Pixel Scroll 3/22/24 White Rabbits Are Easy, Try Pulling A Pixel Out Of A Hat

(1) YE KEN NOW. [Via MT Void.] Read Michael Dirda’s article “The two best American fantasy writers you’ve probably never heard of” at the Washington Post. He’s talking about Avram Davidson and Manly Wade Wellman.

… Happily, though, these too-little-known but excellent writers — did I mention that both were honored with the World Fantasy Award for lifetime achievement? — have been supported and championed in recent years by independent publishers and knowledgeable admirers. Let’s start with Wellman.

Back in 2012, Haffner Press assembled “The Complete John Thunstone,” all of Wellman’s stories from Weird Tales magazine about a Manhattan-based occult investigator who, armed with a silver sword-cane, combats demons, the evil magician Rowley Thorne (loosely based on Aleister Crowley) and a hidden race of malignant humanoids called the Shonokins. Fans of Marvel Comics’ Doctor Strange will feel right at home…

… Despite the similarity in their structure, these tales of mystery and the supernatural excel at evoking the uncanny, even as the myriad details of Southern legend and lore further ramp up the tension and foreboding. Think of them, then, as round-the-campfire stories or front-porch yarns: They are shivery without being gruesome, they move right along, and each will leave you wanting to read just one more.

By contrast, Avram Davidson is far more literary, as well as amaster of many vocal registers and genres. In relating his brilliantly gonzo fantasies, he often takes his own sweet time, reveling in pyrotechnic sentences, Jewish slang, mordant humor, digressions and archaic diction. You’ll certainly find all these in “AD 100: 100 Years of Avram Davidson: 100 Unpublished or Uncollected Stories,” edited by Neva Hickman….

(2) NOT AT ALL ELEMENTARY, MY DEAR WATSON. “The Weird Lawsuit Over Netflix’s Enola Holmes, Explained” at Slashfilm.

…In the case of another prominent pop culture figure, Sherlock Holmes, many of the stories featuring Sir Arthur Conan Doyle’s famous detective entered the public domain some time ago. Copyright typically lasts for the duration of an author’s life plus 70 years, 120 years from the date of their creation, or 95 years from their publication date — whichever comes soonest. Doyle passed away in 1930, and a lot of his Sherlock Holmes novels entered the public domain in the 20th Century, beginning in 1981 when 1887’s “A Study in Scarlett” made the transition. So, by the time author Nancy Springer published her first “Enola Holmes” novel in 2006 — a novel based on the world established by Doyle — she was mostly in the clear.

In 2020, Netflix’s first adaptation of a Springer book, “Enola Holmes” arrived, welcoming girls into the detective club and becoming a big enough hit for the streamer to green-light a sequel. When “Enola Holmes 2” debuted in 2022, it proved to be an even more charming mystery outing, firmly cementing these films as a solid new franchise for Netflix. All in all, then, a pretty nice little success story for the biggest streamer in the game. Or at least it would have been if it wasn’t for that pesky copyright law….

…. The complaint alleged that Springer and the other parties infringed copyright and trademark law with the “Enola Holmes” products, specifically stating (via The Guardian) that Sir Arthur Conan Doyle had created “significant new character traits for Holmes and Watson” in the 10 stories that remained protected by copyright law in the U.S. Back in 2014, a ruling made all the Sherlock Holmes stories authored prior to 1923 property of the public domain, allowing Springer and others to use the character and his world in their creations. But the 10 remaining stories, referred to in the 2020 lawsuit, were written between 1923 and 1927, meaning they were still covered by copyright law.

So, what exactly had Springer, Netflix, and the others infringed upon from these specific stories? Well, emotions, apparently…

(3) TREK HISTORY ON THE AUCTION BLOCK. Two of the highlighted items in March 29’s “The Greg Jein Collection Hollywood/Entertainment Showcase Auction” are from Star Trek: The Original Series – a phaser, and a shuttlecraft model.

Star Trek: The Original Series (Paramount TV, 1966-1969), Mid-Grade Type-1 Phaser. Vintage original iconic prop measuring 3.75″ x 1.75″ x 1″. Constructed of hollow fiberglass, painted dark gray with silver stripe on both sides, with wooden emitter tip, acrylic gauge, aluminum power dial and diamond patterned decal. This very rare prop was used by the production for closer shots. Exhibiting scuffing and some paint retouching as well as adhesive remnants on the underside. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

Heritage Auctions says about the shuttlecraft:

This piece is truly special. Greg, obviously known for his incredible model-building prowess, built this as a “stand-in” for his screen-used Galileo shuttlecraft filming miniature for the famous Star Trek exhibit at the Smithsonian in 1992. Greg feared his original miniature would become damaged, so he spared no attention to detail in creating this piece, knowing it would be viewed by hundreds of thousands of visitors at the National Air and Space Museum….

Star Trek: The Original Series (Paramount TV, 1966-1969), Greg Jein-Built Galileo Shuttlecraft Model for “Star Trek: The Exhibit” at the Smithsonian (1992). Original static model miniature constructed of cast resin elements, vacuum-formed plastic, mixed-media components, all expertly assembled, painted, and finished with Enterprise-gray paint, tape details, and transfer lettering for badging. Measures approx. 22″ x 14″ x 7.5″. The Greg Jein-built model was on display at the legendary “Star Trek: The Exhibit” at The Smithsonian National Air and Space Museum, Washington, D.C., from February 1992 through January 1993. Exhibits age, paint chipping, cracking and handling. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to join biographer Julie Phillips for Jӓgerschnitzel in Episode 221 of the Eating the Fantastic podcast.

I first met this episode’s guest, Julie Phillips, in the dealers room of the 2006 Los Angeles Worldcon, where I was introduced by Gordon Van Gelder, her editor on James Tiptree, Jr.: The Double Life of Alice B. Sheldon. That biography had been out only a few weeks by then, and it would go on to win the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. It’s a truly magnificent achievement, and if you haven’t already read it, you should track it down immediately. Once you do, you’ll understand why I’m anxiously awaiting her next biography — of the great Ursula K. Le Guin.

Julie Phillips

Her most recent book is The Baby on the Fire Escape: Creativity, Mothering, and the Mind-Baby Problem (2002). Her articles have appeared in The New YorkerMs.The Village VoiceNewsdayMademoiselle, and many other publications. She currently lives in Amsterdam, where she reviews books for 4Columns.org and writes about English literature for the Dutch daily newspaper Trouw.

When I learned the Washington County Museum of Fine Arts had asked her give the kickoff lecture of its More than Muses Weekend in nearby Hagerstown, Maryland, I reached out to see whether she had time to break bread so I could share her wisdom with you. And I’m so pleased she agreed. We met for lunch the day after her presentation at Schmankerl Stube Bavarian restaurant, one of my favorite places to eat in Hagerstown.

We discussed why she called The Baby on the Fire Escape “a weird hybrid monster of a book,” the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there’s more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can’t, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin’s memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one’s biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

(5) ARTIFICIAL INTELLIGENCE, REAL BALONEY. “A Celebrity Dies, and New Biographies Pop Up Overnight. The Author? A.I.” finds the New York Times.

After Joseph Lelyveld, a former executive editor of The New York Times, died last month, his brother Michael Lelyveld went online to see how he was being remembered. He found obituaries in major news outlets, as expected. But he also found other, unexpected portraits of his brother.

At least half a dozen biographies were published on Amazon in the days immediately following Lelyveld’s death. Several of them were available for purchase on the very day he died. The books, he said, described his brother as a chain smoker, someone who honed his skills in Cairo and reported from Vietnam — none of which is true.

“They want to make a buck on your grief,” said Michael Lelyveld.

Books like this are part of a macabre new publishing subgenre: hasty, shoddy, A.I.-generated biographies of people who have just died…

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 22, 1920 Ross Martin. (Died 1981.) Let’s talk about Ross Martin and his involvement with Wild Wild West which is a fascinating story indeed. 

He got his first acting job in the early Fifties series Lights Out’s “I Dreamed I Died” episode. 

This was not the beginning of his performance career as he did a lot of radio before that, including the last broadcast episode of Dimension X, and two of X Minus One, one of which taken from was Bradbury’s “The Man in The Moon” story which I believe Bradbury himself adapted for broadcast. 

Before the Wild Wild West, he would be in the Conquest of Space, a film about the first interplanetary flight to the planet Mars, and in The Colossus of New York where he’s Dr. Jeremy “Jerry” Spensser (sic) whose brain gets put into a giant robotic body. What could possibly go wrong?  

Ross Martin in 1965

Mike wants to note that that though “not genre, he played the villain in Experiment in Terror which was a memorable film.” Thanks Mike! 

Not surprisingly, he’d be in Twilight Zone. The first time “The Four of Us are Dying” where he’s already dead as Johnny Foster. Seriously he is. Nice touch there, Serling. The next time is in what starts as a purely SF episode which is described this way, “Space Cruiser E-89, crewed by Captain Paul Ross, Lt. Ted Mason (his character), and Lt. Mike Carter, is on a mission to analyze new worlds and discover if they are suitable for colonization.”  Well, this being the Twilight Zone, it will take a trip into the very strange of course. 

It is said that the Artemus Gordon character was largely shaped by Martin himself. He created almost all of his disguises for the show, and even the gadgets used on the series were either created by him or largely constructed with his input. Even the make-up he did for many of the episodes was mostly his own design. Given that he was in eighty-five episodes, that’s quite amazing!

Gordon missed nine episodes after suffering a heart attack. The actor was temporarily replaced by familiar actors like William Schallert and Alan Hale, Jr.  So yes the Captain did escape from the island. And time traveled. 

I loved the series, loved him and Conrad, thought they made a great pair of agents. I’ve watched the series quite a few times including on DVD about a decade ago, that viewing allowed me to see pre-production sketch that was made of his very first make-up design for the pilot episode. 

The four season boxed set has the two movies plus all the extras from seasons two  through four but very oddly not the ones from the first season when these were first released as separate sets. A very odd thing to do. And yes, you can find the separate seasons easily enough on eBay. 

After this series, his genre appearances are as follows. 

He appeared in another Serling series playing Mister Gingold, a  moneylender with almost no compassion for his debtors who would get his due justice Night Gallery-style in “Camera Obscura”, and again as Bradley Meredith in “The Other Way Out” as the jig is up after he kills a go-go dancer. Serling did not write this script and it shows. There’s nothing at all interesting here.

Not genre (I think, we could call it genre adjacent) was his role was Charles Chan in The Return of Charlie Chan

Definitely genre was his appearance on Quark as Zorgon the Malevolent in “All the Emperor’s Quasi-Norms, Parts 1 & 2”. 

I’m down to his last three genre appearances, he was in    The New Adventures of Wonder Woman  as Bernard Havitol in the “IRAC is Missing” episode and his next two genre role was as Ace Scanlon in a Fantasy Island two parter, “The Devil and Mandy Breem” and “The Millionaire”.

His final genre role was on Mork & Mindy as Godfrey in the “Mork and the Bum Rap” episode. That, I think, covers it. 

(7) COMICS SECTION.

From Cooper Lit Comics:

(8) USE THE COFFEE MACHINE, LUKE. “’Star Wars’ Marathon Set From Alamo Drafthouse With All Nine Films” says The Hollywood Reporter.

Alamo Drafthouse is hosting a Star Wars marathon of all nine movies to screen back-to-back May 3-4, coinciding with the 25th anniversary of Star Wars: Episode I — The Phantom Menace.

The Texas-based theater chain will host the 21-hour marathon of the Skywalker Saga’s episodes one through nine at the Alamo Drafthouse New Mission in San Francisco. The all-in-one-sitting viewing will start May 3 with The Phantom Menace and end a day later with a screening of The Rise of Skywalker.

There will be breaks for “unlimited coffee and water” to keep your eyes open in case the Force isn’t enough. Audiences can expect Star Wars-themed food items from a galaxy far, far away at the concession stands, an immersive Star Wars lobby for selfies, and games and trivia between screenings.… 

(9) WARP FACTOR TEA. Of course, if you’re not a coffee drinker, Adagio Teas looks like they have at least ten selections in their “To Boldly Brew…” line. One of them is “Picard’s Tea. Earl Grey. Hot. Tea”. Below are three examples of the art on the product tins.

Picard’s Tea. Earl Grey. Hot. Creamy Earl Grey Moonlight blends beautifully with Summer Rose, (English roses in honor of Sir Patrick Stewart’s homeland). Extra rose petals added for that touch of Starfleet Command red. [Episodes: TNG 2×11 “Contagion,” 4×26 “Redemption,” 6×19 “Lessons,” 7×20 “Journey’s End,” 7×25/26 “All Good Things…”]

(10) ON THE BEACH. [Item by SF Concatenation’s Jonathan Cowie.] “NASA’s Mars rover probes ancient shorelines for signs of life” reports Science. A  core drilled by Perseverance in October 2023 suggests it has been driving on the remains of an ancient beach.

…For the past few months, NASA’s rover, which is collecting rock samples to eventually send to Earth, has explored a ring of rocks just inside the rim of Jezero crater, which is thought to have been filled with water billions of years ago. An initial analysis suggests the rocks are composed of rounded grains of carbonate, a mineral that precipitates out of water. It’s a promising sign that the rocks were once beachfront property, says Briony Horgan, a planetary scientist at Purdue University who leads the rover’s science campaign. “You can imagine the waves crashing up against the shores of an ancient palaeolake,” she says….

(11) A PENGUIN IN YOUR FUTURE. “Colin Farrell returns in Max’s first The Penguin teaser” — let AV Club set the stage.

While fans will need to wait an extra year to see Robert Pattinson re-don his black cape for The Batman Part II (the film is now set to premiere in 2026), they don’t need to stay out of Matt Reeves’ gritty version of Gotham entirely. Colin Farrell’s Oz Cobb—in all his prosthetic-covered glory—is returning far sooner for his own eight-episode spinoff series, which lands on Max sometime this fall.

Move over, Tony Soprano. A new boss is coming to HBO. The first teaser for The Penguin opens in a flooded Gotham, right where the 2022 film left off, with Farrell doing exactly what any DC villain worth his salt should do: monologuing….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/5/21 Pixelo And Scrolliet, A Play In 3 Acts By Filiam Scollspeare

(1) NO CHANGE ON DISCON III / WECHAT STATUS. DisCon III announced on November 29 they had to remove WeChat as a payment option. “Due to their restrictions on charitable giving, we are unable to use WeChat services at this time.” Their tech team was trying to find a workaround to help overseas fans who want to pay using WeChat. Today File 770 checked in with Tim Szczesuil, DisCon III’s Site Selection Administrator, and asked if they’d had success. He said no:

Our Tech person has been working with WeChat to resolve the situation, but our WeChat Pay account is still locked. The lockout is on their end, not ours. We haven’t given up hope that this will be resolved, but time is running out.

Many people in China are buying memberships and paying for the voting fee via credit card. Currently, there is nothing much we can do.

(2) AROUND THE BLOCK. [Item by Martin Morse Wooster.] In the Washington Post, Steven Zeitchik notes that “language development” software GPT-3 has become open source which has led Sudowrite to develop a tool that could help blocked writers complete their articles.  So Zeitchik interviews Gay Talese about his famous article “Frank Sinatra Has a Cold” (which, remember, has an appearance by Harlan Ellison) and film critic Katie Walsh, and has Sudowrite come up with synthetic completions of their articles which he asks Talese and Walsh to grade.  He concludes that software can help writers but not yet replace them. “Sudowrite and GPT-3 imitate Gay Talese in this test of artificial intelligence”.

…I asked Walsh what she made of the fact that a computer program could, with her raw material, come up with something that sounded like a professional review.

She replied: “This is way better than I expected from it! It’s pretty good! I can see this now not as ‘taking my job’ (because the machine can’t watch the movie … yet), but as a tool for a writer/editor to evade writers block.” She continued, “I don’t think it’s outside the realm of possibility to take the AI paragraph and rework it, because it did successfully guess where I was going most times.”

Oddly, Gupta hasn’t optimized Sudowrite yet for nonfiction; it’s more for novelists. But he saw GPT-3 as very adaptive to journalism.

“Ultimately, it’s a tool that will move things up the chain,” he said. “As a writer, you may not need to crank out words anymore. You’re more of an editor, choosing the best versions.”

This seemed pretty scary to me, and I spent the rest of the day wondering if it was too late to enroll in trade school….

(3) TRIFFID TALK. A BBC Radio 3 panel discusses John Wyndham’s classic: “Free Thinking, The Day of the Triffids”. Listen at the link.

Killer plants, a blinding meteor shower, the spread of an unknown disease: John Wyndham’s 1951 story explores ideas about the hazards of bioengineering and what happens when society breaks down. Matthew Sweet is joined by writers Amy Binns and Tanvir Bush, broadcaster Peter White and New Generation Thinker Sarah Dillon to look at the novel which spawned film, TV and radio adaptations and discuss what resonance it has today.

Amy Binns has written a biography of John Wyndham – ‘Hidden Wyndham: Love, Life, Letters’. Tanvir Bush is a writer and photographer whose most recent novel is ‘Cull’. Peter White is the BBC’s Disability Affairs Correspondent and presents You and Yours on Radio 4.  Sarah Dillon is Professor of English at Cambridge University and a Radio 3 New Generation Thinker. Her most recent book is ‘Storylistening: Narrative Evidence and Public Reasoning’.

(4) BLINDNESS IN SFF. Meanwhile, you can still hear a Triffid-referencing episode of BBC Radio 4’s program Seriously… about “Sci-Fi Blindness”:

From Victorian novels to the latest Hollywood blockbusters, sci-fi regularly returns to the theme of blindness.

Peter White, who was heavily influenced as a child by one of the classics, sets out to explore the impact of these explorations of sight on blind and visually impaired people.

He believes a scene in The Day of the Triffids by John Wyndham imbued him with a strange confidence – and he considers the power of science fiction to present an alternative reality for blind readers precisely at a time when lockdown and social distancing has seen visually impaired people marginalised.

He talks to technology producer Dave Williams about Star Trek The Next Generation’s Chief Engineer Geordi La Forge, Dr Sheri Wells-Jensen talks about Birdbox and world-building from a blind point of view in James L Cambias’s A Darkling Sea. Professor Hannah Thompson of Royal Holloway University of London takes us back to 1910 to consider The Blue Peril – a novel which in some ways is more forward thinking in its depiction of blindness than Hollywood now.

And Doctor Who actor Ellie Wallwork gives us her take on why blindness is so fascinating to the creators of science fiction.

(5) HOT WINGS. The Penguin will celebrate 80 years as a Batman villain in an uncharacteristic way: “Unmasked: the Penguin saves world from Covid in Danny DeVito’s Batman story” in the Guardian.

Batman’s least intimidating foe the Penguin, usually seen plotting the heist of Gotham City’s priciest jewels, has a somewhat less dastardly plan up his sleeve in his latest outing: he’s out to vaccinate the world.

The feathered supervillain’s latest storyline was dreamed up by the actor Danny DeVito, who played the character in the 1992 film Batman Returns. Working with artist Dan Mora, DeVito has written the story Bird Cat Love for an anthology celebrating Batman’s enemies, Gotham City Villains, published on Tuesday by DC Comics to celebrate the 80th anniversary year of the character’s creation.

Rather than depicting the Penguin up to his usual tricks, however, DeVito has him stealing all the world’s vaccines from the pharmaceutical companies who are hoarding them, according to an early report from comics site Bleeding Cool News – and then forcibly vaccinating everyone on the planet.

(6) A STAKE IN FUTURE WHO. “Sony officially acquires Doctor Who series 14 producer Bad Wolf” reports Radio Times.

Sony Pictures Television has officially bought Bad Wolf, the company set to produce Doctor Who series 14.

Sony purchased a majority stake in the indie production company, which is behind shows such as His Dark Materials and I Hate Suzie, while the deal also includes the Wolf Studios Wales facility in Cardiff and a minority stake in Bad Wolf America.

Russell T Davies, who will return as showrunner for Doctor Who’s 60th year, will be enlisting the help of Bad Wolf to produce the next season, set to air on BBC One in 2023 with a brand new Doctor.

The company was founded by former BBC executives Julie Gardner and Jane Tranter back in 2015 and while Sky, HBO and Access Entertainment did hold stakes in it, Sony has now taken them over….

(7) NOT OF THIS MIDDLE-EARTH. Yahoo! says “Amazon’s ‘Lord of the Rings’ Show Will (Majorly) Break From Tolkien’s Canon”. Well, how could it not, when did showrunners ever follow the books? But if you’re interested in speculations about the exact departures from the books, read on. Here are two short excerpts:

What’s young Aragorn got to do with anything?

Turns out, nothing. Early reports about the series speculated that it would follow the adventures of young Aragorn, whose path prior to his introduction in The Fellowship of the Ring was long and winding. However, when Amazon tweeted, “Welcome to the Second Age,” which took place thousands of years before Aragorn’s birth, speculation was debunked….

Who’s attached to the series?

Three lead actors have been announced: Robert Aramayo (Game of Thrones) will star as Beldor, an “experienced fighter”; Markella Kavengeh (Picnic at Hanging Rock) will play Tyra, an “empathetic” individual who’s likely an elf; and Joseph Mawle (Game of Thrones‘ Uncle Benjen) will star as Oren, the lead villain. It’s worth noting that none of these characters are Tolkien characters—all are new, original characters. Moryfdd Clark will follow in Cate Blanchett’s footsteps as Galadriel, suggesting that other familiar roles, like Elrond, may be recast….

(8) MEDIA BIRTHDAY.

1977 [Item by Cat Eldridge.] Forty-four years ago on CBC, Emmet Otter’s Jug-Band Christmas first aired. It would premiere a year later in the States on HBO.  It was based off of the children’s book of the same name by Russell Hoban and his wife Lillian Hoban. Russell Hoban you’ll no doubt recognize as the author of Riddley Walker which won a John W. Campbell Memorial Award. It was directed and produced by Jim Henson off the script by Jerry Juhl who was known for his work on The Muppet ShowFraggle Rock and Sesame Street.

The Muppets voice cast was Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, Dave Goelz, Marilyn Sokol and Eren Ozker. Paul Williams, who I was surprised to learn wrote Three Dog Night’s “An Old Fashioned Love Song” among quite a few other songs, composed the music and several songs here. This would not be his last such Muppets work as he would be involved in The Muppet Movie several years later among other of his Muppets projects. 

Reception was very positive with the New York Times comparing it to The Wind in The Willows saying and “These really are the nicest folk on the river.” And AV Critic said that “it was “The kind of Christmas special you could wrap in tissue when the season’s over and store carefully in a box in the attic.” Audience reviewers at Rotten Tomatoes currently give it an eighty-four percent rating. 

Oh, and Bret McKenzie is writing the script and songs for a film adaptation of it which will be produced by The Jim Henson Company. You fans of The Hobbit films might recognize him. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 5, 1890 Fritz Lang. Metropolis of course, but also Woman in the Moon (German Frau im Mond) considered to be one of the first “serious” SF films. I saw Metropolis in one of those art cinemas in Seattle in the late Seventies. It’s most excellent I think. (Died 1976.)
  • Born December 5, 1901 Walt Disney. With Ub Iwerks, he developed the character Mickey Mouse in 1928; he also provided the voice for his creation in the early years. During Disney’s lifetime his studio produced features such as Snow White and the Seven DwarfsPinocchioFantasiaDumbo, and BambiCinderella and Mary Poppins, the latter of which received five Academy Awards. In 1955 he opened Disneyland. In the Fifties he also launched television programs, such as Walt Disney’s Disneyland and The Mickey Mouse Club. In 1965, he began development of another theme park, Disney World, and the “Experimental Prototype Community of Tomorrow” (EPCOT).  I’ll pick Fantasia as my favorite film that he’s responsible for though I’m also very fond of Cinderella and Mary Poppins. And of course there’s “The Three Little Pigs” with the weird note about the father of the little pigs. (Died 1966.)
  • Born December 5, 1921 Alvy Moore. He shows up first in a genre role uncredited as Zippy in The War of the Worlds. (He was also uncredited in The Girls of Pleasure Island that same year.) He’s again uncredited, as a scientist this time, in The Invisible Boy (aka S.O.S Spaceship) and The Gnome-Mobile saw his continue that streak as a Gas Mechanic. The Brotherhood of Satan saw him get a credit role as did The Witchmaker, both all budget horror films. He’s listed as having co-written and produced, along with LQ Jones, A Boy and His Dog, the Ellison originated film. (Died 1997.)
  • Born December 5, 1951 Susan Palermo-Piscatello. SF Site in its obit said that she was “was active in fandom in the early 1970s, taking pictures that appeared in The Monster Times and working for the company that brought Japanese monster films, including Battle for the Planets and Time of the Apes to the US. She was among the first bartenders at CBGB and was in the band Cheap Perfume. She had recently returned to fandom after several years of gafiation.” (Died 2011.)
  • Born December 5, 1951 Elizabeth R. Wollheim, 70. President, co-Publisher and co-Editor-in-Chief of DAW Books. Winner, along with her co-Publisher and co-Editor-in-Chief Sheila E. Gilbert, of a Hugo Award  at Chicon 7 for Long Form Editing. In the early Nineties, they won two Chesley Awards for best art direction. DAW is, despite being headquartered at Penguin Random House, a small private company, owned exclusively by its publishers.
  • Born December 5, 1961 Nicholas Jainschigg, 60. Teacher, Artist and Illustrator. He began his career by doing covers and interior art for Asimov’s and Analog magazines, then progressed to covers for books and other magazines, eventually providing art for Wizards of the Coast gaming materials and for Marvel and DC Comics. As an Associate Professor for the Rhode Island School of Design, his private work these days is mainly in animations, interactive illustration, painting in oils, and paleontological reconstructions in murals and dioramas.
  • Born December 5, 1973 Christine Stephen-Daly, 48. Her unpleasant fate as Lt. Teeg on Farscape literally at the hands of her commanding officer Crais was proof if you still need it that this series wasn’t afraid to push boundaries of such things of cringe-causing violence. She was also Miss Meyers in the two part “Sky” story on The Sarah Jane Adventures

(10) SOMEONE WHO KNOWS ABOUT BANKS. Grimes, a female pop musician who had a two-year relationship and a son with Elon Musk, Tesla baron and Iain M. Banks fan, has released the song “Player of Games” off of her new album Book 1. Observers guess that she is punning off the Banks book of the same name. “What Does Grimes New Song Mean, Player Of Games & Elon Musk” at Kotaku.

Apparently, Musk really loves the game and is the greatest gamer, but not much of a lover or boyfriend, assuming the song is indeed about him. (Which it super, probably is.)

(11) READING RED. Mike Thorpe, a sedimentary geochemist contracted to NASA and a Towson University grad, is interviewed about the analysis of samples gathered by the Mars rovers: “Reading the Story in Red Soil” in Towson University Magazine.

Just because it will take years for the samples taken by Perseverance to return to Earth doesn’t mean Thorpe is idle.

“Right now, I’m busy collecting and curating reference materials from the Mars 2020 rover with the team here at NASA JSC as well as the NASA Jet Propulsion Laboratory (JPL), ultimately helping build a history of sample collection through the course of the mission,” he says.

“All this work leading up to Mars sample return is to make sure we know that what’s in these samples is truly Martian. Perseverance was made here on Earth and we want to keep Earth, Earth and Mars, Mars. We need to analyze every step of the way, including every part of making the rover, to understand what sources of contamination there might be.”

Another of his responsibilities requires him to consider things that may not exist yet: what tools are going to be used to analyze the samples when they come back.

“Some of the instruments that we may be analyzing these samples with haven’t even been built yet,” he says. “We may have some newer technology with capabilities that we aren’t even familiar with yet. So it’s understanding what is state of the art now and also projecting what it is going to be in the future and how we can improve that to handle some of the most precious geological samples we’ll ever have in our lifetime.”

But to have materials to handle, they have to be extracted from the surface of Mars first….

(12) FEELINGS. The goal of this technology is to create the sensation of touch for VR users. “Meta haptic glove prototype lets you feel VR objects using air pockets” at The Verge.

You cannot pet a dog in Meta’s new, high-tech virtual reality gloves. But researchers are getting closer.

Meta (formerly Facebook) is known for its high-profile moves into virtual and augmented reality. For seven years, though, it’s been quietly working on one of its most ambitious projects yet: a haptic glove that reproduces sensations like grasping an object or running your hand along a surface. While Meta’s not letting the glove out of its Reality Labs research division, the company is showing it off for the first time today, and it sees the device — alongside other wearable tech — as the future of VR and AR interaction….

(13) KUDOS. A customer who bought LEGO’s Mos Eisley Cantina set, which has over 3,000 pieces and costs $350, was halfway through building it when he realized the box was missing a bag of pieces. Fast Company praises the company’s response email (which you can read at the link): “A Customer Discovered Their $350 Lego Set Was Missing Pieces”.

… I mean, if you’re not a Star Wars fan, the email doesn’t really seem like much, but that’s the point. The person who wrote the email clearly understood that anyone who buys this set isn’t just a loyal LEGO fan, they’re a die-hard Star Wars fan.

Whoever wrote the email clearly knows their audience and took the time to make it fun. With what is arguably very little effort, they turned a disappointing situation into something delightful….

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] If you’re a rat, strange things happen to you in the alchemist’s lab!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Jeffrey Smith, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]