SFWA: In My House There Are Many Issues

When Science Fiction and Fantasy Writers Association turned to their third President this month many asked what problems the organization is having to cause this result? Michael Damian Thomas supplied a plentiful list of SFWA’s issues, which follows below.

However, the two presidents’ resignations cite the needs of their families as their primary reason for leaving office.   

CHANGE AT THE TOP. Chelsea Mueller resigned August 15 as Interim President of SFWA, just two weeks after stepping up from Vice-President when SFWA President Jeffe Kennedy resigned on August 1. Both Kennedy and Mueller said the need to take care of family members overhwhelmed their resources.

Kennedy said:

…However, the last several months have been particularly demanding in my personal life, and I have come to the realization that I can no longer provide the focused attention SFWA needs from its President. Without going into too much detail, I continue to be the sole caregiver and financial support for my disabled husband, whose progressive condition is worsening. In addition, my stepfather of twenty years passed away suddenly, widowing my elderly mother for the third time, and I am in the process of taking over all of her finances and care….

Mueller said:

…Many of you may already know, but my husband was in a major motor vehicle accident a couple of months ago. The journey after that, as well as caring for our small child, has severely limited my bandwidth. I had intended to forge on and make as much time for this organization as I could.

However, I am out of spoons, and must use those I have to care for myself and my family….

Anthony W. Eichenlaub, SFWA Secretary, has taken Mueller’s place as the new Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

SFWA’S PROBLEMS. Michael Damian Thomas, urging SFWA members to seek out the details in the members-only Forum, gave X.com readers this list of issues troubling the organization:

It is fairly winding! One employees left & wasn’t replaced. One employee asked for accessibility accommodations, didn’t get them, gave 90 days notice, & then was immediately shut out of their SFWA email account. (That one gets more and more complicated.)

Multiple committees seem to have had members forced out or resigned, including Griefcom. There is a general pattern of these committee members saying there was little or no communication from the Board. Now we have multiple Board members resigning. Lots of claims about NDA stuff.

A check was issued to a charity antho and then the antho was told to not cash the check and destroy it, as the payment was in error. There is a lot going down!

Here is what File 770 has learned so far about those issues.

One Employee Left and Wasn’t Replaced

This is a reference to Deputy Executive Director Terra LeMay, a longtime SFWA employee whose status is a matter of controversy and is discussed in the next section. 

SFWA’s other employee is Executive Director Kate Baker.

One Employee Asked for Accessibility Accomodations; Gave 90 Days Notice; Was Shut Out of Email Account

Michael Capobianco, a former SFWA President, said in a comment on a public Facebook post on August 15:

I’m following along as best I can considering that everyone involved (and a lot of new Board members that aren’t) are on a rollercoaster ride of resignations and can’t tell anyone what’s going on explicitly because of the overbroad NDA’s they signed. It looks like it may be leveling off, but there are still a lot of members who are pissed off about the treatment of Deputy Executive Director Terra LeMay, and there’s no sign of a resolution to that problem, which could cascade into other problems of staff and Board behavior.

Jon Del Arroz’ Fandom Pulse newsletter has published – although misattributing the quote to the wrong author — the text of a SFWA Forum post on the subject in “SFWA Whistleblower Exposes Private Online Forum Post With Frustrated Members Demanding Jeffe Kennedy Be Ousted As President” [Internet Archive link]. The post was not written by Michael Capobianco, as asserted by JDA. The quoted post (dated August 2) says:

“The immediate event that kicked this off was Terra LeMay being terminated from her staff position after putting in a 90-day notice due to being denied reasonable disability accommodations, and then banned from Discord and blocked from accessing her SFWA email (presumably by Jeffe [Kennedy]) after she asked for an explanation on Discord in the ask-the-board channel.”

As of August 15, Terra LeMay’s status is that she still is employed by SFWA. She was not fired. And her terminal date would be 90 days from when notice was given – which was on June 30th — not that day. LeMay’s Discord access has been restored, but not her email account. She remains an employee, apparently without duties.

The following commentary is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information. (They are not anyone named in this post.)

Most recently, on June 30th, the SFWA employee Michael Damian Thomas mentions put in a notice of resignation. This notice expressed that the actual date of resignation would be negotiated between the two parties, but (per the terms of an existing employment contract) would be no later than 90 days. This employee is well-loved by the SFWA membership as someone who is always helpful, effective, and thoughtful, and has done a ton of great work for the organization, as well as holding a significant amount of institutional knowledge. The employee expressed their intent to continue working until the resignation date to ensure as smooth a transition as possible, but two weeks after that was abruptly locked out of SFWA email and other work accounts, which were all needed for job purposes. When the employee asked why this had happened on the SFWA Discord, someone (it’s not clear who) deleted the messages and banned the employee from the server. The first that most board members heard about this is when people started to demand it be addressed, so it definitely seems like someone in a position of power in the organization was acting on their own, without these being approved board actions.

A number of members have demanded that employee’s access be restored and they be given an apology, but that has not happened even a month later. Nobody has heard from the executive director in that time, and board members say they are unable to speak about it due to NDAs [Non-Disclosure Agreements] or because it’s an “employment situation.” My understanding is that the employee in question has since contacted the board a number of times with questions which have been ignored or only partially answered.

Committees Have Had Members Forced Out, or Resigned, Including Griefcom

The anonymous longtime SFWA member responded:

Regarding GriefCom, the chair and co-chair of that committee resigned after being told their work would have to expand to writers not in SFWA due to its nonprofit status. I think this happened a year ago or more, and don’t think it’s related to the current situation. In fact, a number of writers I know received very condescending and dismissive emails from the former GriefCom chair which essentially blamed them for problems they were facing with publishers. The new GriefCom chair is much better, and I have not heard any complaints recently about GriefCom, so in my opinion this particular case is actually the organization working as it should to serve writers.

There have been a few other committees with people resigning, and the fundraising committee was dissolved in order to set up a new structure of fundraising task forces (which I’m not sure has happened), but I am not aware of any committee volunteers actually being “forced out.”

File 770 has yet to determine who Michael Damian Thomas is referencing as “forced out”.

The list of SFWA Committees (and there are many) is at the link.

There is a general pattern of these committee members saying there was little or no communication from the Board.

The anonymous longtime SFWA member commented:

It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA. I have seen one of these, and it does not include any kind of end date, nor does it include detailed descriptions of what the people who signed it need to keep confidential. 

I want to note that the current board does really seem to be making a good faith effort to fix the issues around transparency and communication. I believe they are also setting up a special election for some time in the next couple of months, and both Chelsea [Mueller] and the new interim president [Anthony W. Eichenlaub] did make some good steps down that road when writing the membership. Chelsea provided a list of topics the board will discuss in the next four months, and Anthony has been above board as well in scheduling a special election and explicitly asking the membership to hold him accountable. Anthony was serving as secretary before this, and he’s also been working his way through the backlog of board meeting minutes at the same time as being interim president. 

While I definitely don’t think the organization is out of the woods yet, I’m hopeful that these are signs it’s moving in the right direction.

Multiple Board Members Resigning

Beyond the two presidents who have resigned, File 770 has not yet identified other board resignations.

However, SFWA has lost several other highly visible workers over the past year. Five employees and a contractor have left.

Beth Dawkins (volunteer coordinator) was a part time employee not a contractor. She gave two weeks notice on July 1. 

Kathleen Monin (event coordinator) was also a part time employee. She gave notice later on in the first part of July. 

Oz Drummond (bookkeeper and CPA) was a contractor. She resigned at the end of December, stayed a few months longer in a more limited capacity until March 2024. 

Rebecca Gomez Farrell (former communications director) was a part time employee and resigned in October of 2023.

Emily May (publications director) was a part time employee and resigned earlier in 2023, shortly before or after the Nebulas. 

No new employees or contractors have been hired in that time.

Another volunteer known to have stepped down this year is Mishell Baker, from her lead position on the Estates Project, but that was unrelated to the current situation. (Pixel Scroll — March 5, 2024, item 7)

Claims About NDAs

The anonymous longtime SFWA member said above, “It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA.”  

Author Jenny Rae Rappaport is urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws…

We move that Article V Directors be amended by the addition of a new section, to be numbered 10. [The complete wording of the amendment is at the link.]


  1. Confidentiality and Non-Disclosure Agreements

a. Duty of confidentiality

Members of the Board of Directors, as part of their fiduciary duties, have a duty of confidentiality, which covers such items as private financial information about the corporation (accounts, for example, as opposed to the financial status, which must be disclosed), nor use any of the information for personal gain. This does not need to be further specified.

  1. Examples of such types of information include recipients of SFWA’s medical fund, information about unannounced Nebula award winners or nominees, information about contracts committee work, and all other information that would identify confidential information about specific individuals.

b. Duty to disclose

Additionally, the members of the Board have a duty to disclose, which means they must share any information they have which will affect SFWA or its beneficiaries (writers of science fiction, fantasy, and related genres), or that will affect their ability to perform their duties….

d. No NDAs

Given that these duties are already codified, no member of the Board of Directors will be required to sign a non-disclosure agreement (NDA), nor shall any employee or volunteer be asked or expected to sign an NDA. When appropriate, Board members, employees, or volunteers may be required to sign a confidentiality agreement, which must be circumscribed in nature, listing the specific items that will be held confidential and the timeframe for which this will be required.

Any and all NDAs already existing when this bylaw becomes effective will be considered null and void, and no legal action will be considered against anyone who may be considered to have breached their NDA unless they have otherwise violated a law.


For a comparison of how NDA’s are handled by another organization of genre professionals, Horror Writers Association President John Edward Lawson explained on X.com why their organization requires elected officers and trustees, paid employees, and certain committee chairs or volunteers (but not all volunteers) to sign Non-Disclosure Agreements. Lawson’s ten-part thread starts here.

Check Issued to Charity Antho; Then SFWA Told Antho to Destroy Check

This complaint is about the handling of a charity anthology originally intended to be underwritten by SFWA, Embroidered Worlds: Fantastic Fiction from Ukraine and the Diaspora edited by Valya Dudycz Lupescu, Olha Brylova, and Iryna Pasko. It was ultimately funded through a Kickstarter appeal.

The following commentary about SFWA’s handling of the anthology is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information.

I’ve volunteered with SFWA for close to ten years, and the organization has frankly always been a little dysfunctional in terms of opaqueness and poor internal communications. The last two years in particular, though, have been Kafkaesque, with projects that committees had spent dozens of hours working on being abruptly cancelled by the board with no notice or real rationale, and volunteers being blamed for failing to communicate when they ask what happened.

Because the cancelled anthology project is emblematic of these problems, I’m going to talk about it at a little more length.

After the Russian invasion of Ukraine in early 2022, the international committee began work on setting up an anthology of Ukrainian science fiction in translation, supposedly with the agreement and approval of the board. (For context, SFWA had previously published a blog post stating that it “stands with Ukraine”). That work included contacting writers and editors living in parts of Ukraine that were being bombarded daily by Russian artillery, drones, and missiles to solicit work, and a couple of these folks put in significant amounts of effort on the project. This work proceeded for more than a year, with committee members in contact with their board liaison and other board members including the CFO, throughout. Committee members also contacted several different publishers before finding one who was interested in the project. As Michael Damian Thomas notes, that included sending the publisher a check to offset costs in printing the anthology and paying authors.

There was no indication at any time that the board disapproved of the project for over a year. Indeed, the project was announced in several different member newsletters. Early in 2023, Jeffe Kennedy [SFWA President] sent the committee chair and the publisher an email saying it was cancelled. I’m just going to quote from that email here:

“We’ve heard that there’s still confusion as to the Board’s recent decision to end SFWA’s involvement with the Ukrainian Anthology project. This email is intended to clearly communicate that to all involved parties.

“At our most recent meeting, the Board made the decision to end the project. There were two main reasons for this decision. The first is that we do not have either the staff time or expertise in Ukrainian cultural matters to take this on. That includes judging whether someone else may or may not be a good fit for editing it. This means it cannot be a SFWA project.

“It also cannot be a SFWA grant because of the extent of work that International Committee members have put into it and the potential credit they may receive as editors in any format. Of course, we recognize that the participating committee members did not know their efforts could jeopardize the grant, but that does not change the end result. Scenarios involving self-dealing and nonprofits are extremely delicate. As soon as we get into parsing shades of exemptions, we’ve crossed into the territory of an appearance of Conflict of Interest. That is our boundary; not whether a situation is legally a conflict of interest, but whether it generates the appearance of one.”

This is typical of the kind of dismissive, condescending communications I have seen from some former board members to volunteers. Note the passive “there’s still confusion” and the other ways this email makes it sound like volunteers were the ones to blame for the current situation.

The first reason Jeffe cites for the cancellation might sound reasonable on the face of things, but in light of the context above I find it ridiculous. That would have been a good reason not to start the project. It makes no sense at all at essentially the end of the project, given that one member of the international committee at the time was Ukrainian disapora and we had been working with two Ukrainian editors. The board was also not being asked to “take this on.” We already had experts in Ukrainian cultural matters working on it, and had already done all the work Jeffe said the board didn’t have time for.

The second reason is a complete misunderstanding of what “self-dealing” is. The Council of Foundations defines self-dealing as activities that result in disproportionate benefit by distribution of the organization’s earnings to insiders, such as founders, directors and officers. To claim that people who are not founders, directors, or officers of the organization receiving editor credit in a print anthology without any pay is self-dealing is clearly ludicrous. I don’t know if the board genuinely misunderstood what “self-dealing’ meant or if Jeffe was just looking for some excuse to cancel the project, or what. 

I emailed the board to tell them how bad this would be for SFWA if they really went through with it, and how disappointed I was that they would seek to blame volunteers for their own decisions (which I felt were without any merit) but I never got a response. I also still have not seen any of the meeting minutes where the project was discussed, despite requesting them repeatedly in the last year and a half, so I don’t really know what the discussion was at that board meeting or any of the ones prior.

This email also asked the publisher to shred the check they had been sent, but did not at any point apologize or say there had been any mistakes made in sending it. The publisher we had selected is a small press which runs on tight margins and which has a reputation for publishing inclusive, thoughtful fiction. Despite the situation this cancellation put them in, when the publisher said they had shredded the check, Jeffe did not thank them or apologize. Neither was there any recognition at any point that this meant people living in a literal warzone would not get paid by SFWA, after a SFWA committee had spent a year telling them they would, supposedly with the approval of the board.

The publisher was still interested in trying to do right by these authors, and several of us who had been on the international committee worked with them outside of SFWA to help bring it to publication. It’s a great anthology from a great press, and I’m proud of it. If you’d like to tell the folks at File 770 about it, they can find it here

All the same, I remain deeply frustrated at how SFWA handled the situation, and the whole thing was a giant mess.

SFWA’s Good Work Should Not Be Eclipsed.

The anonymous longtime SFWA member wants it known that despite these problems there is good work being done by the organization:

…Also, I want to be really explicit in saying that even though the organization has been having some issues, I sincerely do believe that the vast majority of current and former board members are working in good faith to meet SFWA’s mission of supporting and promoting all genre writers. 

The organization has done some great work in the last couple of years, creating more inclusive membership qualifications that better reflect professional writers as they exist today and which recognize historical and current inequities in publishing. I was also part of an effort which won the organization an NEA grant to put out a series of blog posts called “Publishing Taught Me”, a project that highlights the contributions of BIPOC editors and writers to publishing. SFWA does important work in the community as well, supporting other organizations with its Givers Grant Funds, helping authors with GriefCom, contract work, and the medical fund, and working to limit the harm of bad actors in the publishing industry through its support for Writer Beware.

I’m deeply sad that all these great things SFWA does are being overshadowed by what seems to have been one or two people abusing the organization’s lack of accountability and transparency, which could have been avoided without these overly broad NDAs. It makes me feel terrible to think that all those things may disappear if the organization doesn’t fix its issues. 

SFWA’s Interim President Anthony W. Eichenlaub feels the same, as he said in his introductory message to members:

SFWA is at a critical moment.

I hope you’ll take a pause to go through all of the emotions you are feeling because you’re right. Whatever you are feeling right now is appropriate because something you deeply care about is threatened. And many of us do love this organization. When it is functioning well, SFWA is truly a force for good, and it is unique in this industry.

SFWA BOARD MEMBERSHIP, BEFORE AND AFTER

As of August 6

  • Chelsea Mueller – Interim President
  • Jonathan Brazee – CFO
  • Anthony Eichenlaub – Secretary
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

As of August 15

  • Anthony Eichenlaub – Interim President
  • Jonathan Brazee – CFO
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

Update 08/18/2024: Made additions and corrections based on comments.

Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office

Chelsea Mueller today resigned as Interim President of the Science Fiction and Fantasy Writers Association. Mueller had been in office only since the beginning of August, having as SFWA’s VP become the organization’s Interim President following the resignation of SFWA President Jeffe Kennedy on August 1.

Anthony W. Eichenlaub, SFWA Secretary, has stepped up as Interim President. He says there will still be a Town Hall for members on September 10. And SFWA’s Board will be sticking to the agenda topics that were previously scheduled.

Chelsea Mueller sent a statement to SFWA members today that said in part:

…With the immense change happening in our organization right now and the need to respond swiftly, thoughtfully, and with full attention, I’d be doing a disservice to SFWA by remaining in a key role that could cause lag in acting quickly and appropriately.

Burnout is a constant refrain within our volunteers, and I can see why. Since taking an officer role on the board on July 1, I’ve worked nearly the hours of a full-time job. So many tasks for our officers could be off-loaded to appropriate staff members if we reviewed our structure. I have shared input with the Executive Director and the Board around what roles I think the organization may need moving forward to better balance the load and allow the Board of Directors to act as a steering governance body instead of an operational one.

One of my main initiatives for this term was to see our official website overhauled to improve navigation and discoverability. I have already prepared a document for a Request for Proposal (RFP) to begin that process (though it needs input and validation from the InfoSys and Accessibility committees). If the continuing board wants to move forward with the RFP, I am willing to advise on the process to select a vendor and negotiate pricing.

Also, because it feels inappropriate to leave during this time and ignore the current situation, I will depart by saying that I believe our staff—current and past—care deeply about SFWA and deserve respect, kindness, and fairness. I will debrief with whomever I need on the board in order to pass on the limited knowledge I’ve gained in these last few weeks on the priority matters at hand.

I thank you all for your trust in me, the stories you write, and the expertise you share. I’ve learned so much from our members, and it’s been an honor to serve you on the board the last year.

New Interim President Anthony W. Eichenlaub followed with a statement of his own:

Dear SFWA Membership,

In the Hitchhiker’s Guide to the Galaxy, Douglas Adams wrote “A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have.” The towel is there to protect from panic and ease anxiety during an adventure. I realize that this is a challenging time. We have our towels and are preparing.

Our president and vice president have both stepped down. Most of our employees have resigned.

SFWA is at a critical moment.

I hope you’ll take a pause to go through all of the emotions you are feeling because you’re right. Whatever you are feeling right now is appropriate because something you deeply care about is threatened. And many of us do love this organization. When it is functioning well, SFWA is truly a force for good, and it is unique in this industry.

Now let’s take a deep breath, in fact several breaths.

I ask that you think of one thing that you can do to help SFWA move forward. Not one hundred things that someone else can do, but one thing that you can do. Maybe you can think of a way to improve communication on a committee that you are on. Maybe you can lend your unique expertise when the next volunteer call comes out for a targeted task force. Maybe the only thing you can do is vote in the upcoming special election. On that note, we will be sending more information on this election in the coming weeks, and we ask that you please vote.

Don’t get me wrong, though. I still want that list of a hundred things that we can do. I’ve seen dozens of great suggestions in the past few weeks, and I do not want that to stop.

Because I have stepped into the interim President role and was not elected on a platform, I feel like it might be good if I share a little bit about my philosophy for the Board. I believe that the Board’s duty is to provide direction, both ethical and strategic. I believe that the Board should rely heavily on the expertise and efforts of employees and volunteers to accomplish the organization’s mission. In its current state, Board members take on too much. This leads to Board member burnout and it leads to reduced involvement in member volunteers. It also takes autonomy away from the volunteers still involved, which I believe is one of several causes for volunteer burnout. This is a vicious cycle that we need to break.

That said, I am treating this short-term position as my primary job. I currently have the privilege of financial security and a lack of hard deadlines. I do not expect your next elected President to follow suit, but I do believe that at this critical point the extra attention will benefit SFWA.

I believe in transparency. There are limits, of course, but I believe that when we hit a limit to what can be ethically, legally, or safely disclosed, I at least owe you a reason. Please hold me to that.

The Board will be sticking to the agenda topics that were previously scheduled, and I am looking forward to the upcoming Town Hall on September 10th. I’m also planning to write more letters to the membership with updates on what SFWA is currently doing.

Still processing all of this? Me too.

The only way that I know of to move forward in a constructive and productive way is to find that one thing that might make things better. My one thing is accepting this position as interim President. It’s a big one, but yours doesn’t have to be. I’m going to need all the help I can get.

Pixel Scroll 8/1/24 Yes, Those Pixels Are Looking At You Reading This Scroll, So Be Good

(1) JEFFE KENNEDY RESIGNS AS SFWA PRESIDENT. Science Fiction and Fantasy Association President Jeffe Kennedy announced to members today that she has resigned the office. Her statement says in part:

…I’ve served in this role for over three years and on the Board of Directors for more than seven years. It has been a privilege and an honor to serve this organization.

However, the last several months have been particularly demanding in my personal life, and I have come to the realization that I can no longer provide the focused attention SFWA needs from its President. Without going into too much detail, I continue to be the sole caregiver and financial support for my disabled husband, whose progressive condition is worsening. In addition, my stepfather of twenty years passed away suddenly, widowing my elderly mother for the third time, and I am in the process of taking over all of her finances and care. These family obligations will require far more attention than I could have anticipated when I accepted the nomination to serve a second term as SFWA President.

My legal and fiscal responsibility to SFWA—and my own personal integrity—prevent me from commenting on any issues related to SFWA’s administration and operations. Throughout my tenure I did my best to serve the organization and all of its constituents with sincerity and respect, and to fulfill all of the duties I was elected to perform. Now it is time for me to step back….

(2) OGHENECHOVWE DONALD EKPEKI TRAVEL FUNDRAISER. Chris Barkley has opened a GoFundMe to “Help Oghenechovwe Ekpeki Attend the 2024 Glasgow Worldcon”.

…The African Speculative Fiction Society has provided sponsorship to attend but Oghenechovwe Donald Ekpeki is still in need of funding for other travel and visa expenses, hence this GoFundMe effort. He would like to raise $7500.00.

He has won the Nebula, Locus, Otherwise, Nommo, British & World Fantasy awards and was a finalist in the Hugo, Sturgeon, British Science Fiction and NAACP Image awards.

He is a finalist in the Nommo Award in two categories, best short story and best novella, which will be presented at the Worldcon in Glasgow this year….

(3) GREATNESS REMEMBERED. Rich Horton reviews “An Infinite Summer, by Christopher Priest” for Strange at Ecbatan.

To repeat myself: The late Christopher Priest (1943-2024) was one of the greatest SF writers of his generation. He made an early splash with novels like Inverted World and A Dream of Wessex (aka The Perfect Lover), followed by The Prestige, which was made into a successful movie by Christopher Nolan, and then by any number of stories and novels in his Dream Archipelago sequence. I wrote an obituary of him for Black Gate here…. 

(4) HE SHOT FIRST. [Item by Steven French.] From the Guardian’s readers interview with Malcolm McDowell: “‘Kubrick had stewed pears and sour chicken for lunch because Napoleon did’”.

If they ask you to appear in Star Trek again, would you say yes? Nicens_boi

I mean, you can’t top killing Captain James T Kirk. I suppose I could go back and kill old Patrick Stewart … I got a lot of flak from unhappy Trekkies, but there were also a lot of happy Trekkies who’d had it with old Bill. I think he overstayed his welcome. It was good for him to move on. I’m a great admirer of Shatner. He’s 90-odd. He’s still working. He’s been an astronaut. Good god, he wipes the floor with us young guys. I once made a surprise visit when he was being interviewed on stage. They introduced me: “And the one that killed Captain Kirk.” He went: “You shot me in the back.” I never thought the producers got it right, because they didn’t send him off in a glorious manner. Shot in the back on a bridge that collapses was not a noble end to a great character.

(5) BBC COVERS VIDEO GAME ACTORS STRIKE. “SAG-Aftra strike: ‘They’re crushing human beings beneath their feet’”.

When actor Jennifer Hale talks, you listen. Her delivery is measured and surgically precise, yet her tone has a warmth that most ASMR creators would envy. She could read the phone book and you’d pay attention.

It’s unsurprising, then, that her voice is her livelihood, and that she takes the threat to her industry posed by AI so seriously.

“They see that the work of our souls is nothing more than a commodity to generate profits for them,” she says of several of the major gaming companies. “They don’t see that they’re crushing human beings beneath their feet in blind pursuit of money and profit, it’s disgusting.”

From Commander Shepard in the Mass Effect series to Samus Aran in the Metroid titles, Hale’s list of gaming credits is as long as your arm and her voice is familiar to millions.

Hale is one of the most high-profile voice actors in the world. She’s joined 2,500 members of the US actors union SAG-AFTRA who perform in games, by striking until games divisions of prominent companies like Activision, Warner Brothers, Walt Disney and EA agree to protections around the use of artificial intelligence (AI)….

(6) WHERE AI ACTUALLY WORKS? [Item by SF Concatenation’s Jonathan Cowie.] Last night’s BBC Radio 4 programme Front Row had a rather disturbing item on AI and film script selecting. “Dramatizing MPs, Jon Savage on LGBTQ and music, Stirling Prize shortlist, Screenwriters v AI”

Apparently, it typically takes a week to read and assess and write a report on a submitted film script and proposal but now an AI can do it in five minutes!!!! They did a trial run and it seems to work even if it is not quite there yet… but you can bet it will be soon.

This was the last item on the programme so skip to the final 10 minutes

With voice actors and motion capture performers in the US currently on strike over AI protections, the place of AI in the culture industries remains highly contested. The Writers Guild of America may have settled their strike but film critic Antonia Quirke explores whether screenwriters still have something to fear from the algorithm…

(7) WHO WINKED. If the TARDIS can travel anywhere in time and space, surely it can do this: “Doctor Who boss says breaking the fourth wall is ‘part of the show going forward’” in Radio Times.

While Doctor Who has not been afraid to break the fourth wall in the past, and have characters speak directly to the viewers watching at home, Russell T Davies’s new era has been notable for its particularly prominent usage of the device.

Not only has Ncuti Gatwa’s Fifteenth Doctor done it, winking to camera near the end of The Devil’s Chord, but Anita Dobson’s mysterious Mrs Flood has done it on multiple occasions, including at the very end of the most recent season.

Now, speaking at San Diego Comic-Con, Davies has addressed these fourth wall breaks, saying: “It’s part of the show going forward, breaking the fourth wall.”…

(8) CHRISTMAS SPECIAL CLIP. “Doctor Who debuts first-look at 2024 Christmas special with Nicola Coughlan” – a video shown last week at Comic-Con is shared by Radio Times.

…The clip was introduced by guest star Nicola Coughlan, who confirmed that the episode’s punning title refers to her character Joy, “a determined woman whose life is changed forever when she meets the Doctor”.

The sequence – which you can watch below – sees the Doctor zip from Manchester in 1940 to Italy in 1962, then to Mount Everest in 1953 and finally to London in 2024, where he meets Joy.

Coughlan’s character is, of course, attempting to fend off a Silurian with a hair dryer when the Time Lord appears to deliver a ham and cheese toastie and a pumpkin latte… only in Doctor Who….

(9) TARAL WAYNE (1951-2024). Eleven-time Best Fan Artist Hugo finalist Taral Wayne, Fan Guest of Honor at the 2009 Worldcon, died July 31. Steven Baldassarra, who had heard from him earlier in the day and was bringing over a few things, says when he arrived there was no answer to his knock at the door or to phone calls. The building superintendant was asked to open the door and check. They found Taral lying down in his living room, unresponsive. Paramedics were summoned but were unable to revive him.  

Baldassarra’s announcement ends with this fine tribute:

I knew Taral for just over 30 years. And while some people may have known Taral for being curmudgeonly, stubborn, fractious, and condescending, I also got to know the man who was also genuinely warm, gentle, impish, thoughtful and even vulnerable.

Taral had a ferocious intellect and was an exceptionally talented graphic artist; I could see how hurt he was for not getting his chance in the sun in becoming a financial success with his graphic work and illustration. But despite all that, Taral did what he had loved, and was contented living by the beat of his own drum.

Taral was truly a wonderful friend, and I am truly blessed to have had known him and having had him as part of my life.

I knew Taral for 45 years and will miss him a lot. File 770’s obituary will appear later this evening.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

August 1, 1986 Howard the Duck film (1986). Thirty-eight years ago a certain cigar-smoking fowl was let loose upon unsuspecting film goers. Many of whom promptly left the cinemas they were in. That was Howard the Duck based on the Marvel Comics character of the same name.

He was hatched from the minds of writer Steve Gerber and artist Val Mayerik. The former says that he based him off his college friend Howard Tockman. One assumes very, very loosely off that individual. His first comic appearance was fifty-one years ago so he’s a very old duck at this point.

Before we get to the film, we should know that he has appeared elsewhere. Starting in 2014, the character, voiced by Seth Green, appeared in cameos in several Marvel films, to wit the first Guardians of the Galaxy film and the last of those (at least so far) as well the fantastic animated Guardians of the Galaxy series also voiced by Green) and Ultimate Spider-Man (voiced by Kevin Michael Richardson there), and finally the What If…? Series where he was also voiced by Green.

I’m thinking there’s a live action appearance by him after the Howard the Duck film rather recently but I’ll be buggered if I can remember what it is. Anyone remember what it was? It was brief that I know and I can almost picture it. I remember there was a female next to him so I must’ve seen the film if I remember that. But that is all I remember.

Now for how Howard the Duck, the film. It came out the year that AliensStar Trek IV: The Voyage HomeLittle Shop of Horrors, and Labyrinth came out. Tough competition indeed. And wasn’t that a fantastic year for genre films? Every film I’ve mentioned here got nominated Conspiracy ’87 with Aliens winning the Hugo. Only Big Trouble in Little China and The Fly aren’t here, and they, too, came out that year. 

So the film, yes I am getting it now, was written by rather unusually by the producer  Gloria Katz and the director George Huyck. I’ve seen that particular combination do a script before. They certainly had the credits as writers, she having written the scripts for American Graffiti and Indiana Jones and the Temple of Doom; his scripts were the same as they were a couple that scripted together.

So you now know who directed and produced this film. Lucas co-produced it. It was Lucas who suggested adapting the comic book following the production of American Graffiti which they were of course involved in. (He wrote it with them. Talented man that he is.) Lucasfilm was the production company. 

Ok I can’t defend it, I really can’t. There’s nothing about the film that’s not considered a rotten, smelly sulphurous mess. Its humor was considered juvenile at best, the performances, well, just awful and the story cringingly bad. In the years since, I’ve deepened my belief that it’s among the worst films ever made. It currently holds a thirteen percent rating among audience reviewers at Rotten Tomatoes. Ouch. Really ouch.

However, one criticism I am puzzled by to the day. The vast majority of comments online plus professional and amateur critics take umbrage at what Howard the Duck looks like. This makes no sense. Given the limitations of translating a two-dimensional comic duck into an actual physical creature, I thought that they did a fine job.

Remember almost thirty years on, they’d avoid this need with the Rocket Raccoon creature by simply being an entirely digital being. Today Howard would be the same. So yes, a much better one for that. 

What they did was create a rather large custom puppet, which had an individual inside. That being Jordan Prentice in his first, errr, acting gig. He however didn’t provide the voice as that was the work of Chip Zien who was The Baker in the original Broadway production of Stephen Sondheim’s Into the Woods musical. The film version is well-worth seeing.

If I remember correctly it’s the worst film Lucas ever produced both from a critical viewpoint and certainly from a financial as well. It cost at least thirty-seven million dollars to produce (not counting distribution costs including the millions to print up films) and had box office receipts of that amount. Now keep in mind that Roger Ebert did an essay on it whereas his research said it was an even split, so Lucasfilm would’ve made back eighteen million thereby losing eighteen million on this. Ouch. Really ouch.

I keep hearing rumors of a sequel but I can’t imagine Disney who owns the rights now having any interest in doing so as they’ve been losing money on a lot of their MCU series right now. 

I saw it once in the theatre. Did I want to ever see it again? What do you think? It’s worse than the Super Mario Bros was and that’s saying quite a bit.

(11) COMICS SECTION.

(12) AVENGERS DISSEMBLE! “Jeremy Renner Says Robert Downey Jr. Kept His Marvel Return a Secret From the Original ‘Avengers’ Cast: ‘The Son of a B—- Didn’t Say Anything!’” – so he tells Variety.

… “No! I had no idea. The son of a bitch didn’t say anything to me,” Renner said. “We’re good friends. There’s the Avengers family chat. The original six. He said not a peep. I got online and started blowing up his phone like, ‘What’s going on? You’ve been hiding this from us the whole time?’ It’s exciting news. I’m really, really excited about it.”…

(13) HOLLYWOOD RELICS. Atlas Obscura pinpoints “11 Horror Film Sets Where You Can Revisit Your Greatest Fears”.

There’s no better way to get into the Halloween spirit than turning off the lights and scaring yourself out of your skin with a good horror flick. But if watching them (and rewatching them) on the small screen just isn’t enough any more, why not try to see some of the real-life locations where these cult classics were filmed?

In Washington, D.C., 75 steps offer a shortcut between Prospect Street NW and Canal Road NW, and if you visit at night you’ll recognize the site where Father Karras plummeted to his death in the 1973 film The Exorcist. The steps were padded with rubber during filming, and they have since been designated a historic landmark. In Morocco, just outside Ouarzazate, in a place known as Hollywood’s “door to the desert” sits a desolate, American-style gas station, home to rusted-out vehicles and dust covered props. It was plopped there for the 2006 remake of the Wes Craven classic, The Hills Have Eyes, and now just confuses anyone who sees it without knowing the backstory….

(14) SKELETON CREW. “Star Wars: Skeleton Crew Release Date Finally Revealed” at ScreenRant.

Star Wars: Skeleton Crew‘s release date has finally been confirmed by Lucasfilm…. As one of many upcoming Star Wars TV shows, Skeleton Crew naturally has a lot of hype surrounding it. This excitement is only bolstered by Skeleton Crew‘s place in the Star Wars timeline, with the show expected to tie into the likes of The Mandalorian and Ahsoka.

… Lucasfilm has finally confirmed the release date for the show via People. As evident, anyone interested in the continuation of Star Wars’ New Republic era will not need to wait much longer with Skeleton Crew‘s confirmed release date of December 3, 2024. With confirmation of when the show will be released on Disney+ finally being provided, the wait for more updates and the show’s eventual premiere will only grow in both difficulty and anticipation….

(15) BATTLESTAR GALACTICA NO LONGER A PEACOCK TALE. Variety reports “’Battlestar Galactica’ Reboot No Longer in the Works at Peacock”.

The project was first announced back in 2019 ahead of Peacock’s official launch as part of the streamer’s initial slate of original programming. It was never formally ordered to series, though, and has been in development ever since. Exact story details never emerged, but the show was said to be set in the same continuity as the 2003 “Battlestar Galactica” series.

The reboot was a passion project for Sam Esmail, who was executive producing via Esmail Corp. under the company’s overall deal with studio UCP. Chad Hamilton of Esmail Corp. was also an executive producer. Michael Lesslie had originally come onboard as the writer of the reboot in 2020, but it was reported that he left the project in 2021…

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

SFWA Announces Election and Referendum Results

The Science Fiction & Fantasy Writers Association (SFWA) has published the outcome of their recent Board election and Referendum.

Effective July 1, 2023, the SFWA Board of Directors will be made up of the following members:

  • Jeffe Kennedy, President 
  • John Murphy, Vice President 
  • Jasmine Gower, Secretary 
  • Erin Hartshorn, Chief Financial Officer 
  • Directors-at-Large Monica Valentinelli, Jordan Kurella, Christine Taylor-Butler, Chelsea Mueller, and Phoebe Barton

Oghenechovwe Donald Ekpeki, who ran as a write-in for SFWA Director-at-Large, was not elected.

Departing the SFWA Board on June 30 will be directors Remy Nakamura and José Pablo Iriarte.

REFERENDUMS. Previously, genre writers of poetry and translators of fiction could not use those portions of their paid work as part of their catalog when applying to join SFWA or to upgrade their membership classification. But SFWA members have just voted to approve two resolutions to accept those qualifications:

(I) Paid SFF and related genre poetry sales shall be considered for the purposes of determining eligibility for membership in SFWA.

(II) Payment for SFF and related genre translation work shall be considered for the purposes of determining eligibility for membership in SFWA by the translator.

The SFWA Board says, “We’ll publicly announce when the organization is ready to begin taking applications that include poetry and translated works.”  

SFWA’s Inaugural Infinity Award Honoree Is Octavia E. Butler

The Science Fiction and Fantasy Writers Association (SFWA) have announced the creation of the Infinity Award, with its inaugural presentation honoring the works and career of Octavia E. Butler (1947–2006) at the 58th Annual Nebula Awards® Ceremony on May 14.

The SFWA Board voted to create the Infinity Award to posthumously honor acclaimed creators who passed away before they could be considered for a Damon Knight Memorial Grand Master Award. This new award aims to recognize that even though those celebrated worldbuilders, storytellers, and weavers of words are no longer with us, their legacies will continue to inspire.

Upon its creation, it was also unanimously agreed that Octavia E. Butler would be our first recipient. Beginning with her perseverance in the face of the prejudice she encountered early on in her career, including claims that African American writers – especially African American women writers – could not write science fiction, Butler ultimately went on to earn a MacArthur Grant and a PEN West Lifetime Achievement Award. Butler did more than prove such naysayers wrong. Her works offered prescient critiques of societal issues and visions of what might be possible in different and future worlds. They are now being taught in over 200 colleges and universities nationwide.

SFWA President Jeffe Kennedy remarked, “Establishing this new award is very important to me. Over the years, so many creators have been passed over for the Grand Master nod, for one reason or another. Some died tragically early. Others were not recognized for their work during their lifetimes because of cultural prejudices and blind spots. Others were simply ahead of their time. When we look back at the nearly sixty years of SFWA celebrating SFF creators, there are some who stand out as ones we deeply wish had been given our highest awards. Being able to recognize Octavia E. Butler as our first recipient of the Infinity Award is an inspiring and gratifying first step toward correcting past omissions.”

Courtesy of the Octavia E. Butler Estate

Butler wrote sixteen novels and novellas, multiple collections and chapbooks, and many published essays. Her award-winning work during her lifetime includes “Bloodchild,” “The Evening and the Morning and the Night,” and Parable of the Talents. After her death, the #1 New York Times best-selling graphic novel adaptation of her book Kindred, created by Damian Duffy and John Jennings, received the Eisner Award for Best Adaptation. 

In addition to the recent FX production of Kindred, projects in development and pre-production based on Butler’s work include Parable of the Sower with Peter Chernin, Garrett Bradley and A24 Films; Fledgling with Issa Rae and JJ Abrams; Wild Seed with Viola Davis and JuVee Productions; and BloodChild with Natalie Portman and Ari Aster.

Jules Jackson, directing manager of the Octavia E. Butler Estate, shared the following remarks: “For those who have chosen to pay attention, there is one thing that has become clear and apparent…. Octavia Estelle Butler, the mother of Afrofuturism, has literally written herself into history. And now the Estate is tasked with the honor of archiving, diagramming, and extending the reach of Octavia Estelle Butler’s cherished body of work. Octavia taught her readers to imagine relentlessly, our collective figures…Octavia painted the ‘least respected of us’ into the center of every narrative, re-framing a genre…I am beyond excited to accept this inaugural Science Fiction & Fantasy Writers Association award, for and on behalf of Octavia Butler, The Octavia E. Butler Estate, and all of the incredible storytellers who are, and continue to be inspired and those who follow in Octavia Estelle Butler’s prescient wake.”

Jackson will receive the award on Butler’s behalf at the Nebula Awards Ceremony. The award will be presented by Chinaka Hodge, writer and showrunner of the upcoming Wild Seeds television series. 

Rather than a physical award, SFWA will make a donation to a cause that an Infinity Award honoree supported or that their loved ones’ request. For this first award, and in future years when a specific charity is not requested, that donation will go to the Octavia E. Butler Scholarship to the Clarion West workshop, which is administered by the Carl Brandon Society.

[Based on a press release.]

Update 05/06/2023: The SFWA press release has been corrected with current information on the media projects based on Octavia E. Butler’s work that are in development and pre-production. It names Jules Jackson, the directing manager of the Butler estate, as an executive director on those projects. The paragraph on those productions in SFWA’s release dated April 27, 2023, contained out-of-date information.

Pixel Scroll 11/20/22 The Emergency Holo-Scrollo

(1) GREG BEAR APPRECIATIONS. GeekWire’s Alan Boyle has a tribute to the famed sff writer who died yesterday: “Greg Bear, 1951-2022: Writer influenced the science fiction world”.

…Bear, who moved to the Seattle area in 1987, also had an impact on his adopted home. He was a member of the team that created and organized the Washington State Centennial Time Capsule. And GeekWire contributor Frank Catalano recalls introducing Bear to the late software billionaire Paul Allen — a contact that helped lead to the creation of the Science Fiction Museum and Hall of Fame, now part of Seattle’s Museum of Pop Culture.

The accolades streaming in from friends and admirers stressed the personal as well as the public contributions made by Bear over the decades. “Greg the man was a friend,” fellow science-fiction icon Harry Turtledove tweeted. “Greg the writer was quite remarkable.”…

Boyle draws on Frank Catalano’s 2017 interview with Greg Bear, also at GeekWire, where it is available as a podcast with an accompanying article, “Science fiction has won the war: Best-selling author Greg Bear on the genre’s new ‘golden age’”.

…As a “hard” science fiction writer who does extensive research, Bear has dived into everything from nanotechnology (his 1983 novel Blood Music is credited by some as being its first use in science fiction) to planetary science. A current fascination, in part because it’s a key setting in the War Dogs trilogy, is Titan. “It’s got a hazy orange layer,” he explained. “It’s full of plastics, and waxes, and organic chemistry. Then, it turns out, it’s actually got a water ocean underneath.”

But the hard science fiction reputation can mask the fact that Bear has also written — successfully — novels that are fantasy, horror, and near-future techno thrillers. “I find the idea, and then I try to find the story that fits it,” he said. “Some of these ideas are coming up so fast that you can’t write about them as far-future ideas.”…

The SFWA Blog’s“In Memoriam – Greg Bear” notes he was a past President, and quotes from a selection of several other Presidents.

…Current SFWA President Jeffe Kennedy remarked, “When I took over as a newbie President of SFWA, Past-President Greg Bear was unfailingly gracious to and supportive of me. I loved his work and admired him as an author, so to discover what a truly kind person he was meant so much. He will be greatly missed by SFWA and the larger community.”

Former SFWA Presidents also wished to pay their respects to their colleague and friend as such:

“There are few people in my life from whom I learned so much, and was so fortunate to have known, than Greg Bear.” – Paul Levinson

“Whether or not he was one of the greatest novelists of speculative fiction may be questionable for the ages to argue but a Prince of SF he surely was. From the beginning to the end, he was a sincere literary artist, scientifically learned, a speculative visionary, if not the king of that which has no king, surely a prince seated at the SF table.” – Norman Spinrad

“Greg Bear and I were friends for thirty years. What I loved about his work was that it freely embraced the entire scope science fiction has to offer: from the far future (Anvil of Stars), through the present day (Quantico), to cavorting with creatures we know only from the distant past (Dinosaur Summer), he took us on a grand tour of his boundless imagination.” – Robert Sawyer

“Greg was my vice president, unflappable, always supportive, funny, endearing, and smart. Heart-breaking he is leaving us so soon.” – Jane Yolen

(2) GREG BEAR PHOTOS. From throughout his career, taken by and © Andrew Porter.

(3) BUTLER’S PRESCIENCE. The New York Times explains how “Octavia Butler’s Science Fiction Predicted the World We Live In”.

Sixteen years after her death, the writer Octavia Butler is experiencing a renaissance.

Butler, seen here on a mural at a middle school that bears her name, is celebrated for novels that grappled with extremism, racial justice and the climate crisis.

The future she wrote about is now our present moment. What follows is a tour of the worlds that made her — and the worlds that she made.

She wrote 12 novels and won each of science fiction’s highest honors. In 1995, she became the first science fiction writer to be awarded a MacArthur “genius” grant. The MacArthur Foundation said of Octavia E. Butler, “Her imaginative stories are transcendent fables, which have as much to do with the future as with the present and the past.”

Part of what has made Butler so beloved is the work that preceded these honors: the way she envisioned her own future and encouraged herself to keep going despite the very real obstacles in her path. She recorded her goals and aspirations in her personal journals in terms that have since resonated across the decades:

I will buy a beautiful home in an excellent neighborhood.

I will help poor Black youngsters broaden their horizons.

I will travel whenever and wherever in the world that I choose.

My books will be read by millions of people!

So be it! See to it!…

(4) RAY NELSON UPDATE. From Ray Faraday Nelson’s Facebook page:

Deteriorating health has made it necessary to move Ray to a nursing home. Ray loves to receive letters and if you would like to let him know how much you enjoyed his work, now would be a good time (and soon). Send to Ray Nelson, c/o Walter Nelson, PO Box 370904 Reseda CA 91337

In his cartoons Nelson popularized the association fans with propeller beanies, and he was honored with the Rotsler Award in 2003.

(5) PITTSBURGH FANDOM BACK IN THE DAY. Fanac.org’s next FanHistory Project Zoom Session is “Fannish Life in 1970s Pittsburgh, with Ginjer Buchanan, Linda Bushyager, Suzanne Tompkins, and Laurie Mann”.  It will take place Saturday December 10, 2022 at 4:00 p.m. Eastern.

Pittsburgh in the late 60s/70s saw an explosion of fannish activity, with the founding of the Western Pennsylvania SF Association (WPSFA), the creation of PghLANGE and the publication of many fanzines, including Granfalloon (Linda Bushyager and Suzanne Tompkins). What made Pittsburgh special? Why the resurgence of fannish activity? Who were the driving forces? In this session, Ginjer Buchanan, Linda Bushyager and Suzanne Tompkins, three of the movers and shakers of 1970s Pittsburgh fandom, talk about that era. Our Moderator Laurie Mann is a current Pittsburgh fan as well as a fan historian.

(6) SOME PREFER PIRACY. “The FBI closed the book on Z-Library, and readers and authors clashed” reports the Washington Post.

The FBI’s takedown of Z-Library, one of the world’s largest repositories of pirated books and academic papers, this month set ablaze the subset of TikTok devoted to discussing books and authors, said Lexi Hardesty, a BookTok content creator.

“I have never seen authors and readers go head-to-head the way they did that week,” said Hardesty, a student at the University of Kentucky.

Readers were mourning that their ability to download free textbooks, novels and academic papers had disappeared overnight. Some BookTokers compared the shutdown of the website to the mythical burning of the library of Alexandria in 48 B.C., Hardesty said. “Some even said that shutting it down was an extension of slavery.”

Yet authors across BookTok were relieved. “Piracy costs us our sales, specifically for marginalized authors; it adversely impacts public libraries; and it hurts the publishing industry,” said Nisha Sharma, an author and BookToker. “Essentially when you mourn Z-Library, you are mourning the end of theft.”…

(7) MEMORY LANE.

1995 [By Cat Eldridge.] Deep Space Nine‘s “The Sword Of Kahless”

“Did you see the look on the face of that Klingon that I killed? It was as if he understood the honor bestowed upon him. The first man in a thousand years to be killed by the Sword of Kahless.” — Kor

“I’m sure he was very proud.”  – Dax

On this evening twenty-seven years ago in syndication, Deep Space Nine‘s “The Sword Of Kahless” was brought to us for our enjoyment. 

The story was created by Richard Danus and was turned into a script by Hans Beimler. 

The episode was directed by LeVar Burton. It features the return of John Colicos as Kor. Colicos had first appeared as Kor, the very first Klingon in all of Trek, in Trek’s “Errand of Mercy” and had previously appeared in this series in the episode “Blood Oath”. 

GO GET YOURSELF A CUP OF WARM KLINGON BLOODWINE AS SPOILERS LIKE BLOOD OFF A BATLEFF FOLLOW NOW.

Kor has returned to the Deep Space Nine to get the help of Worf and  Dax to help to find the ancient Sword of Kahless. It was the very first bat’leth forged by the founder of the Klingon Empire, Kahless the Unforgettable. After they find the sword, they are forced to evade the forces of Toral, son of Duras, and Worf and Kor starting fighting to the death.

Worf and Kor realize that the Sword is partially sentient and has turned them against each other, and will lead to the end of the Empire. 

Worf ponders if they really were meant to find it; Kor firmly asserts that they were, but notes that they were also not meant to keep it. So they teleport the sword into space where hopefully it will stay forever. 

IF YOU HAVE DRANK ENOUGH OF THAT WINE, COME ON BACK BY THE WARMING FIRE. 

The sword itself was created specifically for the episode, and was made to seem more elaborate than the bat’leths previously seen in Trek, including hand etchings to make it appear similar to Damascus steel. 

This episode was somewhat unpopular with many viewers when it first aired, something which disappointed writer Hans Beimler and producer René Echevarria. What particularly disappointed them was the fact that many viewers were unable to accept the notion that the bat’leth itself had no actual power. According to Echevarria, “A lot of fan reaction was that there must be a tech explanation, that the sword must be emitting something. I was astonished.” — Star Trek: Deep Space Nine — The Office Poster Magazin

Michelle Erica Green, who watched the episode in April 2013 for TrekNation, thought that it was not a typical Deep Space Nine episode and that it required that the viewer had knowledge of Worf’s history from the Next Generation. It rated slightly off the “Little Green Men” episode that preceded it and the “Our Man Bashir” that followed it.

It of course is streaming at Paramount +. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 20, 1923 Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”.  (Died 2014.)
  • Born November 20, 1923 Len Moffatt. He was a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which they received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
  • Born November 20, 1929 Jerry Hardin. Actor famous for his character roles, whom genre fans know as the informant Deep Throat in The X-Files, or perhaps as Samuel Clemens in the Star Trek: The Next Generation double episode “Times’s Arrow”. Other TV series guest appearances include Star Trek: Voyager, Sliders, Brimstone, Time Trax, Lois & Clark, Quantum Leap, Dark Justice, Starman, Alfred Hitchcock Presents, The (new) Twilight Zone, and The Incredible Hulk, and he had roles in Big Trouble in Little China and Doomsday Virus (aka Pandora’s Clock). (Died 1993.)
  • Born November 20, 1926 John Edmund Gardner. No, not the one that wrote that Grendel novel, but the who was actually an English spy and a novelist who is remembered for his James Bond novels of which he wrote, according to critics, way too many as they though they were silly, but also for his Boysie Oakes spy novels and three novels containing featuring Professor Moriarty that are most tasty. (Died 2007.)
  • Born November 20, 1932 Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure making this list. Twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
  • Born November 20, 1944 Molly Gloss, 78.  What a lovely name she has! Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon. 
  • Born November 20, 1956 Bo Derek, 66. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
  • Born November 20, 1963 Ming-Na Wen, 59. Actor born in Macau who appeared as Agent Melinda May in Agents of S.H.I.E.L.D. She was raised near Pittsburgh, PA and graduated from Carnegie Mellon University. She has also had main roles in the series Stargate Universe and the short-lived Vanished, and a recurring role in Eureka. Her breakthrough genre role was providing the voice for Disney’s Mulan, for which she won an Annie Award (awards which recognize voice actors in animated productions). This led to a lengthy career providing voices for animated features and series, including Spawn, The Batman, Adventure Time with Finn & Jake, Phineas and Ferb, Robot Chicken, and Guardians of the Galaxy, as well as a plethora of Mulan spinoffs, offshoots, tie-ins, and video games. Other genre appearances include the films The Darkness, Starquest (aka Terminal Voyage), Tempting Fate, and Rain Without Thunder.

(9) COMICS SECTION.

  • Non Sequitur shows a space probe confirming what you already suspected.  

(10) UNDENIABLE TREND. In July Price Charting did a scientific analysis and confirmed there’s been a “300% Increase in Boob Size on Comic Book Cover Art” since 1940. [Via Carol Pinchefsky on Facebook.]

…Comparing modern day (2010+) to the early comics (1940-60), we observe from the green trendlines:

  • Busts occupy more than triple the cover space today
  • The amount of cleavage shown has more than doubled (cleavage of greater than 50% was not observed until the 1970s at which point it became relatively common)
  • Women actually did “fill out” in the waist over time (hip:waist ratio declined by ~15%)
  • Breast:Waist ratio has remained the same – as breasts have grown, so have waists

(11) THE COLD NOSE EQUATIONS. Space.com observes “Spacesuited Snoopy doll floats in zero-g on moon-bound Artemis 1 mission”. Photo at the link.

… The white-spotted dog, who became “the first beagle on the moon” in a series of Peanuts comic strips in 1969, is now on his way back to the moon aboard NASA’s Artemis 1 mission(opens in new tab). Snoopy, in the form of a small doll dressed in a one-of-a-kind replica of NASA’s pressure suit for Artemis astronauts, is the “zero-g indicator,” or ZGI, on board the space agency’s now lunar-orbit-bound Orion spacecraft.

“Oh, I’m sorry, Snoopy. They had to put you on a leash because you’re hanging in the Orion capsule right now,” NASA Administrator Bill Nelson said during an August photo op with the beagle (in this case, a costume character(opens in new tab), also wearing the bright orange spacesuit). “Snoopy was the last person to be put in Orion when they closed the hatch.”

Snoopy’s leash, or tether, was to keep the doll in view of a camera inside Orion’s cabin. Traditionally, zero-g indicators have been flown on crewed spacecraft as a visual sign for the astronauts that they have reached orbit. The Artemis 1 Orion is flying without a crew — other than Snoopy, four LEGO minifigures(opens in new tab), Shaun the Sheep(opens in new tab) and three instrumented manikins(opens in new tab) — so the doll was flown for the benefit of the public watching the launch on NASA’s television channel or website….

(12) TO CLICK OR NOT TO CLICK. “Ancient Apocalypse on Netflix: Is Graham Hancock’s theory true?” asks Slate.

… Graham Hancock, the journalist who hosts the series, returns again and again to his anger at this state of affairs and his status as an outsider to “mainstream archaeology,” his assessment of how terrible “mainstream archaeology” is about accepting new theories, and his insistence that there’s all this evidence out there but “mainstream archaeologists” just won’t look for it. His bitter disposition, I’m sure, accounts for some of the interest in this show. Hancock, a fascinating figure with an interesting past as a left-leaning foreign correspondent, has for decades been elaborating variations on this thinking: Humans, as he says in the docuseries, have “amnesia” about our past. An “advanced” society that existed around 12,000 years ago was extinguished when the climate changed drastically in a period scientists call the Younger Dryas. Before dying out completely, this civilization sent out emissaries to the corners of the world, spreading knowledge, including building techniques that can be found in use at many ancient sites, and sparking the creation of mythologies that are oddly similar the world over. It’s important for us to think about this history, Hancock adds, because we also face impending cataclysm. It is a warning….

However, the last half of Slate’s article is devoted to an interview with archaeologist John Hoopes about why no credence should be placed in Hancock’s theories.

(13) ALL WASHED UP. “Why did the Redshirts always die on ‘Star Trek’? It had to do with doing laundry”, or so claims MeTV.

…So a fast decision was made to change the shrinking fabric. Since the velour was causing so much grief, they had to do something with all those extra shirts. Waste was not going to happen on such a tight budget….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Jennifer Hawthorne, Frank Catalano, Daniel Dern, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]

SFWA Elects New Officers

The Science Fiction and Fantasy Writers of America have posted the 2021 officer election results. Incoming President Jeffe Kennedy’s term begins July 1 and runs for two years.

President: Jeffe Kennedy

Secretary: Adam Rakunas 

Director-at-Large through 2023 – 3 open positions

  • José Pablo Iriarte
  • Remy Nakamura
  • Christine Taylor-Butler

The 2021 SFWA election was overseen by the Elections Committee: Maurice Broaddus, Matthew Johnson (Chair), Peng Shepherd, and Kate Baker (Advisor).

Daniel Dern’s Thursday Dublin 2019 Photos

Let’s begin with Peter S. Beagle here and post the rest of Daniel Dern’s gallery after the jump —

Peter S. Beagle

Peter S. Beagle
Continue reading

2019 SFWA Officer Election Results

Science Fiction & Fantasy Writers of America posted the outcome of its 2019 officer elections.

President: Mary Robinette Kowal (unopposed)

Secretary: Curtis Chen (unopposed)

Director-at-Large: 3 Open Positions 

  • Andy Duncan
  • Jeffe Kennedy
  • Sarah Pinsker

Runners-up: James Beamon, Tobias Buckell, John Chu, Walter L. Fisher, Kevin McLaughlin, Peng Shepherd, Eric James Stone, William Alan Webb

Board vacancy also filled: Tobias Buckell has been asked to fill the position left vacant by Lawrence Schoen’s resignation.  

The SFWA Board and staff also thanked the volunteers who make up the Elections Committee: Fran Wilde (Chair), Matthew Johnson (Member), Laura Anne Gilman (Member), Maurice Broaddus (Member), and Kate Baker (Executive Director & Adviser).

[Thanks to JJ for the story.]

RWA Announces 2019 RITA & Golden Heart Finalists

Romance Writers of America (RWA), the trade association for romance fiction authors, has announced the finalists for the 2019 RITA® and Golden Heart® Awards. The RITA recognizes excellence in published romance novels and novellas. The Golden Heart recognizes excellence in unpublished romance manuscripts.

The winners will be announced at the 2019 RWA Annual Conference in New York City, July 24-27.

Categories that include works of genre interest are listed below. The complete list is here.

2019 RITA Finalists

Best First Book

Celebrity Spin Doctor by Celia Mulder
InkSpell Publishing
Audrey Bobak, editor

Lady in Waiting by Marie Tremayne
HarperCollins, Avon Impulse
Elle Keck, editor

The Last Wolf
by Maria Vale
Sourcebooks, Casablanca
Deb Werksman, editor

A Wicked Kind of Husband by Mia Vincy
Self-published

Paranormal Romance

To Catch a Rogue by Bec McMaster
Self-published
Olivia Ventura, editor

Dearest Ivie by J. R. Ward
Ballantine Bantam Dell, Ballantine Books
Kara Walsh, editor

Debriefing the Dead by Kerry Blaisdell
The Wild Rose Press, Black Rose
Callie Lynn Wolfe, editor

Haunted Hearts by Kimberly Dean
Self-published

The Last Wolf by Maria Vale
Sourcebooks, Casablanca
Deb Werksman, editor

Out of Body by Suzanne Brockmann
Self-published

Romance Novella

Bad Blood by M. Malone
Self-published
Angela Ramey, editor

Catching Irish
by Katy Regnery
Self-published
Tessa Shapcott, editor

Dragon Lord by Dana Marton
Self-published
Diane Flindt and Linda Ingmanson, editors

“The Dragons of Summer” by Jeffe Kennedy
in Seasons of Sorcery
Self-published

“Lead Counsel” by Aurora Rey
in The Boss of Her: Office Romance Novellas
Bold Strokes Books, Inc.
Ashley Tillman, editor

Loving the Secret Billionaire by Adriana Anders
Self-published
Kim Cannon and Nancy Smay, editors

Saved by the Cowboy by A. J. Pine
Grand Central Publishing, Forever Yours
Madeline Colavita, editor

2019 Golden Heart Finalists

Paranormal Romance

  • Bless Your Heart and Other Southern Curses by Heather Leonard
  • Touch 3.3 by Valen Cox
  • The Transformation of Alexis Doe by Jilly Wood
  • Warrior of Eden by Fenley Grant
  • Witch Way Down by Chelly Pike