Meg Turville-Heitz, WFC Board co-chair, announced today, “The Board of the World Fantasy Convention has instructed the World Fantasy Award Administration to retire the Gahan Wilson HPL design including the nomination pins.”
A modest Scroll, but mine own.
(1) WORLD FANTASY CON EVOLVES. Meg Turville-Heitz posted a statement about potential changes in World Fantasy Con on Facebook on August 26.
Apologies for the length of the following, but it is in response to a lengthy letter to the board from Andy Duncan and thus requires some length in return…..
Since we are in the process of agreeing on a new structure for the board, issues of board make up and authorities will be discussed as part of our larger conversation about what we will look like in the wake of David’s passing, and thus will be addressed when that is finalized.
We’ve heard, as well, a number of concerns that we as a board have been non-responsive. This is a product of time scales. We approve conventions two to three years out and thus requirements that we put in place in a given year required already seated conventions to react, which can appear like disorder, when it is not. In 2012, a series of incidents regarding harassment, beginning at other conventions, led us to add a harassment policy to our guidelines and a requirement that upcoming conventions draft one. The word, harassment, however, became a problem. Some of the jurisdictions require anything that can be called harassment be reported to the police for incidents that, in convention culture, wouldn’t be appropriate. We modified this to a requirement for a code of conduct and have been building upon the code of conduct language from DC in 2014. We’ve shared this language with upcoming committees as we work through what we want in place. We are limited, again, by local jurisdictions that could supersede our policy regarding something such as, for example, concealed weapons.
Additionally, concerns about the hotel setup in Saratoga Springs in 2015 (board members were participants on panels where the issues were evident, and were also highly dissatisfied with the hotel’s response to an inaccessible dining room) led the board to add the requirement for accessibility guidelines be provided by incoming conventions and as part of upcoming bids. Board members were working on drafting an acceptable guidance document when David died.
Our difficulty with that document comes from the fact that as a mobile convention, we are landing in places where other laws again supersede our guidelines. We have guidance that we will be looking at that suggests language and kinds of policies, but it must remain flexible.
Regarding Columbus’ program, we have looked at the guerilla site and agree that there are great ideas there. Some topics are not relevant to WFC (e.g. science fiction); others clarify topics we have and we plan to steal from it liberally. Darrell’s role in programming is far advanced, and the timing in the convention planning process does not allow for Columbus to seek a replacement. Ellen Datlow has worked with him to vet and build a better and more diverse program. Critical errors were a draft, unvetted program being published.That’s partly due to disrupted leadership as David had always assumed final authority on the program. We aren’t flush with volunteers who know how to program. If we were, some of these issues wouldn’t even need to be debated
And continues at great length.
(2) SNAIL MAIL SALUTES STAR TREK. Classic Trek went on the air 50 years ago today, and the US Postal Service has issued a sheet of stamps in commemoration.
On September 8, 1966, Star Trek premiered. Centered on the interstellar voyages of the U.S.S. Enterprise, the prime-time television program’s mission was to boldly go where no man has gone before.With an intricate futuristic setting, multicultural cast, and story lines that touched on social issues, Star Trek pushed past the boundaries of popular science fiction and became a worldwide phenomenon. Each of the 20 self-adhesive Star Trek stamps showcases one of four digital illustrations inspired by elements of the classic TV show…
(3) PLANETARY POST. Robert Picardo’s latest Planetary Post for the Planetary Society.
In this issue, I share my journey to San Diego Comic-Con, where I quiz Trekkies and NASA scientists with trivia to celebrate Star Trek’s 50th anniversary. Engage:
(4) A TRIBE THAT FITS THE DESCRIPTION. Meir Soloveichik makes a Tolkien-endorsed case in “The Secret Jews of The Hobbit” for Commentary Magazine,
…The dwarves of Middle Earth, the central characters of one of the most beloved books of all time, are indeed based on the Jews. This was confirmed by Tolkien himself in a 1971 interview on the BBC: “The dwarves of course are quite obviously, [sic] couldn’t you say that in many ways they remind you of the Jews?” he asked. “Their words are Semitic obviously, constructed to be Semitic.” Similarly, in a letter to his daughter, Tolkien reflected, “I do think of the ‘Dwarves’ like Jews: at once native and alien in their habitations, speaking the languages of the country, but with an accent due to their own private tongue.” …
(5) NO CHILLS. The Guardian reports on a study that found “One third of parents avoid reading children scary stories”.
A psychologist has stressed the importance of scary children’s literature, after new research revealed that a third of parents would avoid reading their children a story containing a frightening character. A survey of 1,003 UK parents by online bookseller The Book People found that 33% would steer clear of books for their children containing frightening characters. Asked about the fictional creations they found scariest as children, a fifth of parents cited the Wicked Witch of the West from L Frank Baum’s The Wonderful Wizard of Oz, with the Child Catcher from Ian Fleming’s Chitty-Chitty-Bang-Bang in second place. Third was the Big Bad Wolf, in his grandmother-swallowing Little Red Riding Hood incarnation, fourth the Grand High Witch from Roald Dahl’s The Witches, and fifth Cruella de Vil, from Dodie Smith’s The Hundred and One Dalmatians…
(6) DROPPED IN THE PUNCHBOWL. Don’t let the birthday party stop you. Cheat Sheet fights another round in a timeless culture war: “’Star Wars’ vs. ‘Star Trek’: Why ‘Star Trek’ is Losing”
Star Wars versus Star Trek. The classic debate continues to rage on. But while Star Trek has gained popularity in recent years with both Star Trek (2009) and Star Trek Into Darkness (2013) achieving mainstream appeal and box office success, it’s still nothing compared to what The Force Awakens (2015) did this past December both at the box office and when it came to popular culture. In fact, to date the Star Wars series has made $2.8 billion with eight films compared to Star Trek’s $1.2 billion through 12 films. So why has Star Wars continued to be such a juggernaut in the cultural landscape compared to its sci-fi foe? Here are six reasons why Star Wars might be winning the long battle with Star Trek.
(7) MARTINSON OBIT. Leslie H. Martinson, a ubiquitous TV director who was active for decades, has died at the age of 101 reports the New York Times.
Just a partial list includes, from the 1950s, the live drama series “General Electric Theater” and “Chevron Theater,” the sitcom “Topper,” the drama “The Millionaire” and the westerns “The Roy Rogers Show” and “Tales of Wells Fargo.” In the ’60s, he directed episodes of “Surfside 6,” “Maverick,” “Hawaiian Eye,” “The Roaring Twenties,” “77 Sunset Strip,” “No Time for Sergeants,” “Run for Your Life,” “Batman,” “Mister Roberts,” “Mission: Impossible” and “The Green Hornet.” His output in the ’70s included “Ironside,” “Love, American Style,” “The Brady Bunch,” “Room 222,” “Mannix,” “The Six Million Dollar Man,” “Barnaby Jones,” “Wonder Woman” and “Dallas.” He wound up his television career in the ’80s with, among others, “Eight Is Enough,” “Quincy, M.E.,” “CHiPs,” “Fantasy Island” and “Diff’rent Strokes.”
[Thanks to Andrew Porter and John King Tarpinian for some of these stories. Title credit goes to contributing editor of the day OGH.]