Tag Archives: Francis Hamit

Pixel Scroll 5/13/25 The Psy Who Clicked In From The Scroll

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(1) ATWOOD’S FREEDOM TO PUBLISH AWARD. The Guardian reports an award acceptance speech in which “Margaret Atwood says she cannot remember another time ‘when words themselves have felt under such threat’”.

Margaret Atwood has said she cannot remember another point in her lifetime “when words themselves have felt under such threat”.

“Words are our earliest human technology, like water they appear insubstantial, but like water they can generate tremendous power” the 85-year-old novelist said in her acceptance speech for the freedom to publish prize at the British Book awards.

“Political and religious polarisation, which appeared to be on the wane for parts of the 20th century, has increased alarmingly in the past decade,” she added. “The world feels to me more like the 1930s and 40s at present than it has in the intervening 80 years.”

The British Book awards, colloquially known as the Nibbies, are a set of prizes for authors, illustrators and book industry professionals run by the publishing trade magazine, The Bookseller. …

…Though Atwood did not attend the ceremony in London, she recorded a video acceptance speech to be shown when she was announced winner of the freedom to publish award, which is supported by freedom of expression campaign organisation Index on Censorship and was established in 2022 to “highlight the growing threats to writers, publishers and booksellers, and to amplify those who fight back”.

(2) FIGHTING BACK. “Jamie Lee Curtis just wanted an AI ad removed, not to become the ‘poster child of internet fakery’” – at the LA Times (behind a paywall).

Jamie Lee Curtis didn’t expect to be at the forefront of the artificial intelligence debate in Hollywood. But she didn’t have a choice.

The Oscar-winning actor recently called out Meta Chief Executive Mark Zuckerberg on social media, saying the company ignored her requests to take down a fake AI-generated advertisement on Instagram that had been on the platform for months.

The ad, which used footage from an interview Curtis gave to MSNBC about January’s Los Angeles area wildfires, manipulated her voice to make it appear that she was endorsing a dental product, Curtis said.

“I was not looking to become the poster child of internet fakery, and I’m certainly not the first,” Curtis told The Times by phone Tuesday morning.

The ad has since been removed.

What happened to Curtis is part of a larger issue actors are dealing with amid the rise of generative AI technology, which has allowed their images and voices to be altered in ways they haven’t authorized. Those changes can be wildly misleading….

(3) DOOR DRAGONS AT WORK. [Item by Mark Roth-Whitworth.] They told him, both of them, to Go Away. From NPR: “The President has named a new Acting Librarian of Congress. It’s his former defense lawyer.”

Todd Blanche, the Deputy Attorney General of the United States, has been appointed as the acting Librarian of Congress by President Trump, according to a spokesperson at the Department of Justice….

Blanche has no experience working in libraries or archives,…

An employee at the Librarian of Congress, who asked not to be identified for fear of retribution, said two men showed up this morning with a letter saying that Blanche was appointed the acting Librarian of Congress, Brian Nieves was appointed acting assistant librarian, and Paul Perkins was appointed the acting Register of Copyrights and Director of the Copyright Office. The men were not allowed into offices and left soon after, the employee said, adding that the Library of Congress is a legislative branch agency, and has not yet received direction from Congress on how to move forward….

Publishers Weekly offers more detail about the turnover: “U.S. Executive and Legislative Branches Battle at the LoC”.

Does the future of the free world come down to who oversees the Library of Congress? Events of the past five days suggest as much, with a pitched battle over who may serve as interim Librarian and strong words from the House of Representatives.

Librarian of Congress Carla Hayden was summarily fired, via email, late in the day on May 8. At the time of her removal, Hayden was serving a 10-year appointment that would have concluded in 2026, and her sudden ouster—without clear grounds for dismissal—was met with nationwide rage and disappointment from librarians, members of Congress, and the general public. Robert R. Newlen was named acting Librarian to replace Hayden, according to LoC seniority regulations and rules for succession.

Newlen has substantial experience in the agency, having worked at the Library of Congress from 1975–2017, and having been appointed (by Hayden) interim director of the Congressional Research Service in 2023. Newlen is a past member of the American Library Association executive board, a senior trustee of the ALA endowment, and 2016 recipient of the ALA Medal of Excellence.

One of Newlen’s first official acts as Librarian was to inform staff that the register of copyrights and director of the U.S. Copyright Office, Shira Perlmutter, had been fired Saturday, May 10. Perlmutter, also appointed by Hayden, had served in the role since 2020. The Copyright Office is housed in the Library of Congress and likewise belongs to the U.S. legislative branch, and the director is appointed to the post by the Librarian. As of May 12, no new acting director had been identified.

Newlen served for all of one weekend before the Trump administration attempted to remove him too. The New York Times reported that deputy attorney general Todd Blanche—already in a prominent Department of Justice role—had been named acting Librarian on May 12, and immediately thereafter was embroiled in a standoff with Newlen. Politico broke the news that Newlen “disputed a change that had been made in an email to library staff Monday morning” and did not cede the role to Blanche, calling for Congress and not the executive branch to direct the process….

(4) EARLY RETURNS ON MURDERBOT. “’Murderbot’ Review: Apple’s New Comedy Sci-Fi Is A Great Vehicle For Alexander Skarsgard, But Not Without Its Problems” at Forbes. Beware mild spoilers.

…The most endearing thing about Murderbot is it’s / his (nobody quite knows how to refer to SecUnit when it comes to pronouns, a running gag) obsession with The Rise and Fall of Sanctuary Moon, which is basically the show you’d get if Star Trek and Days Of Our Lives had a lovechild. The show has 2,797 episodes and we get little glimpses of them in action because Murderbot spends every waking moment glued to his entertainment feed, and is annoyed when pesky humans and their problems get in the way…

(5) PAGERTURNERS. “People who prefer physical books over ebooks usually display these 7 behaviors, says psychology” – Global English Editing has the story. First on the list:

1) They value the sensory experience

You see, for physical book lovers, reading is more than just deciphering words. It’s a sensory affair.

The smell of the paper, especially in a new book fresh off the shelf or an old one rich with history, is intoxicating to them.

The tactile stimulation of flipping through pages, feeling the texture under their fingertips, provides a satisfaction that swiping on a screen simply can’t match.

And there’s something about hearing the gentle rustle of pages turning or seeing your progress as you slowly traverse from the right side of the book to the left that makes reading a physical book uniquely rewarding.

It’s this immersive, multi-sensory experience that often keeps them loyal to traditional books, despite the convenience of digital alternatives. So if you’re someone who relishes these sensory delights, it’s safe to say you might be a physical book lover at heart….

(6) LACON V RATES TO INCREASE. Memberships in the 2026 Worldcon will cost more on June 15.

LAcon V membership rates go up on June 15th!

Right now, full attending adult memberships are $200 and will increase to $230. (All other memberships will remain the same price for now.) Our installment plan is also currently available for full adult attending memberships!

Visit the registration page on the website to get your membership before prices go up: https://www.lacon.org/register

Take advantage of the installment plan right now: https://www.lacon.org/2025/05/10/installmentplan

(7) CANARY IN THE COALMINE: USING “VIRTUAL VOICE”. [Item by Francis Hamit.] This link is for my new audiobook It is a test. https://a.co/d/07HmIQf

I am coming up on the 60th anniversary of matriculating at University of Iowa in Iowa City. I was originally a Drama major but between then and when I left to join the US Army Security Agency in 1967 several events occurred that changed my life. I discovered writing and my true vocation. Despite a history of D+’s in English it turned out I could write. I’m dyslexic but I could hear the music. Perhaps it was all of those plays I was in. I went from a Basic Playwrighting class to the Undergraduate Writers Workshop. During those two years, as the Vietnam War heated up, I saw the first draft card burning, indulged in nude photography (them not me) and took up undercover anti-narcotics work.

About ten years ago I wrote a short memoir about all of it, The Perfect Spy, which did not get much traction there because no one would review it. It was too shocking. No one wanted to know that their parents or grandparents actually did “sex, drugs, and rock and roll”.

Kirkus gave me a very nice review.

And now, out of nowhere, Amazon has offered me a “virtual voice” audiobook.  It’s not the robotic voice they used to have but AI enhanced.  Actually sounds human and had features  that allow for variations in pace.  Google gave me something similar for Starmen but it was a long slog and the voice selection was not great. Amazon’s voice are IMO better and easier to work with.  And this is probably the future in small press conversions.  When we did The Shenandoah Spy in 2008 I did a 50-50 deal with Gail Shalan on ACX. That was 40 hours of trial and error for both of us and practically no sales.  It was great for Gail. She went on to become an audiobook superstar.  I can’t afford her now but I’m very proud of having given her that first chance.

I think Virtual Voice may be my solution. No one reads anymore. Audiobooks are a big chunk of the market and Amazon controls the price to a narrow range.  I am hoping that some people will find my adventures as a young man in Iowa worth listening to.  Sixty years is not that long ago.

If you want a science fiction connection, Nicholas Meyer was a classmate.  I had a couple of things to say about him too.

(8) LET’S DO THE TIME LORD AGAIN. “Your Name Engraved in Circular Gallifreyan – Metal, Glow Reactive Paint. Doctor Who Cosplay. Prop Replica. Game Piece. Geek Gift. Pin Badge.”

Solid metal disc with your name translated into Circular Gallifreyan, then laser engraved and filled with Ultra Violet reactive paint. We can engrave this in Copper, Brass, Stainless Steel or Aluminium. If you want a different size metal than the options listed, please message us and we can help 🙂 We’ve also got a Titanium listing of this in our store, see the “Sci-Fi” section.

You can use this link to translate into Gallifreyan: https://adrian17.github.io/Gallifreyan/. I thought “That could be fun” and checked it out. They tell me this is how File 770 reads in that language.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

May 13, 1994 — The Crow

Thirty-one years ago on the evening, The Crow premiered. I saw it at the theatre and yes, I liked it quite a bit. I’m not a horror fan but I found this quite impressive.  I hadn’t realized until now that it was co-written by John Shirley along with David J. Schow but I’ll get back to that in awhile. 

It was directed by Alex Proyas who would later be nominated for a Hugo at Aussiecon Three (1999) for Dark City. (The Truman Show won that year.) And he’d also later direct I, Robot.

The Crow was produced by Jeff Most, Edward R. Pressman and Grant Hill. Most would produce the sequels, The Crow: City of Angels, The Crow: Salvation and The Crow: Wicked Prayer. Pressman was the uncredited executive producer for Conan the Destroyer and Grant Hill was involved in the Matrix films plus V for Vendetta.

Of course, the movie starred Brandon Lee, an actor who gave the film a certain tragic edge by dying. 

The other major roles were held by Ernie Hudson and Michael Wincott. Ernie you know, but Michael Wincott has largely played villains in such films as Alien Resurrection and The Three Musketeers (remember I hold them to be genre). 

It was written by John Shirley along with David J. Schow (lots of forgettable horror in my opinion other than this). Checking IMDB, I see Shirley has written far too many screenplays too list all of them here, so I’ll just note his work on Deep Space Nine, Batman Beyond and Poltergeist: The Legacy. Though definitely not genre, he also wrote one episode of the IMDb Red Shoe Diaries. Really he did. 

His Red Shoes Diaries episode? IMDb says it was, “A beautiful astronaut, trapped in a dying spacecraft a million miles from home, makes tender love for the last time with her co-pilot as she ruminates about the sensual path of her life that led her to the adventure of outer space.”

(The only continuing role in the Wikipedia Red Shoe Diaries was Jake Winters played by David Duchovny in his first true ongoing role as it ran sixty episodes. The framing device is him as a narrator with a back story to explain why he’s introducing and offering closing commentary on these stories. Serling he ain’t though. Yes I did see a few when they originally aired back in the Nineties on Showtime. Softcore would be putting it mildly to describe them.)

The Crow did well at the box office making nearly a hundred million against twenty-four million in costs. it spawned a franchise of sorts as it has three sequels, (The Crow: City of Angels,  The Crow: Salvation and The Crow: Wicked Prayer) plus a reboot last year, The Crow, which also based  off the 1989 comic book series by James O’Barr. 

So what did the critics think? 

Michael Wilmington of the Chicago Tribune had this to say: “What’s scary about The Crow is the story and the style itself: American Gothic, Poe-haunted nightmare, translated to the age of cyberpunk science fiction, revenge movies and outlaw rock ‘n’ roll, all set in a hideously decaying, crime-ridden urban hell.” 

Caryn James of the New York Times was impressed though not as ecstatic: “It is a dark, lurid revenge fantasy and not the breakthrough, star-making movie some people have claimed. But it is a genre film of a high order, stylish and smooth.”

It holds a most exemplary ninety percent rating among audience reviewers at Rotten Tomatoes. 

The only place it’s streaming is on Pluto with ads. No, just no.

Yes, there are copies of it on YouTube. As always, any links to those will be deleted with extreme prejudice as it is very much under copyright. Really they will. 

(10) COMICS SECTION.

(11) CALL FOR CONTRIBUTIONS TO STERANKO HISTORY OF COMICS. The Official Steranko Fan Page on Facebook has put out a “Call for Contributions to the Steranko History of Comics, Volume 3 and Updated Editions!”

Comic art fans, collectors, and historians: We are thrilled to announce that Jim Steranko is working on Volume 3 of the acclaimed Steranko History of Comics. As Special Advisor to this project, I’m excited to share that Volumes 1 and 2 will also be updated with new supplemental material, and all three volumes are planned to be published in full color.

We are seeking contributions of rare and original materials related to the Golden Age of Comics, including documents, original covers, photos, color comps, special pages, presentations, character/costume designs, and unpublished images. As with the original Volumes 1 and 2, the focus is on bold, iconic graphics and behind-the-scenes editorial or biographical content of historical significance. Interior panel pages are a lower priority unless they hold unique importance.

If you have art, photos, correspondence, or documents that could enhance this project, your contribution could earn you a contributor credit, a complimentary copy of the book, the benefits of having your material featured in this landmark publication, and Jim’s personal gratitude.

To ensure we reach collectors and fans with access to such materials, please share this call widely within your networks. If YOU have relevant items, contact me directly via Direct Message with a description or a low-resolution scan/photo. If it’s a potential fit, I’ll provide instructions for submitting a high-resolution (minimum 300dpi, full-color) scan to Jim Steranko.

Join us in shaping comics history with the Steranko History of Comics!

(12) FOR SOME VALUES OF FIRST. Inverse remembers:“90 Years Ago, A Forgotten Horror Movie Beat A Monster-Movie Classic To The Punch”.

Although it was technically not the first werewolf movie (that honor goes to the long-lost and now forgotten 1913 short, The Werewolf), Werewolf of London was the first feature-length motion picture in cinema history to deal with the subject of lycanthropy (or “lycanthrophobia,” as it’s called in the film itself). Produced by Universal Pictures, the film starred Henry Hull as Dr. Wilfred Glendon, a world-famous British botanist (apparently botanists could be celebrities back in the day) who ventures into Tibet to find a rare flower, Mariphasa lumina lupina, that allegedly can blossom in moonlight. He does find the flower, but brings home something much worse.

While procuring three sample buds, Glendon is attacked and bitten by an animalistic humanoid creature. He makes it home and creates an artificial source of moonlight in his lab in order to make Mariphasa bloom, after which he’s approached by Dr. Yogami (Warren Oland, creepy), a fellow botanist who claims they met in Tibet. Indeed they did: Yogami was the creature that attacked Glendon, and claims that Glendon will turn into a werewolf himself thanks to Yogami’s bite — unless the plant, which can keep lycanthrophobia in check, blooms successfully….

… Werewolf of London was originally conceived as a vehicle for horror icons Boris Karloff and Bela Lugosi, with the former tagged to play Glendon and the latter cast as Yogami. That would have been a blockbuster combination, but Karloff was already committed to filming Bride of Frankenstein and the studio was hesitant to muck around with that movie’s schedule (Valerie Hobson appeared in both films, incidentally, playing Dr. Frankenstein’s wife in Bride)….

(13) NO DEPOSIT, NO RETURN. “Trump’s 2026 budget plan would cancel NASA’s Mars Sample Return mission. Experts say that’s a ‘major step back’” reports Space.com.

NASA’s Perseverance Mars rover has been on the prowl within Jezero Crater following its touchdown in February 2021. That car-sized robot has been devotedly picking up select specimens from across the area, gingerly deploying those sealed pick-me-ups on the Red Planet’s surface, as well as stuffing them inside itself. Those collectibles may well hold signs of past life on that enigmatic, dusty and foreboding world.

NASA and the European Space Agency (ESA) have for years been intently plotting out plans to send future spacecraft to Mars and haul those Perseverance-plucked bits, pieces, and sniffs of atmosphere to Earth for rigorous inspection by state-of-the-art equipment.

But President Trump’s Fiscal Year 2026 proposed budget blueprint issued on May 2 by the Office of Management and Budget (OMB) calls for a 24.3 percent reduction to NASA’s top-line funding and could slashing the space agency’s science budget by 47 percent. A casualty stemming from this projected budget bombshell is the Mars Sample Return (MSR) venture.

In fact, MSR is tagged in the White House’s proposed 2026 budget as “grossly over budget and whose goals would be achieved by human missions to Mars,” explaining that MSR is not scheduled to return samples until the 2030s…

(14) PATTON VS. THE VOLCANO. The National Air and Space Museum says it was exciting “That Time We Bombed a Volcano”.

Pilots are advised to avoid volcanic eruptions, but in 1935, a squad of U.S. bombers took a more aggressive approach. 

A crisis erupted (literally) on November 21, when lava spewed from a fissure on the summit of the nearly 14,000-foot-high Mauna Loa volcano in Hawaii. Six days later, a new vent opened on the volcano’s northern flank. The lava flowed downward, pooling at the base of the massive mountain, where it then began edging its way toward the town of Hilo—at the alarming rate of one mile per day.

Thomas Jaggar, the founder of the Hawaiian Volcano Observatory, grew increasingly worried after he realized the lava could reach the headwaters of the Wailuku River, which supplied water for Hilo’s 15,000 residents.

Jaggar reasoned that explosives detonated near the eruptive vent would divert the flow of lava advancing toward Hilo by collapsing the lava channels—narrow paths of fluid lava with raised rims formed by cooling magma. 

Thus, on December 26, six Keystone B-3A bombers from the 23rd Bombardment Squadron and four LB-6 light bombers from the 72nd Bombardment Squadron were deployed to Hilo from Ford Island’s Luke Field at Pearl Harbor. The next day, Lieutenant Colonel George S. Patton (yes, that Patton) directed the bombers to begin their assault on Mauna Loa. Each carried two 600-pound Mark I demolition bombs, each one loaded with 300 pounds of trinitrotoluene (better known as TNT). Due to the heavy payload, the bombers flew a clearance of just 4,000 feet above the volcano.

A total of 20 of the 600-pound bombs were dropped on the lava channels. Fifteen struck the margins, while five others made direct hits, spraying molten rock in all directions.

Six days later, the eruption ended. Jaggar maintained that the bombers had helped hasten the end of the lava flow. Others are less certain. “Whether the bombing stopped the 1935 lava flow remains unknown, though many geologists today cast doubt,” notes a report later published by the U.S. Geological Survey….

(15) VIDEOS OF THE DAY. Remember the North Bergen High School stage production of Alien four years ago? The person who played the lead is now starting a Hollywood acting career. Marc Scott Zicree gives a two-minute introduction in “Alien! Sigourney Weaver! Ridley Scott! Space Command Studios! North Bergen High School?!”

You can still see the video of the “Alien High School Play — You’ve GOT to See What These Kids Pulled Off!” – with Sigourney Weaver on hand to introduce the performance.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Francis Hamit, Steve Green, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/8/24 When In Need Of Scroll, Go Find The Pixels. They’ll Know Where It Is

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(1) IGNYTE AWARDS. Congratulations to the winners of the 2024 Ignyte Awards, which were announced today.

The Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”

(2) AUGUST CLARKE Q&A. At Shelf Awareness, “Reading with… August Clarke”.

…On your nightstand now: 

The Saint of Bright Doors by Vajra Chandrasekera and Loteby Shola von Reinhold, both fabulously gorgeous, knock-the-wind-out-of-you type books. I’m savoring them. Compound Fracture by Andrew Joseph White is next up.

Favorite book when you were a child:

The Last Unicorn by Peter S. Beagle for transgender reasons or The Queen of Attoliaby Megan Whalen Turner for mischief reasons. Huge influences on the way I think about fantasy writing; I would recommend reading them aloud….

Book you most want to read again for the first time:

Nine Princes in Amber by Roger Zelazny or Harrow the Ninth by Tamsyn Muir, both of which I entered expecting quick fun pulp and leaving fully awed and unbelievably moved and excited to talk about genre….

(3) SF 101. Hear from Phil Nichols and Colin Kuskie in episode 48 of the Science Fiction 101 podcast holding forth about the concept of the book: “Uniquely Portable Magic”.

It occurred to us that although we have discussed many specific books on the show, we’ve never devoted an episode to the idea of the book – those papery, texty things that Stephen King has described as “uniquely portable magic”.

So in this episode, we address the various ways in which books can be enjoyed and consumed, and discuss ten (or eleven) questions on the subject of books.

We also have a book-adjacent quiz, and our usual round up of recommendations of past, present and future SF.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to “Feast on fish and chips with Paul Cornell” in Episode 240 of the Eating the Fantastic podcast.

This third episode I brought back features Paul Cornell, with whom I’ve been trying to break bread ever since the 2019 Dublin Worldcon. Paul started out writing Doctor Who fan fiction, which led to him writing canonical Doctor Who novels (where he created the companion Bernice Summerfield), audio plays, and comics. Plus he recently won the Terrance Dicks Award for lifetime achievement in Doctor Who writing from the Doctor Who Appreciation Society.

Paul Cornell

But aside from his achievements in the Doctor Who universe, he’s created so many other awesome experiences for us. He’s written episodes of Elementary, Primeval, Robin Hood, and many other TV series, including his own children’s show, Wavelength.  He’s worked for every major comics company, including his creator-owned series I Walk With Monsters for The Vault, The Modern Frankenstein for Magma, Saucer Country for Vertigo, and This Damned Band for Dark Horse, plus runs on Young Avengers and Wolverine for Marvel, and Batman and Robin for DC,  

He’s the writer of the Lychford rural fantasy novellas from Tor.com Publishing. His short fiction has been published in Isaac Asimov’s Science Fiction Magazine, Interzone, The Daily Telegraph, The Times, and at Tor.com, plus he also written for George R.R. Martin’s Wild Cards short story anthologies. He’s won the BSFA Award for his short fiction, an Eagle Award for his comics, a Hugo Award for his SF Squeecast podcast, and shares in a Writer’s Guild Award for his Doctor Who work.  He’s the co-host of Hammer House of Podcast.  

We discussed where he stands on the Stan Lee/Jack Kirby debate, how his UK mind was blown the first time he saw a U.S. issue of The Avengers, why fannish history fascinates him, the reason he went the self-funding route for Who Killed Nessie (and what that did to his blood pressure), how some of his Doctor Who fan fiction eventually became canon, the reason he’s suspicious of nostalgia, how he knows when ideas pop into his head which of his many projects they’re right for, the legacy comics characters he’d love to write more of, what he learned from the great Terrance Dicks, how he manages to collaborate while remaining friends with his co-creators, his fascination with Charles Fort, why he announced there’d be no more Doctor Who in his future, and much more.

(5) ERIN UNDERWOOD PRESENTS. Erin Underwood’s two latest reviews on YouTube focus on Star Wars,

  • Music by John Williams, Review – Why is his music so iconic?

The biography that you didn’t know you needed is here, but is it what you wanted? John Williams’ career is immense and impressive, and this new documentary gets into who he is and his impact upon the music, film, and television industries. Featured guests also include Steven Spielberg, George Lucas, Ron Howard, JJ Abrams, Kathleen Kennedy, and more. Check out my new review.

  • Star Wars 1977, Movie Review – Does the OG Stand Up or Fail Today?

Nearly 50 years after it was released, does the original Star Wars film still hold up today? The film has been digitally remaster, but is that enough to push it across the line? Check out my new review.

(6) A GOLDEN (BOOK) AGE. “Chris Ware on Richard Scarry and the Art of children’s literature” in The Yale Review.

…In my grandparents’ second-floor guest room, formerly my mother’s childhood room, one bookcase had a row of children’s books slumped to the side, offering a chronological core sample of my grandmother’s attempts to busy not only her own kids, but all the grandkids who’d stayed there before me. There were the original Oz books, a copy of Ferdinand the Bull, Monro Leaf’s inexplicably compelling yet mildly fascistic Manners Can Be Fun, some 1950s and 1960s Little Golden Books purchased at the Hinky Dinky supermarket down the street, and, among many others I’ve now long forgotten, the big blue, green, and red shiny square of Richard Scarry’s Best Word Book Ever. The largish (even just plain large if you were smallish when holding it) book offered a visual index of the everyday puzzle pieces of life in humble, colored-in line drawings. Each page was a fresh, funny composition of some new angle on the world, making the book a sort of quotidian picture-map containing everything imaginable and unimaginable a kid might be curious about: where and how people lived, slept, ate, played, and worked.

The thing is, “people” weren’t anywhere to be seen in Best Word Book Ever. Instead, the whole world was populated by animals: rabbits, bears, pigs, cats, foxes, dogs, raccoons, lions, mice, and more. Somehow, though, that made the book’s view of life feel more real and more welcoming. A dollhouse-like cutaway view of a rabbit family in their house getting ready for their day didn’t seem to just picture the things themselves—they were the things themselves, exuding a grounded warmth that said, “Yes, everywhere we live in houses and cook together and get dressed, just like you.”…

…Golden Books employed displaced if not just plain refugee artists from Europe like Feodor Rojankovsky, Tibor Gergely, and Gustaf Tenggren. Working in a careful, deliberate, and illuminatory style, they carefully limned every hair of every dog—think The Poky Little Puppy—and set every page aglow with a strangely dark, yet warm light. On the page, their paintings were frequently vignetted in darkness, almost as if the artists still felt shadowed by the lingering specter of war. These books, dismissively looked down upon by librarians, were nonetheless immediately, snot-flyingly popular, with orders mounting into the millions of copies. Such publishing numbers were astonishing then (and are even more astonishing now, when 15,000 is considered a gee-whiz success)….

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Appreciation: Elizabeth Bear’s Sub-Inspector Ferron Series

Sometimes it’s the offbeat stories that I really like from authors, the short works that aren’t expanded into full length stories. Such is the case with Elizabeth Bear’s Sub-Inspector Ferron series. Of course, everything she writes is a delight to read which is why I’m looking forward to the third White Space novel, The Folded Sky, out next year.

Bear’s Sub-Inspector Ferron series at the present consists alas of but two novellas, “In the House of Aryaman, a Lonely Signal Burns” and “A Blessing of Unicorns”. Will there be more? Oh, I hope so. 

TASTY, SPICY ASIAN SPOILERS FOLLOW. THEY REALLY DO!

“In the House of Aryaman, a Lonely Signal Burns” is set a half a century from now. In the city of Bangalore, a scientist working on cutting-edge biotechnology has been discovered inside his own locked flat, his body converted into a neat block of organic material. 

It’s up to Police Sub-Inspector Ferron to figure out the victim’s past and solve the crime, outwitting the best efforts of whoever is behind the death, her overbearing mother, and the complexities of dealing with the only witness – an ever so cute parrot-cat Chairman Miaow. (The latter, she says are, as I guessed, a cat with parrot colors and “a parrot-like level of intelligence and ability to mimic speech”. That cat will later be adopted by her. She already has a fox. 

I’ll note that the stories aren’t freestanding, so the novella, “A Blessing of Unicorns” builds off the first novella, therefore must be experienced after the first is read or listened to.

Together they make up a fascinating look at the life and work of Ferron as a Police Sub-Inspector in a balkanised world where there are no national or regional police forces. No, it’s not some small libertarian wet dream here, but a real world with actual consequences to everything that happens. 

WE HAVE CONSUMED THOSE TASTY MORSELS, SO YOU CAN COME BACK.

There is certainly more than enough story here for her to someday write a novel set in the universe. And I look forward to it. 

When I asked her if there would be a novel in the series, she replied “there might be a novel someday but I really need to visit Bangalore myself to write that! I’ve been relying on friends who hail from there, or who have family there and have visited extensively, but it’s not the same as boots in the dirt experience!”

Fantastic stories told well by a master storyteller, what more do you want? 

The Audible narrations are done most excellently by narrated Zehra Jane Naqvi. She’s an Australian expatriate in the United Kingdom of Anglo-Indian descent. She very much handles the Indian accents quite wonderfully here.  She started her voice acting career in Big Finish Productions’ Doctor Who audio dramas with Sylvester McCoy and Peter Davison reprising the Seventh and Fifth Doctors.

The first one is available at the usual suspects, but the second remains at this time an Audible exclusive several years later.  I just got a note from Elizabeth Bear that said that there will not be a print edition, she says, “Not unless something unforeseen happens”.

(8) COMICS SECTION.

(9) GOOD GRIEF. Somebody warn Jiminy Cricket! “Pinocchio Slasher Casts Robert Englund and Richard Brake, First Look“ in Variety.

Freddy Krueger has joined the cast of the next IP-smashing slasher from the makers of microbudget hit “Winnie-the-Pooh: Blood and Honey.”

Well, almost. Robert Englund, who famously played the murderous horror icon across the “Nightmare on Elm Street” films, will star in “Pinocchio: Unstrung,” the latest standalone feature to join the so-called low-budget Twisted Childhood Universe. Richard Brake, a regular collaborator with Rob Zombie and whose horror credits also include the likes of “Barbarian” and “Mandy,” has also joined the film in the key role of Geppetto….

(10) READY FOR YOU. Francis Hamit’s novel Starmen is now available worldwide through Ingram Spark. The direct purchase link is here: STARMEN: A Novel by Francis Hamit.

(11) A COMPUTER IS BORN. BBC Sounds hosts Witness History’s episode “The invention of the ‘Baby’ computer”.

In June 1948, the ‘Baby’ was invented. 

It was the first stored-program computer, meaning it was the first machine to work like the ones we have today. It was developed in England at the University of Manchester. 

The computer was huge, it filled a room that was nearly six metres square. The team who made it are now recognised as the pioneers of modern computing. 

Gill Kearsley has been looking through the archives to find out more about the ‘Baby’.

(12) GOING UP. [Item by SF Concatenation’s Jonathan Cowie.]  The rise in global mean sea level – is one of the most unambiguous indicators of climate change.  It also is something of a minor trope in SF: cf. Stephen Baxter’s ”Flood” (2008).

In the real world, over the past three decades, satellites have provided continuous, accurate measurements of sea level on near-global scales. Research has now shown that since satellites began observing sea surface heights in 1993 until the end of 2023, global mean sea level has risen by 111 mm. In addition, the rate of global mean sea level rise over those three decades has increased from ~2.1mm/year in 1993 to ~4.5mm/year in 2023.

To put this in perspective, this is what the UN’s Inter-governmental Panel on Climate Change projects in its mid-level scenario in its 2021 Assessment Report.

In short, we are moving into the future science predicts… Hopefully not the one some SF presents.

The research is Hamlington, B. D., et al (2024) “The rate of global sea level rise doubled during the past three decades”..Communications Earth & Environment, vol. 5, 601.

(13) VIDEO OF THE DAY. Giant Freakin Robot says “Return Of The Jedi Almost Made Mon Calamari A Punchline”.

…For fans of this last Original Trilogy entry, there is always something new to discover, especially if you go to YouTube (the next best thing to the Jedi Archives) and look up the film’s deleted scenes. Case in point: the deleted footage has many lines from a Mon Calamari pilot (Ika Sulko) that would have made their entire species a joke, including uttering “fried Calamari tonight” as a battle cry.

What’s fascinating about these Return of the Jedi deleted scenes is that they are hilariously rough…more equivalent to behind-the-scenes footage than something you could just pop back into the movie via a fan edit. For example, in the clips, you can actually hear director Richard Marquand feeding silly lines to Tim Rose, who is both the voice and puppeteer of this Mon Calamari pilot. While “fried Calamari tonight” is definitely the silliest of the lines, there are others that threaten to turn these aliens into a punchline.

For example, another line you can hear in this deleted Return of the Jedi footage is “all this technology and no men’s room.” While we can only guess the motivation behind this silly line, it is likely a joking reference to fans always wondering where the bathroom is in their favorite sci-fi shows…

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/26/24 What A Knitted Sweater Would Look Like If I Scrolled One And Pixel Two

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(1) TOLKIEN CRITICISM. Some fannish references surprisingly creep into Dennis Wilson Wise’s reviews of The Literary Role of History in the Fiction of J. R. R. Tolkien by Nicholas Birns and Representing Middle-earth: Tolkien, Form, and Ideology by Robert T. Tally Jr. in “Tolkien Criticism Today, Revisited” for the Los Angeles Review of Books. For example:

….Of these debates, Birns often takes the more challenging or counterintuitive side. For instance, most Tolkienists agree that Tolkien based his Rohirrim on the Old English kingdom of Mercia. Instead, Birns sees the Rohirrim as semimodern—not medieval—through their “civilizing” contact with Gondor. To say the least, this view enjoys questionable textual support, but as one goes through Birns’s book, a clear pattern begins to emerge. Over the last few years, the Tolkien community has endured its own shadow version of the Sad Puppies fiasco. In 2021, certain right-leaning fans (and at least one senior scholar) loudly decried the “wokeism” of a diversity-themed seminar hosted by the Tolkien Society, and with even greater toxicity, some people in Tolkien fandom have virulently attacked the multiracial casting in The Rings of Power, an Amazon Prime Video series that first aired in September 2022.

This is the cultural moment into which Birns wades, but for someone hoping to make an important political intervention, he frequently stumbles over several small, self-deprecating asides. One example involves race and representation. Before launching into the argument, Birns explicitly denies that, as a white male from an Anglo-American cultural background, he is “trying to act as an authority on those subjects.” Here, Birns is plainly attempting to acknowledge his positionality, a move often called for by progressive scholars, but his good intentions catch The Role of History in Tolkien in a performative quandary. They let right-wing crusaders dismiss his arguments out of hand; after all, this book wasn’t written by “an expert.”

But of course Birns isn’t really trying to show wayward young fascists the light. His real audience is the academic Left, and despite his principled humility, Birns clearly wants to provide his fellow leftists with scholarly ammunition against the anti-diversity crowd. Thus his various scholarly takes consist mainly in quashing claims of “Germanic primitivism” in Tolkien. Birns downplays not only Rohan’s clear connection to Mercia—the Old English people, remember, were originally Germanic—but also Tolkien’s overall admiration for the Gothic peoples. Additionally, Birns alleges that Tolkien took multicultural Byzantium as his model for Gondor, not imperial (and eventually Ostrogothic) Rome. Even more pointedly, although Birns laments how little Tolkien knew about the “traditions and cultural memory of non-European peoples,” he nevertheless claims to see some African influence on the legendarium. Allegedly, Tar-Míriel of Númenor bears a passing resemblance to Empress Zewditu of Ethiopia.

Even for readers who cheer his goals, these connections can seem far-fetched….

(2) CAN’T GET NO SATISFACTION. “6 sci-fi and fantasy authors who hated the screen adaptations of their books” at Winter Is Coming.

Earlier this week, A Song of Ice and Fire author George R.R. Martin set off a drama bomb when he bluntly criticized HBO’s Game of Thrones prequel House of the Dragon in a blog post….

But compared to some of the other authors who have criticized adaptations of their work, it was nothing. Below, let’s look at some authors who were unhappy with the screen versions of their books, and what they said and did about it…

The article leads off with Ursula K. Le Guin (Earthsea), and follows with Alan Moore (Watchmen), Stephen King (The Shining), P.J. Travers (Mary Poppins), Brandon Sanderson (The Wheel of Time) and Michael Ende (The Neverending Story).

Ursula K. Le Guin didn’t like the Sci-Fi Channel’s adaptation of Earthsea

Let’s begin our journey into dissatisfaction with Ursula K. Le Guin, the author of the beloved Earthsea books. Where high fantasy epics often involve war or other mass-scale conflict, the Earthsea novels are quieter and more complicated, with different books following different characters living on a string of islands where magic is practiced freely. When The Sci-Fi Channel announced that it was going to make an Earthsea miniseries based on the first book in the series, A Wizard of Earthsea, people were excited.

But that excitement evaporated when they saw the finished product, which ran back in 2004. Le Guin herself was already bracing for the worst. “When I saw the script, I realized that what the writer had done was kill the books, cut them up, take out an eye here, a leg there, and stick these bits into a totally different story, stitching it all together with catgut and hokum,” she wrote for Locusmagazine. “They were going to use the name Earthsea, and some of the scenes from the books, in a generic McMagic movie with a silly plot based on sex and violence.”

“I want to say that I am very sorry for the actors. They all tried really hard. I’m not sorry for myself, or for my books. We’re doing fine, thanks. But I am sorry for people who tuned in to the show thinking they were going to see something by me, or about Earthsea. I will try to be more careful in future, and not let either myself or my readers be fooled.”

While Le Guin had kind words for the actors, she had a major problem with the casting. In the Archipelago of Earthsea, almost all of the characters are people of color, including the wizard Ged, the closest thing the series has to a main character. But in the Sci-Fi show, pretty much everyone was white, something Le Guin did not appreciate. “In the miniseries, Danny Glover is the only man of color among the main characters (although there are a few others among the spear-carriers),” she wrote for Slate. “A far cry from the Earthsea I envisioned.”

“My color scheme was conscious and deliberate from the start. I didn’t see why everybody in science fiction had to be a honky named Bob or Joe or Bill. I didn’t see why everybody in heroic fantasy had to be white (and why all the leading women had “violet eyes”). It didn’t even make sense. Whites are a minority on Earth now—why wouldn’t they still be either a minority, or just swallowed up in the larger colored gene pool, in the future?”

Le Guin was a bit kinder about the 2006 animated movie Tales from Earthsea, although she was still disappointed it didn’t channel her books more. “It is not my book. It is your movie. It is a good movie,” she remembers telling director Goro Miyazaki. At least she didn’t hate it this time.

(3) GERWIG HONORED. Deadline is there as Barbie director “Greta Gerwig Accepts Motion Picture Pioneer Of The Year Award”.

Greta Gerwig was beaming Wednesday night as she was honored as this year’s Pioneer Of The Year, and in the process also helped raised $1.4 million for the Will Rogers Motion Picture Pioneers Foundation at a sold-out dinner that packed the Beverly Hilton Hotel International Ballroom…

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on cheesy garlic bread with Jeffrey Ford in Episode 237 of the Eating the Fantastic podcast.

I last chatted with Jeffrey Ford — last for your ears, that is — eight years ago during the 2016 Readercon — in a conversation which appeared on Episode 17. Back then, I described him as a six-time World Fantasy Award-winning and three-time Shirley Jackson Award-winning writer whose new short story collection A Natural History of Hell had just been published. But now that it’s 2024 and we’re back for yet another Readercon, he’s an eight-time World Fantasy Award-winning writer and a four-time Shirley Jackson Award winner.

Jeffrey Ford

Since that previous meal, he’s also published the novel Ahab’s Return: or, The Last Voyage in 2018, A Primer to Jeffrey Ford in 2019, The Best of Jeffrey Ford in 2020, and Big Dark Hole in 2021, plus three dozen stories or so new stories.

We discussed why writing has gotten more daunting (but more fun) as he’s gotten older, the difficulties of teaching writing remotely during a pandemic, how he often doesn’t realize what he was really writing about in a story until years after it was written, the realization that made him write a sequel to Moby-Dick, why if you have confidence and courage you can do anything, the music he suggests you listen to while writing, the reason he thinks world building is a “stupid term,” the advice given to him by his mentor John Gardner, how the writing of Isaac Bashevis Singer taught him not to blink, why he prefers giving readings to doing panels, the writer who advised him if everybody liked his stories it meant he was doing something wrong, and much more.

(5) OCTOTHORPE. In episode 119 of the Octothorpe podcast, “Only One of Them Is My Bludgeoning Hand, John” –

We respond to your burning questions in our bumper mailbag episode! We spend a good long time going through your posts, and we briefly discuss the recent allegations against Neil Gaiman before moving onto happier topics. Listen here.

There’s a transcript at the link.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 119” and “Our Listeners Write In”.

(6) BRITISH ROBOT PURCHASES BOOM. [Item by SF Concatenation’s Jonathan Cowie.] Robot sales in Britain broke its own record in 2023 with 3,830 industrial robots sold according to the International Federation of Robotics.  This represented a 51% increase over 2022.

However, Britain still lags behind France, Italy and the European leader Germany. In 2022 Germany installed 269,427 industrial robots.

I keep on warning folk that the machines are taking over, but no-one ever listens….

You can read about it here: “IFR press release World Robotics 2024”.

(7) UNSTUCK THE LANDING. Space-Biff! surprises us by revealing Kurt Vonnegut’s work creating board games in “So It Goes”. And one was finally published this year — Kurt Vonnegut’s GHQ: The Lost Board Game. (It seems to be available at Barnes & Noble®.)

Before he became a famous author, over a decade before Slaughterhouse-Five, Kurt Vonnegut was a board game designer. A failed board game designer, with only a sheaf of notes, a single rejection note, and an unfinished patent to his name, but a board game designer nonetheless.

And now his sole surviving design is an actual board game you can buy and play and, if you’re anything like me, spend a few hours marveling at. Thanks to the efforts of the Vonnegut estate in preserving his notes and Geoff Engelstein in interpreting and tweaking them into a functional state, GHQ — short for “General Headquarters” — is, not unlike Billy Pilgrim, a thing unstuck in time, transported from 1956 to 2024….

… Is GHQ a good game? Sure. For its time. For its place. Had it appeared in 1956, it may well have become the third great checkerboard game. With its zones of control and special units, it might have helped shape the coming century’s approach to tabletop gaming….

(8) MEMORY LANE.

[Written by Lis Carey.]

September 26, 1957 – Tanya Huff, 67.

By Lis Carey: Tanya Huff is a Canadian science fiction and fantasy writer, who made her first sale of two poems to The Picton Gazette for $10, at age ten.

Since then, she has given us several fantasy series, including the Keeper’s Chronicles, in which Claire Hansen, a Keeper, has unintentionally become responsible for a small hotel, and the not completely sealed hole to hell in its basement. She’s assisted, with some degree of befuddlement initially, by Dean, the young handyman and cook she found working there; Jacques, the ghost of a French-Canadian sailor who has haunted the hotel since he died there in the 1920s; and her not befuddled at all cat, Austin, who talks, and is the source of a great deal of often snarky advice. I’m currently enjoying the first volume, Summon the Keeper.

Tanya Huff

Other fantasy series include the Blood series, featuring a former police detective and a vampire, which was adapted for television as Blood Ties, and the Quarters series, with bards who travel the kingdom carrying both news and magical skills, and are faced with new challenges when the kingdom is invaded.

Tanya Huff has also given us the Valor Confederation series, a military sf series where Staff Sergeant Torin Kerr tries to keep both her superiors and her company of space marines alive while on lethal missions across the galaxy. I hear excellent things about it, but haven’t read any of it yet.

An interesting tidbit is that while studying at Ryerson Polytechnical Institute in Toronto for her Bachelor of Applied Arts degree, she was in the same class as science fiction writer Robert J. Sawyer. They collaborated on their final TV Studio Lab assignment, a short science fiction show.

(9) COMICS SECTION.

(10) WEST COAST AVENGERS INTRODUCES BLUE BOLT. This November, the Earth’s Mightiest Heroes are back on the best coast in an all-new run of West Coast Avengers from writer Gerry Duggan and artist Danny Kim. Led by Iron Man, the new roster includes Spider-Woman, War Machine, Firestar, a mysteriously redeemed Ultron, and another former villain seeking redemption— Blue Bolt!

 An experienced Marvel henchman with unrefined lightning-based abilities, Chad Braxton, AKA Blue Bolt, makes his first appearance in WEST COAST AVENGERS #1 where he finds himself on loan to the Avengers through a new prison release program. Reckless, undisciplined, and downright rude, Blue Bolt may just be the biggest jerk in the entire Marvel Universe. Can the Avengers whip him into shape or will Blue Bolt’s abrasive attitude–and lack of morals–tarnish the team’s legacy forever? See him for yourself in Kim’s original design sheet for the character plus a promotional image by Todd Nauck.

On the unique role Blue Bolt will serve on the team, Duggan said, “The Avengers have seen a lot of rough customers over the years. Hell, even Deadpool and Wolverine have been Avengers at different points. But the Avengers haven’t seen a bigger @$!&^% than Blue Bolt. He’s mean, he’s self-centered, narcissistic, and he’s only on the Avengers West Coast squad to shave time off his sentence. And wait until you find out what he’s in jail for. Yeesh.”

(11) SFF ON LEARNEDLEAGUE: WILLIAM GIBSON. [Item by David Goldfarb.] Yesterday’s match day featured this question:

What is the portmanteau title of William Gibson’s seminal and influential 1984 cyberpunk novel, the first (and only) to win the Nebula, Hugo, and Philip K. Dick awards?

This had a 37% get rate league-wide, with no single wrong answer getting as much as 5% of the submissions.

(12) MY PULITZER PRIZE FOR FICTION NOMINATION. [Item by Francis Hamit.] My novel Starmen has been nominated for the Pulitzer Prize for Fiction. The nomination has been accepted by Columbia University. It awards the Pulitzers. Which is good but there is more to do.

Leigh Strother-Vien is also nominated for her great work editing the book. It’s a very long book: 620 pages in the print editions. Four years of work at a time when we were both disabled and sick a lot of the time. Just shows you what you can do when you try. But we are up against very big publishers with big marketing and publicity machines. There is a long list of distinguished and very busy jurors from Publishing and Academia who may not like the fact that we are, alas, self published.

We never thought of doing it any other way. Why? I’ll be 80 next week and Leigh is 70. We are disabled. And we are soldiers. There is a lot of prejudice between us and a traditional publisher. We don’t have an agent and the “over the transom” method was closed years ago. There is a generation of younger editors that are more concerned about politics than the quality of the writing. Publishing executives tend to chase the market and imitate what has been successful rather than take risks on “new” or “unknown” writers. Ageism and Ableism are just two of the many hoops our book would have to jump through to get a deal. We don’t have time for all of that. We are too sick and tired, both of us, to deal with it.

So we applied, got accepted, and we’re a bit of a charity case because of the Kickstarter appeal to raise funds for formatting the interior and the excellent cover donated by Markee Book Covers. I took a credit union loan to cover other expenses. We have been graced with almost entirely five star reviews and the endorsements of friends such as Jacqueline Lichtenburg and Glen Olsen. So far, so good. But now this is a battle for public attention, for sales, and for ratings and reviews on Amazon, Goodreads and other websites.

This novel is an experiment in genres.  We use a lot of them packed into what is on the surface an adventure novel with more than a dozen principal characters, each fully formed. Thematically it moves from Historical/ Western/ Detective fiction to Espionage, Political Intrigue, and Apache Myths, that becomes surrealist Fantasy and Science Fiction, mixed with Romance, Witchcraft, Feminism, Quantum Mechanics, String Theory, and disquisitions on slavery in the Old South, the failure of Reconstruction, and the floating world of sex workers called the Demimonde. All are grist for the mill.  A lot of research was needed. A lot of deep thinking since I had no outline. That would have been more of a hindrance than a help.

Instead I just start at the beginning with an accidental meeting of two Scots far from home, in a dusty border town called El Paso, and the appearance overhead of a large balloon carrying a traveling circus. One of the Scots is the local manager for the Pinkerton National Detective Agency (a forerunner of today’s FBI) and the other is a young anthropologist from Cambridge University, George James Frazer. You just know interesting things will happen.

So much for the tease. Buy the book for the rest.

There is another reason that I feel confident.  I’m a very good writer.  I’m also a graduate of the Iowa Writers Workshop, the oldest and most prestigious graduate writing program in the world. Rather amazing for a kid who got Ds in high school English. I could not spell or punctuate worth a damn. Still can’t. I’m dyslexic, a condition unknown and unnamed in the 1960s. I began my career as a Drama major, and when I came to Iowa the first time, I had never heard of the Workshop. I soon met professors there and graduate assistants, some of whom were or would become famous. But it was a mandatory drama theory course, “Playwrighting”, that changed my life. I began writing fiction and was admitted to the Undergraduate Writers Workshop. Then I spent four years in the US Army, where I also learned journalism and began my professional career. Returning to Iowa I was in classes with writers who became very famous and also won Pulitzer Prizes. Jane Smiley, Tracy Kidder, and last year’s winner, Jayne Philips were among them. But it’s not the Iowa MFA that helps, but the Iowa workshop program, a trial by fire if there ever was one for literature. Iowa rigs the game. You don’t get in unless you are already at the top. Over 97% of all applicants fail. When you have done that getting your book published should be easy — and is, when you are young and have an agent and a publisher that can see decades of other books coming.  At my age, not so much, and I have had agents tell me that to my face and others drop me because I wouldn’t imitate other writers that were best sellers.

Self-publishing is a long and honorable tradition in American letters. Willa Cather and Walt Whitman started that way. So once more I’m in good company. I am going to have to push myself and my book to prevail, but there is no long list or short list for the Pulitzers. Only winners and finalists. If it were not for so many top reviews we would not have entered, but now that we are here we can only try our best.

(13) VIDEO OF THE DAY. [Item by Mike Kennedy.] “Trap Pitch Meeting”. Huh. Sounds pretty much like the review I read. Then again, with a plot this shallow/unbelievable and nepotism this blatant, it might be hard for a parody and a review to differ very much.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, David Goldfarb, Francis Hamit, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Ellen Montgomery.]

Pixel Scroll 3/13/24 Pixel Would Like A Word With Engineering

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(1) SFWA NEBULA FINALIST ANNOUNCMENT TOMORROW. The Science Fiction & Fantasy Writers Association (SFWA) will announce the 2023 Nebula Award finalists (to be presented this year in Pasadena) on the SFWA Youtube channel, tomorrow, March 14, starting at 5:00 p.m. Pacific. 

Once again, we’ll be calling upon a talented group of SAG-AFTRA narrators to take us through an evening filled with a variety of outstanding speculative fiction works. 

It’s sure to be a night to remember! We hope you’ll join us!

(2) NEBULA CONFERENCE SCHOLARSHIP DEADLINE. Also tomorrow — March 14, is the deadline to apply for the scholarships SFWA is offering for members of under-served communities to attend the Nebula conference! The 2024 Nebula Conference will take place June 6-9 in Pasadena, CA and online. If you or someone you know may benefit from these scholarships, please apply here or share this link: https://airtable.com/appqxO86fh6JpPBNR/shrjMcYbZyuTxhwVH

Scholarship applications must be completed on this form by March 14th, 2024. The scholarship recipients will be selected from the applicant pool by lottery. Applicants may be considered for more than one scholarship if they identify with more than one of the following groups.

Here are the categories of scholarships being offered and the number of online conference scholarships available for each:

  • Scholarship for Black and/or Indigenous Creators: This scholarship is open to Black and/or Indigenous creators in the United States and abroad. (quantity: 15 online scholarships)
  • Scholarship for AAPI Creators: This scholarship is available to Asian creators, Asian American creators, and creators from the Pacific Islands. (quantity: 15 online scholarships)
  • Scholarships for Hispanic/Latinx Creators: This scholarship is available to creators with backgrounds in Spanish-speaking and/or Latin American cultures. (quantity: 15 online scholarships)
  • Scholarship for Writers Based Outside of the U.S.: This scholarship is available to creators who live outside the United States. (quantity: 15 online scholarships)
  • Scholarship for members of the LGBTQIA+ Community: This scholarship is available to creators who identify as LGBTQIA+. (quantity: 15 online scholarships)
  • Scholarship for creators with disabilities: This scholarship is available to creators who identify as having a disability. (quantity: 15 online scholarships)
  • Scholarship for creators who face financial barriers: This scholarship is available to creators whose financial situations may otherwise prevent them from participating. (quantity: 15 online scholarships)
  • Scholarship for in-person registration are available in limited quantities for creators who identify with one of our online scholarship groups. This scholarship does not include funds for travel, lodging or other related expenses to attend the conference, only for registration.

SFWA says, “Our support of underserved communities isn’t possible without your help. If you are able, please consider making a donation at sfwa.org/donate to help us fund additional scholarships in the future.”

(3) COMPLETE TOLKIEN POEMS VOLUME PLANNED. “Collected poems of J R R Tolkien to be published for first time” — The Bookseller has details.

HarperCollins will publish The Collected Poems of J R R Tolkien, edited by Christina Scull and Wayne G Hammond, in September 2024, the first time all the author’s poems will appear in one volume. 

HC, which holds world all-language rights to Tolkien’s works, said: “Poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown.” One of Tolkien’s  poems “The Voyage of Éarendel the Evening Star”, begun in 1914, is where the “Silmarillion” first appears and both The Hobbit and The Lord of the Rings “are enriched with poems both humorous and haunting, magical and moving”. Tolkien scholars Scull and Hammond will provide analysis of each poem. 

Scull and Hammond were hired for the project by Christopher Tolkien’s, J R R Tolkien’s son and executor of his literary estate until Tolkien died in 2020. They said: “Charged at first to review only his early poems, we soon saw the benefits of examining the entire poetic opus across six decades, vast though it is with hundreds of printed and manuscript sources…Not long before his death, we were able to send Christopher a trial portion of the book, which he praised as ‘remarkable and immensely desirable’.”…

(4) SPEAKING OF. “The Oral History of ‘Repo Man,’ the Greatest Indie Sci-Fi Movie Ever Made” at Inverse.

Somewhere in the California desert, a police officer pulls over a 1964 Chevrolet Malibu as it lurches wildly across the highway. After interrogating the driver, he opens the trunk and is instantly vaporized by a blinding light that reduces him to a skeleton, leaving behind only a pair of smoldering leather boots.

Thus begins Repo Man, a sci-fi cult classic sci-fi with a nihilistic worldview and a punk rock soundtrack that by all accounts probably shouldn’t exist….

…Dick Rude (plays Duke): I was a teenager going to the Lee Strasberg Theatre Institute in Los Angeles. I wrote a script called Leather Rubberneck with a friend of mine from school, about two kids who get drafted. Alex [Cox, writer and director] wanted to make the film, but it didn’t pan out. So he incorporated it into Repo Man. A lot of the characters, some of the dialogue, some of the ideas, there was quite a bit of it that was used in Repo Man….

Jonathan Wacks: We went through the Yellow Pages and looked up studios and producers and we sat and typed letters. We knew they wouldn’t pick up our phone. We sent hundreds of letters out and got zero responses. So we decided to raise $500,000 and shoot it at UCLA so we could use the equipment for free.

Peter McCarthy: The thing with UCLA is you never wanted to get your diploma. Once you did, you couldn’t go back and use anything….

Olivia Barash: I was talking to Alex, and I said, “Who are you going to have do the title track?” And he goes, “There’s one of two people. David Byrne, we have something out to his agent. But I really want Iggy Pop, we just don’t know where to find him.” And I said, “I know where to find him. He’s in my building. He’s my neighbor.” So Alex came over, and we rang the intercom outside, and Iggy answered. And that’s how we got Iggy….

(5) J-LO AND AI. “’Atlas’ trailer: Jennifer Lopez uses AI to save humanity in sci-fi thriller” – here’s Mashable’s introduction:

The first trailer for Netflix’s futuristic sci-fi thriller Atlas is here, featuring Jennifer Lopez having a very bad day.

Atlas follows the titular character Atlas Shepherd (Lopez), a government data analyst with a healthy distrust of artificial intelligence. However, after a mission to capture a rogue robot from her past goes wrong, she soon finds herself having to trust AI in order to save humanity. If AI wrote propaganda, this is probably what it would sound like….

(6) IT’S A TIE. “Reading with… Liz Lee Heinecke” at Shelf Awareness.

…Favorite book when you were a child:

It’s a three-way tie, with a few runners-up.

As a kid, I desperately wanted a horse but knew I would never have one, so I lived vicariously through Maureen and Paul Beebe’s adventures in Misty of Chincoteague by Marguerite Henry and illustrated by Wesley Dennis.

Dragonsong by Anne McCaffrey had it all as far as I was concerned: a gifted girl who isn’t allowed to be a musician because of her gender, tiny, colorful dragons called fire lizards, and a nearby planet that rained down flesh-eating parasites frequently enough to keep things exciting. I probably read it 20 times.

The Tombs of Atuan is the second book in Ursula K. Le Guin’s Earthsea series and features a female protagonist who struggles against the confines of a role that’s been chosen by others. Most of the story takes place in a nightmarish underground labyrinth, where Le Guin’s hero Ged (Harry Potter’s prototype) struggles to steal a talisman. I loved everything about it.  

I was always on the lookout for books about girls on adventures. When visiting the library, I often checked out Astrid Lindgren’s Pippi Longstocking books or the Danny Dunn series by Raymond Abrashkin and Jay Williams, which features a girl who loves physics.  

Your top five authors:

Ursula K. Le Guin: She caught my attention as a middle-grade reader with her Earthsea fantasy series and has kept me captivated as an adult.

She uses science fiction to escape the social confines of our planet and explores themes of colonization, race, environmental destruction, political systems, gender roles, and sexuality without ever losing sight of the story. The Word for World Is Forest, The Dispossessed, and The Left Hand of Darknessare three of my favorites.

Amy Tan: I can’t recall whether The Kitchen God’s Wife or The Joy Luck Clubwas my first Amy Tan book. I adore the funny, relatable stories she tells about women and family, and enjoy learning about Chinese culture and history. The Bonesetter’s Daughter, which weaves science and anthropology into the story, was fantastic too. I became an even bigger fan after hearing Tan sing with the Rock Bottom Remainders at First Avenue a few years ago.  

J.R.R. Tolkien: I can’t count how many times I’ve re-read The Lord of the Rings. I love losing myself in Middle-earth, with its mountains and languages and monsters and lore, and I’ve always been a sucker for a well-told hero’s journey.

Margaret Atwood: Sometimes I think she can see the future. The Handmaid’s Taleis a masterpiece in so many ways. I heard her speak once, and I recall her saying that she grew up reading science fiction stories with her brother. It’s amazing how the books we read as children shape us as adults.

Ann Patchett: She has been one of my favorite authors for years. As a reader interested in themes of music, science, and theater, she’s hit the mark over and over again with books like Bel Canto, State of Wonder, and Tom Lake. I can’t wait to see what she writes next….

(7) THE WRITERS’ PRIZE. A non-genre work, Liz Berry’s The Home Child, was announced as the winner of the poetry category (£2000) and The Writers’ Prize Book of the Year (£30,000) at the London Book Fair on March 13.

Born in the Black Country and now living in Birmingham, The Home Child was inspired by the story of Berry’s great-aunt Eliza Showell, one of the many children forcibly emigrated to Canada as part of the British Child Migrant Schemes. This beautiful novel-in-verse about a child far from home was described as ‘absolutely magical’ by Fiona Benson.

The book achieved the highest number of votes from the 350+ celebrated writers in the Folio Academy, who exclusively nominated and voted for the winners of The Writers’ Prize 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 13, 1956 — Dana Delany, 68. I remember Dana Delany best for her role as nurse  Colleen McMurphy on China Beach, set at a Vietnam War evacuation hospital.  It aired for four seasons starting in the late Eighties. Great role, fantastic series. I rewatched it a decade or so ago on DVD — it held up very well.

Dana Delany

So let me deal with her main genre role which was voicing Lois Lane. She first did this twenty years ago in Superman: The Animated Series for forty-four episodes, an amazing feat by any standard.  That role would come again in Superman: Brainiac Attacks, Justice League: The Flashpoint Paradox (avoid if you’ve got even a shred of brain cells), in a recurring role on the Justice League and Justice League Unlimited series, The Batman and even in the Superman: Shadow of Apokolips game.

Her other voice role of note was for Wing Commander Academy as Gwen Archer Bowman. And she wasn’t Lois Lane but Vilsi Vaylar in Batman: The Brave and the Bold’s “The Super-Batman of Planet X!”. 

She’ll have a one-off on Battle Galactica as Sesha Abinell; more significantly she has a starring role as Grace Wyckoff in the Wild Palms series. 

Oh, she showed up on Castle as FBI Special Agent Jordan Shaw in a two-part story, the episodes being “Tick, Tick, Tick…” and “Boom!”. 

So I’m going to finish with her role in Tombstone, Emma Bull and Will Shetterley’s favorite Western film along with the Deadwood series. It’s an inspiration she says for her Territory novel. And I love it as well. Delany played magnificently Josephine Sarah “Sadie” Earp, the common-law wife of Wyatt Earp. The final scene of them dancing in the snow in San Francisco is truly sniffles inducing. 

(9) CREATOR CANNED. Variety reports “X-Men ’97 Creator Beau DeMayo Fired Ahead of Premiere on Disney+”. Article does not give a reason.

Beau DeMayo, the showrunner and executive producer behind Disney+’s upcoming animated series “X-Men ’97,” has been fired ahead of the March 20 premiere, Variety has confirmed.

DeMayo had completed work on Seasons 1 and 2 of “X-Men ’97” ahead of his exit. He will not attend the March 13 Hollywood premiere for the show. His Instagram account, on which he had been previewing artwork and answering fan questions about “X-Men ’97,” has also been deleted.

He wrote and produced “X-Men ’97,” which is a continuation of the popular “X-Men: The Animated Series” that aired on Fox Kids in the ’90s. It is unclear why DeMayo was fired from “X-Men ’97” so close to the premiere, but he will no longer promote the show or be involved with future seasons….

(10) NO MICHELIN STARS FOR MORDOR. CBR.com chronicles “Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings”.

Peter Jackson and actor Billy Boyd found a memorable way to convey that love in The Lord of the Rings: The Fellowship of the Ring. As Aragorn leads the Hobbits toward Rivendell, Pippin asks about “second breakfast” and a litany of additional meals that will presumably be skipped as they continue. Tolkien specified six meals in the Prologue to The Fellowship of the Ring — which roughly match European traditions — but two of them are essentially the same meal. Here’s a rundown of each one to give a good idea of what Pippin is missing….

Here’s the one I’m always interested in:

Second Breakfast

Tolkien mentions second breakfast in The Hobbit, with Bilbo settling down to his just as Gandalf appears to tell him that the Dwarves have already left for The Lonely Mountain. It serves as a quiet joke — stressing that Hobbits in general and Bilbo in particular enjoy eating — as well as emphasizing the comfortable lifestyle he’s leaving behind to go on his adventure with the Dwarves. It also serves as the inspiration for Pippin’s line about second breakfast in The Fellowship of the Ring, which he doesn’t deliver in Tolkien’s text.

(11) PRAISE FOR STARMEN. [Item by Francis Hamit.] Demetria Head is a book blogger, one of that legion of reviewers who do it without pay and for the joy of it.  Ms. Head actually read the entire book and delivered an almost forensic analysis.  I think her work deserves wider exposure.

Demetria Head Review from BookBub and A Look Inside book blogs

“STARMEN” by Francis Hamit is a sprawling epic that seamlessly blends elements of magical realism, historical fiction, and sci-fi fantasy to create a mesmerizing tale that will captivate readers from start to finish. Set against the backdrop of the American Southwest in 1875, the novel introduces us to a cast of richly drawn characters whose lives become intertwined in a web of intrigue, adventure, and supernatural mystery.

At the heart of the story is George James Frazer, a budding anthropologist working for the Pinkerton National Detective Agency, whose quest to contact a local Apache tribe leads him on a journey beyond the realms of ordinary reality. When a mysterious hot air balloon appears over the town of El Paso, owned by the British Ethnographic Survey, Frazer finds himself drawn into a world of ancient magic and hidden truths.

The characters in “STARMEN” are truly the heart and soul of the novel, each one fleshed out with depth and nuance that makes them feel like living, breathing individuals. From the determined and resourceful Frazer to the enigmatic Apache witches and the ruthless Pinkerton agents, every character brings their own unique perspective to the narrative, driving the plot forward with their conflicting desires and motivations.

Plot development in “STARMEN” is masterfully executed, with Hamit weaving together multiple storylines that intertwine and intersect in surprising and unexpected ways. From the quest to find a missing heir to the discovery of a town inhabited by extraordinary gunfighters, each twist and turn of the plot unfolds with breathtaking intensity, keeping readers on the edge of their seats until the very last page.

What truly sets “STARMEN” apart is its seamless blend of genres, incorporating elements of historical fiction, magical realism, and hard sci-fi into a cohesive and compelling narrative. From the romantic entanglements to the political intrigue and the mind-bending concepts of quantum mechanics and string theory, the novel offers something for every reader, appealing to fans of both traditional historical fiction and speculative fiction alike.

Overall, “STARMEN” is a tour de force of storytelling that will transport readers to a world of adventure, mystery, and wonder. With its unforgettable characters, intricate plot, and bold exploration of complex themes, it is a must-read for anyone seeking an immersive and thought-provoking literary experience.

(13) SHAKEN TO THEIR CORE. [Item by SF Concatenation’s Jonathan Cowie.] I have not seen it yet (but have downloaded to mem stick for home viewing – it might be rubbish???) In the TV series Pending Train, “100 People Accidently Time-Travel By Train to a Destroyed Earth in 2063”. See video at the link.

In Tokyo, train passengers find themselves fighting for their very survival after their train car jumps into an apocalyptic future

(14) ON THE AIR. Breathe (2024) with Jennifer Hudson, Milla Jovovich, Sam Worthington, Common, and Quvenzhané Wallis. In Theaters, On Digital, and On Demand April 26.

(15) VIDEO OF THE DAY. How It Should Have Ended brings us up to date with “Previously On – DUNE”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Francis Hamit, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/3/23 Scrolled Things Are aFiled At The Pixel K

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(1) GAHAN WILSON TV. Episode One of Gahan Wilson’s Tales of Horror TV series debuted on Halloween at GahanWilson.net where it is streaming exclusively.  They will be premiering one or two new episodes each month for the next two years. Episode One is “Phyllis” starring Bourke Floyd and Rachel Alig.

CHATGPT LOVES MY BOOK. [Item by Francis Hamit.]

STARMEN, A blended genre story merging Apache myths, witchcraft, science fiction, fantasy, history, detective, espionage, politics, and romance in a captivating narrative.

Had a conversation with ChatGPT that resulted in that promotional blurb.:  Now I know a bit about AI from covering it during my trade magazine journalism career and my experiments with Artspace.ai.  Any conversation with ChatGPT trains it to serve your needs but the “captivating narrative” bit at the end threw me for a bit.  It seems almost human, doesn’t it, as if it has read the book.

So was that just a lucky accident or could the ChatGPT program have done this? Could it have reached into my computer and read my novel and then compared it to the thousands of other novels and their reviews that have been uploaded to its massive database?  And now makes a value judgement like that?

It could do so in a nanosecond. There is an excerpt on Amazing Stories and other reviews of my other work online and several other books of mine in the Cloud at AWS..  

Will ChatGPT become a literary arbiter because it will always know more than humans do.  (And whose fault is that?  We trained it.)  I suspect that a ChatGPT review may become a default item for book promotion. I’m certainly going to use this just to see if it has any influence.

Two things; ChatGPT is also trained to be very polite so negative reviews are unlikely and a new book is now expected to get dozens of reviews from a variety of  sources; publications, book bloggers, Book Tok influencers, etc. So it will not displace any human reviewer but be just another data point.

(3) MIKE ALLEN Q&A. West Virginia Public Broadcasting interviews writer, editor and publisher Mike Allen about “Sci-fi, Horror And Ghosts In Western Virginia”.

… Adams: I’m curious as to what you see when you look at Appalachia. What’s it look like from your perspective in the sci-fi/fantasy/horror world?

Allen: So here’s an interesting thing for me: Roanoke is unique. Some of it, I think, actually goes back to Nelson Bond having been based here, who was extremely active in the 1930s and ‘40s and ‘50s in the magazine scene that existed at that time. Writers like Sharyn McCrumb were making Roanoke, or at least the Roanoke region, their home base. Roanoke has this very robust culture for celebrating its writers, regardless of what they write. Those of us who are based here like myself, like Rod Belcher, who writes under the name R.S. Belcher, or Amanda McGee, who’s an up-and-coming writer whose work is definitely Appalachian and has a bit of witchery involved, we’ve experienced the benefit of that.

There’s no way for me to kind of sweepingly talk about everybody with an Appalachian connection. But there are some I do want to mention. Nathan Ballingrud, who lives in Asheville, is a horror writer who’s had some really high profile things happen lately. His first short story collection, “North American Lake Monsters,” was adapted into the Hulu series, “Monsterland.” The title story in that book, he considers to be an Appalachian story. I mentioned Rod Belcher whose novels have events in West Virginia and the Carolinas. Manly Wade Wellman might be the classic Golden Age writer who’s most associated with the Appalachians. He has a series of stories about John the Balladeer, or Silver John, who is a gentleman who has a guitar strung with silver strings. He wanders through this magical realist version of the Appalachian Mountains and has encounters that are very much based on Appalachian folklore….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.] Today’s updates are briefer than planned, as I’ve been working on some other stuff, which might make it into tomorrow’s update.

Photos and video from the Iain M. Banks panel

This Weibo post has some photos from, and a brief write-up of, the Iain M. Banks panel.  (A translated edition of Look to Windward has just been released in China.)

The same person also posted a subtitled video of a 7-minute clip from a Sky documentary, which seems like it was maybe shown during the panel.

YouTube report from the con

I’ve only briefly skimmed this subtitled 19-minute video about the con, so I don’t know how worth watching it is.  The source seems to be a reporter who normally covers Silicon Valley and the tech industry, so there’s a fair bit of stuff about the “businessy” panels as well as things more likely to be of interest to Filers.  There’s a bit of footage from the panel/presentation Nnedi Okorafor was on.

Group photos from the con

It’s not clear to me if the person who posted this image gallery to Xiaohongshu was a volunteer or some other member of the con team, but some of the faces seen in the photos will be recognizable to Filers.

From the Three-Body Problem event
Chengdu Science Fiction Association Annual Meeting

(5) SFWA RESPONDS TO GOVERNMENT CALL FOR COMMENTS ON AI. SFWA has posted the text of a letter the organization sent to the US Copyright Office about artificial intelligence – “SFWA Comments on AI to US Copyright Office” at the SFWA Blog.

On October 30, the SFWA Board and the SFWA Legal Affairs Committee sent the following letter to the US Copyright Office in response to their August 2023 Notice of Inquiry regarding copyright law and policy issues in artificial intelligence, which is part of their AI Initiative….

Quoting from the letter:

… it is with much regret that we cannot yet speak in favor of using AI technology in the business of creating art.

The current crop of artificial intelligence systems owes a great debt to the work of creative human beings. Vast amounts of copyrighted creative work, collected and processed without regard to the moral and legal rights of its creators, have been copied into and used by these systems that appear to produce new creative work. These systems would not exist without the work of creative people, and certainly would not be capable of some of their more startling successes. However, the researchers who have developed them have not paid due attention to this debt. Everyone else involved in the creation of these systems has been compensated for their contributions—the manufacturers of the hardware on which it runs, the utility companies that generate their electrical power, the owners of their data centers and offices, and of course the researchers themselves. Even where free and open source software is used, it is used according to the licenses under which the software is distributed as a reflection of the legal rights of the programmers. Creative workers alone are expected to provide the fruits of their labor for free, without even the courtesy of being asked for permission. Our rights are treated as a mere externality.

Perhaps, then, creative workers uniquely benefit from the existence of these artificial intelligence systems? Unfortunately, to date the opposite has been the case: SFWA has thus far seen mainly harm to the business of writing and publishing science fiction and fantasy as a result of the release of AI systems.

For example, short fiction in our genres has long been recognized as a wellspring of the ideas that drive our work as well as inspiring works in film, games, and television. Writers in our genres rely on a thriving and accessible landscape, which includes online and paper magazines. Part of the success of these publications depends on an open submission process, in which writers may submit their stories without a prior business relationship. This has frequently served as a critical opportunity for new and marginalized authors to have their voices heard.

Over the last year, these venues, particularly the ones that pay higher rates for stories, have been inundated with AI-written stories. The editors uniformly report that these submissions are poorly conceived and written, far from being publishable, but the sheer volume materially interferes with the running of these magazines. Once submission systems are flooded with such content, it takes longer to read and reject a submission than it took someone to have an AI produce it in the first place. Every submitted work must be opened and considered to verify that the writers for whom the system was originally designed are not missed or forgotten….

(6) JOANNA RUSS. LitHub provides readers with “Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ”.

…Eventually Russ would find a way to channel that disjunction into a remarkable body of literature, including the revolutionary novel The Female Man (1975).

That novel and a selection of other novels and stories by Russ have now been collected and reissued by the Library of America. Not long ago, I sat down with the volume’s editor, Nicole Rudick, to talk about Russ’s life, work, and her reputation as one of the fiercest critics ever to write about science fiction.

… JM: Let’s talk about Russ’s development as a writer. She grew up in New York, went to Cornell. She studied with Nabokov, correct?

NR: True, though I think it’s a little overstated. She studied with him in her last year at Cornell and dedicated “Picnic on Paradise” to him and to S.J. Perelman, but I think she came to feel a little silly about that. She named them both as stylistic influences, and she and Nabokov certainly share a metafictional approach, but she talked a lot more throughout her life about George Bernard Shaw.

She grew up loving science, and was a top 10 finalist in the Westinghouse Science Talent Search in 1953. She graduated high school early, and then went to Cornell and switched over to literature. She said that she came out to herself as a lesbian privately when she was a kid and went right back in because she had no models. She didn’t feel that it was real, that it could be done. And that continued at Cornell, where things were pretty traditional in terms of gender roles. And then she went to Yale and studied playwriting but found that she was not very good at it. When she returned to New York, she worked odd jobs, did some theater work, and made some adaptations for radio at WBAI. She was also writing stories and publishing them in little journals and SF magazines.

In the late 60s, she started writing stories about Alyx. She said it was the hardest thing she ever did in her life, to conceive of a tough, independent female protagonist and get it on the page. Feminism was not widespread in the United States at that moment and Russ wasn’t involved in consciousness-raising groups or anything like that, so it was a solitary time to be writing these sorts of things. But they did well. Picnic in Paradise, her novella about Alyx, won a Nebula Award. And then in ‘67, she was back at Cornell, as a teacher, and in ‘69, there was a colloquium on women in the United States organized by the university in the intercession period—Betty Friedan and Kate Millett and a bunch of other panelists talking about sexuality, race, and why women see each other the way that they do. They approached these issues as social problems, not individual problems. Russ was there, and her description of it is so funny—“Marriages broke up; people screamed at each other who had been friends for years…. The skies flew open.” A wave of feminism washed over Cornell, and she sat down and wrote “When it Changed” in the weeks afterwards. Six months later, she saw a novel in the story and wrote The Female Man. But she couldn’t find a publisher. She wanted it published by a trade press and they all rejected it. The excuses were like, “There’s more feminism than science fiction”—that from Viking Press. A lot of women editors were baffled by it and turned it down. It finally got bought by Frederik Pohl [at Bantam Books] in 1975….

(7) CUTTING EDGE. The UK’s Crime Writers Association is expanding their Dagger Awards with two new categories: “Dagger awards adds categories for ‘cosy crime’ and psychological thrillers” in the Guardian.

The growing popularity of two crime fiction subgenres has prompted the creation of two new categories in the annual Crime Writers’ Association awards, including one for “cosy crime” – the subgenre of comforting mysteries that originated with Agatha Christie and is now most associated with Richard Osman.

The Daggers, as the CWA awards are known, recognise authors across 11 categories including historical crime, translated crime and lifetime contribution to crime writing. Next year, the two new awards will be the Twisted Dagger, for psychological thrillers, and the Whodunnit Dagger, for cosy crime….

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to binge BBQ with the legendary Mike Gold in Episode 211 of the Eating the Fantastic podcast.

Mike Gold

I’m extremely pleased I was able to convince the legendary Mike Gold to head out for dinner the night before the con began.

Gold entered the comic industry as DC’s first public relations manager. But as I was astounded to discover, he did some PR earlier than that — as the media coordinator for the defense at the Chicago Conspiracy trial, acting as the intermediary between the press and the likes of Abbie Hoffman and Jerry Rubin, when he was only a teen.

After DC, in 1983, he launched First Comics, where he edited Howard Chaykin’s American Flagg, Mike Baron and Steve Rude’s Nexus, Jim Starlin’s Dreadstar, Mike Grell’s Jon Sable Freelance, and many other classic series. Then after his move back to DC in 1986, he edited such titles as Legends, The Shadow, The Question, Action Comics Weekly, Green Arrow: The Longbow Hunters, Blackhawk, and others.

In 2006, he co-founded ComicMix, and in 2011, he received the first Humanitarian Award from the Hero Initiative. And — since he’s five years older than I am — meaning I would have read Fantastic Four #1 at age six, and Mike at eleven, five years counting for a lot back then — I enjoyed digging into our differing perspectives about the early days of comics.

We discussed the way his hiring at DC Comics was all Neal Adams’ fault, how the guerrilla marketing he learned from Abbie Hoffman helped him quadruple direct market sales, the Steve Ditko Creeper cover which sent a not-so-secret message to publisher Carmine Infantino, why editor Murray Boltinoff compared Marvel Comics to the Beatles (and not in a good way), which staffer was “the most disgusting human being I’d ever met in my life,” how First Comics was born, his secret weapon for getting creators to deliver their work on time, our differing contemporaneous exposure to Fantastic Four #1 (and how his related to Merrick Garland), the way an off-hand comment led to a classic John Byrne comic, how the comic book field is like a donut shop, and much more.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 — Neal Barrett, Jr. Heavily nominated for many awards including a number of Hugos but he never won. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual digital suspects. (Died 2014.)
  • Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 — Martin Cruz Smith, 81. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf. 
  • Born November 3, 1952 — Eileen Wilks, 71. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well!
  • Born November 3, 1953 — Kate Capshaw, 70. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1963 — Brian Henson, 60.  Can we all agree that The Happytime Murders should never have been done?  Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 — David Edison, 46. His Waking Engine series, beginning with the rather excellent Waking Engine novel, an urban fantasy set in the afterlife, would’ve been great. His only other novel, Sandymancer, merges fantasy and hard SF. 

(10) IN THE SAME SPIRIT. “We Almost Got a Superhero Movie from The Exorcist Director William Friedkin” says Literary Hub.

In 1975, four years after the release of The French Connection, William Friedkin revealed to a reporter the inspiration for the film’s celebrated car chase scene.

It was the cover of a comic book: a man runs terrified on elevated tracks, just a few steps ahead of a train. He is handsome and athletic. Save for a domino mask, he is dressed like a classic Hollywood detective, in a blue suit and loose tie; he bears no resemblance to Gene Hackman’s slovenly everyman “Popeye” Doyle. The cover was from The Spirit, a comic that ran as a seven-page newspaper insert throughout the 40s and early 50s. The series, created by Will Eisner, was admired for its black humor, innovative compositions, shocking violence, and its setting in a precisely realized urbanscape. “Look at the dramatic use of montage, of light and sound,” Friedkin told the reporter. “See the dynamic framing that Eisner employs, and the deep, vibrant colors.”

Friedkin may not have been telling the truth. The comic he showed the reporter was a reprint that had been published after the release of The French Connection. The stories were three decades old, but the covers were new. Still, it was good publicity for the project he was then planning, a feature-length pilot for an NBC series that would feature the Spirit, aka Denny Colt, a detective who has risen from the dead, lives in a cemetery, and fights crime with his wits, his fists, and a willingness to withstand pain that borders on masochism….

(11) ITALIAN POLITICAL BRANDING USING LOTR. Jamie Mackay asks “How did The Lord of the Rings become a secret weapon in Italy’s culture wars?” in a Guardian opinion piece.

As a longtime fan of JRR Tolkien, I’ve long felt put out by Giorgia Meloni’s bizarre obsession with The Lord of the Rings. Over the years, Italy’s ultra-conservative prime minister has quoted passages in interviews, shared photos of herself reading the novel and even posed with a statue of the wizard Gandalf as part of a campaign. In her autobiography-slash-manifesto, she dedicates several pages to her “favourite book”, which she refers to at one point as being a “sacred” text. When I read the news this week that Italy’s culture ministry is spending €250,000 to organise a Tolkien show at Rome’s National Gallery of Modern and Contemporary Art, and that Meloni will attend the opening, I couldn’t help wondering: why? What is this government trying to achieve by stamping its mark so aggressively on one of the world’s most loved fantasy sagas?

My Italian friends don’t get the fuss. This is everyday politics, they say, a simple branding exercise to soften Meloni’s image. Perhaps. But there’s a deeper, and frankly stranger, side to this story. When The Lord of the Rings first hit Italian shelves in the 1970s, the academic Elémire Zolla wrote a short introduction in which he interpreted the book as an allegory about “pure” ethnic groups defending themselves against contamination from foreign invaders. Fascist sympathisers in the Movimento Sociale Italiano (MSI) quickly jumped on the provocation. Inspired by Zolla’s words, they saw in Tolkien’s world a space where they could explore their ideology in socially acceptable terms, free from the taboos of the past. Meloni, an MSI youth wing member, developed her political consciousness in that environment. As a teenager she even attended a “Hobbit Camp”, a summer retreat organised by the MSI in which participants dressed up in cosplay outfits, sang along to folk ballads and discussed how Tolkienian mythologies could help the post-fascist right find credibility in a new era….

(12) STREAMING TOP 10. JustWatch has released the top 10 streaming movies and TV shows for October 2023.

(13) VIDEO OF THE DAY. “Marvel Studios’ Echo” official trailer dropped today. The series begins streaming January 10 on @DisneyPlus and @Hulu.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Francis Hamit, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/6/23 When You’re Dune And Tribbled, And Need A Gripping Hand…

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(1) ARE THESE YOUR FAVORITE SPOILERS? “Doctor Who’s Alex Kingston on hiding River Song’s biggest spoiler” at Radio Times. Beware spoilers. Further warning: the one excerpted below is not the “biggest spoiler” referred to in the headline.

“She’s not a companion, she’s a wife!” Alex Kingston is quick to correct about her beloved Doctor Who character River Song.

And she’s completely right. River Song is unlike any other Doctor Who character, first introduced in 2008’s Silence in the Library and spanning multiple eras in one of the most complex and glorious timelines to ever grace the show.

“She’s the most incredible character to play, and certainly when the role was offered to me, I had obviously no idea of the journey that both she and I would be undertaking – because obviously in the very first Silence in the Library story, she dies,” Kingston exclusively tells RadioTimes.com….

(2) TEXAS BOOK RATING LAW REMAINS IN EFFECT PENDING HEARING. “Appeals Court Lets Texas Book Rating Law Take Effect, Orders Expedited Hearing” reports Publishers Weekly.

The U.S. Court of Appeals for the Fifth Circuit will let Texas’s controversial new book rating law, HB 900, take effect while an “expedited” appeals process plays out—despite a district court finding the law to be “a web of unconstitutionally vague requirements.”

In a two-line decision issued on October 5, the Fifth Circuit said it would not hear the state’s emergency motion for a stay separately and will instead carry the motion to be heard with the state’s challenge of judge Alan D. Albright’s preliminary injunction on the merits. The court also ordered the appeal to be “expedited to the next available oral argument panel.”

But the appeals court also declined to lift an administrative stay placed on Albright’s order…

…Signed by Texas governor Greg Abbott on June 12, HB 900 requires book vendors, at their own expense, to review and rate books for sexual content under a vaguely articulated standard as a condition of doing business with Texas public schools. The law includes both the thousands of books previously sold to schools and any new books. Furthermore, the law gives the state the unchecked power to change the rating on any book, which vendors would then have to accept as their own or be barred from doing business with Texas public schools….

(3) WHERE, OH WHERE IS THE CHENGDU WORLDCON BUSINESS MEETING AGENDA? No link — with less than two weeks until the Chengdu Worldcon business meeting agenda still hasn’t been released.

People want the agenda posted so they can read what business is coming before the meeting and think about the inevitable assortment of proposed rules changes. The rule requiring the agenda to be available 30 days ahead of the meeting is so that the movers don’t have the advantage of being able to organize in favor while depriving potential opposition of the same advantage.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Welcome to the hotel confusion-ia

This item is based on a Kevin Standlee blog post “More Worldcon Travel Plans”, and subsequent Mastodon exchange.

Some of the guests whose accommodation has been arranged by the con have been told they are staying in the “Chengdu Tianfu Hengbang Sheraton”.  However, it seems that this is a direct translation of the Chinese name of the hotel near the con venue (成都恒邦天府喜来登酒店), but it actually uses a different English name “Sheraton Chengdu Pidu”. (Compare http://www.sheraton-chengdu.com/ to http://www.sheraton-chengdu.com/en?pc )

Thus when searching Google for the first name, people are getting results for a Sheraton in the Tianfu area, which is roughly the opposite side of Chengdu from the Pidu district where the con is actually taking place, which resulted in this.

Per Kevin’s comments on Mastodon, some people have been told that they’ll be staying at the “Sheraton Lidu Pidu”, which does seem to be a different hotel from either of the two previously mentioned.

Here’s a Xiaohongsu post from a week ago showing views of the con venue from the Sheraton Chengdu Pidu: http://xhslink.com/HINobv

Video featuring the “Kormo” con mascot — https://weibo.com/5516881774/Nly3wqo4Y

This 90-second video posted by the GoChengdu Weibo account is a week old, but I only came across it today.  Content-wise, it has only minimal connection to the Worldcon – it focuses more on the mid-Autumn festival that’s just gone by – but “stars” the Kormo con mascot.

(5) A HISTORY OF PEE-WEE HERMAN PRODUCTS. The Comics Journal continues a conversation: “The Artists and Cartoonists Who Designed Pee-wee Herman’s World – Part Two”.

…But by season two in 1987, by which time production of the show itself had moved from New York City to Los Angeles, any number of Pee-wee related products—toys, dolls, bed sheets, sweaters, pajamas, t-shirts, stickers, trading cards—were available for purchase. And like the Playhouse show itself, these products were chiefly designed by a group of young NYC artists under the direction of Gary Panter and Reubens himself. Cartoonists and illustrators working on Playhouse merchandise included Ric Heitzman, Mark Newgarden, Kaz, Charles Burns, J.D. King, Richard McGuire, Stephen Kroninger, Tomas Bunk, Norman Hathaway and others. When Reubens died of acute hypoxic respiratory failure on July 30th of this year, I reached out to a number of people involved in shaping the Pee-wee empire. In Part One of this series, I spoke with a number of artists who designed the visual aesthetic of the successful television program; in this second and final part, the focus will be on the many functional and ridiculous products created in its wake, including some that never made it to stores….

… The cartoonist Kaz, another frequent RAW contributor, was brought in early on.

“I can’t remember what came first for me, but I’d been visiting Gary Panter in his various studios around Brooklyn for quite a while,” Kaz said. “Seeing his paintings, sculptures and sketchbooks was always inspiring, and he was one of the sweetest guys and very generous with his time and ideas. I love the guy! So, at some point he asked me to help out with art on some of the Pee-wee licensing that was coming in hot and hard. I just aped his Pee-wee art style (which was not as easy as it looked). I did all the flat art on the inside of the Playhouse Playset. I did some art when they expanded the Pee-wee Colorforms set by adding two wings, thereby making it ‘Deluxe.’ A keen eye will see my cartoon character, Little Bastard, sitting on Pee-wee’s bed on that art.”

“In 1987, through Gary Panter and Mark Newgarden, I worked with Mark on the Topps Chewing Gum’s ‘Pee-wee’s Playhouse Fun Pak’,” Kaz continued. “I remember going into Topps’ offices every day for a few weeks. At the time, Topps was in a grimy industrial waterfront neighborhood in Brooklyn that was not a good place to be after dark. Mark did the bulk of the writing and editing on the “Fun Pak” as well as drawing. I wrote and did a bunch of drawings (in the Panter style). There was a lot to do, so some of the art was freelanced out to other cartoonists. Trivia: I got my full Lithuanian first name [Kazimieras] on the back of one card!”…

(6) PAEAN TO LOST. “Six Part Fan-Made Lost Documentary 815 Explores the Complicated Production of the J.J. Abrams-Directed Pilot Episode” – Movieweb has the story.

Released in 2004 and created by J. J. Abrams and Damon Lindelof, Lost has become not only one of the most popular series of all time, but also a role model for many other shows. Its complicated and mysterious story, along with its constant reinvention and plots full of suspense, provided its viewers with a unique experience. Its unexpected twists and strange elements that appeared without any apparent explanation, turned it a legend.

The series follows the experiences of a group of survivors of a plane crash on what appears to be a deserted island. However, as they struggle to live with each other, it becomes apparent that the island is far from a safe place, and they are not the only ones inhabiting the place.

The pilot episode, directed by Abrams and filmed in Oahu, Hawaii, was at the time the most expensive in history, a title it held for a long time. For this reason, YouTuber and Lost fan kuhpunkt (who’s real name is Stefan Lensa) took the time to collect hours of video content about the making of the show’s pilot, transforming it into a six-part documentary titled 815, the number of the flight where the protagonists were traveling…

(7) NATO IN TIMES TO COME. In 2024, NATO will celebrate its 75th anniversary. The NATO Defence College asks writers, especially science fiction writers, for 1500 words on what NATO will look like in 2099. More details at the link. €500 if you are selected. “NATO 2099: A Graphic Novel”.

…Science fiction, while often discredited by dint of its creative and at times outrageous character, holds real added value for research purposes. Not only does science fiction influence the present by projecting inventions (i.e. headsets, mobile phones and tablets), science fiction can leverage the wisdom of the crowd effect: when several authors “see” a similar future, such a future becomes more likely. As such, science fiction has the power of making ideas acceptable. It can entertain a wider public, which under normal circumstances, might not entertain certain ideas, thereby broadening mindsets and fostering critical thinking. Of course, the precondition to this is that science fiction be not fantastical, but is rooted in evidence. (Hence the term FICINT, fictional intelligence.)

Harnessing these benefits, science fiction has been instrumentalized by military organizations in the United States and France to increase preparedness, train critical thinking, and even spot trends in technology and geopolitics. (For example, the idea of Russia attacking Ukraine appeared in Russian science fiction in the 1990s).

Your mission, should you accept it…

The year is 2099, NATO will be celebrating its 150th anniversary. For this reason, sci-fi and fictional intelligence authors are being asked to contribute about 1500 words on what this future might look like. Authors are asked to describe the end state, i.e. 2099, but are free to describe how we got there.

…The compilation of 32 written pieces will be transformed and published into a graphic novel or comic book that narrates a holistic story entitled, “NATO 2099”.

(8) MICHIGAN FAKE ELECTORS CASE. “Michigan judge rules defendants accused in false elector scheme will not have charges dropped” reports the Associated Press. We’re following this story because Michele Lundgren, wife of sff artist Carl Lundgren, is one of the sixteen charged, although she was not a maker of the motion covered here.

Michigan defendants accused of participating in a fake elector scheme will not have their charges dropped after the state attorney general said the group was “brainwashed” into believing former President Donald Trump won the 2020 election, a judge ruled Friday morning.

The decision comes after motions to dismiss charges were filed last week by two defendants, Clifford Frost and Mari-Ann Henry. The two defendants are part of a group of 16 Michigan Republicans who investigators say met following the 2020 election and signed a document falsely stating they were the state’s “duly elected and qualified electors.” Each of the 16 faces eight criminal charges, including multiple counts of forgery….

(9) STARLING HOUSE. At NPR: “Book review: Alix E. Harrow’s ‘Starling House’ Gothic fantasy novel”.

In Eden, Kentucky, the air is thick with dust.

The dying coal town is the fictional setting of Alix E. Harrow’s “Starling House,” and the smog of fading power and bad luck is enough to suffocate its residents, most of whom live in abject poverty.

For Harrow, writing a book about Kentucky was a long time coming.

“This is the first book that I set fully in, like committed to writing about Kentucky,” Harrow says. “One of the reasons that I had found that difficult to do before is because I find it to be a place of very mixed experiences that I love very, very, very much, and which has just an incredible violence and terror to it.”…

(10) CHRIS HADFIELD COMMENTS ON ‘FOR ALL MANKIND’. “Apple TV+ series For All Mankind Depicts Realistic Death in Space According to Renowned Astronaut” at Movieweb.

…Navigating through this cosmic portrayal, Chris Hadfield, an astronaut with feet firmly planted in both scientific and storytelling worlds, lent his expert gaze to scrutinize a particularly grim depiction of death in the aforementioned series. Hadfield, experienced in the authentic silence of the cosmos, put under the microscope a scene from For All Mankind in a special breakdown for Vanity Fair, where an American astronaut fiercely ends a Soviet astronaut’s lunar expedition—with a gun.

But is the rendering of a bullet speeding through the weightlessness and silence of the moon’s environment precise? Hadfield nods in unsettling agreement.

What permeates this acknowledgment is the recognition of the horrifying reality of how gunfire operates in the vacuum of the moon. Unlike its earthly counterpart, a bullet on the moon, devoid of air and oxygen to disrupt its trajectory, travels with haunting precision, straighter and farther into the abyss. The portrayal of such a scenario in For All Mankind doesn’t simply draw from a well of imagined horrors, but rather bathes in a chilling accuracy that aligns with the physical realities of our universe.

Moreover, the aftermath of such a bullet puncturing a spacesuit, according to Hadfield, is equally petrifying and authentic. A spacesuit, cushioning its inhabitant with a hundred percent oxygen, can turn into an infernal chamber when breached. History has witnessed this, as Hadfield recalls an incident during a test at the Johnson Space Center, where even aluminum, veiled in flames, narrated the horrors of what could transpire inside a suit, albeit thankfully unoccupied by a human during the incident. Oxygen, the life-giving force, transforms into a silent executioner in the blink of an eye when exposed to a spark in such an environment….

(11) START THE PARTY. Today is Francis Hamit’s 79th birthday and he’s celebrating at Amazing Stories by posting a 15,000-word excerpt from his novel: “Excerpt: STARMEN by Francis Hamit: Support the Kickstarter”.

Today is  Francis Hamit’s Birthday.  (Happy Birthday, Francis!)  He also informs us that the Kickstarter for his forthcoming “genre experiment” novel – STARMEN – closes on October 10th.  As his Birthday gift to all of our readers, he wants to make sure that you know that EVERYONE contributing to the project will be able to purchase the E-book edition of this 190,000-word epic for just one dollar ($1.00)….

“My mixed genre novel STARMEN is an embarrassment of riches when it comes to excerpts.  It’s about 190,000 words long and incorporates alternative post Civil War history, quantum mechanics, Apache Indian myths and some rather nasty Aliens.  It begins in 1875 El Paso, Texas at the Pinkerton National Detective Agency.  Some of the detectives are witches.  So are some of the Apaches.  There are also some romance elements. And politics.”

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1911 — Flann O’Brien. Irish novelist, playwright and satirist. He wrote three novels, At Swim-Two-Birds, The Dalkey Archive and The Third Policeman. Though The Dalkey Archive was published before The Third Policeman, it was written after that novel, so entire sections of The Third Policeman are recycled almost word for word in it, mostly the atomic theory and the character De Selby. (Died 1966.)
  • Born October 6, 1950 — David Brin, 73. Author of several series including Existence (which I do not recognize), the Postman novel, and the Uplift series which began with Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II.  I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end if only for its title. So who’s read Castaways of New Mohave, that he wrote with Jeff Carlson?
  • Born October 6, 1952 — Lorna Toolis. Librarian, editor, and fan Lorna was the long-time head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library and a significant influence on the Canadian SF community. She founded the SF collection with a donation from Judith Merril. She was a founding member of SFCanada, and won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
  • Born October 6, 1955 — Donna White, 68. Academic who has written several works worth you knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the densely-written but worth reading A Century of Welsh Myth in Children’s Literature. 
  • Born October 6, 1955 — Ellen Kushner, 68. If you’ve not read it, do so now, as her sprawling Riverside series is stellar. And there’s cups of hot chocolate. I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award. 
  • Born October 6, 1967 — Joshua Glenn, 56. Publisher who re-issued a lot of the scientific romances from the beginning of last century like J D Beresford’s Goslings, The Edward Shanks’ People of the Runs and E V Odle’s The Clockwork Man. He’s edited two anthologies, Voices from the Radium Age and More Voices from the Radium Age.

(13) CONNECTING SFF AND SCIENCE. The U.S. State Department website is hosting “From Science Fiction to Science Fact”. It begins with a video introduction by Mark Hamill.

About 400 kilometers above the Earth, the International Space Station orbits at 28,000 kilometers an hour. It’s the single largest structure humans have ever put in space and a football-field-size symbol of diplomatic cooperation.

Built over a decade with U.S. and Russian spacecraft, the station has been continuously occupied by an international crew since November 2000. The station isn’t owned by any one nation, but rather operates as a partnership among five space agencies — the U.S. National Aeronautics and Space Administration, or NASA; the Russian State Space Corporation “Roscosmos”; the Japan Aerospace Exploration Agency (JAXA); the European Space Agency; and the Canadian Space Agency. There are regular crew handovers whereby some astronauts leave and new ones come aboard. Two hundred seventy-three astronauts from 21 countries have worked on the station….

DETECTING MICROBES

In the popular 1960s television show Star Trek, the starship Enterprise crew members depend on handheld tricorders. The devices seem to magically detect everything from unknown life forms to the nature of a crew member’s illness.

While the TV version seems fantastical, a real — if nascent — tricorder has been developed on the International Space Station. What’s more, the research that built it is already supporting human health here on Earth.

The impetus was NASA’s efforts to sequence DNA. Scientists aimed to simplify the multistep DNA sequencing process so that one device on the space station could handle it, working to move the tricorder from the realm of science fiction to real life.

Today NASA is looking at hand-held devices made by a U.S. company and a U.K.-based company that can amplify and sequence DNA. The devices identify microbes — bacteria, viruses, fungi and other organisms too small to be seen with the naked eye — growing throughout the International Space Station. The crew can monitor what microbes are on board, how the space environment shapes microbial behavior, and how that might affect astronaut health during long missions to the Moon or Mars.

Crew members gather microbes to sequence by rubbing swabs around the space station’s interior. They then process the genetic material by inserting the swabs into a hand-held device called a miniPCR, which makes copies of a targeted microbial DNA sequence. The copies are fed into another hand-held device called the MinION, which sequences the DNA.

(14) DOUBLE YOUR TIANGONG, DOUBLE YOUR FUN. “China to double size of space station, touts alternative to NASA-led ISS” – Reuters has details.

China plans to expand its space station to six modules from three in coming years, offering astronauts from other nations an alternative platform for near-Earth missions as the NASA-led International Space Station (ISS) nears the end of its lifespan.

The operational lifetime of the Chinese space station will be more than 15 years, the China Academy of Space Technology (CAST), a unit of China’s main space contractor, said at the 74th International Astronautical Congress in Baku, Azerbaijan, on Wednesday….

… China’s self-built space station, also known as Tiangong, or Celestial Palace in Chinese, has been fully operational since late 2022, hosting a maximum of three astronauts at an orbital altitude of up to 450 km (280 miles).

At 180 metric tons after its expansion to six modules, Tiangong is still just 40% of the mass of the ISS, which can hold a crew of seven astronauts. But the ISS, in orbit for more than two decades, is expected to be decommissioned after 2030, about the same time China has said it expects to become “a major space power”.

Chinese state media said last year as Tiangong became fully operational that China would be no “slouch” as the ISS headed toward retirement, adding that “several countries” had asked to send their astronauts to the Chinese station.

But in a blow to China’s aspirations for space diplomacy, the European Space Agency (ESA) said this year it did not have the budgetary or “political” green light to participate in Tiangong, shelving a years-long plan for a visit by European astronauts.

“Giving up cooperation with China in the manned space domain is clearly short-sighted, which reveals that the U.S.-led camp confrontation has led to a new space race,” the Global Times, a nationalist Chinese tabloid, wrote at the time.

Tiangong has become an emblem of China’s growing clout and confidence in its space endeavours, and a challenger to the United States in the domain after being isolated from the ISS. It is banned by U.S. law from any collaboration, direct or indirect, with NASA….

(15) WHAT IS IMAGINATION? The Arthur C. Clarke Center for Human Imagination will host an in-person event “Imagine Otherwise: Featuring Stephen T. Asma” Tickets, Fri, Oct 20, 2023 at 6:00 PM | Eventbrite on October 20 at 6:00 p.m. at UC San Diego. Free registration and full information at the link.

Imagination is touted as a gift for artists or a vital skill for visionary thinkers and scientists. But what do we mean by the term “imagination,” and what has science revealed about the diversity of ways it shows itself in human minds?

In a conversation with Stephen T. Asma, philosopher and author of The Evolution of Imagination, Erik Viirre and Cassandra Vieten will explore the history of our understanding of imagination, how science has attempted to advance our understanding of it, and what is at stake for the future of imagination studies and the pathways it may open to advancing the imagination’s power for transformative change.

This event will take place at the Great Hall at UC San Diego and is free and open to the public. Light refreshments will be provided. RSVP required.

(16) UP ALL NIGHT. “The ‘Ghost Hunting Gays of Ohio’ find queer community in the search for the supernatural” at WVXU.

A small group of people huddled around Mirror Lake on Ohio State University’s campus on a September evening. Their black attire matched the night sky that stretched over the splashing fountain.

Nick Post stood at the center of the group. He leaned in as he told a ghost story about the so-called ‘Lady of the Lake.’

“On cold wintry nights she can sometimes be seen skating across the ice, warming her hands and wearing outdated clothing,” Post said. “Some reports say she wears white, others say she wears pink. But none have gotten close enough to see her face.”

This is just one of many apparitions that supposedly stalk OSU’s dorms and classrooms at night. Its these legends that brought ten members of the Ghost Hunting Gays of Ohio, the state’s newest paranormal investigators, to campus on a Sunday night….

…“I’ve always been obsessed with ghost-hunting shows and all of that good stuff, so I was like, what if we just go check out some haunted places?” he said.

Post said looking to the supernatural was only natural for him, and he thinks that’s true for a lot of queer people. He said the paranormal holds a special appeal to many in the gay community.

“When you are misunderstood your entire life, it intrigues you to understand other things that are misunderstood,” Post said….

(17) PAUL BUCKLEY’S GREATEST HITS. Steven Heller talks about “Layoffs in the Publishing Industry Sting” at PRINT Magazine, and the loss of one design director in particular.

When the latest round of publishing industry buyouts and layoffs were announced in mid-July, I was surprised to see a few friends and acquaintances on the hit list. Buyouts are the humane way to let go of employees, and some can be generous. But while many buyouts come at the end of careers, layoffs can particularly sting while in mid-stride.

At Penguin Random House, the biggest book publisher in the United States, veteran editors who have worked with many of the biggest authors in fiction and nonfiction are leaving the company. It is a changing of the guard. The New York Times reported that Penguin Random House lost both its global and U.S. chief executives in the past seven months alone.

Until this latest upheaval, 58 year old Paul Buckley was the longest serving (34 years) design director of Penguin Books. His layoff was a shock to those, like me, who greatly admired his work. If he of all people is this vulnerable, what about others who are not yet ready to take retirement?

Buckley leaves behind an incredible legacy of iconic, smart, clever and damn beautiful work. So upon hearing the sad news, I asked him to select 10 projects out of the thousands he’s created for Penguin that give him the most pride. It’s better to see and read about them now than in a later postmortem/historical reprise….

(18) QUANTUM PAULI ENGINE. [Item by Steven French.] “No-heat quantum engine makes its debut” at Physics World.

“All particles known to science fall into one of two categories: bosons or fermions. While bosons cluster in the same quantum state, fermions obey the Pauli exclusion principle, meaning no two fermions can share the same state. This doesn’t matter much at room temperature when particles are flying about at high speeds. Cool those particles down to just shy of absolute zero, though, and the difference becomes vast: the bosons pile into the lowest available energy state, while fermions stack on top of each other in a “ladder” of states. At such low temperatures, a collection of fermions will thus have much more energy than a collection of bosons.”

Until recently that energy difference couldn’t be accessed but in the early 2000s  a way was found to form bosons molecules from fermionic atoms which means you could switch from one form of statistics to another. Now researchers have used this to construct a ‘proof-of-principle’ quantum Pauli engine which offers an entirely different way of charging quantum batteries and powering quantum computers. 

That may be some years off yet but this is still very cool!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nicholas Whyte, JeffWarner, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

More Things Left Undone

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[Introduction: There are three days left to go in Francis Hamit’s Kickstarter to fund publication of Starmen: A Novel. Donors of $1 or more get a copy of the ebook as a reward. The following post first appeared as one of his campaign updates and is reprinted with permission.]

By Francis Hamit: One of the privileges of writing fiction, even fact-based historical fiction is the right to make up improbable coincidences.  You can slide with perfect confidence into Alternative History because Real Life has outdone you at every turn.  Hence the phrase “you can’t make this stuff up”.

But you can try.  And here I have. One of the characters in Starmen is borrowed from my novel The Shenandoah Spy — Sir Percy Wyndham, the Irish “wild goose” mercenary recruited to lead the 1st New Jersey Cavalry during the early part of the American Civil War.  He developed a rivalry with 7th Virginia Cavalry leader Turner Ashby, derided him as a dirt farmer amateur only to have his entire unit trapped and captured soon thereafter by Ashby.

The same day Ashby was killed by friendly fire. Belle Boyd’s birthday as well.  While I know the exterior circumstances I have little idea of how those people felt, reacted, or what they said to each other.  One of the revelations of my Civil War Research is that the so-called Official Records were usually written months after the actual events by staff officers who were not there.  What shreds of truth there are can be used to support an otherwise bald lie.  Diaries as and letters are more reliable but even there some people lie.

And lie I also must to create creditable dialog about and between my characters.  To that end Sir Percy Wyndham must stay in character as a flawed, egotistical and suicidally brave soldier willing to die in battle.  With a strong moral center.  In real life, once he knew that he was surrounded, he jumped down off his horse and indulged himself in a rather childish tantrum.  Then he surrendered.  He might have been willing to fight Ashby to the death (although that was not how they did things in Europe) but his men came first.  They were able and willing to fight.   He would not let them be slaughtered.

Wyndham goes through a number of transformations is an alternative timeline that depends a great deal on my layman’s understanding of quantum physics.  In it he is critical to the ending I currently plan. At no time does he fall out of character or lose that strong moral center every professional soldier must have.

Which Book Cover Works Best?

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[Introduction: Francis Hamit’s Kickstarter for Starmen: A Novel runs until October 10. You can get the ebook for a one dollar donation. Meanwhile, the author would like your opinion about the cover….]

By Francis Hamit: I really am in a quandary about which cover to use, so I would like feedback.

Alternative Book Cover Version Two

Based on feedback, I moved the title a little.  Small changes sometimes make a big difference.  I think this is very powerful and catches the eye. 

The original cover developed and donated by Markee Book Designs is here:

Original book cover

As you can see this is more narrative, based upon the opening paragraphs.  Quite a bit of work went into this but they wanted a sample for their portfolio and I am happy to oblige. 

The first book cover I bought was for The Shenandoah Spy.  It cost me over $2,000 but certainly sold the story while also feeding my passion for historical accuracy. These new covers cost me very little and the one from Canva took me an hour of playing around with a blank image and placing type.

I have bought other covers for $100 each and just moved virtual type around .  It’s not hard for me.  I took Design in college and I was a professional photographer for eleven years.  That was all about designing as I framed the shot either in the camera or the darkroom.  (Yeah, I was in the photochemical world). I was crushed out of that business by K-Mart and their 99-cent color portraits.  

These low cost and free blanks for book covers are yet another example of a hard-won artistic profession being crushed by a low cost and “good enough” alternative.

So you tell me; which cover will sell more books? That is, after all, the name of the game.

Leave your vote in comments here.

And if you have not yet donated to get the E-book please do so.  Everyone gets that. Other items at higher reward tiers.  

[Reprinted with permission.]

Implications of the Thaler vs Perlmutter Decision. Can You Use Artificial Intelligence in Your Writing?

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[Introduction: Francis Hamit, currently running a Kickstarter appeal for Starmen: A Novel, wrote this article as one of the Updates. He’s given File 770 permission to reprint it.]

By Francis Hamit: Not even God can get a Copyright. That’s one of the takeaways from Thaler vs. Perlmutter.  Thaler wanted to register an image generated by a computer program he devised.  Perlmutter, who runs the Copyright Office at the Library of Congress, said no.  Only works made by humans can get copyright protection.  Your pet monkey pounding away on a computer keyboard might produce something brilliant that everyone wants to buy but you won’t be able to protect it from infringement.   Likewise anything from a celestial being also falls into the Public Domain. Only work that is the result of human creativity can be protected.

Francis Hamit

Copyright is a global law through various treaties so registration here protects your work in most but not all markets. It lasts a very long time and is about the money and controlling who gets to publish, display, distribute and  adapt original work.

ChatGPT may seem like a brilliant innovation to some but all it really is is a very sophisticated computer program with a huge database.  Even then it has to be trained by humans before it gets those amazing results.  The “ghost in the machine” is us.  (Pay no attention to the man behind the curtain.)

To be a real writer you have to be real.  You have to do your own work.  Artificial Intelligence is just that; artificial.   And it shows in recent AI submissions submitted by quick buck artists to magazines in the science fiction field.  There were so many that they closed down the submissions window.   Easily detected and easily dismissed but still a drag on the process because they had to be dealt with.  

I recommend that everyone register their copyrights.  Forget about that mail it to yourself nonsense.  Go online and pay the fees but understand that all you are protecting is the expression, the arrangement of the words, not the idea behnd the words. And all you have is the right to sue some person you think has infringed your work in a Federal District Court.  

I’ve done this and don’t recommend it unless there is life-changing money at stake.  You have to prove the case and the Federal Courts hate copyright cases with a passion. Why? There is the Law, which is simple.  Black Letter as they say.  And then there are the Facts and those are incredibly complicated.

Most cases settle before they get to trial.  Mine did but it took four years and thousands of dollars and thousands of hours before I got paid.  How much I’m not allowed to say.  The Judgment is Sealed.

The Thaler vs.  Perlmutter decision sets a precedent.  Any taint of A.I. in your text can void your copyright registration.  But the judge left open the use of A.I. as a tool similar to a spellchecker as long as that original spark of creativity is preserved.  If you use A.I. to transform your short story into a screenplay is that simply a derivative work?  Will the original copyright registration stretch to cover it? Ask yourself this:  Which is easier? Learning how to write that screenplay yourself or defending your A.I. generated version in Federal Court? 

Francis Hamit’s Recommended Writers Rules For Book Signings

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[Introduction: Francis Hamit, whose Kickstarter for Starmen: A Novel is close to funding, wrote this article as one of the Updates. He’s given File 770 permission to reprint it.]

By Francis Hamit: I’ve been thinking ahead about promoting this book and the changing landscape of publishing.  It has been 30 years since my best-selling non-fiction book Virtual Reality and the Exploration of Cyberspace was published. 15,700 copies in the first run sold very quickly but it was already obsolete thanks to Tim Berners Lee.  He created the World Wide Web and that changed everything. There was a lot of hype and disinformation. The same kind of media sensationalism that Artificial Intelligence suffers from now.  The book took two-and-a-half years of research, interviews, conferences and fact checking.  It was in print for 13 months.  I literally did the last book signing three weeks later.   

Fiction doesn’t have an expiration date and there are many places you can sign books other than bookstores but usually you are going to lose money on the deal.   Sell a few copies or no copies if the stores has not promoted the event but it’s not really about the number of copies sold that day but the people you meet.

I once had  a guy drive two and a half hours so he could meet me and get a signed copy of The Shenandoah Spy.  Very gratifying but also slightly unnerving.   He was a bit intense.  

On that same book tour a teen-aged girl came for advice about Young Adult fiction.  Why was it so bad she asked and why couldn’t she find stories that she could relate to?  I suggested she should write those stories herself.  How do I do that? she asked.  A poor girl from a rural community with parents who did not read much less write themselves? With an indifferent school system?  

You’ll find a way, I said, if you really want to be a writer. Just write. Get used to writing every day. Learn the mechanicals but don’t get trapped by the Puncuation Police.  The kind of writing you want to do is not about the proper use of the semi-colon. It’s about telling stories. The First Million Words Are The Hardest. You will have to write that many before you attain any kind of mastery.

Those are the kind of conversations you will have at a book signing and showing a little kindness pays off years, even decades later. If they like you people are more likely to buy to buy your books.  

As for the practical aspects of doing a good book signing here is my advice:

1. Dress for the gig:  Wear business attire.  Be clean and neat. .  Get your hair cut or styled close to the event.

2.   Be sober.   Being in an altered state of consciousness will damage reputations.  Not just yours, but your publisher or sponsor and that of the hosting entity (store, group, meeting, etc.)

3.  Be Cheerful.  No one cares if you are having a bad day.  Keep that to yourself.

4.  Sell the book.  Get up when people approach the table you are at and greet them. Answer questions.  Sign the book in front of them once they have bought it.

5. Stay put.  Nothing irritates the staff more than an author who acts bored and wanders off to look at other books or decides to chat up an attractive sales person or staffer because no one is in the store.  

6.  Bring back-up stock and promotional supplies.  Many a book signing has been undone because the shipment didn’t arrive on time.  You can’t sell books if you don’t have them. Likewise a shipment of promotional bookmarks may get lost, misappropriated for a child’s craft project or thrown away.  

7. Location is important. A table near the front of the store is preferred.  Locations at the back or where people can’t see you or shared with other writers are not.  

8.  Do your own publicity.  Most stores don’t have time. Send a nice professionally written release to all local media along with a copy of the book.   Call the producers of local news and talk shows to see if you can be interviewed.  You will probably be on a television news program for no more than four minutes.  Bring your own make-up.  Those lights are very bright.  A simple base will do.

9.  Enjoy yourself.  Seriously. Have fun and enjoy a moment that most people never have. Be humble and grateful that you have this opportunity.