Camille Alexa Review: Folkmanis Stage Puppet

Review by Camille Alexa: Ahh, Unicorn. Mythical, magical, mysterious. Holding this Folkmanis puppet of you, I can’t help wishing it were more as I picture you. Folkmanis got some things right. They did not, for example, neglect your billygoat’s tuft, that underchin goatee featured — flowing, curling — in medieval prints of you. They chose a rather nice fur for your hide: marshmallow white with a hint of opal sparkle. Your neck in this, your likeness, is depicted as long and elegant (as it should be), your velvet-lined ears prick forward, alert, and your eyes are deeper-set than any mere horse’s eyes, without the gentle passivity of a domesticated animal. No: these eyes are dark, and narrowed, and hinting at the capacity for violence if need be…

So those things they got right. But other things, other elements, are not as I would have them. Not for you, O ethereal creature, whom Leonardo da Vinci described in his fifteenth-century Notebooks as a libidinous beast, which “through its intemperance and not knowing how to control itself, for the love it bears to fair maidens forgets its ferocity and wildness; and laying aside all fear it will go up to a seated damsel and go to sleep in her lap, and thus the hunters take it.”

Maybe that’s it. Maybe this puppet is one of those captured-type unicorns, with a silver collar and everything. The horn here isn’t an embarrassment: it stands, proud and spiraled, all to the good. But that mane makes you look like a mop, dear Unicorn! A muppet, a widget, a buffoon! Not at all suited to the gravitas owed your majestic station. And the structure of your face has a somewhat bloated quality, poor thing, as though one late night too many has been passed trawling the streets for fair maidens or seated damsels, long past last call at the pub.

And yet, I’d still rather have a mythical world with you than without you, a catalogue with your likeness rather than without. So kudos, Folkmanis, for attempting to capture this most elusive of creatures in the three Ps: polyester, polyurethane, and PVC.

If only it hadn’t remained quite so elusive.

Camille Alexa Review: Folkmanis Baby Dragon

Review by Camille Alexa: Like every Folkmanis puppet I’ve so far seen, the Baby Dragon Puppet is a marvel of workmanship for the price: carefully stitched seams, articulated wings, darts along the inside of the limbs and belly to allow for movement and keep shape. The tag tells us it’s made in China, so we know who to thank.

I’m struck by how utterly soft this little plushie is — eminently suitable for a baby dragon if not for its parent. And like a baby, this little guy has a teensy pot belly, rounded and cute, filled with just enough stuffing to give him some heft without making him feel bulky or awkward; just the right amount of stuffing to invite you to go ahead and slide him on like a puffy green glove, give him a try.

Inside is considerably less soft, no fur — probably wise to line with moisture-wicking material where the grubby mitts go. The tail, too, is stuffed to perfection, not too much nor too little, so it curves up and away, retaining life of its own while the puppet is occupied. The outer material, perhaps not aided by the choice of ‘gator green, is more reminiscent of mock croc than fireproof scales. If the mouth is a bit stiff compared to other puppets, the arms are a nice fit for the fingers, in keeping with the excellent planning and design of the puppet’s stitching and stuffing.

Most exciting discovery: Baby Dragon’s lovely deep nostrils — so perfectly detailed, lined in soft rose to match the interior of his dragony mouth — go all the way through from one side to the other. This is not some lapse in construction, but a planned detail! I imagine staging a play with Baby Dragon, imagine making my own flames out of something stiff and colorful, like construction paper or crinkly tissue, or maybe something soft, like fluttering red silk. How cool would THAT be when you turned on the fan? Fire away!

Huh. Guess it brought out the kid in me. A success, then, yes?


Camille Alexa shares her Edwardian home in the Pacific Northwest with an array of fossils, dried willow branches, pressed flowers, and other very pretty dead things. Her first book, PUSH OF THE SKY, earned a starred review in Publishers Weekly and was a finalist for the Endeavour Award. She likes her humor dark and her horror funny, and can be found on twitter @camillealexa or on LiveJournal as camillealexa.