of Dr. Moreau and We Are All Completely Fine, and the collection Unpossible and Other Stories. He also teaches writing and is a regular instructor at the Viable Paradise Writing Workshop

Carol Gyzander

Carol Gyzander is a two-time Bram Stoker Award® nominee who writes and edits horror, weird fiction, and science fiction—with strong women in twisted tales that touch your heart. She has stories in Weird Tales 367, Weird House Magazine, Under Twin Suns, and numerous other publications. Carol edited and contributed to the Stoker-nominated Discontinue If Death Ensues: Tales from the Tipping Point (Flame Tree Publishing), including her poem “Bobblehead,” which is nominated for a Rhysling Award. She’s Co-Chair of HWA NY Chapter and co-host of their Galactic Terrors online reading series. Follow her on Instagram @carolgyzander.

(5) SOMEBODY STILL WANTS TO RUN A WORLDCON? The Brisbane in 28 Worldcon bid woke from its ordinary social media slumber to leave this announcement on Facebook today:

Our apologies for being so quiet, we’ve been busy trying to organise ourselves for Seattle, and then a Federal Election happened. We plan on being more visible again from this point on.

Our bid is currently for Thursday the 28th of July to Monday the 31st of July, 2028. This is on the weekend following the total eclipse that will be passing through Australia on Saturday the 22nd of July, 2028.

We do plan on having a presence in Seattle for this year’s Worldcon, but the current situation is making that challenging. However, even if we are not there in person, we have people willing to handle things on our behalf, so we will have a presence there.

(6) ON THE TUBE. Camestros Felapton continues his 2025 Hugo review series with a Dramatic Presentation: Long Form finalist: “Hugo 2025: I Saw the TV Glow”.

… I Saw the TV Glow is billed as horror and while it contains a bunch of disturbing ideas and images it is not what I would regard as a frightening film. That’s not a criticism of the film just an indication that it sits in its own place rather than comfortably within one genre category. Of course, depending on your own life experiences (and particularly teenage experiences) this film may hit very differently….

(7) NEA PULLS PLUG ON GRANTS. “NEA Begins Terminating and Withdrawing Grants” reports Publishers Lunch (behind a paywall). (And the agency itself is getting the ax says Publishers Weekly.)

The National Endowment for the Arts began terminating and withdrawing grant offers on Friday night, after President Trump proposed cutting NEA funding from the government budget. Many small publishers, magazines, and publishing-related organizations lost funding.

The Community of Magazines and Literary Presses (CLMP) tells PL that they reached out to all fiscal year ’25 Grants for the Arts round one grantees in the literary/arts publishing category. “Of the 51,” said executive director Mary Gannon, “I’ve heard from 40 so far and all 40 have had their grants ‘terminated’ or ‘withdrawn.’ Some have already received payments, but not all.”

Among the institutions impacted were Open Letter Books, which publishes literature in translation; literary magazine N+1, which lost a $12,500 grant; Hub City Press, which lost $25,000; and Deep Vellum, which lost $20,000; Milkweed Editions, which lost $50,000; Electric Literature, which lost $12,000; Nightboat Books, which lost $30,000; McSweeney’s Literary Arts, which lost $25,000, and many more. (Find a growing list here.)…

(8) NASA PROPOSED BUDGET. “White House Announces Plans to Rip Up NASA’s Moon Program” – Futurism has the stats.

The Trump administration has released its proposed budget for next year, revealing massive budget cuts that could deal NASA’s space exploration and science efforts a devastating blow.

The agency’s budget would be slashed by 24 percent year over year, a difference of $6 billion, which is the biggest single-year cut in US history, according to the Planetary Society.

While space and Earth science funding would face massive lacerations, human space exploration could see its budget increase by roughly $1 billion in “new investments for Mars-focused programs,” according to the proposal, highlighting Trump’s desire to plant a flag on the Red Planet.

Notably, the Trump administration proposes canceling NASA’s “grossly expensive and delayed” Space Launch System (SLS) rocket and Orion capsule after Artemis 3, the first attempt to return astronauts to the Moon’s surface in over half a century, which is tentatively scheduled for 2027….

(9) BEWARE: THIS IS A THUNDERBOLTS* SPOILER. According to The Independent: “Thunderbolts: Marvel fans react to ‘spoiler’ New Avengers title change”.

…At the end of Thunderbolts*, CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) announced the group’s rebrand as The New Avengers. A graphic on screen after the film’s post-credits scene then informs cinemagoers that “The New Avengers will return”.

Now, posters for Thunderbolts* appearing in cinemas and on billboards around the world have been updated to reveal its new title: The New Avengers.

This development also reveals the meaning of the asterisk featured at the end of the original title, which was part of a carefully orchestrated publicity stunt….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 5, 1979 — Catherynne Valente, 46.

By Paul Weimer: Reading Catherynne Valente for me started with Palimpsest. The idea of a map on people’s skin, pieces transmitted by sex, was a little out of my comfort zone. But the dream/faerie reality of the titular city, accessible after nights of passion, entranced me. Valente’s work was lush, gorgeous, vivid, fey, The writing was poetic in language and form, a puzzle like the map on the visitors’ skin.

I was enchanted by her work, even if it wasn’t my usual. I skipped into and Valente’s work here and there rather than making her a solid must-buy. Sometimes for my own personal reading, a little Valente was enough. It’s as if her work was too potent for me to consume continually. But I enjoyed Six Gun Snow White, and Deathless, particularly.

And then there’s Space Opera.

Space Opera is glorious, and was glorious to me, who is not immersed into the world of Eurovision, which it borrows shamelessly from. Space Opera is part of the branch of Space Operas in the same realm that Cat Rambo and Valerie Valdes and Lavanya Lakshminarayan play in: Frothy, fun, and light, and yet with hidden depths. Character focused and oriented science fiction space opera, and yet interesting and intriguing worldbuilding. Space Opera is the leading edge of this slice of space opera, and even someone with Amusia can and does enjoy it.

Sadly, for me, the follow-up, Space Oddity, charitably didn’t live up to the first. But I expect that I will get the urge to taste the potency of Valente’s work again in the future. Like that map in Palimpsest, I will be irresistibly drawn to the faerieland of her work once more.

(11) COMICS SECTION.

Eyebeam has a Bat app for that.
Half Full details a cartoonist’s life.
The Barn visits other shows.
Zen Pencils favors being different.
Batch Rejection shares a writing tip.
Three Panel Soul shows a variant of a familiar game.

(12) LOTR EAGLES RETURNING TO THE ROOST. “New Zealand airport to remove Hobbit-themed eagle sculptures” – BBC has the story.

For more than a decade, a pair of Hobbit-inspired eagle sculptures have cast a watchful eye over visitors at New Zealand’s Wellington Airport.

But the giant birds will be unfastened from the ceiling on Friday to make way for a new mystery exhibit, airport authorities said.

The eagles appear as messengers in JRR Tolkien’s The Lord of the Rings and The Hobbit, which were adapted to film by New Zealand’s Sir Peter Jackson.

The spectacular New Zealand landscapes featured in Mr Jackson’s films are a consistent draw for tourists, who are greeted at the airport by the eagle sculptures.

“It’s not unusual to see airborne departures from Wellington Airport, but in this case, it will be emotional for us,” Wellington Airport chief executive Matt Clarke said in a statement.

The giant eagles will be placed in storage and there have not been long-term plans for them.

Each eagle weighs 1.2 tonnes (1,200kg) with a wingspan of 15m (49ft). Riding on the back of one of the birds is a sculpture of the wizard, Gandalf.

Made of polystyrene and with an internal steel skeleton, each eagle has hundreds of feathers, the longest one measuring 2.4m (8ft).

While the iconic eagles will soon be gone, not all is lost for fans of the franchise: Smaug the Magnificent, the dragon in The Hobbit, will continue to be displayed at the check-in area….

(13) TODAY’S THING TO WORRY ABOUT. [Item by Mark Roth-Whitworth.] End of the world coming… well, it is, about a billion years from now. “Neither climate change nor meteorites – NASA confirms that the end of life on Earth will be due to loss of oxygen, according to Toho University study – here’s when it will happen” at El Adelanto de Segovia.

If you’re worried about the end of the world, you can scratch asteroids and climate change off the list of final threats —at least in the very long term. According to new research from Toho University in Japan, supported by NASA modeling, the slow fade of life on Earth won’t come with a bang. Instead, it’ll happen with a lack of breathable air.

That’s right: the distant future of Earth won’t end in fire or ice, but in something far more subtle: oxygen loss. And while that sounds ominous, you can relax. This isn’t something that will affect you, your children, or even your great-great-great-great-grandchildren. In fact, the end is about a billion years away, give or take a few hundred million….

(14) REVIVAL TRAILER. “SYFY Debuts First Trailer for Highly Anticipated Image Comics Adaptation” at ComicBook.com.

The first trailer for SYFY’s upcoming adaptation of the fan-favorite Image Comics title Revival has been officially released online. The trailer provides people with a basic overview of the general premise; a rural Wisconsin town has to adjust to a startling new reality when the dead mysteriously come back to life. What sets Revival apart from similar zombie-themed titles is that the “revived” appear and act as they did before they passed away. At the center of the story is Officer Dana Cypress (played by Melanie Scrofano), who has to make sense of it all as the town’s residents struggling coming to terms with the situation….

(15) CITY IN FLIGHT. “Starbase: Elon Musk’s SpaceX launch site becomes an official Texas city” reports AP News.

The South Texas home of Elon Musk’s SpaceX rocket company is now an official city with a galactic name: Starbase.

A vote Saturday to formally organize Starbase as a city was approved by a lopsided margin among the small group of voters who live there and are mostly Musk’s employees at SpaceX. With all the votes in, the tally was 212 in favor to 6 against, according to results published online by the Cameron County Elections Department.

Musk celebrated in a post on his social platform, X, saying it is “now a real city!”

Starbase is the facility and launch site for the SpaceX rocket program that is under contract with the Department of Defense and NASA that hopes to send astronauts back to the moon and someday to Mars.

Musk first floated the idea of Starbase in 2021 and approval of the new city was all but certain. Of the 283 eligible voters in the area, most are believed to be Starbase workers….

(16) SHOCKING NEW TASTE. “Scientists unveil RoboCake with edible robots and batteries” claims New Atlas.

Researchers from Switzerland’s École Polytechnique Fédérale de Lausanne (EPFL) and the Italian Institute of Technology (IIT) have formed an unlikely collaboration team with pastry chefs and food scientists to create the RoboCake, currently on show at Osaka’s Expo 2025.

But this is a cake with a bit of a twist. Sitting atop the elaborate piece are edible robotic bears, which are reported to taste like pomegranate gummies, which have an internal pneumatic system that provides movement for their limbs and head. And, yes, these little dancing robots are completely edible….

… Not to be outdone, IIT researchers have made the world’s first edible rechargeable battery, using a recipe of vitamin B2, quercetin, activated carbon and chocolate.

“These batteries, safe for consumption, can be used to light the LED candles on the cake,” said Valerio Galli, a PhD student at IIT. “The first flavor you get when you eat them is dark chocolate, followed by a surprising tangy kick, due to the edible electrolyte inside, which lasts a few seconds.”…

(17) SQUID GAME 3. Courtesy of Gizmodo: “The End Is Here in the First Trailer for Squid Game 3”.

…What was up with that baby cry at the end there? And what game could possibly be coming with everyone getting their team out of a giant gumball machine?

We don’t know and that’s just the tip of the iceberg for all these questions. We love to see how 456 (Lee Jung-jae) is brought back into the game and that the story from the boat, and of the Front Man, will continue. In fact, everything has to wrap up here because the show’s creator, Hwang Dong-hyuk, has said this is the end….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Michael J. Walsh, Jim Janney, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 1/30/25 Scrolling Considered As A Helix Of Semi-Precious Pixels

Posted on January 30, 2025 by Mike Glyer

(1) GAIMAN WILL RECEIVE NO PROCEEDS FROM GOOD OMEN GRAPHIC NOVEL KICKSTARTER. Rhianna Pratchett today pointed to a Kickstarter update from the Pratchett estate about the Good Omens graphic novel.

“Good Omens graphic novel update – January 2025”

[We] had locked refunds of the Good Omens graphic novel in mid-November due to where we were in the production process, however will no longer maintain this freeze in light of new articles and allegations. While we cannot speak further on the subject at present, we have chosen to reopen a short refund window for those who would no longer like to support the graphic novel, until Friday 7th February 2025. Please contact us via email or Kickstarter message.

It has also been agreed that Neil Gaiman will not receive any proceeds from the graphic novel Kickstarter. Given the project management, production and all communication has always been under the jurisdiction of the Estate on behalf of Good Omens at large, this will not fundamentally change the project itself, however we can confirm the Kickstarter and PledgeManager will now fully be an entity run by, and financially connected to, the Terry Pratchett Estate only.

A number of tiers also come with author merchandise and books; we have been working on a system in the back end to remove or swap out particular rewards from tiers, should you wish to continue with the project, but not receive these specific items. In this instance, please contact us via Kickstarter or the email listed on the project FAQ and we will endeavour to alter your orders, to swap items in of an equivalent value, where we are able.

Given the point in the production process, we cannot extend refunds beyond this new deadline, but will honour requests in this window – the only exceptions will be tiers where rewards have already been actioned, such as cameos, and custom or rare items on higher level tiers. In the instance of cameos, should backers wish to have their name removed from the postcard (Archangel) or not receive their cameo print (God), we are able to alter this, but not the cameo itself.

If you do get in touch, we aim to get back within a few days; if you have not heard back within a week, please chase up your query.

Good Omens in all its forms is very special to us, and we know that for many fans the landscape has shifted. We appreciate the sensitivity of this issue, and will be working through all queries in the coming weeks.

We will continue on our journey with Crowley and Aziraphale, and all of our surrounding plans, in some form. Thank you for being part of the journey with us.

The Terry Pratchett Estate (Good Omens HQ)

David Tennant’s Facebook page also posted a truncated version of the statement, and notes that the Kickstarter has raised £2,419,973 to date. Colleen Doran is doing the artwork for this book, as File 770 has reported from time to time.

(2) DOES GAIMAN STILL HAVE REPS? Deadline has been trying to get statements from Neil Gaiman’s various agents about whether they still represent him. No statements have been provided. However, Deadline reported today his name has disappeared from the public client list of one of them: “Neil Gaiman Dropped By Agent Casarotto Ramsay After Misconduct Claims”.

Neil Gaiman has been removed from UK agent Casarotto Ramsay & Associates’ client list after the Good Omens writer has faced a string of sexual misconduct allegations over the past six months.

Gaiman’s profile was quietly scrubbed from Casarotto Ramsay & Associates’ website, meaning he no longer appears on pages listing its film, TV, and theatre clients.

Internet archives show Gaiman’s profile, which included trailers for his screen work, was live on the agency’s website as recently as last October, months after the initial allegations were published. The author denies wrongdoing.

Casarotto Ramsay & Associates failed to respond to repeated requests for comment about whether it continues to rep Gaiman. Gaiman has been contacted for comment. His long-time literary agent is Writers House’s Merrilee Heifetz, who has been approached for comment. Gaiman has also been repped by CAA, who have been contacted….

(3) FILK HISTORY ZOOM. The next FANAC Fan History Zoom on February 22 will be about filk fandom. Edie Stern will interview Margaret Middleton. To attend, contact fanac@fanac.org.

(4) DOES YOUR BOOK HAVE A BELLY BUTTON? “Books written by humans are getting their own certification” says The Verge. Self-certification. Because no one would ever lie about this, right?

The Authors Guild — one of the largest associations of writers in the US — has launched a new project that allows authors to certify that their book was written by a human, and not generated by artificial intelligence.

The Guild says its “Human Authored” certification aims to make it easier for writers to “distinguish their work in increasingly AI-saturated markets,” and that readers have a right to know who (or what) created the books they read. Human Authored certifications will be listed in a public database that anyone can access. The project was first announced back in October in response to a deluge of AI-generated books flooding online marketplaces like Amazon and its Kindle ebook platform.

Certification is currently restricted to Authors Guild members and books penned by a single writer, but will expand “in the future” to include books by non-Guild members and multiple authors. Books and other works must be almost entirely written by humans to qualify for a Human Authored mark, with minor exceptions to accommodate things like AI-powered grammar and spell-check applications….

(5) AI NAY NAY? Steve J. Wright discusses in fascinating detail the brain, intelligence, why the very different operations of a computer do not resemble either of the former, and his skepticism about artificial intelligence in “The Little Man Who Isn’t There”.

…So, Artificial Intelligence, if it is achievable at all with current technology (and I suspect the technology which might make it achievable is some way in the future) will necessarily operate in a way which is radically, fundamentally different from human intelligence. So different that communicating with it, or even recognizing that it’s there, will present significant technological challenges. So why are we so happy – well, why are some of us so happy – to believe that Artificial Intelligence is with us here and now, ready to correct our grammar and do our homework for us?

Wright’s article includes a rather amusing callback to Sixties chatbot ELIZA.

“Ah,” says the knowledgeable reader, “he’s going to talk about ELIZA.” Yes, I am absolutely going to talk about ELIZA, because it is such a very good example. Created by Joseph Weizenbaum between 1964 and 1967, ELIZA is credited as the first chatbot; it was designed to emulate a psychotherapist, using a fairly limited set of stock responses which identified key words in its interlocutor’s messages and fitted them into templates for replies. And it had people convinced that it was a real person, that no mere machine could possibly understand them as well as ELIZA did. Now look at those dates again, and consider just how much technical progress there has been on the hardware end of things since then. ELIZA is not a sophisticated program. If you are the sort of weirdo who has a “smart” home, you probably have light bulbs with enough capacity to run ELIZA. Your fridge probably has enough computing power to run ELIZA and perform its normal fridgely duties (maintaining optimum temperatures and levels of energy usage, keeping an inventory of its contents and their expiry dates, and snitching on you to Amazon about your chocolate ice cream habit.)

So, since a rinky-dink little gizmo like ELIZA can successfully con people into believing it’s human, what chance do our poor gullible brains stand against modern technology?

(6) THESE THINGS MUST BE HANDLED DELICATELY. “Sale of Wicked Witch’s hat from the ‘The Wizard of Oz’ sparks fraud lawsuit” reports the LA Times. (Article republished on MSN, so not behind a paywall). There are three known existing Wicked Witch hats used in filming of The Wizard of Oz. Schneider acquired one in 2019 for $100,000, from Profiles in History, a movie memorabilia house that Heritage acquired two years later. He later consigned it to Heritage for a big Hollywood memorabilia auction. The owner of another Witch’s hat, Michael Shaw, also decided to sell his. And in addition, Shaw was consigning an authentic pair of the ruby slippers. Here’s the rest of the story….

…In July 2023, Schneider agreed to consign his hat to Heritage and the item was given a value of $200,000 for insurance purposes, according to his lawsuit.

However, Heritage pulled Schneider’s hat from an auction in which another Wicked Witch’s hat owned by Michael Shaw…

In August, [Heritage Auctions senior director Brian] Chanes called Schneider and offered him a quick private sale of the hat for $250,000. Instead of taking it to auction, the hat worn by actor Margaret Hamilton would be sold directly to Shaw, who had expressed interest. The price was “more than any Hat had previously sold for,” Chanes told him, according to the complaint.

A few months later, Heritage began promoting a December auction of movie memorabilia that included Shaw’s three Oz pieces….

…According to the suit, Heritage launched a promotional tour of Shaw’s items, holding events in New York, London and Tokyo.

Shaw is not a defendant in the lawsuit against Heritage.

During the auction held on Dec. 7, the ruby slippers sold for a record $32.5 million and the hat hammered down for $2.93 million, which was nearly 12 times the amount Schneider received for his hat. Like other houses, Heritage receives a commission on the items sold at auction.

“It’s very unusual to have an item plucked out of an auction and get an offer like that from the auctioneer,” Schneider said. He says the house violated its fiduciary obligations to him, having failed to disclose the level of market interest in the hat or its planned roadshow for the auction.

Schneider alleges that Heritage struck the deal with him as a “device for HERITAGE or its executives to get ownership at a deep discount while also favoring Mr. S by making his Hat the only one in the auction,” states the suit….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 30, 1924 — Lloyd Alexander. (Died 2007.)

By Paul Weimer: In the mid 1980’s, Disney came out with The Black Cauldron, an animated fantasy movie. This was the “wilderness years” of Disney before the boom that started with The Little Mermaid. (The Black Cauldron came out the same year as Return to Oz) It looked interesting, and I was now at a point where I could go and see such movies on my own. Sure, it was an animated movie probably aimed at a younger audience than who I probably was, but I was game. (The fact that it was rated PG drew my attention and convinced me to see it). I enjoyed it deeply even if apparently few others did at the time. (Again, see above, Wilderness Years)

So it goes.

Naturally, the movie led me to the Lloyd Alexander book. I didn’t realize at the time that The Black Cauldron is actually the second in the Prydain series, but having seen the movie loosely based on it, I wasn’t lost at the time and when I finally did read The Book of Three (the first in the series) sometime thereafter, I saw how sneakily the filmmakers had been inspired by that book for helping to establish Taran, as well as The Black Cauldron itself. So I could and did happily read the book and the sequels, and so being hooked on Alexander’s work thereby.

I had only the smallest amount of knowledge of Welsh mythology at the time I read the Pyrdain series, the mythology books I had read to that point were focused on the Greco-roman and the Norse. The tales of the Mabinogion that Alexander’s series was based on did later, some years on, inspire me to investigate and learn about Welsh mythology in much more detail. So I have Alexander to thank for that.

And in general, Alexander is a novelist who I am glad I did not “miss”. There is a swath of authors I managed to miss because I felt myself too old by the time I found them (Susan Cooper comes to mind, although I did read her a few years ago). Alexander is in that class, while writing for a younger audience, his strong use of theme, decently three-dimensional female characters (although still cross about Eilonwy’s losing her magical powers) and the sheer verve and quality of the writing and the language.

That quality of writing extended to all of the other work I’ve read of him, from the meditation on war that is The Kestrel, to the Vesper Holly adventure archaeology series. He’s definitely an excellent gateway to much further reading and I think that he still stands up as someone to introduce a young reader to fantasy.

My only regret is that I didn’t discover his work sooner.

(8) COMICS SECTION.

Peanuts from 1958 – could this be futurism?
Saturday Morning Breakfast Cereal shows the origin of paying for stories.

(9) OCTOTHORPE. In episode 127 of the Octothorpe podcast, “Hello Buoys”, John Coxon is incoherent, Alison Scott is excited, and Liz Batty is romantic. An uncorrected transcript of this episode is available here.

Episode 127 is here. We discuss the latest juicy gossip from the Belfast Eastercon, we hear from Claire Brialey of Croydon, and we pick things that aren’t games!

Alt text: A flowchart entitled “How to meet John, Alison and/or Liz at Eastercon”. The boxes culminate in “console yourself with Octothorpe 127”, and the various options are listed below, but the original file is linked in the show notes in case that’s more helpful to the partially sighted. How to meet John, Alison and/or Liz at Eastercon Are you going to Reconnect? Of course!/Not sure Oh go on it will be a laugh Oh all right then/No... Are they in the bar? Yes! I can't see them Are you quite sure? Check again Oh wait... there they are No sign Is there another bar? Yes! Nope Are they on programme? Yes! No Wait till the moderator asks for questions But it's Octothorpe Live! Is your joke very funny? Obviously! Excellent! Good to know. COME AND SAY HELLO until then... Are they asleep or on the loo? No, they look chill Er, yes? Oh, that's a shame Console yourself with Octothorpe 127

(10) THE NEXT TENTACLE. “’Squid Game’ Season 3 Release Date Set at Netflix”. Variety tells what it is.

“Squid Game” Season 3 will premiere June 27, following the major cliffhanger finale that Season 2 ended on.

“Squid Game” Season 2, which consisted of seven episodes, debuted Dec. 26. The installment was filmed back-to-back with Season 3, assuring there would be a much shorter wait between seasons than there was for Season 2 and Season 1 (which debuted in 2021, and was not originally written as an ongoing series).

In Season 2, Gi-hun, aka Player 456 (played by Lee Jung-jae), returns to the sadistic competition three years after winning 45.6 billion in South Korean won as the sole survivor of the event, in order to now put an end to Squid Game and save the lives of the players around him….

(11) SUPER ADVERTISING. The commercials aired during the Super Bowl have a reputation for creativity and entertainment. If you’re likely to watch them, whether during the broadcast or later on YouTube, here’s Deadline’s scouting report of the movie promos that will be part of the lineup, most of them of genre interest: “Super Bowl Movie Trailers 2025: What to Expect”.

…This year, count on the following to air either pre, during or post-game:

Disney, the No. 1 studio of last year with more than $2.2 billion in domestic box office, has always had a presence at the Super Bowl. It won’t be a surprise if it shows off wares for upcoming pics Snow White (March 21), Lilo & Stich (May 23) and Pixar’s Elio (June 13). We understand they’ll only be showing off two out of three of their upcoming Marvel Studios movies, a batch that includes the upcoming Captain America: Brave New World (February 14), summer kickoff Thunderbolts* (May 2) and Fantastic Four: The First Steps (July 25)….

Universal, the No. 2 studio with $1.88B domestic in 2024, will be wowing with trailers for Dean DeBlois’ live-action take of his How to Train Your Dragon (June 13) and the Scarlett Johansson-Mahershala Ali-Jonathan Bailey starring Jurassic World Rebirth (July 2) from Gareth Edwards. Don’t be surprised if you catch a Blumhouse title, like a M3GAN 2.0 (June 27). You’ll remember how Uni previously stunted the first installment with dancing M3GAN dolls on talks shows and popular landmarks like the Empire State Building.

Paramount is no stranger to the Super Bowl, even when its sister CBS network and Paramount+ isn’t broadcasting it (Fox has the game this year). This year, the buzz is that Par will air spots for the Jack Quaid comedy thriller Novocaine (March 14), the Smurfs animated musical movie starring Rihanna (July 18) and Mission: Impossible – Final Reckoning. …

Nothing to do with genre, however, you can already watch the “Hellmanns Super Bowl Commercial 2025” which reunites the When Harry Met Sally stars Meg Ryan and Billy Crystal in an update of their deli scene.

(12) ALL’S FAIR. The answer to the Guardian’s question is microcollectibles, apparently: “Evil toilets, terror food and billionaire Squishmallows: my eye-popping day at the UK’s giant toy fair”.

A chubby baby dinosaur waddles down a pink carpeted aisle, narrowly avoiding an army of Care Bears tramping in the other direction. Nearby, a sales rep shows off a collection of insect-breeding habitats, just as Pikachu scampers around the corner, bumping into her neat display. Across the hall, inventors show off their fiendish new board games, magicians demonstrate glowing plastic thumbs, while others grapple with instructions by a table covered with thousands of tiny plastic bricks.

Welcome to the Toy Fair, in London’s Kensington Olympia, the UK’s biggest bonanza of toys, games and hobbies, where the world’s manufacturers converge to peddle their latest wares, as retailers scour the endless stands for the hottest new trends. It’s a mind-boggling place of plushies and puzzles, remote-control cars and mud kitchens, and more plastic than you would find at a petrochemical convention. Here, the £3.4bn business of fun is taken very seriously indeed, with NDAs galore and not a child in sight. So where is the toy world heading in 2025?…

Fans of the YouTube phenomenon, Skibidi Toilet, can now buy the official toy line at Walmart, Target and Amazon. The line includes the Mystery Surprise Toilet, Collector Figures, Mystery Plush and more.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Lise Andreasen, Joe Siclari, Mark Roth-Whitworth, Juli Marr, Meredith, JJ, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones.]

Pixel Scroll 11/1/24 Do Not Count A Pixel Scrolled Until You’ve Seen The Jetpack. And Even Then You Can Make A Mistake

Posted on November 1, 2024 by Mike Glyer

(1) GREG HILDEBRANDT (1939-2024). Artist Greg Hildebrandt died October 31. Tolkien Collectors Guide paid tribute:

Greg’s wife Jean posted this to his social media today that he has passed after a short illness.

“The light has gone out in my life. At 12:36 pm this afternoon the love of my life, my best friend and soulmate passed away. Greg was 85 years young. He was the sweetest man I ever knew. We worked together for 45 years. We lived together for 33 of those years. We had a beautiful life we were blessed. Greg has been fighting for 5 months to regain his ability to breathe after a serious side effect of a heart medication. He fought very hard to win this battle but in the end he was just too weak. He passed away peacefully in my arms. He knew he was safe and he was loved and he will be missed terribly. I cannot imagine my life without him. He was my guy, yesterday, today, tomorrow and forever. You are my heart and it is broken!”

Greg and Tim Hildebrandt, known as the Brothers Hildebrandt (born January 23, 1939), were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children’s books, posters, novels, calendars, advertisements, and trading cards. Tim Hildebrandt died on June 11, 2006.

Greg Hildebrandt received a Chesley Award for Artistic Achievement in 2010. Gizmodo’s tribute includes numerous examples of his artwork.

Greg Hildebrandt in 2009. Photo by Alan White.

(2) WORDS FROM NEW SFWA PRESIDENT. SFWA’s newly-elected President Kate Ristau today sent this message to members:

In June, writers, creators, and fans gathered in-person and online to countdown to the start of the Nebula Awards Ceremony. In Pasadena, we passed out glow sticks and monitored the YouTube chat. We were ready to celebrate the works and creators that lit up the year.

The moments before the SFWA logo hits the screen are full of anticipation. For the past four years, I have felt this joy as I served on the Nebula Awards Ceremony Team, honoring and celebrating the speculative fiction community. Now, I am stepping into a new leadership role to serve as your SFWA President.

But I know it’s not just me.

As an Executive Director of a 501(c)(3) arts nonprofit, I understand that this is a role of stewardship and care. I am serving the organization – helping us get on the right path. I would like to see us do that work together with character and integrity (to be the Samwise Gamgees and Ned Starks of the world…without losing our potatoes or our heads).

SFWA is in a time of transition, and faces many decisions as it rockets into the future. My intent is not to make these decisions for the organization – it is to help the organization make the best decisions. That takes community, collaboration, and a coalition of people willing to step up and make SFWA better.

That is how SFWA works. We celebrate, advocate, and support our genre community through the efforts of active and engaged volunteers, supporters, allies, staff, and friends.

We do that work together.

So, while I am excited about the opportunities I see to improve the trajectory of the organization – to lead strategically and encourage growth while being grounded in fundamentally sound organizational systems and principles – I am most excited about working with all of you.

As I step up into this position, and work toward better meeting the mission of SFWA, I look forward to collaboration, cooperation, and growth – with your help.

In the final moments of the 2024 Nebula Awards Ceremony, we raised our glowsticks and sparkled in the chat as Sarah Gailey encouraged us to carry our fires with us, “burning with passion and anger and rage and sorrow and love.” But they also reminded us that we carry those fires “in all our courage and all our principles.”

So as we light the way, as we carry candles for our genre and for our friends, we do so together.

Thank you for giving me the opportunity to light the way with you.

(3) HEAR FEAR. To celebrate Halloween, Here & Now producer Kalyani Saxena spoke with three horror authors — Grady Hendrix, Alexis Henderson and Alix E. Harrow — at WBUR’s CitySpace. “Terrifying tales: How 3 horror writers think about the hidden power of scary stories”. Hear the 10-minute radio Q&A at the link.

(4) CONTRASTING DOCTOR WHO WITH UN PEACEKEEPING MISSIONS. “Fourth Annual Symposium on Pop Culture and International Law: Doctor Who and Humanitarian Interventions – How a Time Lord foreshadows the Responsibility to Protect” at OpinioJuris.

…Echoing this condemnation, the Doctor is once again put on trial for his intergalactic meddling, this time by the High Court of the Time Lords (1986). The viewer is presented with a litany of negative consequences that have resulted from the Doctor’s unsanctioned interventions. However, this time, the Doctor puts forward a strident defence of their actions, illustrating the changing norms around foreign intervention at the end of the Cold War. The Doctor condemns the Time Lords for their bureaucratic passivity in the face of atrocity crimes and proudly declares, “While you have been content merely to observe the evil in the galaxy, I have been fighting against it”. The High Court eventually accepts the Doctor’s argument that action must be taken ‘in the face of evil’, but still punishes them for breaking a seemingly inviolable law.

While the Doctor had embraced the need for intervention, the UN – like the Time Lords – was slow to follow….

(5) BA-BUMP! “What makes music scary? Your imagination plays a part” explains NPR.

Just two notes are all it takes for John Williams to build tension in his famous composition for the film “Jaws.”

“We don’t see the shark at the beginning, but we know there’s something there,” said Daniel Goldmark, head of popular music studies at Case Western Reserve University. “It all just comes down to this very, very tiny little paring of sounds that turns into something really, well, monstrous.”

Repetition is another musical technique that comes up often in soundtracks for scary movies. Other commonalities include minor keys and held-out dissonances, where the notes seem to disagree….

… Ferraguto said he particularly enjoys the use of instruments in the final movement of “Symphonie Fantastique” by Hector Berlioz, influenced by the story that goes with it.

“There’s an E-flat clarinet solo that sounds like a kind of cackling, insane witch. And beneath that are these bubbling bassoons that I kind of always imagine as a kind of a cauldron,” he said.

The opening theme of Stanley Kubrick’s 1980 film “The Shining” also adapted a selection of “Symphonie Fantastique,” which plays as a car navigates to a remote hotel in the mountains…

(6) DEATHWORLD IS HERE. [Item by Steven French.] Author Andrew Michael Hurley ponders the diverse roles played by nature itself in dystopian fiction: “The new folk horror: nature is coming to kill you!” in the Guardian.

Concern about the depletion and loss of nature is nothing new. Anxieties about global ecological catastrophes have been present in dystopian fiction for at least the last century. Nordenholt’s Million, a 1923 novel by Alfred Walter Stewart (writing as JJ Connington) sees a pernicious bacterium, known as the Blight laying waste to the world’s soil. It’s a precursor to John Christopher’s The Death of Grass (1956) where the so-called Chung-Li virus decimates the wheat harvest in the far east before spreading across the entire Earth.

Worlds in other post-apocalyptic novels are scarred by pollution, acid rain, genetic mutation, overcrowding, fire and drought – and, perhaps unsurprisingly, the genre is deluged by catastrophic flooding. In JG Ballard’s work of 1962, The Drowned World, the ice caps have melted, and England has been transformed into a tropical quagmire. While Richard Cowper’s The Road to Corlay (1978) takes us to a Great Britain of the year 3000, where rising sea levels have split the country into the Seven Kingdoms, making the Mendips and the Quantocks islands. More recently, we might think of Megan Hunter’s The End We Start From and also Julia Armfield’s Private Rites, which reimagines King Lear in a half-submerged London.

(7) FROM THE BLACK LAGOON TO YOU. FigureFan Zero reviews “Universal Monsters: Ultimate Creature From The Black Lagoon by NECA”.

Over the last couple years, I’ve taken a look at quite a few of NECA’s Ultimate Universal Monsters, but oddly enough I have yet to touch on my favorite one of the bunch. Yup, it’s The Gillman, and he is not only one of my favorite creature designs of all time, but I absolutely love the movies. When I was about ten years old, they showed Revenge of the Creature in 3D on network television and it was a huge event in our house. We got the 3D glasses for the whole family, my Dad made Jiffypop and it was just a great time and a very fond memory….

(8) TODAY’S BIRTHDAY.

[Written by JJ.]

Born November 1, 1923 — Gordon R. Dickson. (Died 2001.)

By JJ: Writer, Filker, and Fan. Gordon R. Dickson was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail.

His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation.

I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history. His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards.

In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame.

The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions ever since.

(9) COMICS SECTION.

Crankshaft continues monster vs. pizza.
Dog Eats Doug understands the cats’ plan.

(10) WHEN READING THE BOOK IS NOT RECOMMENDED. Collider offers its list of “10 Worst Horror Movie Decisions, Ranked”.

In horror movies, characters often don’t always make the right decisions. It’s a common cliché that some of them would make completely baffling, even moronic, choices that either get them or other people killed. Anyone who has ever seen these films can at least relate to one time or another getting frustrated whenever they notice the characters are doing something that they should have completely done the opposite way.

Here’s one of their favorites.

3. Reading from the Book

‘The Evil Dead’ Franchise (1981-)

The Evil Dead films are the go-to for splatter horror entertainment. Featuring five near-perfect installments, including a beloved but short-lived TV series, this bloody good franchise often follows groups of people as they come across “The Necronomicon Ex-Mortis,” or The Book of the Dead. Bound in human flesh and inked with blood, it harbors a dark power that can summon demons and other nightmarish creatures to attack or possess whoever so unwisely reads out loud its incantations.

However, that’s precisely how all this trouble in the Evil Dead films starts. Whether it’s through sheer naivety or dumb curiosity, some characters completely ignore all warning signs to not utter words from the Necronomicon, but they do it anyway. Unfortunately, it leads to terrifying consequences as the book unleashes its frightening demons, known as the Deadites, to proceed to take over bodies and attack those around them. This happens a lot throughout the franchise, especially when the hero, Ash Williams (Bruce Campbell), has possession of it, as he always seems to mess things up and unleash hell once again.

(11) ROLLING, ROLLING, ROLLING. “The New Glenn rocket’s first stage is real, and it’s spectacular” at Ars Technica.

Blue Origin took another significant step toward the launch of its large New Glenn rocket on Tuesday night by rolling the first stage of the vehicle to a launch site at Cape Canaveral, Florida.

Although the company’s rocket factory in Florida is only a few miles from Launch Complex 36 at Cape Canaveral Space Force Station, because of the rocket and transporter’s size, the procession had to follow a more circuitous route. In a post on LinkedIn, Blue Origin’s chief executive, Dave Limp, said the route taken by the rocket to the pad is 23 miles long.

Limp also provided some details on GERT, the company’s nickname for the “Giant Enormous Rocket Truck” devised to transport the massive New Glenn first stage.

“Our transporter comprises two trailers connected by cradles and a strongback assembly designed in-house,” Limp said. “There are 22 axles and 176 tires on this transport vehicle. It’s towed by an Oshkosh M1070, a repurposed US Army tank transporter, with 505 horsepower and 1,825 pound-feet of torque.”

The transporter can only take certain roads due to its length, 310 feet (95 meters), and height with the rocket on board. The New Glenn booster has a diameter of 23 feet (7 meters), which is far too large to transport beneath conventional bridges….

(12) RAT PATROL. [Item by Mike Kennedy.] Two new job categories may be opening: one for African giant pouched rats to sniff out wildlife contraband and another for their handlers. The 3-pound rodents are trained to pick up the scent of various wildlife items that are commonly smuggled (think ivory as a very recognizable example) and alert their handlers.

Willard would be so proud. Ben would just want the treat that comes along with a correct alert. “Giant three-pound rats trained to sniff out illegal poaching” – Popular Science has the story.

African giant pouched rats (Cricetomys gambianus) could be the next line of defense in the illegal wildlife trade. A team of researchers have trained these three-pound rats to pick up the scent of elephant ivory, rhino horn, pangolin scales, and a small tree called African blackwood. All of these animals and plants are listed as threatened or at a high risk of extinction and are illegally trafficked. The findings are detailed in a proof-of-principle study published October 30 in the journal Frontiers in Conservation Science…

(13) SQUID GAME RETURNS. AllYourScreens brings us “First Look: ‘Squid Game’ – Season Two (Video)”.

Season 2 raises the stakes, with Lee Jung-jae reprising his role as Seong Gi-hun, also known as Player 456. With a hardened demeanor and the scars of past games, Gi-hun is on a desperate mission to expose the deadly truth of the competition. Yet, his warnings go unheeded, and tensions rise as fellow players question his intentions. The teaser also shows the return of Lee Byung-hun as the mysterious Front Man, whose true motivations remain cloaked in secrecy, while Wi Ha-jun’s Hwang Jun-ho is back, driving the narrative forward as the relentless detective on a mission of his own.

(14) AI TEXT WATERMARK FOLLOW-UP. [Item by SF Concatenation’s Jonathan Cowie.] Further to the reporting of the research paper on a method of watermarking AI-generated text, Nature has just published a more newsy article on the paper and its implications. “GOOGLE Unveils ‘Invisible Watermark’ for AI-Generated Text”.

(15) “TIME TO TAKE OUT THE TRASH”. [Item by SF Concatenation’s Jonathan Cowie.] This week over at Dr Becky there is a 12-minute video looking at whether there is alien technology around Proxima… “Debunking the ‘technosignature from Proxima Centauri’ rumours”.

Because this month saw yet another bullshit claim that an announcement of the discovery of intelligent alien life was imminent. And I got mad. Maybe it’s just because this is the tip of the iceberg of so many fake discovery claims that circle the internet, especially when it comes to JWST, which are just all absolute trash. And this week I have reached my limit and I’m going to take it all out on BLC1 – breakthrough listen candidate 1 – a radio signal detected back in 2020 which was already shown to be radio interference back in 2021, but that this month a documentary film maker claimed to have spoken to the folks at the Breakthrough Listen project who are hunting for signs of intelligent alien life in radio data, and claims that an announcement from Breakthrough and the University of Oxford about BLC1 are imminent. I’m a researcher at Oxford, and I can tell you now we all laughed. So in this video, we’re going to dive into everything we know about BLC1 to put these rumours to rest completely. First starting with: 1) BLC1’s detection back in 2020 and why it was initially thought to be a promising “technosignature” of intelligent alien life, 2) how BLC1 was ruled out as a real “technosignature”, and 3) how no recurring signal has been detected since.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, JJ, Jeffrey Jones, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/20/24 It’s Not A Cookbook, It’s A Pixel Scroll!

Posted on September 20, 2024 by Mike Glyer

(1) BIG DEAL. Marie Vibbert counsels writers about “Playtesting Card Games” at the SFWA Blog. One bit of advice will sound very familiar.

Immolate Your Darlings

You’ve perhaps heard writers talk about “Murdering their darlings,” which refers to the agony of having to cut a beautiful sentence, scene, or even a sub-plot that you love but doesn’t serve the overall arc of the story. I once twisted five drafts of a novel around a scene I absolutely adored before I realized that it had to go. Ow, it hurt.

The same thing happens in games. There might be a mechanic, a special card, an illustration, a subtle joke…and you love it, but it has to go. It’s worse when you have this nice physical card you made for the mock-up.

Even your game’s theme, which might seem the most essential part of it, must be disposable. On the off chance your game is picked up by a publisher, one of the most common things they want to do is re-theme it, probably for some big franchise. (In case you thought someone set out to create the Go Bots 50th Anniversary Card Game.)

You cannot grow attached before completion. The game is in flux. Consider every part expendable in service to the greater whole….

(2) SFF ART UP FOR AUCTION. [Item by Sandra Miesel.] I’ve put some of my sf collection up for sale at RipleyAuctions.com The live auction is October 5 and registration is free. My pieces include: the Kelly Freas’ DAW cover painting for Soldier, Ask Not by Gordon R. Dickson and its preliminary sketch, Kelly’s Analog interior illustration for “The Second Kind of Loneliness” by George R.R. Martin; Kelly’s Laser Books sketch for The Extraterritorial by John Morrissey; Richard Powers’ cover painting for Far Out by Damon Knight; John Schoenherr’s Analog interior illustrations for “And He Fell into a Dark Hole” by Jerry Pournelle, “The Demon Breed” by James Schmitz, “Spaceman” by Murray Leinster, and the ultimate prize: Schoenherr’s scratchboard Analog illustration for the very first installment of “Dune World”. Sandra Miesel at Ripleyauctions.com.

Frank Kelly Freas, American (1922 – 2005), Soldier, Ask Not book cover

(3) REMEMBERING THE FAHRENHEIT FIFTIES. Heritage Auctions has an interesting item on the block – a volume of Fahrenheit 451 inscribed by Bradbury to Hugh Hefner.

40th Anniversary Edition. PRESENTATION COPY, INSCRIBED AND SIGNED BY THE AUTHOR TO HUGH HEFNER: “For Hef! Who published this when almost everyone else was afraid! With gratitude! Ray Bradbury. Nov. 3, ’93. 40 years later!”

Fahrenheit 451 was first published by Ballentine Books, Inc., in 1953, as a revision and expansion of his fifty-six-page novella, “The Fireman.” The novel was sold to Hugh Hefner’s new magazine, Playboy, which published the story in three installments in its fourth, fifth, and sixth issues (March 1954 to May 1954).

(4) SPOTLIGHT ON MAD MAGAZINE. [Item by Steven French.] If you happen to be in Massachusetts over the next month, check out “What, Me Worry? The Art and Humor of Mad Magazine,” an exhibition running until October 27 at the Norman Rockwell Museum.

It covers the full 72-year history of Mad, highlighted by the stretch from the mid-1960s to the early 1990s, when the magazine pilloried mass culture—television, movies, politics and more—in a way that introduced satire to kids raised on tamer entertainment like “Leave It to Beaver.”

The Smithsonian article on it is an interesting read in its own right! “The Madcap History of Mad Magazine Will Unleash Your Inner Class Clown”.

… Mad magazine had its beginnings in 1947, when publisher Maxwell Gaines’ death in an upstate New York boating accident left his Educational Comics company to his 25-year-old son, William Gaines. Under Maxwell, the comics featured stories of science, animals, history and Picture Stories From the Bible. When William took over, he quickly shifted gears to “Entertaining Comics” (EC for short) and started publishing romance, westerns, science fiction, war and horror stories, most notably Tales From the Crypt. Gaines the younger had more than laughs and frights on his mind, however; woven into EC Comics were progressive ideals around racial equality, pacifism, environmentalism and the existential nuclear-age dread rarely spoken of in the placid, conformist 1950s.

In 1952, a comic book poking fun at other comic books debuted, but it would take four issues for Tales Calculated to Drive You MAD to take off. That fourth one featured the parody “Superduperman,” a blueprint for making hay of pop culture and politics. Amid a panic over youth corruption, inspired in part by EC’s other publications, editor Harvey Kurtzman convinced Gaines to retool Mad from a comic book into a magazine, and in July 1955 (Issue No. 24), a future mockery machine emerged….

(5) LITIGATION IS IN THE CARDS. “Cards Against Humanity sues SpaceX, alleges ‘invasion’ of land on US/Mexico border” – Ars Technica has the story.

Cards Against Humanity sued SpaceX yesterday, alleging that Elon Musk’s firm illegally took over a plot of land on the US/Mexico border that the party-game company bought in 2017 in an attempt to stymie then-President Trump’s attempt to build a wall.

“As part of CAH’s 2017 holiday campaign, while Donald Trump was President, CAH created a supporter-funded campaign to take a stand against the building of a Border Wall,” said the lawsuit filed in Cameron County District Court in Texas. Cards Against Humanity says it received $15 donations from 150,000 people and used part of that money to buy “a plot of vacant land in Cameron County based upon CAH’s promise to ‘make it as time-consuming and expensive as possible for Trump to build his wall.'”

Cards Against Humanity says it mowed the land “and maintained it in its natural state, marking the edge of the lot with a fence and a ‘No Trespassing’ sign.” But instead of Trump taking over the land, Cards Against Humanity says the parcel was “interfered with and invaded” by Musk’s space company. The lawsuit includes pictures that, according to Cards Against Humanity, show the land when it was first purchased and after SpaceX construction equipment and materials were placed on the land….

…Cards Against Humanity also set up a website to publicize its lawsuit. “We have terrible news,” the website says. “Seven years ago, 150,000 people paid us $15 to protect a pristine parcel of land on the US-Mexico border from racist billionaire Donald Trump’s very stupid wall. Unfortunately, an even richer, more racist billionaire—Elon Musk—snuck up on us from behind and completely fucked that land with gravel, tractors, and space garbage.”

The website claims that SpaceX made a “lowball offer” to buy the land after Cards Against Humanity complained….

(6) WRITER BEWARE. “Wolves in Authors’ Clothing: Beware Social Media Marketing Scams” says Victoria Strauss at Writer Beware.

For authors, one of the (these days, increasingly few) positives of social media is connecting with other authors. Especially if no one else in your family/social circle is involved in the arts (raises hand), it’s great to be able to find a community where you can discuss craft, business, the ups and downs of querying, the challenges of self-publishing–both sharing your own experiences and learning from others’.

But…what if that friendly author who just DM’d you on one of your social media accounts isn’t actually a writer, but someone who wants to sell you worthless “marketing” services?

… Oooh, conversion enhancement campaign! That’s some sexy jargon right there.

The name on the marketer’s Instagram account (which no longer exists) was Ashley Wallace of Ashley Digitals. You can see the author’s conversation with her–including an unconvincing excuse for why her website URL doesn’t work, an elaborate sales pitch, and false claims about clients….

(7) FOUR-PAGE GOTHAM GAZETTE INSERT IN THURSDAY NYT. [Item by Daniel Dern.] Our household gets the New York Times in the classic physical flattened-dead-tree version; I was bemused to discover the Thursday, September 19 edition included a four-page insert, the Gotham Gazette.

As part of HBO/MAX’s promotion of its new Penguin live-action show, which has just started. I/we haven’t yet tried it (but we just finished, and enjoyed, the first two episodes of Agatha All Along, over on Disney+, which, perhaps-arguably, is bat-adjacent via Walt’s round-eared mascot.)

Here’s some article links — note, the first link has readable images of the four-page insert. Wak, wak, wak.

“The Penguin: Gotham Gazette Offers Interesting Post-The Batman Details” at Bleeding Cool. This article has readable images of full four online pages. The others below have some partial shots.

“How the New York Times became the Gotham Gazette for a day” at Fast Company. Including “But if you pass through Grand Central Station today, or Little Italy, or Times Square, you’ll see old-school newspaper hawkers schlepping copies of the Gotham Gazette” [also, according to the ComicBook.com article listed below, at Times Square, Penn Station]

“The Penguin Takeover Heads to New York City to Celebrate Premiere” at Comicbook.com. This article includes deets on the “Penguin take-over” events in NYC and elsewhere:

HBO and Max are gearing up for the premiere of The Penguin with a takeover of the Big Apple. The spinoff of The Batman brings Colin Farrell back as Oz Cobb, aka the titular Penguin and foe of the Dark Knight. The Penguin has started a global campaign leading to the premiere on Thursday, September 19th, with one of its first stops at San Diego’s Gaslamp Quarter. The Penguin Takeover will involve exclusive merchandise trucks all across New York City, along with the lighting of iconic landmarks and collaboration with local businesses using Penguin’s signature plum purple hue….

Max is continuing The Penguin’s presence internationally following the Iceberg Lounge’s success in San Diego. The Penguin will bring the iconic Iceberg Lounge to select locations in France, Spain, The Netherlands, and Thailand, along with other local promotions in the APAC, EMEA, and LATAM regions. Fans might also spot The Penguin’s purple Maserati in the streets of São Paulo, Paris, and other major cities.

The Penguin Takeover will feature the Feast of San Gennaro, the New York Latino Film Festival Block Party, early fan screenings at Alamo Drafthouse, and specialty menu items at participating businesses as Gotham comes to life. The takeover will extend beyond New York, with The Penguin’s iconic Iceberg Lounge and other experiences in select cities worldwide.

Also coverage at MSN.com: “The Penguin makes The Gotham Gazette real for one day only as the Max series takes over The New York Times to explain everything that’s happened since The Batman”.

And Looper: “HBO’s Penguin Confirms Where Batman Is (Or Isn’t)”.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Buck Rogers in the 25th Century (1979)

Forty-five years ago on this evening, Buck Rogers in the 25th Century first aired on NBC.

It is of course based on characters created by Philip Francis Nowlan. It started out as a comic strip that first appeared in daily U.S. newspapers on January 7, 1929, subsequently appearing in Sunday and international newspapers, then there were books, a radio adaption, comic books, a serial film. You get the idea.

So after all of that came this series. It was developed by Glen Larson who created Battlestar Galactica and Leslie Stevens who created Outer Limits.

It lasted but two seasons in total comprising thirty-seven episodes. A feature-length pilot episode for the series was released as a theatrical film, Buck Rogers in the 25th Century. It did spectacularly well at the box office as it cost just three and a half million and made eighteen point seven more than that!

The film was narrated as was the first season by William Conrad who had found stardom as a detective in the two series, Cannon and Nero Wolfe. Yes, he played Wolfe though briefly as it lasted but fourteen episodes. Who here saw him as Wolfe?

The only cast that counts was Gil Gerard as Captain William “Buck” Rogers and Erin Gray as Colonel Wilma Deering. Oh, and Mel Blanc in the first season voicing Twiki. Felix Silva would voice him in the second season. Other cast members I’ll note are Tim O’Connor as Dr. Elias Huer, Pamela Hensley as Princess Ardala and Henry Silva as Kane. Andrew Thom Christopher as Hawk, a bird man with the most comical feather for hair I’ve ever seen!

Later interviews with Gerard and Gray as well as the directors say that neither got along with the other as they thought each was getting more lines and better stories. Oh well.

Buster Crabbe who played Buck Rogers in the original thirties Buck Roger’s film serial would play Brigadier Gordon in an episode here. Yes, a nod to his other film series.

The casting director had a fondness for one of our favorite series. Many of the actors who had played villains in the Batman series guest-starred here such as Frank Gorshin, Roddy McDowall, Julie Newmar and Cesar Romero.

It’s worth noting that the series re-used most of the props, star fighters, stages, some of the effects film and even costumes from Battlestar Galactica. The network obviously being keen on keeping costs down at all costs.

Ratings were fine for the first season, but dropped drastically in the second season and cancellation was decided by mid-season.

It has streamed on Amazon and on Peacock, not surprisingly on the latter as that’s owned by NBC, and Prime, but not is not currently streaming anywhere.

(9) COMICS SECTION.

Close to Home has high delivery expectations.
Eek! has an unimpressed internist.
Rhymes with Orange comments on visiting relatives.
Saturday Morning Breakfast Cereal in effect updates a classic Mark Twain joke.

(10) SQUID GAME RETURNS. “’Squid Game’ Season 2 Trailer: New Players, New Game” – Variety introduces the trailer.

“Squid Game” is back and Netflix has released the first teaser for its hotly anticipated second season. The footage comes as the final reveal of the streamer’s annual Geeked Week fan event.

The teaser picks things off right after Season 1’s finale, when Seong Gi-hun abandoned his plans to go to the U.S. and instead started a daring chase with a newfound motive. In the short teaser, he appears back in his 456 uniform amid a crowd of new contestants. Another massive cash prize awaits them, with a quick look at the games to come.

The globally successful Korean series follows financially struggling individuals competing in deadly games for a chance to win a life-changing prize, revealing the dark depths of human desperation and resilience…

(11) THE SHAPE OF THINGS TO COME. “Scientists discover weird new kind of shape found in nature” reports Boing Boing.

Mathematicians have identified a new class of shapes that “tile space without using sharp corners.”

From bathroom floors to siding on buildings, it’s common to cover areas without gaps by arranging shapes with straight edges and flat surfaces. In the natural world though, those kinds of shapes are rare. Patterns like those in muscle tissue are created with flowing curves, rounded surfaces, and almost no sharp angles. But the mathematics of these “soft shapes” have been a mystery until now.

“Nature not only abhors a vacuum, she also seems to abhor sharp corners,” says University of Oxford mathematician Alain Goriely who, with colleagues from the Budapest University of Technology and Economics, discovered the new shape class called “soft cells.”

From Oxford University:

In 2D, these soft cells have curved boundaries with only two corners. Such tiling patterns are found, among others, in muscle cells, zebra stripes, the shapes of river islands, in the layers of onion bulbs, and even in architectural design.

In 3D, these soft cells become more complex and interesting. The team first established that, in 3D, soft cells have no corners at all. Then, starting with conventional 3D tiling systems such as the cubic grid, the team showed that they can be softened by allowing the edges to bend whilst minimising the number of sharp corners in this process. Through doing this, they found entire new classes of soft cells with different tiling properties.

Professor Gábor Domokos said: ‘We found that architects – including Zaha Hadid – have constructed these kinds of shapes intuitively whenever they wanted to avoid corners.

(12) TRANSCENDENCE. [Item by SF Concatenation’s Jonathan Cowie.] The concept of transcendence or subliming (the term used in Iain M. Banks’ Culture novels) is a minor, but recurring SF trope by which a civilization evolves to a point when they leave our space-time continuum for a ‘higher’ plane of existence. I think I first came across this half a century ago reading Arthur C. Clarke’s Childhood’s End. Anyway, Isaac Arthur over at Isaac Arthur Science Futurism this week takes a bit of a dive into this concept…

Many seek a path to enlightenment through study and meditation, but what does science tell us about transcendence? And could entire civilizations seek to leave this reality behind?

(13) FROM THE CRYPT, ER, ARCHIVE. The Paul Lynde Halloween Special of 1976 has a highly eclectic cast – like Margaret Hamilton and Betty White vamping together!

Bringing Witchypoo from HR Pufnstuf and Wizard of Oz’s wicked Witch of the West together but only Paul Lynde could give you the band KISS and Donny and Marie Osmond in the same show.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 7/31/24 There Ain’t Nobody Here But Us Ugly Chickens

Posted on July 31, 2024 by Mike Glyer

(1) GLASGOW 2024 PROGRAMME. The Glasgow 2024 Programme is live. Explore the full programme from the Worldcon website via ConClár at “Glasgow 2024 Programme Guide”. Users can search participant names, and individual program items.

They remind members, “Live streams and recorded streams of much of the programme will also be available on our online platform, so if you aren’t able to attend something you can always go back and rewatch at your leisure.”

(2) SILVERMAN, TREMBLAY AND COATES LOSE MOMENTUM IN SUIT AGAINST OPENAI. The judge has tossed another claim in a suit about AI copyright violation brought by celebrities in a state court due to a Federal law preempting it. “Sarah Silverman Lawsuit Against OpenAI Suffers Setback As Judge Trims Case” at The Hollywood Reporter.

Top authors suing OpenAI over the use of their novels to train its artificial intelligence chatbot have hit a stumbling block, with a federal judge narrowing the scope of their case.

U.S. District Judge Araceli Martínez-Olguín on Tuesday evening dismissed a claim accusing the Sam Altman-led firm of unfair business practices by utilizing the works of authors — including Sarah Silverman, Paul Tremblay and Ta-Nehisi Coates — without consent or compensation to power its AI system.

The writers’ primary claim for direct copyright infringement was left untouched.

In February, the court dismissed other claims for negligence, unjust enrichment and vicarious copyright infringement. It denied dismissal of the unfair competition law claim, but lawyers for the authors tweaked it after lawsuits from Silverman, Tremblay and Michael Chabon — all of whom originally brought their own class actions — were grouped together. OpenAI seized upon the changes for a second try at dismissal, which was challenged by the plaintiffs.

In the order, Martínez-Olguín not only found that the company is allowed to move to dismiss the claim but that the Copyright Act bars it. She said that the law “expressly preempts state law claims” relating to works “within the subject matter of copyright.”

The authors argued that the unfair business practice at issue was using their works to train ChatGPT without permission. But since the allegedly infringed materials are copyrighted books and plays, they cannot bring a state law claim, which the court concluded should be under the purview of copyright law….

(3) UKRAINE’S READERS. The Christian Science Monitor’s Editorial Board says “Book reading, from the war trenches to the bedrooms of children, has helped Ukrainians assert their cultural independence and mental toughness.” “Ukraine’s freedom, book by book”.

…Fighting a war for their survival has turned many Ukrainians into avid book readers, eager to find solace, freedom, wisdom, or, perhaps, empathy. They are aware of Russian forces trying to wipe out Ukrainian culture by, for example, destroying more than a hundred libraries.

In May, the country’s largest printing house, Factor Druk, was badly damaged by Russian missiles. Donors quickly pledged to restore the book publisher. President Volodymyr Zelenskyy likened the attack to events in Ray Bradbury’s 1953 dystopian novel “Fahrenheit 451,” the temperature at which book paper ignites. Since the invasion, more than one hundred books have been printed for children to help them cope with the war’s trauma. The number of bookstores has expanded significantly. From May 30 to June 2, the country’s annual book festival in Kyiv drew 35,000 visitors, up from 28,000 last year…

(4) SUCCESSFUL HUMAN TRAFFICKING STING AT COMIC-CON. “Comic-Con Human Trafficking Operation: 14 People Arrested” – The Hollywood Reporter has the story.

Fourteen people were arrested and 10 victims were recovered in a human trafficking sting during Comic-Con over the weekend, authorities said.

The operation to recover victims of sex trafficking and target sex buyers using the San Diego convention was initiated from July 25-27, according to the California Department of Justice’s San Diego Human Trafficking Task Force.

“Unfortunately, sex traffickers capitalize on large-scale events such as Comic-Con to exploit their victims for profit,” California Attorney General Rob Bonta shared in a statement. “These arrests send a clear message to potential offenders that their criminal behavior will not be tolerated. We are grateful to all our dedicated partners involved in the San Diego Human Trafficking Task Force, whose collaboration has been invaluable. We take great pride in our office’s commitment to uplifting vulnerable Californians by offering them assistance and guidance when they need it most.”

… Officials said after the nine adult potential victims and a 16-year-old juvenile were recovered, adult and juvenile support service advocates were there to provide support as needed….

(5) OF WHAT NATURE? Orion Magazine bids us “Return to Area X” with Helen Macdonald’s introduction to Acceptance: A Novel by Jeff Vandermeer.

…I came to Acceptance in a kind of hermeneutic fever, burning with questions and desperately wanting answers on the true nature of Area X, even though I knew the categories question and answer were ones Area X would laugh at. The novel opens with a scene from Annihilation: the death of the psychologist on the twelfth expedition (we learn she is the Southern Reach’s director). This time we are given the scene from her point of view, and Acceptance takes us forward in this way, switching between multiple timelines and revisiting characters we already met but only partially knew—Gloria, the psychologist/director, whose girlhood on that coastline has abiding relevance for her actions in the story; John Rodriguez, aka “Control,” a word whose multiple meanings—the exercise of power, an experimental necessity, and an institutional role—are bound up in his fate; Saul, the lighthouse keeper and former preacher, whose story is a tender and terrible tragedy; Ghost Bird, the biologist’s double, a person made by Area X and whose relationship to it is thus both complicated and transformative—and a whole panoply of other characters, some new, all made anew, rebuilt and recast. As I read, my questions about Area X became less insistent; what I wanted was to follow this cast of characters to better understand their various compasses and motivations: what pulled at them, what pushed them, what brought them to each other, and which beacons drew them, willingly or unwillingly, on their journeys, for Acceptance is, of course, a book of journeys both metaphysical and physical…

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and James Chambers on Wednesday, August 14 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

CHRISTOPHER ROWE

Christopher Rowe was born in Kentucky and lives there still. Neither of these facts are likely to change. He has been a professional writer of speculative fiction since before the turn of the millennium. His stories and books have been reprinted and translated around the world, and have been finalists for every major award in the field, including the Hugo, the Nebula, the World Fantasy, and the Theodore Sturgeon awards. He is the author of one of the most well-regarded collections of recent years, Telling the Map (Small Beer Press), and of two critically acclaimed novellas, These Prisoning Hills and The Navigating Fox (Tordotcom Publishing). He likes golden retrievers, good food, and giant robots. He probably watches more professional bicycle races than you do, but who knows?

JAMES CHAMBERS

James Chambers is a Bram Stoker Award and Scribe Award-winning author. He is the author of A Bright and Beautiful Eternal World, On the Night Border and On the Hierophant Road; the novella collection, The Engines of Sacrifice, the novellas, Kolchak and the Night Stalkers: The Faceless God and Three Chords of Chaos, and the original graphic novel, Kolchak the Night Stalker: The Forgotten Lore of Edgar Allan Poe. He edited the Bram Stoker Award-nominated anthologies, Under Twin Suns: Alternate Histories of the Yellow Sign and A New York State of Fright as well as Where the Silent Ones Watch, forthcoming from Hippocampus Press.

(7) PRESENT AT THE CREATION: SFWA. Michael Capobianco is putting together an organizational history. Here’s the first installment: “A Brief History of SFWA: The Beginning (Part 1)”.

On January 15, 1965, Damon Knight, a well-known author, critic, and co-founder of the Milford Conference writer’s workshop, sent an announcement by US Mail to every professional science fiction writer he could locate, asking for $3 from anyone who wanted more of the same. Science Fiction Writers of America (SFWA) was born.

It was not the first attempt to create an organization of American professional science fiction authors, and there were genre writer precursors. In the 1930s, The American Fiction Guild was formed to help pulp writers with their business concerns; it’s mainly remembered now because L. Ron Hubbard was president of its NY chapter. Mystery Writers of America, arguably a model for some aspects of SFWA, had been established in 1945. MWA’s membership policy was not one of those aspects, however.

Writing in the 10th-anniversary issue of the SFWA Bulletin, SFWA’s primary publication through most of its existence, Knight talks about attending a meeting of the MWA and realizing that most of the attendees were not writers: “I knew that about 70 percent of that audience was composed of hangers-on, relatives, friends, and friends of friends. And I made up my mind that if I ever did start SFWA, it would not be like that.”…

(8) SENDS GREETINGS. [Item by Krystal Rains.] Dr. Gregory Benford had a couple appointments yesterday and thought to send a photo to share, so folks knew he was doing well.

(9) YSANNE CHURCHMAN (1925-2024). English actress Ysanne Churchman died July 4 at the age of 99. The Guardian obituary recalls:

Alongside many small character roles on television, Churchman voiced Sara Brown in the puppet series Sara and Hoppity (1962) and Soo the computer in The Flipside of Dominick Hide (1980), a time-travelling Play for Today, and its sequel, Another Flip for Dominick (1982).

In Doctor Who, she mustered a squeaky falsetto voice as Alpha Centauri, a diplomat from the hermaphrodite hexapod species featured in the stories The Curse of Peladon (1972) and The Monster of Peladon (1974), with Stuart Fell wearing the costume. She returned to voice the part again in the 2017 adventure Empress of Mars.

(10) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

July 31, 1950 – Steve Miller. (Died 2024.)

By Lis Carey: Steve Miller was one half of the writing team of Sharon Lee & Steve Miller, who created the thoroughly satisfying and fun Liaden Universe® series.

Steve was an active member of fandom, along with being a writer. Some of his notable fan activities included being Director of Information of the Baltimore Science Fiction Society, and serving as Vice Chair of the bid committee to hold the 38th World Science Fiction Convention in Baltimore. (They lost to Boston.)

Meanwhile, Steve was working on his writing skills. He attended the Clarion West Writers Workshop in 1973, wrote for fanzines and sold stories to semi-professional markets. He made his first professional sale, a short story called “Charioteer,” to Amazing Stories, for the May 1978 issue.

Steve Miller and Sharon Lee. Photo at Legacy.com

Steve and another science fiction writer just at the beginning of her career, Sharon Lee, married in 1980. Sharon has mentioned that they started collaborating very early, and the big thing that came out of that was the Liaden Universe®. Loosely speaking, it’s space opera, but individual novels and recurring themes include political intrigue, adventure, coming of age, first contact, and romance. The current count of Liaden novels stands at 26, and there are also dozens of short works in the series, many of which have been gathered together, for your convenience, in the Liaden Constellation collections, of which there are now five.

Steve himself was a lively, fun, friendly guy, and the Liaden stories are lively and fun, too. He and Sharon were regulars at Boskone for quite a few years, and very welcome. Sadly, Steve died at home on February 20, 2024, at home in Waterville, Maine.

Sharon Lee is working on the next Liaden book. She makes no guarantees on how long she will continue writing the series but will continue to credit Steve as co-author on any new Liaden works she writes. She’s adamant that Liaden would not exist without both her and Steve, and that he is still an integral part of continuing to tell stories in that setting. Because of that, new Liaden stories will continue to bear both names.

(11) COMICS SECTION.

Saturday Morning Breakfast Cereal demonstrates a sad failure.
Brewster Rockit starts a happier ending.
Eek! gets it just right.
Free Range depicts an almost king.
Jumpstart continues the spider powers theme.
Non Sequitur visits a place with a new definition of “ancient”.
Reality Check says this is what future sibling battles will look like.
Candorville has high hopes.
Rhymes with Orange gets it on the calendar.

(12) GET READY FOR DC CASH. The U.S. Treasury tells comics fans about “A New Coin & Medal Series Coming In 2025”. The webpage includes a survey asking the public to score which superheroes they want to show them the money.

We’ve joined forces with DC—celebrating comic book art as a uniquely American artform. This new series promises to surprise and delight comic aficionados and coin collectors alike!

Superman, Batman, and Wonder Woman launch the series in 2025, but who will join them?

This is where we need YOU! Help us choose six more DC Super Heroes—three each for 2026 and 2027.

Take the super quick survey below and vote for the DC Super Hero you want included in this epic collection!

Your Hero, Your Choice!

The press release tells how many coins will be in the series: “Mint Collaboration with Warner Bros, DC Super Heroes”.

…The new series will feature nine iconic superheroes depicted on 24-karat gold coins, .999 fine silver medals, and non-precious metal (clad) medals. Debuting in summer 2025 with Superman, Batman, and Wonder Woman, the three-year series will include six additional DC characters—three each in 2026 and 2027.

Beginning on July 10 and continuing through August 11, 2024, the Mint invites the public to vote for the DC Super Heroes they would like to see included in this series. Public participation ensures that this multi-year series represents the most beloved of DC’s Super Heroes. The public may vote in this survey by visiting: www.usmint.gov/dc.

(13) GOING BOLDLY LOWER. Animation Magazine returns from Comic-Con to tell how “’Star Trek: Lower Decks’ Boldly Goes on with IDW Comics”.

While the show will be embarking on its fifth and final animated series mission this fall, the misadventures of the U.S.S. Cerritos B-crew will continue in a new Star Trek: Lower Decks comic book! Announced at San Diego Comic-Con, IDW Publishing has unveiled a first look at the ongoing series inspired by the hit Paramount+ adult animated comedy.

Writer Ryan North and artist Derek Charm, the Eisner-nominated duo behind Star Trek: Day of Blood – Shaxs’ Best Day, reunite to kick-off this next chapter of Starfleet history, featuring the lovably flawed characters from the show.

… “Just when you thought we couldn’t go lower… we’re back with the first ever ongoing Lower Decks series,” said IDW Group Editor Heather Antos….

(14) ALIEN STAR WILL PERFORM SHAKESPEARE. “Sigourney Weaver Sets West End Debut As Prospero In Shakespeare’s ‘The Tempest’” reports Deadline.

Sigourney Weaver will make her West End stage debut as storm-creating sorcerer Prospero in The Tempest and Tom Hiddleston and Hayley Atwell will play sparring lovers Benedick and Beatrice in Much Ado About Nothing when director Jamie Lloyd returns Shakespeare early this winter to the historic Theatre Royal Drury Lane, a landmark venue in Covent Garden owned by Andrew Lloyd Webber.

Weaver, star of Ridley Scott’s Alien movies and James Cameron’s Avatar epics, last starred in one of Will’s plays when she played Portia in a 1986 off-Broadway revival of The Merchant of Venice.

(15) SQUID GAME DROPS ON BOXING DAY. “’Squid Game’ Season 2 Sets Premiere Date, Series to End With Season 3” – Variety has details.

“Squid Game” Season 2 finally has a premiere date at Netflix, with the streamer also announcing that the hit Korean drama has been renewed for a third and final season.

Season 2 will drop on Dec. 26, while the third season will premiere in 2025. The premiere date and final season announcement were made via a video, which can be viewed below.

In addition, series creator, director, and executive producer Hwang Dong-hyuk posted a letter to fans in which he wrote in part, “I am thrilled to see the seed that was planted in creating a new Squid Game grow and bear fruit through the end of this story.”

… The official description for Season 2 states:

“Three years after winning Squid Game, Player 456 remains determined to find the people behind the game and put an end to their vicious sport. Using this fortune to fund his search, Gi-hun starts with the most obvious of places: look for the man in a sharp suit playing ddakji in the subway. But when his efforts finally yield results, the path toward taking down the organization proves to be deadlier than he imagined: to end the game, he needs to re-enter it.”…

(16) VIDEO OF THE DAY. Ryan George tees up “The Acolyte Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Lis Carey, Steven Paul Leiva, Krystal Rains, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/25/23 The Pixelman’s Scroll is Half-Constructed

Posted on November 25, 2023 by Mike Glyer

(1) OVERCOMING REJECTION. Her rejection slips are a key part of the display: “Malorie Blackman’s career honoured in British Library exhibition” in the Guardian.

“To my great embarrassment, I’ve just discovered that I have been holding onto your novel, HACKER, since February 1990”, read a letter to Noughts & Crosses author Malorie Blackman from the senior commissioning editor of Simon & Schuster, dated nearly two years later. “I’m afraid we are not publishing any teenage novels in the near future”. The printed letter, addressed to “Marlorie”, with the extra “r” struck through in pen, was one of 82 rejection letters the writer received before her first book was published.

Hole-punched and stored in a ring binder, the letter is now on display at a British Library exhibition about Blackman, who has gone on to write more than 70 books for children and young adults, including the million-selling Noughts & Crosses series. The rejections folder is one of the artefacts that the author is most excited for the public to see, she says. “I hope that does encourage people.”…

…The exhibition traces Blackman’s young adulthood: the Lewisham homeless shelter she lived in aged 13 is pictured; the comics she turned to as a “shield against the real world” are displayed. In the local library, which she says “saved my life”, she would read novels, including classic fiction – the likes of Jane Eyre. Later, at 22, she came across Walker’s The Color Purple – the first novel she had read that was written by a Black author and featured Black protagonists. “It had a profound effect on me,” says Blackman. “She was a Black woman author. They existed!”…

(2) MEDICAL UPDATE. Jane Yolen suffered a fall the other day and required surgery. Her daughter Heidi has been posting updates on Facebook and says the surgery went great.

(3) REVENGE IS A DISH BEST SERVED BY PROCESS SERVERS. “‘Squid Game: The Challenge’ Contestants Threaten Lawsuit After Claiming They Suffered Hypothermia & Nerve Damage During Filming” reports Deadline.

Squid Game: The Challenge contestants are threatening legal action against Netflix and producers after claiming they were injured during the filming of the game show.

A British personal injuries law firm is representing two unnamed players who say they suffered hypothermia and nerve damage while shooting in cold conditions in the UK.

Express Solicitors said in a press statement that it had sent letters of claim to Studio Lambert, the co-producer of Netflix’s Squid Game: The Challenge.

The contestants’ allegations concern their experience shooting the show’s opening game ‘Red Light, Green Light,’ in which players must evade the attention of a menacing robotic doll.

The game was filmed at Cardington Studios, a former Royal Air Force base in Bedford, during a cold snap in Britain. Netflix confirmed at the time that three of 456 players required medical attention.

Express Solicitors, which specializes in no win no fee claims, said its clients risked their health by having to stay motionless for long periods during the shoot as they attempted to stay in the competition….

(4) AUTHORS’ RIGHTS IN THE AGE OF AI. [Item by Francis Hamit.] The Authors Licensing and Collecting Society is the UK outfit that manages the Public Lending Right. I’ve been a member for several years and get regular payments for my photocopying royalties, something that does not exist in the U.S.

The ALCS’ two-page white paper “Authors and AI principles” is the most sensible thing I’ve seen yet about AI and Authors’ rights.

First on the list of principles:

1. Human authors should be compensated for their work and have transparent information of uses of their work – new technologies and types of uses should respect the established precedent that there must be fair payment for use and transparency regarding how works have been used.

There should be no use without payment. While many systems of remuneration reflect the ways in which we consume media at the time, the principles of copyright remain: that authors should share in the enjoyment of their work, especially financially. Licensing continues to be an effective way to adapt to, support and remunerate a wide range of uses of original works. As authors works are often used in ways to develop AI technology, authors must also have transparent information regarding when and how their work has been used….

(5) DIY DALEK. Dr. Glyn Morgan pays tribute to fans in a post to the UK Science Museum blog — “Building for the Fans: Daleks and Doctor Who”.

…Fans are the lifeblood of any creative endeavour, but this is particularly powerful point for science fiction: were it not for the continued enthusiasm from fans then Doctor Who might have died never to be regenerated after initially leaving the air in 1989, or after the underperforming TV-movie in 1996 (starring the criminally underrated Paul McGann)….

…Along with the Doctor’s equally iconic TARDIS, the Dalek is a firm favourite construction project for fans and has been since they first appeared, inspiring people’s creativity and technical innovation at home. Indeed, building your own Dalek became such a recognised rite of passage for fans that the BBC issued official instructions on how to build your own as part of a Radio Times special issue celebrating the tenth anniversary of Doctor Who in 1973. The article suggested that the project would be particularly good ‘as an exercise for a well-equipped school, using the resources and facilities of several departments- woodwork, metalwork, art and so on.’ The practicality of the design was tested by students of London’s Highbury Grove School (now City of London Academy Highbury Grove): ‘With help from their staff, they produced [a] magnificent black-and-orange specimen in two weeks, at a cost of £12’, which is a considerable saving on the approximately £250 the 1963 originals cost: although the Radio Times models were designed to be static, not operational TV props. Either way, I suspect it would cost a little more now….

(6) HOW HAS THE LAST WHO ANNIVERSARY SPECIAL AGED? Very well decrees Gizmodo’s James Whitbrook in “10 Years Later, Doctor Who’s ‘Day of the Doctor’ Still Hits”.

For a show that is about the capability to be everywhere and anywhere, any period in time, Doctor Who is a show that is arguably burdened with context. Now 60 years old today, the thought of navigating any of its stories without an awareness of its place in that history is almost unthinkable. But every once in a while, in a very long while, Doctor Who wields that context to set itself free.

That’s the paradox—as well as the philosophy of John Rawls—that sits at the heart of “The Day of the Doctor,” Doctor Who’s 50th anniversary special that climaxed a blockbuster period of celebrations for the series 10 years ago tonight. It is, of course, almost impossible to think of “Day” outside of this context—metatextually, we now know so much of what almost happened during its production and ideation that it’s almost a miracle to revisit the final product and not deem it miraculous for simply existing.

…And it is about the weight of context. The tragic heart of “Day of the Doctor” is John Hurt’s aforementioned “War” Doctor: the regeneration that took part in the Time War, an incarnation left to banished memories out of the shame of what he had to do to end the conflict between the Time Lords and the Daleks once and for all, one petrified to even call himself a Doctor for the hurt he wielded to do so. Following him on the eve of the final days of the conflict as he steals a weapon of mass destruction from his own people—the Moment, a weapon so powerful, so horrifying, it developed its own conscience to almost stop itself from being—the War Doctor’s arc is one about wrestling with the weight of his own personal history, a push and pull that haunts him, and is compacted when he comes face to face with his future: two further incarnations of himself that yes, still feel the pain of the Time War, a pain muted in some ways, but still, a future for himself that exists beyond the horrifying task he has burdened himself with…

(7) TODAY’S THING TO WORRY ABOUT. “Robot Takes Order at Wendy’s. It Catches an ‘Attitude’” claims the Daily Dot.

Wendy’s has started rolling out its new AI chatbot system that is supposed to be handling customer orders at the drive thru. However, according to one TikTok video, what was intended to be a seamless transition turned into a comical and frustrating experience.

The video, which was posted by Macey (@maceitrain) this week, kicks off with Macey already mid-order, requesting a Coke. The Wendy’s robot promptly responds with a simple, “Anything else?”

The TikToker then proceeds to modify her order. “Can I make the junior bacon cheeseburger Biggie bag a medium, please?” she says.

After each update to the order, the robot mechanically repeats, “Anything else?”

…The video has since accumulated over 944,200 views with over 550 comments. Some commenters were not overly impressed by the speed of the new ordering system.

“I feel like that took longer than having a human take the order,” one commenter said….

(8) MARTY KROFFT (1937-2023). Marty Krofft, who partnered with his older brother Sid to build a kids’ TV empire around shows like The Banana Splits Adventure Hour, H.R. Pufnstuf and Land of the Lost, died November 25. The Hollywood Reporter profile is here.

The Kroffts followed Pufnstuf with The Bugaloos (1970-72), the Claymation series Lidsville (1971-73), Sigmund and the Sea Monsters (1973-75) and Land of the Lost (1974-76)…

Indeed, the Kroffts’ style was so popular that McDonald’s copied it to create Mayor McCheese and McDonaldland for an early ’70s advertising campaign. The Kroffts sued, winning a reported seven-figure settlement in 1977….

…Marty joined his brother full-time in 1958 after Sid’s assistant left, and they opened Les Poupees de Paris, an adults-only burlesque puppet show that played to sold-out crowds at a dinner theater in the San Fernando Valley….

Les Poupees went on the road and played world’s fairs in Seattle in 1962, New York in 1964 and San Antonio in 1968. It featured 240 puppets, mostly topless women, and Time magazine called it a “dirty puppet show.”

After that, it was so popular, “we couldn’t even get our own best friends in the theater,” Sid said. It drew an estimated 9.5 million viewers in its first decade of performances….

(9) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 25, 1926 — Poul Anderson. (Died 2001.) Need I say that he’s one of my favourite writers? I’m reasonable sure that along with Heinlein, Bradbury and Le Guin that he was the first of the writers that I read extensively. And as Algis Budrys said in his Galaxy review column of February 1965, “we will all soon realize he has for some time been science fiction’s best storyteller.”

Poul was really, really prolific which will mean that I’m not going to detail everything he did here. Indeed, ISFDB list twenty-three novels and an amazing thirty-three collections of his short stories! So where to start?

Well in my case, that is quite easy as my go to works by him when I want to be entertained at length by great storytelling is the Technic History stories with those of Nicholas van Rijn and Dominic Flandry being the ones I like the best. Not that other stories aren’t excellent in their own as they are.

Now there’s the ever so fun Hoka novels (Earthman’s Burden and Star Prince Charlie) and the Hoka! short stories, a sequel to the first novel, that were co-written with Gordon R. Dickson.

I’ve always enjoyed his Time Patrol stories as they’re some of the best such tales that were ever written. These of course, as are all of his short stories, to found in The Collected Short Works of Poul Anderson that NESFA published. All seven volumes are now available as epubs!

What’s next? Orion Shall Rise remains one of my most read novels by him. It’s part of his Maurai & Kith series, a most interesting future history. The short stories, also excellent, were collected in, not surprisingly, his Maurai & Kith collection.

I was surprised to find that Operation Chaos and Operation Luna actually had a handful of short stories as well, six to be exact, one written by Eric Flint. I shall need to seek them out. Another set of novels that I’ve read several times.

Let’s not forget The Unicorn Trade that he and Karen collaborated on. Such a wonderful collection it is.

Yes, there’s lots more, but I’m going to finish off with A Midsummer Tempest which is always a delight to experience.

No, I didn’t forget he won seven Hugo Awards and three Nebula Awards. All well deserved.

And if you go here, you get to hear the delightful story of Karen and her role role in filk songs. I’m told that Poul had a fine singing voice. I wonder if there’s any recording of him and her singing.

(10) MONITORING WHO MEDIA. [Item by SF Concatenation’s Jonathan Cowie.] More from Beeb. Alas you have to have a BBC Sounds account to download in this case… “Doctor Who: 60 years of Friends and Foes”.

As Doctor Who celebrates its 60th anniversary, Sue Perkins explores how the programme has reflected our social history across the decades both on and off screen. From advances in technology to politics, violence, gender and sexuality.

Featuring archive footage, interviews and new conversations with showrunner Steven Moffat, script editor Andrew Cartmel, former companions including Anneke Wills, Katy Manning and Janet Fielding, and the voice of the Daleks Nicholas Briggs along with Dalek Operator Barnaby Edwards. Also, there’s analysis from several academics who have published books on the subject.

Sue examines how progressive the show has been, questioning if our favourite time traveller has kept with the times.

(11) BEWARE SPOILERS. If you have already seen the newest Doctor Who special, or don’t care about spoilers, you’re a candidate to read this Inverse profile about the latest iteration of the sonic screwdriver: “54 Years Later, The Oldest TV Sci-Fi Hero Just Got A Massive Tech Upgrade”.

(12) CULTURAL CORNER. Lavie Tidhar tweeted a fresh humorous sendup of the classic poem.

I believe it was the Roman poet, Wilelmus Carolus Wilelmus, who wrote:

I have eaten the dormouse
That was stuffed in the peacock
That was stuffed in the cameleopard

And which you were probably saving
For Caesar.
Forgive me, it was delicious
So dulcis and so small.
— Lavie Tidhar (@lavietidhar) November 24, 2023

(13) VIDEO OF THE DAY. “Tolkien explains on BBC how he started The Hobbit” is a brief clip from a 1968 interview.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 9/22/23 Brand New Pixels Right Off The Cosmic Assembly Line

Posted on September 22, 2023 by Mike Glyer

(1) FINALLY! MAX TO RUN FINAL HALF-SEASON OF DOOM PATROL. [Item by Daniel Dern.] According to Gizmodo, the long-overdue final half of the final season (Season 4) of Doom Patrol on MAX (aka HBO MAX, originally on DC’s streaming platform, yeesh) — the first half finished showing back in January — with, according to Gizmodo, “two episodes October 12, followed by a weekly drop through November 9.”

(While this is the first time actual drop dates have been announced, I’ll believe this is real only after I’ve seen ’em.)

Doom Patrol has been among my short-list favorites for comics-based live-action superhero/sf shows/movies:

Reason 3, history: I’ve been a DP fan since the group debuted back in June 1963, in DC’s My Greatest Adventure #80, for the modest price of twelve cents.

While I missed some issues/runs during the 1970s (when I thought I was done reading comics), I de-gafiated in time for fabulous mind-blowing runs starting with Grant Morrison, followed by Rachel Pollack, and others.

(Here’s the cover.)

The initial team consisted of Rita “Elastigirl” Farr, Larry “Negative Man” Trainor, and Cliff “Robotman” Steele, led by doctor/scientist-in-a-wheelchair Niles “The Chief” Calder.

(As opposed to Marvel’s X-Men, who started in their eponymous comic dated September 1963. (Reminder, comic issue dates often weren’t the same as “when released.”) (The DP Wikipedia page discusses some of the “plagiarism? coincidence” questions.)

Reason 2, respectful faithfulness to canon, versus teeth-gnashing gratuitous/disrespectful changes. The characters and plots come from all eras, heroes (and villains), and plots arcs, going back to Mento, Beast Boy, General Immortus, the Brain & Monsieur Mallah, and Garguax, through Flex Mentallo, Crazy Jane, Danny The Street, Coagula, and Casey “Space Case” Brinke.

That said, the creators haven’t hesitated to explore and extend characters’ backstories and development. Our heroes (and villains) bring a lot of baggage, and it gets unpacked.

Reason 1, this is a mind-blowingly great show. Plots, acting, visuals, ideas, and dialogue. A lot of heart. And a great cast, including Timothy Dalton, Alan Tudyk, Matt Bomer, Brendan Fraser, Diane Guerrero (to name the ones I’m familiar with).

Note, a fair amount of “adult language.” (Not at the level of The Boys, though.) Given the predicaments, all justified.

Plus the flying vampire butts, who we’ve previously seen singing/performing “Shipoopi” (from The Music Man).

I’m excited.

(2) CHENGDU WORLDCON UPDATES. [Item by Ersatz Culture.]

SF World bean paste “Tribute to 2023 Chengdu World Science Fiction Convention” gift box available for preorder — https://weibo.com/1660282297/NkkTJvfO1

I think this needs someone more versed than me in Chinese culture/cuisine/promotional merchandise to fully explain… As far as I can tell, for 158 yuan – around $21 USD – you get a gift box containing two jars of different types of bean paste, a mecha-panda figurine, a mobile phone ring holder (?) and 2 ribbons.

The branding is mainly associated with “the 6th Chengdu International SF Convention”, which seems like it was due to be held in November 2021, but got cancelled due to the pandemic, and hasn’t been rescheduled. However, the packaging does also say “A Tribute to the 2023 Chengdu World Science Fiction Convention” and “Originating from the 2023 Chengdu World SF Convention site”, but I don’t think that it’s official Worldcon merchandise.

Estimated shipping date is 10th October; there’s a link to a purchase page at the Weibo link.

Two posts about the SF-themed tunnels that lead to the SF museum/con venue

One of these was mentioned in the 2023-09-15 Scroll, but it turns out there are three newly constructed SF-themed tunnels leading to the con venue, although currently only one is open to traffic, with the other two due to open in October.

Red Star News has a couple of posts about them; yesterday they had an article going into detail about them [Chinese only], and today they posted a video: “Red Star Video: In Chengdu Drive into the ‘tunnel’ and look up at the ‘starry sky’”.

(3) TRIO OF WARNINGS. At Writer Beware, Victoria Strauss posts three “Cautions: Babelcube, Barnes & Noble Book Order Scams, Audiobook Order Scam (Featuring a Fake Non-Profit)”. Here’s an excerpt of the third warning:

Audiobook Order Scam (Featuring a Fake Non-Profit)

This one comes courtesy of 20/Twenty Literary Group, a fake literary agency with a roster of imaginary agents that does all the things that real agencies don’t, and none of the things they do.

Its latest gambit: an audiobook order scam.

The author is contacted by one of 20/Twenty’s imaginary agents with an offer to re-publish the author’s book–for a fee, naturally. Shortly afterward…surprise! The author gets a call from a Jennifer Lim, who claims to represent a society for the blind. Jennifer wants to order 5,000 audiobooks to be distributed to the society’s members! Naturally, 20/Twenty can oblige. The cost is steep–but oh, those royalties!…

(4) IS THEIR LOVE REAL? “Is The Creator the best science fiction movie of 2023 – or is AI controlling the hype?” – the Guardian’s Ben Child raises suspicions.

…Ahead of any official reviews of the AI-centric piece, studio 20th Century has allowed select critics to tweet their opinions, and the consensus seems to be that this could be the discerning sci-fi fan’s movie of the year. To reach that level for me, Edwards would have to deliver a film on a par with Neill Blomkamp’s District 9 (2009), Alex Garland’s Ex-Machina (2014) or Grant Sputore’s I Am Mother (2019). These films were full of vim and verve and imagined future worlds so rich and detailed that you can imagine never-ending sequels spinning off into infinity – perhaps the mark of all great celluloid sci-fi….

…Are studios using artificial intelligence to handpick journalists who are statistically more likely to provide positive hype? If it’s not happening already, it almost certainly will be soon. In the meantime, let’s hope Edwards’ film really is the zeitgeist-defining AI flick we’ve all been waiting for. If mankind is going down, the least we can expect is to do so while drinking in the finest tech-inspired entertainment human civilisation has ever delivered….

(5) GENRE CONTENT INDEED. Fascinating article: “I’m a fake brand, in a fake world: The secrets behind designing a great fictional brand for TV and film” at It’s Nice That.

Duff Beer, Dunder Mifflin Paper, Wonka Candies, Barbie merchandise… We’ve seen countless made-up brands transcend seamlessly from the screen into the real world. So what’s the key to their success? We chat to the graphics team behind the Barbie film, Wes Anderson’s go-to graphic designer, motion designer and 3D artist Lorenzo Bernini, and Adult Swim’s president Michael Ouweleen….

…When it comes to the make-up of fictional brands, Erica notes how, if done correctly, they can make the stylised world feel like a real place, and can become a playground for the characters to fully express themselves within the storyline. In Asteroid City, for instance, all of the roadside cafes have menus written on the facade, because cars don’t have time to stop for a menu. “The cafe is the canvas of the menu board,” she says. Additionally, one of the characters named Shelly constantly carries a book entitled Invisible Spectrum Elemental Surface Atomic Spectroscopy. There’s also a Girl Scout character who’s always walking around with her Jam Krispies. “Often the brands have a purpose for existing in the script. It’s about understanding what the purpose of that action prop is, and what they’re trying to say about a particular character.”…

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join Hildy Silverman for a Georgian feast in Episode 207 of the Eating the Fantastic podcast.

My guest this time around is Hildy Silverman, perhaps best known for having been the Editor-in-Chief of Space and Time Magazine from 2005 through 2018. But she’s also a writer of science fiction, fantasy, horror, and the interstitial spaces between. Her short stories have appeared in such anthologies as The Dystopian States of America, Bad Ass Moms, Release the Virgins, Baker Street Irregulars, and most recently, Three Time Travelers Walk Into.

In 2013, her short story “The Six Million Dollar Mermaid,” which appeared in the anthology Mermaids 13: Tales from the Sea, was a finalist for the WSFA Small Press Award. In 2020, she joined the Crazy 8 Press authors collective, which publishes novels and anthologies by its membership. She is a past president of the Garden State Speculative Fiction Writers and has frequently pontificated with me on the science fiction convention circuit.

We discussed the kindergarten incident which taught her all she ever wanted to do was write, how to keep writing when the whole world is telling you to stop, what she learned early on from such literary lions as Sue Miller and Jayne Anne Phillips, the lunch that changed her life, why she loves writing for themed anthologies (and how to do it right), what made her decide to take over as editor and publisher of Space and Time magazine, how to beat the odds of the slush pile, the ways being an editor helped her become a better writer, how she’s managed to collaborate without killing her writing partner, and so much more.

Scott Edelman is raising money to upgrade his podcasting equipment. Between auctions and listener donations, he’s at about the 60% mark. Plenty of fun stuff still up on eBay here.

(7) TENTACLED TEASER. Variety fills readers in about the forthcoming series: “Squid Game The Challenge Trailer; Netflix Sets November Premiere”. November 22, to be precise.

…“Squid Game: The Challenge” will see 456 contestants from around the world battle it out through various challenges based on the Korean game show in the scripted series, as well as introducing some new games.

Only one winner will take home the $4.56 million cash prize….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
Born September 22, 1939 — Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon Gate. EOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
Born September 22, 1954 — Shari Belafonte, 69. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance.
Born September 22, 1957 — Jerry Oltion, 66. His Nebula Award-winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000
Born September 22, 1971 — Elizabeth Bear, 52. I’m only going to note the series that I really like but of course you will add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times. Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which came out at the usual suspects several years ago.
Born September 22, 1982 — Billie Piper, 41. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.
Born September 22, 1985 — Tatiana Maslany, 38. Best known for her superb versatility in playing more than a dozen different clones in the TV series Orphan Black which won win a Hugo for Dramatic Presentation (Short Form), for its “By Means Which Have Never Yet Been Tried“ episode, She received a Best Actress Emmy and more than two dozen other nominations and awards. She’s playing She-Hulk in a Marvel series.

(9) COMICS SECTION.

Bizarro illustrates a tangled legal phrase.
Dork Tower shows us the kind of letter a warrior writes, just before a big battle. Big franchise alert.
The Argyle Sweater finds a crew member with a complaint about a Star Trek photo booth.

(10) EPIC COSPLAY PHOTOS. Bored Panda arrays “105 Of The Best Cosplay Costumes We’ve Ever Seen”. See photos at the link.

Includes an example of extreme dedication – the black plastic suit of “#7 My Catwoman Cosplay From 1992 ‘Batman Returns’”.

SaintElena added: “I experience almost everything the same as Michelle [Pfeiffer], unfortunately. If I spend more than 2 hours in this suit actively moving, then I can get heat stroke. If I’m not moving very actively, then I can break the stay in the suit up to 4 hours.”

(11) POLICE ROBOTS IN NYC ARE NOW A REALITY. [Item by Francis Hamit.] This isn’t what Asimov envisioned when he wrote the Three Laws but it’s close. I invested in Knightscope in 2017 for several reasons. Reading science fiction led me to make Robotics one of my beats as a trade magazine journalist. I was once the West Coast Editor for ROBOTX News. Economic circumstances made me transition from Real Estate broker to Security Captain, a temp gig that became a 20 years career while also continuing to be a professional writer. So I understood instantly what Knightscope’s robots could add to the equation. They extend the range and presence of human guards. Security has never been a well-respected business, sort of the Rodney Dangerfield of corporate life but that’s changing because of all of the flashmob thieving and mass shootings. It has evolved to a very serious part of corporate life with a strong moral center, led by a new generation of military and police veterans.

Knightscope is now a public company and trades under KSCP on the NASDAQ. The share price has been under attack by trolls and short sellers for most of that time. That gave me the opportunity of increasing my shares by a factor of ten at a very low price this year. So I’m not claiming to be objective. It’s a very high risk investment but this NYPD trial is a tipping point.

(12) FEAR REVERED. The Chicago Sun-Times’ Richard Roeper looks back to the beginning: “‘The Exorcist’ at 50: Some things to look for in the classic that elevated horror”.

…When I’m asked about the scariest movie I’ve ever seen, there’s no asterisk, no hesitation, no wavering: It’s “The Exorcist.” I’ve never been as mesmerized, as terrified, as ain’t-no-way-you’re-sleeping-tonight shocked, as I was when I first saw William Friedkin’s demonic, head-turning, supernatural horror film at the Dolton Theater in the spring of 1974. (Warner Bros. actually released the film on Dec. 26, 1973 — the day after Christmas, how about that — but I had to wait for a second-run showing with the more user-friendly $1 admission price.)…

“The Exorcist” became the first pure horror film to be nominated for the best picture Oscar and continues to be a major influence on the genre to this day.In memory of Friedkin’s death last August and in anticipation of the 50th anniversary of the film, we’re getting a theatrical re-release and a 4K Ultra HD Blu-Ray and Digital edition of “The Exorcist” that includes the Original Theatrical Version and the Extended Director’s Cut, which incorporates 11 extra minutes of footage and ends with a certain exchange that offers a slightly more hopeful note.

(13) TRAIN UP ON THIS TOOL FOR WRITERS. “Decoding the Submission Grinder” is a $20 course offering at Reach Your Apex. Scheduled for Saturday, September 23 at 2:00 p.m. Eastern.

This class will show you how to use The Submission Grinder—the donation-supported web app for writers—to enhance your submission process. Find new publishers for your work that meet your criteria, track your submissions, track your income and expenses, set reminders for yourself, and more. This course will help beginners and intermediate users get the most out of the tool to enhance their submission process. This course will be taught by David Steffen; co-founder, owner, data administrator, and developer of The Submission Grinder.

(14) WHO HYPE. “Doctor Who shares new pics of David Tennant’s Doctor reunited with Donna” – Radio Times makes sure we don’t miss them.

…The BBC has released some exciting new stills from the upcoming Doctor Who 60th-anniversary specials – showing David Tennant’s Doctor reunited with Catherine Tate’s Donna Noble….

The show is just beginning… ????????? #DoctorWho pic.twitter.com/ATgdbne9q6
— Doctor Who (@bbcdoctorwho) September 15, 2023

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Ersatz Culture, Lise Andreasen, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/30/23 I Demand That The Emergency Pixel System Be Activated Immediately

Posted on April 30, 2023 by Mike Glyer

(1) ROAD TRIP. Connie Willis told her Facebook readers all about attending the 2023 Jack Williamson Lectureship in mid-April:

…This year’s guest of honor was Arkady Martine, and she brought her wife, Vivian Shaw, with her, so we got two guests for one. They were great, and so were the panels, which the Lectureship features. I especially loved the one on Artificial Intelligence, which focused on the new dangers and possibilities of ChatGPT, and one on worldbuilding. I also loved Cordelia’s lecture on a very out-of-the-ordinary experience she had while working at the Santa Clara County Crime lab. Unlike the usual investigation of shoeprints, surveillance tapes, cell phones, etc., she suddenly found herself in a convoy with a SWAT team in L.A., driving a coworker’s car without the lights on in an attempt to arrest a bunch of human traffickers….

(2) SAWYER GETS LIFETIME ACHIEVEMENT AWARD. Robert J. Sawyer was presented with the L. Ron Hubbard Lifetime Achievement Award at the Writers and Illustrators of the Future award banquet in LA on April 28. In his acceptance speech Sawyer describes career decisions where he followed his heart in ironic terms as if they had been mistakes. But they weren’t mistakes, were they.

…Many writers do media tie-ins or work in other people’s universes. My first agent tried to steer me in that direction, too, getting me a three-book contract in the STAR WARS universe. But I bailed out; I just couldn’t bring myself to play in somebody else’s sandbox.

And then I screwed up AGAIN: my second novel was called FAR-SEER, and, at its end, I gave the protagonist, a talking dinosaur named Afsan, a heroic death scene. Well, when I sent the manuscript to my agent, he said I was nuts for killing the main character: “Rob, baby,” he said — that’s how agents talk — “Rob, baby, this could be an ongoing series, and, if not a cash cow, then certainly a monetary Megalosaurus!”

So, Afsan got a reprieve and I forced out two more books about the lovable lizard. But, as before, I just couldn’t stand it; at the end of the third book, I took the same escape route Charlton Heston did from the PLANET OF THE APES sequels: I destroyed the entire planet!…

(3) BEM IN A FLASH. Cora Buhlert has had a flash story called “Bug-eyed Monsters and the Women Who Love Them” published at Way Station, a brand-new space opera magazine, which she says doesn’t have an actual issue out yet.

Captain Crash Martigan of the rocket scout squad was on patrol, protecting New Pluto City and its inhabitants from bug-eyed monsters.

Of course, bug-eyed monsters wasn’t their real name. No, the creatures had a long and official Latinate name that no one could remember nor pronounce. So the colonists took to calling them bug-eyed monsters, because that’s what they looked like….

(4) IS ANALOG USEFUL AGAIN? [Item by Mike Kennedy.] Back in the day (the 1970s when I was an Electrical Engineering student at the University of Alabama), I had occasion to build a special-purpose hybrid analog/digital computer. The only reason for its existence was so high school students visiting us as prospective UA engineering students could play tic-tac-toe and see EE at work. It was used one day, then stripped down for parts. The very idea of a programmable analog component gets my EE juices flowing a little bit, though it’s certainly nowhere enough to entice me out of retirement. There have always been problems for which analog computation was perfectly suited. But, as the article below notes, building those damn things is no joke, and every time the problem changes, the design changes. Or, perhaps, the tense should be changed to, well, “changed.“ This could become a very exciting field going forward. “The Unbelievable Zombie Comeback of Analog Computing” in WIRED.

When old tech dies, it usually stays dead. No one expects rotary phones or adding machines to come crawling back from oblivion. Floppy diskettes, VHS tapes, cathode-ray tubes—they shall rest in peace. Likewise, we won’t see old analog computers in data centers anytime soon. They were monstrous beasts: difficult to program, expensive to maintain, and limited in accuracy.

Or so I thought. Then I came across this confounding statement:

Bringing back analog computers in much more advanced forms than their historic ancestors will change the world of computing drastically and forever.

Seriously?

I found the prediction in the preface of a handsome illustrated book titled, simply, Analog Computing. Reissued in 2022, it was written by the German mathematician Bernd Ulmann—who seemed very serious indeed.

I’ve been writing about future tech since before WIRED existed and have written six books explaining electronics. I used to develop my own software, and some of my friends design hardware. I’d never heard anyone say anything about analog, so why would Ulmann imagine that this very dead paradigm could be resurrected? And with such far-reaching and permanent consequences?

I felt compelled to investigate further….

(5) HOWARD DAYS. Ken Lizzi shares a report and several photos of the Robert E. Howard Days, which took place in April this year: “Howard Days 2023. Plus Savage Journal Entry 41.”

I made the Hajj, the Pilgrimage, to Cross Plains, Texas this weekend to visit the Robert E. Howard museum. Not coincidentally, it was also the weekend of the 2023 edition of Howard Days. I am, to be blunt, tired. It is only a five hour drive from Casa Lizzi, which is why I had no excuse to put off the visit. Still, on top of non-stop activity and limited sleep, that drive back proved less pleasant than the lovely drive out: putting a Gulf Coast thunder storm behind me Thursday morning as I wended my way north and west deep into the heart of Texas, into cattle and old oil boom country to the AirBnB I shared with Bryan Murphy and Deuce Richardson….

(6) APPENDIX N. The good folks at Goodman Games continue their articles on SFF authors listed in Appendix N:

Ngo Vinh-Hoi profiles Jack Williamson: “Adventures in Fiction: Jack Williamson”.

In the storied list of Appendix N authors, there is one name that encapsulates nearly the entire course of modern American science fiction and fantasy: Jack Williamson. John Stewart Williamson was born on April 29th, 1908 in an adobe hut in what was then still the Arizona Territory. Seeking to better themselves, the Williamson family travelled by horse-drawn covered wagon to New Mexico in 1915, where Williamson recalled that they “homesteaded in Eastern New Mexico in 1916 after the good land had been claimed. We were living below the poverty line, struggling for survival.”

This isolated, hardscrabble existence continued throughout Williamson’s entire youth, but his imagination and inquisitive mind helped him to endure….

Jeff Goad profiles Fletcher Pratt: “Adventures in Fiction: Fletcher Pratt”.

The Appendix N is a list of prolific authors of science fiction and fantasy. But Fletcher Pratt is not one of them, at least not in comparison to most of the authors on the list. He primarily wrote historical nonfiction about the Civil War, Napoleon, naval history, rockets, and World War II. So why is Fletcher Pratt listed in the Appendix N and why does he have the coveted “et al” listed after The Blue Star?

Well, digging a bit deeper into his writings and his career, it is no surprise that Gary Gygax was smitten with this fellow….

(7) MEMORY LANE.

1999 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll comes courtesy of Richard Wadholm. Green Tea was a novella first published in Asimov’s Science Fiction in the October-November 1999 issue. It was shortlisted for the Theodore Sturgeon Memorial Award.

Wadholm, a Clarion graduate, had a very brief visit in our corner of things writing one novel, Astronomy, and six stories. None are available at the usual suspects.

He was, interestingly enough, a contributing writer, to Synapse, the Electronic Music Magazine which published in the Seventies.

And now for our Beginning…

Friend Beltran, this moment has weighed on me for the past six days. At last we meet.

Will you take tea with me? Not to worry, I am not here to poison you with tainted tea. Not from a beautiful service like this, certainly. This tea kettle is pewter, yes? And the brew pot— terra cotta, in the manner of the great smuggling mandarins of the Blanco Grande? Quite so. I must beg your indulgence for its use. I was very thirsty; I have come a long way to see you.

Perhaps my name escapes you. That is the way in this profession we share. Say that I am your delivery man. Indeed, the item you procured at such dear cost is close to hand.

My fee? Whatever you arranged with the navigator Galvan will suffice. A cup of tea from this excellent terra cotta pot would do nicely. And, if you are not too pressed, the answer to a simple question?

Who was it for, the thing you birthed on our ship? Was it for the mercenaries on Michele D’avinet? Or for the Chinese smugglers who used the glare of D’avinet to hide their passing?

I suppose it doesn’t matter much either way. Whoever your treasure was intended for, they were someone’s enemy, but they were no enemy of Beltran Seynoso’s, yes? And we, the crew of the Hierophant, we were merely witnesses. Our only offense was that we could connect you with the destruction of a little star in the outer reaches of Orion.

I wronged you, my friend. You are indeed a man of pitiless resolve. Sitting here, making tea in your kitchen, in this rambling manse, on this pretty little moon of yours, I underestimated you. I pictured a dilettante, playing at a rough game.

Forgive, forgive.

That story you told our captain, that you represented an Anglo syndicate dealing in—what was it? April pork bellies? We took that for naivete. No one goes from trading in April pork bellies to dealing in ‘Tuesday morning perbladium. Not even the Anglos.

And then there was that improbable load you hired us to turn.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 30, 1913 — Jane Rice. Her first story “The Dream” was published in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
Born April 30, 1920 — E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
Born April 30, 1926 — Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
Born April 30, 1934 — William Baird Searles. Author and critic. He‘s best remembered for his long-running review work for Asimov’s where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
Born April 30, 1938 — Larry Niven, 85. One of my favorite authors to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I, “The Hole Man” (which I don’t remember reading but did listen in preparing this Birthday — most excellent!) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
Born April 30, 1968 — Adam Stemple, 55. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging.
Born April 30, 1973 — Naomi Novik, 50. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novel which won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome.

(9) COMICS SECTION.

Saturday Morning Breakfast Cereal says this is what to do when a super villain is on the loose.

(10) WHAT’S ON THE WAY? John Shirley interviews Charles Stross about The Future in “Optimism Optimized & Pessimism Prodded” at Instant Future.

Q. Will the pace of change overwhelm us? I seem to perceive, behind many of your novels, a writer conflicted about technological advancement; not against it, certainly no luddite, but concerned about its nature. It would seem that we need that advancement—but we’ve failed to develop a protocol for advancing technology intelligently. For one thing, a technology that pollutes is only half-invented. This seems clear in the age of anthropogenic climate change. Should we slow the pace? Can we?

A: I think, going by the news headlines, the pace of change has *already* overwhelmed us. The Tofflers made this case fairly well in their book *Future Shock* back in the 1970s, and that was in a then-stable media environment that wasn’t polluted with memes generated by bad actors (eg. state level disinformation agencies) and chatbots (often just trying to sell something — Ivermectin as a cure for COVID19, for example).

One problem is that we’re nearing the crest of a sigmoid curve of accelerating advances in a new technological area — computing, networking, and information processing. It seems unlikely progress on miniaturization of semiconductors will proceed for many more generations (our densest integrated semiconductor circuits already have tracks and other features on the order of a hundred atoms wide: it’s hard to see how we can shrink mechanisms below the atomic scale). So, just as progress with steam locomotion had tapered off by the 1920s after a brisk acceleration from roughly 1790 through 1870, and aviation surged from the original Wright Flyer and its contemporaries around 1900 to the SR-71 and Boeing 747 by the early 1970s but subsequently stopped getting bigger or faster, we’re approaching an era of consolidation and very slow incremental gains in our IT. People are now exploring the possible ways of monetizing the technologies we’ve acquired over the past few decades, rather than making qualitative breakthroughs. I first saw a virtual reality headset and interface in use at a conference in the early 1990s; the fact that Apple are apparently bringing one to market this summer, and Meta (aka Facebook) sank billions — evidently fruitlessly — into trying to commercialize VR over the past few years, should be a huge warning flag that some technologies just don’t seem to be as useful as people expected.

(11) UPHEAVAL IN THE SIXTIES. [Item by Cora Buhlert.] At Galactic Journey I was talking about some of the 1968 unrest in (West) Germany as well as the 1968 Oberhausen Short Film Festival, where George Lucas won an award for the original short film version of THX-1138 4EB. Also present at the festival was a very young Werner Herzog, which is interesting since Herzog claimed not to be familiar with Star Wars or Lucas, when he guest-starred in The Mandalorian. Of course, Herzog might just have forgotten meeting at a festival Lucas 55 years ago. Oh yes, and there also was a scandal at that festival surrounding a short film with a very upstanding cast member. “[April 14, 1968] In Unquiet Times: The Frankfurt Arson Attacks, the Shooting of Rudi Dutschke and Electronic Labyrinth THX-1138 4EB” at Galactic Journey.

…With West Germany burning and all the terrible things happening here and elsewhere in the world, it’s easy to forget that there are bright spots as well. One of those bright spots is the 14th West German Short Film Days in Oberhausen….

(12) SURVIVING THE RUNWAY. “Louis Vuitton collaborates with the director of Squid Game in a bid to woo South Korea’s elite” – Yahoo! has the story.

…The event was dreamed up by Ghesquière and Hwang Dong-hyuk, the director of the hit Netflix series, Squid Game, in which contestants compete in a series of children’s games and are murdered if they lose. He could hardly have found a more effective way of winnowing out weaklings than this runway. HoYeon Jung, a Korean actress who opened the show, took it in her stride. She was probably used to tough conditions having starred in Squid Game….

[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, Paul Di Filippo, Lise Andreasen, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 6/14/22 Colonel Pixel, With The Godstalk, In The Scrollatory

Posted on June 14, 2022 by Mike Glyer

A very abbreviated Scroll due to the rest of the day having been spent accompanying my mother to a routine medical appointment and related errands.

(1) UNDERSTANDING HORROR FICTION. Anne Marble’s “What Knife?! 6 Things You May Not Know About Horror Novels” on Medium sheds some light on the genre.

Horror novels often get a bad name. Misperceptions abound. Assumptions are made. Fingers are pointed — at reader and fan alike. As if the world needed more finger-pointing.
Horror can be spooky. It can be gross. Or sad. Or funny. Or all of the above. Just like any other genre….

The middle of Anne’s post takes up an important controversy about horror fiction.

3) Not All Horror Novels Are Gross and Gory. But Some Are, and That’s OK!
Many horror writers rely on atmosphere and unease rather than gore to make their stories scary. Even most authors who use graphic violence will use it sparingly — just to make your imagination work and make the book even more terrifying.
For Medium, Anita Durairaj listed 5 Terrifying Books Without the Gore. There are always posts asking for recommendations for non-gory horror on Reddit.
If you do want gory reads, check out the extreme horror and splatterpunk genres. On the Fangoria website, check out Splatterpunk for Dummies, Or Defining the Genre For Those Who Love Horror Fiction by acclaimed reviewer “Mother Horror” Sadie Hartmann (co-owner of the Night Worms subscription box company).
But look out! The best splatterpunk and extreme horror books aren’t just about gore. They’re about people. So they can still break your heart. Just ask people who have read Jack Ketchum’s influential novel The Girl Next Door. The Lineup includes it in its article 9 Extreme Horror Books with Heart.
Many authors known for gory books write more than just that. One example is Brian Keene, who has gory books like The Rising and Ghoul (which is also a coming-of-age story) but also metafiction like The Girl on the Glider.

(2) SQUID IN REALITY. The Hollywood Reporter says: “‘Squid Game’ Reality Series Coming to Netflix With Biggest Cash Prize in TV History”.

Netflix is staging a real-life Squid Game series that’s billed as “the biggest reality competition ever.”
The streamer announced a reality TV production based on its global dystopian smash at the Banff World Media Festival on Tuesday.
While the stakes won’t be life or death (presumably), Squid Game: The Challenge will have 456 players competing in a series of games for the chance to win $4.56 million. Netflix claims the payout is the largest lump-sum cash prize in TV history (though Fox’s X Factor has previously given out recording contracts worth $5 million), and that the show likewise also sports the largest competition series cast ever assembled.
… The reality competition will consist of 10 episodes (one more than the first season of the dramatic series) and also released a teaser video….

The show is casting participants through this website: “Squid Game: The Challenge Casting”.

You’ve seen the drama, now it’s your chance to take part in Netflix’s biggest ever social experiment! This supersized unscripted show turns the scripted world of the drama into reality. Real-life players will be immersed in the iconic Squid Game universe and will never know what’s coming next. Here they’ll compete in a series of heart-stopping games in order to become the sole survivor* and walk away with a life-changing cash prize.
With a fortune up for grabs, who will be an ally, who will you trust, and who will you betray in this ultimate test of character?
*Please note: Win or lose, all players will leave unscathed. But if you win, you win big!

(3) TERMINATE RUSSIAN OIL. [Item by Mike Kennedy.] Ex-Governator Schwarzenegger has laid down the law to his fellow Austrians… The Telegram channel of the Kyiv Independent reports: “Schwarzenegger denounces Europe for buying Russian fuel. Hollywood star and ex-California Governor Arnold Schwarzenegger said at the Austrian World Summit in Vienna that “we have blood on our hands because we are financing the war.” The European Union has imposed a partial oil embargo on Russia but refused to impose an embargo on Russian gas….”

Schwarzenegger posted the video to his YouTube channel with this introduction:

This morning, I spoke at my annual environmental summit I co-host with my dear friend, President Van der Bellen, the president of Austria. I spoke about the unbelievable power of technology transforming the clean energy crusade. 7 million people die every year from pollution. The Russian missiles launched into Ukraine are funded by our addiction to fossil fuels. There is blood on our hands. We have a moral obligation to use the technology available to us to create a clean energy future.

Schwarzenegger‘s talk is primarily about clean energy/climate change/pollution. His remarks about the war in Ukraine and funding same through purchasing Russian oil begin just before minute 11 and continue (to some degree) through the end of his talk a few minutes later.

(4) MEDIA BIRTHDAY.

1947 – [By Cat Eldridge.] Tom & Jerry cartoon, Dr. Jekyll and Mr. Mouse (1947). The Hanna-Barbera cartoons were considered by many cartoon fans to be quite inferior to the Warner Bros. cartoons which were regarded as the gold standard of the animation done during the Forties and Fifties. I’m not making that judgement here as I really liked the Tom & Jerry cartoons and particularly the ones done in the Forties.

Dr. Jekyll and Mr. Mouse is a one-reel, as they were called, cartoon and is the thirtieth Tom and Jerry short which is seventy five years old this day. It directed by William Hanna and Joseph Barbera who wrote the script as well. It was produced by Fred Quimby. It has animation by Ed Barge, Michael Lah, Pete Burness, Ray Patterson, Kenneth Muse and Al Grandmain. That’s a lot of animators for such a short undertaking! (Some are not credited on the cartoon itself.)

Surely I don’t a need SPOILER ALERT on this cartoon? Seriously? You want one? Well here it is just in case you haven’t seen it.

The story is the Tom, our ever annoyed feline, is quite pissed that Jerry, our smarter mouse, keeps drinking his milk so he poisons it with a mix of, well, everything toxic that he can find including mothballs. Does it do that? No, it doesn’t. Instead it turns Tom into an incredibly strong mouse. Much cartoon violence happens. END SPOILER ALERT

It was nominated for the Academy Award for Best Short Subject: Cartoons in 1947, but lost to Warner Bros.‘ Tweetie Pie.

This short was shown in the 1983 movie, The Hunger.

Please don’t offer a link to online copies of Dr. Jekyll and Mr. Mouse as they are all bootlegs as it’s still under copyright. Hanna and Barbera passed respectively in 2001 and 2006 in the ages of ninety-six and ninety-one, bless them.

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 14, 1908 — Stephen Tall. The pseudonym of Compton Crook. His first published work was “The Lights on Precipice Peak“ in Galaxy, October 1955. Not a prolific writer, he’d do about twenty stories over the next quarter of a century and two novels as well, The Ramsgate Paradox and The People Beyond the Wall. “The Bear with the Knot on His Tail” was nominated for a Hugo at the first L.A. Con. He has not yet made into the digital realm other than “The Lights on Precipice Peak” being available at the usual suspects. In 1983, the Compton Crook/Stephen Tall Memorial Award for best first science fiction novel in a given year was established by the Baltimore Science Fiction Society in his name. (Died 1981.)
Born June 14, 1914 — Ruthven Todd. He’s here for his delightful children’s illustrated trio of Space Cat books — Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. I’m pleased to say they’re available at all the usual digital suspects and yes I’ve read them. He also wrote Over the Mountain and The Lost Traveller which are respectively a lost world novel and a dystopian novel. Side note: he was an editor of the works of William Blake which must have a really interesting undertaking! (Died 1978.)
Born June 14, 1919 — Gene Barry. His first genre role was in The War of the Worlds as Dr. Clayton Forrester. He’d have a number of later genre appearances on Science Fiction Theatre, Alfred Hitchcock Presents, The Devil and Miss Sarah, The Girl, the Gold Watch & Dynamite, plus multiple appearances on Fantasy Island and The Twilight Zone. He’d appear in the ‘05 War of The Worlds credited simply as “Grandfather”. (Died 2009.)
Born June 14, 1921 — William Hamling. Author and editor who was active as an sf fan in the late 1930s and early 1940s. His first story “War with Jupiter”, written with Mark Reinsberg, appeared in Amazing Stories in May 1939. He’d write only short stories, some nineteen of them, over the next twenty years. Genre adjacent, his Shadow of the Sphinx is a horror novel about an ancient Egyptian sorceress. He would be the Editor of two genre zines, Imagination for most of the Fifties, and Imaginative Tales during the Fifties as well. He published four issues of the Stardust fanzine in 1940, and contributed to the 1940 Worldcon program. He was best known for publishing adult magazines and books, which led to First Amendment litigation, and also a criminal prosecution that resulted in a jail term. (Died 2017.)
Born June 14, 1939 — Penelope Farmer, 83. English writer of children’s fantasy novels, best-known for the novel Charlotte Sometimes, a boarding-school story that features a multiple time slip. There’s two more novels in this, the Emma / Charlotte series, The Summer Birds and Emma in Winter. Another children’s fantasy by her, A Castle of Bone, concerns a portal in a magic shop.
Born June 14, 1949 — Harry Turtledove, 73. I wouldn’t know where to begin with him considering how many series he’s done. I’m fairly sure I first read novels in his Agent of Byzantium series and I know his Crosstime Traffic series was definitely fun reading. He’s won two Sidewise Awards for How Few Remain and Ruled Britannia, and a Prometheus for The Gladiator. Hugos? Well there was one. ConAdian saw him win for his “Down in the Bottomlands” novella, and his “Must and Shall” novelette picked up a nomination at L.A. Con III, and Chicon 2000 where he was Toastmaster saw his “Forty, Counting Down” honored with a nomination.
Born June 14, 1958 — James Gurney, 64. Artist and author best known for his illustrated Dinotopia book series. He won a Hugo for Best Original Artwork at L.A. Con III for Dinotopia: The World Beneath, and was twice nominated for a Hugo for Best Professional Artist. The dinosaur Torvosaurus gurneyi was named in honor of him.

(6) HEAR FROM VANDANA SINGH. In October 2021, as part of the TED Countdown climate summit in Edinburgh, Vandana Singh, who is one of our Climate Imagination Fellows, gave a talk that is really a performance of a short speculative fiction story. Here is a link to the video. The story is hopeful, and focuses on the fundamental interconnectedness of humans with nonhuman beings and Earth systems.

Vandana’s books include Ambiguity Machines and Other Stories and The Woman Who Thought She Was a Planet and Other Stories. She’s also a physicist and a researcher and educator on the climate crisis.

“The world is a living tapestry … As the weave of life is torn apart in one place, the threads unravel in another,” says author and physics professor Vandana Singh, acknowledging humanity’s interconnectedness with the planet — and the uncertain future we face if we don’t protect it. Reading an excerpt from her latest work of speculative fiction, Singh shares a hopeful vision for Earth’s renewal.

(7) A MAKER OF HISTORY. The Hugonauts podcast interviewed David Brin.

This week we talk with David Brin about his writing, what it was like seeing his book adapted into a movie, the future of sci-fi, how aliens would be welcomed in Los Angeles, and what it was like to study writing under Ursula K. Le Guin with Kim Stanley Robinson! David Brin is an astrophysicist whose international best-selling novels include The Postman, Startide Rising, and the Uplift War. He consults for NASA, companies, agencies, and nonprofits about the onrushing future. His first nonfiction book, The Transparent Society, won the Freedom of Speech Award. His newest book is Vivid Tomorrows: Science Fiction and Hollywood.

[Thanks to Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

File 770

Mike Glyer's news of science fiction fandom

Tag Archives: Squid Game

Pixel Scroll 5/5/25 Piles Of Pithecanthropic Purple Pixels

Daryl Gregory

Pixel Scroll 1/30/25 Scrolling Considered As A Helix Of Semi-Precious Pixels

Pixel Scroll 11/1/24 Do Not Count A Pixel Scrolled Until You’ve Seen The Jetpack. And Even Then You Can Make A Mistake

Pixel Scroll 9/20/24 It’s Not A Cookbook, It’s A Pixel Scroll!

Pixel Scroll 7/31/24 There Ain’t Nobody Here But Us Ugly Chickens

JAMES CHAMBERS

Pixel Scroll 11/25/23 The Pixelman’s Scroll is Half-Constructed

Pixel Scroll 9/22/23 Brand New Pixels Right Off The Cosmic Assembly Line

Pixel Scroll 4/30/23 I Demand That The Emergency Pixel System Be Activated Immediately

Pixel Scroll 6/14/22 Colonel Pixel, With The Godstalk, In The Scrollatory