The Science Fiction and Fantasy Writers of America (SFWA) will present the Kate Wilhelm Solstice Award to Arley Sorg and Troy L. Wiggins, and posthumously, to Petra Mayer at the 57th Annual SFWA Nebula Awards® ceremony.
The ceremony will stream live on SFWA’s YouTube and Facebook channels on Saturday, May 21, 2022, at 5:00 p.m. Pacific.
The Kate Wilhelm Solstice Award is given by SFWA for distinguished contributions to the science fiction and fantasy community. Sorg, Wiggins, and Mayer join the ranks of previous Solstice Award winners, including Octavia E. Butler, James Tiptree, Jr., and Carl Sagan.
Arley Sorg has attended many sff conventions, primarily in his role as a senior editor and photographer for Locus Magazine. His convention reports, interviews, and book reviews have given many up-and-coming and established creators a moment in the spotlight. But Sorg’s work with several of the genres’ most celebrated short fiction markets is arguably more influential, including his recent reprisal of Fantasy Magazine with Christie Yant. Sorg has also been a relentlessly empowering voice for many storytellers behind-the-scenes, giving countless pep talks and good advice online and in person.
Arley Sorg is co-editor-in-chief at Fantasy Magazine, a 2021 World Fantasy Award Finalist and a 2022 Locus Award Finalist. He is also a finalist for two 2022 Ignyte Awards, for his work as a critic as well as for his creative nonfiction. Arley is a senior editor at Locus Magazine, associate editor at both Lightspeed & Nightmare, and a columnist for The Magazine of Fantasy and Science Fiction. He takes on multiple roles, including slush reader, movie reviewer, and book reviewer, and conducts interviews for multiple venues, including Clarkesworld Magazine and his own site: arleysorg.com. He has taught classes and run workshops for Clarion West, Augur Magazine, and more, and has been a guest speaker at a range of events. He is a frequent reader of File 770.
TROY L. WIGGINS
Troy L. Wiggins has been supporting Black speculative fiction storytelling for years through curation, criticism, editorial work, and of course, his own fiction. For over a decade, he’s contributed both commentary on the influence of Black writing in the speculative genres and helped shape it, most recently through his contribution to Black Panther: Tales of Wakanda. As the publisher and former co-editor at the groundbreaking FIYAH Magazine, Wiggins carries this important work to the African diaspora at large.
Troy L. Wiggins is an award-winning writer and editor from Memphis, Tennessee. His short fiction has appeared in the Griots: Sisters of the Spear, Long Hidden: Speculative From the Margins of History, and Memphis Noir anthologies, and in Expanded Horizons, Fireside, Uncanny and Beneath Ceaseless Skies Magazines. His essays and criticism have appeared in the Memphis Flyer, Literary Orphans Magazine, People of Colo(u)r Destroy Science Fiction, Strange Horizons, PEN America, and on Tor.com.
Troy is the former co-editor of the Hugo and World Fantasy Award-winning FIYAH Magazine of Black Speculative Fiction. He was inducted into the Dal Coger Memorial Hall of Fame for his contributions to Speculative Fiction in Memphis in 2018. Troy infrequently blogs about writing, nerd culture, and race at afrofantasy.wordpress.com. He lives in Memphis, Tennessee, with his wife and entirely too many books.
Petra Mayer loved the speculative fiction genres, and passionately celebrated them throughout her career in the news media. In choosing what writers she worked with and what books to feature, she repeatedly uplifted marginalized creators and introduced a host of readers to their stories. Mayer made space for unheard voices and developed guides like the Book Concierge, that fans of all backgrounds could use to discover new favorites. Her work and joy were gifts to the industry.
Petra Mayer was an editor at NPR Books. She shared her enthusiasm for genre fiction on air at NPR in the form of book reviews, as a regular guest on the podcast Pop Culture Happy Hour, through her reporting on the San Diego Comic-Con, and through the Book Concierge book recommendation tool. In her earlier career, Mayer was an associate director and producer for All Things Considered. She began working in the news media in 1997.
Mayer passed away at the young age of 46 in November 2021. Her parents established the Petra Mayer Memorial Fund for Internships. This dedicated fund “will support internships with NPR’s Culture Desk, helping to develop passionate journalists who—like Petra—can inspire audiences with a love of learning, passion for books, and dedication to sharing stories that matter.”
SFWA President Jeffe Kennedy remarks, “Arley, Troy, and Petra are shining examples of how people contribute to the greater genre community by pursuing their own personal passions. I’m delighted to celebrate Arley’s and Troy’s wonderful contributions and look forward to what they’ll go on to do. I mourn the loss of Petra and all she contributed to the SFF genre and community. I hope this award will help put a light on someone we lost far too young.”
The 57th Annual Nebula Awards Ceremony will stream live on SFWA’s YouTube and Facebook channels for the public. The ceremony takes place during the 2022 Nebula Conference Online, an annual professional development conference organized by SFWA for aspiring and established professionals of the speculative fiction industry. Registration is $150 and may be purchased at events.sfwa.org.
(1) TITLE BOUT. Shelf Awareness publicized the release of the six-book shortlist for the 2020 Diagram Prize for the Oddest Book Title of the Year. “Founded by Trevor Bounford and the late Bruce Robertson in 1978 ‘as a way to stave off boredom at the Frankfurt Book Fair,’ the Diagram Prize has had a home at the Bookseller and with legendary diarist Horace Bent since 1982.” The finalists are —
A Dog Pissing at the Edge of a Path by Gregory Forth
Introducing the Medieval Ass by Kathryn L Smithies
Classical Antiquity in Heavy Metal Music by K.F.B. Fletcher and Osman Umurhan
How to Make Love to a Despot by Stephen D. Krasner
Lawnmowers: An IllustratedHistory by Brian Radam
The Slaughter of Farmed Animals: Practical Ways to Enhance Animal Welfare by Temple Grandin and Michael Cockram
The winning title will now be chosen by members of the public via an online vote. The public vote closes on Friday 20th November, with the winning entry to be announced on Friday 27th November. There is no prize for the winning author or publisher, but traditionally a passable bottle of claret is given to the nominator of the winning entry. If a title wins that was nominated by The Bookseller staff, the claret will be given at random to a member of the public who participated in the online voting.
(2) FIYAH FOUNDER Q&A. The latest episode of The Imagination Desk, a podcast from the Center for Science and the Imagination at Arizona State University, is live now, featuring an interview with speculative fiction author Troy L. Wiggins, who is also one of the founders of FIYAH Literary Magazine. Listen in here.
The next episode will be with science fiction author and researcher Regina Kanyu Wang.
(3) ROCKY HORROR LIVE FUNDRAISER. This invitation was sent in Tim Curry’s name for a Rocky Horror Live virtual event to aid the Wisconsin Democratic party.
Right now, we can almost see blue skies through the tears… of the Trump presidency, of course. But we absolutely must keep the pressure on!
That’s why we’re doing the Rocky Horror Show — LIVE — this Halloween night — to help get out the vote in Wisconsin. RSVP and reserve your spot today!
This is a live, once-in-a-lifetime musical livestream event, featuring cast members both old and new. There will be singing, dancing, laughs and plenty of fun.
…Chip in any amount to join us for the Rocky Horror Show Livestream on Halloween with Tim Curry, Wilmer Valderrama, Lance Bass, Rosario Dawson, Jason George, Nell Campbell, Seth Green, Jason Alexander, David Arquette, and more!
Featuring musical performances by The Dresden Dolls, Miss Peppermint, Eiza Gonzalez, Josh Gad, Ben Barnes, Jenna Ushkowitz, Rachel Bloom, Karen Olivo, Marissa Jaret Winkour, Madison Uphoff, Kalen Chase, and Rumer Willis.
This event is only going to be livestreamed once at 9pm CT on Saturday, October 31st.
…These are the similarities between the Dupin stories and Sherlock Holmes, and there are many. One writer said that “The only difference between Dupin and Holmes is the English Channel.” Similarity number one: in both stories we have at the heart a highly intelligent but somewhat eccentric and enigmatic detective. The word detective did not actually exist when Poe was writing, which gives you a sense of how novel he was. He might have taken the idea from a series of magazine articles about a French policeman. Otherwise, he was on his own. This was all his….
… Examples of the mad scientist/evil genius in everything from comic books to classics spring to mind without even breaking a sweat: Dr. No of James Bond fame, whose experiments with atomic energy cost him his hands as well as his conscience; Christopher Marlowe’s Dr. Faustus, whose unquenchable thirst for knowledge drove him to a deal with the devil; Dr. Henry Wu, who fooled around with genetics and opened a questionable theme park in Michael Crichton’s Jurassic Park, and, my personal favorite, Robert Louis Stevenson’s Dr. Jekyll, whose work brought to the surface his baser self as Mr. Hyde.
It is the last example, I think, that speaks most clearly to our fears. Scientists are people like the rest of us—multi-faceted, unpredictable and (for the most part) human. Like all of us humans, there’s always that slim chance that they’re going to turn to the proverbial dark side, especially when they get a taste of power….
(6) MEDIA ANNIVERSARY.
2000 — Twenty years ago at Chicon 2000, the Hugo for Best Novella went to Connie Willis for “The Winds of Marble Arch”, a precursor to her Blackout/All Clear novel which would win the Best Hugo Novel eleven years later at Renovation. Runner-ups were Harry Turtledove‘s “Forty, Counting Down”, Adam-Troy Castro and Jerry Oltion‘s “The Astronaut from Wyoming”, Mike Resnick‘s “Hunting the Snark” and Kage Baker‘s “Son, Observe the Time”. It can be found in The Winds of Marble Arch and Other Stories, the Subterranean Press collection, which is available from the usual digital suspects.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might-be genre film, and he’s Smee in Hook as well. (Died 2014.) (CE)
Born October 26, 1945 – Jane Chance, Ph.D., D.Litt., 75. Mellon Distinguished Professor emerita at Rice; first woman appointed to tenure track in English; founder president of the Consortium for the Teaching of the Middle Ages; doctorate of letters, Purdue. For us, six books on Tolkien; a score of others, a hundred articles. [JH]
Born October 26, 1951 – Melanie Herz, 69. Hardworking Florida fan. Many regionals and Worldcons; chaired Traveling Fête 1996, Tropicon 21, OASIS 6. When we’ve been on the same con committee, and particularly when we were on the same DUFF (Down Under Fan Fund) ballot, we tried to make sure our mail didn’t get crossed. Still wasn’t as bad as when I had an office down the hall from a man named Heitz. [JH]
Born October 26, 1954 — Jennifer Roberson, 66. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed is her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells the Robin Hood tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis. (CE)
Born October 26, 1960 — Patrick Breen, 60. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. And he has a recurring role as Larry Your-Waiter, a member of V.F.D. on A Series of Unfortunate Events series. (CE)
Born October 26, 1960 – David LaRochelle, 60. A score of children’s books, many with fantasy elements. Also an amazing astounding stellar thrilling pumpkin carver; see here. [JH]
Born October 26, 1962 — Cary Elwes, 58. He’s in the ever-so-excellent Princess Bride as Westley / Dread Pirate Roberts / The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. (CE)
Born October 26, 1969 – Mary Ting, 51. A score of novels; taught a score of years, toured with the Magic Johnson Foundation. Makes Twilight-themed jewelry. Besides husband, children, has two dogs Mochi and Mocha. [JH]
Born October 26, 1971 — Anthony Rapp, 49. Lieutenant Commander Paul Stamets on the most Discovery series . His first role ever was Wes Hansen in Sky High, and he showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors. (CE)
Born October 26, 1972 – Zetta Elliott, Ph.D., 48. Five novels, seven shorter stories for us; poetry; essays; plays; children’s illustrated books under her Rosetta Press. “I write as much for parents as I do for their children because sometimes adults need the simple instruction a picture book can provide.” [JH]
Born October 26, 1973 — Seth MacFarlane, 47. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? I’ll must admit that having it described as trying to be a better Trek ain’t helping. (CE)
Born October 26, 1975 – David Walton, 45. Author and engineer. Seven novels, a dozen shorter stories. Baen Memorial Award, Campbell Memorial Award, Philip K. Dick Award. Plays chess and go. “Science fiction can show us the viewpoints of people whose lives and experiences are so far away from ours that … our minds are stretched and our vision is expanded.” [JH]
(8) COMICS SECTION.
Bizarro finds law enforcement pondering why no pumpkin is safe!
Yesterday’s Bizarro recalls that time Sesame Street fought for its independence. (Just when was that, anyway?)
Jonathan Muroya’s Greek Quarantology shows how all your favorite mythical figures are dealing with life during COVID-19.
After you take a look at this Wulffmorgenthaler cartoon for Denmark’s Politiken you’ll want a translation for the dialog (courtesy of Lise Andreasen):
“The death star is flat.”
“Actually, some of us believe, the death star is flat. That being round business is a conspiracy.”
From the article: “The image of the explosion was described by some as the stuff of science fiction, specifically the Doomsday machine from Star Trek. Fortunately, the CME did not hit Earth.”
(11) SILENT GOLD. Leonard Maltin has a roundup of silent film releases — “Rare Silent Films On Blu-Ray And DVD”. One of them is the rediscovered 1916 version of Twenty Thousand Leagues Under The Sea. The poster for this movie is very cool.
It’s not a typo: Universal produced a feature-length version of Jules Verne’s 20,000 Leagues Under the Seain 1916, and the new DVD/Blu-ray release is a 4K transfer of the surviving material. Luckily for us, silent film historian Anthony Slide delivers a highly informative commentary track that tracks the careers of underwater-photography specialists Ernest and George Williamson. Indeed, it is their work that makes this release so intriguing, not the hackneyed mishmash of Verne’s famous story and The Mysterious Island. Alan Holubar, then a prominent actor about to turn director, and Jane Gail star. The music score is credited to Orlando Perez Rosso.
(12) SOL SEARCHING. [Item by SF Concatenation’s Jonathan Cowie.] A new way has been found to determine which stars are likely to host weird planetary systems and those stars likely to have planetary systems more like our own Solar system.
The following will appear in next season’s SF² Concatenation but they’ve shared it with File 770 now…
How many Solar system type planetary systems are there in our spiral arm? We may soon be finding out from new research. Some planetary systems around stars are very unlike our Solar system. For example, they will have what are called hot Jupiters with a gas giant close to their star in an orbit similar to that of Mercury about our sun, rather than beyond the asteroid belt where Jupiter is in our system.
It had been thought that the type of planetary system that forms is determined by the star’s protoplanetary disk of gas and dust. While this may be so, there is also another factor at play – whether the star formed in comparative isolation or along with loads of others in a stellar nursery.
Up to now it has been impossible to address this question as stars disperse (as the Galaxy rotates, spiral arms oscillate, local stellar conditions etc) from when they were born within a billion years of their formation. However, ESA’s Gaia star mapping has helped British and German astronomers to determine that whether or not a star is born in a stellar nursery or more isolated by itself, is key to the type of planetary system it will host.
You see the Gaia probe not only maps stars positions, it does it so accurately that after a few years and the star is re-mapped, it is possible to discern its movement, velocity and direction. What the researchers have found is that they can correlate those stars that seem to be moving more or less parallel to, and with a similar velocity, to other stars. These stars can be assumed to have a common birthplace in a stellar nursery. Other stars that have no movement correlation with others, can be assumed to have been born in comparative isolation. With this in mind, the astronomers looked at 600 stars Gaia had mapped.
What the astronomers found was that systems with hot Jupiters tend to be formed in crowded stellar nurseries, while those with gas giants further from their star almost invariably saw the star’s birth in comparative isolation: there were few such systems with hot Jupiters – a hot Jupiter system was roughly ten times more likely in a star born in a stellar nursery.
As the researchers themselves point out, their discovery has “possible implications for planetary habitability and the likelihood of life in the Universe” questions. (See Winter, A. J., Kruijssen, J. M. D., Longmore S. N & Chevance, M. (2020) Stellar clustering shapes the architecture of planetary systems. Nature, vol. 586, p528-532.)
…Available this fall for $60, the Star Wars: The Mandalorian the Child “Real Moves Plush” stands 11 inches tall, so it’s slightly smaller than the animatronic figure used in the series. Mattel still managed to stuff it full of electronics, including authentic sound effects and motors to bring it to life.
The Child’s head can turn from side to side, and look up and down while it’s giant ears wiggle, and all the mechanisms are hidden under a flexible outer skin, which makes sense when you say it, but out of context feels like a horrifying thing to say about a baby. His tiny, snuggly robes can also be further adorned with an included Mythosaur skull pendant, like the one gifted to him by Din Djarin at the end of the first season.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, Olav Rokne, Martin Morse Wooster, Cat Eldridge, John Hertz, Michael Toman, Joey Eschrich, Lise Andreasen, Jeff Smith, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
(1) A DOG STORY. The Verge has released the latest installment in its multimedia
science fiction project about hope, Better Worlds. Don’t tell me – John Scalzi wrote a
story about a Sad Puppy?
Today, we published one of the original short stories that we’re most excited about, “A Model Dog,” from prolific science fiction writer and Hugo Award-winner John Scalzi. Scalzi is a familiar name to most science fiction readers, best known for his novels Old Man’s War, Redshirts, The Collapsing Empire, and, most recently, The Consuming Fire.
In Scalzi’s hilarious new story story “A Model Dog” and the video adaptation from animator Joel Plosz, an eccentric tech billionaire’s frivolous project to “engineer a solution” to a dying dog takes a surprising and heartwarming turn.
It does seem like this type of experimentation would have a downstream effect. I know Neil deGrasse Tyson is fond of saying that going to space brought with it a number of other things you wouldn’t expect.
Absolutely. It’s the whole Velcro effect. You go into space, so you had to invent Velcro. It’s weird when you think about it. I’m not necessarily a proponent of the idea that you do a big thing because you get a few small, ancillary things out of it because it’s not guaranteed that you’ll get anything out of it. But it’s certainly not wrong. Anything you do is going to have failures and spinoffs and dead ends. But those failures, spinoffs, and dead ends aren’t necessarily things that are going to be bad or useless. It might be an unexpected thing. You do see this. A guy wanting to make a more powerful adhesive ended up creating the sticky note at 3M. Even if something doesn’t work the way you expect it to, you still get something beneficial out of it. And, to some extent, that’s what this story also nets: they aimed for one thing, and they ended up getting another.
I really hadn’t thought about the issue this year. I suppose my feeling is that one year of telling people what to do with their vote is enough. I’m not officially taking myself out of the running, but I don’t expect to be nominated again. If it does come up, I’ll decide what to do then.
(3) AMERICAN GODS. The
epic war of the gods begins when American
Gods premieres March 10 on STARZ.
It gives us great pleasure to announce that the winner is TROY L. WIGGINS, who was chosen for his outstanding contributions to Midsouth literacy, both as a writer of SF/F/H short stories and for his role in founding Fiyah Lit Mag, a relatively-new SF/F/H magazine (now in its third year).
Mr. Wiggins joins 16 previous inductees, including Nancy Collins, Eric Flint, Justin Cronin, Howard Waldrop, and a dozen more worthies.
There’s more information on the Coger Memorial Hall of Fame
Here is the entire list of what Virgin Money will cover:
by a sharknado
by a 100 ft tall Stay Puft marshmallow man
by a world terraforming engine (ie: Superman)
caused being pursued by a Giant from a cloud-based castle
trampled by Godzilla
by Decepticon (ie: Transformers)
by heat ray from Martian tripods
by the Loch Ness monster
Being given the cruciatus curse
by Lord Voldemort
(8) TODAY IN HISTORY.
21, 1972 — NYC hosted the first Star Trek Convention.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 21, 1923 – Judith Merril. Author of four novels, Shadow on the Hearth, Gunner Cade, Outpost Mars and The Tomorrow People of which the last three were with C. M. Kornbluth. She also wrote twenty six stories which can be found in The Best of Judith Merril. She was an editor as well of both anthologies and magazines. Her magazine editorship was as Judy Zissman and was Science*Fiction in 1946 and Temper! In 1945 and 1947. May I comment that ISFDB notes Temper! has a header of The Magazine of Social Protest which given its date may make it the earliest SJW citation known in our genre? Oh and between, 1965 and 1969, she was an exemplary reviewer for the Magazine of Fantasy and Science Fiction. She was also a much lauded Books Editor there at the same time. Yes, I know she had a complicated personal life but that’s not for here. (Died 1997.)
Born January 21, 1924 — Dean Fredericks. Actor best known for his portrayal of the comic strip character Steve Canyon in the television series of the same name which aired from 1958–1959 on NBC. His first genre role is in Them! followed by appearances in The Disembodied and the lead in The Phantom Planet. (Died 1999.)
Born January 21, 1956 – Diana Pavlac Glyer, 63. Academic whose work centers on C. S. Lewis, J. R. R. Tolkien, and the Inklings. She has a number of published works to date with two of interest to us, Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings and The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community. The third in case you’re wondering is Clay in the Potter’s Hands.
Born January 21, 1956 – Geena Davis, 63. Her first genre was as Veronica “Ronnie” Quaife In The Fly followed by her by widely remembered roles as Barbara Maitland in Beetlejuice and Valerie Gail In Earth Girls Are Easy. She next plays Morgan Adams in the theatrical bomb Cutthroat Island before getting the choice plum of Mrs. Eleanor Little in the Stuart Little franchise. She has a lead role in Marjorie Prime, a film tackling memory loss in Alzheimer’s victims some fifty years by creating holographic projections of deceased family members that sounds really creepy. Her major series role to date is as Regan MacNeil on The Exorcist, a ten episode FOX sequel to the film.
Born January 21, 1958 – Michael Wincott, 61. Guy of Gisbourne In Robin Hood: Prince of Thieves was his first genre role. Oh well. He did much better playing the truly evil Top Dollar in The Crow next, and his Comte de Rochefort in the 1993 The Three Musketeers wasn’t that bad. He played Philo Grant in Strange Days, and was Captain Frank Elgyn In Alien Resurrection. His latest film role was as Dr. Osmond In Ghost in the Shell. He shows up as the Old Bill character in the “The Original” and “Contrapasso” episodes of Westworld.
Born January 21, 1970 – Ken Leung, 49. Best known for playing Miles Straume in Lost, Admiral Statura in Star Wars: The Force Awakens and Kid Omega in X-Men: The Last Stand. His latest role is as Karnak, a member of the Inhumans on the series Inhumans. His first genre appearance was I think was as Syatyoo-Sama in A.I. and he later has a recurring role on Person of Interest, a show where AIs play a prominent role.
Lucas could have made a fortune with custom editions if he’d followed the advice implicit in this classic FoxTrot.
(11) REACTIONARY COMPS. Laura B. McGrath, in “Comping White” at LA Review of Books, makes the case that a publishing industry technique for projecting a book’s success, comp titles, is biased against people of color, and further, tends to neutralize the effect of having more people of color working behind the scenes.
…Instead, I decided to study the most important data that no one outside of publishing has ever heard of: Comp Titles. “Comps are king in this business,” an editor told me. (She works for a major house, and spoke under the condition of anonymity.) Comps, short for “comparable” or “comparative” titles, are the basis of all acquisitions. By predicting profits and losses, comps help editors determine if they should acquire a book or not. Comps are a sort of gatekeeper, determining what — and who — gets access to the marketplace.
The logic is straightforward: Book A (a new title) is similar to Book B (an already published title). Because Book B sold so many copies and made so much money, we can assume that Book A will also sell so many copies and make so much money. Based on these projections, editors determine if they should pre-empt, bid, or pass on a title, and how much they should pay in an author advance. Above all, comps are conservative. They manage expectations, and are designed to predict as safe a bet as possible. They are built on the idea that if it worked before, it will work again…
And if there’s no comp to be found? If a book hasn’t ever “worked” because it hasn’t ever happened? If the target audience for a book isn’t considered big or significant enough to warrant the investment? “If you can’t find any comps,” one editor explained, grimacing, “It’s not a good sign.” While intended to be an instructive description (“this book is like that book”), some editors suggested that comps have become prescriptive (“this book should be like that book”) and restrictive (“…or we can’t publish it”).
The mysterious “Planet Nine,” which is theorized to be 10 times larger than Earth and lies somewhere in the outer reaches of our solar system, might not be a planet at all, says a new study.
It may really be a gigantic disk made up of smaller objects lying just beyond Neptune exerting the same gravitational force as a super-Earth-sized planet, according to researchers at the University of Cambridge and the American University of Beirut.
(13) IN A HOLE IN THE
GROUND THERE LIVED A MARTIAN COLONIST. Dwayne Day reviews season 2 of National
Geographic’s Mars in “Mars:
Bringer of ennui (Part 1)” at The
The first season, consisting of six episodes, featured some excellent and insightful documentary segments and commentary, but the drama segments, which were closely tied to the documentary stories, were grim and depressing. Now, two years later, season two has aired. Unfortunately, that same dynamic was repeated: often stunning documentary segments and intelligent commentary interspersed with tedious and uninspiring drama. If National Geographic has a message about the human exploration of Mars, it is that nobody will have any fun.
The interconnectedness of Europe has a long history, as we’re reminded when we explore the roots of the English language – roots that stretch back to the 5th Century. Anglo-Saxon England “was connected to the world beyond its shores through a lively exchange of books, goods, ideas,” argues the Medieval historian Mary Wellesley, describing a new exhibition at the British Library in London – Anglo-Saxon Kingdoms: Art, Word, War – that charts the genesis of England.
“Something like 80% of all surviving Old English verse survives in four physical books… for the first time in recorded history they are all together,” she tells BBC Culture. “The period that is represented by Old English is about 600 years, which is like between us and back to Chaucer… imagine if there were only four physical books that survived from that period, what would that say about our literature?”
The trolls and orcs in The Lord of the Rings films aren’t real. The dragons and dire wolves on the hit television show Game of Thrones are simulated. The dinosaurs that rampaged through a string of Jurassic Park films don’t exist outside a computer. Or do they?
These days, it can be hard to tell from the screen, given that computer-generated characters in films and video games now seem so realistic down to every tooth and claw. The realism comes from the long and fruitful interaction between science and the cinema that can be traced back to the pioneering work more than a century ago of the photographer Eadweard Muybridge (the eccentric spelling of his first name was a deliberate homage to Anglo-Saxon style).
The blending of cinematic and scientific techniques continues today. In a paper in this week’s Nature, researchers describe how they used animation techniques to reconstruct the motion of a long-extinct animal….
(18) LOOKING FOR A LAIR. A new trailer for SHAZAM! — in theaters April 5.
[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, Andrew Liptak, Mike Kennedy, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.
(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:
Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?
I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.
Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.
After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.
If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.
Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).
According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.
(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.
TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com
(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.
The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.
This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”
These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….
While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.
Star Trek (aka “Star Track”, as my grandma called it)
Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.
Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)
(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”
(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.
(10) TODAY IN HISTORY
June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.
(11) TODAY’S BIRTHDAY CREATORS
Born June 10, 1928 — Where the Wild Things Are author Maurice Sendak.
Born June 10, 1952 — Kage Baker
(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.
Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.
According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.
“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.
Andrew Porter adds,
When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.
Peter Glassman. Photo by Andrew Porter:
Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.
(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.
(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.
If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.
“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”
(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)
But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.
To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.
Given the prevailingnegativenews that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.
If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.
In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.
…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!
It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?
Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.
For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.
(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.
This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.
And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.
Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.
If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.
While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.
More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.
The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.
In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.
[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]