Seattle Worldcon 2025 chair Kathy Bond posted a new “Message From the Chair” on May 13 following up last week’s statement about the way ChatGPT was used in the panelist selection process.
Last week, I promised an update about the progress Seattle Worldcon 2025 has made regarding our next steps related to remedying our mistakes related to the use of ChatGPT in panelist vetting. Much of this update can be summed up as “we’re waiting to hear back from the people we have invited to help.”
Regarding re-vetting, we have invited two people, new to our team, to join, and we are waiting to hear back from them. We are still searching for at least three to four more people to join that team. If you would like to volunteer, please email feedback@seattlein2025.org. This new team will be working with our existing program team but be reporting to the chair.
We have reached out to a team of two people with prior Worldcon programming experience to audit our program process and the remedial steps. We are still waiting to hear back from them.
We have processed all refund requests that we have received; former members will be receiving them this week.
Our next update will be once we have identified who is helping with re-vetting and performing our program audit or in three weeks, whichever comes sooner.
Some public announcements by departing program participants have been spotted:
Leah Ning of Apex Books has written a two-page “public record” of the reasons for withdrawing as a Seattle Worldcon 2025 program participant. Read it at Bluesky.
Cora Buhlert has written a link compilation post, “Robot Hallucinations”, that also features a long exposition about what ChatGPT returned when she ran her own name through the prompt. The notorious prompt namechecks this blog, about which Cora says, “File 770 is a good resource, but it’s not the only SFF news site nor is it free of bias. So privileging File 770 as a source means that any bias it has is reproduced.” Which is true as far as it goes, however, I believe the reason Seattle included 770 was to corral news about code of conduct violations.
Like most artists, she is not insured and has to come out of pocket for medical expenses after her major surgery. Please help her on her path to recovery.
Afua Richardson is known for her work on Genius and World of Wakanda. Other stories she has drawn for include X-Men, Captain Marvel, Captain America, and the Mighty Avengers for Marvel Comics; and Wonder Woman Warbringer and All-Star Batman for DC Comics; and Mad Max. She also worked with U.S. Representative and civil rights leader John Lewis to illustrate Run, a volume in his autobiographical comic series co-written with Andrew Aydin. She won the 2011 Nina Simone Award for Artistic Achievement for her trailblazing work in comics.
In welcome news for the Institute of Museum and Library Services and two more federal agencies targeted for dismantling by a presidential executive order, the District Court of Rhode Island has granted 21 states’ attorneys general the preliminary injunction they sought in Rhode Island v. Trump. In response to the evidence and to an April 18 motion hearing, chief judge John J. McConnell Jr. granted the states’ motion, agreeing with the plaintiffs that the executive order violates the Administrative Procedures Act, separation of powers principle, and the Take Care clause of the U.S. Constitution.
From the first paragraph of his order, Judge McConnell upheld that Congress controls the agencies and appropriates funding, and he referred to “the arbitrary and capricious way” the March 14 order was implemented at the IMLS, Minority Business Development Agency (MBDA), and Federal Mediation and Conciliation Service (FMCS). He determined that the EO “disregards the fundamental constitutional role of each of the branches of our federal government; specifically, it ignores the unshakable principles that Congress makes the law and appropriates funds, and the Executive implements the law Congress enacted and spends the funds Congress appropriated.”
Notably, the order’s timing closely coincided with FY25 congressional appropriations. On March 15, the day after issuing the EO, President Donald Trump—a named defendant in the case—approved the Full-Year Continuing Appropriations and Extensions Act, mandating FY2024-level funding for IMLS and other agencies through September 25, 2025. In 2024, IMLS was appropriated $294,800,000, so the same amount was approved for FY25.
In some cases, IMLS is issuing checks, fulfilling its statutory obligation…
(5) TONY AWARD NOMINEES. File 770 lists the many “2025 Tony Award Nominees” of genre interest at the link.
(6) RACE MATHEWS (1935-2025). Charles Race Thorson Mathews, a founding member of the Melbourne Science Fiction Club in 1952, and holder of its membership number 1, died May 5. Race suffered a broken pelvis from a fall three weeks ago, and had been going downhill since. He died May 5 at the age of 90.
Fancyclopedia 3 recalls he sold off his collection to fund the courtship of his wife, and mostly gafiated in 1956 following his marriage.
He subsequently went into politics. He opened Aussiecon 1 in 1975, while he was a member of federal parliament. By 1985 he was Minister for the Police and Emergency Services for the State of Victoria and at Aussiecon 2 gave the opening address. Mathews was kind enough to let File 770 publish his speech, which was rich in fanhistorical anecdote. (It can be found at File 770 57, p. 16 (part 1) and File 770 58, p. 2 p15 (part 2).)
Mathews was the author or editor of numerous books on politics, cooperatives and economics.
He is the subject of a biography, Race Mathews: A Life in Politics by Iola Mathews, Monash University Press, 2024.
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 7, 1931 — Gene Wolfe. (Died 2019)
By Paul Weimer: Were I to do this birthday properly and proud, I’d do a Gene Wolfe piece that had unreliable narration, used a prodigious and positively unwonted vocabulary, possibly footnoted, and definitely something to be re-read, re-examined and thought over for years.
Unfortunately I am not Gene Wolfe, and frankly, few other others in the SFF genresphere have ever dared to try and approach him. His is the kind of work that like few others, you can read and re-read over a lifetime, and get not just nuggets but whole veins of new and exciting ideas. His ideas have influenced my RPG scenarios and ideas for years.
Jack Vance may have invented the Dying Earth, but Gene Wolfe codified it and made it a whole subgenre of his own with the New Sun books, which is where i began his work. I did begin a bit in the deep end, but a friend (and at the time one of the players in my TTRPG) said that I just had to read Gene Wolfe. And so I did. Did I understand my first read through of Severian’s story? Not as much as I thought I did. Read number two went much better, and I keep thinking I need a read number three–I’ve made a couple of abortive attempts at it but the siren song and responsibility of new work keeps me from doing so.
After Beyond the New Sun, I went to the Long Sun (generation ships for the win!) and then moved on. I loved the Wizard Knight series with its Yggdrasil like setup of worlds (you all know how much I enjoy worldbuilding, even as I sometimes mistype Discworld for Ringworld and my editor misses it 😉 ). I think the Fifth Head of Cerberus might be his most accessible work, an entry point if you want to try Wolfe without going for some of the more elusive works. I think The Land Across is also a good entry point as well, and feels timely and relevant with its capricious rules in the government of the country our narrator visits (also makes me think of Miéville’s The City and the City).
I’ve not read all of his oeuvre, but I’ve tried most of it. I’m weakest on his short stories and need to catch up on those (I’ve read Castle of Days of course, and found out recently a friend found a copy of the Castle of the Otter for a bargain price in a used bookstore. What a rare find!)
My favorite Wolfe are probably the Latro books (Soldier of the Mist and Soldier of Arete and Soldier of Sidon). These books are almost as if Gene Wolfe decided. “Paul Weimer needs books just for him). Latro is a Roman mercenary, circa 470s BC serving as he will in the Mediterranean as a soldier. He’s had a head injury and so cannot remember events of the previous day (50 First Dates, anyone?). However, he can see the various supernatural beings that populate the landscape that no one else can. The books are masterpieces of information holding and withholding as we, the reader can piece together things that Latro clearly misses, all in one of the best all time favorite set of settings. Sure, you’ve got to work hard to really get these books, but that’s the secret of all of Wolfe’s work. If you want to read it, be prepared to do the home work. Sure, this series and much of Wolfe’s work is not a casual read (and I’ve tried audio and audio and Wolfe do not work for me), but Wolfe was Umberto Eco in full SFF guise. If that is what you are ready for, or in the mood for, Wolfe’s works await you.
I never got to meet him in person, alas. Requiescat in pace.
(9) WATER, WATER, EVERYWHERE. “Hugo 2025: Flow” is another compelling review of a Hugo finalist by Camestros Felapton.
…Simple plot. The characters are a cat who is a cat. A labrador who is very much a labrador. A lemur that is a bit obsessed with stuff. A capybara that is a bit stoical. A secretary bird who possibly is a transcendental messenger of cosmic forces whose role is to usher the cat into a meeting with the divine to maybe save the world or maybe that’s a dream. So straight forward stuff.
Of course, I’m being intentionally obtuse. The film uses simple parts to tell a complex story with many thought provoking aspects, an intentionally unresolved mystery and a strong religious themes without any overt religion or religious messaging….
(10) FALLING ON HIS SWORD A SPECIALTY. Gary Farber reminds File 770 “I’m still willing to make sacrifices for fandom.” He wanted to be sure we didn’t miss his offer on Facebook —
Now I’m thinking I could volunteer to a Worldcon so they could have another body they could offer up to resign to take the blame for whatever Inevitable Embarrassing Scandal is happening in that half of that year before the con.
I wouldn’t need any actual skills. I could just have a title, and then be duly fired/resign when someone needs to be fired/resign in order to take the blame.
Future Worldcon Committees, I’M AVAILABLE!
Sandra Bond suggests his title should be, “Gary Farber, Omelas Fan.”
Comparing someone at work to the Star Wars villain Darth Vader is “insulting” and “upsetting”, an employment tribunal has ruled.
A judge concluded that being told you have the same personality type as the infamous sci-fi baddie is a workplace “detriment” – a legal term meaning harm or negative impact experienced by a person.
“Darth Vader is a legendary villain of the Star Wars series, and being aligned with his personality is insulting,” the employment judge Kathryn Ramsden said.
The tribunal’s ruling came in the case of an NHS blood donation worker Lorna Rooke, who has won almost £30,000 after her co-worker took a Star Wars-themed psychological test on her behalf and told colleagues Rooke fell into the Sith Lord’s category….
… In August 2021, members of Rooke’s team took a Star Wars themed Myers-Briggs questionnaire as a team-building exercise.
The Myers-Briggs Type Indicator sorts people into 16 categories based on how introverted they are, level of intuition, if they are led by thoughts or feelings and how they judge or perceive the world around them….
…Rooke did not participate as she had to take a personal phone call but when she returned a colleague, Amanda Harber, had filled it out on her behalf and announced that she had the same personality type as Vader – real name Anakin Skywalker.
The supervisor told the tribunal this outcome made her feel unpopular and was one of the reasons for her resignation the following month….
“To Gabriel Horcasitas, the man who shot me, it is a shame we encountered each other that day in those circumstances,” says a video recording of Pelkey. “In another life, we probably could have been friends.
“I believe in forgiveness, and a God who forgives. I always have, and I still do,” Pelkey continues, wearing a grey baseball cap and sporting the same thick red and brown beard he wore in life.
Pelkey was 37 years old, devoutly religious and an army combat veteran. Horcasitas shot Pelkey at a red light in 2021 after Pelkey exited his vehicle and walked back towards Horcasitas’s car.
Pelkey’s appearance from beyond the grave was made possible by artificial intelligence in what could be the first use of AI to deliver a victim impact statement. Stacey Wales, Pelkey’s sister, told local outlet ABC-15 that she had a recurring thought when gathering more than 40 impact statements from Chris’s family and friends.
“All I kept coming back to was, what would Chris say?” Wales said….
…Wales and her husband fed an AI model videos and audio of Pelkey to try to come up with a rendering that would match the sentiments and thoughts of a still-alive Pelkey, something that Wales compared with a “Frankenstein of love” to local outlet Fox 10.
Judge Todd Lang responded positively to the AI usage. Lang ultimately sentenced Horcasitas to 10 and a half years in prison on manslaughter charges…
From the highly anticipated adaptation of master storyteller Stephen King’s first-written novel, and Francis Lawrence, the visionary director of The Hunger Games franchise films (Catching Fire, Mocking Jay – Pts. 1&2 , and The Ballad of the Songbirds & Snakes), comes THE LONG WALK, an intense, chilling, and emotional thriller that challenges audiences to confront a haunting question: how far could you go?
[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, N., Paul Weimer, Ersatz Culture, Joyce Scrivner, Cliff, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
Bond says ChatGPT was not used in deciding who to invite as a panelist, it was used “in the discovery of material to review after panelist selection had occurred.”
Morgan adds, “This process has only been used for panelists appearing on site in Seattle; panelists for our Virtual program have not yet been selected.”
Bond stresses that “ChatGPT was used only for one tailored task that was then followed by a human review and evaluation of the information,” and that “no selected panelist was excluded based on information obtained through AI without human review and no selected panelist was chosen by AI.”
As part of their remediation, the Seattle committee is redoing the part of the program process that used ChatGPT, with that work being performed by new volunteers from outside their current team.
Morgan also makes her own apology (the chair published her own several days ago).
I want to apologize specifically for our use of ChatGPT in the final vetting of selected panelists as explained below. OpenAI, as a company, has produced its tool by stealing from artists and writers in a way that is certainly immoral, and maybe outright illegal. When it was called to my attention that the vetting team was using this tool, it seemed they had found a solution to a large problem. I should have re-directed them to a different process. Using that tool was a mistake. I approved it, and I am sorry. As will be explained later, we are embarking on the process of re-doing the vetting stage for every invited panelist, completely without the use of generative AI tools.
And Morgan has provided the text of the ChatGPT query that was used in the vetting process.
The committee will be making their next update about the subject on May 13.
(1) MORE SEATTLE WORLDCON 2025 COVERAGE. Two of the more widely-read pop culture sites have picked up the story – and heavily cite File 770, for which I thank them.
In February, Philadelphia-area author Hannah Levin found out she’d been accepted to participate in A Million Lives Book Festival, a convention of fantasy authors, narrators and influencers to be held the first weekend of May at the Baltimore Convention Center. As a new author whose debut novel, “The Treasured One,” was published by Aethon Books in 2024, she was excited about the event. “We thought it would be a big thing for us,” she said.
It was a big thing, but not in the way anyone expected. The festival, organized by Baltimore-based author Grace Willows’ Archer Fantasy Events, was supposed to provide an opportunity for writers to network and an audience of at least 500 to 600 paid ticket holders. What participants got, they said, was a disappointing weekend of dashed expectations, unfulfilled promises, lost money and more questions than answers.
“I think ‘debacle’ is the word for it,” Levin said of the event that was quickly dubbed online as the Fyre Festival of literary festivals.
The 11 authors, vendors and influencers I interviewed by email and phone spent between $300 and $2,000 to attend A Million Lives depending on their travel arrangements and other factors. They said they were promised special badges that designated them as official participants, a creator’s lounge, cosplay events and a VIP swag bag for the top two ticketing levels.
That didn’t happen.
“There was a huge financial loss for authors, vendors and narrators attending,” wrote a book influencer known as Azthia, who spent about $300 on a plane ticket but crashed with other participants when her hotel stay was not paid for as promised. “They were told 600 tickets and in the end there were more authors than attendees.”…
Bella Ramsey has a decent shot at Emmy success this year — and won’t quibble if competing in the Lead Actress category.
The British star of HBO hit The Last of Us identifies as non-binary and prefers the they/them pronouns, but said it was fine for people to “call me how you see me.”
Speaking on Spotify’s The Louis Theroux Podcast about gendered award categories, Ramsey said it was important “recognition for women in the industry is preserved.”
“I don’t have the answer and I wish that there was something that was an easy way around it, but I think that it is really important that we have a female category and a male category,” Ramsey added.
The former Game of Thrones star said they had thought hard about how to represent non-binary individuals in award categories, but did not have a solution.
One idea was to name the category “best performance in a female character,” but Ramsey said this creates issues for those portraying non-binary characters on screen.
One thing Ramsey is certain of is that being called an “actress” feels uneasy. “I have a guttural, ‘That’s not quite right,’ instinct to it,” Ramsey said. “But I just don’t take it too seriously … it doesn’t feel like an attack on my identity.”…
JK Rowling has said she will not fire actor Paapa Essiedu from the forthcoming Harry Potter TV series over his support for transgender rights.
Essiedu has been cast as key character Severus Snape in the HBO drama, which is designed to run for more than a decade and will be one of the most expensively produced television shows of all time.
In a post on X, Rowling wrote: “I don’t have the power to sack an actor from the series and I wouldn’t exercise it if I did. I don’t believe in taking away people’s jobs or livelihoods because they hold legally protected beliefs that differ from mine.”
Last week, Essiedu, along with more than 1,500 figures from film and TV, signed an open letter condemning the UK supreme court ruling, which judged that the terms “woman” and “sex” in the Equality Act refer only to a biological woman and to biological sex….
Last year, i visited the music historian Ted Gioia to talk about the death of civilization.
He welcomed me into his suburban-Texas home and showed me to a sunlit library. At the center of the room, arranged neatly on a countertop, stood 41 books. These, he said, were the books I needed to read.
The display included all seven volumes of Edward Gibbon’s 18th-century opus, The Decline and Fall of the Roman Empire ; both volumes of Oswald Spengler’s World War I–era tract, The Decline of the West ; and a 2,500-year-old account of the Peloponnesian War by Thucydides, who “was the first historian to look at his own culture, Greece, and say, I’m going to tell you the story of how stupid we were,” Gioia explained….
…He’s not alone in fearing that we’ve entered a cultural dark age. According to a recent YouGov poll, Americans rate the 2020s as the worst decade in a century for music, movies, fashion, TV, and sports. A 2023 story in TheNew York TimesMagazine declared that we’re in the “least innovative, least transformative, least pioneering century for culture since the invention of the printing press.” An art critic for The Guardianrecently proclaimed that “the avant garde is dead.”
What’s so jarring about these declarations of malaise is that we should, logically, be in a renaissance. The internet has caused a Cambrian explosion of creative expression by allowing artists to execute and distribute their visions with unprecedented ease. …
…in 312 c.e., the Roman Senate ordered the construction of a gaudy monument called the Arch of Constantine. It incorporated pieces from older monuments, built in more glorious times for the empire, which had begun its centuries-long decline.
The Arch is one of Gioia’s favorite metaphors for modern culture. The TV and film industry is enamored of reboots, spin-offs, and formulaic genre fare. Broadway theaters subsist on stunt-cast revivals of old warhorses; book publishers rely disproportionately on backlist sales. Entertainment companies have long understood the power of giving people more of what they already like, but recommendation algorithms take that logic to a new extreme, keeping us swiping endlessly for slight variations on our favorite things. In every sector of society, Gioia told me, “we’re facing powerful forces that want to impose stagnation on us.”
The problem is particularly acute in music. In 2024, new releases accounted for a little more than a quarter of the albums consumed in the U.S.; every year, a greater and greater percentage of the albums streamed online is “catalog music,” meaning it is at least 18 months old. Hoping to remonetize the classics, record labels and private-equity firms have spent billions of dollars to acquire artists’ publishing rights. The reemergence of Kate Bush’s “Running Up That Hill” on the Billboard Hot 100 in 2022, 37 years after its release, seemed to signal that this was a good bet. A brief placement in a popular TV show (Netflix’s Stranger Things, itself a pastiche of 1980s movie tropes) could, it turned out, cause an old hit to outcompete most of the newer songs in the world….
(6) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 6, 1969 — Annalee Newitz, 56.
By Paul Weimer: I first encountered Annalee Newitz’ nonfiction, first, as a columnist, as a non fiction writer, as a podcaster with their partner Charlie Jane Anders. Four Lost Cities is an amazingly researched book looking at the rise and fall of four cities and what we can learn about the challenges they faced. I learned an amazing amount I never know about, for example, Angkor Wat. I think it is their strongest work and if you asked me “what one book of theirs should I read?”, Four Lost Cities is the one I’d put into your hands.
Annalee Newitz
Scatter, Adapt, and Remember: How Humans Will Survive a Mass Extinction was a surprisingly hopeful book, given its title and content.
Although they have been writing fiction, too for a while, I finally got into their fiction with The Future of Another Timeline, with rival powers fighting for control of a timeline just catnip for me. Given the political changes lately in the United States, it feels even more relevant than it once did. And once again, I learned a lot about some historical events I hadn’t even heard of, thanks to the jumping around the timeline by the protagonists. But even with that, the changes to the timeline are not shown in some grand manner, but how they affect people. People matter to Newitz’s work.
Newitz’ work is bright, well researched, deep, and thought provoking, with a mind like an engineer and the language and diction of an English professor. I am pretty sure that as good as Future was, I prefer Newitz’ nonfiction more, but I am primed for whatever they decide to turn their prodigious powers on, next. (In the meantime, of course, there is always Our Opinions are Correct).
[Note: ISFDB and the Science Fiction Encyclopedia say Newitz’ birthday is today, Wikipedia says tomorrow. Happy birthday whichever is the case!)
(7) COMICS SECTION.
Herman is aboard that trebuchet we so often hear about.
…As I said in the intro, the film has more bite than you might imagine. It’s not a nature documentary and their are kid-friendly fantasy elements to how the animals of the island live but aside from that the animals are presented naturalistically. There is a repeated emphasis on death as a common occurrence and the film is clear that animals kill and eat other animals. Fink the fox (the almost ubiquitous Pedro Pascal) is a key supporting character but when he first turns up he is trying to catch and eat Bright Bill, Roz’s adopted baby goose child.
The idea of juxtaposing robots with nature is not a new one but it is an under-explored one….
When the Netflix series “Wednesday” needed a guillotine recently, it did not have to venture far. A North Hollywood prop house called History for Hire had one available, standing more than eight feet high with a suitably menacing blade. (The business offers pillories too, but the show wasn’t in the market for any.)
The company’s 33,000-square-foot warehouse is like the film and television industry’s treasure-filled attic, crammed with hundreds of thousands of items that help bring the past to life. It has a guitar Timothée Chalamet used in “A Complete Unknown,” luggage from “Titanic,” a black baby carriage from “The Addams Family.”
Looking for period detail? You can find different iterations of Wheaties boxes going back to the ’40s, enormous television cameras with rotating lenses from the ’50s, a hair dyer with a long hose that connects to a plastic bonnet from the ’60s, a pay phone from the ’70s and a yellow waterproof Sony Walkman from the ’80s….
… History for Hire, which Jim and Pam Elyea have owned for almost four decades, is part of the crucial but often unseen infrastructure that keeps Hollywood churning, and helps make it one of the best places in the world to make film and television.
“People just don’t realize how valuable a business like that is to help support the look of a film,” said Nancy Haigh, a set decorator who found everything from a retro can of pork and beans to a one-ton studio crane there for “Once Upon a Time in Hollywood,” which she won an Oscar for. “But it’s because people like them exist that your moviegoing experience has such life to it.”…
… “I don’t know what we would do without them,”saidPascale, who has won an Oscar for “Mank.”
No one likes entertaining that idea. But with fewer movies and television shows being shot in Los Angeles these days, and History for Hire getting less business, the Elyeas fear they may not be able to afford to renew their lease for five more years. If they close, Los Angeles will lose another piece of the vibrant ecosystem that has kept it attractive to filmmakers, even as states like Georgia and New Mexico lure productions with lucrative tax credits. Some Angelenos fear a vicious cycle: If the city continues to lose local talent and resources, even more productions will flee….
When XYZ Films‘ “Watch the Skies” has its U.S. theatrical release on Friday, Hollywood will also get a glimpse at the state-of-the-art in AI-driven “visual dubbing” and its potential for Hollywood.
“Watch the Skies” is a sci-fi adventure filmed in Swedish (under the name “UFO Sweden”), but, uniquely, the actors will appear to be speaking English through the use of TrueSync, an AI visual dubbing tool from startup Flawless, which effectively syncs new (in this case, English language) dialogue with the actors’ mouth movements. The original actors recorded their lines in English as an ADR process, before the Flawless AI tech was applied to the movie….
While Andorenjoys effusive praise from critics and Star Wars fans, both usually fail to mention a key reason the series is so unique. The two-season Disney+ series is the first, and thus far only, story in the expansive saga aimed specifically at adult viewers. How Cassian Andor finds his way to the Rebellion meticulously examines the Star Wars political philosophy, which only works because it ignores an important aspect of the mythology: the Force. As a fan of both the political and spiritual allegory in this universe, I believe ignoring the latter makes the series absolutely brilliant….
(12) GETTING WITH THE TIMES. Oghenechovwe Donald Ekpeki reminds readers:
The collaborative system generated more than 100 hypotheses relating to the origins of life in the Universe.
Artificial intelligence (AI) researchers have created a system that can perform autonomous research in astrobiology, the study of the origins of life in the Universe.
AstroAgents comprises eight ‘AI agents’ that analyse data and generate scientific hypotheses. It joins a suite of other AI tools that aim to automate the process of science, from reading the literature to coming up with hypotheses and even writing papers….
…The result was 101 hypotheses from Gemini and 48 from Claude. One hypothesis posits that certain molecules found on Earth would make “reliable biomarkers” indicating the presence of life. Another suggests that a cluster of the organic molecules found in two meteorites might have formed through the same series of chemical reactions.
Buckner scored each hypothesis. She deemed 36 of the Gemini hypotheses to be plausible and 24 novel. By contrast, none of the Claude-generated hypotheses was original — but they were overall less error-prone and clearer than Gemini’s.
[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Jeffrey Smith, Daniel Dern, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]
The Seattle Worldcon 2025’s WSFS Division Head Cassidy, Hugo Administrator Nicholas Whyte, and Deputy Hugo Administrator Esther MacCallum-Stewart today announced their resignations from the committee in the following statement:
Effective immediately, Cassidy (WSFS DH), Nicholas Whyte (Hugo Administrator) and Esther MacCallum-Stewart (Deputy Hugo Administrator) resign from their respective roles from the Seattle 2025 Worldcon. We do not see a path forward that enables us to make further contributions at this stage.
We want to reaffirm that no LLMs or generative AI have been used in the Hugo Awards process at any stage. Our nomination software NomNom is well-documented on GitHub for anyone to be able to review. We firmly believe in transparency for the awards process and for the Finalists who have been nominated. We believe that the Hugo Awards exist to celebrate our community which is filled with artists, authors, and fans who adore the works of our creative SFF community. Our belief in the mission of the Hugo Awards, and Worldcon in general has guided our actions in the administration of these awards, and now guides our actions in leaving the Seattle Worldcon.
Cassidy
Nicholas Whyte
Esther MacCallum-Stewart
The Seattle Worldcon’s WSFS Division administers the Hugo Awards, Business Meeting, and Site Selection. The committee’s remaining WSFS Division leadership includes Deputy Division Heads Kathryn Duval and Rosemary Parks (who is also Site Selection Coordinator).
Those who had registered for the online event received notifications from Eventbrite, and the announcement was posted in social media.
The town halls are designed for members to ask questions about the business meeting process. The fate of the second town hall announced for May 25 is unknown.
(1) SEATTLE WORLDCON 2025 CHAIR APOLOGIZES. Kathy Bond today posted an “Apology and Response From Chair” at the Seattle Worldcon 2025 website to address the brewing controversy about the committee using ChatGPT as part of its process for screening program participants.
(2) 2025 LOCUS AWARDS SHORTLISTS. The 2025 Locus Awards finalists have been posted at Locus Online. See the full list at the link. The Locus Awards winners will be announced June 21 during the in-person Locus Awards Ceremony, held in Oakland, California.
(3) PUPPIES AIN’T WHAT THEY USTA BE. In “Locus Slate Shenanigan Update” Camestros Felapton scores Jon Del Arroz’ efforts to push his picks onto the Locus Awards shortlist.
Early in April I posted about an attempt by Jon Del Arroz/Fandom Pulse (and others) to game the Locus voting with a last minute slate. So how did the JDA slate perform?
OK, I have to do some complex data crunching here. Well, my provisional results come out at a whopping 0% of JDA slated works made it….
(4) 2025 EDGAR AWARDS. Mystery Writers of America announced the winners of the 2025 Edgar Awards on May 1.
Publishers Weekly reports the ceremony was marred by the use of AI images, and this is being compared with the Worldcon’s own LLM kerfuffle.
An opening video, surveying treatments of the genre on the big and small screen, was narrated by a creepy AI version of Humphrey Bogart, complete with imperfect lip-syncing, later followed by one featuring an even creepier, black cat-holding, artificially-generated Edgar Allan Poe.
(5) ELRIC’S EARS: THE DEFINITIVE ANSWER. Cora Buhlert has written an article about Elric of Melniboné for the Seattle Yesterday, Today and Tomorrow Blog, which got responses from both Michael Whelan and Michael Moorcock, settling the question whether Elric has pointed ears or not. “Fantastic Fiction: Elric of Melniboné: Tortured Elf Emperor with a Cursed Sword”. See their comments at the link.
…Elric was born out of a conversation between John Carnell, editor of the British magazine Science Fantasy, and the young writer Michael Moorcock, wherein both proclaimed their love for the sort of fantasy adventure stories—soon to be called “sword and sorcery”—that had been published in the pulp magazine Weird Tales some thirty years earlier but were considered hopelessly passé by the early 1960s. Carnell remarked that he would be open to publishing “that Conan stuff,” so Moorcock wrote The Dreaming City, the first Elric story, which appeared in the June 1961 issue of Science Fantasy…
…“I think everything that’s in the book is in the show basically,” explained Paul Weitz. “We early on got in touch with Martha Wells kind of as fans and, so there are things that are added to the story, sort of like filling in the cracks, but anytime that we had an idea like that, we would call up Martha and say, ‘Hey, here’s what we’re thinking of, what do you think?’ And she’d either say, ‘Oh, that’s a cool idea’ or ‘Well, maybe think about this instead. That was a huge, huge relief.
“I think that part of the thing for us was never feeling like we were like we were padding stuff,” he continued as he explained why they made the changes they did….
…This year our judges received 112 eligible submissions from 49 UK publishing imprints and independent authors.
If you’re interested in how this compares to previous years, you can see past lists and analysis here: clarkeaward.medium.com
The TLDR though is this is pretty much a Goldilocks Zone year. Not the highest ever numbers received, but not worryingly low, and more on par with where we’ve landed in terms of recent submissions history for both books received and publishers entering.
A caveat as always about our terminology: this is a simple list of submissions of eligible books received, not a ‘long-list’ or other form of juried selection, but simply those books sent to our judges for them to consider as potential future Arthur C. Clarke science fiction book of the year winners….
(8) MEMORY LANE.
[Written by Paul Weimer.]
Iron Man film (2008)
By Paul Weimer: “I am Iron Man”
Although the Hulk movie preceded it, Iron Man started the Marvel Cinematic Universe, and for good or ill, the modern age of superhero movies. I can’t claim to know that was going to happen at the time–but I was excited. My movie-watching friend Mike, although well versed in horror and some comics, had no idea who Iron Man was. He had never read any of his comics and didn’t know his deal. So sitting in the movie theater with him, previews rolling, I explained Iron Man’s story (as I had gotten it fifteen years earlier, first). He was fascinated, I sold him on the idea that although Iron Man was maybe C-Tier (compared to Spidey, and Hulk and other high well known Marvel Superheroes), this could be fun.
And then we settled in to watch.
Shorn of the need to set up any mythology (although it effortlessly does), future movies, or refer to previous continuity (except for the credit cookie scene with Fury), Iron Man I is still in my top tier of Marvel movies. The story is straightforward enough, and Robert Downey Jr. (who was still somewhat damaged goods, remember) redeemed his entire career playing Tony Stark. Having read the comics, when I saw Obadiah Stane show up, I realized, but didn’t tell my movie going partner, just what was in store.
“Icing problem?”
“You might want to look into it.”
Favreau’s direction, Matthew Libatique’s cinematography are excellent in use of color, lighting and imagery.
I think that the real best relationship in this movie is not between Downey and Paltrow (although her Pepper Potts is every inch what is needed for the role) but between Downey and Bettany (who does the voice of JARVIS). Bettany once again (like in Master and Commander and A Knight’s Tale) plays the second part of a double act to more well known actor with charm, humor and a lot of fun. Forget Vision and Scarlet Witch (sorry Elisabeth Olsen), the Iron Man/JARVIS is where it’s at. Their sometimes acidic and always funny relationship is what makes the beats of the movie really sing.
Just writing this piece has the Black Sabbath song running through my head.
And hey, this is the movie that launched a movie franchise…and at the same time, in the world of comics, catapulted Iron Man to A-Tier.
When, movies later, Downey says “I am Iron Man” and does his snap and defeats Thanos at the cost of his own life, that was all originally set up and grounded from the original Iron Man movie.
(10) ARCHIPELACON 2 IS DRAWING NEAR. Finland’s national convention and this year’s Eurocon, Archipelacon 2, The Nordic SF and Fantasy Convention, announced today over 700 memberships have been sold, out of a total maximum of 1 000.
The convention will take place in Mariehamn, Åland on 26-29 June, at the Alandica Culture & Congress Centre. The second Archipelacon is a follow-up to the now legendary first edition, which was held in the same venue in 2015.
We have a stellar lineup of Guests of Honour: Ann VanderMeer, Jeff VanderMeer, Mats Strandberg, and Emmi Itäranta. For full presentations please visit our website https://archipelacon.org/guests-of-honour/
Preparations for the event are in full swing. Last minute programme proposals can be submitted via the programme form, but please hurry if you have suggestions. The form can be found here.
The final programme will be published in early June.
We are also looking for volunteers. If you are interested in making Archipelacon 2 happen, please sign up on our website at https://archipelacon.org/volunteer/
Archipelacon 2 is financed by sales of memberships and T-shirts, vendor table rentals, as well as grants. This year’s event has received grants from PAF, Suomen Kulttuurirahasto, and Svenska Kulturfonden. We thank our sponsors for their generous support!
The Psyche spacecraft launched nearly two years ago and is currently on its way to rendezvous with a unique asteroid in an effort to understand the origins of Earth. Although it’s still a few years away from orbiting the asteroid, which bears the same name, the Psyche mission has run into an issue with its propulsion system that forced it to power off its thrusters.
NASA engineers with the Psyche mission are investigating the root cause of a recent decrease in fuel pressure in the spacecraft’s propulsion system, an issue that needs to be resolved before mid-June so that it doesn’t affect the mission’s trajectory. “The mission team has chosen to defer thrusting while engineers work to understand the pressure decrease,” NASA wrote in an update.
Psyche launched in October 2023, beginning a 2.2 billion-mile journey to a metal-rich asteroid located in the main belt. The spacecraft began firing its thrusters in May 2024, using a solar electric propulsion system that relies on solar energy to generate power for four electric thrusters. On April 1, the spacecraft detected a pressure drop in the line that delivers xenon gas to the thrusters, which went from 36 pounds per square inch (psi) to about 26 psi, according to NASA. In response to the sudden decrease, the spacecraft automatically powered off its thrusters…
“Let’s do the time warp again!” This year marks the 50th anniversary of the musical film “The Rocky Horror Picture Show.” To celebrate the occasion, a newly restored and remastered version of “The Rocky Horror Picture Show” will be let loose in 4K Ultra HD, along with the debut of a new anniversary logo.
Audiences were first introduced to the movie in 1975 and it quickly became a cult classic. It’s based on the musical play by Richard O’Brien, and has continued to grow with late-night screenings, fan costumes, and has created a unique moviegoing experience with dance parties. To this day, “The Rocky Horror Picture Show” still makes history as the longest-running theatrical release of all time.
The Walt Disney Studios Restoration team oversaw the 10-month project to digitally scan and preserve the film.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Nina Törnudd,Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]
Kathy Bond today posted an “Apology and Response From Chair” at the Seattle Worldcon 2025 website to address the brewing controversy about the committee using ChatGPT as part of its process for screening program participants.
First and foremost, as chair of the Seattle Worldcon, I sincerely apologize for the use of ChatGPT in our program vetting process. Additionally, I regret releasing a statement that did not address the concerns of our community. My initial statement on the use of AI tools in program vetting was incomplete, flawed, and missed the most crucial points. I acknowledge my mistake and am truly sorry for the harm it caused.
There is much more that needs to be done to address this harm, but it will take some time to develop a comprehensive response and fuller apology over the weekend. We will release a response by Tuesday of next week that provides a transparent explanation of the process that was used, answers more of the questions and concerns we have received, and openly outlines our next steps.
The fallout from Seattle Worldcon 2025 Chair Kathy Bond’s public statement attempting to defend the use of ChatGPT as part of the screening process for program participants now includes Yoon Ha Lee’s rejection of his status as a Lodestar Award finalist:
SEATTLE 2025 SOCIAL MEDIA. The original Seattle Worldcon 2025: “Statement From Worldcon Chair” post on Bluesky continues to be a magnet for criticisms of the committee, shaming, demands for resignations, a call for all panelists to reject their invitations, and ridicule of the Worldcon in general, which can be read at the link.
Back on Bluesky, Jasmine Gower asserts “Their own Privacy Policy does NOT give them permission to share your personal data (even ‘just’ your name) with genAI”, and says after contacting the con to object, they are getting a full refund of their membership.
… I also want to express that the disconnect between the concom and the larger SF community on this issue is, to me, even more concerning than the narrower technical decisions. The ethical, environmental, and practical issues with AI are loudly, widely, and routinely discussed in the science fiction community, with many artists directly impacted by AI plagiarism; community members of all backgrounds frequently voice their positions against it. Even very slight familiarity with this topic—on social media, as discussed at other conventions, at all levels of publication from professional journalism to personal blogs—would have warned against using AI for this purpose and predicted this community response. Whether or not Seattle’s vetting program was practically or ethically sound, the decision to use ChatGPT scripts, and the language in this disclosure, speak to either ignorance of or disregard for an intense opinion vocally held by a very large portion of the SF community.
I was—and still am—incredibly delighted and honored to be a Hugo finalist. And, as someone who rarely gets to meet other fans in person, and who can rarely afford to travel to Worldcon, I was incredibly excited to attend and participate this year. It’s personally crushing that, unless the concom takes major steps to address this controversy, this will be another Worldcon that will always have an asterisk next to it, another Worldcon that unnecessarily creates a lot of bad feelings and bad blood in the community. Whether or not it’s accurate to the situation, “the Worldcon where panelists were selected by the racist plagiarism machine” is going to be what it’s remembered for if significant steps are not taken, and quickly.
I urge the concom to take the reputational damage being incurred extremely seriously, and not to dismiss the practical concerns about how LLM usage affected panelist selection. I ask that you look at the response to this statement—on all channels—equally seriously, to see the level of anger, hurt, and division it is causing. In a year when the host country’s institutional bigotry is already significantly affecting who will or can attend Worldcon, it feels particularly important to set this right…
I am… currently mulling my options concerning the whole mess. I don’t particularly want to go the rest of my life and my career with “AI VETTED” hanging around my neck like a scarlet letter, especially after I’ve been so vocal in disavowing it, of distancing myself from it, in stating unequivocally that I do not want or accept the presence of AI anywhere near my creative endeavours. I am in contact with a number of other authors who feel the same way.
Shawn Marier, who runs Seattle’s film festival, stood up for the Worldcon’s use of LLM.
David Gerrold is another rare instance of someone who supports the committee.
More than one writer raised the spectre of ChatGPT’s reputation for racial bias in its results.
One commenter feels the skillset of Worldcon runners needs to be expanded.
The present controversy is also feeding on the discontent which follows when some applicants are not selected as panelists, and the various ideas that notability, awards, or longevity in the field should govern who is picked.
… Let’s talk WC for just a moment. I haven’t attended many, usually because they happen close to Dragon Con, which is a place I do most of my business for the following year. But I wanted to do WC this year, not only because it’s a city I love, but I have a big release from Arc Manor Publishers coming out that, for the first time, might be something the Hugos might consider worthy of notice. This was important to me, being there, among my friends, my peers, my publisher. So, I submitted my application, expecting the best.
When I got my denial, it was from Sunny Jim, who I’d hoped had learned that I wasn’t that same naïve baby-author of the past. I also found it weird, having seen so many posts about international authors cancelling their memberships because their afraid to fly here (that’s a can of worms I don’t want to open here, and please, please don’t in the comments). that they didn’t have space for more people on programming.
But then it comes out that the programming staff didn’t even vet the authors until after their names through an LLM program, which is notoriously unreliable. I don’t know if I was kicked then, or when they did their “review” later, or if I made it to the final round before being voted off the island. There’s a lot that’s unclear about this process. All I know is that I’ve heard from friends that they got on programming with a lot fewer credits than I have, and don’t have a major, Hugo-worthy release coming out later this year. They didn’t attend NWC and did everything that was expected of them to earn their consideration. And now this frickin’ AI bullcrap after being one of the tens of thousands of authors to have the majority of their work stolen and loaded up into similar programs?
I know every WorldCon ConCom starts anew, and you can’t blame them for past mistakes. I agree. The problem is, the new committee is so focused on not repeating the mistakes of the last committee that they leave themselves open to new mistakes. This was a doozy!
I have a flight, I have a hotel, and I have a membership, but all the excitement is gone. There’s an empty feeling inside where once there were possibilities. Yes, I can still attend, network, promote. None of that has been taken away from me. But being on programming, showcasing everything you’ve learned and accomplished in the years since you last attended a WC is important. It’s validation. And yes, I still get that from Dragoncon, as well. And the many other cons I attend. And every time I sell something new, and every time I do the big shows like San Diego Comic Con, etc. But my heart wanted this. I debuted at Denvention in 2008. I got my current agent at Kansas City. I wanted this.
But it’s very possible a computer, not a living being, said No….
Seattle Worldcon 2025 Chair Kathy Bond today issued a public statement attempting to defend the use of ChatGPT as part of the screening process for program participants. The comments have been highly negative.
…We received more than 1,300 panelist applicants for Seattle Worldcon 2025. Building on the work of previous Worldcons, we chose to vet program participants before inviting them to be on our program. We communicated this intention to applicants in the instructions of our panelist interest form.
In order to enhance our process for vetting, volunteer staff also chose to test a process utilizing a script that used ChatGPT. The sole purpose of using this LLM was to automate and aggregate the usual online searches for participant vetting, which can take up to 10–30 minutes per applicant as you enter a person’s name, plus the search terms one by one. Using this script drastically shortened the search process by finding and aggregating sources to review.
Specifically, we created a query, including a requirement to provide sources, and entered no information about the applicant into the script except for their name. As generative AI can be unreliable, we built in an additional step for human review of all results with additional searches done by a human as necessary. An expert in LLMs who has been working in the field since the 1990s reviewed our process and found that privacy was protected and respected, but cautioned that, as we knew, the process might return false results.
The results were then passed back to the Program division head and track leads. Track leads who were interested in participants provided additional review of the results. Absolutely no participants were denied a place on the program based solely on the LLM search. Once again, let us reiterate that no participants were denied a place on the program based solely on the LLM search.
Using this process saved literally hundreds of hours of volunteer staff time, and we believe it resulted in more accurate vetting after the step of checking any purported negative results….
