(1) BAFTA TV CRAFT AWARDS 2025. The British Academy of Film and Television Arts (BAFTA) announced 2025 TV Craft Awards winners on April 27. The complete list of winners is at the link.
Here are the works of genre interest that took home awards.
CHILDREN’S CRAFT TEAM
- Tom Bidwell, Jennifer Perrott, Rick Thiele, Sarah Brewerton, Anna Rackard, James Mather — The Velveteen Rabbit – Magic Light Pictures / Apple TV+
SCRIPTED CASTING
- Isabella Odoffin — Supacell – Netflix, New Wave Agency, It’s A Rap / Netflix
SPECIAL, VISUAL & GRAPHIC EFFECTS
- Jason Smith, Richard Bain, Ryan Conder, Chris Rodgers — The Lord of the Rings: The Rings of Power – Amazon MGM Studios / Prime Video
(2) TIME FOR NOMMO NOMS. Members of the African Speculative Fiction Society have until May 5 to nominate for this year’s Nommo Awards.
Only works of speculative fiction by an African published between January 1, 2024 and December 31, 2024 anywhere in the world are eligible.
(3) WSFS BUSINESS MEETING PREPATORY TOWN HALL. The Seattle 2025 Worldcon will host its first WSFS Virtual Town Hall this Sunday, May 4 at Noon Pacific.
The WSFS Business Meeting Team will be hosting two town halls in preparation for the virtual business meetings in July. The town halls are designed for members to ask questions about the business meeting process. The town halls will be recorded and posted on the Seattle Worldcon 2025 YouTube channel for reference.
If you aren’t able to attend, please submit any questions that you’d like to have answered at businessmeetinghelp@seattlein2025.org.
Details about the town halls can be found below.
Town Hall One
When: May 4, 2025, at noon Pacific Daylight Time (UTC – 7)
Where: Zoom—link provided to those who RSVP
RSVP: Via EventbriteTopic: WSFS Business Meeting Basics: Ask your questions about what the business meeting is. How do I submit a proposal? What types of changes can I propose? What if I disagree with a proposal submitted, but would like a changed one?
Town Hall Two
When: May 25, 2025, at noon Pacific Daylight Time (UTC – 7)
Where: Zoom—link provided to those who RSVP
RSVP: Via EventbriteTopic: Virtual Business Meeting
(4) FORTNITE FANS WILL GET FIRST LOOK AT NEW STAR WARS PROPERTY. “Lucasfilm’s ‘Star Wars: Tales of the Underworld’ to Debut on Fortnite” reports Animation World Network.
Epic and Disney are launching their most expansive Star Wars collaboration in Fortnite to date with the first entirely Star Wars-themed Battle Royale Season and in-game premiere of Star Wars: Tales of the Underworld on May 2, two days ahead of its Disney+ launch. This marks the first debut of a Disney+ series in a game.
Recently announced at Star Wars Celebration, Fortnite: GALACTIC BATTLE begins May 2 and introduces new Star Wars content and gameplay to Battle Royale each week. Fans can play as Darth Jar Jar or Emperor Palpatine, while piloting ships like X-wings and TIE Fighters. The season will culminate in an epic in-game live event, “Death Star Sabotage.”
The Star Wars Watch Party island will also go live on May 2. Players will have a chance to view the first two episodes of Lucasfilm Animation’s Star Wars: Tales of the Underworld, its all-new animated shorts anthology series from creator Dave Filoni that focuses on the criminal underbelly of the Star Wars galaxy through two iconic villains: Asajj Ventress and Cad Bane.
Beyond the Star Wars Watch Party theater, players have the opportunity to fight off incoming waves of Stormtroopers using blasters and lightsabers. The standalone Star Wars Watch Party island was built in Unreal Editor for Fortnite (UEFN) using official Star Wars assets.…
(5) WRITING COMICS. Tim Susman tells “How to Write a Comic Script” at the SFWA Blog.
…The first time I tried to write a comic book script, I had no guidance about what a script looked like, but I’d read comic books and graphic novels. So I wrote up my idea for a four-to-five-page story and sent it to the editor. He sent it back with a gentle note that read, paraphrased, “This is about twenty pages worth of material.”
I was taken aback because I’d separated it into five pages. But when I looked more closely at it, I saw what he meant. I’d crammed way too much into each of those five pages. With help from the artist I was working with, I pared it down, and we got the story to the required length (with some necessary but painful cuts).
Part of the problem was—and is—that there is no definitive template for comic scripts like there is for screenplays. At the end of this post are links to comic script archives; I suggest browsing them to see how established, published writers have tackled the problem. What I’ll cover here are the basics to keep in mind when writing a comic script: collaboration, layout, and dialogue.
Collaboration
If you are lucky enough to have an artist assigned to work on the project with you, your job becomes much more manageable. The comic script is a list of instructions for the artist, and any artist can tell you how best to write instructions for them. My experience has been that artists produce their best work when they have some kind of creative input, so I suggest that your comic script leave room for the artist to bring their creativity to the project….
(6) PULLMAN’S NEXT. The Guardian is there when “Philip Pullman announces The Rose Field, the final part of Lyra’s story”.
Philip Pullman has revealed he will tell the final part of Lyra Silvertongue’s story in The Rose Field, which will come out this autumn.
It has been six years since a book about Lyra has been published – and 30 since readers first encountered her in Northern Lights, the first in Pullman’s His Dark Materials children’s fantasy trilogy. The bestselling novels, which have since been adapted into a TV seriesby the BBC, take place across a multiverse and feature “dæmons” – physical manifestations of a person’s soul that take the form of animals.
The Rose Field will be the third volume in the author’s The Book of Dust series, which expands on the His Dark Materials trilogy. It began in 2017 with La Belle Sauvage, set 12 years before Northern Lights, and continued with The Secret Commonwealth in 2019, set after the events of the original trilogy. This new book will pick up where that one left off, with Lyra alone in the ruins of a deserted city, where she has gone in search of her dæmon. Another important character from the previous books, Malcolm, has travelled towards the Silk Roads to look for Lyra.
(7) DENNIS MCCUNNEY OBITUARY. Dennis McCunney died April 29 after a long illness. He was a con-running fan who worked on numerous Northeast conventions, who lived in the New York City area. He chaired Philcon 1974, Philcon 1975 and Lunacon 34. He also worked on Albacon, Maltcon, and others. His specialties were facilities (hotel) and publications. He was part of the (unsuccessful) Philadelphia in 1977 Worldcon bid. He belonged to The Cult apa.
Mark Roth-Whitworth says: “One of my two oldest friends. We met in out late teens, long ago, in a universe far away. Lifelong fan, computer professional, hotel liaison for Philcon, and perhaps several other East Coast cons. Had a very Mark Twain look, before he started losing his hair to chemo. He’d been fighting cancer for several years.”
Twenty-one years ago he was a Guest of Honor at Capclave 2004. Alexis Gilliland’s bio for the souvenir book said in part:
Dennis McCunney is a tall and seriously lean man, and one of the very few fans who wears a suit and tie to conventions because the suit serves to bulk him up. Perhaps his mustache bulks up his face, or maybe he just wears it because it makes him look good….
[At Lunacons] Often he would sit with me in the bar, between interludes on his cellphone, and regale me with tales of the Lunarians, the small but contentious New York SF club of which he had been – for a time – a member, and how his efforts to create a lasting improvement in the arranging of Lunacon were like Sisyphus rolling his rock up the hill. He discussed the Lunarians together with their follies, fiascoes and ferocious fanfeuds, and perhaps a few other eff sounds as well.
As he was often trying to see that Lunacon ran smoothly in real time, much of what was on his mind was in the nature of who had dropped what ball, and why, with luck, it could be remedied while the con was still running. His triumphs being in the nature of getting the pocket program there on Saturday afternoon instead of Sunday morning. Listening to his stories, it was amazing that he could be as calm about the situation as he appeared, but his philosophy seemed to be: “What is the best that can be accomplished in these circumstances?” Acting on that philosophy enabled him to serve as a highly effective troubleshooter of Lunacons, to the point where he earned the title of “Mr. Lunacon,” although it was never formally bestowed upon him. He worked on other conventions, of course, and it was always a pleasure to meet him at the Worldcon or elsewhere, especially when he wasn’t tasked with some super-urgent business that should have been done last week” In real – that is, mundane – life, he is an ubertechie, charged with making his company’s computers perform in a commercially viable manner….
(8) MEMORY LANE
[Written by Cat Eldridge.]
April 29, 1981 — The Greatest American Hero: “My Heroes Have Always Been Cowboys”
Forty-one years ago on this evening, The Greatest American Hero series served up the ever so sweet and rather nostalgic “My Heroes Have Always Been Cowboys”. It starts off with Ralph, our sort of superhero, quitting twice after perceiving that he has failed badly.
Meanwhile one of the secondary characters tells Ralph that her friend wants to go to an appearance by John Hart, the actor who played the second version of the Lone Ranger. Ralph is excited because Hart is his childhood hero. Why am I not surprised?
Later in the episode, Ralph and Hart get to have a talk and Ralph realizes that society needs its heroes and decides to wear the suit again.
I watched a lot of the Lone Ranger when I was rather young and never realized that there were two actors in that role. And no, I never figured out the deal with the silver bullets. Obviously that version of the Old West didn’t have werewolves. Or did it?
And yes, it was very, very sweet to see one of the Lone Rangers sort of playing his role again. If only as a mentor.
The Greatest American Hero series is streaming currently on Peacock.

(9) COMICS SECTION.
- Crankshaft gets a title suggestion.
- Curtis underrates the requirements of horror writing.
- Rubes has need for an exceptionally large pair of handcuffs.
(10) IF I HAD A HAMMER. “Godzilla Hammer Now On Sale” reports ScifiJapan. So often these silly things turn out to be AI fakes, but since you can actually buy it on Amazon.com (among other places) I’m going with this one.
Godzilla’s foot has crushed many buildings and structures. Now you can recreate that scene by smashing a nail with the Godzilla Hammer.
Precision casting manufacturer Castem Co., Ltd. (Fukuyama City, Hiroshima Prefecture, CEO: Takuo Toda) has released the Godzilla Hammer (ゴジラハンマー, Gojira Hanmā) – a powerful, one-of-a-kind tool, casted from a 3D scan of a real Godzilla movie suit.
Castem has 3D scanned the foot of the Godzilla suit that was actually used in the filming of the Toho classic GODZILLA, MOTHRA, AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK (..Gojira Mosura Kingu Gidora Daikaijū Sōkōgeki, 2001) and obtained detailed data on the shape of the monster’s foot. The foot was then metallized in iron (dyed black) using the “lost wax method,” a precision casting method that can create particularly detailed, complex shapes in metal.
It perfectly replicates the legendary stomp of the King of the Monsters. Finished with a sleek black oxide coat and weighing 550g, this hammer has a heavy feel and lets you drive nails like Godzilla crushes cities. Turn it over and see the true sole of Godzilla’s foot—down to every epic detail!
- Drive Nails Like Godzilla Crushes Buildings
- Crafted from 3D Scan Data of the Actual Godzilla Used in Filming
- Expertly Recreated in Metal Using Precision Casting

(11) AMAZING STORIES REOPENS SHORT STORY SUBMISSIONS. Lloyd Penney has announced that Amazing Stories will open for short story submissions on May 1.
Attention, visionary science fiction writers! Amazing Stories is thrilled to announce the reopening of short story submissions for our popular weekly feature, beginning May 1, 2025.
This is your opportunity to share your most brilliant creations with the readers of Amazing Stories! We’re seeking exceptional stories (up to 10,000 words) that will transport, enthrall, and engage your imagination.
We offer $20 for original stories over 2500 words and $10 for shorter works or reprints. We’re looking for science fiction and especially hard science fiction!
Ready to submit your masterpiece? Create an account and find all the details at https://submissions.amazingstories.com/
Also worth noting, we’ll also be opening submissions later in 2025 for the special issue of Amazing Stories 100th Anniversary issue that will be published in 2026!
(12) GIVE ME THE LETTERS. Long before he voiced Darth Vader, James Earl Jones was Sesame’s Street’s first celebrity guest in 1969: “Sesame Street: James Earl Jones Says The Alphabet”.
(13) LOST IN STARLIGHT. [Item by N.] Per Polygon, a teaser trailer for “Netflix’s first Korean original animated film…a sci-fi romance about two star-crossed lovers.” Lost in Starlight releases May 30.
When an astronaut leaves Earth for Mars, the vast infinite space divides star-crossed lovers in this animated romance that crosses the cosmos
[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Rich Lynch, N., Lloyd Penney, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]