British Fantasy Awards 2016 Nominees

BFS_Logo_red_SMALLThe shortlist for the British Fantasy Awards 2016 has been released.

Four nominees in each category were decided by the votes of BFS members, attendees of FantasyCon 2015, and attendees of FantasyCon 2016. Up to two further nominees in each category were added by the juries as “egregious omissions” under the rules.

The winners will be decided by the juries, and announced September 25 at FantasyCon 2016 in Scarborough.

Best Anthology

  • African Monsters, ed. Margrét Helgadóttir and Jo Thomas (Fox Spirit Books)
  • Aickman’s Heirs, ed. Simon Strantzas (Undertow Publications)
  • Best British Horror 2015, ed. Johnny Mains (Salt Publishing)
  • The Doll Collection, ed. Ellen Datlow (Tor Books)
  • The 2nd Spectral Book of Horror Stories, ed. Mark Morris (Spectral Press)

Best Artist

  • Ben Baldwin
  • Vincent Chong
  • Julie Dillon
  • Evelinn Enoksen
  • Sarah Anne Langton
  • Jeffrey Alan Love

Best Collection

  • Ghost Summer: Stories, Tananarive Due (Prime Books)
  • Monsters, Paul Kane (The Alchemy Press)
  • Probably Monsters, Ray Cluley (ChiZine Publications)
  • Scar City, Joel Lane (Eibonvale Press)
  • Skein and Bone, V.H. Leslie (Undertow Publications)
  • The Stars Seem So Far Away, Margrét Helgadóttir (Fox Spirit Books)

Best Comic/Graphic Novel

  • Bitch Planet, Kelly Sue DeConnick, Valentine De Landro, Robert Wilson IV and Cris Peter (Image Comics) (#2–5)
  • Ms. Marvel, Vol. 2: Generation Why, G. Willow Wilson, Jacob Wyatt and Adrian Alphona (Marvel)
  • Nimona, Noelle Stevenson (HarperTeen)
  • Red Sonja, Gail Simone and Walter Geovani (Dynamite Entertainment) (#14–18)
  • Saga, Brian K. Vaughan and Fiona Staples (Image Comics) (#25–32)
  • The Sandman: Overture, Neil Gaiman, J.H. Williams III and Dave Stewart (Vertigo)

Best Fantasy Novel (the Robert Holdstock Award)

  • Guns of the Dawn, Adrian Tchaikovsky (Tor)
  • Half a War, Joe Abercrombie (HarperVoyager)
  • The Iron Ghost, Jen Williams (Headline)
  • Signal to Noise, Silvia Moreno-Garcia (Solaris)
  • Sorcerer to the Crown, Zen Cho (Macmillan)
  • Uprooted, Naomi Novik (Macmillan)

Best Film/Television Production

  • Inside No. 9: The Trial of Elizabeth Gadge, Reece Shearsmith and Steve Pemberton (BBC Two)
  • Jessica Jones: AKA WWJD?, Scott Reynolds (Netflix)
  • Jonathan Strange & Mr Norrell, Peter Harness (BBC One)
  • Mad Max: Fury Road, George Miller, Brendan McCarthy and Nico Lathouris (Warner Bros. Pictures et al.)
  • Midwinter of the Spirit, Stephen Volk (ITV Studios)
  • Star Wars: The Force Awakens, by Lawrence Kasdan, J.J. Abrams and Michael Arndt (Lucasfilm et al.)

Best Horror Novel (the August Derleth Award)

  • A Cold Silence, Alison Littlewood (Jo Fletcher Books)
  • The Death House, Sarah Pinborough (Gollancz)
  • Lost Girl, Adam Nevill (Pan Books)
  • Rawblood, Catriona Ward (Weidenfeld & Nicholson)
  • The Silence, Tim Lebbon (Titan Books)
  • Welcome to Night Vale, Joseph Fink and Jeffrey Cranor (Orbit)

Best Independent Press

  • The Alchemy Press (Peter Coleborn and Jan Edwards)
  • Angry Robot (Marc Gascoigne)
  • Fox Spirit Books (Adele Wearing)
  • Newcon Press (Ian Whates)

Best Magazine/Periodical

  • Beneath Ceaseless Skies, ed. Scott H. Andrews (Firkin Press)
  • Black Static, ed. Andy Cox (TTA Press)
  • Holdfast Magazine, ed. Laurel Sills and Lucy Smee (Laurel Sills and Lucy Smee)
  • Interzone, ed. Andy Cox (TTA Press)
  • Strange Horizons, ed. Niall Harrison (Strange Horizons)

Best Newcomer (the Sydney J. Bounds Award)

  • Becky Chambers, for The Long Way to a Small Angry Planet (Hodder & Stoughton)
  • Zen Cho, for Sorcerer to the Crown (Macmillan)
  • Peter Newman, for The Vagrant (HarperVoyager)
  • Steven Poore, for The Heir to the North (Kristell Ink)
  • Marc Turner, for When the Heavens Fall (Titan Books)

Best Non-fiction

  • The Art of Horror: An Illustrated History, ed. Stephen Jones (Applause Theatre & Cinema Books)
  • Fantasy-Faction, ed. Marc Aplin and Jennie Ivins (Fantasy-Faction)
  • Ginger Nuts of Horror, ed. Jim Mcleod (Jim McLeod)
  • King for a Year, ed. Mark West (Mark West)
  • Letters to Tiptree, ed. Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • Matrilines, Kari Sperring (Strange Horizons)

Best Novella

  • Albion Fay, Mark Morris (Spectral Press)
  • Binti, Nnedi Okorafor (Tor.com)
  • The Bureau of Them, Cate Gardner (Spectral Press)
  • The Pauper Prince and the Eucalyptus Jinn, Usman T. Malik (Tor.com)
  • Witches of Lytchford, Paul Cornell (Tor.com)

Best Short Fiction

  • “The Blue Room,” V.H. Leslie (Skein and Bone)
  • “Dirt Land,” Ralph Robert Moore (Black Static #49)
  • “Fabulous Beasts,” Priya Sharma (Tor.com)
  • “Hippocampus,” Adam Nevill (Terror Tales of the Ocean)
  • “Strange Creation,” Frances Kay (Tenebris Nyxies)
  • “When The Moon Man Knocks,” Cate Gardner (Black Static #48)

The British Fantasy Society committee will decide the winner of the Karl Edward Wagner Award, and the other winners will be decided by the British Fantasy Awards 2016 jurors:

Best Anthology: Gary Couzens, Louie Reynolds, Zean Fairbanks-Gilbert

Best Artist: Caroline Callaghan, Howard Watts, Jay Eales

Best Collection: Carole Johnstone, E.G. Cosh, Simon Bestwick

Best Comic/Graphic Novel: Ian Hunter, Jo Thomas, P M Buchan

Best Fantasy Novel (the Robert Holdstock Award): Elaine Hillson, Rhian Bowley, Ross Warren

Best Film/Television Production: Catherine Hill,  Jim Steel, Johnny Mains

Best Horror Novel (the August Derleth Award): Aleksandra Kesek, Nina Allan, Sarah Carter

Best Independent Press: El Ashfield, Ole Andreas Imsen, Richard Webb

Best Magazine/Periodical: Kate Coe, Marcus Gipps, Sean Wallace

Best Newcomer (the Sydney J. Bounds Award): Elloise Hopkins, Lizzie Barrett, Robin Lupton

Best Non-Fiction: Kevin McVeigh, Martin Petto, Ruth EJ Booth

Best Novella: Jo Tomas, Laura Mauro, Mark West

Best Short Story: Stephen Bacon, Penny Jones, Phil Sloman

The jurors were appointed by the awards administrator, Stephen Theaker, under the supervision of the British Fantasy Society committee. The BFS committee itself is the jury for the Special Award (the Karl Edward Wagner Award).

2015 British Fantasy Awards

BFS_Logo_red_SMALLThe winners of the 2015 British Fantasy Awards were announced October 25 at FantasyCon.

Best anthology

  • Lightspeed: Women Destroy Science Fiction Special Issue, ed. Christie Yant (Lightspeed Magazine)

Best artist

  • Karla Ortiz

Best collection

  • Nick Nightmare Investigates, Adrian Cole (The Alchemy Press and Airgedlámh Publications)

Best comic/graphic novel

  • Through the Woods, Emily Carroll (Margaret K. McElderry Books)

Best fantasy novel: The Robert Holdstock Award

  • Cuckoo Song, Frances Hardinge (Macmillan Children’s Books)

Best film/television episode

  • Guardians of the Galaxy, James Gunn and Nicole Perlman (Marvel Studios)

Best horror novel: The August Derleth Award

  • No One Gets Out Alive, Adam Nevill (Macmillan)

Best independent press

  • Fox Spirit Books (Adele Wearing)

Best magazine/periodical

  • Holdfast Magazine, ed. Laurel Sills and Lucy Smee (Laurel Sills and Lucy Smee)

Best newcomer: The Sydney J. Bounds Award

  • Sarah Lotz, for The Three (Hodder & Stoughton)

Best non-fiction

  • Letters to Arkham: The Letters of Ramsey Campbell and August Derleth, 1961–1971, ed. S.T. Joshi (PS Publishing)

Best novella

  • Newspaper Heart, Stephen Volk (The Spectral Book of Horror Stories)

Best short story

  • “A Woman’s Place,” Emma Newman (Two Hundred and Twenty-One Baker Streets)

The Special Award: The Karl Edward Wagner Award

  • Juliet E. McKenna

The winners were decided by the following jury members: Best anthology: Carole Johnstone, Elaine Hillson and Rhian Bowley. Best artist: Donna Scott, Jared Shurin and P.M. Buchan. Best collection: Dave Brzeski, Ole A. Imsen and Thana Niveau. Best comic/graphic novel: Jared Shurin, Jay Eales and Laurel Sills. Best fantasy novel (the Robert Holdstock Award): Aleksandra Kesek, Gary Couzens and Lucy Smee. Best film/television episode: Adrian Faulkner, Catherine Mann and Gary Couzens. Best horror novel (the August Derleth Award): Cate Gardner, Jim Mcleod and Laura Mauro. Best independent press: Bill Thompson, Elloise Hopkins, Robin K Hickson, Robin Lupton and Sarah Carter. Best magazine/periodical: Donna Scott, Mark West and Phil Sloman. Best newcomer (the Sydney J. Bounds Award): Ian Hunter, Lizzie Barrett and Simon Bestwick. Best non-fiction: Jason Arnopp, Johnny Mains and Laura Mauro. Best novella: Jo Thomas, Paul Holmes and Stephen Bacon. Best short story: Catherine Mann, Allen Stroud and David Tallerman. The Karl Edward Wagner Award was decided by a vote of the British Fantasy Society committee.

The physical award is a handmade wooden bookend featuring Lee Thompson’s BFS logo, commissioned from Sarah Goss, who works in traditional woodcarving and restoration.

2015 British Fantasy Awards Shortlist

BFS_Logo_red_SMALLThe nominees for the 2015 British Fantasy Awards have been announced. The winners will be revealed at the awards ceremony at FantasyCon on October 25.

Best anthology

  • The Alchemy Press Book of Urban Mythic 2, ed. Jan Edwards and Jenny Barber (The Alchemy Press)
  • Horror Uncut: Tales of Social Insecurity and Economic Unease, ed. by Joel Lane and Tom Johnstone (Gray Friar Press)
  • Lightspeed: Women Destroy Science Fiction Special Issue, ed. Christie Yant (Lightspeed Magazine)
  • The Spectral Book of Horror Stories, ed. Mark Morris (Spectral Press)
  • Terror Tales of Wales, ed. Paul Finch (Gray Friar Press)

Best artist

  • Ben Baldwin
  • Vincent Chong
  • Les Edwards
  • Sarah Anne Langton
  • Karla Ortiz
  • Daniele Serra

Best collection

  • Black Gods Kiss, Lavie Tidhar (PS Publishing)
  • The Bright Day Is Done, Carole Johnstone (Gray Friar Press)
  • Gifts for the One Who Comes After, Helen Marshall (ChiZine Publications)
  • Nick Nightmare Investigates, Adrian Cole (The Alchemy Press and Airgedlámh Publications)
  • Scruffians! Stories of Better Sodomites, Hal Duncan (Lethe Press)

Best comic/graphic novel

  • Cemetery Girl, Charlaine Harris, Christopher Golden and Don Kramer (Jo Fletcher Books)
  • Grandville Noël, Bryan Talbot (Jonathan Cape)
  • Saga, Brian K. Vaughan and Fiona Staples (Image Comics)
  • Seconds, Bryan Lee O’Malley (SelfMadeHero)
  • Through the Woods, Emily Carroll (Margaret K. McElderry Books)
  • The Wicked + The Divine, Kieron Gillen and Jamie McKelvie (Image Comics)

Best fantasy novel (the Robert Holdstock Award)

  • Breed, KT Davies (Fox Spirit Books)
  • City of Stairs, Robert Jackson Bennett (Jo Fletcher Books)
  • Cuckoo Song, Frances Hardinge (Macmillan Children’s Books)
  • A Man Lies Dreaming, Lavie Tidhar (Hodder & Stoughton)
  • The Moon King, Neil Williamson (NewCon Press)
  • The Relic Guild, Edward Cox (Gollancz)

Best film/television episode

  • Birdman: Or (The Unexpected Virtue of Ignorance), Alejandro González Iñárritu (Fox Searchlight Pictures)
  • Black Mirror: White Christmas, Charlie Brooker (Channel 4)
  • Guardians of the Galaxy, James Gunn and Nicole Perlman (Marvel Studios)
  • Interstellar, Christopher Nolan and Jonathan Nolan (Paramount Pictures)
  • Under the Skin, Walter Campbell and Jonathan Glazer (Film4 et al)

Best horror novel (the August Derleth Award)

  • The End, Gary McMahon (NewCon Press)
  • The Girl With All the Gifts, M.R. Carey (Orbit)
  • The Last Plague, Rich Hawkins (Crowded Quarantine Publications)
  • No One Gets Out Alive, Adam Nevill (Macmillan)
  • Station Eleven, Emily St John Mandel (Knopf)
  • The Unquiet House, Alison Littlewood (Jo Fletcher Books)

Best independent press

  • The Alchemy Press (Peter Coleborn)
  • Fox Spirit Books (Adele Wearing)
  • NewCon Press (Ian Whates)
  • Spectral Press (Simon Marshall-Jones)

Best magazine/periodical

  • Black Static, ed. Andy Cox (TTA Press)
  • Holdfast Magazine, ed. Laurel Sills and Lucy Smee (Laurel Sills and Lucy Smee)
  • Interzone, ed. by Andy Cox (TTA Press)
  • Lightspeed, ed. John Joseph Adams (Lightspeed Magazine)
  • Sein und Werden, ed. Rachel Kendall (ISMs Press)

Best newcomer (the Sydney J. Bounds Award)

  • Edward Cox, for The Relic Guild (Gollancz)
  • Sarah Lotz, for The Three (Hodder & Stoughton)
  • Laura Mauro, for Ptichka (Horror Uncut: Tales of Social Insecurity and Economic Unease)
  • Den Patrick, for The Boy with the Porcelain Blade (Gollancz)
  • Jen Williams, for The Copper Promise (Headline)

Best non-fiction

  • D.F. Lewis Dreamcatcher Real-Time Reviews, D.F. Lewis (D.F. Lewis)
  • Ginger Nuts of Horror, ed. Jim McLeod (Jim McLeod)
  • Letters to Arkham: The Letters of Ramsey Campbell and August Derleth, 1961–1971, ed. S.T. Joshi (PS Publishing)
  • Rhapsody: Notes on Strange Fictions, Hal Duncan (Lethe Press)
  • Sibilant Fricative: Essays & Reviews, Adam Roberts (Steel Quill Books )
  • Touchstones: Essays on the Fantastic, John Howard (The Alchemy Press)
  • You Are the Hero: A History of Fighting Fantasy Gamebooks, Jonathan Green (Snowbooks)

Best novella

  • Cold Turkey, Carole Johnstone (TTA Press)
  • Drive, Mark West (Pendragon Press)
  • Newspaper Heart, Stephen Volk (The Spectral Book of Horror Stories)
  • Water For Drowning, Ray Cluley (This Is Horror)

Best short story

  • A Change of Heart, Gaie Sebold (Wicked Women)
  • The Girl on the Suicide Bridge, J.A. Mains (Beside the Seaside)
  • Ptichka, Laura Mauro (Horror Uncut: Tales of Social Insecurity and Economic Unease)
  • A Woman’s Place, Emma Newman (Two Hundred and Twenty-One Baker Streets)

Generally, four nominees in each category were decided by the votes of BFS members and the attendees of FantasyCon 2014 and FantasyCon 2015. The category jurors had the option of adding up to two further nominees. The jurors will now pick the winners. The British Fantasy Society committee will select the winner of the Karl Edward Wagner Award.

2014 British Fantasy Award Winners

bfs_logo-128x300The winners of the 2014 British Fantasy Awards were announced September 7 at FantasyCon 2014 in York.

Best Fantasy Novel (The Robert Holdstock Award)
A Stranger in Olondria by Sofia Samatar (Small Beer Press)

Best Horror Novel (The August Derleth Award)
The Shining Girls by Lauren Beukes (HarperCollins)

Best Novella
Beauty by Sarah Pinborough (Gollancz)

Best Short Story
“Signs of the Times” by Carole Johnstone (Black Static #33)

Best Anthology
End of the Road, Jonathan Oliver (ed.) (Solaris)

Best Collection
Monsters in the Heart by Stephen Volk (Gray Friar Press)

Best Small Press
The Alchemy Press (Peter Coleborn)

Best Comic/Graphic Novel
Demeter by Becky Cloonan

Best Artist
Joey Hi-Fi

Best Non-fiction:
Speculative Fiction 2012, Justin Landon and Jared Shurin (eds) (Jurassic London)

Best Magazine/Periodical:
Clarkesworld, Neil Clarke, Sean Wallace and Kate Baker (ed.) (Wyrm Publishing)

Best Film/Television Episode
Game of Thrones: The Rains of Castamere, David Benioff and D.B. Weiss (HBO)

Best Newcomer (The Sydney J. Bounds Award)
Ann Leckie, for Ancillary Justice (Orbit)

The British Fantasy Society Special Award (The Karl Edward Wagner Award)
Farah Mendlesohn

The nominees in each category were decided by the voters of the British Fantasy Society, FantasyCon 2012 and FantasyCon 2014, with the juries having a discretion to add up to two further “egregious omissions” in each category.

The winners were decided by the following jury members. Fantasy novel: Gary Couzens, Laurel Sills, Matthew Hughes, Neil Williamson and Selina Lock. Horror novel: Cate Gardner, Jim McLeod, Mark West, Pauline Morgan and Thana Niveau. Novella: Aleksandra Kesek, Jo Thomas and Paul Holmes. Short story: David Tallerman, Matthew Hughes and Pauline Morgan. Collection: Matthew Hughes, Ole Andreas Imsen and Pauline Morgan. Anthology: Carole Johnstone, Gary Couzens and Matthew Hughes. Small press: Dave Brzeski, Elaine Hillson, Elloise Hopkins, Rachel Kendall and Rhian Bowley. Non-fiction: Djibril al-Ayad, Emma Newman and Jason Arnopp. Magazine/periodical: Aleksandra Kesek, Donna Bond and Jim McLeod. Comic/graphic novel: Jay Eales, Jennie Gyllblad and P.M. Buchan. Artist: Jennie Gyllblad, P.M. Buchan and Rachel Kendall. Film/television episode: Adrian Faulkner, Catherine Hill and Gary Couzens. Newcomer: Douglas Thompson, Ian Hunter and Lizzie Barrett. The Karl Edward Wagner Award was decided by a vote of the British Fantasy Society committee.

The physical award this year, a handmade wooden bookend featuring Lee Thompson’s BFS logo, was commissioned from Sarah Goss,  who works in traditional woodcarving and restoration.

2013 British Fantasy Awards

The winners of the 2013 British Fantasy Awards were announced November 3 at the World Fantasy Convention in Brighton:

Best Fantasy Novel (the Robert Holdstock Award): Some Kind of Fairy Tale, Graham Joyce (Gollancz)

Best Horror Novel (the August Derleth Award): Last Days, Adam Nevill (Macmillan)

Best Novella: The Nine Deaths of Dr Valentine, John Llewellyn Probert (Spectral Press)

Best Short Story: “Shark! Shark!” by Ray Cluley (Black Static #29) (TTA Press)

Best Collection: Remember Why You Fear Me, Robert Shearman (ChiZine Publications)

Best Anthology: Magic: an Anthology of the Esoteric and Arcane, Jonathan Oliver (ed.) (Solaris)

Best Small Press (the PS Publishing Independent Press Award): ChiZine Publications (Brett Alexander Savory and Sandra Kasturi)

Best Non-Fiction: Pornokitsch, Anne C. Perry and Jared Shurin (eds)

Best Magazine/Periodical: Interzone, Andy Cox (ed.) (TTA Press)

Best Artist: Sean Phillips

Best Comic/Graphic Novel: Saga, Brian K. Vaughan and Fiona Staples (Image Comics)

Best Screenplay: The Cabin in the Woods, Joss Whedon and Drew Goddard

Best Newcomer (the Sydney J. Bounds Award): Helen Marshall, for Hair Side, Flesh Side (ChiZine Publications)

Special Award (the Karl Edward Wagner Award): Iain Banks / Iain M. Banks

The winners were decided by the following jury members. On the main jury, deciding the categories of fantasy novel, horror novel, novella, short story, collection, anthology, magazine/periodical, comic/graphic novel and screenplay: Esther Sherman, Matthew Hughes, Neil Williamson, Pauline Morgan and Ros Jackson. Non-fiction: Djibril al-Ayad and Jason Arnopp. Artist: Daniele Serra, P.M. Buchan and Rachel Kendall. Small press: Elaine Hillson, Elloise Hopkins, Dave Brzeski, Rachel Kendall and Rhian Bowley. Newcomer: Adele Wearing, Alison Littlewood, Jim Steel, Lizzie Barrett and Peter Tennant. The Karl Edward Wagner Award was decided by a vote of the British Fantasy Society committee.

2012 British Fantasy Awards

The 2012 British Fantasy Awards were presented September 30 at Fanatsy Con in Brighton.

Novel

The August Derleth Award (for best horror novel)
The Ritual by Adam Nevill (Pan)

The Robert Holdstock Award (for best fantasy novel)
Among Others by Jo Walton (Tor Books)

Novella
Gorel and the Pot Bellied God by Lavie Tidhar (PS Publishing)

Short Fiction
“The Coffin-Maker’s Daughter” by Angela Slatter (A Book of Horrors, Jo Fletcher Books)

Anthology
The Weird, editors Jeff and Ann Vandermeer (Corvus Books)

Collection
Everyone’s Just So So Special by Robert Shearman (Big Finish)

Screenplay
Midnight in Paris by Woody Allen

Magazine/Periodical
Black Static, Andy Cox, editor; TTA Press

Comic/Graphic Novel
Locke and Key by Joe Hill and Gabriel Rodriguez (IDW Publishing)

The BFA judges were James Barclay, Hal Duncan, Maura McHugh, Esther Sherman, and Damien G. Walter.

Re: Joyce

Novelist Graham Joyce has taken over as acting chair of the British Fantasy Society. He sees an urgent need to reform the BFAs. “The old system that served us for such a long time had a hole punched in it this year. It was always a vulnerable system and with its weakness to ‘boosting’ votes now only too exposed, it is in my view irreparable.”

Here Joyce is echoing a different Stephen Jones criticism than the charges of conflict of interest that prompted BFS chair David Howe’s resignation, but it is necessary to address them all to assure the future health of the British Fantasy Awards.

That will be done soon. Joyce has announced an Extraordinary General Meeting of the Society for December 9 in London to elect new officers and consider a proposal to reorganize the BFS awards. Members of BFS and FantasyCon are currently being surveyed about ideas for improving them.

Along the way Joyce has also provided a fascinating answer to my question of several weeks ago. Sam Stone won two British Fantasy Awards, for Best Novel and Best Short Story, and in the face of the controversy Stone announced she was returning the Best Novel award. If Stone felt that way, I asked why she would return only one of her two awards, and how she settled on the one for Best Novel?

Graham Joyce told BFS members he will, in fact, assume both awards have been returned unless somebody tells him differently:

Regarding the breakdown of this year’s Awards I have been asked what is being done. Sam Stone publicly returned her award, so I contacted the shortlisted authors to ask if they wanted me to examine the ballot to make a re-award. All the shortlisted authors indicated they would prefer this not to happen and that they would prefer no award to be given. Therefore this year the record will indicate *NO AWARD*. There is uncertainty about whether Sam Stone returned the Short Story Award at the same time as the Novel award. Identical conditions applied in both categories so I am assuming this to be the case unless I am told otherwise. Regarding all the awards received by the Telos imprint I have received no information, therefore all these awards stand as announced. I hope we can now consider the matter of this year’s awards CLOSED.

Howe Quits as Chair of BFS

David Howe resigned as Chairman of the British Fantasy Society just one week after he helped announce the winners of the British Fantasy Awards at Fantasycon. Howe, the awards administrator, was accused by prominent editor Stephen Jones, among others, with a conflict of interest because he is a partner in Telos, the publisher of two BFA-winning stories and winner of Best Small Press, and also is the domestic partner of Sam Stone, winner of two fiction BFA’s.     

British Fantasy Society President Ramsey Campbell exonerated Howe in a statement informing members of the resignation:

Following the recent public allegations made regarding this year’s British Fantasy Awards, The British Fantasy Society Committee would like to state for the record that it is our firm belief that no corruption or wrongdoing took place during the administration of the British Fantasy Awards, and that in this respect all awards should still stand as presented. We confirm that the summation of the votes cast was performed electronically and once the results were checked they were confirmed and verified by another member of the committee.

Campbell asserts that Howe had no control over awards selection, only stepping in to arrange for the physical awards and ceremony when the original administrator was “unable to continue due to personal issues”:

David did not have any involvement with the nominations, short listing or the voting process, other than with the awards administration (procuring the statuettes, plaques, etc) and we are happy that the voting/counting process was 100% accurate within the scope of the current rules. We therefore completely exonerate David from any wrongdoing in the administration of the 2011 Awards.

Perhaps one with full knowledge of the context can reconcile Campbell’s statement with Howe’s own explanation posted October 5 which I took to be an admission of a role in the voting process:

[There] were 140 valid individuals voting in the Awards (I did have to exclude a couple of voters as they were not BFS Members and had not attended FantasyCon either last year, nor were they listed to attend this year).

So the winners were simply those who those that voted thought were worth voting for. Several of the categories were very close between the votes, with in some cases just one vote separating the winner. I asked Del Lakin-Smith, the BFS Webmaster, who was also looking after the online results forms, to do a double check count and tally to ensure complete transparency in what the members had voted for. The results were as announced.

Campbell promises that the awards procedures will be “addressed going forward to maintain the integrity of the society.”

[Via Ansible Links.]

Along Came Jones

Renowned horror editor Stephen Jones went home from the British Fantasy Awards ceremony at Fantasycon and immediately wrote “Putting the ‘Con’ Into Fantasycon”, casting a pall of suspicion over the results.

He began with the nominating process:

I guess the “fix” was in months ago. The preliminary ballot was posted on the Society’s website before most of the membership had any idea that they actually could start nominating, and it was arbitrarily decreed by the present Committee—without any discussion with the membership—that for the first time ever only electronic ballots would be accepted and that any postal votes would be ignored.

Jones implies the deadline for British Fantasy Society members to nominate (February 14, according to the BFS website) was so early it restricted participation. Certainly the history of another award, the Hugos, shows an early deadline curtails voting — when there was a March 1 deadline in 2008, only 483 nominations came in, compared to hundreds more at the next several Worldcons.

On the other hand, Jones’ implication that eliminating paper ballots disenfranchises people isn’t supported by the Worldcon’s experience. In 2011, with both electronic and paper voting available, Hugo voters showed an overwhelming preference for electronic voting and cast only a trivial number of paper ballots.

Jones devoted his most savage comments to a pattern he observed among the BFA winners, implying several involved a conflict of interest between British Fantasy Society Chairman David Howe and Telos, a small press imprint in which Howe is a partner. Telos won the Best Small Press Award and published two of the award-winning stories. Jones also noted that Howe’s domestic partner, Sam Stone, won in yet another category.

Here are Jones’ key phrases along that line:

Early on, current BFS Chairman David Howe made it clear that he would take the awards ceremony away from the convention and run it himself (not all that surprising since the awards are actually presented by the Society, although they are voted on by members of both the BFS and FantasyCon)….

Simon Clark had already gone when it was announced that he had won it for Humpty’s Bones from small press imprint Telos (remember that name, it will be cropping up again soon)….

By now it was obvious that the awards were not being presented in their normal—or published—order. I’m sure that those conspiracy theorists amongst the audience must have wondered if this was to prevent a pattern from emerging . . . .

The Best Short Story award went to Sam Stone. She cried a lot, thanked her partner—David Howe—and told us what a surprise it was to win. Presumably, David had not told her over the washing-up, nor had she sneaked a peek at the plaques he had brought down to stick on the award statuettes.

But just when Jones hooked his readers with these hints of scandal he changed course and began blasting the bad taste of BFA voters, in the process undercutting his credibility. For the only reason to blame the voters is if they actually chose the winners, by the ordinary democratic process, which is contrary to the impression Jones had labored to create:

Of course, the members of the BFS and FantasyCon are absolutely entitled to vote for whomsoever they want to. Although I suspect it helps if, say, you restrict the voting process and possibly urge all your friends to vote for you and each other. That’s what happened to the HWA Bram Stoker Awards until they became such a laughing stock in the field that the nomination process has had to undergo a major overhaul.

To put it bluntly, this year’s results made a mockery of the British Fantasy Award and everything it has always stood for. Even if you ignore the embarrassing ceremony and clichéd platitudes, few of these awards actually reflected genuine quality or what is happening in mainstream genre publishing today.

Maybe that also reflects the tastes of the BFS membership? Perhaps the majority do not read outside the small press anymore? Maybe they no longer have good taste or any critical acumen?

In the end, readers must ask themselves whether Jones has proven anything besides his own dissatisfaction with some of the BFA winners.