Tag Archives: Michael Bishop

Pixel Scroll 10/18/20 The Beatles That Twisted And Shouted At The Heart Of The World

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(1) WRESTLING OVER MEANING. Steven Erikson’s essay asserts a changing relationship between authors and literary criticism. “The Author as the Living Dead (Barthes’ Death of the Author: Zombie Horror and Literary Criticism)”.

… Death of the Author by Barthes is postmodernist. It has absorbed the essence of postmodernist thought which seeks to question the most basic assumptions of reality. It seeks to separate the author from the work for purposes of analysis. The faculty office door must remain closed to allow for the fullest purity of the endeavour that is literary analysis. With the author excised, and with an argument presented to bolster the assertion of non-contextuality in the work to be examined, the scholar is given free rein to invent whatever pleases them, provided the thesis is properly assembled.

Under the vast umbrella of postmodernism, personal interpretations have egalitarian virtue. The text is neutered of intention at its source (the author), to be dismantled and reassembled at leisure. If the author writes: “The shirt was blue,” the literary critic can now assert that line to mean the shirt was red, or there was no shirt at all, but a shirtless person made blue by the fierce winter wind. And if that sentence was not anchored to any character’s point of view, but rather to that of an unseen omniscient narrator, well, clearly that narrator wasn’t the actual author, but a voice generated by the novel itself, which sprang into creation like a toadstool on a pile of dung in the basement.

As with all art, in other words, the creator ceases to be relevant and the audience is made eminent.

You might think I’d be fine with that. By this means am I divested of all responsibility for what I write. What a relief. Just as I no longer have any say in how a reader interprets (or feels) about anything I write, the only thing that binds me to their expectations leaves the field of literary criticism behind and ventures into the crass world of consumerism, popularity, and publishing, since these market forces will decide if I am or am not a successful writer. When I wrote “The shirt was blue” I could not possibly have expected a reader to interpret the shirt as being red, or no shirt at all, and even if I had an expectation that a reader would read that sentence in one way and one way only, that’s no longer relevant.

De-contextualizing a work of art is the gentle injection that puts it to eternal sleep. No longer any risky vivisection awaiting the examiner. Just flat out, stiff-as-a-board-body dissection. Here the limits can be decided upon, the parameters clearly defined, the self-as-audience raised on the highest pedestal. It’s a postmodernist’s wet dream….

(2) BISHOP MEDICAL UPDATE. Michael Bishop gave readers a frank report about his cancer in a public Facebook post.

“What’s on your mind?” the cue on an unwritten Facebook post always reads, and today what’s on my mind is the fact that the cancer in my right thigh (twice removed: the cancer, let me stress, not my thigh) has returned and spread.

Its spread complicates treatment options, as do the lingering effects of earlier surgeries, and so, for now, excision is out and chemotherapy looms as the safest if not the fastest approach to returning me to healthy-featherless-biped status.

I won’t be coy: I’m posting this message because many of you are not only FB friends but also beloved friends, and you may want or deserve to know what’s happening now in Jeri’s and my conjoined life.

My second reason is selfish: I covet your prayers, good wishes, positive vibes, unalloyed sympathy, etc., if not your visits (in this time of pandemic) or any cards requiring answers (in my time of highly unfixed focus).

Forgive these prohibitions, my obvious inability to suffer in silence, and my fear-deflecting facetiousness. And bless you all.

(3) HINES HAS HAND SURGERY. Jim C. Hines tells how things have been going since the operation on his hand in “Surgery and Recovery”.

It’s been six days since the surgeon opened up my hand to try to restore movement to the pinky. At that point, the Dupuytren’s contracture had progressed to where I only had about 30° of movement. (Click the link for a lovely photo.)

This was causing trouble with things like reaching into a pocket or putting on a glove. It was also messing with my typing. When I finally met with the surgeon, he said I should have come in before it got to this point. Earlier on in the progression, they can do less invasive procedures to help. At this point, there wasn’t much to try except for surgery.

The surgeon said things went pretty well. He was able to get the fingers pretty much straight, though they may not stay perfectly straight as they heal. I was bandaged up and put in a splint to try to hold the finger straight as much as possible….

(4) TURNING THE PAGES. Galactic Journey’s Gideon Marcus is navigating the winds of change: “[October 18, 1965] Turn, Turn, Turn (November 1965 Fantasy & Science Fiction)”.

…As the 60s dawned, the genre had become anemic.  Almost all of the monthly digests had gone out of print.  The old stalwart, Astounding, had changed its name to Analog, but is fiction remained stolidly fixed in an older mode.  Gold retired from Galaxy and Fred Pohl struggled to keep it and its sister mags fresh as its reliable stable of authors left for greener (as in the color of money) pastures.  F&SF‘s helm passed on to Avram Davidson, whose whimsical style did the magazine few favors.

But the genre seems to have found its feet and is stomping off in a new direction.  Propelled by a “New Wave,” again largely based in Britain, the science fiction I’ve been reading these days no longer feels like retreads of familiar stories.  They have the stamp of a modern era, an indisputable sense of 1960s.  And no single issue of a single magazine has represented this renaissance in SF better than the latest issue of Fantasy and Science Fiction.

(5) NARNIA ON EARTH. Travel wrter Chris Leadbeater speculates about “Where to find Narnia in the real world, as the CS Lewis classic turns 70” in The Telegraph.

The Mourne Mountains

Lewis’s love of Northern Ireland also extended to the Mourne Mountains – the coastal range which spreads out some 40 miles south of Belfast in County Down, and includes the mighty bluff that is Slieve Donard (2,790ft/850m). He would draw directly on these granite peaks and grassy troughs for the landscape of Narnia. In his essay collection On Stories (posthumously released in 2002), he would explain that “I have seen landscapes in the Mourne Mountains and southwards which, under a particular light, made me feel that, at any moment, a giant might raise his head over the next ridge”. And in a letter to his brother Warren, he once explained that “that part of Rostrevor [a village at the foot of Slieve Martin] which overlooks [the sea inlet] Carlingford Lough is my idea of Narnia”.

How much comparison you draw between this rocky realm and the pages of The Lion, The Witch and The Wardrobe is perhaps a matter of personal perspective. But the range is happy to play up the association (see visitmournemountains.co.uk/ChroniclesofNarnia) – and is home to two walking routes which tie in with the book.

The Narnia Trail is the shorter of the pair (see walkni.com/walks/the-narnia-trail) – a half-mile loop through Kilbroney Park, which sits right next to the waterline in Rostrevor. Lewis spent happy childhood holidays in the village, and the trail attempts to communicate some of this innocent joy to visitors. The path begins with a wardrobe door – and, as with C.S. Lewis Square in the city, Narnia-related statues (Aslan, Mr Tumnus, thrones) decorate the setting. As does a lamp-post akin to the one beneath which Lucy first espies Mr Tumnus.

The Cloughmore Trail – also in Kilbroney Park – requires slightly more effort, ebbing for 2.5 miles above the Lough (see walkni.com/mourne-mountains/cloughmore-trail-via-fiddlers-green). It features a large rounded boulder which, according to local legend, represents the stone table on which (spoiler alert!) Aslan is sacrificed by the White Witch….

(6) THE SISKO KID. We Got This Covered teases a second source that claims “CBS Reportedly Considering Star Trek: Deep Space Nine Revival”.

…Last weekend, We Got This Covered reported that the network is thinking about doing something with Avery Brooks as Benjamin Sisko, the chief of the space station throughout DS9‘s seven seasons (1993-99). Now, Geekosity’s Mikey Sutton is reporting that his own intel says much the same thing. According to the insider, CBS is considering reviving DS9 in some form for Paramount+, the rebranded and expanded CBS All Access that’s launching in 2021.

Sutton teases that other Deep Space Nine stars could return alongside him, too. He can’t say which ones as yet, but this news only doubles our chances of seeing Michael Dorn as Worf again, given that he would fit in with both this project and Picard. 

(7) MEDIA ANNIVERSARY.

  • October 2012 — Eight years ago this month, Arkady Martine started off her genre career with “Lace Downstairs” published in Abyss & Apex, 4th Quarter. Though she was only one novel, her Hugo winning A Memory Called Empire with her second A Desolation Called Peace out early next year, she’s been quite prolific in writing short works with seventeen stories, two poems and one essay by the title of  “Everyone’s World Is Ending All the Time: Notes on Becoming a Climate Resilience Planner at the Edge of the Anthropocene”. Her website is worth visiting. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 18, 1925 – Voltaire Molesworth.   Led a revival of the Sydney Futurians after World War II.  Fanzines Luna, Cosmos.  Vital to the three natcons (natcon = nat’l SF con; nearest thing for U.S. fans is the NASFiC = North America SF Con, held since 1975 when the Worldcon is overseas, although that’s a continental not a national convention) in Sydney during the 1950s.  Mathematician, amateur radio operator, managed the Univ. New South Wales radio station.  Wrote A History of Australian Fandom 1935-1963.  (Died 1964) [JH]
  • Born October 18, 1934 – Kir Bulychev.  Author, scriptwriter, translator.  Best known for Alisa Selezneva series, fifty novellas and other short stories, animation, tie-ins, videogames; also Village of Gusliar and Doctor Pavlysh.  Reporter for Locus from Moscow.  Ph.D. under another name, two nonfiction books.  (Died 2003) [JH]
  • Born October 18,1935 — Peter Boyle. The monster in Mel Brooks’ Young Frankenstein. He won an Emmy Award for a guest-starring role on The X-Files episode, “Clyde Bruckman’s Final Repose”. He also played Bill Church Sr. in Lois and Clark: The New Adventures of Superman.  One of his final roles was in the “Rosewell” episode of Tripping the Rift. (Died 2006.) (CE)
  • Born October 18, 1938 — Dawn Wells, 82. Mary Ann Summers on Gilligan’s Island which y’all decided last year was genre. She and Tina Louise are the last surviving regular cast members from that series. She had genre one-offs on The Invaders, Wild Wild West, Fantasy Island and Alf. She reprised her role on the animated Gilligan’s Planet and, I kid you not, The Harlem Globetrotters on Gilligan’s Island. (CE) 
  • Born October 18, 1944 — Katherine Kurtz, 76. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, the final volume of The Childe Morgan Trilogy, was published several years back. As medieval historical fantasy goes, they’re damn great. (CE) 
  • Born October 18, 1947 — Joe Morton, 73. Best remembered as Henry Deacon on Eureka in which he appeared in all but one of the seventy-seven episodes. He has other genre appearances including in Curse of the Pink Panther as Charlie, The Brother from Another Planet as The Brother, Terminator 2: Judgment Day as Dr. Miles Bennett Dyson, The Walking Dead as Sergeant Barkley, and in Batman v Superman: Dawn of Justice and Justice League as Silas Stone, father Victor Stone aka Cyborg. (CE) 
  • Born October 18, 1950 – Tony Roberts, 70.  A hundred eighty covers, thirty interiors.  Here is Macroscope.  Here is a Best of A.E. Van Vogt and here is a Best of Fritz Leiber.  Here is A World Out of Time.  Here is To Live Forever.  Here is Xanadu 3.  See his Website.  [JH]
  • Born October 18, 1951 – Jeff Schalles, 69.  Pittsburgh fan working on PgHLANGE III-IV, moved to Minneapolis and its local club, or something, Minn-stf (stf, pronounced and sometimes spelled stef, a remnant of Hugo Gernsback’s word scientifiction).  Con reports for SF Chronicle and Locus.  Stalwart in the last three issues of Science Fiction Five-Yearly, also Idea, Rune.  Fanartist including photographs; did these fine photos of Bob Bloch, Chuch Harris and Avedon Carol, Harlan Ellison, Steve Stiles, Geri Sullivan (note allusion to The Harp That Once or Twice).  [JH]
  • Born October 18, 1958 – Elissa Malcohn, 62.  Edited Star*Line 1985-1988 and 2011 (some with co-editors), three covers for it (2007), half a dozen interiors (1986-1988).  Six novels, a dozen shorter stories; forty poems in Aboriginal, Amazing, Asimov’s, Strange Horizons, Tales of the Unanticipated.  [JH]
  • Born October 18, 1964 — Charles Stross, 56. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series especially the recent Empire Games and Dark State novels. Other favored works include the early Laundry Files novels and both of the Halting State novels though the second makes me cringe. (CE)
  • Born October 18, 1965 – Sergey Poyarkov, 55.  Artist emerging to us in the 1990s.  Exhibited at some of our cons.  Artbooks Balance of Contradictions, Flawless Imperfection.  This was in a show at Odessa.  This sold at auction in 2013 for a five-figure sum.  [JH]
  • Born October 18, 1968 — Lisa Irene Chappell, 52. New Zealand actress here for making a number of appearances on Hercules: The Legendary Journeys after first appearing in the a pre-series film, Hercules and the Circle of Fire. Curiously according to IMDB one of her roles was as Melissa Blake, Robert Tapert’s Assistant. Quite meta that. (CE) 
  • Born October 18, 1974 – Amish Tripathi, 46.  Eight books sold 5.5 million copies on the Indian subcontinent.  First author in Indian publishing history to have six fiction books simultaneously in the top 10 of the HT-Nielsen Bookscan national bestseller list 4 weeks in a row.  Honorary doctorate from Jharkhand Rai Univ.  Grandfather a Sanskrit scholar and a Pandit in Uttar Pradesh.  Just announced (Sep 2020) he’ll do a feature film of his Legend of Suheldev.  See his Website.  [JH]

(9) COMICS SECTION.

  • Bizarro shows tourism is still alive. Or is that after-alive?

(10) A GORN IN TIME SAVES NINE. “Star Trek: Discovery Season 3’s Gorn Reference Creates A TOS Plot Hole” – ScreenRant seems concerned, but Doctor Who gets along fine with a complete lack of internal consistency, so as the bard say, “What, Me Worry?”

…In “That Hope Is You,” Burnham is learning about the travails of the 32nd century from Cleveland “Book” Booker, who crashed into her as the Red Angel suit dropped out of the wormhole. Book recognizes that Burnham’s wormhole was unnatural and chastises her recklessness, not yet realizing she’s a time traveler from the past. According to Book, the Gorn “destroyed two light-years worth of subspace” while attempting to creating artificial wormholes, to which Burnham replies “the Gorn did WHAT?” The biggest curiosity here isn’t whatever mischief the Gorn have been getting up to, but how Burnham has even heard of the species. The aforementioned “Arena” episode marked the moment of first contact between Starfleet and the Gorn, and was set in 2267. The Discovery departed for the far-future in 2258, so its crew should have no idea who the Gorn are, yet Burnham’s line suggests exactly the opposite.

(11) NO FLASH, PLEASE. The Guardian article about recently rediscovered concept designs for a 1979 Flash Gordon movie — “Flesh Gordon? Artwork reveals erotic version that was never made” – suffers from a confusing headline. There was, of course, a Flesh Gordon movie released in 1974. (Bjo Trimble worked on Flesh Gordon as a makeup artist, an experience she described in her book On the Good Ship Enterprise: My 15 Years with Star Trek.) But as for the project that never reached movie screens —

…[Nicolas Roeg’s] Flash Gordon film would have starred Debbie Harry, lead singer of the American band Blondie, as Princess Aura, the seductive daughter of Ming the Merciless, the tyrannical dictator, who would have been played by Hollywood movie star Keith Carradine.

But the production was abandoned before Roeg had cast his superhero after he fell out with its producer, Dino De Laurentiis, the movie mogul who made Barbarella, a 1968 science-fiction comic adaptation that turned Jane Fonda into a sex symbol. De Laurentiis had dreamed of three Flash Gordon films. He only made one, the 1980 version directed by Mike Hodges, which became a cult favourite, with huge conventions worldwide despite disappointing reviews.

… John Walsh, a film-maker and author, has retrieved about 40 designs for the Roeg version from the British Film Institute (BFI) archives: “It’s public knowledge that Roeg worked on the film’s development. What hasn’t been seen is its artwork.”

Walsh will feature the artwork in his forthcoming book, Flash Gordon: The Official Story of the Film, to be published on 20 November.

One image depicts Flash Gordon confronting Ming for a sword fight on top of the emperor’s royal spaceship. “It is a vast sequence that could not have been realised using 1970s technology,” Walsh said. “This image has more of the flourish of the original Raymond comic strips from the 1930s.”

(12) FRANKENSTEIN SETS A RECORD. SYFY Wire has a recommendation for your listening pleasure: “The Bride Of Frankenstein’s Original 1935 Score Hits Vinyl For First Time Ever With Spooky Cool Set”.

Directed by Frankenstein’s legendary filmmaker James Whale and released in 1935 by Universal Pictures, The Bride of Frankenstein is considered by film scholars and cinephiles to represent the pinnacle of Golden Age Hollywood horror, with chilling performances by Boris Karloff and Elsa Lanchester, and a haunting, majestic musical score composed by the masterful Franz Waxman.

It was chosen by the Library of Congress for preservation in the United States National Film Registry in 1998, having been deemed “culturally, historically or aesthetically significant.”

Now just in time to spice up your Halloween season, New Orleans-based Waxwork Records is presenting The Bride of Frankenstein Original 1935 Motion Picture Soundtrack by Franz Waxman for pre-order on the occasion of its 85th birthday. This marks the very first time the entire score has been delivered onto vinyl, sourced from the original 1935 acetates and masters provided to Waxwork by the Waxman estate and Universal Pictures. 

(13) OLD CAT ONLY WINS ONCE A NIGHT. BBC finds the ancients also loved their SJW credentials: “Large 2,000-year-old cat discovered in Peru’s Nazca lines”.

The figure of a relaxing cat has been discovered in the Nazca desert in Peru.

The Nazca lines, a Unesco World Heritage site, is home to designs on the ground – known as geoglyphs – created some 2,000 years ago.

Scientists believe the cat, as with other Nazca animal figures, was created by making depressions in the desert floor, leaving coloured earth exposed…

In a statement, Peru’s culture ministry said: “The figure was scarcely visible and was about to disappear, because it’s situated on quite a steep slope that’s prone to the effects of natural erosion.”

It added that the geoglyph, which is about 37m (120ft) long, has been cleaned and conserved over the past week.

Johny Isla, Peru’s chief archaeologist for the Nazca lines, told Efe news agency that the cat pre-dates the Nazca culture – which created most of the figures from 200 to 700 AD.

The cat, he said, was actually from the late Paracas era, which was from 500 BC to 200 AD.

“We know that from comparing iconographies,” he said. “Paracas textiles, for example, show birds, cats and people that are easily comparable to these geoglyphs.”

(14) CHESLEY AWARDS ON THE CALENDAR. Here are the presenters for the 2020 Chesley Awards. The winners will be revealed on Saturday, October 24 at 7 p.m. EST in conjunction with IX Arts.

[Thanks to John Hertz, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Michael Toman, Mike Kennedy, Cora Buhlert, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/21/17 Pass The Pixel On The Left Hand Side

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(1) MYSTERY SOLVED. Yesterday’s Scroll reported the episode of Fargo where someone picked up a rocket-shaped trophy as a weapon, which several people identified (incorrectly) as a Hugo. Today Movie Pilot ran a story about the episode’s Easter eggs and repeated the Hugo Award identification – illustrated with photos for comparison — in item #5.

When the sheriff drives back to her step-dad’s house to get the statue he’d made for her son, Nathan, she discovers the door ajar and the place a mess. Before heading up the stairs to investigate, she grabs something that looks very much like a Hugo Award, in case she needs to defend herself.

A Hugo trophy is awarded to the best sci-fi and fantasy writer of the year, meaning Ennis Stussy might have at one point won the award. Could he have been a witness to the alien encounter all the way back in 1979, inspiring him to write sci-fi?

The Fargo award is not a physical Hugo (whatever may be intended). Movie Pilot’s comparative Hugo photo is, and I was vain enough to hope it was one of mine (several have been photographed for archival purposes). After searching I found they used Michael Benveniste’s photo of a 1987 Hugo, and I definitely did not win in Brighton (although I won the year before and after), and the 1990 Worldcon bid I chaired was also annihilated in the voting…..

Whose Hugo is it? The plaque in the photo is hard to make out, but the phrase “edited by” is there, which narrows it the Hugo for Best Semiprozine or Best Fanzine, and there being an initial in the middle of the person’s name, it must be the 1987 Hugo given to Locus, edited by Charles N. Brown.

(2) NOTICING A TREND. JJ says at some point “Hugo award” entered the popular lexicon as “that’s some far-fetched confabulation you’ve got going on there.”

https://twitter.com/Lollardfish/status/855121441339191296

https://twitter.com/bartlet4amer/status/855147626743902208

https://twitter.com/Rik_De_Wolf/status/842512075259887617

https://twitter.com/SaraJBenincasa/status/854533514204598272

https://twitter.com/JillDomschot/status/854074079900442625

https://twitter.com/OKdoodle/status/853444684311605248

https://twitter.com/trentster/status/851599802315833344

https://twitter.com/idrathernotstay/status/849918499141017600

(3) ROAD WARRIOR. John Scalzi did a LA Times Q&A in which he shared “10 things you don’t know about authors on book tour”

  1. You have to be “on”

When people show up to your event, they expect to be entertained — yes, even at an author event, when technically all you’re doing is reading from your book and maybe answering some questions. As the author, you have to be up and appear happy and be glad people showed up, and you have to do that from the moment you enter the event space to the moment you get in a car to go back to the hotel, which can be several hours. It’s tiring even for extroverts and, well, most authors aren’t extroverts. Being “on” for several hours a day, several days in a row, is one of the hardest things you’ll ask an introverted author used to working alone to do. And speaking of work …

(4) IF I HAD A HAMMER. An advance ruling from @AskTSA.

https://twitter.com/Itaku/status/855200918261948416

https://twitter.com/Itaku/status/855310431778332672

(5) A VISIT FROM THE TARDIS. The Register claims “Doctor Who-inspired proxy transmogrifies politically sensitive web to avoid gov censorship” – a headline almost as badly in need of deciphering as HIX NIX STIX PIX.

Computer boffins in Canada are working on anti-censorship software called Slitheen that disguises disallowed web content as government-sanctioned pablum. They intend for it to be used in countries where network connections get scrutinized for forbidden thought.

Slitheen – named after Doctor Who aliens capable of mimicking humans to avoid detection – could thus make reading the Universal Declaration of Human Rights look like a lengthy refresher course in North Korean juche ideology or a politically acceptable celebration of cats.

In a presentation last October, Cecylia Bocovich, a University of Waterloo PhD student developing the technology in conjunction with computer science professor Ian Goldberg, said that governments in countries such as China, Iran, and Pakistan have used a variety of techniques to censor internet access, including filtering by IP address, filtering by hostname, protocol-specific throttling, URL keyword filtering, active probing, and application layer deep packet inspection.

(6) NAFF WINNER. Fe Waters has been voted the 2017 National Australian Fan Fund (NAFF) delegate and will attend Natcon at Continuum in Melbourne in June.

Waters got into fandom in 1990, started attending Swancon in 1995, and after being inspired by the kids’ programming at AussieCon IV took on organizing the Family Programme for Swancon 2011–2013. For her Family Programme work she was awarded the Mumfan (Marge Hughes) Award in 2013. In 2016 she was the Fan Guest of Honour at Swancon.

The National Australian Fan Fund (NAFF) was founded in 2001 to assist fans to travel across Australia to attend the Australian National Convention (Natcon).

(7) NEIL GAIMAN, BOX CHECKER. Superversive SF’s Anthony M, who liked Neil Gaiman’s 17th-century vision of the Marvel universe — Marvel: 1602 (published in 2012) – nevertheless was displeased by its revelation of a gay character: “Marvel: 1602” and the Wet Fish Slap.

….Or even, if you are really, really incapable of not virtue signaling, if it’s truly so very important to you that people know you’re Totally Not Homophobic, why on earth would you have this character tell Cyclops he’s gay?

It was stupid, it was pointless, and it was insulting that Gaiman decided to make his story worse in order to tell the world that he was Totally Cool With Being Gay. It was a way of telling the reader that he cared less about them than about making himself look good to the right people….

(7-1/2) SEVEN DEADLY WORDS. Paul Weimer watched Mazes and Monsters for his Skiffy and Fanty podcast. You can listen to what he thought about it here, but wear your asbestos earbuds because Paul warned, “That episode is most definitely not safe for work, because I ranted rather hard, and with language not suitable for children….”

(8) AROUND THE SUBWAY IN 25 HOURS. “50 Years Ago, a Computer Pioneer Got a New York Subway Race Rolling” is a fascinating article about a Vernian proposition, and may even involve a couple of fans from M.I.T. in supporting roles, if those named (Mitchell, Anderson) are the same people.

A six-man party (Mr. Samson, George Mitchell, Andy Jennings, Jeff Dwork, Dave Anderson and Dick Gruen) began at 6:30 a.m. from the Pacific Street station in Brooklyn. But when they finally pulled into the platform at Pelham Bay Park after a little more than 25 hours and 57 minutes, reporters confronted them with an unexpected question: How come they hadn’t done as well as Geoffrey Arnold had?

They had never heard of Mr. Arnold, but apparently in 1963 he completed his version of the circuit faster (variously reported as 24 or 25 hours and 56 minutes). Worse, he was from Harvard.

“I decided to take it on a little more seriously,” Mr. Samson recalled.

With his competitive juices fired up, he got serious. He collaborated with Mr. Arnold on official rules and prepared for a full-fledged computer-driven record-breaking attempt with 15 volunteers on April 19, 1967.

(9) TODAY IN HISTORY

  • April 21, 1989 — Mary Lambert’s Stephen King adaptation Pet Cemetery opens

(10) TODAY’S BIRTHDAY CITY

  • April 21, 753 BC – Rome is founded.

(11) SAD ANNIVERSARY. An interview by his local paper — “Pine Mountain author Michael Bishop to release book of short stories” – notes it’s been 10 years since his son was killed is a mass shooting at Virginia Tech.

Q: What led you to write “Other Arms Reach Out to Me: Georgia Stories” as a collection?

A: First, this book gathers almost (but not quite) all my mainstream stories set in Georgia or featuring characters from Georgia in foreign settings (see “Andalusia Triptych, 1962” and “Baby Love”) in a single volume. So, in that regard, it represents the culmination of a career-long project that I did not fully realize that I had embarked upon, but that I did always have in the back of my mind as an important project.

You will notice that “Other Arms” opens with a hommage to and an affectionate parody of the short fiction of Georgia’s own Flannery O’Connor (called “The Road Leads Back”) and that it concludes with a controversially satirical take on gun politics in Georgia set in an alternate time line (“Rattlesnakes and Men”).

I might add that this last story grows out of our lifelong desire to see the United States adopt sensible nationwide gun legislation that mandates background checks in every setting. We also are advocates for the banning of sales to private citizens of military-style weapons, high-capacity magazines, and certain excessive kinds of body-maiming ammunition without extremely good reasons for them to own such armament, which is totally unnecessary for protecting one’s home and hunting.

(12) MERGE WITH TV. The Into The Unknown exhibit at The Barbican in London runs June 3 to September 1. Visitors will be able to “Step Into A Black Mirror Episode”.

Walking into a Black Mirror.

Is that something you can see yourself doing?

Because if so, we have some good news for you: as part of their new show exploring the history of sci-fi, Into The Unknown, The Barbican are going to turn their huge Silk Screen entrance hall into an immersive take on the oh-so-gloriously bleak episode 15 Million Merits.

Quite how they’re doing this is still under wraps, but we do know that moments from the episode will be re-edited, mashed-up, and displayed on huge six-foot video installations surrounding you. We’re assuming that there will also be exercise bikes….

(13) ALWAYS NEWS TO SOMEONE. How did I miss this Klingon parody of Psy’s “Gangnam Style” at the height of the craze in 2012?

(14) WOZ SPEAKS. Steve Wozniak’s convention starts today. CNET made it the occasion for an interview — “Woz on Comic Con, iPhones and the Galaxy S8”.

Wozniak, commonly known as “Woz,” sat down with CNET a week before the second annual Silicon Valley Comic Con to talk about the geek conference he helped start in San Jose, California; what superhero he’d like to be; what features he’d like to see in the next iPhone; and why he’s excited to get his Galaxy S8.

Even though California already has a Comic Con — the massive event in San Diego — Wozniak said there’s plenty of room for more. “We’re going to have a big announcement at the end of this one,” he said. “We’re different and better, and we don’t want to be linked in with just being another.”

Last year marked the first time Silicon Valley hosted its own Comic Con, and this year it expands into areas like virtual reality and a science fair. The show kicks off Friday and ends Sunday.

“We’ll have the popular culture side of Comic Con, but we’ll mix in a lot of the science and technology that’s local here in Silicon Valley,” he said. “It seems like [tech and geek culture are] made for each other in a lot of ways.”

(15) THE TRUTH WILL BE OUT THERE AGAIN. Another season of X-Files is on the way says ScienceFiction.com.

You can’t keep a good TV series down – well, unless you’re Fox with ‘Firefly,’ I guess.  But hey, maybe Fox feels some remorse over this too-soon axing, so they are making up for it by giving 1990s hit sci-fi/conspiracy show ‘The X-Files‘ another go!

Originally, ‘The X-Files’ ran from 1993-2002 on TV, with two theatrical films in the mix as well.  Off the air but never truly forgotten, the show reached a sort of “cult status,” enough so that Fox made the call to bring the show back for a limited 6-episode revival in early 2016.  Based on the success of that experiment, Fox has rewarded series creator Chris Carter with a 10-episode order for this new season to debut either this Fall or early 2018 on the network.

(16) CELL DIVISION. A news item on Vox, “The new Oprah movie about Henrietta Lacks reopens a big scientific debate”, reminds Cat Eldridge of an sf novel: “There’s a scene in Mona Lisa Overdrive where Gibson hints strongly that one of the characters is a runaway cancer that’s contained within a number of shipping containers…”

This practice went on for decades without much controversy — until the bestselling book The Immortal Life of Henrietta Lacks by Rebecca Skloot came along in 2010. The story sparked a debate among the public, researchers, and bioethicists about whether this practice is ethical — and whether the benefits to science truly outweigh the potential harms to individuals whose donations may come back to haunt them.

On Saturday, a new HBO movie starring Oprah based on the book will surely reignite that debate. The movie strongly suggests the practice of using anonymous tissues in research can be nefarious and deeply disturbing for families — while at the same time great for science. And so the research community is bracing for a backlash once again….

(17) WORKING. “Analogue Loaders” by Rafael Vangelis explains what would happen if real-life objects had to “load” the way computers do when we boot them up.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Hampus Eckerman, Mark-kitteh, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Clack.]