LoneStarCon 3 Unveils Hugo Award Base

2013 Hugo Award base designed by Victor Villafranca. Photo: Kevin Standlee. Permission for non-commercial and journalistic uses with attribution granted.

2013 Hugo Award base designed by Victor Villafranca. Photo: Kevin Standlee. Permission for non-commercial and journalistic uses with attribution granted.

Close-up of 2013 Hugo base. Photo: Kevin Standlee. Permission for non-commercial and journalistic uses with attribution granted.

Close-up of 2013 Hugo base. Photo: Kevin Standlee. Permission for non-commercial and journalistic uses with attribution granted.

Victor Villafranca’s 2013 Hugo Award trophy was displayed for the first time at LoneStarCon 3’s Opening Ceremonies on August 29. Thanks to Kevin Standlee for making his photos freely available at TheHugoAwards.org.

In other Hugo news, look for Ann Gentry’s article about the award, “Hugo Rising”, in the August 30 issue of the Austin Chronicle

The culmination of Worldcon is the formal Hugo Awards ceremony, in which rocket-shaped trophies named for Hugo Gernsback, editor of the first pulp magazine, are bestowed on outstanding science fiction and fantasy work from the past year. Sixteen categories spanning fiction, film, art, and fan work, plus the unaffiliated John W. Campbell Award for best new writer, make this something like the Academy Awards of sci-fi, with most fans listening for the announcement of Best Novel at the end of the night. And like the Oscars, they have plenty of detractors. Every year the release of the shortlist raises cries of sinister cronyism and downright irrelevance, with fans taking to their blogs to lambast the ludicrous process of whittling down the vast and increasingly varied body of science fiction to just five nominees in each category.

LoneStarCon 3 News Roundup

The 2013 Worldcon program is now available through an interactive program guide with details of all 945 program items, or in PDF format from the publications page.

LoneStarCon 3 has also announced that the 2013 Hugo Award Ceremony will be broadcast live on Sunday, September 1 via Ustream at www.ustream.tv/hugo-awards.

The ceremony will start at 8 p.m. Central Time (9 p.m. Eastern, 6 p.m. Pacific). The evening will be hosted by LoneStarCon 3 Toastmaster Paul Cornell.

The full press release follows the jump.

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Villafranca To Make 2013 Hugo Bases

Artist casting the 2013 Hugo Award base.

Artist casting the 2013 Hugo Award base.

The 2013 Hugo Award base will be designed by Texas-based artist Vincent Villafranca. Vincent is a Chesley Award-winning sculptor who produces futuristic and fantastic bronzes using the traditional lost-wax casting process. In keeping with tradition, the design will not be revealed until the convention itself.

The full press release follows the jump.
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Follow 2012 Hugos Online

Chicon 7 reports that members cast 1,922 valid final ballots for the 2012 Hugo Awards, second only to Renovation’s record-setting tally of 2,100 last year.

The Hugo winners will be announced Sunday evening, September 2, at the Worldcon. The ceremony begins at 8 p.m. (Central) and will be broadcast live via Ustream (www.ustream.tv/channel/worldcon1.)

The official Hugo Awards site will deliver live text coverage via CoverItLive. Past Worldcon co-chair Kevin Standlee and Campbell Award Nominee Mur Lafferty will host that broadcast.

Chicon 7 will take a step forward by having Hugo base designer Deb. Kosiba reveal and discuss her work during the Chicon 7 Opening Ceremony, rather than delaying until the night of the Hugo ceremony was done for many years.

The full press release follows the jump.

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Deb Kosiba to Design Chicon 7 Base

2006 Hugo Award, base by Deb Kosiba

Artist Deb Kosiba has been selected by Chicon 7 to design the 2012 Hugo Award base. Kosiba previously designed the 2005 and 2006 Hugo bases, shown here.

Chicon 7 also reminds eligible voters that the March 11 deadline to submit Hugo nominations is fast approaching.

Members of Chicon 7 and LoneStarCon 3 (the 2013 Worldcon) who joined by January 31, 2012, and members of Renovation (the 2011 Worldcon), are eligible to submit nominating ballots. All ballots must be received by Sunday, March 11, 2012, 11:59pm PDT.

The full press release follows the jump.

2005 Hugo Award, base by Deb Kosiba

 

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Chicon 7 Still Looking For Hugo Base Design

Chicon 7 has extended its deadline to enter the 2012 Hugo base design competition until January 15, 2012.

The iconic Hugo rocket, always the dominant feature of the annual award, is set on a unique base commissioned by the current year’s committee. Extending a recent trend, Chicon 7 has invited artists and designers from around the world to create a base with a theme appropriate to Chicago and the Midwest.

The winning designer will get to introduce the base design at the Hugo Awards Ceremony, and in addition, will receive a full five-day attending membership to Chicon 7.

Entrants are asked to submit initial drawings, sketches, and/or a fabricated sample of their proposed designs by January 15, 2012. Entrants also need to arrange for the full set of up to 30 bases to be manufactured if their design is successful, with a target price of no more than $150 per individual base. Bases must be delivered by no later than June 30, 2012.

Full terms and conditions for the competition can be found on the Chicon website Chicon 7 web site.

The full press release follows the jump.

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Want to Design the 2011 Hugo Base?

Renovation will return to the highly successful strategy of running a contest to get a great design for its 2011 Hugo base.

Winners of past contests, like Dave Howell (2009) and Lee Kuruganti (2008), designed beautiful award bases that could be produced relatively inexpensively, as required by the rules.

The 2011 contest sets a target price of $150 per base, a considerable savings over (for example) Nolacon II’s Hugo bases which reportedly cost $750 apiece (and when inflation is factored in the discount is that much greater.)

Artists and designers have until January 1 to submit designs for consideration. The winner will receive a membership in Renovation, $250 toward expenses to attend the con, and will introduce the base at the Hugo Ceremony.

The full press release follows the jump. (What I tell you three times is true.)

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Taking Home Hugos, Then and Now

You don’t need to be told how different airport security is today from what it used to be. Controversies about that subject are constantly in the news. But my jaw dropped when I read about the problems Cheryl Morgan had taking her Hugo home from Aussiecon 4. She really experienced something I only vaguely worried about when I flew home with a Hugo from another Aussiecon 25 years ago.

I transported my Hugo to the plane in a carry-on bag after deciding it would be safer there than in my suitcase. In 1985 security checkers inspected passenger carry-ons with an x-ray machine at the entrance to the boarding lounge. I knew my hunk of solid metal shaped like a mortar round would show up quite spectacularly so I went through the line rehearsing an explanation for the guard about my “literary award.” But I need not have bothered, and my pride suffered a little when he looked up and said, “Oh, you’ve got one of these too.” The guard had already checked in Charlie Brown with his Hugo for Locus and Fred Pohl with a Hugo he’d accepted for Jack Williamson.

Today’s scanners display an even more impressive image of the Hugo. Unfortunately, the guards are not in the least jolly about it. 

Cheryl Morgan had a horrible experience a few days ago trying to depart Australia with her Hugo packed in checked luggage:

Firstly the check-in lady did not pass my comments about the Hugo in the bag on to security (the Thai Airways staff admitted to this). Secondly, having found the Hugo (which I must say lights up magnificently on the scans – I saw a print-out), the security people did not check with the airline, they called the police. And the police, having got involved, were determined to treat the whole incident as a potential terrorist threat.

There’s a lot more detail on her blog, all of it adding up to a nightmare.

Cheryl was finally turned loose. She made her flight in spite of everything and wrote afterwards, “Thankfully all my fears came to naught, and the suitcase and Hugo arrived safely at baggage claim in Heathrow.”

It may not always be true that all’s well that ends well, but Cheryl and her Hugo having reached England together it’s a little less problematic that as word of Cheryl’s predicament spread someone allegedly contacted Australian artist Nick Stathopoulos, designer of this year’s Hugo base, asking if he could make a replacement. He told his Facebook friends, “Cheryl Morgan’s Hugo Award may have been blown up at Singapore airport….” I swallowed the hook long enough to e-mail Cheryl and ask if she’d subsequently discovered damage to her Hugo.

Cheryl cleared things up directly. “You’ll note that Nick also mentioned Singapore, while my post mentions Bangkok. You may want to Google the Australian term ‘larrikin.’ Alternatively you may just want to kick Nick’s butt next time you see him.”

Larrikinism, I now know, is the name given to “the Australian folk tradition of irreverence, mockery of authority and disregard for rigid norms of propriety.” One might say larrikin is the mundane Australians’ word for “faanish humor.”

One last note: The Aussiecon 4 committee offered to have the Hugos shipped and almost half the winners accepted, whether to avoid security hassles or just yielding to the convenience.

2010 Hugo Winners Announced

From the Aussiecon 4 press release:

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The first Hugos were awarded at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and have honored science fiction and fantasy notables such as Robert Heinlein, Isaac Asimov, Robert Silverberg, Ursula K. Le Guin, J.K. Rowling, Neil Gaiman and many others.

BEST NOVEL

[Tie for first place]
The City & The City by China Miéville (Del Rey; Macmillan UK)
The Windup Girl by Paolo Bacigalupi (Night Shade)

BEST NOVELLA

“Palimpsest” by Charles Stross (Wireless; Ace; Orbit)

BEST NOVELETTE

“The Island” by Peter Watts (The New Space Opera 2; Eos)

BEST SHORT STORY

“Bridesicle” by Will McIntosh (Asimov’s 1/09)

BEST RELATED WORK

This is Me, Jack Vance! (Or, More Properly, This is “I”)
by Jack Vance (Subterranean)

BEST GRAPHIC STORY

Girl Genius, Volume 9: Agatha Heterodyne and the Heirs of the Storm

Written by Kaja and Phil Foglio; Art by Phil Foglio; Colours by Cheyenne Wright (Airship Entertainment)

BEST DRAMATIC PRESENTATION – LONG FORM

Moon Screenplay by Nathan Parker; Story by Duncan Jones;
Directed by Duncan Jones (Liberty Films)

BEST DRAMATIC PRESENTATION – SHORT FORM

Doctor Who: “The Waters of Mars” Written by Russell T Davies
& Phil Ford; Directed by Graeme Harper (BBC Wales)

BEST EDITOR, LONG FORM

Patrick Nielsen Hayden

BEST EDITOR, SHORT FORM

Ellen Datlow

BEST PROFESSIONAL ARTIST

Shaun Tan

BEST SEMIPROZINE

Clarkesworld edited by Neil Clarke, Sean Wallace, & Cheryl Morgan

BEST FAN WRITER

Frederik Pohl

BEST FANZINE

StarShipSofa edited by Tony C. Smith

BEST FAN ARTIST

Brad W. Foster

THE JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER

Seanan McGuire

A photo of the physical award and base, which was designed by Australian artist Nick Stathopoulos, is here at TheHugoAwards.org.