Larry Farsace (1921-2013)

Golden Atom #10 (Winter 1943), cover art by Rosco E. Wright

Golden Atom #10 (Winter 1943), cover art by Rosco E. Wright

Larry Farsace, voted into the First Fandom Hall of Fame in 2012, died of cancer on January 9 at the age of 91. First Fandom’s newzine Scientifiction reported his passing in the Spring issue.

Farsace, who anglicized his name from Litterio B. Farsaci, was a child prodigy who gave lectures at the University of Rochester when he was 9 years old. As a teenager he was an avid magazine collector. He discovered fandom in 1935 after buying a year’s worth of Fantasy Magazine at a local bookstore. In the 1940s he was reputedly fandom’s top magazine collector after buying out the collections of two other oldtime Rochester fans.

He joined the Army and served overseas during WWII.

In addition to collecting, he published small bibliographies for early conventions and a zine called Fantastic for the first Worldcon. For a time he was a member of the Fantasy Amateur Press Association.

In 1939 he started The Golden Atom, a sercon fanzine named for Ray Cummings’ “The Girl in the Golden Atom”. The first ten issues were in letter-sized mimeographed format. Two special issues, appearing in 1955 and 1959, were done in letterpress. Harry Warner Jr. called the 1955 issue “the most expensive fanzine in history: 100 printed pages and lots of art in an edition of 1,200 copies at a cost of some $1,500.” Farsace’s 1959 issue had an identical budget and sold to fans for $1 a copy. Sam Moskowitz praised the early issues as “arguably the most valuable repository of new research and reference on SF.”

Dan Adkins (1937-2013)

Comic book penciler and inker Dan Adkins, perhaps best known for his work on Doctor Strange died at the beginning of May. He was 76.

“Perhaps best known for…” makes it sound as if I actually know something about his pro career, however, I must confess I was completely unaware of it before today. Instead, the reason I immediately recognized his name was that I was familiar with his fan art from decades ago. Adkins had lots of illos in certain old fanzines I read in Bruce Pelz’ garage.

Adkins drew for Xero, and was art director for Amra. Before that he published a fanzine of his own, as he explained in an interview by Roy Thomas on TwoMorrows

RT: In this same issue of A/E, Bill Pearson talks about your joint fanzine Sata…

ADKINS: That was just a made-up word. I was a draftsman in the Air Force at the time I met Bill. If a change was made to a building on the base, we’d have to update the blueprints. I also drew a lot of electronics stuff, engine corrections, etc. After I got a second stripe as Airman Second Class, I became an illustrator-from about eight months after basic training, for the remaining three years I was in the service. When I got out I was the equivalent of a staff sergeant.

As an illustrator, I had a whole room to myself with equipment to turn out posters to put in front of the base library or movie theatre. We also did a magazine where we’d list all the happenings. We had to spend a certain amount of money per month in order to get the same amount the next month. And I couldn’t come up with enough things to spend the money on, so I started a fanzine! [laughs] The Air Force paid for Sata.

RT: Did they know they paid for it?

ADKINS: I had a civilian boss, and he knew it, yeah. It didn’t cost a heck of a lot to put out a little dittoed fanzine.

RT: When were you art director of the Robert E. Howard fanzine Amra?

ADKINS: That was very early. We got drawings from Frazetta and Krenkel because I knew Roy Krenkel. That’s one reason they made me art editor! It wasn’t for my abilities; it was for who I knew!

Adkins’ art was reprinted in The Best of Xero (a volume mentioned here just a month ago because its introduction was written by the late Roger Ebert.)

[Thanks to Andrew Porter for the story.]

 

Harryhausen Tribute Roundup

Official Ray Harryhausen Website
Annoucement

It is with the deepest sadness that we must announce Ray’s death in London yesterday at 12.05.  Thankfully his passing was quick and painless, but it has of course left a very large void in the lives of Diana, Vanessa and everyone at the Foundation.  It really is the end of an era and a very bright, irreplaceable light has gone from our lives.

Since first making the announcement on Facebook and Twitter yesterday afternoon, we have been overwhelmed be the number of tributes and messages of sympathy from everyone.  We feel very humbled by your kind words and would like to extend our most heartfelt thanks to you all. 

Geoff Boucher
Entertainment Weekly Online
‘We lost a legend’: Ray Harryhausen remembered by Depp, Abrams, delToro, Gilliam, more

Guillermo del Toro, director, producer, screenwriter and author (Pan’s Labyrinth, Pacific Rim): “I lost a member of my family today. A man who was as present in my childhood as any of my relatives. No one will ever compare to Ray Harryhausen. He was a true pioneer, a man who took the mantle of stop-motion and elevated it to an art form. Like all great monster makers, he worked almost single-handed. He was designer, technician, sculptor, painter and cinematographer all at once. To my generation, and to every generation of monster lovers to come, he will stand above all. Forever. His monsters made millions of lonely children smile and hope for a better world- a world populated by Cyclops and griffons and the children of the Hydra. His knowledge, faith and dedication shaped generation after generation of filmmakers. I feel privileged to have met him and to be able to thank him personally for the incalculable amount of love and joy he brought into the world.”

Andy Greene
Famous Monsters of Filmland
Rest in Peace Ray Harryhausen: 1920-2013

Harryhausen’s genius was in being able to bring his models alive. Whether they were prehistoric dinosaurs or mythological creatures, in Ray’s hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so.

Michael Cavna
Comic Riffs
RIP Ray Harryhausen: Inspired as a child the special effects titan transformed fantasy on film

Fast-forward to 1949, and again a stop-motion gorilla fills the silver screen. Again it’s the guiding hand of O’Brien at the animated helm. Only this time, helping to summon most of the magic of motion is Ray Harryhausen. His boyhood addiction has propelled him into the business, to work on “Mighty Joe Young.” He had worked with animation while in the Army. Now, one of the great Hollywood careers is born.

Amanda Holpuch
The Guardian
Ray Harryhausen Dies

Directors including George Lucas and Lord of the Rings’ Peter Jackson credit Harryhausen with inspiring their work. Lucas once said there would be no Star Wars without Harryhausen, and Jackson said: “The Lord of the Rings is my Ray Harryhausen movie. Without his lifelong love of his wondrous images and storytelling it would never have been made – not by me at least.”

Los Angeles Times
Hollywood Reacts to death of visual effects guru Ray Harryhausen

“It took four months to put the skeleton fight scene together and it lasted less than five minutes,” Harryhausen said. “I remember working in my house as an amateur; I got mad at something and I threw the hammer on the floor and it went through a glass painting that had taken me a long time to make. I had to develop patience.”

Daniel W. Baldwin
CHUD
Farewell, Ray Harryhausen: 1920-2013

What Ray understood that many still need to learn today is that no matter how breathtaking your special effects are, if they do not have a personality and serve the story, they are devoid of purpose.  While I have no doubt that many younger cinephiles will find the effects within these classics to be hokey or even unimpressive, you cannot tell me that each and every creature and being on screen doesn’t have its own unique personality.  This is something that unfortunately cannot be said of the majority of today’s lifeless CGI creations. Ray Harryhausen was more than just a master of special effects.  He was a master storyteller. 

Stuart Galbraith IV
Stuart Galbraith IV’s Cineblogarama
Ray Harryhausen

As charming and as generous with his time as Ray was, it wasn’t long before I realized I had no choice but to abandon the project, to not write that book.

Any book on Ray Harryhausen, at least one written by me, would ultimately have been critical of producer Ray Harryhausen for not serving the best interests of Ray Harryhausen the master animator. Conventional wisdom is that all of the shortcomings of Ray’s movies from 1955 onward rest on the shoulders of producing partner Charles H. Schneer. But my research, including interviews with Schneer himself, suggested Ray had a lot more creative control over their films and much earlier on than is usually assumed. In the later films especially, on which Ray was a very active co-producer, the movies became showcases for Ray’s set pieces at the expense of all else: story, direction, and pacing. Journeymen talent were hired in place of directors, writers, and composers who might have helped rather than hurt these later efforts. Certainly filmmakers like Cy Endfield and Don Chaffey and composers like Bernard Herrmann and Miklos Rozsa greatly enhanced those Harryhausen pictures while directors like Sam Wanamaker and Desmond Davis and composers such as Roy Budd and Laurence Rosenthal did not. Not that these people didn’t do fine work elsewhere, but I think Ray wanted others to work around his animation set pieces and he strenuously avoided those inclined to put their own personal stamp on movies he saw as exclusively his, even if their contributions would make the movie better.

Leonard Maltin
Leonard Maltin’s Movie Crazy
The Game-Changer: Ray Harryhausen

When Ray Harryhausen’s The 7th Voyage of Sinbad came out in 1958, it didn’t dominate the box-office as Iron Man 3 did this past weekend. That’s because fantasy and comic-book movies were considered grade-B material and kiddie fare in those days. The biggest hits of that year were films for grown-ups like The Bridge on the River Kwai (released in late ’57) and Peyton Place. Walt Disney’s Old Yeller was a hit but still ran a distant tenth. What Harryhausen and his producer-partner Charles H. Schneer did with films like Sinbad, Jason and the Argonauts, and The Three Worlds of Gulliver was to plant the seeds of imagination in the next generation of moviemakers: Spielberg, Lucas, Peter Jackson, and countless others. When George Lucas says that without him there probably wouldn’t have been a Star Wars, he isn’t exaggerating.

TCM’s In Memoriam to Ray Harryhausen,
Produced by Scott McGee

[Thanks to John King Tarpinian for the links.]

andrew j. offutt (1934-2013)

offuttandy offutt, perennially popular convention toastmaster, prolific sf/fantasy author and two-term President of SFWA (1976-1978), died April 30 at the age of 78.  

offutt, who typed his byline in lower-case, wrote dozens of published novels, many under pseudonyms (most frequently, “John Cleve”), producing fiction so rapidly he teased that his idea of “writer’s block” was getting stuck for 45-minutes as he dramatized in the introduction to his story “For Value Received” in Harlan Ellison’s Again, Dangerous Visions.

i fought. i kept sitting down and trying to type. i snarled, cursed, cussed, obscenitized. Kept on fingering keys. (i use three fingers, one of which is on my left hand. it gets sorest.) i kept on. Come on, damn you! i know what a block is. i’d liefer forget, and i will never stop at a stopping point again!

His first professional sf story was the winner of the College SF Contest sponsored by If.  “And Gone Tomorrow” appeared in 1954. His next sale, “Blacksword,” appeared in Galaxy in 1959. “Population Implosion” was selected by Wollheim and Carr for Ace’s World’s Best SF (1968). His first science fiction novel followed a Sixties vogue for funky titles – Evil Is Live Spelled Backwards (1970).  

Prior to becoming a full-time writer offutt worked several years for Proctor & Gamble, then ran insurance agencies in three Kentucky towns.

He married Jodie McCabe in 1957. They have two daughters and two sons, including author Christopher Offutt.

An energetic and amusing speaker, offutt was constantly in demand as a convention toastmaster. But, at the peak of his popularity, when called upon to emcee the 1974 Worldcon banquet, things seemed to get away from him. He extemporized for so long it was perceived as a discourtesy to GoH Roger Zelazny. Although offutt’s reputation suffered, his friends rallied and showed their affection by making him the 1975 Midwestcon guest of honor – the only GoH the con had ever had up to that time.

offutt promptly rebounded in professional circles and was twice elected President of SFWA. Jodie Offutt wrote that among her husband’s greatest pleasures as president was giving the Grand Master Award to Clifford B. Simak (1977).

“Cliff,” he said, lip trem­bling as he handed it to him, “I’ve got tears in my eyes just presenting this. Why the heck aren’t you cry­ing?”

“Andy,” Cliff told him, “when I’m in my room by my­self and I look at it, then I’ll cry.”

Highly regarded by pros, offutt also was fan-friendly, often writing for fanzines. He contributed ”A Chatty, Preferably Controversial Column” to Tom Reamy’s Trumpet, actively participated in all the arguments in Richard Geis’ various fanzines, and wrote letters to Algol, Mobius Trip and my own zines (though I heard from Jodie far more often).

He was honored with the Phoenix Award for lifetime achievement at the 1986 DeepSouthCon – where he was also, of course, toastmaster.

Later in life he had various health problems: a heart bypass in 1999, and a perforated ulcer in 2001 that forced him to step aside as toastmaster for Kubla Khan 29.

One of his collaborators, Richard K. Lyons, recalls:

As things worked out, Andy and I wrote and published four novels together. The problem that finally made us stop was that we were having too much fun. While that was fine by me since I was in it mostly for fun, Andy had a living to earn and the fun was eating a lot of his time.

For a man who needed to make a living, andy offutt was always remarkably generous with his time and writing talents. I won’t forget that.

[Thanks to Sam Long for the story.]

Donna Amos Passes Away

Louisville fan Donna Amos passed away March 25 at the age of 66. She is survived by Ken, her husband of 33 years, and her son Steve.

An obituary notice posted in the Louisville Courier-Journal adds:

Donna received her undergraduate and master’s degrees from the University of Louisville and worked as a teacher in both the Fort Knox and New Orleans school systems. She was a dog enthusiast and was actively involved in Afghan Hound Rescue for 30 years. She served as president of the New Orleans Afghan Hound Club and was on the Afghan Hound Club of America’s Board of Directors. She also enjoyed painting, reading, and traveling.

[Thanks to Andrew Porter for the story, via G. Patrick Molloy.]

Allyn Cadogan Passes Away

Allyn Cadogan. Photo by Gary S. Mattingly.

Allyn Cadogan. Photo by Gary S. Mattingly.

Part of the faannish trio who founded Corflu, Allyn Cadogan died of liver cancer on April 16 in Tucson, AZ.

The fanzine fans’ convention was the margarita-inspired idea of Cadogan, Lucy Huntzinger and Shay Barsabe during an evening in 1983 spent lamenting the marginalization of fanzine fandom at the big conventions. They held the first Corflu the following year in Berkeley.

Prior to moving to the Bay Area, Cadogan was an integral part of Vancouver’s vibrant fan community — editor of the local club’s BCFSAzine (August 1976-September 1977), and treasurer of Westercon 30, held at the University of British Columbia in 1977.

GenrePlat_copyIn 1977, Allyn Cadogan, Susan Wood, William Gibson and John Park also released the first two issues of Genre Plat, which Cadogan continued to publish solo once she set down in San Francisco.

What seemed a supremely important piece of esoterica in those days was the source of the title, a reference to a box of Kaybee toothpicks with a bilingual label saying “Flat style” in English, and in French, “Genre Plat.” Those of us who knew no French at all felt it added to the zine’s Canadian mystique. 

Genre Plat was that rare fanzine able to maintain a faanish atmosphere while paying a great deal of attention to science fiction. The 1978 issue featured Cadogan’s interview of Kate Wilhelm at Westercon 30. Gibson had just sold his first short story in 1977, but was a few years away from hitting the big time, meanwhile wrote sercon for Locus and SF Review. Susan Wood, then a professor at the University of British Columbia, was actually the best known of the editorial quartet, winning the second of her three Best Fan Writer Hugos the year the zine began.

Cadogan would be associated with a more distinctly faanish zine when she co-edited Convention Girls’ Digest with Sharee Carton and Lucy Huntzinger in the 1980s. And along the way she also produced several issues of Bunnies, Zucchinis, & Sweet Basil.

genre plat toothpicksThe Cadogan-Huntzinger-Barsabe trio, before founding Corflu, produced the Emperor Norton Science Fiction Hour, a public-access television program in San Francisco during the late 1970s and early 1980s.

In the mid-1980s she was married to Karl Mosgofian for awhile and the couple had their own company, Asta Computer Services.

Lucy Huntzinger paid this final tribute to Cadogan:

She was wickedly funny, generous, enthusiastic, artistic, smart as hell. She was a very good friend.

Nick Pollotta (1954-2013)

Nick Pollotta

Nick Pollotta

Nick Pollotta died April 13 after a long bout with cancer. The author of 54 published novels, Pollotta was best known for his humorous sfIllegal Aliens (with Phil Foglio) and Bureau 13. Much of his pro work did not appear under his own name, but under the house names “James Axler” and “Don Pendelton.”

He lived in Chicago with his wife, Melissa.

Years ago, when he resided in North Jersey and in Philadelphia, Pollotta was a force in the Philadelphia in ’86 Worldcon bid. He helped publicize it with a series of comedy tape recordings about Phil A. Delphia, fannish Secret Agent 86, played at conventions around the country.

Indeed, he had recently created a series of YouTube videos from the old sketches, adding images to the scratchy soundtracks.

Pollotta was a guest of honor at Capclave in 2004 and Capricon 26 in 2006.

[Thanks to Michael Brian Bentley for the story.]

Carmine Infantino (1925-2013)

Comic book artist and editor Carmine Infantino died April 4. He was 87.

Infantino worked on various superhero comics for both DC and Marvel. His accomplishments included designing the costume for an updated version of The Flash, a comic whose success contributed to the superhero revival in the years after Fredric Wertham’s Seduction of the Innocent.

As Toonpedia’s Don Markstein said

Sleek, beautiful art by Carmine Infantino, illustrating stories by John Broome and occasionally Gardner Fox (who had created the original Flash) ensured the comic’s success.

[Thanks to Morris Keesan and John King Tarpinian for the story.]

Update 04/08/2013: Corrected name to Fredric Wertham. Thanks to those who gently pointed out the error.

jan howard finder Irish Wake Slated

Wombat and RedShift

jan howard finder

Lin Daniel is holding a jan howard finder Memorial and Irish Wake, aka WombatCon, on June 1 in Albany, New York.

This deserved a post of its own post to amplify Lin’s announcement in the comments section of Wombat’s obituary.

WombatCon will he held at the Holiday Inn Wolf Road, 205 Wolf Road, Albany, NY 12205 – telephone (518) 533-1720. There is a special room rate of $99 for Friday and/or Saturday night. Use the code Wombatcon for the reduced rate.

Lin – “jan’s ‘Otter Half’” – adds:

Please come. I would love to see you, to meet you for the first time, or meet you in person. If you cannot attend, but wish to share your memories of jan, please reply to this email. I’ll be posting material to jan’s blog.

Lin is still writing new material for The Real Wombat, such as –

Archeology At Jan’s House just turned up… *drum*roll*please* jan’s grade school report cards. With things like “needs improvement in self control” and under “promptness” the note “stalls”. All I can say is the man was consistent.  

[Thanks to Lin Daniels, Steven H Silver and Andrew Porter for the story.]

Basil Copper (1924-2013)

British author Basil Copper, 89, died in hospital on April 3. He had suffered from Alzheimer’s Disease for several years.

basilcopper-psCopper was perhaps  best known for his series of Solar Pons stories continuing a character August Derleth created as a tribute to Sherlock Holmes.

Copper’s most popular macabre tales include: “The Academy of Pain”, “Amber Print”, “The Recompensing of Albano Pizar,” “The Candle in the Skull,” “Better Dead,” “Beyond the Reef,” “Bright Blades Gleaming” and “Ill Met by Daylight.”

Stephen Jones’s biography of the author, Basil Copper: A Life in Books, won the 2009 British Fantasy Award.

[Thanks to Andrew Porter for the story.]