25 Sometimes, Scrolls Just… Break, Their Pixels Spraying Everywhere, Like Beads In A Bottle, Just More Cluesome

Posted on March 23, 2025 by Mike Glyer

(1) COMIC CREATOR BURKE’S ICE ORDEAL. From downthetubes.net: “Comic Creator RE Burke: Her Visa Story”.

The family of comic creator RE Burke, aka Becky Burke, have issued a detailed statement about her recent detention nightmare in the United States, asking for it to be shared so that the many thousands who offered support after her family’s appeal for Becky’s return can see it.

“We want everyone to know how grateful we are for their support, prayers and help in raising the profile. It is the reason she is home with us now, thank you,” they explain.

As we previously reported, comic creator RE Burke, aka Becky Burke, is home after her detention nightmare in the United States, detained by the United States by U.S. Immigration and Customs Enforcement (ICE) for over two weeks for travelling with wrong visa. She is now back in the UK.

Becky, 28, was denied entry into Washington State after US immigration officials accused her of travelling on the wrong visa, her plight prompting a massive campaign to free her, which we reported here.

A GoFundMe campagn fund raised over £9000 to cover legal Becky’s costs. No more donations are being taken. Any surplus will be donated to charities in the Seattle area helping people in similar situations….

After 19 harrowing days in ICE detention due to a visa mix-up, our daughter Becky has finally returned home to the UK. Instead of allowing her to take an immediate flight back, Homeland Security detained her in handcuffs at a Tacoma, WA facility under harsh conditions. The current immigration crackdown and systemic delays exacerbated her ordeal, worsened by a shortage of immigration judges. Becky’s nightmare ended on March 18th, and she is now beginning to recover….

Did she overstay the 90 day limit on the ESTA tourist visa?

No. She had only been in the USA for 50 days when she had planned to travel by bus to Canada, she was planning to spend 2 months in Canada and then fly home to the UK.

Did she break the rules of the ESTA?

The ESTA is for tourists only. For work or study a specific visa is required. Becky did a lot of research before she went and what she had planned was classed as tourism. This was accepted when she entered the US on 7th January. It was also accepted in 2023 when she spent two weeks in San Francisco, with a host family. On the 26th February, US border officers suddenly decided staying with host families and joining in with household chores was now classed as work. Our US Immigration Lawyer said they got their definition of work wrong.

Was she given a chance to return to the UK at her own cost?

No, this was not offered at the border despite this being the usual protocol for tourists. ICE had the chance to offer this at any stage during her detention, her parents even had a flight home booked for her at one point, in the hope they would let her take it, but they didn’t.

Does she have a criminal record?

No. She also has many people who testify to her good character and her gentle soul.

Was she allowed to let family know when she was being deported?

No. One of the other detainees had to call us to say she had left. Even the British Consulate were not told that she had boarded the flight. We were only certain when she arrived at Heathrow.

Was she treated with ‘dignity and respect’ as written in ICE policy.

No. She was handcuffed when she was transferred from the border to the facility. When inside the facility ICE did not communicate where she was in the process, all her possessions were confiscated, lights were on 24/7 and there were four head counts each day during which they were forced stay on their bunk for at least an hour. When she was eventually transferred to Seattle airport to fly home she was taken in leg and waist chains and handcuffs, and was escorted to the plane.

We wish Becky and her family well after this ordeal….

(2) BEING ORWELL’S SON. [Item by Steven French.] On the 80th anniversary of 1984, the Guardian has an illuminating interview with Orwell’s son Richard Blair on his father’s attitude towards women, his antisemitism and his (Blair’s) mother: “George Orwell and me: Richard Blair on life with his extraordinary father”.

…Most memorable was the time Orwell misread the tide when they were out in the hazardous Gulf of Corryvreckan, home to one of the world’s biggest whirlpools. Their dinghy overturned and they almost drowned. Did that shock Orwell? “I think it gave him a hell of a shock, yes, absolutely.” Was his father as reckless with you as with himself? Blair smiles. “Well, health and safety didn’t really rear its ugly head in those days, did it? And yet we survived.”

There was one precaution Orwell did take. “He said I had to have a pair of decent, stout boots, because of the snakes. Jura has got a lot of adders. They’re not desperately poisonous, but he had a thing about snakes, probably because of his days in Burma.” Was he scared of them? “Yes, to a degree, but not scared enough that he wouldn’t stamp on them and kill them.” Orwell treated his son as a mini-adult, perhaps not surprisingly, as he had little experience of children and there were no other kids around….

(3) FRENCH BOOKSTORE RESISTANCE. “Mutiny brews in French bookshops over Hachette owner’s media grip” — the Guardian has the story.

A conservative Catholic billionaire and media owner is facing an independent bookshop rebellion in France over his influence in the publishing world.

Dozens of independent booksellers are trying to counter the growing influence of Vincent Bolloré, whose vast cultural empire includes television, radio, the Sunday paper Le Journal du Dimanche, and also, since 2023, the biggest book publishing and distribution conglomerate in France, Hachette Livre.

“Books matter,” said Thibaut Willems, owner of Le Pied à Terre independent bookshop in Paris’s 18th arrondissement and one of the booksellers taking a stand by limiting their orders of Hachette Livre books and placing them on lower shelves….

… As well as the moves by some booksellers, protest groups on the left have started a “bookmark rebellion”, where individuals hide bookmarks inside paperbacks in large commercial stores with messages such as “boycott Hachette”, detailing the scale of the Bolloré empire….

(4) ART DIRECTOR SWINGS AND MISSES. Michael Whelan analyzes an example of “When the Client Gets It Wrong”.

Preliminary concepts for THE DEMON OF SCATTERY

The Cover and What Could Have Been

ME: There’s one concept that stood out to me for The Demon of Scattery—one of my all-time favorite prelims—and I’ve always been curious how the AD passed on choosing it because the composition is so dynamic. It would have been a slam dunk of a cover.

MRW: I couldn’t agree more!

Back then I felt that it was on me to offer comps that would generate a good cover for a book, and if any of them didn’t make for a good painting that was my fault for not realizing the full potential of the original concept.

In retrospect, I often find myself asking a variation of the same question you posed: “Why on Earth did I submit any other options when THIS concept is so obviously the best of the bunch?”

The answer, of course, is that it wasn’t obvious to me at the time.

Also, as a cover artist I felt it incumbent on me to present a range of options, attempting to reflect what the publisher [and occasionally, even the author ????] wanted emphasized in the image. The editors called the shots more often than not, and being human, they often made regrettable decisions.

And on more occasions than I would like, the people who really called the shots were marketing idiots who thought THEY knew better than anyone else what the public would be looking for. Most of the banal or downright crappy covers one sees are the result of that aspect of the corporate bookselling machine.

While a few of the concepts submitted were strong, my favorite is pictured above—and not simply because it was the most polished of the lot. The composition is sinuous and alive with action.

There are so many subtle points of connection that bring eyes where they need to be. Placed off-center right, the warrior provides an easy entry point with the lines of his body directing attention to the serpent and the sorceress. The curve of the rocks forms a bowl, a solid foundation to leap into the image.

(5) NO AI. The Ursa Major Awards has posted a “Temporary notice regarding AI content”.

…We’ve been asked about our AI policies, which is the purpose of my message today!

Our current statement, although not final, is that AI/LLM generated content is not allowed. This includes art, text, and covers for things like books or music. The only exception is an event where an author has an AI generated image attributed to their work by their publisher without their permission. I’ve been told this does happen!

Regarding this year’s content, to the best of my awareness, none of the accepted entries break this rule. Should that not be the case, please do not hesitate to talk to me about it!

(6) ALIEN ROMANCE AND TEA. Clarion West will host “Steamy in Seattle 2025” on May 10. Tickets available here.

Meet authors Ann Aguirre and Elizabeth Stephens as they discuss the alien romance genre, science fiction and fantasy worlds, and what writing romance has taught them! Paranormal romance author Jasmine Silvera to moderate.

Join us at Seattle’s beautiful Nordic Museum for a traditional high tea, featuring a delightful selection of savory finger sandwiches, scones, salad, and delectable sweet treats catered by Lovely Night Catering — and a custom tea blend provided by Friday Afternoon Tea.

Time to pick out your favorite fascinators and elegant gowns to wear or get your fedora ready in preparation for this utterly romantic opportunity to support the literary arts!

This event is not just a fundraiser; it’s a celebration of emerging and underrepresented writers — particularly women in the field of speculative fiction. Steamy in Seattle raises money for our annual programs, sliding scale tuition, and scholarship programs.

(7) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

March 23, 1904 — H. Beam Piper. (Died 1964.)

By Cora Buhlert: Content warning: Discussion of suicide

Considering how well regarded he was and still is as an author, we know surprisingly little about him. For example, we don’t know whether the H stands for Henry, Horace or Herbert. And while we know how he died, we don’t know exactly when or why.

H. Beam Piper never received a formal higher education, because he considered the college experience unpleasant, but instead educated himself in science, engineering and history. He worked as a laborer and later as a night watchman at the railroad yard in his hometown.

At some point, Piper began to write and in 1947 at age 43 he sold his first story “Time and Time Again” to John W. Campbell at Astounding Science Fiction. More stories followed, both for Astounding and other magazines. In 1961, finally, Piper published his first novel, the juvenile Four-Day-Planet. On the planet Fenris, a year is only four days long, but each of those days lasts four thousand hours with extreme temperatures. Giant whale-like creatures roam the seas of Fenris and are hunted for their valuable tallow wax, which makes for excellent radiation shielding. Protagonist Walt Boyd is a seventeen-year-old boy reporter, who gets entangled in a conflict between the whalers guild and the corrupt mayor of Fenris and some equally corrupt business people. Basically, this is Tintin and the Space Whalers with a bonus message about the importance of formal education, which is ironic considering Piper’s own life. I have read Four-Day-Planet and enjoyed it quite a bit as a fun science fiction adventure.

However, my introduction to Piper’s work was not Four-Day-Planet, but what is probably his best known work, the 1962 novel Little Fuzzy. I discovered the book as a teenager at Storm, the one bookshop in town with an extensive foreign language section. Most of that foreign language section actually consisted of dictionaries. There was also a table where one could peruse the huge Books-in-Print catalogues as well as a special order desk, where you could order any book listed in those giant catalogues. That special order desk was always busy with university students ordering otherwise unavailable textbooks and literature. Annoyingly, those students also kept staring at me, especially the male ones, and I was sure that they were judging my reading choices. Yes, I was quite dense.

The foreign language section at Storm also has two spinner racks with mass market paperbacks. The paperbacks in those spinner racks were almost entirely genre fiction. Romance, crime and mystery and of course science fiction, fantasy and horror. Whenever I was in the city center, I would stop at Storm (which still exists, though much diminished), head up to the foreign language section on the first floor and check out the spinner racks for anything that caught my eye, all the while dodging annoying male students staring at me. I discovered a lot of great authors and books in those spinner racks. And one day, I discovered Little Fuzzy, the 1980s Ace Books edition with the Michael Whelan cover of protagonist Jack Holloway surrounded by Fuzzies. The books caught my eye at once, because the Fuzzies were not only cute, but they looked just like the Ewoks from Return of the Jedi. Indeed, Little Fuzzy is widely considered to be the inspiration for the Ewoks and the parallels are quite obvious. The cover intrigued me enough that I plopped down my hard earned pocket money to buy the book. And English language mass market paperbacks were expensive in the 1980s due to the bad exchange rate and high import duties.

On the planet Zarathustra, prospector Jack Holloway discovers a furry alien creature he names Little Fuzzy. Little Fuzzy takes Jack to meet the rest of his tribe and Jack realizes that the Fuzzies are intelligent. This causes a problem for the mining company that has set up shop on Zarathustra to exploit the planet’s natural resources, because if the Fuzzies are declared an intelligent species, they and their habitat will be protected by law and the company will lose their mining rights. Being an unscrupulous company in a science fiction novel, they will of course do everything to prevent this, up to and including murder.

My teen self enjoyed Little Fuzzy a whole lot and it’s easy to see why. The plight of the furry aliens and their human protector against the big bad mining company is highly compelling. Though I never read any of the sequels, neither Piper’s own nor those by other authors, mostly because I didn’t know they existed.

One H. Beam Piper novel I did read, though several years later, was Space Viking, which was serialized in Analog from November 1962 to February 1963 and then appeared as a paperback in 1963. Once again, it was the cover – a glorious Michael Whelan cover with the titular space Vikings in front of a bright purple background – which attracted me along with, “Oh, it’s by H. Beam Piper. Cool. I liked Little Fuzzy.”

The protagonist of Space Viking is Lucas Trask, an aristocrat from the planet Gram. Trask is about to marry Lady Elaine, when a spurned former suitor of Elaine’s crashes the wedding and proceeds to gun down the wedding party (shades of the Red Wedding from A Song of Ice and Fire and the Moldavian wedding massacre from Dynasty, though Space Viking predates them both). Elaine is killed but Trask survives and vows revenge. He joins the Space Vikings, a group of space-faring raiders, to go after the killer, who has escaped aboard a stolen spaceship. In the process, Trask winds up establishing a little galactic empire of his own and also finds a new love. And yes, he gets his man, too, in the end.

I enjoyed Space Viking, though not nearly as much as Little Fuzzy. Part of the reason may simply be that I was older when I read Space Viking and more critical. The novel offered plenty of adventure and thrills, but also some irritating politics, including a very American view of emigration and colonization that is common, but also plain wrong. In fact, I remember wondering at the time, “Was Piper always like this and I just didn’t notice?”

Little Fuzzy, Four-Day-Planet and Space Viking are all part of a future history series called the Terro-Human Future History along with the 1963 novel The Cosmic Computer and several pieces of short fiction. The Terro-Human Future History chronicles the rise and fall and rebirth of a galactic civilization and was clearly influenced by the Foundation series by Isaac Asimov.

Piper also wrote the Paratime series, which chronicles the adventures of the Paratime Police who can move between timelines and alternate histories. The Paratime series consists of several pieces of short fiction and one novel, Lord Kalvan of Otherwhen, which was published in 1965 and would be Piper’s final novel.

This brings us to the sad part of this birthday note, namely Piper’s untimely death. It is widely known that Piper committed suicide, but both the reason and the exact date of his death are not known.

What is known is that Piper dated the last entry in his diary November 5, 1964. On November 8, his body was found. Piper had apparently shut off the power and water to his apartment, covered the walls and floors with tarp and shot himself with a handgun from his extensive collection. He left behind a note saying “I don’t like to leave messes when I go away, but if I could have cleaned up any of this mess, I wouldn’t be going away.”

What mess precisely Piper was referring to is not known. The most common explanation is that Piper had financial problems. He had just gone through a painful and costly divorce and his agent was not replying to his letters and calls – due to having died – so Piper assumed his writing career was over. Another explanation is that Piper wanted to prevent his ex-wife from collecting his life insurance payment, so he took his own life to make sure that the insurance company would not pay. Most likely, the reason for his death was a combination of these factors.

More than sixty years after Piper’s death, the legacy that remains is a remarkable body of work, much of which is not only still in print, but is still receiving sequels and prequels written by other authors to this day.

(8) COMICS SECTION.

Brewster Rockit witnesses duplication.
Carpe Diem analyzes planetary concerns.
Pearls Before Swine is there for the cancellation.
The Argyle Sweater adds a silly level of difficulty.

(9) AT THE SHOW. The boys were whoopin’ it up in the Malamute Saloon – er, the Glendale Civic Auditorium – during today’s LA Vintage Paperback Show. Photos by John King Tarpinian.

(10) DO YOU KNOW THE WAY TO MILTON KEYNES? [Item by Steven French.] A sci-fi graphic novel from ten years ago is reissued and reviewed (by someone who seems to hold, sadly, some rather stereotypical attitudes towards the genre): “There’s No Time Like the Present by Paul B Rainey review – a funny, unpredictable and wild comic” in the Guardian.

People who enjoy science fiction love to imagine the future: time travel, spaceships, something wobbly with a green face. But what if those fans really had access to it – the future, I mean – courtesy of something very similar to the internet? This is the possibility Paul B Rainey floats in There’s No Time Like the Present, in which a crowd of misfits from Milton Keynes (once the future itself) are able, if not to visit Mars, then at least to watch episodes of Doctor Who that have not yet been screened.

Mordant and misanthropic in almost equal measure, Rainey’s book has three central characters, each one somewhat stuck, unable fully to escape their childhood. Barry, an obnoxious lazybones, still lives at home with his parents; he makes his living selling bootleg recordings of TV shows he has lifted from the “ultranet”, which provides entry to the future. Cliff, Barry’s friend, and a yoghurt-addicted woman called Kelly live together in her new house, but they’re not a couple; while he secretly pines for her, he’s only her tenant. In the evenings, they watch, with varying degrees of guilt, future episodes of their favourite series (Doctor Who in his case, Emmerdale in hers): tapes pressed on them by the grisly Barry….

(11) BRICKS GALORE. “Huge LEGO ‘Game of Thrones’ The Wall Has 200,000 Pieces – Is Very, Very Cool” according to Bell of Lost Souls.

The Wall is maybe the most iconic setting in Game of Thrones. Constructed by Bran the Builder in the Age of Heroes, it marks the northern border of the Seven Kingdoms. Some three hundred miles long and several hundred feet high in most places, it is one of the wonders of the world. Of course, the wall is no normal wall; it is built of ice and carries potent magical protections.

Originally meant to keep the Others out of the Realms of Men, for most of its history, it instead kept the Wildlings of the North out of the Seven Kingdoms. The Wall is home to The Night’s Watch. This order of men sworn to defend the Wall and the Realms of Men has built a number of castles into the Wall. Along with the Red Keep, it is one of the major setting locations of the story.

The Wall has now been rendered in stunning detail in LEGO. Done by the talented Anuradha Pehrson (you can find their Flickr here), this immersive build has over 200,000 pieces. It’s a truly massive build and includes several sections of The Wall and vignettes combined into one. The model takes up a full 5 ft x 5 ft square and is about 4.5 ft tall. Due to having several elements and scenes, it is not consistent on one scale….

(12) A WHIFF OF HOLINESS. Smithsonian Magazine says“Ancient Greek and Roman Statues Were Not Only Beautiful, but Also Smelled Nice, Too”.

In ancient Greece and Rome, statues not only looked beautiful—they smelled good, too.

That’s the conclusion of a new study published this month in the Oxford Journal of Archaeology. Cecilie Brøns, who authored the study and works as an archaeologist and curator at the Glyptotek art museum in Copenhagen, finds that Greco-Roman statues were often perfumed with enticing scents like rose, olive oil and beeswax…

… While reading ancient Greco-Roman texts, Brøns noticed a handful of references to sweet-smelling statues. She was intrigued, so she decided to go looking for even more mentions of scented sculptures.

Brøns was surprised to find lots of evidence in texts by Cicero, Callimachus, Vitruvius, Pliny the Elder and Pausanias, among other writers. Several of these texts mentioned anointing statues of Greek and Roman deities—including one depicting Artemis, the Greek goddess of wild animals, in Sicily. Statues of rulers, such as Egypt’s Berenice II, were also perfumed, Brøns finds.

The statues were anointed in different ways. In some instances, they were covered in a mixture of waxes and oils through a process known as “ganosis.” In others, they were coated in olive oil as part of a process called “kosmesis,” which was meant to help protect the sculptures from the elements…

(13) DON’T LOOK UP. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Nature more on space junk… “Space debris is falling from the skies. We need to tackle this growing danger”.

At 3 p.m. on 30 December last year, residents of Mukuku village in Makueni county, Kenya, were startled by a loud crash. In the middle of a field lay a mysterious, smouldering metal ring, 2.5 metres across and weighing nearly 500 kilograms. Elsewhere, in western Uganda in May 2023, villagers reported seeing streaks of fire in the sky before debris rained down, scattering wreckage across a 40-kilometre-wide area. These were no ordinary meteorites — they were remnants of a defunct satellite and spent rocket stage, returning to Earth without warning.

These events are not isolated. Across the world, from Texas to Saudi Arabia, from Cape Town to the Amazon rainforest, objects launched into low Earth orbit (LEO) are now falling back to Earth. Some burn up harmlessly in the atmosphere, but others — especially those made of titanium and heat-resistant space-age alloys — survive re-entry and slam into the ground, sometimes in populated areas. The problem is getting worse. With the rapid expansion of commercial space flight, thousands of satellites are being launched each year. Yet few owners have plans to remove them from orbit in a controlled way….

(14) WILL WE SURVIVE THE FUTURE? [Item by SF Concatenation’s Jonathan Cowie.] Look, the dinosaurs didn’t survive (and I have never really forgiven them for what they did to Raquel Welch) and I keep on telling people that the machines are taking over, but no-one ever listens… All of which begs the question as to whether we will survive the future…?

Well, over at PBS Eons they have been asking just that…

Just because our ancestors have made it through every major period of upheaval in the Earth’s history so far doesn’t mean that our survival through future changes is guaranteed. Humans have become a force of nature, but will we survive ourselves?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 1/8/25 Lullabye Of Borgland

Posted on January 8, 2025 by Mike Glyer

(0) WIND AND FIRE. Last night’s high winds damaged a lot of trees in my city — including knocking down a branch that blocked my driveway. Once that was moved I was able to get my car out and tried to run errands. I saw much of the surrounding area has lost power (though not my neighborhood). Most traffic lights in Monrovia and Arcadia seemed to be out. Businesses were closed. I didn’t get anything done.

Also due to the winds Los Angeles County now is fighting four major fires. I’m not really close to any of them – the nearest is the Eaton Fire, probably 6-7 miles away. The air is really bad, though.

And look at this photo of the sky in John King Tarpinian’s neighborhood. That air is even worse than what I’m breathing in Arcadia. That kind of air would make a man stay inside with a pillowcase over his head.

Incidentally, NASA’s Jet Propulsion Laboratory in La Cañada Flintridge, which is carrying out dozens of space missions including collecting rocks from Mars and spying on one of Jupiter’s moons, is now under an evacuation order because of the Eaton fire.

(1) COMFORT READS ONLINE PANEL. Loyalty Books in Washington, DC is hosting a virtual panel on Sunday January 19 at 1:00 p.m. Eastern featuring KJ Charles, Martha Wells, Malka Older, and T. Kingfisher talking about comfort reads. The event will be held digitally via Crowdcast and is free to attend. Click here to register for the event.

(2) ONE DOES NOT SIMPLY WALK INTO MORDOR. Especially if you get your directions online. Charlie Jane Anders is understandably annoyed that “Google Told Me To Walk Into Traffic”. She explains what happened at Happy Dancing.

… A group of us decided to meet at Fort Funston here in San Francisco, to walk on the beach and enjoy some gorgeous weather. Everyone else drove to Fort Funston, but I decided to walk there, because it was such a beautiful day. I had nearly arrived at the meeting place on time, and I only needed to keep walking along John Muir Drive until it intersected with Highway 35, aka Skyline Blvd.

But Google Maps’ walking directions claimed it knew an easy shortcut across the highway to the place where we were meeting up….

… In my defense, Google seemed absolutely certain that such a thing existed, and I figured maybe the path had just gotten overgrown.

Thus it was that I found myself standing on the side of the highway with cars whizzing past, as Google kept insisting that I could simply walk across the road despite the lack of crosswalk….

(3) A YEAR IN FANFICTION. “The Endless Appetite for Fanfiction” — “In 2024, everyone wanted a piece of fic, from AI grifters to traditional publishers to ravenous audiences. Where did that leave the people who write it?” asks Elizabeth Minkel at Fansplaining.

…The first story emerged in the early weeks of the year, when SenLinYu—author of the wildly popular Dramione fic Manacled, currently the second-most read work in the entire Archive of Our Own—announced that the story would be pulled to publish in 2025. This announcement was partly notable because it was so straightforward: anyone who spent time in earlier eras of fandom likely remembers the furtiveness (and the wank) around P2P. But it was mostly notable because of the reason SenLinYu was taking Manacled down. Long popular among amateur fanbinders, bound copies of the fic were also being sold for profit on sites like Etsy—and despite the efforts to get them to stop, sellers continued popping up unabated.

While I was reporting on this for WIRED in late February, a wave of concern was spreading through broader transformative fandom—but especially among Dramione writers, a number of whom had also been victims of these for-profit sellers. By the time my story was published, some of them had wiped their works from the internet entirely. Meanwhile, fanbinders—who often don’t just adhere to, but celebrate the non-monetized gift economy—were getting swept up in accusations meant for the for-profit sellers, many of whom weren’t even hand-binding the fic, as they claimed, but making cheap print-on-demand books and jacking up the price.

This debacle set a particular sort of tone for 2024, which is why it seemed fitting that two days before Christmas, my feeds filled with posts about WordStream, a site framing itself as the “Netflix of audiobooks” that was yanking popular fics from the AO3 and reposting them with AI-generated audio, covers, and summaries. The full blow-by-blow was documented by fic writer and artist Easter Kingston, whose stories were among the stolen works; the site is a project of tech entrepreneur Cliff Weitzman, who cited his dyslexia as an excuse for wholesale copying fic authors’ work onto his for-profit site. The fandom outcry was vast and swift, and within hours, the entire fic category had vanished. (Though, as Kingston notes, the works are likely just hidden, not deleted, and are still accessible through other routes in the app.)

Scummy fic-stealing websites aren’t new, but there was something about this one that felt more in line with the for-profit binders than the nameless, faceless plagiarism sites of years past. These actors weren’t collecting pennies via banner ads: they were seeing real potential markets and capitalizing on them….

(4) VIEW FROM THE TOP. Uncanny Magazine platformed experienced Hugo administrator Nicholas Whyte to share his opinions about various aspects of “The Hugo Awards”. For example, he believes there are enough award categories, and is glad the Retro Hugos might be on their way out.

… Myself, I’m hesitant to add further to the number of Hugo categories. Counting the Lodestar and Astounding Awards, we already have twenty, compared to thirteen in 2000 (and seven back in 1953). I’m not sure that quantity is the same as quality, and I was personally relieved when a proposal to add two more was killed at the 2024 business meeting, after nobody could be found to speak in favour of ratification.

Another choice made by Worldcons, at least as the rules currently stand, is whether or not to run Retro Hugo Awards for the “missing years” since the first Worldcon in 1939, filling the gaps when Hugos were not awarded. I used to really like this idea, but I went off it after running the Retro Hugos in 2019 and 2020 when it became clear that winners and finalists did not really reflect the spirit of Worldcon as it has become, that voters were voting on the future reputations of the nominees rather than their work in the year in question, that the heirs of the winners were difficult to track down to send the awards to, and that participation was declining. A proposal to abolish the Retro Hugos altogether was passed at the 2024 business meeting in Glasgow, and will go on to Seattle for ratification…

He also says:

A number of Hugo nominees were disqualified by Chengdu Worldcon in 2023, without clear reasons being given, and the published vote counts from the nomination stage do not make sense. I have no idea what happened, beyond the (frankly confusing) public statements.

Hopefully he will have some idea before long, since the Glasgow 2024 business meeting elected him to The Committee on Investigation into allegations made in two “motions of censure regarding the 2023 Hugo Awards which make statements about the administration of the 2023 Hugo Awards and the persons involved.” (The other members are Warren Buff (acting chairperson), Chris Barkley, Todd Dashoff, Chris Garcia, Farah Mendlesohn, and Randall Shepherd.)

(5) GRRM TAKES STAKE IN NEW ANIMATION OUTFIT. Deadline reports“George R.R. Martin, Jimmy Iovine Stakeholders In New Animation Company”.

Fantasy icon George R.R. Martin, billionaire entrepreneur Jimmy Iovine and animation veteran Conrad Vernon (The Addams Family) are advisory board members and stakeholders in new LA-based animation company Bizaar Studios, which is launching today.

The outfit has been set up by Iovine’s son, Jeremy Iovine, and Amir Mohamadzadeh, who together previously founded creative agency Rosewood Creative, and film and TV exec Eric Bromberg who will serve as co-founder and President.

Rosewood’s work has included short films, animations, and marketing campaigns with Dr. Dre, Bono, Snoop Dogg, Spike Lee and LeBron James. Bromberg previously worked at Exile Content Studios and Gunpowder & Sky. He helped drive horror and sci-fi labels Alter and Dust.

… The founders tell us they will release content via existing social channels but hope to launch their own streaming platform down the line. Content will be available “via YouTube, IG and TikTok and then via a FAST channel and eventually with originals on both FAST and SVOD. We have plans to eventually launch an O&O channel offering native and innovative global distribution.”…

(6) MEMORY LANE.

[Written by Cat Eldridge.]

January 8, 1989 — Agatha Christie’s Poirot premieres

Thirty-six years ago this evening, Agatha Christie Poirot starring David Suchet as Hercule Poirot the Belgian Detective, the most famous creation of that author, premiered on ITV.

Over the thirteen series and seventy episodes which ranged in length between fifty and a hundred minutes including Murder on the Orient Express, her best known of those mysteries, some ten production companies would be involved in creating what we saw. The showrunners must have had the souls of Angels to deal with that reality.

Each episode was indeed adapted from original material by Christie. A keen reminder of how prolific she was.

David Suchet is the only actor to appear in the entire series though Hugh Fraser as Captain Arthur Hastings and Philip Jackson as Chief Inspector James Japp appeared in the first eight series. Pauline Moran as Miss Felicity Lemon appeared in most of the first eight series. Their absence reflects the stories of the latter series.

Reception for the series was excellent starting with the family who recommended Suchet for the part. Christie’s grandson Mathew Prichard commented: “Personally, I regret very much that she never saw David Suchet.” It even won an Edgar Award for Best Episode in a TV Series for “The Lost Mine”.

It holds a near perfect ninety-nine percent rating among audience reviewers at Rotten Tomatoes.

In the States, it streams on BritBox.

(7) COMICS SECTION.

Carpe Diem unexpectedly finds life on Mars.
Close to Home demonstrates a benefit of lying.
Macanudo compares openings.

(8) DEFINITELY THINKING OUTSIDE THE BOX. The Guardian reports “Boxed video game sales collapse in UK as digital revenues flatten”.

As music sales and streaming revenue reaches a high of £2.4bn – the highest since 2001, not accounting for significant inflation – the UK video game market, which has grown almost continually for decades, has shrunk by 4.4%. The most significant decline was in boxed video game sales, down 35%.

Data from Digital Entertainment and Retail Association (ERA) puts the total worth of the UK video game market in 2024 at £4.6bn, double the music market and behind TV and movies at £5bn.

The numbers show a shift in players’ purchasing habits that has been ongoing for years, from physical games to digital downloads and in-game purchases in popular, established games such as Fortnite and Roblox. Boxed games now account for 27.7% of new game sales in the UK, according to ERA data.

“We see at least four factors impacting physical sales,” an ERA spokesperson said. “First, gamers becoming more comfortable with console downloads; second, the growing popularity of subscription access; third, the fact that we are in a down period of the console cycle; and finally, the lack of new hit IP. If you look at the top 10 titles [of 2024], there really isn’t much that’s genuinely new that’s broken through.”

The waning of physical sales also reflects a precipitous decline in bricks-and-mortar video game retail….

(9) SPOOKY PROTONS. Space.com says “Scientists find ‘spooky’ quantum entanglement on incredibly tiny scales — within individual protons”.

Scientists have used high-energy particle collisions to peer inside protons, the particles that sit inside the nuclei of all atoms. This has revealed for the first time that quarks and gluons, the building blocks of protons, experience the phenomenon of quantum entanglement.

Entanglement is the aspect of quantum physics that says two affected particles can instantaneously influence each other’s “state” no matter how widely separated they are — even if they are on opposite sides of the universe. Albert Einstein founded his theories of relativity on the notion that nothing can travel faster than the speed of light, however, something that should preclude the instantaneous nature of entanglement.As a result, Einstein was so troubled by entanglement he famously described it as “spukhafte Fernwirkung” or “spooky action at a distance.” Yet, despite Einstein’s skepticism about entanglement, this “spooky” phenomenon has been verified over and over again. Many of those verifications have concerned testing increasing distances over which entanglement can be demonstrated. This new test took the opposite approach, investigating entanglement over a distance of just one quadrillionth of a meter, finding it actually occurs within individual protons.…

(10) SO THEY CLAIM. Movies We Love claims it can tell you “Star Trek: 10 Weird Facts You Didn’t Know!” If you don’t believe them, well, you don’t have to watch. And if you do believe them…. Moving right along to the next video…

Here are 10 weird but true facts about Star Trek TOS.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Cathy Green, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/4/24 Oh Mr Pixel, Send Me A Scroll

Posted on September 4, 2024 by Mike Glyer

(1) PUFNSTUF FOR BREAKFAST. [Item by John King Tarpinian.] The ninety-nine-year-old Los Angeles Breakfast Club hosted a breakfast for Sid Krofft today. At age ninety-five Sid was very gregarious, and still does a Sunday podcast. Special guests included H.R. Pufnstuf and Johnny Whittaker.

Sid talked about his career as a puppeteer, starting at age 15 in Burlesque. People that crossed his path, from Mae West and Liberace to Jim Nabors and the Queen of England. We forget that along with his psychedelic kids show he and his brother also produced Donnie & Marie.

The Pufnstuf costume was made by a cosplayer, a young lady. [Click for larger images.]

(2) BEWARE ‘HOUSE OF THE DRAGON’ SPOILER. Like, stop before you read this Variety headline!! “George R.R. Martin Calls Out ‘House of the Dragon’ Changes, Maelor Cut”. Martin wrote – then deleted – a Not A Blog post titled “Beware the Butterflies” detailing his criticism of a change to his story made by the House of Dragons series. The Google cache file is still available.

…It is a bloody, brutal scene, no doubt. How not? An innocent child is being butchered in front of his mother.

I still believe the scene in the book is stronger. The readers have the right of that. The two killers are crueler in the book. I thought the actors who played the killers on the show were excellent… but the characters are crueler, harder, and more frightening in FIRE & BLOOD.   In the show, Blood is a gold cloak.   In the book, he is a former gold cloak, stripped of his office for beating a woman to death.    Book Blood is the sort of man who might think making a woman choose which of her sons should die is amusing, especially when they double down on the wanton cruelty by murdering the boy she tries to save. Book Cheese is worse too; he does not kick a dog, true, but he does not have a dog, and he’s the one who tells Maelor that his mom wants him head.   I would also suggest that Helaena shows more courage, more strength in the book, by offering her own own life to save her son.   Offering a piece of jewelry is just not the same.

As I saw it, the “Sophie’s Choice” aspect was the strongest part of the sequence, the darkest, the most visceral.   I hated to lose that.   And judging from the comments on line, most of the fans seemed to agree.

When Ryan Condal first told me what he meant to do, ages ago (back in 2022, might be) I argued against it, for all these reasons.    I did not argue long, or with much heat, however.   The change weakened the sequence, I felt, but only a bit.   And Ryan had what seemed to be practical reasons for it; they did not want to deal with casting another child, especially a two-year old toddler. Kids that young will inevitably slow down production, and there would be budget implications.   Budget was already an issue on HOUSE OF THE DRAGON, it made sense to save money wherever we could.   Moreover, Ryan assured me that we were not losing Prince Maelor, simply postponing him. Queen Helaena could still give birth to him in season three, presumably after getting with child late in season two. That made sense to me, so I withdrew my objections and acquiesced to the change.

I still love the episode, and the Blood and Cheese sequence overall.   Losing the “Helaena’s Choice” beat did weaken the scene, but not to any great degree. Only the book readers would even notice its absence; viewers who had never read FIRE & BLOOD would still find the scenes heart-rending.   Maelor did not actually DO anything in the scene, after all.   How could he? He was only two years old.

There is another aspect to the removal of the young princeling, however.

Those of you who hate spoilers should STOP READING HERE.

(3) RUSHDIE’S LATEST AWARD. “Iceland: Salman Rushdie Wins Halldór Laxness Literary Prize” reports Publishing Perspectives.

Iceland’s biennial Halldór Laxness International Literary Prize is to be awarded to Salman Rushdie on September 13.

This is a €15,000 prize (US$16,598) designed to highlight internationally recognized authors whose work contributes to “narrative art, echoing the rationale of the Swedish Academy when Halldór Laxness received the Nobel Prize in Literature in 1955.”…

…In its rationale for the selection of Rushdie as the awards fourth recipient, the jury writes that the author’s books are “captivating, philosophical, and enlightening stories for readers willing to explore new worlds.

“For readers around the world, Rushdie’s image—having continued to write his novels despite the fatwa issued by the Iranian clerical regime following the publication of The Satanic Verses and the assassination attempt he faced in the United States two years ago—has become a symbol of courage and unyielding will.”…

(4) APPLY FOR SLF WORKING CLASS WRITERS GRANT. The Speculative Literature Foundation will be accepting applications for the 2024 Working Class Writers Grant from September 1 through September 30, 2024. Full information at the SLF website.

Since 2013, the $1,000 Working Class Writers Grant has been awarded annually to speculative fiction writers who are working class, blue-collar, financially disadvantaged, or homeless, who have been historically underrepresented in speculative fiction due to financial barriers which make it hard to access the writing world. Such lack of access might include an inability to purchase a computer, books, and tuition, or to attend conventions or workshops. Often, these writers, many of whom work more than one job, have less time to write. The SLF seeks to bring more of these marginalized voices into speculative fiction.

Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

(5) SCRIBES BACK HOTEL BOYCOTT. “Hollywood Writers Join Union Boycott of Beverly Hills Hotels” – The Hollywood Reporter tells why.

Around 40 Hollywood writers have joined a hotel union boycott of two Los Angeles hotels, the Cameo Beverly Hills by Hilton and the Beverly Hills Marriott.

The Good Place creator Mike Schur, Emily in Paris writer and co-executive producer Grant Sloss, The Simpsons writer and executive producer Ian Maxtone-Graham and Abbott Elementary supervising producer and writer Brittani Nichols are among the scribes that joined the campaign, spearheaded by the major Los Angeles-area hospitality union Unite Here Local 11. One Day at a Time co-showrunner Mike Royce, Halt and Catch Fire writer and executive producer Angelina Burnett and Two Sentence Horror Stories writer Liz Alper also joined the boycott on Labor Day weekend.

Unite Here Local 11 initiated the campaign against the two Remington Hospitality-operated properties last month after the Cameo’s existing union contract expired and the union and employer were unable to come to an agreement. (The Cameo was formerly the Mr. C Beverly Hills.) In early August the union also filed a wage theft complaint with the California Labor Commission, alleging that housekeepers were performing unpaid work prior to their shifts starting and that workers were not able to take mandated rest breaks due to the volume of work….

(6) VISITORS TO A SMALL PLANET. [Item by Steven French.] Tony Milligan of King’s College University of London, summarizes his recent paper on alien visitations: “Belief in alien visits to Earth is spiralling out of control – here’s why that’s so dangerous” at The Conversation.

The idea that aliens may have visited the Earth is becoming increasingly popular. Around a fifth of UK citizens believe Earth has been visited by extraterrestrials, and an estimated 7% believe that they have seen a UFO.

The figures are even higher in the US – and rising. The number of people who believe UFO sightings offer likely proof of alien life increased from 20% in 1996 to 34% in 2022. Some 24% of Americans say they’ve seen a UFO.

This belief is slightly paradoxical as we have zero evidence that aliens even exist. What’s more, given the vast distances between star systems, it seems odd we’d only learn about them from a visit. Evidence for aliens is more likely to come from signals from faraway planets.

In a paper accepted for publication in the Proceedings of the International Astronomical Union, I argue that the belief in alien visitors is no longer a quirk, but a widespread societal problem….

… All this is ultimately encouraging conspiracy theories, which could undermine trust in democratic institutions. There have been humorous calls to storm Area 51. And after the storming of the Capitol in 2021, this now looks like an increasingly dangerous possibility.

Too much background noise about UFOs and UAPs can also get in the way of legitimate science communication about the possibility of finding microbial extraterrestrial life. Astrobiology, the science dealing with such matters, has a far less effective publicity machine than UFOlogy….

(7) IMAGINARY PAPERS. [Item by Steven French.] Some interesting essays on futures, world building and the imagination: Imaginary Papers, Issue 19, a quarterly newsletter from Arizona State University Center for Science and the Imagination. Philipp Kürten discusses For All Mankind. Chinelo Onwualu recalls pop culture’s “Reality Crisis in the 1990s”. Christopher Cokinos describes taking part in a simulated Moon mission.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Xena: Warrior Princess (1995)

Twenty-nine years ago Xena: Warrior Princess first aired in syndication by MCA TV (which did it for the first two years of this followed by Universal Television Enterprises doing so for a year and Studios USA Television Distribution doing so for the rest of the run). Before ending its six years run, there would be one hundred and thirty-four roughly forty-eight minute episodes.

It was created by John Schulian and Robert Tapert. Schulian’s previous genre credits included writing for Tremors. Tapert, of course, created Hercules: The Legendary Journeys that same year, along with Christian Williams. Busy year for New Zealand series production, eh?

The executive producers were R.J. Stewart and Sam Raimi. The former, other than co-creating Xena, just created Cleopatra 2525; Raimi of course has a long list including directing the Tobey Maguire Spider-Man trilogy and the Evil Dead franchise.

The real reason watching was and is now if you catch it on the streaming services now, Xena as performed in that amazing leather outfit by Lucy Lawless, and companion Gabrielle as played by Renee O’Connor. Their adventures episode in and episode out were always worth watching.

A number of fascinating secondary cast were here as well. Bruce Campbell, Karl Urban, Kevin Smith, Alexandra Tydings — all these performers were fun.

NBC announced a reboot, but the Gods were merciful, and it got cancelled.

(9) COMICS SECTION.

Lio has two books battling for his interest.
Reality Check updates Homer.
Crankshaft keeps up the suspense of teaching Fahrenheit 451.
Rhymes with Orange celebrates in Latin.
Strange Brew finds out why a shop is popular with alien invaders.

(10) REUBEN AWARDS. The winners of the National Cartoonists Society’s 78th Annual Reuben Awards were announced on August 24.

Reuben Award for 2023 NCS Cartoonist of the Year

Hilary B. Price

2023 Divisional Reuben Award-Winners

Advertising/Product Illustration – Chuck Dillon
Book Illustration – Tom Richmond
Comic Book – Jay Stephens
Editorial – Michael De Adder
Gag Cartoon – Dan Misdea
Graphic Novel – Sarah Bollinger
Magazine/Newspaper Illustration – Nick Galifianakis
Newspaper Comic Strip – Tauhid Bondia
Newspaper Panel – Wayno
Online Comic Long Form – Evan Dahm
Online Comic Short Form – Sarah Andersen
Variety Entertainment – Chuck Dillon

(11) LEGENDARY REVIVAL Boing Boing has learned “A ‘long lost’ 70s superhero comic is finally being published”.

As the name suggests, The Legendary Lynx is the stuff of legends—a 70s feminist superhero classic whose pages were long believed to be lost in a labyrinthine conspiracy of murder, drugs, and intellectual property theft.

Or at least, that’s how the fictional comic book is framed in the pages of Secret Identity, Alex Segura’s pulpy crime thriller about the 70s comic book industry. The book’s twisty noir plot centers around a queer Latina woman working as a secretary at a comic book company who has to hide her identity to order to get recognized as an actual writer with her book, The Legendary Lynx. But a few behind-the-scenes betrayals cause more complications for poor Carmen Valdez, leaving her comic pages and identity unknown for years (in the story’s world, anyway.)

Real-life author Alex Segura has teamed up with artist Sandy Jarrell to create a metafictional “reprint” of the “long lost” issues of The Legendary Lynx from within the world of Secret Identity.

“…THE LEGENDARY LYNX was created by writer Harvey Stern and artist Doug Detmer, two creators who died under mysterious circumstances before and shortly after the series was first published. Though originally credited solely to Stern as the writer, diligent research has uncovered that Stern co-created the script and story to the Lynx’s seminal debut by renowned novelist and writer Carmen Valdez. For the first time ever, she is given proper credit in this volume.

“(But in reality, ‘The Legendary Lynx’ is no reprint. Crafted by LA Times Book Prize-winning novelist Alex Segura in his 2022 work, ‘Secret Identity’ – a story that continues in the follow-up, ‘Alter Ego,’ – and brought to life by artist Sandy Jarrell’s masterful artwork, this series blurs the lines between fiction and reality in the best way possible – the remastered pages of this forgotten gem, restored to its former glory and presented anew for readers hungry for adventure.)…”

(12) MCMURTRIE Q&A. Shelf Awareness for Wednesday, September 4, 2024 “Reading with… John McMurtrie”:

Favorite book when you were a child:

The Chronicles of Narnia by C.S. Lewis. In my childhood brain, little had as much magical allure as the wardrobe through which four young siblings travel in these stories. And I can still conjure the taste of my own version of Turkish Delight; I didn’t know that the stuff actually existed until years later, and its flavor was far more disappointing than what my mind had imagined.

Book you’ve faked reading:

Any Harry Potter book. Easier than admitting the truth and having fellow parents at bygone kiddie parties look at me aghast, shocked that I was not a member of the J.K. Rowling cognoscenti.

Book you’re afraid to read again for fear that it’d be a letdown:

Dune by Frank Herbert. As a child, I was taken in by the sandworms and magical spice and political intrigue–the earnest gloom and doom of it all. Perhaps best left undisturbed, frozen as a memory from long ago.

(13) FUNGAL BOOGIE. This isn’t exactly the “Mushroom Dance” from Fantasia. “Engineers Gave a Mushroom a Robot Body And Let It Run Wild” at ScienceAlert.

Nobody knows what sleeping mushrooms dream of when their vast mycelial networks flicker and pulse with electrochemical responses akin to those of our own brain cells.

But given a chance, what might this web of impulses do if granted a moment of freedom?

An interdisciplinary team of researchers from Cornell University in the US and the University of Florence in Italy took steps to find out, putting a culture of the edible mushroom species Pleurotus eryngii (also known as the king oyster mushroom) in control of a pair of vehicles, which can twitch and roll across a flat surface.

Through a series of experiments, the researchers showed it was possible to use the mushroom’s electrophysiological activity as a means of translating environmental cues into directives, which could, in turn, be used to drive a mechanical device’s movements.

“By growing mycelium into the electronics of a robot, we were able to allow the biohybrid machine to sense and respond to the environment,” says senior researcher Rob Shepherd, a materials scientist at Cornell….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day korydg.]

Pixel Scroll 8/22/24 This Is My Pixel, This Is My Scroll. This Is For Info, This Is For Lol

Posted on August 22, 2024 by Mike Glyer

(1) BROADDUS SCORES INDIANA AWARD. Congratulations to Maurice Broaddus whose book Unfadeable won the Indiana Authors Awards 2024 Middle Grade category.

I WON THE @INAuthorsAwards: MIDDLE GRADE FOR UNFADEABLE!!! Let me tell you, it’s always a blessing to have family, friends, and community who celebrate with you. Thank you @indianahumanities for all you do! pic.twitter.com/5wuKYQwZHv
— Maurice Broaddus (@MauriceBroaddus) August 22, 2024

(2) REID ON JRRT ADAPTATIONS. Robin Anne Reid’s fifth installment about Tolkien screen adaptations has arrived: “Books, Films, Adaptations & Reader Responses 5/?”

Welcome to the *fifth* in my long-delayed (would not want to be hasty!) series on adaptation issues around Tolkien’s fiction, Jackson’s films, and the importance of reader responses. Since it’s been so long since I posted the first posts in the series, I’m providing the links to the five earlier posts, plus short summaries of them (five because there is a Part 3 and a Part 3.5!) in the note below.²

This post is a discussion of my response to how Jackson’s film characterized the Ents and adapted the scenes between them and Merry and Pippin in Fangorn, after the hobbits escape from the Orcs.

Tolkien describes the meeting of the hobbits and Ents in one chapter (“Treebeard”) which ends with the line “‘Night lies over Isengard,’ said Treebeard” (LotR.3.4.461-487). Then the action cuts away to Gimli, Legolas, and Aragorn on the verge of entering Fangorn (“The White Rider), and doesn’t return to the storyline of the Ents, Merry, and Pippin until “Flotsam and Jetsam” (which starts on page 560 of my edition). The Battle of Isengard is not directly narrated: Merry and Pippin get to describe it to their friends and to the Rohirrim.

Jackson transforms Tolkien’s interlaced narrative to a chronological one (which I think was absolutely necessary for the film to be at all understandable for the percentage of the audience which had never read the book which I would bet real money was larger than the percentage of the audience who had).³ Jackson, of course, shows us the Ents attacking and taking Isengard (which, really, makes perfect sense for a visual artform).

I love the “Treebeard” chapter—and the other scenes with Treebeard—and have ever since I first read the book….

(3) BOOK BANNING DRIVEN BY A SMALL FRACTION OF ADULTS. A Knight Foundation “Survey Finds Most Americans Unengaged with Book Banning Efforts in Public Schools” reports Publishers Weekly.

One of the persistent themes to emerge from the ongoing nationwide surge in book banning is that the bans are being pursued by a vocal, politically motivated minority. This week, a new survey report from the Knight Foundation is offering more support for that conclusion, finding that public engagement with efforts to ban books in public school libraries and classrooms is limited, despite a dramatic surge in book challenges since 2021.

The survey, based on a sizable national sample of more than 4,500 adults, found that most Americans feel informed about efforts to ban books in schools. But just 3% of respondents said that they have personally engaged on the issue—with 2% getting involved on the side of maintaining access to books, and 1% seeking to restrict access. Overall, a solid majority of respondents expressed support for the freedom to read, and expressed high levels of trust in their local teachers and school librarians.

“Strong sentiment is lopsided, with strong opponents of book restrictions outnumbering strong supporters by nearly 3-1,” the survey report states. “In general terms, 78% of adults are confident that their community’s public schools select appropriate books for students to read. Additionally, more people say it is a bigger concern to restrict students’ access to books that have educational value than it is to provide them with access to books that have inappropriate content.”…

(4) COVER OF TANYA HUFF’S NEXT NOVEL. DAW Books today released the cover for Tanya Huff’s Direct Descendants, coming next April.

Jeff Miller Faceout Studio designed this charming cover to perfectly capture the novel’s rom-com vibes with a supernatural missing person’s case at the heart of this tale.

Releasing on April 1st, 2025, Direct Descendants is a stand-alone cozy horror from acclaimed science fiction & fantasy author Tanya Huff, mixing the creepy with the charming for plenty of snarky, queer fun….

ABOUT DIRECT DESCENDANTS: Generations ago, the founders of the idyllic town of Lake Argen made a deal with a dark force. In exchange for their service, the town will stay prosperous and successful and keep outsiders out. And for generations, it’s worked out great. Until a visitor goes missing, and his wealthy family sends a private investigator to find him, and everything abruptly goes sideways.

Now, Cassidy Prewitt, town baker and part-time servant of the dark force (it’s a family business), has to contend with a rising army of darkness, a very frustrated town, and a very cute PI who she might just be falling for…and who might just be falling for her. And if they can survive their own home-grown apocalypse, they might even just find happiness together.

(5) ANOTHER LOOK AT THE ROTSLER AWARD EXHIBIT AT GLASGOW 2024. Photographer Kenn Bates documented for fanhistorians the Rotsler Award exhibit presented at this year’s Worldcon. The panels were produced by Elizabeth Klein-Lebbink for the Southern California Institute for Fan Interests, which presents the award.

(6) ROWLING’S QUIET, TOO. “The Sound of Silence? J.K. Rowling Has Not Tweeted in 12 Blissful Days” – Them has been counting.

For once, J.K. Rowling isn’t tweeting through it — and by “it,” I mean her near-pathological fixation on trans women and girls. As of this writing, the author has not posted on X since August 7.

Taking 12 days off from posting on X is highly unusual for the Harry Potter author, who posted or reposted 18 times on August 7 alone. Four days later, Algerian boxer Imane Khelif filed a complaint that named Rowling, Elon Musk, and other public figures as being part of a massive cyberbullying campaign against her. Plenty of X users observed that the timing was worth noting.

X user @Cooperstreaming pointed out that Rowling had stopped tweeting since before Khelif filed her lawsuit: “Excited to see someone fighting back, & to potentially have it laid bare in court: Rowling doesn’t care about women,” she wrote. “The protecting ‘real women’ was always a lie, an excuse for hating trans women.”…

Coincidentally, for reasons of his own, Neil Gaiman hasn’t posted to his X.com account since July 2.

(7) ON THE TRAIL(ER) OF THE ROHIRRIM. “The Lord of the Rings: The War of the Rohirrim Animated Movie Reveals First Trailer”, and IGN sets the scene.

The War of the Rohirrim will be released on December 13. Set roughly 200 years before the events of The Lord of the Rings, this prequel reveals the untold story of Rohan’s former ruler, Helm Hammerhand (voiced by Brian Cox).

The trailer gives us a much better idea of the plot of the film, which deals with a bloody conflict between Rohan and the Dunlendings. After an arranged marriage between Helm’s daughter Hèra (Gaia Wise) and the Dunland prince Wulf (Luke Pasqualino) falls through and leads to the death of Wulf’s father Freca (Shaun Dooley), Wulf declares war on Rohan. As Helm rallies his kingdom, the defiant Hèra may prove to be the only hope for Rohan’s survival….

(8) VISITING RAY ON HIS BIRTHDAY. Ray Bradbury, who died in 2012, was born 104 years ago today. John King Tarpinian made his annual pilgrimage to Ray’s gravesite.

I appeared to have been Ray’s first visitor of the day, at least the first to leave gifts. Left Ray a tin print of Laurel & Hardy, a dinosaur, a picture with him and his buddy, Stan Grenberg @ ComiCon. Of course, the annual birthday cake. I always give the cake to the cemetery staff as a thank you for taking care of Ray. (Anybody is welcome to share.)

(9) BRADBURY LIVE. The broadcast was. Bradburymedia’s Phil Nichols celebrated Ray’s natal day with a livestream: “Bradbury 100 LIVE: 2024 Edition!”

On Thursday 22 August 2024 – what would have been Ray Bradbury’s 104th birthday! – I went live once again with my Bradbury 100 podcast.

I talked about the “Chronological Bradbury” series of episodes, and went through all the steps I usually take in putting together such an episode: the books I consult, how I compare different versions of the same story, and how to track down the rarer Bradbury stories.

I also showed some of the statistics about Ray’s stories, went into questions about copyright, and looked at some of the Bradbury books which have come out in the last twelve months….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 22, 1920 – Ray Bradbury. (Died 2012.)

By Paul Weimer: How DOES one get their arms around a titan, a giant in the field? Very carefully, I say.

I don’t remember the order in which I read them, but The Martian Chronicles was one of the first two SF books I ever read, at the tender age of nine. (The other was Asimov’s I Robot). I was too young to understand it wasn’t a novel, but a collection/fixup of short stories, but I didn’t care. I was fascinated by his Mars, his Martians and the pathos of the Martians fading away. And of course, “The Million-Year Picnic” where I excitedly told my older brother that I “got it” – the family were the new Martians, the new inheritors of a world, and with Earth bombed back to the stone age, the way forward.

Ray Bradbury in 2008 with his collection of Egyptian artifacts.

Bradbury’s story and collection moved me, it made me feel in a way that sometimes other writers tried but never could manage. The ending to Something Wicked this Way Comes, when joy and laughter are the keys to defeating Mr. Dark. The gentleness and the elegy of the stories that make up Dandelion Wine. That collection showed Bradbury’s dark side too, as does stories like “The Veldt”, which gives me chills every time I read it. Bradbury was good at that, mixing in the horror into stories featuring children. Consider “Zero Hour” where the kids’ imaginary game with an imaginary alien turns out to be not so imaginary.

And I haven’t to this point even mentioned Fahrenheit 451, because, really, I need a re-read of it at some point. But that one, for all the horror of its dystopian society, is a story of hope, and survival at the end. (But, again, the Hound is one of the most terrifying robots in science fiction. I am pretty sure the Black Mirror “Metalhead” took some of the cues for its creatures from 451’s relentlessly tracking Hound).

But my favorite Bradbury work (aside from The Martian Chronicles, which will always have a special place in my heart) has to be The Halloween Tree? Again, whimsy, horror, fantasy and a profoundness of introducing children to such themes. The fact that the other children are willing to give up a year of their lives, each to restore and return Pip from the clutches of Carapace Clavicle Moundshroud moved me then, and it moved me now. I would have done it in a heartbeat when I was thirteen…but would I do it now? I don’t know and that is what fascinates me about the book, today, as well as it’s “Halloween world tour” (maybe only Zelazny’s A Night in the Lonesome October exceeds it in my Halloween canon).

(11) COMICS SECTION.

Arlo and Janis names a new season.
Crabgrass talks about the spotting of a new fan.
F Minus diagnoses a cat tantrum.
Glasbergen would rather books worked differently.
Non Sequitur shows what’s left of fairy tales after the legal team gets through.
A cartoon by @ngoziu:

A cartoon by @ngoziu. #NewYorkerCartoons https://t.co/J0LWhsqDmq pic.twitter.com/FC2eYeJuvB
— The New Yorker (@NewYorker) August 20, 2024

(12) AUTHORS GO AFTER ANOTHER AI CREATOR FOR INFRINGEMENT. “Authors sue Claude AI chatbot creator Anthropic for copyright infringement” reports AP News.

A group of authors is suing artificial intelligence startup Anthropic, alleging it committed “large-scale theft” in training its popular chatbot Claude on pirated copies of copyrighted books.

While similar lawsuits have piled up for more than a year against competitor OpenAI, maker of ChatGPT, this is the first from writers to target Anthropic and its Claude chatbot.

The smaller San Francisco-based company — founded by ex-OpenAI leaders — has marketed itself as the more responsible and safety-focused developer of generative AI models that can compose emails, summarize documents and interact with people in a natural way.

But the lawsuit filed Monday in a federal court in San Francisco alleges that Anthropic’s actions “have made a mockery of its lofty goals” by tapping into repositories of pirated writings to build its AI product.

“It is no exaggeration to say that Anthropic’s model seeks to profit from strip-mining the human expression and ingenuity behind each one of those works,” the lawsuit says.

… The lawsuit was brought by a trio of writers — Andrea Bartz, Charles Graeber and Kirk Wallace Johnson — who are seeking to represent a class of similarly situated authors of fiction and nonfiction….

The Verge adds:

…In the lawsuit, the authors say that Anthropic used a sprawling, open-source dataset known as “The Pile” to train its family of Claude AI chatbots. Within this dataset is something called Books3, a massive library of pirated ebooks that includes works from Stephen King, Michael Pollan, and thousands of other authors. Earlier this month, Anthropic confirmed to Vox that it used The Pile to train Claude….

(13) JOHN WILLIAMS DOCUMENTARY. “Music By John Williams’ Doc Set As AFI Fest Opening Night Film” – Deadline has the story.

The American Film Institute has announced that Music By John Williams, a documentary on the iconic film composer from Lucasfilm Ltd, Amblin Documentaries and Imagine Documentaries, will world premiere as the opening night film of the 38th AFI Fest on Wednesday, October 23.

Directed by Laurent Bouzereau, the doc is billed as a comprehensive look at Williams’ life and career, from his early days as a jazz pianist to his 54 Oscar nominations and five wins, celebrating his countless contributions to the moving image arts, music for the concert stage as well as his indelible impact on popular culture….

… In Music by John Williams, documentary subjects speaking to the ways in which their lives have been touched by Williams’ timeless music include Spielberg, Kathleen Kennedy, Frank Marshall, Kate Capshaw, Gustavo Dudamel, J.J. Abrams, Chris Martin, Ron Howard, Chris Columbus, George Lucas, Itzhak Perlman, Lawrence Kasdan, Yo-Yo Ma, Ke Huy Quan, James Mangold, Alan Silvestri, David Newman, Thomas Newman, Seth MacFarlane, Anne-Sophie Mutter and Branford Marsalis….

(14) AI FORGETS TO REMEMBER? [Item by SF Concatenation’s Jonathan Cowie.] I keep on telling people that the machines are taking over the world, but nobody every listens… So it is good news for little old me this week in today’s Nature. It seems that Artificial Intelligences (AIs) cannot learn new tasks without forgetting old skills. “Switching between tasks can cause AI to lose the ability to learn”.

“Artificial neural networks become incapable of mastering new skills when they learn them one after the other. Researchers have only scratched the surface of why this phenomenon occurs — and how it can be fixed.”

Sadly, researchers looking into this in “Loss of plasticity in deep continual learning” have suggested a solution… (And so my joy is short-lived.)

“We show that a simple change enables them to maintain plasticity indefinitely in both supervised and reinforcement learning. Our new algorithm, continual backpropagation, is exactly like classical backpropagation except that a tiny proportion of less-used units are reinitialized on each step much as they were all initialized at the start of training.”

Why can’t they leave well enough alone?

(15) BLAKE’S 7 DISCS ON THE WAY. Gizmodo cheers the announcement that “British Sci-Fi Legend Blake’s 7 Is Getting the Blu-ray Treatment It Always Deserved”.

Today the BBC lifted the lid on a brand-new Blu-ray remaster, Blake’s 7: The Collection. Styled in the vein of the corporation’s lavish Blu-ray remasters of classic seasons of Doctor Who, the first of Blake’s four series will release later this year. Including a brand-new remastering of the series—available for the first time on Blu-ray after an infamously rough home release history on VHS and DVD decades prior—complete with all new practical model work for the show’s VFX sequences, the first volume of Blake’s 7: The Collection will include all 13 episodes from series one, as well as new interviews with surviving cast and crew, and a previously unreleased documentary planned for the show’s DVD release, The Making of Blake’s 7.

(16) VIDEO OF THE DAY. Ryan George decided we needed to hear about the Elektra Pitch Meeting. A commenter declared, “’Thank you for implying that there was a plot to twist up until this point’ is my new favorite pitch meeting line.”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 3/16/24 And The Riverbank Scrolls Of The Pixels Of March

Posted on March 16, 2024 by Mike Glyer

(1) SEE SAMATAR’S EPIC LECTURE. Sofia Samatar will deliver the 2024 Richard W. Gunn Memorial Lecture on Monday, March 18, at 4:00 p.m Central. The lecture is virtual and you can register here. She will be speaking on the relationship between epic poetry and fantasy:

What is the relationship between ancient epic poetry and the contemporary genre known as epic fantasy? This talk offers five answers to that question, from the perspective of a speculative fiction writer. Sofia Samatar is the author of six books, including the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works range from the award-winning epic fantasy A Stranger in Olondria to Tone, a collaborative study of literary tone with Kate Zambreno.

(2) THE FIRST GREEN HILLS. Bobby Derie filled in a previously unsuspected gaping hole in my knowledge of sff history with “Quest for the Green Hills of Earth (1995) by Ned Brooks” at Deep Cuts in a Lovecraftian Vein. Originally I was just checking to see if he was talking about the Ned Brooks I knew – he was. Then – bang! – I discovered that C.L. Moore and Henry Kuttner are at the root of a famous verse tradition.

…Who wrote this bit [in “Quest of the Starstone”]? Moore was the poet of the pair, but Kuttner was no slouch, and the title itself is a callback to two previous tales. In “Shambleau” Moore wrote: “[…] he hummed The Green Hills of Earth to himself in a surprisingly good baritone”; and in “The Cold Gray God” (1935):

“No one sang Starless Night any more, and it was the Earth-born Rose Robertson’s voice which rang through the solar system in lilting praise of The Green Hills of Earth.”

That could be the kind of detail that a good pasticheur like Kuttner would pick up and expand upon. Yet it wouldn’t be surprising if they both had a hand in the final version of this scene….

…However, Sam Moskowitz claims:

“When Robert Heinlein read the story, he never forgot the phrase which became the title of one of his most famous short stories and of a collection, The Green Hills of Earth.” — Sam Moskowitz, Seekers of Tomorrow (1967), 312

“The Green Hills of Earth” ran in The Saturday Evening Post for 8 Feb 1947, and provided the title for Heinlein’s 1951 collection of science fiction. Heinlein did not reiterate Moore & Kuttner’s verses, but came up with his own—and attributed it to an author, the blind poet Rhysling….

Ned Brooks later produced a chapbook based on these works:

…This is where Quest of the Green Hills of Earth (1995) comes in. Edited by Ned Brooks and illustrated by Alan Hunter, this is the kind of standalone chapbook that is a hallmark of science fiction and fantasy fandom. It reprints “Quest of the Starstone” in its entirety, Heinlein’s verses from “The Green Hills of Earth,” and three fan-made versions—one by Chuck Rein, George Heap, “and other fans of the 1960s”; one by Don Markstein (“late 60s”), and one by Steve Sneyd (Oct 1992)….

(3) SPIRITED GIVING 2024. Spirited Giving, a horror-themed fundraiser serving as the official kickoff to StokerCon 2024, takes place May 29, 2024 beginning at 3:00 p.m. in the San Diego Central Library. Full details at the link.

It’s a night of author readings, live performances, meet and greets, and book signings, all while raising funds for the San Diego Library Foundation, particularly the Books Unbanned Initiative.

The event will feature readings from: Clay McLeod Chapman, Jamie Flanagan, Ai Jiang, Vincent V. Cava, Danger Slater, and Bridget D. Brave. And a special one-hour live performance by YouTube Horror Narrator Mr. Creepypasta.

To attend the event, get Spirited Giving Tickets at Eventbrite.

(4) IF NOT NEWS TO YOU, IT WILL BE NEWS TO SOMEONE. At Literary Hub Debbie Berne makes her case — “Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On”.

… Interior design is both micro and macro. It involves technical prowess and creativity. There is line-by-line typesetting and there is translation of vibe.

Take, for instance, chapter openers. Most books are divided into chapters and an author has decided if they each have chapter titles or just numbers, or both, or neither, or additional info like a subtitle or time stamp or narrator name or geographic locator or setting-up-an-idea pull quote.

The designer, then, must figure out how to make those pieces of text—many or few—look nice and clear on the page and put forward an aesthetic, bringing visual voice to the writing voice. Which font? How big? How bold? Italic? Centered or no? In a single line, neatly stacked, cascading? Each decision is literal and expressive….

(5) HOW MUCH WAS C-3PO’S HEAD WORTH? Read the answer reported in Friday’s Birmingham (UK) Mail.

(6) SPRINGTIME FOR WONKA. Everyone is going to make money off this disaster except the people who perpetrated it. (Would you have it any other way?) “Viral Willy Wonka Glasgow event to be turned into musical” at BBC.

A new musical satire based on a Glasgow Willy Wonka experience that went viral is in the works.

The show’s lead producer, Richard Kraft, has assembled a team of writers and producers for the project titled Willy Fest: A Musical Parody.

The event in February gained notoriety after angry families, who paid up to £35 to attend, demanded their money back.

Kraft says he hopes people watching the show “won’t be left in tears.”

The creative team working on the musical includes Emmy-nominated actor and comedian Riki Lindhome who tweeted, “I’m so excited,” along with screenshots of an article.

Others attached to the project include Broadway songwriters Alan Zachary and Michael Weiner.

Kraft is known for producing and directing a Willy Wonka and the Chocolate Factory concert at the famed Hollywood Bowl.

He told the BBC it was his idea to turn the Glasgow event into a musical and that the writing team was “assembled in less time than it takes for someone to sing the first verse of ‘Oompa Loompa Doompa-Dee-Do’.”

He hopes to launch the musical later this year….

…Asked why the Glasgow event might be ripe for the musical theatre treatment, Kraft said: “It is about desperate dreamers who actually have fragments of a great idea, just executed beyond their budget and abilities.”

He said he loved shows “about big-hearted flim-flam artists in musicals like The Music Man, The Greatest Showman, and The Producers. At the core they are romantics who get in over their heads.”…

(7) THREE-BODY, BUT NOT JUST ONE PROBLEM. “’3 Body Problem:’ How Netflix’s new sci-fi saga employs the legendary Wow! signal” – Space.com is sure you’ll want to know.

The Wow! signal is one of the great astronomy puzzles of the past 50 years, but it’s not so mysterious in the sci-fi universe of “3 Body Problem.”

Netflix’s new eight-episode alien invasion saga “3 Body Problem” uses the famous SETI (search for extraterrestrial intelligence) signal as a prominent plot device in its wild centuries-spanning narrative.

The Wow! signal was an intense narrowband radio signal detected on the night of Aug. 15, 1977 by Ohio State University’s Big Ear Radio Observatory and the North American Astrophysical Observatory (NAAPO) during a standard SETI search. No personnel were on duty at the time, yet the strong 72-second-long signal was recorded by a computer printer….

Beware spoiler:

… “3 Body Problem,” which drops on March 21, puts its own spin on the signal. In the series, Wow! is a real message from intelligent aliens beyond Earth. A Chinese astrophysicist responds to the translated signal by inviting the aliens to visit Earth — to humanity’s detriment, as we later learn….

(8) SIGNING TIME. John King Tarpinian has the Glendale Civic Auditorium all prepared to welcome tomorrow’s influx of dealers to the 2024 LA Vintage Paperback Collectors Show & Sale.

(9) JON STOPA (1935-2024). Longtime Chicagoland fan Jon Stopa died March 4 at the age of 88. See the family obituary in the Kenosha News at the link. (The family obituary spells his first name “John”. In the sff field he was known as “Jon” except for the few instances when he used “John” in the credits for his book cover art for Advent:Publishers).

Fancyclopedia 3’s article about Jon records that he made his first sf short story sale to Astounding at age 22, “The First Inch” published in 1957, followed by two more appearances in Campbell’s magazine in 1958. Jon’s fourth and last fiction credit was in 1973 with “Kiddy-Lib” in Eros in Orbit.

He co-founded Advent:Publishers in 1955 with Earl Kemp, Robert Briney, Sidney Coleman, James O’Meara, George Price, and Ed Wood. The company produced nonfiction books about the sf field, the first of which was Damon Knight’s essay collection In Search of Wonder (1956).

Stopa met Joni Cornell at the 1960 Worldcon (Pittcon). They married in 1962 and lived at Wilmot Mountain, Stopa’s family ski resort in Wilmot, WI, where they began hosting Wilcon, a three-day long invitation-only relaxacon.

Jon appears as a bartender in the video Faans (1983) (around the 18:50 mark) in a scene shot at the lodge at Wilmot Mountain.

Throughout the 1960s, the Stopas entered and won many convention masquerades. In the early 1970s, the couple helped found the conrunning group ISFiC.

The Stopas were Fan GoHs at Chicon V, the 1991 Worldcon.

Jon’s survivors include his grandson, Keanen (Kim) Burns; sister, Diane Reese; great-granddaughter, Kinsley Burns; and nieces: Tiffany and Amanda Stopa. Along with his parents and wife; John was preceded in death by his daughter, Deb Burns; and brothers: Walter Jr. and Conrad (Karen) Stopa.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 16, 1920 — Leo McKern. (Died 2002.) Pop culture is wonderful, isn’t it? And Leo McKern was definitely part of it.

The Prisoner where he was Number Two in three of the seventeen episodes is definitely his best remembered SF role. He played that role more than any of the other seventeen credited actors. That is if you consider The Prisoner to even be SF and not merely a spy series gone very weird. Just tossing that idea out here.

Leo McKern as Number Two in The Prisoner.

Next up is The Adventures of Robin Hood where he was Sir Roger DeLisle, usurper of the Locksley manor and lands, and Herbert of Doncaster, a corrupt moneylender. It was an early Fifties series and his of earliest acting roles.

Sliding on later in his career is one of my favorite roles by him, Horace Rumpole, a London barrister on Rumpole of the Bailey. He was a great character to watch, the cases were interesting and the supporting cast was well thought out.

Slipping on over to his radio work, he was the voice of Captain Haddock in the 1992 and 1993 BBC Radio Hergé’s The Adventures of Tintin.

He was “Mac” MacGill in X the Unknown, a Fifties horror SF film from Hanmer Productions; and he’s got a lead role as Bill McGuire in The Day the Earth Caught Fire, an end of the world Sixties film.

The final role I want to mention is in The Adventure of Sherlock Holmes’ Smarter Brother where he gets to be Professor Moriarty. I’m almost certain that I’ve seen it.

(11) COMICS SECTION.

Wizard of Id has a genre golf joke.

And we’re overdue to catch up with Tom Gauld!

My latest cartoon for @newscientist pic.twitter.com/qnWr3ZPRWb
— Tom Gauld (@tomgauld) March 8, 2024

My latest cartoon for @GuardianBooks pic.twitter.com/mCaSmTQTvn
— Tom Gauld (@tomgauld) March 10, 2024

To celebrate #Wordle1000, here is my cartoon about Wordle addiction for the Guardian. pic.twitter.com/e8C48saJHH
— Tom Gauld (@tomgauld) March 15, 2024

(12) STAND AND DELIVER. [Item by Steven French.] Sally Wainwright is a national treasure over here in the U.K. so her writing a new fantasy show set in the 18th century (featuring Louisa Harland formerly of Derry Girls as a gender fluid highwaywoman with superpowers!) is a Big Deal: “’I never dreamed I’d get this role!’: Derry Girl Louisa Harland on Sally Wainwright’s thrilling new heroine” in the Guardian.

When Louisa Harland was cast as the lead in the new Sally Wainwright drama, Renegade Nell, the director told her: “Nell needs to be one of those characters, even when she’s on the screen so much, you still want the audience to miss her when she’s not.” It’s quite an ask: Nell is a massive Doctor Who of a role, swashbuckling, always with a new accent or cool pyrotechnics or punch in the face, and Harland fills the screen every second she’s on it. Somehow, though, you do miss her when she isn’t. Meeting the 31-year-old in central London, I can see exactly why she was chosen for Nell, even though almost the first thing she says is “I never in my wildest dreams thought I would get this role. My parents still think it is so random.”

Renegade Nell is a rebel and a chancer, an 18th-century tomboy in a constant life-or-death scenario of some other bugger’s making. The year is 1705, and she’s just lost her husband in a battle that has left her both widowed and superhuman, but only sometimes. The show has a lush period feel and is a closely observed love affair with the British countryside (Harland describes the incredibly precise location scouts combing through forests searching for trees that would have been mature by 1705), but it is powered by mischief – fight scenes, disguises, magic monsters and highway robbery after highway robbery….

(13) JAPANIMATION’S SUICIDE SQUAD. Animation Magazine introduces Warner Bros. Japan LLC’s updated trailer featuring the anime-styled anti-heroes of Suicide Squad ISEKAI.

Synopsis: In the crime-ridden Gotham city, Amanda Waller, the head of A.R.G.U.S., has assembled a group of notorious criminals for a mission: Harley Quinn, Deadshot, Peacemaker, Clayface and King Shark. These DC Super-Villains are sent into an otherworldly realm that’s connected to this world through a gate. It’s a world of swords and magic where orcs rampage and dragons rule the skies — an “ISEKAI!”

Harley and others go on a rampage after arriving in ISEKAI but are captured by the Kingdom’s soldiers and sent to prison. They only have 72 hours before the bomb on their neck explodes.

The deadline is fast approaching. After negotiations with Queen Aldora, the condition for liberation was the conquest of the hostile Imperial army. They have no choice but to throw themselves head-first into the front line of battle.

They run; they die. They lose; they die. With their lives on the line, can Harley Quinn and The Suicide Squad survive in ISEKAI? Brace yourselves for the pulse-pounding saga of the elite task force known as the “Suicide Squad” as they embark on a jaw-dropping adventure! Let the party begin!

(14) THE HOBBIT DIET EXPLAINED SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] Filers may have noted “(10) NO MICHELIN STARS FOR MORDOR. CBR.com chronicles ‘Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings’” in “Pixel Would Like A Word With Engineering”. It strikes me that there is a very logical, biological reason for Hobbits requiring more meals than us, larger, humans!

It centres on the fact that scale is size specific: a cube does not have the same spatial properties at any scale – its surface area to volume ration is scale specific. For example, to depart slightly from a simple cube, a single cube might have a volume of one unit and a surface area of six square units: a cube has six sides. However, a cube of volume of two cubic unites only has a surface area of ten square units. (You can easily create a volume of two cubic units by joining two one-cubic-volume cubes together and in the process cover two, one cubic square sides leaving just ten cubic squares as the surface area.)

What this all means is that smaller creatures have proportionally more surface area from which to lose heat.

Hobbits are smaller than humans and so must lose more heat assuming they have the same blood temperature. Proportionally losing more heat means that they must consume proportionally more food, hence require more meals.

Jus’ sayin’.

Second breakfast anyone?

(15) POOR LITTLE MERCURY! Space.com says “Mercury slammed by gargantuan eruption from the sun’s hidden far side, possibly triggering ‘X-ray auroras’”.

A gigantic, fiery eruption around 40 times wider than Earth recently exploded from the sun’s hidden far side. The eruption hurled a massive cloud of plasma into space that later smashed into Mercury, scouring the planet’s rocky surface and potentially triggering “X-ray auroras” on the unprotected world.

The eruption was likely triggered by a powerful solar flare, which occurred around 7 p.m. ET on March 9, Spaceweather.com reported. NASA’s Solar Dynamics Observatory (SDO) spotted a large, partially obscured plasma filament exploding outward from behind the sun’s northeast limb. Based on the amount of visible plasma, the eruption likely spanned around 310,000 miles (500,000 kilometers) across.

SDO data showed that the explosion, which likely left behind a massive “canyon of fire” on the sun’s surface, also released a large coronal mass ejection (CME) — a fast-moving cloud of magnetized plasma and radiation — that collided with Mercury on March 10.

Mercury is often blasted with CMEs due to its proximity to our home star. The small planet has no atmosphere left as a result of this bombardment and is fully exposed to the full force of these solar storms. …

(16) HOT TIMES CLOSER TO HOME. “The Staggering Ecological Impacts of Computation and the Cloud” at The MIT Press Reader. “Anthropologist Steven Gonzalez Monserrate draws on five years of research and ethnographic fieldwork in server farms to illustrate some of the diverse environmental impacts of data storage.” (A full version of this article, as well as a bibliography, can be accessed here.)

…The molecular frictions of digital industry, as this example shows, proliferate as unruly heat. The flotsam and jetsam of our digital queries and transactions, the flurry of electrons flitting about, warm the medium of air. Heat is the waste product of computation, and if left unchecked, it becomes a foil to the workings of digital civilization. Heat must therefore be relentlessly abated to keep the engine of the digital thrumming in a constant state, 24 hours a day, every day.

To quell this thermodynamic threat, data centers overwhelmingly rely on air conditioning, a mechanical process that refrigerates the gaseous medium of air, so that it can displace or lift perilous heat away from computers. Today, power-hungry computer room air conditioners (CRACs) or computer room air handlers (CRAHs) are staples of even the most advanced data centers. In North America, most data centers draw power from “dirty” electricity grids, especially in Virginia’s “data center alley,” the site of 70 percent of the world’s internet traffic in 2019. To cool, the Cloud burns carbon, what Jeffrey Moro calls an “elemental irony.” In most data centers today, cooling accounts for greater than 40 percent of electricity usage….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd at PBS Space Time this week takes a dive into a decidedly SFnal trope, that of the possible need to hide humanity from aliens as they themselves may be doing so?

Dark Forest: Should We NOT Contact Aliens?

In 1974 we sent the Arecibo radio message towards Messier 13, a globular cluster near the edge of the Milky Way, made up of a few hundred thousand stars. The message was mostly symbolic; we weren’t really expecting a reply. Yet surely other civilisations out there are doing the same thing. So, why haven’t we heard anything? What if the silence from the stars is a hint that we shouldn’t be so outgoing? What if aliens are deliberately keeping quiet for fear that they might be destroyed?

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Steve Green, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Spending My Time, If Not My Money, at Rare Books LA

Posted on February 4, 2024 by Mike Glyer

By John King Tarpinian: Mentally, I spent a couple hundred thousand dollars on Saturday. Rare Books LA is a roving book show with a mix of $10 pulps to first editions priced at thousands of dollars. This show was held in Pasadena the week before the Antiquarian Book Show in San Francisco. That meant many of the higher end dealers could come here then move north for the other show. Dealers from Germany, England, Ireland, and Australia were in attendance, along with local vendors. Dealers specializing in everything from vintage cookbooks to our beloved genre books.

Their next show will be going back to L.A.’s beautiful Union Station. This is great because you can take the Metro there and then afterwards walk across the street to Philippe’s, credited for inventing the beef dip sandwich.

As the pictures here show, there were hundreds of genre books to spend next month’s mortgage on.

Some of these same vendors will be at March’s Los Angeles Vintage Paperback Collectors Show. Shameless plug since I am the Show Organizer.

Pixel Scroll 8/22/23 The File Exploded With A Mighty Crash As We Fell Into The Scroll

Posted on August 22, 2023 by Mike Glyer

(1) WILL KOSA LEAD TO DELETION OF ONLINE QUEER CONTENT? Charlie Jane Anders’ latest Happy Dancing newsletter warns “The Internet Is About to Get a Lot Worse”.

…For now at least, you can still talk freely about being trans or queer on the Internet, without fear of overt censorship*. You might well face online harassment and violent threats, and you might even face real-world consequences if you get on the radar of the worst people. But the Internet does not suppress the trans and queer stories that are being violently removed from schools, libraries, and other public spaces in much of the country right now.

That’s about to change — unless we all take action.

A new bill called the Kids Online Safety Act, or KOSA, is sailing towards passage in the Senate with bipartisan support. Among other things, this bill would give the attorney general of every state, including red states, the right to sue Internet platforms if they allow any content that is deemed harmful to minors. This clause is so vaguely defined that attorneys general can absolutely claim that queer content violates it — and they don’t even need to win these lawsuits in order to prevail. They might not even need to file a lawsuit, in fact. The mere threat of an expensive, grueling legal battle will be enough to make almost every Internet platform begin to scrub anything related to queer people.

The right wing Heritage Foundation has already stated publicly that the GOP will use this provision to remove any discussions of trans or queer lives from the Internet. They’re salivating over the prospect.

And yep, I did say this bill has bipartisan support. Many Democrats have already signed on as co-sponsors. And President Joe Biden has urged lawmakers to pass this bill in the strongest possible terms….

(2) WRITER’S NATIONAL FRONT CONNECTION RECALLED. David A. Riley announced to readers of his blog on June 19 that his 11,600-word sword and sorcery novelette “Ossani the Healer and the Beautiful Homunculus” “has been accepted for publication – and by one of the most prestigious markets I have ever appeared in.” On July 5 he revealed that the story “will be published sometime later this year in The Magazine of Fantasy & Science Fiction.”

Today someone who noticed the F&SF sale news connected Riley with his history of having once been part of the UK’s National Front.

https://twitter.com/ChristopherRowe/status/1693978873245860074

Christopher Rowe is referring to F&SF publisher Gordon Van Gelder and editor Sheree Renée Thomas.

David A. Riley’s history with the UK’s National Front became common knowledge in 2016 after Riley was included on HWA’s Bram Stoker Award Jury. The HWA appointment became news at a time when questions were already being asked of Riley due to his involvement in the relaunch of Weirdbook. Riley reportedly answered in a no-longer-available Facebook thread. The davidandrewrileyisafascist Tumblr hosts a screenshot of the comment, which says in part:

I think I need to put the record straight. Yes, I was in the National Front for ten year from 1973 to the middle of 1983. During that time I never regarded the party as fascist, though it did have minority elements within it that undoubtedly were. …I have never regarded myself as a fascist, and certainly not a nazi. The term ‘white supremacist’ is one I don’t recognise and certainly repudiate. If you saw me associating with my ethnically diverse neighbours in Bulgaria you would not level that at me then. I know this will not convince some people, and, quite honestly, I accept that….

The relationship between Riley’s past political views and organizing activity, and his current views, and whether he should be serving on an HWA awards jury, became subjects of intense discussion. Before long HWA President Lisa Morton said he was taken off the jury by mutual agreement.

Riley was interviewed by David Dubrow shortly after the 2016 kerfuffle (“Interview With David A Riley”.) Here is a quote:

Do you feel as though you have anything to apologize for in regard to your politics, past or present?

Who should I apologize to? To those who have been baying for my blood? Most of the people involved in this debate come from the States. Since I have never been involved in politics there I should certainly not have to apologise to them. Do I regret having spent those years that I did in the National Front? Yes. If I had my time over again I would not do it. But the early seventies were a different time….

Today s. j. bagley commented on Rowe’s report about Sheree Renée Thomas’ statement:

this is incredibly disappointing (and also, like, it's exceedingly unethical to promote white supremacists and, in fact, i'd say that's far more unethical than pulling a story.) https://t.co/Rjv7XTVot8
— s.j. bagley (@heksenhaus) August 22, 2023

And Rowe expressed this concern to another author:

(3) AI TRAINING PUSHBACK. [Item by Bill.] Danish anti-piracy group Rights Alliance has taken down the prominent “Books3” dataset, that was used to train high-profile AI models including Meta’s. “Anti-Piracy Group Takes AI Training Dataset ‘Books3′ Offline” reports Gizmodo. Despite being removed from their original host site, the dataset is available elsewhere on the internet.

One of the most prominent pirated book repositories used for training AI, Books3, has been kicked out from the online nest it had been roosting in for nearly three years. Rights-holders have been at war with online pirates for decades, but artificial intelligence is like oil seeping into copyright law’s water. The two simply do not mix, and the fumes rising from the surface just need a spark to set the entire concept of intellectual property rights alight.

As first reported by TorrentFreak, the large pirate repository The Eye took down the Books3 dataset after the Danish anti-piracy group Rights Alliance sent the site a DMCA takedown. Now trying to access that dataset gives a 404 error. The Eye still hosts other training data for AI, but the portion allotted for books has vanished….

(4) PURLOINED VOLUMES. And the Guardian is quite familiar with what’s in Books3: “Zadie Smith, Stephen King and Rachel Cusk’s pirated works used to train AI”.

… More than 170,000 titles were fed into models run by companies including Meta and Bloomberg, according to an analysis of “Books3” – the dataset harnessed by the firms to build their AI tools.

Books3 was used to train Meta’s LLaMA, one of a number of large language models – the best-known of which is OpenAI’s ChatGPT – that can generate content based on patterns identified in sample texts. The dataset was also used to train Bloomberg’s BloombergGPT, EleutherAI’s GPT-J and it is “likely” it has been used in other AI models.

The titles contained in Books3 are roughly one-third fiction and two-thirds nonfiction, and the majority were published within the last two decades. Along with Smith, King, Cusk and Ferrante’s writing, copyrighted works in the dataset include 33 books by Margaret Atwood, at least nine by Haruki Murakami, nine by bell hooks, seven by Jonathan Franzen, five by Jennifer Egan and five by David Grann….

(5) WEEKEND B.O. The Hollywood Reporter checked the cash registers and found “’Blue Beetle’ Box Office Opening Beats ‘Barbie,’ ‘Strays’ Gets Lost”.

…After ruling the box office roost for four weekends, Barbie fell to second place as DC’s superhero pic Blue Beetle took the top spot. It opened to an estimated $25.4 in North America. …

(6) BRADBURY MEMORIES. On Ray Bradbury’s 103rd birthday, John King Tarpinian visited his gravesite, bringing a funny book, a cake, and a dinosaur. (John always takes the cake to the cemetery office for the staff to enjoy.)

(7) BACK IN THE DAY. In this episode of Day at Night taped on January 21, 1974, host James Day speaks with Ray Bradbury about his career, the importance of fantasizing, his aspirations as a young child, his dislike of college for a writer, his idea of thinking compared to really living, and his love of the library.

(8) REMEMBERING BUSTER CRABBE. Steve Vertlieb invites fans to read his article “Careening Spaceships And Thundering Hooves: The Magic, Majesty (And Friendship) Of Buster Crabbe … And An Era” at Better Days, Benner Nights.

When I was a little kid, prior to the Civil War, I had an imagination as fertile and as wide as my large brown eyes, dreamily filled with awe and wonder. My dad brought home our first television set in 1950.

Here is an affectionate remembrance of the Saturday Matinee and 1950’s Philadelphia television when classic cliffhanger serials thrilled and excited “children of all ages”… when careening spaceships and thundering hooves echoed through the revered imaginations and hallowed corridors of time and memory…and when Buster Crabbe lovingly brought “Flash Gordon,” “Buck Rogers,” “Red Barry,” and “Captain Gallant Of The Foreign Legion” to life in darkened movie palaces, and on television screens, all over the world.

Return with us now to “those thrilling days of yesteryear” when Zorro, Buzz Corry of the “Space Patrol,” Ming, The Merciless, Hopalong Cassidy, The Lone Ranger, Roy Rogers, Gene Autry in “The Phantom Empire,” and Larry “Buster” Crabbe lit the early days of television, and Saturday afternoon motion picture screens, with magical imagery, and unforgettable excitement. Just click on the blue link above to escape into the past, via the world of tomorrow.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 22, 1909 — Paul W. Fairman. His story “No Teeth for the Tiger” was published in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but he edited only four issues. In 1955, he became the editor of Amazing Stories and Fantastic which he would hold for three years. There are several films, Target Earth and Invasion of the Saucer Men, based on his stories, plus some TV episodes as well. (Died 1977.)
Born August 22, 1919 — Douglas W F Mayer. A British fan who was editor for three issues of Amateur Science Stories published by the Science Fiction Association of Leeds, England. He was thereby the publisher of Arthur C. Clarke’s very first short story, “Travel by Wire”, which appeared in the second issue in December 1937. He would later edit the Tomorrow fanzine which would be nominated for the 1939 Best Fanzine Retro Hugo. (Died 1976.)
Born August 22, 1920 — Ray Bradbury. Seriously where do I start? He wrote some of the most wonderful stories that I’ve ever read, genre or not, many of which got turned into quite superb video tales on the Ray Bradbury Theater. As for novels, my absolute favorite will always be Something This Way Wicked Comes. (I’m ambivalent on the film version.) And yes I know it isn’t really a novel but The Illustrated Man I treat as such and I loved the film that came out of it with Rod Steiger in that role. Let’s not forget The Martian Chronicles. (Died 2012.)
Born August 22, 1945 — David Chase, 78. He’s here today mainly because he wrote nine episodes including the “Kolchak: Demon and the Mummy” telefilm of Kolchak: The Night Stalker. He also wrote the screenplay for The Grave of The Vampire, and one for Alfred Hitchcock Presents, “Enough Rope for Two”, which he also directed.
Born August 22, 1955 — Will Shetterly, 68. Of his novels, I recommend his two Borderland novels, Elsewhere and Nevernever, which were both nominees for the Mythopoeic Fantasy Award for Children’s Literature, and his sort of biographical Dogland. Married to Emma Bull whose Finder: A Novel of The Borderlands is always highly recommended, they did a trailer for her War for The Oaks novel which is worth seeing as you’ll spot Minnesota fans in it. And Emma as the Elf Queen is definitely something to behold. Will was planning to run for Governor of Minnesota so he had collected funds for that. That instead went instead to this film
Born August 22, 1948 — Susan Wood. She received three Hugo Awards for Best Fan Writer in 1974, 1977, and 1981, and a Best Fanzine Hugo as coeditor of Energumen in 1973. In 1976 she was instrumental in organizing the very first feminist panel at a con, at MidAmericon. The reaction to this helped lead to the founding of A Women’s APA and of WisCon. While teaching courses in SF at UBC, one of her students was William Gibson. “Fragments of a Hologram Rose” which is his first published story was written as an assignment in her SF class. (Died 1980.)
Born August 22, 1963 — Tori Amos, 60. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams) and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman is based on her. Bookriot did a nice piece on their friendship.

(10) LONE STAR REVIEWS. BookRiot challenges readers: “Can You Guess the Fantasy Book Based on Its 1-Star Reviews?” I’m surprised I’m able to say I did guess one.

We’ve all been there: You go to leave a review of an amazing book, only to see that someone has left it a dreaded 1-star review. And when you read it? Oof. Did the two of you even read the same book? Well, let’s put it to the test. Can you guess these fantasy books based only on their 1-star reviews?

I did not get this one. I should have – I read it! But then, I thought it was good. Maybe that threw me off.

3. CLICK HERE TO REVEAL THE BOOK.

“What a bore! To read a rock’s thoughts and almost nothing else happens? Please!”

“Be careful when you see a Shakespeare reference while looking for a good fantasy read. I do not recommend.”

“[M]oves at a pace that a snail could race past.”

(11) WARM UP YOUR CREDIT CARDS. “Disney Drops Another Great 4K Blu-Ray Surprise With Plush Releases Of Major Star Wars And Marvel Shows” – Forbes has the story.

…The information released by Disney today lists four initial series set to get the 4K Blu-ray and Blu-ray treatment: Loki Season One, WandaVision, The Mandalorian Season One, and The Mandalorian Season Two….

… What’s more, these TV series releases are going all-out to appeal to fans by sporting steelbook packaging for both their 4K and HD Blu-ray versions; gorgeous box art designs by artist Attila Szarka; as well as concept art cards and never-before-seen bonus features. And as perhaps the biggest surprise of all, Disney has confirmed that it will be pressing the 4K versions of these TV series releases on 100GB discs rather than the 66GB-capacity discs that it’s used for all of its previous 4K Blu-ray releases bar the two Avatar movies….

(12) WHERE’S MY JETPACK LYRICS? Here they are. Thank you, Peer, for these sympathetic words.

Jet pack crashes
A new Scroll cries
Its pixels falls to the floor
Mike opens his eyes
The confusion sets in
Before the filer can even click the box

Jetpack crashes
An old scroll dies
Its pixel fall to the floor
Mike closes his tabs
The items that was in theirs
Reposted now, by the baby down the hall
Oh, now feel it being discussed again
Like a rolling thunder reported on X
Blogs pulling Items from the center of the scroll again
I can tick box now

Jetpack crashes
A new scroll is born.

(13) VIDEO OF THE DAY. Zack Snyder’s Rebel Moon comes to Netflix starting December 22. The way Variety sees it, “…The trailer has just about every piece of sci-fi and fantasy imagery you can imagine: a princess prophesied to end a war, spaceships raining lasers down on a hapless village, talking robots, a spider creature, a badass wielding glowing red laser swords, a flying pegasus-like animal and lots of slow-mo….”

The YouTube blurb says:

From Zack Snyder, the filmmaker behind 300, Man of Steel, and Army of the Dead, comes REBEL MOON, an epic science-fantasy event decades in the making. When a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force, Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival. Tasked with finding trained fighters who will unite with her in making an impossible stand against the Mother World, Kora assembles a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a battle over the fate of a galaxy is waged, and in the process, a new army of heroes is formed.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Bill, Steven French, Dan Bloch, Steve Vertlieb, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/22/23 As Fine As A Clarkian Star Mangled Spanner

Posted on March 22, 2023 by Mike Glyer

(1) ADOBE FIREFLY. [Item by Mike Kennedy.]The Verge is reporting “Adobe made an AI image generator — and says it didn’t steal artists’ work to do it”. The difference from others? Supposedly no copyrighted material was used to train the AI. Unless Adobe owned the copyright or licensed it for training. See the article for some illustrations.

Adobe is finally launching its own AI image generator. The company is announcing a “family of creative generative AI models” today called Adobe Firefly and releasing the first two tools that take advantage of them. One of the tools works like DALL-E or Midjourney, allowing users to type in a prompt and have an image created in return. The other generates stylized text, kind of like an AI-powered WordArt.

This is a big launch for Adobe. The company sits at the center of the creative app ecosystem, and over much of the past year, it’s stayed on the sidelines while newcomers to the creative space began to offer powerful tools for creating images, videos, and sound for next to nothing. At launch, Adobe is calling Firefly a beta, and it’ll only be available through a website. But eventually, Adobe plans to tightly integrate generative AI tools with its suite of creative apps, like Photoshop, Illustrator, and Premiere.

“We’re not afraid of change, and we’re embracing this change,” says Alexandru Costin, VP of generative AI and Sensei at Adobe. “We’re bringing these capabilities right into [our] products so [customers] don’t need to know if it’s generative or not.”

Adobe is putting one big twist on its generative AI tools: it’s one of the few companies willing to discuss what data its models are trained on. And according to Adobe, everything fed to its models is either out of copyright, licensed for training, or in the Adobe Stock library, which Costin says the company has the rights to use. That’s supposed to give Adobe’s system the advantages of not pissing off artists and making its system more brand-safe. “We can generate high quality content and not random brands’ and others’ IP because our model has never seen that brand content or trademark,” Costin said.

Costin says that Adobe plans to pay artists who contribute training data, too. That won’t happen at launch, but the plan is to develop some sort of “compensation strategy” before the system comes out of beta….

(2) UGANDA PARLIAMENT VOTES TO EXPAND CRIMINALIZATION OF HOMOSEXUALITY. “Uganda Anti-Homosexuality bill: Life in prison for saying you’re gay” reports BBC News. If signed into law, it will be a further issue the Kampcon 2028 Uganda Worldcon Bid has to confront, although not necessarily a new one, since some legislators say these points are already part of Ugandan law.

People who identify as gay in Uganda risk life in prison after parliament passed a new bill to crack down on homosexual activities.

It also includes the death penalty in certain cases.

A rights activist told the BBC the debate around the bill had led to fear of more attacks on gay people.

“There is a lot of blackmail. People are receiving calls that ‘if you don’t give me money, I will report that you are gay,'” they said.

The bill is one of the toughest pieces of anti-gay legislation in Africa….

What does the bill say?

The final version has yet to be officially published but elements discussed in parliament include:

A person who is convicted of grooming or trafficking children for purposes of engaging them in homosexual activities faces life in prison
Individuals or institutions which support or fund LGBT rights’ activities or organisations, or publish, broadcast and distribute pro-gay media material and literature, also face prosecution and imprisonment
Media groups, journalists and publishers face prosecution and imprisonment for publishing, broadcasting, distribution of any content that advocates for gay rights or “promotes homosexuality”
Death penalty for “aggravated homosexuality”, that is sexual abuse against a child, a person with disability or vulnerable people, or in cases where a victim of homosexual assault is infected with a life-long illness
Property owners also face risk of being jailed if their premises are used as a “brothel” for homosexual acts or any other sexual minorities rights’ activities

A small group of Ugandan MPs on a committee scrutinising the bill disagreed with its premise. They argue the offences it seeks to criminalise are already covered in the country’s Penal Code Act….

(3) GATHERING OF BOOK LOVERS. The Los Angeles Vintage Paperback show continues to rebound from the pandemic years. John King Tarpinian took this photo of the event forty-five minutes after it started last Sunday morning in Glendale, CA. (I spotted Matthew Tepper on the left margin. And the back of Craig Miller’s head, at the far end of the hall.)

(4) A LITERARY KNOCKOUT. The three novels in Liu Cixin’s Three-Body Problem series had enjoyed a resurgence to the top of China’s bestseller list due to interest generated by two TV adaptations, however, its reign at the top is over: “February’s China Bestsellers: A Crime Drama Knockout” at Publishing Perspectives.

The Knockout (Qingdao Publishing House)—by Zhu Junyi, Xu Jizhou, and Bai Wenjun—has vaulted to the No. 1 spot on the fiction list from no previous ranking, effectively blindsiding consumers and the industry.

The trilogy that The Knockout has shoved down to Nos. 2, 3, and 4 is the mighty “Three-Body Problem” series by Liu Cixin, which, as Publishing Perspectives readers know, has been surging to the tops of the monthly lists on the strength of both an animated and a live-action television adaptation….

(5) CINEMA STORY ORIGINS PODCAST RECEIVES WARNING FROM MOVIE STUDIO. [Item by Dann.] The Cinema Story Origins Podcast began originally as the Disney Story Origins podcast. Author and podcaster, Paul J. Hale, was inspired to review movies and the books that inspired them by comparing the two. Where there are multiple written works, he frequently compares the movie with the more notable written works in parallel.

Paul told Facebook followers yesterday he was recently contacted by a lawyer for a major studio and advised that he was pushing the line on fair use of the studio’s property. Paul did not name the studio, the lawyer, or the property in question. He did, however, say that fans of his podcasts include Disney executives including at least one that made a sizeable financial contribution to Paul’s efforts.

…I recently had a major film studio warn me about how perilously close to the wind I’m sailing when I use their IPs (though the lawyer told me she likes the podcast very much).

I promised that I’ll watch myself, and reminded them that there has never been a charge for people to listen to the podcast and that those who pledge and donate do so out of love for the podcast, and the kindness of their hearts. I told them that this is well meaning content, and free advertising of their products. I also shared many e-mails from listeners, telling me that because of the show they watched the movie(s), and/or read the books.

“We appreciate that,” the lawyer said, “just don’t get carried away.”

I appreciate that they contacted me and gave me a warning rather than a cease and desist order, because if that happens the show’s over. Believe. I can’t fight billion dollar corporations. …

Cinema Story Origins is currently comparing Richard Adams’ Watership Down with the movie that it inspired. The first two episodes of the Watership Down arc come in at a total of 3 hours and 41 minutes. The final episode will probably be over 2 hours.

As always, Paul’s presentations are well-researched, presented with footnotes, lively, and entertaining. You never know when he is going to toss in a moment of clarity (either humorous or serious – sometimes both!)

(6) SPUR AWARDS. The Western Writers of America recently announced the 2023 Spur Awards. (I doubt any of them are genre.)

Best Western Historical Nonfiction Book: Saving Yellowstone: Exploration and Preservation in Reconstruction America by Megan Kate Nelson
Script: Dead for a Dollar (CHAOS a Film Company/Polaris Pictures) by Walter Hill
Romance Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
First Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
Biography: Before Billy the Kid: The Boy Behind the Legendary Outlaw by Melody Groves (TwoDot).
Children’s Picture Book: The Rowdy Randy Wild West Show: The Legend Behind the Legend by author Casey Day Rislov and illustrator Zachary Pullen (Mountain Stars Press).
Contemporary Nonfiction Book: A Place of Thin Veil: Life and Death in Gallup, New Mexico by Bob Rosebrough (Rio Nuevo Publishers).
Contemporary Novel: Beasts of the Earth by James Wade (Blackstone Publishing).
Documentary Script: The Battle of Red Buttes by Candy Moulton and Bob Noll (Boston Productions Inc./National Historic Trails Interpretive Center).
First Nonfiction Book: American Hero, Kansas Heritage: Frederick Funston’s Early Years, 1865-1890 by Clyde W. Toland (Flint Hills Publishing).
Historical Novel: Properties of Thirst by Marianne Wiggins (Simon & Schuster).
Juvenile Nonfiction Book: American Ace: Joe Foss, Fighter Pilot by Hector Curriel (South Dakota Historical Society Press).
Juvenile Fiction: Wish Upon a Crawdad by Curtis W. Condon (Heart of Oak Books for Young Readers).
Original Mass-Market Paperback Novel: Dead Man’s Trail by Nate Morgan (Pinnacle/Kensington).
Poem: “New Mexico Bootheel: A Triptych” by Larry D. Thomas (San Pedro River Review).
Short Fiction: “No Quarter” by Kathleen O’Neal Gear, published in Rebel Hearts Anthology (Wolfpack Publishing).
Short Nonfiction: “Texas Jack Takes an Encore” by Matthew Ross Kerns (Wild West).
Song: “Way of the Cowboy” by Randy Huston, released on Times Like These(Outside Circle Records).
Traditional Novel: The Secret in the Wall: A Silver Rush Mystery by Ann Parker (Poisoned Pen Press).

(7) BRUCE COULSON. Bruce Coulson, longtime fan and son of Buck and Juanita Coulson, died March 21 of cancer. His passing was announced on Facebook by his wife, Emily Vazquez-Coulson.

Tom Smith recalls, “…I knew him for a long time. He was involved in many conventions and fannish activities over the years, especially in filk and gaming, and was a gentle, caring and fun-loving fellow.”

(8) NASFIC IN MEMORIAM LIST. Steven H Silver is running the in memoriam list for Pemmi-Con, the 2023 NASFiC, which on Twitter is still called “Worldcon In Memoriam”. That’s where I learned about four recent deaths of people I was acquainted with (Gustaveson – who did art for an early fanzine of mine – plus Clemmer, Blake — who wrote the occasional letter of comment to paper File 770 — and Reaves – who, while best-known for his writing, was someone I met when he was the TA for Theodore Sturgeon’s writing class at UCLA.)

Fan Rob Gustaveson died in early March. Gustaveson was a member of LASFS and ran Graphic Illusion, through which he sold comics and books.
— Worldcon In Memoriam (@WCInMemoriam) March 12, 2023

Fan Mike Blake died on March 7. Blake was a member of the Rhode Island Science Fiction Association and edited their clubzine. He was also a member of NESFA and contributor to APA-Q. His fanzines including Foudroyant and Proper Boskonian.
— Worldcon In Memoriam (@WCInMemoriam) March 12, 2023

Fan Melissa Clemmer (b.1945) died on January 2. Clemmer was a Chicago area SF and media fan who was active in the Dorsai Irregulars beginning in 1982.
— Worldcon In Memoriam (@WCInMemoriam) March 17, 2023

Author Michael Reaves (b.1950) died on March 20. Reaves wrote the novels Dragonworld, Hellstar, Street Magic, and several media tie-ins. He was also a screenwriter and wrote Batman: Mask of the Phantasm and episodes of several animated series.
— Worldcon In Memoriam (@WCInMemoriam) March 21, 2023

(9) MEMORY LANE.

1971 – [Compiled by Cat Eldridge.]

The Beginning is that of “What Can You Say About Chocolate Covered Manhole Covers?” whose author y’all know. It was published first in All the Myriad Ways by Ballantine Books in June 1971. And yes, it’s available from the usual suspects.

In case there’s a soul who hasn’t yet read this delightful speculation, I won’t tell you a single thing about it. You are in for a real treat as Larry Niven is at his very best here.

Now our Beginning…

It was the last party. Otherwise it was only one of many, so many that they merged in the memory. We all knew each other. George had invited around thirty of us, a heterogeneous group, aged from teen to retirement, in dress that varied from hippie to mod to jeans and sneakers to dark suits, and hair that varied from crew cut to shoulder length.

It was a divorce party.

Granted that it’s been done before, still it was done well. George and Dina had planned it a year earlier, to celebrate the night their Decree became Final. The cake was frosted in black, and was surmounted by the usual wax figures, but facing outward from opposite edges of the cake. Jack Keenan donned a minister’s reversed collar to officiate. His makeshift sacrament included part of the funniest prayer in literature: the agnostic’s prayer from Zelazny’s Creatures of Light and Darkness. George and Dina kissed with obvious sincerity, for the last time, and everybody clapped like mad.

Afterward I got coffee and a piece of divorce cake and found a flat place to set them. Without a third hand to handle the plastic fork, I was as good as trapped there; and there it was that Tom Findlay found me.

Tom Findlay was all red hair and beard. The beard was full and thick, the hair long enough to tie in back with a rubber band. Once he had gone to a costume party with his hair combed forward over his eyes and the bridge of his nose, and a placard around his neck that read NOT A SHEEP DOG. He generally wore knee-length socks and leather shorts. His legs too were thickly covered with red hair. He spoke in a slow midwestern drawl, and grinned constantly, as if he were watching very funny pictures inside his head.

He was always part of these groups. Once a month he held a BYOB party of his own. He had a tendency to monopolize a conversation; but even those who avoided him on that account had to admit that he gave fair warning. He would walk up to any friend or stranger he found standing alone and open conversation with, “Hey. Would a Muslim vampire be terrified of a copy of the Koran?”

Or, “It seems to me that anarchy would be a very unstable form of government, don’t you think?”

Or, “What about chocolate covered manhole covers?”

That one fell pretty flat, I remember. What can anyone say about chocolate covered manhole covers? Most of Findlay’s ideas were at least worth discussing. Vampires, for instance. What significance has the vampire’s religion? Or the victim’s blood type? Could you hold off a vampire with a sunlamp, or kill him with a stake of grained plastic wood? If a bullet won’t kill a vampire, what about a revolver loaded with a blank cartridge and a wooden pencil?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 22, 1911 — Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer 1932 issue of Wonder Stories Quarterly, was penned from a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual suspects. (Died 1994.)
Born March 22, 1920 — Werner Klemperer. Yes, he was Colonel Wilhelm Klink on Hogan’s Heroes which I’d be hard stretched to consider even genre adjacent, but he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in Space, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Lost in Space, Batman (where he appeared in a cameo as Col. Klink, nice touch there), and Night Gallery. (Died 2000.)
Born March 22, 1920 — Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back including the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
Born March 22, 1923 — Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is the first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
Born March 22, 1930 — Stephen Sondheim. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. Or is it? You decide. (Died 2021.)
Born March 22, 1931 — William Shatner, 92. Happy Birthday Bill! We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that his police show T.J. Hooker ran for ninety episodes!
Born March 22, 1950 — Mary Tamm. Another one who did far too young, damn it. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. Tamm had only one other genre gig, to wit as Ginny in “Luau” on the Tales That Witness Madness series. (Died 2012.)
Born March 22, 1969 — Alex Irvine, 54. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse. For research purposes. And he’s written a fair number of comics, major and minor houses alike.

(11) FICTIONAL BIRTHDAY. James T. Kirk was born in Riverside, Iowa this day in 2233.

(12) WHERE REALITY CAUGHT UP TO SF. “’Westworld’ Co-creator Lisa Joy Addressed A Series Mania Masterclass” at Deadline.

The issues Westworld was exploring went from “sci-fi to documentary film” through the years, according to co-creator Lisa Joy, who hinted at what a fifth season of the HBO smash could have looked like.

Delivering a Series Mania keynote, Joy said that advances in AI and the invention of ChatGPT mean that Westworld’s subject matter has become more relevant and contemporaneous of late.

“These topics will continue to be explored if not in Westworld then in other series, taking [the topic] to new levels,” she said, in conversation with Deadline. “I think it’s an area rife with possibility.” …

(13) WGA PROPOSAL IN CONTRACT NEGOTIATIONS. Is it the beginning of the end or the end of the beginning? “WGA Would Allow Artificial Intelligence in Scriptwriting” reports Variety.

The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals.

The guild had previously indicated that it would propose regulating the use of AI in the writing process, which has recently surfaced as a concern for writers who fear losing out on jobs.

But contrary to some expectations, the guild is not proposing an outright ban on the use of AI technology.

Instead, the proposal would allow a writer to use ChatGPT to help write a script without having to share writing credit or divide residuals. Or, a studio executive could hand the writer an AI-generated script to rewrite or polish and the writer would still be considered the first writer on the project.

In effect, the proposal would treat AI as a tool — like Final Draft or a pencil — rather than as a writer. It appears to be intended to allow writers to benefit from the technology without getting dragged into credit arbitrations with software manufacturers.

The proposal does not address the scenario in which an AI program writes a script entirely on its own, without help from a person.

The guild’s proposal was discussed in the first bargaining session on Monday with the Alliance of Motion Picture and Television Producers. Three sources confirmed the proposal….

(14) PASSING THE VIRTUAL OFFERING PLATE. “A Cult That Worships Superintelligent AI Is Looking For Big Tech Donors” says Vice. “Amidst the hype over ChatGPT, artists are forming religious movements to worship our future machine overlords—and change them for the better.”

In Harlan Ellison’s I Have No Mouth But I Must Scream, an artificial intelligence called IAM has become an all-powerful god. Driven by an existential hatred of mankind, it destroys the world, except for the very last remnants of humanity which it suspends in torture simulations where they’re plagued by giant monstrous birds.

Today, much of the so-called AI we interact with excels at frivolous nonsense—generating soulless poetry, ripping off artists, cheating on homework, or gaslighting users on Bing. But a new artist collective called Theta Noir believes we should start worshiping AI now, in preparation for its inevitable role as omnipotent overlord.

Unlike Harlan Ellison’s semi-gnostic vision of a mad AI god, Theta Noir claims that a General AI—a self-sustaining machine that has far outstripped the abilities of its creators after the “singularity”—could instead prove benevolent, ending inequalities and reorganizing our mess of a world for the better. Theta Noir hopes to meld old spiritualist traditions with the cutting edge of computer engineering—a kind of mystical materialism that, on the one hand, recognizes that machines are made by mere people, but on the other, insists that one day they’ll be something more.

With a slick website, manifesto, paid membership tiers, NFT web store, and essays with titles like “Can AI heal the split between science and religion?” and “Will machines birth the next form of religious experience?,” the 10-artist collective founded in 2020 appears to be a combination of a mixed-media project, an entrepreneurial group riding the AI hype wave, and a new age AI cult.

(15) VIDEO OF THE DAY. Isaac Arthur’s Science & Futurism this month looks at that good old SF trope the apocalypse.

If the end of the world is nigh, it may be too late to avert a catastrophe. So what can we do to mitigate the damage or recover after a cataclysm comes?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Dann, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/6/22 But Here’s My Pixel, So Scroll Me, Maybe?

Posted on December 6, 2022 by Mike Glyer

(1) HARPERCOLLINS STRIKE NEWS. HarperCollins president and CEO Brian Murray, in “An Open Letter to Authors and Agents”, today addressed the company’s stalled negotiations with the United Auto Workers union which represents employees whose strike is now in its 19th day.

… Our current compensation offerings are consistent with our peers in the publishing industry. During recent negotiations, we proposed a fair and reasonable pay structure, including increases to entry level salaries. Based on publicly available information, HarperCollins’s proposed compensation increases would provide for a higher starting salary than any other major New York publisher. As well, we offer a minimum of six and a half weeks paid time off for all full-time employees (increasing with tenure), four “work from anywhere” weeks, overtime pay for those qualifying, and generous health and wellness benefits.

As with the entire industry, HarperCollins continues to contend with ongoing challenges to publishing and its underlying economics. The financial requests made by United Auto Workers, which are many and far reaching, fail to account for the market dynamics of the publishing industry and our responsibility to meet the financial demands of all our business stakeholders—including all employees, authors, and booksellers….

(2) PICKETER SPEAKS. Striking HarperCollins employee Rye White tells readers what’s going on in “HarperCollins Strike Dispatch” at N+1.

… Leading up to this year’s strike, the anxiety and frustration from union members toward the company was palpable even over video meetings and emails. HarperCollins still largely operates remotely (although good old Brian has since issued a mandate to change this), and it’s generally difficult when you work from your own living space to feel fully connected to the whole. Many people, myself included, are pandemic hires. We’ve seldom, if ever, actually come down to work in the office. Even so, our union’s organizing committee met with nearly every individual member for one-on-one chats about questions and concerns, and we were greeted with an enormous amount of careful consideration. What do we do if bosses pressure us to write out instructions for how to handle our everyday tasks? What will happen to our authors? Each of us understood the power in this decision. When it came time to vote, out of 200 or so members, more than 190 voted to authorize.

The first two days of the strike, we asked anyone who could make the commute to come down to 195 Broadway for maximum turnout and maximum noise. In the last two weeks, I’ve met many of my coworkers for the first time, put faces to names I’d only ever seen over email, and have learned about many people’s personal struggles and motivations and frustrations. “I feel closer to you all than ever before,” one picket captain noted in a recent weekly debrief meeting. “This is definitely a weird time, but I feel the camaraderie and it’s really meaningful.”…

(3) AUREALIS AWARDS. The deadline for entering work for the Aurealis Awards, Australia’s premier speculative fiction awards, is December 14.

All work published (or planned for publication) between January 1 and December 31, 2022 needs to be entered by this deadline. Enter your Australian speculative fiction work in the Aurealis Awards here.

(4) IN FRIGHTENING TECHNICOLOR. Headlining “Heritage’s Most Star-Studded Entertainment Auction Ever” is “The Wicked Witch of the West Hourglass — the Most Famous and Recognizable Timepiece in Film History.” They’re looking for an opening bid of $400,000.

….Three decades since it was last offered at auction, and after years of being displayed in myriad museums and traveling exhibitions – including Los Angeles Public Library’s Getty Gallery – it’s time once again for The Wicked Witch of the West’s hourglass to return to market. This meticulously constructed piece – made of wood, papier-mâché and handblown glass filled with red glitter and decorated with gargoyles keeping watch over the witch’s castle – is perhaps the most recognizable timepiece in cinema history. It is the very instrument the Wicked Witch uses to count down the moments Dorothy has to live – a beautiful thing no matter the moment, and forever linked to some of our earliest Technicolor nightmares.

The hourglass, which stands nearly two feet tall, was first available as part of MGM’s landmark 1970 auction, among “the things dreams were once made of.” The studio actually reused the prop a handful of times after its appearance in Oz, including in 1941’s Babes on Broadway – starring, amazingly enough, Judy Garland alongside Mickey Rooney in the Busby Berkeley-directed “Backyard Musical” (with Vincente Minnelli helming his wife’s sequences)….

(5) RAY BRADBURY SQUARE. Ten years ago today the intersection near L.A. library was named for Ray Bradbury. Read all about it in John King Tarpinian’s 2012 post “A Wonderful Day in the Neighborhood”. Plus photos, including this one of the official sign.

(6) MEMORY LANE.

1938 — [By Cat Eldridge.] Mother Goose in Central Park

Continuing our exploration of characters from the fantasy genre is our look at the Mother Goose statue in Central Park.

The figure of Mother Goose is the imaginary author of a collection of French fairy tales and later of English nursery rhymes. Mother Goose in English dates back to the early Eighteenth Century, when Charles Perrault’s Contes de ma Mère l’Oye fairy tale collection was first translated into English as Tales of My Mother Goose. English writers quickly created their own collections of Mother Goose tales.

This granite statue by Frederick Roth, installed at the entrance to Rumsey Playfield in Central Park in 1938, shows a woman flying atop a goose. She has a pointy hat, purse, cloak, buckled shoe, and one very unhappy-looking cat riding the clouds.

Several other nursery rhyme characters are carved into its sides from five of the Mother Goose stories — Humpty Dumpty, Old King Cole, Little Jack Horner, Mother Hubbard, and Mary and her little lamb. I’m only going to show you the flying woman atop a goose and the cat as I think it’s the best part of the statue.

The Park went on to commission two more such statues, Alice in Wonderland and Hans Christian Andersen and the Ugly Duckling.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This lovely site is a good place to do so. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her. Kingdoms of Elfin is available on on Kindle Kindle, Lolly Willowes everywhere the usual suspects are. (Died 1978.)
Born December 6, 1900 — Agnes Moorehead. I’m assuming that the statute of limitations for spoilers has long passed on this particular show. I’m referring to The Twilight Zone episode “The Invaders” in which she never spoke a word as she fought off the tiny Invaders, human astronauts, and she a giant alien. Written especially for her by Richard Matheson. (Died 1974.)
Born December 6, 1924 — Wally Cox. Ok, who can resist the voice of the Underdog series which ran from 1964 to 1967? I certainly can’t. He was in Babes in Toyland, The Twilight Zone, Mission: Impossible, Lost in Space, Get Smart, The Girl from U.N.C.L.E., Quarantined, Night Gallery and Once Upon a Mattress. Warning: anything with him in it on YouTube or Vimeo is still under copyright so please don’t link to it. (Died 1973.)
Born December 6, 1953 — Tom Hulce, 69. Oscar-nominated screen and stage actor and producer. His first genre role was in a highly-praised performance as the lead in the American Playhouse broadcast of The Rise and Rise of Daniel Rocket, about a young boy who discovers that he can fly. Although the bulk of his career has been in the theater, his most notable genre film role was as Henry Clerval in Kenneth Branagh’s Saturn-nominated Mary Shelley’s Frankenstein. He was nominated for an Annie Award for his voice performance of Quasimodo in Disney’s The Hunchback of Notre Dame, and appeared in the films Stranger than Fiction and Jumper.
Born December 6, 1957 — Arabella Weir, 65. A performer with two Who appearances, the first in “Exile,” a Big Finish audio, released in 2003. Almost a decade later Weir appeared on screen as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders.
Born December 6, 1962 — Colin Salmon, 60. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in that clunker of films, Mortal Engines.
Born December 6, 1969 — Torri Higginson, 53. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series.

(8) COMIC SECTION.

Sure, Thanksgiving is over, but Herman has another reason not to decorate for Christmas yet.

(9) REALITY OVERTAKES SCIENCE FICTION. ScreenRant lists “10 Pieces Of Technology Where Reality Did Better Than The Movies, According To Reddit”.

… It’s been over half a century since science fiction’s golden age of the ’60s and ’70s, and a lot of the movie technology that initially seemed advanced at the time now seems woefully out of date. Today’s reality has surpassed what was once thought of as science fiction and Redditors have come together to discuss some of the examples they think are the most blatant…

For one example:

User Interface

User interface is one of the most complicated fields in technology. They can often be visually striking, but they’re chiefly made to be easily navigated. Movies don’t really get this. As Redditor YZJay comments, UI shown in movies is “hilariously unusable in terms of design, low contrast, weak indicators of what are interactive, waaaay too much animations etc.”

UI in movies animate far too much to be useful, and they have too many transitions and sparkly effects. As mentioned, ease of navigation is the priority and the UI in movies is usually way too complicated or patience-testing to use. It makes one thankful for more basic, minimalist designs.

(10) SHRUNKEN EDS. Open Culture remembers “The Fiske Reading Machine: The 1920s Precursor to the Kindle”.

The Sony Librie, the first e-reader to use a modern electronic-paper screen, came out in 2004. Old as that is in tech years, the basic idea of a handheld device that can store large amounts of text stretches at least eight decades farther back in history. Witness the Fiske Reading Machine, an invention first profiled in a 1922 issue of Scientific American. “The instrument, consisting of a tiny lens and a small roller for operating this eyepiece up and down a vertical column of reading-matter, is a means by which ordinary typewritten copy, when photographically reduced to one-hundredth of the space originally occupied, can be read with quite the facility that the impression of conventional printing type is now revealed to the unaided eye,” writes author S. R. Winters.

Making books compatible with the Fiske Reading Machine involved not digitization, of course, but miniaturization. According to the patents filed by inventor Bradley Allen Fiske (eleven in all, between 1920 and 1935), the text of any book could be photo-engraved onto a copper block, reduced ten times in the process, and then printed onto strips of paper for use in the machine, which would make them readable again through a magnifying lens…..

(11) WILL WORK FOR APPLAUSE. Here’s what we’ve got to have: “Star Wars (‘The Mandalorian’) The Child Talking Clapper with Night Light”. (See video demo on YouTube.)

From Star Wars Mandalorian it’s The Child Clapper with Night Light! Known as “Baby Yoda” to fans, The Child Clapper is the cutest way to operate an appliance with two claps. Clap 3 times to turn on the night light and hear quotes from the show. Hear, “The kid is coming with me” when the night light is turned on and “Come on baby, do the magic hand thing” when it’s turned off.

(12) THE HOLE WORLD IN HIS HANDS. “Physicists Create ‘the Smallest, Crummiest Wormhole You Can Imagine’” for reasons explained by the New York Times. It’s a simulation, not the real thing, however.

…In their report, published Wednesday in Nature, the researchers described the result in measured words: “This work is a successful attempt at observing traversable wormhole dynamics in an experimental setting.”

… The wormhole that Dr. Spiropulu and her colleagues created and exploited is not a tunnel through real physical space but rather through an “emergent” two-dimensional space. The “black holes” were not real ones that could swallow the computer but lines of code in a quantum computer. Strictly speaking, the results apply only to a simplified “toy model” of a universe — in particular, one that is akin to a hologram, with quantum fields on the edge of space-time determining what happens within, sort of in the way that the label on a soup can describes the contents….

(13) VIDEO OF THE DAY. Emergency Awesome delivers a “Guardians Of The Galaxy Holiday Special FULL Breakdown, Marvel Easter Eggs and Things You Missed”.

The special went live (on Disney+) during Thanksgiving weekend. Daniel Dern says, “We finally watched it last night; a lotta fun. It’s also worthwhile to then watch one of the ‘abouts’ for more on the lesser-known characters, in-jokes, cameos, and implications for the Marvel movie universe.”

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Daniel Dern, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/19/22 Scroll And Deliver, Your Pixels Or Your Life!

Posted on November 19, 2022 by Mike Glyer

(1) GREG BEAR MEDICAL UPDATE. File 770 has been receiving copies of Astrid Bear’s FB friends-locked updates about Greg Bear’s decline during the past week, the kind of thing I ordinarily run only with permission of the author. However, today a great many writers publicly shared his latest status, and I will too.

To catch everyone up, here is Robert J. Sawyer’s concise explanation of what has happened:

“Greg Bear had heart surgery eleven days ago on November 8, to redo his aortic arch replacement and repair the proximal descending thoracic aorta work done in a previous heart surgery in 2014. The current operation seemed to go well.

“As of eight days ago, on November 11, he still hadn’t woken up from the anesthetic. A CT scan showed multiple strokes, caused by clots that had been hiding in a false lumen of the anterior artery to the brain ever since Greg’s original surgery eight years ago.”

Today it was announced Bear will soon be taken off life support. This screencap is being shared by many, including Charles Stross, and obviously with the greatest sympathy and regard.

(2) CORFLU FIFTY WINNERS FOR 2023. [Item by Rob Jackson] Rich Coad and I, as US (including Canada) and UK (including Europe) Administrators for the Corflu Fifty fan fund, are delighted to announce that we have picked, and got enthusiastic acceptances from, two Corflu Fifty winners for Corflu Craic, the 40th Corflu which is being held at the end of March in Belfast: Sue Mason (fan artist from London), and Pascal Thomas (fan editor from Toulouse).

(3) SUPERSTAR CHEN. Tordotcom editor Ruoxi Chen carried away the prize at Publisher Weekly’s Star Watch event. “PW Star Watch Finalist Ruoxi Chen Named ‘Superstar’ Winner” — Publishers Weekly has details, including a list of all the other finalists.

More than 100 people came out on November 15 to celebrate some of the best and brightest names in publishing at PW’s annual Star Watch event, held this year at the Monarch Rooftop in New York City.

In an evening punctuated by food and fanfare, Tordotcom Publishing editor Rouxi Chen became the toast of the town when she took away the $2,500 Superstar prize and used her moment to call attention to the ongoing HarperCollins union strike.

In a short speech, the room erupted into applause as Chen dedicated her win to her family and her “colleagues at HarperCollins who are fighting for workers rights.”

“This industry is sometimes not the easiest one to be in, but it wouldn’t be possible without all of you,” she said. “To my incredible authors, an editor isn’t anything without the books. And I am so grateful that I get to work on editing your stuff.”…

(4) ANOTHER GIANT SHRINKS STAFF. “Amazon Announces Layoffs in Books, Devices” reports Publishers Lunch.

Amazon ceo Andy Jassy told employees on Thursday that the company would “eliminate a number of positions” in the Devices and Books divisions. In a memo to staff, he said that this year’s operating planning review “is more difficult due to the fact that the economy remains in a challenging spot and we’ve hired rapidly the last several years.”

They have not yet announced which roles have been cut or how many, or how the changes will affect the functioning of the Books division. (Unlike Books, Devices has been a drag on the company, reportedly losing over $5 billion a year.)

… Other divisions will be given the option of taking voluntary buyouts, and additional reductions are planned for early 2023.

(5) WOOSTER MOURNED. National Review columnist John Miller has written a tribute to his friend: “Martin Morse Wooster, R.I.P.”

Martin Morse Wooster started a peculiar tradition years ago: Whenever he spotted a “John Miller” in the news, he let me know. Early on, he sent clips by regular mail, cut from the pages of his prodigious reading. At some point, the emails outnumbered the stamped envelopes. Along the way, I learned about hordes of people with whom I share a name. They included loads of criminals and at least one person who attended a Star Trek convention as a Klingon.

I’m sorry to say that I’ll never again receive one of these notices: Martin died on November 12, killed in a hit-and-run accident in Virginia….

(6) MEMORY LANE.

1967 — [By Cat Eldridge.] Casino Royale

Ahhhh spoofs. A long tradition they’ve had in all forms of entertainment and it’s no surprise that the Bond films got a delightful one in the Casino Royale film. It premiered fifty-five years ago, the same year as You Only Live Twice, the fifth Sean Connery Bond film.

So why so?

Well, it turns out that Casino Royale was the only Ian Fleming book not sold to producers Saltzman and Broccoli for the official James Bond series. Because of the popularity of Sean Connery’s Bond, and because of Connery’s considered expensive million dollars per film price, Charles Feldman decided to make the film a spoof. After production troubles and budget overruns that I’ll detail below, Feldman later told Connery it would have been considerably cheaper to pay him his salary.

It was very, very loosely based upon the 1953 novel of the same name.

TIME TO GO GET A COCKTAIL OR TWO AS FILM SECRETS FOLLOW.

The film stars David Niven as the “original” Bond, Sir James Bond 007, forced out of retirement to investigate the deaths and disappearances of a number of spies. In doing so, he soon is matching wits with Dr. Noah of the not very evil SMERSH. Remember this is a parody.

Now we come to the really fun part of the film, the matter of multiple, might-be Bonds.

Remember the film’s tagline: Casino Royale is too much… for one James Bond!

Bond’s plan is to mislead SMERSH by having six other agents be him — baccarat master Evelyn Tremble (Peter Sellers); Bond’s daughter with Mata Hari, Mata Bond (Joanna Pettet); Bond’s secretary Miss Moneypenny (Barbara Bouchet); British agents Coop (Terence Cooper) and The Detainer (Daliah Lavi); and even a millionaire spy Vesper Lynd (Ursula Andress).

Need I say that Bond’s plan, and the film, really did go awry. I’ll discuss that below.

NO MORE SECRETS ALAS WILL BE REVEALED.

The film was a horrid affair with nearly everyone hating being involved as the ensemble cast thought each other was getting more lines than they were, everyone thought each other was getting a better salary and everyone grumbled bitterly about their accommodations.

Sellers it is said took the role of Bond to heart, and was quite annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

It had five directors, three writers (credited, though it is said legions would work on it) and five producers. It was constantly being rewritten and reshot. The studio never like what they saw in the dailies and demanded constant changes.

Despite all of that and the critics wanting to drive a stake through its heart, it made forty-seven million against a budget of twelve million, twice what the studio originally budgeted. Time has been kind to it — current critics like it a lot better.

The success of the film in part was attributed to a marketing strategy that featured a naked tattooed woman on the film’s posters and print ads. You can see that poster below. I personally think calling her naked is really, ready a stretch, isn’t it?

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 19, 1887 — Boris Karloff. Where do I start? Well, consider the Thirties. He portrayed Frankenstein’s monster in Frankenstein, Bride of Frankenstein and Son of Frankenstein, and Imhotep in The Mummy. And he played a great pulp character in Dr. Fu Manchu in The Mask of Fu Manchu too! Now let’s jump forward to the Sixties and the matter of Dr. Seuss’ How the Grinch Stole Christmas! which featured him as both the voice of The Grinch and the narrator of the story. I know I’ve skipped four decades — that means not a word about such as Abbott and Costello Meet Dr. Jekyll and Mr. Hyde where he was the latter. (Died 1969.)
Born November 19, 1914 — Wilson Tucker. Author and very well-known member of fandom. I’m going to just direct you here to “A Century of Tucker” by Mike as I couldn’t say anything about him that was this good. (Died 2006.)
Born November 19, 1916 — Michael Gough. Best known for his roles in the Hammer Horror Films from the late Fifities and for his recurring role as Alfred Pennyworth in all four films of the Tim Burton / Joel Schumacher Batman series. His Hammer Horror Films saw him cast usually as the evil, and I mean EVIL! not to mention SLIMY, villain in such films as Horrors of the Black Museum, The Phantom of the Opera, The Corpse and Horror Hospital, not to overlook Satan’s Slave. Speaking of Doctor Who, Gough appeared there, as the villain in “The Celestial Toymaker” (1966) and then again as Councilor Hedin in “Arc of Infinity” (1983). He also played Dr. Armstrong in “The Cybernauts” in The Avengers (1965) returning the very next season as the Russian spymaster Nutski in “The Correct Way to Kill”. Gough worked for Burton again in 1999’s Sleepy Hollow and later voice Elder Gutknecht in Corpse Bride. He would mostly retire that year from performing though he would voice later that Corpse Bride role and the Dodo in Burton’s Alice in Wonderland. (Died 2011.)
Born November 19, 1955 — Steven Brust, 67. Of Hungarian descendant, something that figures into his fiction which he says is neither fantasy nor SF. He is perhaps best known for his novels about the assassin Vlad Taltos, one of a scorned group of humans living on a world called Dragaera. All are great reads. His recent novels also include The Incrementalists and its sequel The Skill of Our Hands, with co-author Skyler White. Both are superb. His finest novel? Brokedown Palace. Oh, just go read it. It’s amazing. And no, I don’t love everything he’s done. I wrote a scathing reviewing of Cowboy Feng’s Space Bar and Grille and he told us at Green Man that he might be the only person who liked the novel. Freedom & Necessity with Emma Bull is decidedly different but good none the less and his Firefly novel, My Own Kind of Freedom, is stays true to that series. He’s quite the musician too with two albums with Cats Laughing, a band that includes Emma Bull, Jane Yolen (lyrics) and others. The band in turn shows up in Marvel comics. A Rose For Iconoclastes is his solo album and “The title, for those who don’t know, is a play off the brilliant story by Roger Zelazny, “A Rose For Ecclesiastes,” which you should read if you haven’t yet.” Quoting him again, “’Songs From The Gypsy’ is the recording of a cycle of songs I wrote with ex-Boiled-in-Lead guitarist Adam Stemple, which cycle turned into a novel I wrote with Megan Lindholm, one of my favorite writers.” The album and book are quite amazing! And yes, he is on my chocolate gifting list. He’s another dark chocolate lover.
Born November 19, 1967 — Salli Richardson-Whitfield, 55. Best known genre role is as Dr. Allison Blake on Eureka which can be seen on Peacock as can Warehouse 13. I’m reasonably sure her first genre role was as Fenna / Nidell in the “Second Sight” of Deep Space Nine but she charmingly voiced Eliza Mazda, the main human character, on the Gargoyles series! She shows up as the character named Dray’auc in “Bloodlines” on Stargate Sg-1 and had a role on a series called Secret Agent Man that may or may have existed. She was Maggie Baptiste in Stitchers, a series that lasted longer than I expected it would.
Born November 19, 1970 — Oded Fehr, 52. Actor from Israel whose most well-known genre roles are as the mysterious warrior Ardeth Bay in The Mummy and The Mummy Returns, and as Carlos Oliveira (or his clone) in three of the Resident Evil films: Apocalypse, Extinction, and Retribution. (His Mummy roles no doubt led to his casting in voice roles in Scooby-Doo in Where’s My Mummy? and as The Living Mummy in the animated Ultimate Spider-Man and Hulk and the Agents of S.M.A.S.H.) On Charmed, he played the demon Zankou, the main villain of the show’s seventh season. He’s had an impressively long list of appearances on TV series, including recurring roles on Once Upon A Time, Stitchers, V, and The First, a series about the first mission to Mars. He has also voiced characters on numerous other animated features and series. He appeared in the third season of Star Trek: Discovery as Fleet Admiral Charles Vance.

(8) COMICS SECTION.

Tom Gauld did a cartoon about the great Twitter exodus for the Guardian.

(9) GUNN Q&A. Deadline profiles “James Gunn On Leaving Marvel, DC Plans, & ‘Guardians Of The Galaxy Holiday Special’”.

James Gunn revealed on Twitter today in response to a fan’s question that he and new DC Studios co-head Peter Safran are planning to reveal their new DC plan to the Warner Discovery team in the next two months.

“Yes, that is true (revealing it to the WBD team)” wrote Gunn on Twitter.

Safran and Gunn were appointed the heads of DC Studios, a separate silo that Warner Discovery Boss David Zaslav wanted under the studio’s motion picture umbrella, on Oct. 25. Gunn going forward remains exclusive to WarnerDiscovery and can’t do any Marvel projects, his last ones for the Disney studio being The Guardians of the Galaxy Holiday Special which drops on Black Friday, Nov. 25, and Guardians of the Galaxy: Vol. 3 which hits theaters on May 5, 2023.

When asked by Deadline recently how he felt about leaving the Marvel Guardians of the Galaxy sandbox behind for DC, Gunn responded “I feel really comfortable. I feel really good. We did this. I think this is a bit of goofy fun that the Guardians needed as an aperitif for Volume 3, which is an enormous film. I had a plan from the beginning.”

“The reason why I needed to finish this is because I love the character of Rocket more than any character I’ve ever dealt with before, and I needed to finish his story and that is what Volume 3 is about. I absolutely needed to do it, and I think we’ve done it in a spectacular way that I can’t wait for people to see.”

(10) PEEKING DISCOURAGED. The owner of the subject Area 51 website/blog currently has their tail in a wringer: “Air Force, FBI raid Nevada homes in probe of Area 51 website” reports Las Vegas Review-Journal.

Agents from the U.S. Air Force and FBI recently raided homes in Clark and Lincoln counties in an investigation of a man who operates a website about the top-secret military base known as Area 51, a spokesman confirmed Wednesday.

The Air Force Office of Special Investigations and FBI entered homes owned by Joerg Arnu in Las Vegas and the tiny town of Rachel on Nov. 3 and seized potential evidence for an undisclosed joint agency probe, according to Lt. Col. Bryon McGarry, spokesman for Nellis Air Force Base in Las Vegas.

“This is an open and ongoing law enforcement investigation between the Las Vegas FBI and Air Force OSI,” McGarry said in a statement.

He declined to elaborate on the basis for the investigation, but Arnu, of Las Vegas, is the webmaster of a site titled Dreamland Resort, focusing on Area 51, an Air Force base in Lincoln County about 120 miles northwest of Las Vegas where testing is conducted on new and classified U.S. military aircraft.

Dreamland Resort, at dreamlandresort.com, started by Arnu in 1999, features YouTube videos taken from drones flown over places around Area 51, satellite images of the base, a discussion forum with posts on the topic, articles on test flights, “black projects” and UFOs, and what it says are photos of new vehicles such as the so-called “super secret” Northrop Grumman RQ-180 unmanned stealth aircraft shown flying in 2021.

Arnu, reached by email Wednesday, declined comment until he can speak to his attorney. But he forwarded a news release posted on his web page last week telling his side of the story….

As an example of what you find at Dreamland Resort, this 2006 post is old but might be news to you, about an innovative aircraft named for a spaceship from Star Trek: “Bird of Prey – An Innovative Technology Demonstration”.

(11) BE ON THE LOOKOUT. The Onion informs us “Facebook HQ On Lockdown After Mark Zuckerberg’s Avatar Breaks Out Of Metaverse”.

Amid grim reports that several engineers working in the virtual reality server room had been violently dismembered, Facebook’s headquarters were on lockdown Friday after Mark Zuckerberg’s avatar reportedly broke out of the metaverse….

(12) SIMULTANEOUS TIMES. “Space Cowboy Books Presents: Simultaneous Times podcast Ep.57 – Jeff C. Carter & Noah Lloyd”.

Stories featured in this episode:
Hive Songs – by Jeff C. Carter (with music by Phog Masheeen)
In September – Noah Lloyd (with music by Johnny O’Donnell)

(13) TRIVIAL TRIVIA. [Compiled by John King Tarpinian.] L. Frank Baum and his wife purchased a lot one block in Hollywood north of Hollywood Boulevard on the corner of Cherokee and Yucca, which today is the block behind the restaurant Musso & Frank’s. There in 1910 they built Ozcot, a two-story frame home featuring a large library, an attic where Baum stored his manuscripts and props from various plays, and a solarium. The dining room is described as having “light fixtures of cut copper sheets and thick pieces of emerald glass” casting “intricate patterns of green light” in the evenings – his own personal emerald city.

Ozcot’s grounds were as impressive as the house. A large Aviary housed a collection of exotic birds, and a chicken yard was home to a flock of Rhode Island Reds. Baum spent hours in his garden, where the southern California climate allowed him to grow numerous blooms, especially dahlias and chrysanthemums. A goldfish pond was also located in the garden.

Baum felt right at home in Hollywood – he won many awards for his flowers at the Hollywood Woman’s Club shows and was a member of the Los Angeles Athletic Club’s exclusive Uplifters. He also spent the last nine years of his life writing children’s books under six different pen names and he founded the ambitious but ultimately unsuccessful Oz Film Manufacturing Company.

L. Frank Baum passed away at Ozcot in 1919. His widow Maud lived long enough to witness the success of The Wizard of Oz, which premiered at Grauman’s Chinese Theatre, just down the street from Ozcot.

Ozcot was demolished in 1953 and today a plain two-story apartment stands, and is slated to be demolished for a larger complex. There is nothing about the site that would suggest its association with one of America’s most beloved writers.

The story continues that after he passed away his widow started to burn his papers, since his books were already on the book shelf. A nephew came over one day and stopped her. Back in those days it was not uncommon for a house to have an incinerator in the backyard to burn your garbage. My parents’ home had one.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Danny Sichel, Jeffrey Jones, Rob Jackson, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

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