Tag Archives: Jason Heller

Pixel Scroll 2/18/21 I’d Gladly Scroll On Tuesday, For A Pixel Today

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(1) MORE REACTIONS TO JASON SANFORD’S REPORT ABOUT BAEN’S BAR AND RELATED ISSUES.

Cat Rambo draws on her decades of experience moderating online forums, including SFWA’s private discussion forum, in “Opinion: On Baen Books, Moderating Discussion Boards, & Political Expression”. Also part of her background –

…In the interest of full disclosure, I’m technically a Baen author. I have a story in a couple of Baen anthologies and another in an upcoming one. I also was the main decider in the choice to give Toni Weisskopf a Kate Wilhelm Solstice award in 2016 in acknowledgment of how much she has shaped the field. I have never been on their discussion boards, as far as I can remember….

She covers a half dozen subtopics before concluding —

…Online harassment is used by a number of folks to silence other people and it includes tactics like SWATting, contacting one’s employer, doxxing, and worse. Jason Sanford is experiencing some of this right now, to the point where he’s had to take his Twitter and Patreon private, but he’s not the first, nor will he be the last. It is shitty and invasive, and it’s something that can constantly ambush you.

Moreover, stochastic terrorism is a thing, and it’s one that some of the “my wishing you were dead wasn’t really a death threat because I didn’t say I’d do it personally” yahoos are hoping for. That hope that someone will be hurt as a result of their rhetoric flickers dimly in the depths of their creepy little souls, even when they claim otherwise, because here in America, it’s a possibility every time they stir up an audience to think of their opponents as NPCs rather than people. And it’s something that is particularly hard on the vulnerable. If you’re a white male experiencing harassment, know that if you were a woman of color, you’d be getting it a hundred times worse, whether you acknowledge that or not.

So… I don’t know what will happen with Baen’s discussion boards. I hope that they’ll do what sometimes happens as a result of these challenges: emerge as something better and more useful, something that creates more community ties than eroding them. Because it’s a time and place when we need more kind, brave words and less hateful, thoughtless rhetoric, and I feel any efforts to establish that is where true heroism lies. Thank you for issuing the challenge, Jason. I hope people rise to meet it.

Sheree Renée Thomas, who is set to co-host the 2021 Hugo ceremony, gives extended commentary about the implications for the Worldcon in a 16-tweet thread. Thread starts here.

Malka Older, the other 2021 Hugo co-host, aired her views in a thread that starts here.

Leona Wisoker does an overview of the Jason Sanford and Eric Flint essays and where they fit into the immediate present day in “Baen’s Bar Fight”.

… The boundaries of free speech and individual liberty in the wild world of genre fiction is, as I’ve said already, not a new battle. However, right here, right now, today, we’re dealing with a new twist on the old situation: the critical flash point of people spreading and believing dangerous lies for years. This started before Trump came into office. Before Obama’s first inauguration. Over the last ten years, the rise of groups like the channers, Gamergate, Reddit, Parler, Fox News, OANN, and QAnon has boosted those lies into explosive territory.

We’re no longer simply talking about malcontents complaining in a chat room. We’re now dealing with a series of connected, systemically based incidents that are driving credulous people into increasingly violent actions, in groups that are steadily expanding in size. We’re talking about bad faith actors — some in government and law enforcement — who are in it for the money and power, who have and will continue to use that misguided passion to their own benefit, and who don’t care who gets hurt along the way. To wave away the bitter speeches and threats of randos in internet forums is to entirely ignore the escalating situation that led to the Capitol insurrection in the first place….

Simon McNeil surveys posts by Jason Sanford and others as a preliminary to his thesis that those who believe there is an overall sff community are mistaken, and that prospects for the 2021 Worldcon have been irreparably damaged.  “The vexatiousness of the culture wars in SFF – Baen’s Bar and the fantasy of total community”.

…And here we return to two central questions that have been at the heart of genre fiction’s long-running culture war, just who is this community and what, if anything are its standards?

We have here a situation where the genre fiction “communty” consists of several disparate actual groups of people. These people have mutually exclusive definitions of the ideal present notwithstanding what they may want to see in fiction about the future, the past or other worlds. The attempts of mass conventions like DisCon III to serve these vastly disparate communities means it’s ultimately impossible to serve any.

Now I’m honestly quite shocked that there is going to be an in-person WorldCon this year. Between international travel restrictions and the clear and present danger of mass gatherings, it really feels like a live convention in 2021 is unsafe quite regardless of who the editor guest of honour is. With this said, while I do believe that Sandford turning over this particular rock exposed the peril lying under the surface of science fiction I don’t think de-platforming Weiskopf is going to make the convention any less dangerous for anyone unwilling to tow the American conservative line. Frankly, Toni Weiskopf isn’t the problem, she’s merely a symptom of it. Baen, and its stable of Trumpist malcontents is in fact only a symptom of the systemic problem that is the faulty assumption at the core of the SFF communities that there is some overarching and totalizing community for all to contribute to.

It was never true.

All that has changed is that those people who once hadn’t enough power to speak out about John Campbell’s racism, Orson Scott Card’s homophobia or Harlan Ellison’s busy hands have achieved enough power through adoption of new technology, changes in social understanding and various civil rights movements to fight back against the people who once kept them silent….

Camestros Felapton saves a thousand words by giving us a picture of his rebuttal to Eric Flint’s defense of Baen’s Bar in “Today’s Infographic: moderating comments”.

Chuck Gannon defended Toni Weisskopf’s statement about the temporary takedown of Baen’s Bar in the midst of a Facebook discussion by dissatisfied Baen supporters. He says in conclusion:

3) Lastly her statement was formulated so that it both showed a willingness to seriously engage the accusations, but without ceding ANY authority or agency over her rights and freedoms as the owner of a business. She did not stonewall the dertractors, did not counterattack, and did not cave, none of which are good strategies NO MATTER what politics are involved. That is smart business. And her tone was so measured and reasonable and *civil* that anyone who takes offense at it is essentially identifying their real motivation: to use this complaint as a weapon in the service of their deeper motive–cripple or kill Baen.

My assessment: she handled this as well as anyone could, and far, far better than most do.

(2) NEW ADDRESS. Perseverance made a successful landing on Mars today. The mission website is here: Mars 2020 Perseverance Rover.

(3) PRO TIP. You’ve been placed on notice!

(4) LET GO OF YOUR AGENDA. Once NPR’s Jason Heller took Sarah Gailey’s latest book on its own terms, he had good things to say about it: “Review: ‘The Echo Wife,’ By Sarah Gailey”.

…I went into Gailey’s new novel, The Echo Wife, with a big expectation for yet another immersive, wonderfully detailed, fictional setting. I was not catered to. There isn’t any real world-building in The Echo Wife because, well, there’s no world to build. It already exists. It’s our own. The book takes place, more or less, in the here and now, and even the rich concept behind its science-fictional premise — namely cloning — keeps a fuzzy distance. Once I got over my initial bout of pouting, though, I gave myself over to Gailey’s latest exercise in character-driven speculation. And I was happy I did…

(5) MEDIA BIRTHDAY.

  • February 18, 2005 — On this day in 2005, Constantine premiered. Based off DC’s Hellblazer series, it starred dark haired Keanu Reeves as blonder haired John Constantine. It was, to put it  mildly, produced by committee. The screenplay by Kevin Brodbin and Frank Cappello off a story by Kevin Brodbin. Its impressive cast included  Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, and Peter Stormare. Over the years, its rating among audience reviewers at Rotten Tomatoes has steadily climbed now standing at an excellent seventy four percent. Huh. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 18, 1894 – Marjorie Hope Nicolson, Ph.D.  First woman to receive Yale’s Porter Prize (for her dissertation), Cross Medal (as a distinguished alumna).  First woman President of Phi Beta Kappa.  Crawshay Prize (for Newton Demands the Muse).  Voyages to the Moon reviewed by Willy Ley.  Pilgrim Award.  Festschrift in her memory, Zephyr & Boreas (works of Le Guin).  More here.  (Died 1981) [JH]  
  • Born February 18, 1904 – Rafael DeSoto.  A score of covers, a dozen interiors for us; also Westerns, thrillers, adventure.  See R. Lesser ed., Pulp Art; D. Saunders, The Art of Rafael DeSoto.  Here is the Feb 39 Eerie Mysteries.  Here is the Apr 43 Argosy.  Here is the Nov 50 Fantastic Novels.  Yes, descended from Hernando de Soto.  This site says it will be available again soon.  (Died 1992) [JH]
  • Born February 18, 1908 — Angelo Rossitto. A dwarf actor and voice artist with his first genre role being in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as  The Master in Mad Max Beyond Thunderdome. He showed up in Galaxina, The Incredible Hulk, Jason of Star Command, Bakshi’s Lord of The Rings, Adult Fairytales, Clones, Dracula v. Frankenstein and a lot more. (Died 1991.) (CE)
  • Born February 18, 1919 — Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh, the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and He had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.) (CE)
  • Born February 18, 1929 — Len Deighton, 92. Author of possibly the most brilliant alternative novels in which Germany won the Second World War, SS-GB. Itdeals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.(CE) 
  • Born February 18, 1930 — Gahan Wilson. Author, cartoonist and illustrator known for his cartoons depicting horror-fantasy situations. Though the world at large might know him for his Playboy illustrations which are gathered in a superb two volume collection, I’m going to single him out for his brilliant and possibly insane work with Zelazny on  A Night in the Lonesome October which is their delightful take on All Hallows’ Eve. (Died 2019.) (CE)
  • Born February 18, 1931 – Toni Morrison.  A score of novels – Beloved (Pulitzer Prize) and God Help the Child are ours – poetry, two plays (one about Desdemona), libretto for Margaret Garner, nonfiction.  Jefferson Lecture.  PEN/Bellow Award (PEN is Poets, Playwrights, Editors, Essayists, Novelists).  Medal of Freedom.  Nobel Prize.  Oprah Winfrey: “I say with certainty there would have been no Oprah’s Book Club if this woman had not chosen to share her love of words with the world.”  Today is TM’s 90th birth-anniversary; see this from the Toni Morrison Society.  (Died 2019) [JH]
  • Born February 18, 1933 – Ray Capella.  A score of short stories for us; twoscore covers, five dozen interiors.  Here is Star Quest 4.  Here is the Oct 75 Amra.  Here is the Nov 81 Fantasy Newsletter.  Here is the Apr 01 Alien Worlds.  Here is an illustration for John Carter of Mars.  (Died 2010) [JH]
  • Born February 18, 1936 – Jean Auel, age 85.  The Clan of the Cave Bear, five more; 45 million copies sold.  Studied how to make an ice cave, build fire, tan leather, knap stones, with Jim Riggs.  “The Real Fahrenheit 451” in Omni (with Bradbury, Clarke, Ellison).  Officer of the Order of Arts and Letters (France).  [JH]
  • Born February 18, 1943 – Jill Bauman, age 78.  One short story, a score of poems, a hundred thirty covers, ninety interiors for us; many others.  An appreciation in Wrzos’ Hannes Bok.  Here is Melancholy Elephants.  Here is the Apr 89 F&SF.  Here is the Aug 92 Amazing.  Here is Thumbprints.  Guest Artist at the 1994 World Fantasy Convention, Philcon 1999, Chattacon XXVI.  Website.  [JH]
  • Born February 18, 1968 — Molly Ringwald, 53. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’ The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there. (CE)
  • Born February 18, 1979 – Shannon Dittemore, age 42.   Four novels.  Blogs for Go Teen Writers.  Website says “Coffee Fangirl”.  Has read The Importance of Being Earnest, Great Expectations, The Screwtape Letters, Les Misèrables, two by Shakespeare, a Complete Stories & Poems of Poe, Peter Pan, The Adventures of Huckleberry Finn, and four by Jane Austen including Pride & Prejudice in the German translation by Karin von Schwab (1892-1940; alas, Stolz & Vorurteil doesn’t alliterate).  [JH] 

(7) COMICS SECTION.

  • Off the Mark peers over a vampire’s shoulder as he gets shocking news about his online meal order.
  • Randall Munroe got a hold of Perseverance’s schedule.

(8) OVERCOMING. [Item by Mike Kennedy.] Entrepreneur interviews physicist & author Dr. Chanda Prescod-Weinstein about her new book, The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred and about sexism and racism in science. They also ask her about her interest in science fiction and about speaking at conventions, even if their fact checkers did allow the proofreaders to get away with calling them “Khans.” (Khen Moore would have been so proud.) “This Theoretical Physicist Boldly Goes Where Few Black Women Have Gone Before” at Entrepreneur.

… Professor Prescod-Weinstein, an important theme running through your book is the sexism and racism inherent in science. Crucially, you take time to namecheck those who — like you — did make it through, such as Dr. Willie Hobbs Moore, Dr. Edward A. Bouchet, Dr. Elmer Imes, Professor Arlie Oswald Petters, Dr. Shirley Ann Jackson and Dr. Marcelle Soares-Santos. It is only through seeing people like oneself that one can imagine being up there too, right?
Yes, that’s valuable when you have the opportunity. But I also know that sometimes we don’t get examples like us. As far as I know, none of those people are queer, for example. It’s important then to be the person who is like yourself. I know that sounds silly, but I encourage students to get people to take pictures of themselves doing physics, so that they can see that they are indeed what a physicist looks like….

(9) OCTOTHORPE. The latest episode of Octothorpe is now available! John Coxon has cats, Alison Scott has a milkman, and Liz Batty has a gecko. They plug Picocon, discuss Boskone and Eastercon, and talk more about their Hugo reading/watching/experiencing. “Ep. 25: Some of the Rocks Are Going to Be More Interesting Than Others”.

(10) JEOPARDY! Andrew Porter forwarded his favorite wrong answers from tonight’s episode of Jeopardy!

Category: Types of Narrative Literature

Answer: You can bet “The Lottery” is a good example of this genre of brief narratives, usually under 10,000 words.

Wrong question: What is a novella?

Right question: What is a short story?

*

Category: All Fairs

Answer: A 1939 New York World’s Fair diorama predicting the look of the city in 1960 was called this, later a long-running animated TV series.

Wrong question: What is The Jetsons?

Right question: What is Futurama?

*

Category: Pulitzer Prizes

Answer: Bruce Catton took the 1954 history prize for his book titled “A Stillness at” this fateful place.

Dumb question: What is the OK Corral?

No one got, What is Appomattox?

(11) IT HAD TO BE SNAKES. Leonard Maltin’s Movie Crazy makes “A Mel Blanc Discovery”.

Sometimes a gem can be hiding in plain sight—or within hearing distance. A few weeks ago I turned on Turner Classic Movies (my go-to channel) and watched part of Alexander Korda’s 1942 production The Jungle Book, starring Sabu. I hadn’t seen it in a while and it’s very entertaining. But when Mowgli encountered the giant snake Kaa, I listened carefully to the voice and realized it belonged to Mel Blanc. It had never occurred to me before; he’s speaking in a very low register so it isn’t immediately apparent. Then I thought of him performing his parody of a popular radio commercial in a Warner Bros. cartoon, saying, “Beee-Ohhh” and I was certain….

[Thanks to Michael Toman, John Hertz, Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 3/22/20 He Learned Almost Too Late That Man Is A Scrolling Pixel

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Illo by Teddy Harvia and Brad Foster.

(1) RELUCTANT MONSTER. “Patton Oswalt Is the Greatest Kaiju in This Goofy Short Film” — io9 points the way.

This is, honestly, a whole ton of fun. Made with an obvious love for Japanese game shows and humiliating Patton Oswalt, Giacchino’s film also functions as a sort of ersatz tribute to kaiju flicks, with Patton’s silly arc being reflective of the kind of storylines given to, say, Godzilla in some of his films. Just much more absurd, and in moderately brighter colors.

(2) VOICE OF EXPERIENCE. “I Spent a Year in Space, and I Have Tips on Isolation to Share” – a New York Times op-ed by former astronaut Scott Kelly, who spent nearly a year on the International Space Station.

… But I learned some things during my time up there that I’d like to share — because they are about to come in handy again, as we all confine ourselves at home to help stop the spread of the coronavirus. Here are a few tips on living in isolation, from someone who has been there.

Follow a schedule

On the space station, my time was scheduled tightly, from the moment I woke up to when I went to sleep. Sometimes this involved a spacewalk that could last up to eight hours; other times, it involved a five-minute task, like checking on the experimental flowers I was growing in space. You will find maintaining a plan will help you and your family adjust to a different work and home life environment. When I returned to Earth, I missed the structure it provided and found it hard to live without….

(3) PANDEMIC GOOD TIMES! In the Washington Post, Travis M. Andrews interviews author Max Brooks, Robert Schenkkan, who adapted The Andromeda Strain, and Mick Garris, who directed The Stand, about their works and how the horrific pandemics and epidemics they portrayed differ from today’s reality. “Sure, binge ‘Contagion’ and other pandemic movies right now. But their creators urge you to watch with caution.”

“I think in the early stages of any crisis, there is curiosity” that leads people to consume (or re-consume) these types of stories, [Max] Brooks told The Washington Post. Like many others, one of the first things he did when news of covid-19, the disease caused by the coronavirus, began breaking out of China was watch “Contagion.”

That doesn’t surprise Robert Schenkkan, who adapted “The Andromeda Strain” for television in 2008. “By recasting our experience in real life within the confines of a story, it is easier to absorb and explore the ‘what if’ notion of such an event in a way one is less able to do while sitting in your living room and wondering if you should go outside and buy toilet paper from the grocery store,” he said. “Framing it within a story with a beginning, a middle and an end gives a kind of confinement that makes it more accessible.” Since the movie ends, it gives people the feeling that the real crisis will….

(4) COLOR ALONG. With everyone in quarantine, YouTuber irishtrekkie released these starship designs as coloring book pages [Google Docs link].

(5) ANTICIPATION. Guess what Rogers Cadenhead found on his Mount Tsundoku?  

R.A. Salvatore’s response:  

And the fourth book is about a plague on the world of Corona where the leaders “protect” the peasants by lying and false hope.

We need a Brother Francis right now.

(6) GENRE SJWC. NPR’s Jason Heller finds that “Under The Quirk, ‘Hearts Of Oak’ Beats With A Thoughtful Pulse”.

The current landscape of speculative fiction is teeming with astounding innovations and lavish spectacles — from the lesbian necromancers of Tamsyn Muir’s Locked Tomb books to the world-shaking power dynamics of N. K. Jemisin’s Broken Earth trilogy. In the midst of all that genre-expanding sprawl, however, there’s still room for short, humble, understated works.

Eddie Robson’s new novel, Hearts of Oak, is exactly such a story. Brief in page-count and quiet in voice, the book is a gleaming gem of offbeat weirdness and oddball humor, a work that blends fantasy and science fiction more cleverly than almost anything in recent memory. But underneath that quirky whimsicality beats a deeply thoughtful, even melancholy pulse.

So how exactly does Hearts of Oak blend fantasy and science fiction? That’s a hard question to answer — not because Robson doesn’t execute this blend brilliantly, but because explaining this blend is, in and of itself, a major spoiler. Here’s what it’s safe to say: The book takes place in an unnamed city, one constructed mostly of wood, that feels vaguely familiar and somewhat fairytale-esque, but is impossible to place.

The city has a king. The King talks to a cat. The cat talks back. In fact, Clarence the cat is the King’s closest advisor, and their exchanges are the stuff of Monty Python absurdity and satire, an extended riff on the petulance and ineffectiveness of our chosen leaders that’s more acidic than most overtly political novels being written today. The King is obsessed with constructing more buildings and increasing his city’s size, a never-ending process that consumes the city’s labor and resources.

(7) BLISH SPEECH. Fanac.org has made available an audio recording of James Blish’s Guest of Honor speech from Pittcon, the 1960 Worldcon — “A Question of Content.”

By permission of the Blish family, we have an almost complete audio recording of James Blish’s Guest of Honor Speech. This is a thoughtful, not always complimentary look at the state of contemporary science fiction literature, where it falls short and where it can improve. Very much worth listening to, this short recording (enhanced with images) is just what you’d hope to hear from William Atheling, Jr , Blish’s serious and constructive critical pseudonym.

(8) TODAY IN HISTORY.

  • March 22, 1984 — The first part of “The Twin Dilemma” first aired on BBC. This was the first serial to star Colin Baker as the Sixth Doctor after his regeneration. The Companion Perpugilliam “Peri” Brown was played by Nicola Bryant who was so to the Fifth Doctor as well. You can see the first part here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 22, 1908 — Louis L’Amour. Two of his Westerns definitely meet genre inclusion, one having a lost world theme, The Californios, and the other supernatural elements, The Haunted Mesa. (Died 1988.)
  • Born March 22, 1911 — Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer, 1932, issue of Wonder Stories Quarterly was penned based on a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual digital suspects. (Died 1994.)
  • Born March 22, 1920 — Werner Klemperer. Yes, Colonel Wilhelm Klink on Hogan’s Heroes, But he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in Space, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Lost in Space, Batman (where he appeared as Col. Klink) and Night Gallery. (Died 2000.)
  • Born March 22, 1920 — Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back which included all the films in less than a month from start to finish. Now that was fun!  It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the dumbest SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
  • Born March 22, 1923 — Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
  • Born March 22, 1931 — William Shatner, 89. Happy Birthday Bill! Ok, that was short. We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that T.J. Hooker ran for ninety episodes! 
  • Born March 22, 1946 — Rudy Rucker, 74. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, both won Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.
  • Born March 22, 1950 — Mary Tamm. She’s remembered for her role as Romana, the Companion to the Fourth Doctor, in “The Key to Time” story. It seemed like she was there longer only because another actress, Lalla Ward, played her in the following season. Ward was soon to be married to Tom Baker.  She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada. Tamm had only one other genre gig, as  Ginny in the “Luau” episode on the Tales That Witness Madness series. (Died 2012.)
  • Born March 22, 1969 — Alex Irvine, 51. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse which was a lot.  For research purposes, of course. And he’s written a fair number of comics, major and minor houses alike.  His newest novel, Anthropocene Rag, sounds intriguing. Has anyone read it?

(10) COMICS SECTION.

(11) A STORY OF THE SPANISH FLU. The Library of America’s “Story of the Week” is “Influenza on a Troopship” by Henry A. May, a fascinating (if horrible) account of Spanish flu racing through a ship taking new soldiers to Europe during World War I. Told so matter-of-factly that you really have to imagine how bad the reality was.

COURSE OF THE EPIDEMIC 

THIS WAS influenced materially by these main factors: 

First, the widespread infection of several organizations be- fore they embarked, and their assignment to many different parts of the ship. 

Second, the type of men comprising the most heavily in- fected group. These men were particularly liable to infection. 

Third, the absolute lassitude of those becoming ill caused them to lie in their bunks without complaint until their infection had become profound and pneumonia had begun. The severe epistaxis which ushered in the disease in a very large proportion of the cases, caused a lowering of resisting powers which was added to by fright, by the confined space, and the motion of the ship. Where pneumonia set in, not one man was in condition to make a fight for life….

(12) ONCE UPON A TIME. “Don’t make children’s books like they used to,” notes Andrew Porter, who sent this image along.

(13) FREE READ. Jonathan Edelstein has shared a short story online — “The Stars That Bore Us” — that’s set in the same universe as his published short stories, “First Do No Harm” (Strange Horizons, 2015), “The Starsmith” (Escape Pod, 2016), “Iya-Iya” (Kaleidotrope, 2019) and “The Stranger in the Tower” (Andromeda Spaceways, 2019). 

Edelstein says, “This is a donation to the public, for those who may be stuck at home during the pandemic and looking for something to read.”

(14) FROM THEIR HOUSE TO YOURS. Dread Central spreads the word that “Winchester Mystery House Offering Virtual Tours To Homebound Horror Fans”.

While Winchester Mystery House is closed to the public due to the ongoing COVID-19 pandemic, it is offering fans a free digital tour of the Estate for guests to enjoy from the comfort of their own homes. This tour is available online now at winchestermysteryhouse.com/video-tour/ and will be accessible until Winchester Mystery House reopens.

[Thank to Cat Eldridge, Mike Kennedy, Michael Toman, Ben Bird Person, Jeff Smith, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Lise Andreasen, Aziz H. Poonawalla, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day m.c. simon milligan.]

Pixel Scroll 3/21/19 I’ll File You, My Pixel, And Your Little Scroll Too!

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(1) MCINTYRE. Followers of CaringBridge learned today that Vonda N. McIntyre has finished work on her book. Jane Hawkins announced:

Vonda has finished Curve of the World!  Be ready for a great read in a while! (No clue about publication date or anything like that.)

(2) PEAK OF THEIR CAREERS. Congratulations to Jason Heller (interviewed about his shortlisted book by File 770 in February), Alex Acks, and others whose work of genre interest made the finals of the 2019 Colorado Book Awards. Winners will be announced May 18. (Via Locus Online.)

Science Fiction/Fantasy

  • Murder on the Titania and Other Steam-Powered Adventures, Alex Acks (Queen of Swords)
  • While Gods Sleep, L.D. Colter (Tam Lin)
  • Denver Moon: The Minds of Mars, Warren Hammond & Joshua Viola (Hex)

General Nonfiction

  • Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, Jason Heller (Melville House)

Juvenile Literature

  • The Lighthouse Between the Worlds, Melanie Crowder (Atheneum BFYR)
  • Del Toro Moon, Darby Karchut (Owl Hollow)
  • Nadya Skylung and the Cloudship Rescue, Jeff Seymour (Putnam)

(3) MARGINALIZED VOICES IN YA. Neither the headline on Katy Waldman’s New Yorker article, “In Y.A., Where Is the Line Between Criticism and Cancel Culture?”, nor the subhead, “When it comes to young-adult novels, what, precisely, is the difference between the marketplace of ideas and a Twitter mob?”, genuinely reflects her approach to the topic she discusses, however, they’re enough to help you decide whether you’d like to dive into the information she’s assembled.

…[A] disparaging Goodreads review, which took issue with Jackson’s treatment of the war and his portrayal of Muslims, had a snowball effect, particularly on Twitter. Eventually, Jackson tweeted a letter of apology to “the Book Community,” stating, “I failed to fully understand the people and the conflict that I set around my characters. I have done a disservice to the history and to the people who suffered.”

The Jackson fracas came just weeks after another début Y.A. author, Amélie Wen Zhao, pulled her novel before it was published, also due to excoriating criticisms of it on Twitter and Goodreads….

(4) DREAMING ABOUT THE DISNEY/FOX MERGER. Firefly fan and artist Luisa Salazar has created new Disney Princess images for Zoe Washburne, Inara Serra, Kaylee Frye, and River Tam.

(5) TWO RUSCH BOOKS IN NEW BUNDLE. “The 2019 Truly Epic Fantasy Bundle”, curated by Kevin J. Anderson, is available for a short time from StoryBundle.

Epic Fantasy is a genre that stretches the boundaries of the quest. Whether a triumph of good vs. evil, or a search for meaning or truth, these stories take readers to a new place.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of five books in any ebook format—WORLDWIDE.

  • Thought Gazer by Raymond Bolton
  • MythWorld by James A. Owen
  • Rider’s Revenge Trilogy Book 1: Rider’s Revenge by Alessandra Clarke
  • The Fey Book 1: The Sacrifice by Kristine Kathryn Rusch
  • Set in Stone by Frank Morin

If you pay at least the bonus price of just $15, you get all five of the regular books, plus TEN more!

  • Shadow Blade by Chris Barili
  • The Taste of Different Dimensions by Alan Dean Foster
  • The Whisper Prince Book 1: Fairmist by Todd Fahnestock
  • The Fey Book 2: The Changeling by Kristine Kathryn Rusch
  • The First DragonRider by Kevin McLaughlin
  • Accidental Thief by C.J. Davis and Jamie Davis
  • Viridian Gate Online: Side Quests by James A. Hunter, D.J. Bodden, N.H. Paxton & More
  • Half-Bloods Rising by J.T. Williams
  • Nova Dragon – Book One of the Goblin Star by Gama Ray Martinez
  • The Dragon’s Call Book 1: Dragon Sword by Angelique Anderson and Craig A. Price, Jr.

(6) AT THE CORE. The current Nature reports on “X-ray chimneys in the Galactic Centre”. Fermi gets mentioned, no sign of Santa, though.

X-ray observations of the Galactic Centre have uncovered chimney-like structures filled with hot plasma. The discovery might reveal how energy is transported from this central region to far-off locations….

The centre of our Galaxy hosts a supermassive black hole that currently emits electromagnetic radiation extremely weakly, but could have been much more active in the past. Observations of ?-rays have revealed two huge structures known as Fermi bubbles located above and below the Galactic plane1 . These bubbles are filled with highly energetic particles moving at close to the speed of light, which were released from the Galactic Centre a few million years ago. 

(7) TIE-INS. International Association of Media Tie-In Writers President Jonathan Maberry interviews “Pirate King” Chris A. Jackson.

What are you writing now? 

Actually, my latest tie-in gig came right through IAMTW! Thanks, guys! One of our members is not only a tie-in writer himself, but is an editor for Mongoose Publishing, a British game publisher. They’re doing a reboot of the great old SF RPG, Traveller, and the editor, Matthew Sprange, asked the group for anyone familiar with the game who was interested in writing a short story tie-in. I played Traveller a lot back in my college days, and jumped at the chance. I’ve since written four stories for Mongoose and I’m delighted with the experience!

What’s your fan experience been like?

Mixed, but primarily positive. We all get those one-star reviews, right? A few stand out, however, and they are curiously all of the same theme: men who don’t like romance in their fiction. Mostly, I just eye-roll these and let them go. You don’t like romantic elements in your fiction, don’t read mine, but don’t tell me I’m doing it wrong. For the most part, the fan response has been great, and the feedback from my publishers has been wonderful. You know you’re doing your job right when people come up to you at conventions begging for your next novel, and publishers actually solicit you for work without prompting. That, above all else, speaks for itself.

(8) HANRAHAN OBIT. The International Costumers Guild reports Jamie Hanrahan died March 20. He was an early member of S.T.A.R. San Diego, and his other fanac included a term as co-editor of PyroTechnics, “The Now and Then Newsletter of General Technics.” His son Chuck wrote, “There was some kind of cardiac event and despite all heroic attempts, they were unable to restore a cardiac rhythm.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1902 — Gustav Fröhlich. Not widely known before landing the role of Freder Fredersen in Fritz Lang’s Metropolis. Though my German be rusty, I see no indication that anything else he did was genre in nature. (Died 1987.)
  • Born March 21, 1936 — Margaret Mahy. New Zealand author of over a hundred children’s and YA books, some with a strong supernatural bent. She won the Carnegie Medal twice for two of her fantasy novels, The Haunting and for The Changeover, something only seven authors have done in total. (Died 2012,)
  • Born March 21, 1946 — Timothy Dalton, 73. He is best known for portraying James Bond in The Living Daylights and License to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now!  He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 – Teresa Nielsen Hayden, 63. She is a consulting editor for Tor and is best known for Making Light, ablog she shares with her husband Patrick. You can blame them for the Puppy target John Scalzi. And she is also one of the regular instructors for the writing workshop Viable Paradise.
  • Born March 21, 1958 — Gary Oldman, 61. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And, of course, he was Jean-Baptiste Emanuel Zorg In Fifth Element followed by being Lost in Space‘s Dr. Zachary Smith which in turn led to Harry Potter’s Sirius Black and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1962 — Matthew Broderick, 57. Very long, so let’s get started… He started off in WarGames but appeared over the years in Ladyhawke, Project X, The Lion King franchise (surely talking lions are genre, aren’t they?), Infinity (anything about Richard Feynman is genre), Godzilla, Inspector Gadget, the remake of The Stepford Wives, The Tale of Despereaux and Adventure Time.
  • Born March 21, 1966 — Michael Carroll, 53. He also writes Judge Dreddfor 2000 AD and the Judge Dredd Megazine. He has other genre work such as the New Heroes series (known in the States as the Quantum Prophecy series) and the Pelicos Trilogy which is part noir mystery and part end of all things human as well.
  • Born March 21, 1985 — Sonequa Martin-Green, 34. She currently plays Michael Burnham on Discovery. She had a brief recurring role as Tamara in Once Upon a Time and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold no interest to me. Well Solomon Grundy does…  and she was in the Shockwave, Darkside film.
  • Born March 21, 1986 — Scott Eastwood, 33. Deputy Carl Hartman in Texas Chainsaw 3D (truly horrid idea that) Lieutenant GQ Edwards in Suicide Squad and Nathan Lambert in Pacific Rim: Uprising.

(10) NAME THAT MOON. Gently thieved from John Scalzi’s Twitter feed (like so many good things are), Phil Plait’s tweet leads us to his post on SYFY Wire “Contest: Pick names for Jupiter’s new moons!”

We already have wonderful names for some of Jupiter’s moons, like Io, Europa, Ganymede, Callisto (the four Galilean moons), Amalthea, Metis, Adrastea, Themisto, Carpo (also the little-known sixth Marx brother), Himalia, Leda… well, you get the picture. There are dozens more.

Now that these newly discovered moons have been confirmed it’s time to name them. In general, the discoverer can suggest names to the International Astronomical Union (or IAU), the keeper of rules and lists of names. They’ll mull things over and decide if the names are up to snuff.

Faced with this, Sheppard and his team have decided to do something fun: Hold a contest where you, Earthling, can suggest names for these tiny worlds*!

All you have to do is submit your suggestions to the team by simply tweeting them to the handle @JupiterLunacy (ha!) on Twitter, either as a text tweet or as a short video, and adding the hashtag #NameJupitersMoons. Cool!

(11) GIVING WRITER’S BLOCK A NEW MEANING. Also tweeted by Scalzi — he’s discovered a use for the toxic waste social media miscreants aim at GRRM:

(12) YMMV. David Doering has a point: “Saw the announcement of a Funko Stan Lee doll on Amazon to be released in April. What made me curious is the delivery options: I do not think the word ‘Expedited’ means what you think it does…”

(13) BARRIE AWARD. Philip Pullman has won the J.M. Barrie lifetime achievement award. The Guardian has the story —

Author of His Dark Materials acclaimed as ‘a magical spinner of yarns’ who appeals to all ages – especially children

(14) SLEUTH. BookRiot has a neat quiz called “Which kickass literary investigator are you?”

(15) TOUGH NEIGHBORHOODS. At Crimereads, Adam Abramowitz discusses how gentrification threatens crime and noir fiction set in big cities, because the dodgy neighborhoods where those stories are set are rapidly vanishing: “Noir in the Era of Gentrification”.

On the New York end, the bus route would take us through the Bronx, the borough announcing itself unfailingly with the calling card of a vehicle sitting squarely on its rims, hard by the side of the highway, engulfed in flames—welcome to the Bronx! Similarly, the arrival at the Port Authority Bus Terminal at 41st Street and 8th Avenue brought its own thrills. After all, it was a place described in a 1970 New York Times where “two types of people could be found inside, some are waiting for buses. Others are waiting for death.” Though they left out the pimps waiting for those starry-eyed ingénues from Middle America, those corn-fed easy marks, sad scripts in waiting.

 (16) EUROPE REBUILT. Cora Buhlert’s latest article Galactic Journey is about postwar architecture: “[March 21, 1964] Building the City of the Future upon Ruins: A Look at Postwar Architecture in Germany, Europe and the World”.

…One of my favourite new buildings in my hometown Bremen is the Stadthalle, a multi-purpose arena for exhibitions, sports events and concerts. Designed by Roland Rainer and completed only this year, the Stadthalle is notable by the six concrete struts which jut out of the front of the building and hold both the stands as well as the roof in a design reminiscent of tents and sailing ships.

For the Kongresshalle conference centre in Berlin, built for the Interbau exhibition of 1957, American architect Hugh Stubbins designed a spectacular hyperbolic paraboloid saddle roof, inspired by the Dorton Arena in Raleigh, North Carolina. The people of Berlin quickly nicknamed the organic structure the “pregnant oyster”.

(17) VIDEO OF THE DAY. In “How to Write Descriptively” on YouTube, Nalo Hopkinson, in a TedEd talk from 2015, uses the work of Kelly Link, Cornelia Funke, and Tobias Buckell to provide samples of how to write imaginatively.

[Thanks to Cora Buhlert, JJ, Frank Catalano, John King Tarpinian, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Liu Cixin Didn’t Quit His Day Job – and That’s the Problem

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Liu Cixin never let his day job keep him from getting his writing done. Did anyone know that when Jason Heller tweeted this message last week and got a lot of sff writers in an uproar?

https://twitter.com/jason_m_heller/status/1092832459719200769

Of course, Heller and everyone else is assuming that someone with a day job will actually be working at it. Not in this case.

Bloomberg’s report “Chinese Sci-Fi Writer Sparks Debate on Slack in State Economy” carries news of a revealing 2015 interview with Liu Cixin that’s made a recent splash in Chinese social media:

China’s most prestigious science fiction novelist revealed that a lot of his work was written during work hours at a state-owned power plant, sparking debate about the level of slack in the nation’s vast state sector.

The comments from Liu Cixin, seen as China’s equivalent to Arthur C. Clarke, come from a 2015 interview that began circulating widely on social media recently after the film Wandering Earth, which is based on one of his novellas, took in 2 billion yuan ($300 million) in just a week.

“Everyone was sitting in front of a computer, and nobody knew what anyone else was doing,” Liu said in the interview. “You have to be in the office. But when you’re there, you are free to write.”

Liu worked as a software engineer at a power plant in Shanxi province from the 1980s and identified himself a worker there in interviews until as late as 2014.

However, this week Liu tried to walk back what he said in the interview (Sixth Tone, “Chinese Sci-fi Author Sparks Work Ethics Debate”).

But on Tuesday, the writer told the state-run Global Times that there’s “no time to write while on duty,” while also admitting that on rare occasions he would write on his office computer. “As an engineer at a grassroots power station, there’s constant work. Where is the time to write?” he said.

And officials also jumped in to do damage control, crediting themselves for making changes that are already taking effect:

On Monday, China’s State-owned Assets Supervision and Administration Commission also stepped in to address Liu’s comments on company culture at state-owned enterprises. Liu worked at the power station in Shanxi until 2014, two years after the company’s reforms.

“Mr. Liu, this phenomenon you mentioned — more workers than available work — is exactly why we are deepening reforms,” the State-owned Assets Supervision and Administration Commission said via Weibo. “The reforms are good, so the enterprises can focus on their business, and you can focus on writing novels.”

Fans long ago discovered that one worker sitting in front of a computer typing looks like any other, as long as you’re not reading over his shoulder. But they also discovered a second truth which seems to have escaped the Hugo-winning author — that if you brag about what you’re really doing, then you get in big trouble.

[Thanks to JJ for the story.]

Q&A With Jason Heller About Strange Stars

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ROB THORNTON: Would you like to introduce yourself to our audience?

JASON HELLER: I’m a writer, editor, and musician from Denver. I do lots of writing about music and books, including reviews and essay for The New Yorker, The Atlantic, Rolling Stone, Pitchfork, and NPR. I’m also the former nonfiction editor for Clarkesworld, and I won a Hugo as part of that editing team in 2013.

Since then, I’ve edited a couple of fiction anthologies, most recently Mechanical Animals with Selena Chambers. I’ve been playing in bands for many years, and my current band is called Weathered Statues. We just toured Europe last fall, and it was pretty amazing to get up from behind the writing desk and hit the road with my guitar!

ROB THORNTON: What inspired you to write a book about the relationship between SF/F and popular music?

JASON HELLER: My first concert was seeing David Bowie in 1987, and at that point, I was already a huge fan of science fiction. I devoured books and music as a kid, and the deeper I got into Bowie, the more I began to pick up on these hints and fragments of futurism and science fiction in the music I heard on the radio, including bands like Rush, Devo, and Parliament.

Years later, after becoming a professional music journalist, I began writing lots of essays about the crossover between my two biggest loves, and in 2015 I started shopping around a book proposal for a history of this crossover. When Bowie died in 2016, I was already in the midst of writing Strange Stars. He was always going to be the central figure in the book, so that heartbreaking loss lit an extra fire under me.

Basically, I’ve always thought that music has never been given due credit for being one of the most fertile and inventive vessels for science fiction concepts and storytelling. In a nutshell, I wanted to set the record straight and show how so many works of popular music should be considered part of the science fiction canon.

Jason Heller

ROB THORNTON: What kind of audience do you envision for the book?

JASON HELLER: I hope that anyone remotely interested in the realms of science fiction or popular music would find something to float their boat in Strange Stars. I tried to walk the pathway between the two as sensitively as I could; I didn’t want to assume that all science fiction lovers are huge music nerds or vice versa (although, of course, many are, myself included).

Of course, I hoped my fellow Bowie fans would be particularly intrigued, but the book is not about Bowie only. Everything from obscure disco to underground punk is covered in Strange Stars, along with the huge artists you might automatically expect, such as Pink Floyd and Rush. I made every attempt to tease out to the bigger picture, the overall narrative arc, that connects everything from Heinlein to Kraftwerk to Star Wars, so there’s a story to be absorbed, not just a guide to great music for people to discover.

ROB THORNTON: How did you decide to use David Bowie’s career as a recurring theme in Strange Stars?

JASON HELLER: If all the musicians who were influenced by science fiction in the ’70s, David Bowie was the most visible, not to mention the most visibly science-fictional. But more than that, his very influential contributions to science-fiction music bookended that decade perfectly; he released his first science-fiction hit single, “Space Oddity,” in 1969, and he released “Ashes to Ashes,” the sequel to “Space Oddity,” in 1980. The ’70s fit perfectly between those songs, and as it turns out, Bowie’s on-off fascination and engagement with science fiction that decade perfectly paralleled so many larger events and trends that were happening in both science and science fiction, as well as in popular music. To use him as the barometer of science fiction rock in the ’70s just felt like the most natural thing I could do. Almost all roads in science fiction music lead either to or from Bowie in the ’70s.

ROB THORNTON: What was it like to work with editors on a book about the intersection of two minutiae-oriented pop cultures?

JASON HELLER: I loved working with my editor at Melville House, Ryan Harrington, who is not only brilliant but also very good at pointing out how my crazy, sprawling idea for a book could be focused into something tighter and more accessible. He helped me immensely when it came to making Strange Stars a book that both music fans and science fiction fans could relate to.

ROB THORNTON: Who was your favorite interview for Strange Stars and why?

JASON HELLER: I actually didn’t interview anyone for Strange Stars! It was all meticulous and exhausting research, including lots of quotes from past interviews with the musicians I covered in the book. Since Bowie died while I was in the process of writing Strange Stars, the possibility of interviewing him was sadly off the table. I figured if I couldn’t interview the main person in this book, it would feel imbalanced if I interviewed many of the lesser figures in my narrative, as important as they each are in their own right.

And it turned out there was simply no shortage of research material out there! As it is, I had to leave out tons of great quotes and anecdotes that weren’t entirely necessary to the story I was telling. If I’d had another few tens of thousands of words of original interview material to incorporate into Strange Stars, it would have vastly exceeded the wordcount my publisher gave me to work with! But I think everything worked out for the best.

ROB THORNTON: What was the most rewarding audio discovery you made while you were writing the book?

JASON HELLER: I made so, so many discoveries while working on Strange Stars. I went into this project thinking I had a pretty deep knowledge of science-fiction-influenced music, but as it turned out, I knew maybe half the story. Of all the musical rabbitholes I went down while researching for the book, the one that delighted me the most was science fiction funk. I’d always known that funk (and disco) were important parts of my story, and I collect funk and disco records from the ’70s, but none of that prepared me for the wealth of groups and artists of the era who contributed to the canon of science-fiction funk, besides the big names we all probably know like Parliament-Funkadelic.

If I had to pick a favorite discovery, it would be the 1979 song “Dark Vader” by Instant Funk. In it, the story of Darth Vader is retold from a sympathetic perspective — remember, this was before the revelations about his character seen a year later in The Empire Strikes Back! — that folds Star Wars fanfic and blaxploitation swagger into Afrofuturism. As I point out in Strange Stars, the song does for Darth Vader what Wicked did for The Wicked Witch of the West decades later.

ROB THORNTON: What surprised you the most during the research for Strange Stars? I was amazed to learn that Ian Curtis wanted to work with Michael Moorcock!

JASON HELLER: That was definitely one of the biggest surprises to me too! It’s hard to imagine what a collaboration between Joy Division and Michael Moorcock would have sounded like, but it’s amazing just to know they actually conversed about the prospect prior to Curtis’ death in 1980. Joy Division are so deeply associated with the bleak futurism (no-futurism?) of the post-punk movement, and Moorcock resides at the other end of the ’70s science-fiction-music spectrum thanks to his close ties to Hawkwind.

The kinship between Curtis and Moorcock is one of those startling little anecdotes I dug up that really tied so much of Strange Stars together for me. Likewise, so did the discovery that Paul McCartney asked Gene Roddenberry to help him write a science fiction musical for Wings in 1975! It never came about, of course, but wow, if only.

ROB THORNTON: How would you describe the relationship between popular music and SF/F?

JASON HELLER: It’s an interesting relationship. Neither popular music nor science fiction/fantasy acknowledge each other that openly. Crossovers pop up all the time — and as I detail in Strange Stars, they were especially rife in the ’70s — but there’s almost an introvert/extrovert dichotomy the two. That’s a massive oversimplification, but I think it does get to the heart of it, in a way.

Music is an openly joyous and collective thing; SF/F, and literature in general, is more intimately and personally experienced. But when the two feed off each other, the results can bring out the best in both. I’ve always wished the SF/F world in particular would pay more attention to the many musicians who struggle to find an audience with their science-fiction music, but I’m just happy people still make such music and pay attention to its rich history at all. Which is why writing Strange Stars was such an honor for me.

Pixel Scroll 2/5/19 Recycling Day: Leave Your Blue Bins On The Shoulders Of Orion Tomorrow

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(1) FANTASY LIST. ReedsyDiscovery offers its list of “The 100 Best Fantasy Series Ever”. It’s in alphabetical order by title – I was briefly worried, because if somebody wanted to put A Song of Ice and Fire in first place for some reason that could make sense, but it took me a moment to understand why Lord of the Rings was down around number 60.

I’ve read a dozen of these – you’re bound to do better!

(2) NEW BOOKS OUT. Vulture features “A Conversation With Marlon James and Victor LaValle”.

The other day, Victor LaValle, a Queens-born author who employs the form of the fairy tale as a barbed hook to lure readers into serious treatments of race, parenting, and the internet, ordered dim sum with Marlon James, a Jamaican author of sweeping social epics that delight in challenging all the conventions of narrative. Both have book projects out this week. Black Leopard, Red Wolf is James’s highly anticipated follow-up to the Man Booker Prize–winning A Brief History of Seven Killings. LaValle has co-edited a new speculative anthology, A People’s Future of the United States, prompting 25 of today’s biggest SFF writers to contemplate the future — and dark present — of the country….

MJ: I gotta say, that’s maybe the first time anybody’s ever mentioned that I write about sex. I actually kinda screamed.

VL: Did you feel all right with me talking about that aspect of it?

MJ: Absolutely! I don’t mind people writing about the violence, but it tends to be all they write about.

VL: For a black writer writing about gangsters, violence is almost the go-to. But sex is absolutely a part of your work in such a big and vital way, as another form of — not just violence but as communion, communication. I was talking about this with my wife, and she pointed out that none of the reviews of your last book mentioned sex at all. So as I was reading this one, I was like, It’s here, too. I just need to say, people should talk about sex.

MJ: Literary realism has this sort of indie-film attitude toward sex. Violence is violent, but sex isn’t sexy. It’s compulsive; nobody’s happy; they enjoy the cigarette way more than the sex. Sometimes I read these novels, none of which I’ll name, and I go, It’s not that hard to enjoy sex, people.

(3) KLAGES INTERVIEW. Juliette Wade and her team take another Dive Into Worldbuilding with “Ellen Klages and Passing Strange”. See the interview in video (below) or read the synopsis at the link.

I asked Ellen what had been the initial seed of this novella. As it turns out, the novella has a very long history! Ellen told us that she started writing a novel or a short story or something in 1977 when she was 22 or 23, and had just moved to San Francisco, and just figured out that she was queer. She ended up wandering around a lot, learning about Mona’s and many of the other locations that appear in the novella. She did a lot of research and did what she described as cosplaying Haskel and Netterfield with her love of the time. She told us she thought it would be a novel. She had four scenes typed, and would read the scenes every few years and say to herself, “Damn, I should do something with that.”

Then, years later, Jonathan Strand asked her for a novella for Tor.com. By that point, Ellen says, she had four or five folders full of notes and photographs put together from all her years of research. At that point she did 3 1/2 more months of research before writing. She read about a dozen books on Chinatown. She said she started there because it was “the thing I knew I had to get right.” She filled eighty pages with notes, most of which didn’t get used. One page, which she showed us on video, was filled with Haskel’s signature. She explored the gay and lesbian historical archives about Mona’s.

Three of the characters in the story, Babs, Polly, and Franny, have appeared in other works of Ellen’s fiction. In “Out of Left Field,” Babs and Franny appear as relatives of the main characters. Polly appears in “Hey, Presto!” and Franny in “Caligo Lane.”

(4) EARLY MERLIN. Text of a source probably used by Malory when writing his Arthurian legends has been found: “Centuries lost ‘Bristol Merlin’ uncovered at city’s Central Library”

A chance discovery, hidden away in a series of 16th-century books deep in the archive of Bristol Central Library, has revealed original manuscript fragments from the Middle Ages which tell part of the story of Merlin the magician, one of the most famous characters from Arthurian legend.  

Academics from the Universities of Bristol and Durham are now analysing the seven parchment fragments which are thought to come from the Old French sequence of texts known as the Vulgate Cycle or Lancelot-Grail Cycle, dating back to the 13th century.

Parts of the Vulgate Cycle were probably used by Sir Thomas Malory (1415-1471) as a source for his Le Morte D’Arthur (published in 1485 by William Caxton) which is itself the main source text for many modern retellings of the Arthurian legend in English, but no one version known so far has proven to be exactly alike with what he appears to have used.

(5) ONE FOR THE FILES. Colette H. Fozard, Co-Chair of the DC in 2021 Worldcon bid, writes:

I wanted to let you know that we made our bid filing with Dublin 2019 Site Selection and it has been accepted as complete by the Site Selection Administrator.

(6) ANNIE BELLET 10 YEARS IN SFF. Celebratory thread starts here.

https://twitter.com/anniebellet/status/1092839390169260032

(7) EMSHWILLER OBIT. Author Carol Emshwiller (1921-2019), winner of World Fantasy Con’s Lifetime Achievement Award (2005) has died. The SFWA Blog has an obituary:

Author Carol Emshwiller (b.Carol Fries, April 12, 1921) died on February 2nd, 2019.   Ms. Emshwiller began publishing science fiction in 1954, with the story “Built for Pleasure.”  Emshwiller built a reputation as a short fiction author and Ursula Le Guin said that she had “one of the strongest, most complex, most consistently feminist voices in fiction.”

…SFWA President Cat Rambo remembers,

Carol Emshwiller was one of the greats of short story writing, right up there with Grace Paley, James Tiptree Jr., Ursula K. Le Guin, and R.A. Lafferty, and she pushed its edges in order to do amazing, delightful, and illuminating things–just as she did with her longer work. As a short story lover, I am gutted by this loss to the writing community and plan to spend part of today re-reading Report to the Men’s Club and Other Stories, with its beautifully incisive and unflinching stories.

This photo from Melissa C. Beckman shows the author in front of a portrait of her painted by her late husband Ed Emshwiller.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1904 – William S. Burroughs. I’m going to confess that I’ve read nothing by him so everything I know about I’ve absorbed by reading about him and seeing his fiction turned into films. So though ISFDB lists a number of his works as SF, I’ve not a clue what they’re like. So educate me please. (Died 1997.)
  • Born February 5, 1922 – Peter Leslie. Writer in a number of media franchises including The Avengers, The New Avengers (and yes they are different franchises), The Man from U.N.C.L.E., The Girl from U.N.C.L.E. and The Invaders. ISFDB also lists has writing in the Father Hayes series but I don’t recognize that series. (Died 2007.)
  • Born February 5, 1934 – Malcolm Willits, 95. Author of The Wonderful Edison Time Machine: A Celebration of Life and Shakespeare’s Cat: A Play in Three Acts which he filmed as Shakespeare’s Cat. He also co-edited Destiny, an early Fifties fanzine with Jim Bradley.
  • Born February 5, 1940 – H.R. Giger. Conceptual designer in whole or part for Aliens, Alien³, Species and Alien: Resurrection to name a few films he’s been involved in. Did you know there are two Giger Bars designed by him, both in Switzerland? And yes they’re really weird. (Died 2014.)
  • Born February 5, 1964 – Laura Linney, 55. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.

(9) LEAPING V. LOOKING BEFORE. Jason Heller tells other dreamers not to wait. His thread starts here.

https://twitter.com/jason_m_heller/status/1092832459719200769
https://twitter.com/jason_m_heller/status/1092840756589383682

A bunch of sff authors begged to differ.

https://twitter.com/ChuckWendig/status/1092884323777372161

(10) ON THE RADIO. Genre was shut out at the BBC Audio Drama Awards 2019 but there’s the link in case you want to see the results. However, the winner in the Best Actress category is known to fans from her work on Torchwood.

BEST ACTRESS

WINNER: Eve Myles, 19 Weeks, director Helen Perry, BBC Cymru Wales, BBC Radio 4

(11) KLINGON CUTLERY. Police in Northwest England raided the home of a teenager and seized a cache of weapons including one that was … more esoteric. The BBC reports “A replica of a weapon wielded by a race of alien warriors in the sci-fi TV show Star Trek has been seized by police from a 17-year-old boy’s bedroom.” They did not, however find a ChonnaQ or D’k tahg. “Star Trek Klingon blade seized from Widnes teen’s bedroom”

The Widnes Police also posted about the raid on their Facebook page — some of the comments are quite amusing:

Nina : This is what happens when you remove Kahless from schools and everything else! Thoughts and prayers.

Michael Z. Williamson: Remember when young British males were REQUIRED to have a longbow? Pepperidge Farm remembers.

(12) OH, THE HUMANITIES. “Ursula K. Le Guin Was a Creator of Worlds” by Julie Philips is the cover story on the new issue of Humanities, published by the National Endowment for the Humanities.

When she found her way into science fiction and fantasy, those genres turned out to be well suited to her imagination, her curiosity, and her subversive suspicion that man was not the measure of all things. From the very beginning, in interviews and essays, Le Guin championed science fiction’s literary value. She did it most memorably in a 2014 speech when she accepted the National Book Foundation’s Medal for Distinguished Contribution to American Letters (or what writer China Miéville in the documentary calls “the welcome-to-the-canon award”). In that speech, she described herself and her colleagues as “realists of a larger reality.”

(13) I FEEL PRETTY. Call it a more modern take on the Island of Misfit Toys (SYFY Wire: “Second trailer for musical UglyDolls movie feels like a mix of Trolls, Toy Story, and Inside Out”).

STX Entertainment has unveiled the second trailer for its animated UglyDolls movie via The Ellen Show, and the message of what looks to be a Trolls redo is actually very resonant for us all: Don’t shy away from what makes you different; embrace it.

The new trailer also explains where the singing UglyDolls come from — they’re factory rejects compared to the “normal” dolls of our world, and are left discarded in a town all their own. They’re all pretty much happy until a renegade by the name of Moxy (voiced by Kelly Clarkson) wants to explore the wider world and find the kid who will love her. Along with her friends, Moxy will travel to the Institute of Perfection, which pairs dolls with humans.

[Thanks to JJ, Chip Hitchcock, Juliette Wade, Cat Eldridge, Olav Rokne, John King Tarpinian, Alan Baumler, rcade, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day microtherion.]

Pixel Scroll 1/9/17 Old King Cole Had A Merry Old Scroll

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spectrum-24-call-for-entries

(1) SPECTRUM 24 CALL FOR ENTRIES. John Fleskes, Spectrum Director, has issued an invitation for professional and student artists, art directors, publishers and artists’ representatives to submit entries to the 24th Annual Spectrum International Competition for Fantastic Art.

All artworks in all media embracing the themes of science fiction, fantasy, horror and the surreal are eligible for this show. Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters. Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts.

Entries will be accepted until January 25. Click here to submit.

The Spectrum 24 jury is a five member panel of exceptional artists working in the industry today, Christian Alzmann, Laurie Lee Brom, Mark Newman, John Picacio and Victo Ngai.

“Spectrum represents such a rich visual history and standard of excellence for what we collectively dream in the fantastic art field,” states John Picacio. “I’ve always been grateful any time my work was selected for inclusion in the annual, and it’s a profound honor and responsibility to give back to the book this year as a juror.”

(2) GOLDEN GLOBES. Although there were a lot of Golden Globe nominees of genre interest in the December announcement, all lost except one:

Best Motion Picture – Animated

  • Zootopia

(3) ERIC FLINT HEALTH. Flint did not get the best possible news from his medical tests:

I’ll have more to report by the end of the month, when all the tests and biopsy results finally come in. But here’s what definite:

I do have a form of Non-Hodgkin’s Lymphoma, although they still don’t know exactly what type. (That’s what’s taking so long for the biopsy to be finished.) Once they know what kind it is, they’ll start me on a chemotherapy program.

Sadly, my hopes in the hospital that since the surgery had gone so well maybe the cancer was completely gone turned out to be childish delusions. (Which I suspected myself, but…) Lymphoma is what they call a systemic cancer, which means that surgery by itself can’t do anything but arrest the malignancy for a while and provide the material needed for a thorough biopsy. But to really fight lymphoma, you need chemotherapy.

The good news is that lymphoma generally responds well to chemo, and it’s not uncommon for people to be cured of the disease altogether. We’ll see what happens in my case, but even in the worst case scenario it looks as if I’ll have quite a few years to fend the cancer off.

However, he says frankly that after chemo he may live for years to come —

if you look at it the right way. I’ll be 70 in a month. I don’t have to fight off lymphona indefinitely. I just have to fight it off long enough for something else to bump me off.

(4) EYES WIDE WHAT? Myke Cole’s next tweet will explain how his stories are like radio except with no sound.

(5) HOMAGE. The late Gordon Archer did a lot of commercial art for Weetabix cereal involving Doctor Who, Star Trek, Asterix and other pop culture subjects which his son now has on display on a website. [Corrected, because Archer is still with us, as his son states in a comment below.]

weetabix-dr-who

(6) HITLER UNBEARABLE. “A A Milne letter features in Imperial War Museum’s anti-war show”, from The Guardian.

Winnie the Pooh creator’s letter reflects moral dilemma of pacifists faced with rise of Hitler in interwar period

…The Milne letter has been retrieved from its vast collection of documents and reflects the conflict felt by many pacifists who had experienced the horrors of the first world war and earnestly hoped “never again”.

“It encapsulates the moral dilemma that a lot of pacifists had in the interwar period,” said curator Matt Brosnan. “Milne opposed war but increasingly saw Hitler and the Nazis as an evil that had to be met by force.”

In his letter, Milne declared himself a “practical pacifist”, writing: “I believe that war is a lesser evil than Hitlerism, I believe that Hitlerism must be killed before war can be killed.”

(7) KOWAL INTERVIEW IN LOCUS. An excerpt of Locus’ interview with Mary Robinette Kowal has been posted at Locus Online.

The moment I knew I was setting something during the First World War, I knew that darkness was going to be part of it, and that I would have to work really hard to keep the darkness from completely overwhelming Ghost Talkers. When you do any reading at all about the First World War, it becomes very clear why it made such a huge, permanent mark on Europe – and the US less so, because we were not directly touched by it. It wasn’t even the death tolls, because in England a lot of men actually came home, but everyone came home wounded in some way, either physically or emotionally. I read interview after interview of survivors saying, ‘I went over the top of the trench, and everyone in my platoon died. I don’t know why I lived.’ I knew going in that dealing with someone who deals with ghosts as her job, during WWI, would mean a darker book than people are used to from me. On the other hand, the last book in the Glamourist series, I jokingly refer to as ‘Regency Grimdark.’

(8) DIVERSITY DOESN’T JUST HAPPEN. Nalo Hopkinson’s advice “To Anthology Editors”.

But here’s where those voices have a point: if you wait till after you’ve put out your call for submissions to run around trying to fill in diversity slots for your anthology — you know, the “one of each so long as there aren’t too many of them” approach — you will more likely than not end up with a dog’s breakfast of a volume in which it’s clear that you selected writers for their optics, not their writing. That’s tokenism, not sound editorial practice. The time to be trying to make your anthology a diverse one is before submissions come in, not during or after.

On the other hand, if you just put your call for fiction out there and cross your fingers, you’ll end up with mostly the usual suspects. It’s not enough to simply open the door. Why? Because after centuries of exclusion and telling us we’re not good enough, an unlocked door is doing jack shit to let us know that anything’s changed. Most of us will continue to duck around it and keep moving, thank you very much. We’ll go where we know there are more people like us, or where there are editors who get what we’re doing.

So make up your mind that you’re going to have to do a bit of work, some outreach. It’s fun work, and the results are rewarding….

(9) RARA AVIS. Definitely not on my bucket list.

https://twitter.com/jason_m_heller/status/817406208151842816

(10) CHRISTENSEN OBIT. Artist Jim Christensen died January 8 of cancer. He was 74.

Christensen saw himself not as the “fantasy artist” label given him, but rather as an artist who paints the fantastic.

“I paint things that are not real,” he told the Deseret News in 2008. “But fantasy often ventures into the dark and scary stuff. I made a decision long ago that I would not go to dark places. There’s a lot of negativity in the world. I try not to be part of it.”

His honors and awards include being named a Utah Art Treasure as well as one of Utah’s Top 100 Artists by the Springville Museum of Art and receiving the Governor’s Award for Art from the Utah Arts Council. He had won all the professional art honors given by the World Science Fiction Convention as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy.

Christensen had served as president of the National Academy of Fantastic Art, and he co-chaired the Mormon Arts Foundation with his wife, Carole.

christensen-art

Dave Doering paid tribute: “I loved this man. For various years he was our Artist GoH at LTUE but also quite well known in all fantasy art circles.”

(11) TODAY IN HISTORY

  • January 9, 1493 — On this date, Italian explorer Christopher Columbus, sailing near the Dominican Republic, sees three “mermaids”–in reality manatees–and describes them as “not half as beautiful as they are painted.”

(12) WORLDBUILDERS. At Tor.com, David Weber discusses five authors who he says are “great world-builders.” All five of the authors are women: Anne McCaffrey, Katherine Kurtz, Mercedes Lackey, Barbara Hambly, and Patricia McKillip:

“[McKillip] is, without a doubt, one of my two or three all-time favorite authors. When I first read The Riddle-Master of Hed in 1978, I immediately went out and found Heir of Sea and Fire and then waited impatiently for Harpist in the Wind. In many ways, the Riddle-Master’s world is less fully articulated than Pern or Gwynedd, but I think that’s because so much of the detail is cooking quietly away in the background behind the land rulers. There’s a sense of an entire consistent, coherent foundation and history/backstory behind all of it, but the struggles of Morgon, Raerdale, and Deth take front stage with an intensity that reaches out and grabs the reader by the shirt collar and shakes him or her to the bone. Patricia’s prose is absolutely gorgeous and evocative and her stories fully satisfy the deep love for the language my parents taught me as a very young reader. I literally don’t think it’s possible to over-recommend this series … and the rest of her stuff is pretty darn good, too.”

(13) ST. ELSEWHERE. But did it work? “This Brazilian Grandma Has Been Accidentally Praying to a ‘Lord of the Rings’ Statuette”  —

Saint Anthony of Padua’s the patron saint of Brazil, Portugal, pregnant women, and the elderly. He wears brown robes, and he usually holds baby Jesus and lilies. And – as one Brazilian woman discovered – a miniature figure of Santo Antônio also vaguely looks like Elrond, the elf lord of Rivendell from Lord of the Rings. Brazilian makeup artist Gabriela Brandao made the hilarious discovery last week and posted about it on Facebook for all to see. Brandao explained that her daughter’s great-grandmother prayed to the Elrond figurine daily, erroneously believing it was Santo Antônio.

(14) IMAGINARY HUGO RECOMMENDATIONS. There is no such work, except in your mind:

https://twitter.com/robdamnit/status/818641080958799872

Well, and Chuck’s mind.

(15) BRIANNA WU’S CAMPAIGN. She’s already gaining media attention in Boston.

Brianna Wu was at the center of “Gamer-Gate” and received some horrific threats over social media. But instead of keeping a low profile, she tells Jim why she’s now planning on running for Congress.

 

[Thanks to John King Tarpinian, Steven H Silver, Andrew Porter, Rob Thornton, Arnie Fenner, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 1/14/16 I’m Not A Pixel, I’m A Free Scroll

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(1) SPEAKING OF FREE SCROLLS. R. Graeme Cameron will start a “SciFi Fiction Magazine” for Canadian writers if his GoFundMe appeal generates $1,500. Issues will be a free read.

When I was a teenager I decided I wanted to be a Science Fiction Writer. Fifty years later I’m a curmudgeonly pensioner who never sold a darn thing, not one novel, not one story. Del Rey books rejected one of my novels with the comment “We don’t like your main character and we don’t think anyone else will either.”

As a life-long beginning writer I know your pain. Always dreaming of that first sale. That’s why I’m starting up POLAR BOREAL, a Canadian SF&F fiction magazine actively encouraging beginning Canadian writers to submit short stories (3,000 words or less) and/or poems. The magazine will be free to anyone who wants to download it, yet all contributors will be paid on acceptance (if I can get the money) at one cent a word for short stories and $10 per poem.

(2) THE CLASSICS. Alexander Dane makes it sound like every day is Black Friday…

(3) NOT EGGSACTLY SURE. TV Guide promises “The 15 Coolest Easter Eggs from Star Wars: The Force Awakens”. SPOILER WARNING, naturally, but my question is – how many of these are really Easter Eggs as opposed to simple casting reveals? Do I not understand what an Easter Egg is? Straighten me out here….

(4) WILD GUESS. Umm, maybe look at the MidAmeriCon II committee list and use the contact information?

(5) HOW AUTHORS DON’T GET PAID. Philip Pullman has resigned as Patron of the Oxford Literary Festival the organization has announced. The reason is very simple.

Our President, Philip Pullman, has resigned as a Patron of Oxford Literary Festival because they do not pay authors.

He explained his decision:

My position as President of the Society of Authors, which has been campaigning for fair payment for speakers at literary festivals, sat rather awkwardly with my position as Patron of the Oxford Literary Festival, because (despite urging from me and others over the years) it does not pay speakers. So I thought it was time I resigned as a Patron of the OLF.

The principle is very simple: a festival pays the people who supply the marquees, it pays the printers who print the brochure, it pays the rent for the lecture-halls and other places, it pays the people who run the administration and the publicity, it pays for the electricity it uses, it pays for the drinks and dinners it lays on: why is it that the authors, the very people at the centre of the whole thing, the only reason customers come along and buy their tickets in the first place, are the only ones who are expected to work for nothing?

(6) I SEE BY YOUR OUTFIT. Y-3 creates spacesuits for Virgin Galactic pilots on world’s first commercial space flights

(7) BUGS, MISTER RICO! The newly-christened “Las Vegas of ants” is visible on Google Earth.

Not far from the Grand Canyon, near a landmark called Vulcan’s Throne, the ground is dotted with strange, barren circles, visible from orbit.

Evidence of an alien encounter? Nope. The likely culprit is actually ants — a lot of them. So many that the scientists who discovered them are referring to the area as “the Las Vegas of ants.”

Physicist Amelia Carolina Sparavigna, a specialist in image processing and satellite imagery analysis at the Polytechnic University of Turin in Italy, noticed the bizarre polka- dot features while studying the dimensions of the Grand Canyon rim in Google Earth.

(8) VOX DAY COLLECTIBLES. Vox Day devoted a post to Camestros Felapton’s “Hugo”/Lego “Sad Larry” trading card.

While they, apparently, are occupied with making Lego figures of us. It seems that is what they do when they are not obsessing over what they think we are thinking. Even in light of how poorly they anticipated me last time, it’s mildly amusing to see that they still don’t understand my perspective at all.

The Dread Ilk commenters, however, were more concerned that Vox get a “Hugo” trading card of his own, so Felapton reassured them in “Vox links to the Larry pic” —

Vox appeared in an earlier post and has a new figure in a couple of days – with a flaming sword no less!

So it looks like we won’t get to riff off Lucy’s “Was Beethoven ever on a bubblegum card?” after all.

(9) GRABTHAR’S HAMMER OF LOVING CORRECTION. Steve Davidson’s self-imposed moratorium on writing about Sad Puppies at Amazing Stories has ended in the only way it could. Here are a few salient paragraphs.

In moving forward, I believe it is important that the message sent last year be reinforced this year. We’ve already seen at least one author declaring that begging for votes is no longer a problem.  If we do not want that mindset to take hold, we will continue to repudiate slate voting this year.

Fans who discover a loophole in the voting rules don’t seek personal advantage – they bring it to the attention of other fans and make proposals at the business meeting and generally use their new found knowledge for the benefit of the whole.  (Or, if unhappy with the process, they go off and do their own thing, which is then rewarded or ignored based on the merit of the accomplishment, not a tally of internet one upsmanship points.)  Hugo voting actions this year should send that message.  Therefore –

I will be nominating and voting for the Hugo Awards this year in the same way I voted last year:  I’ll read and watch and listen to everything I can on the final ballot, will vote my conscience and will make sure that any work that appears on a slate (a voting list with a political agenda behind it) will be below No Award and off the ballot.

(10) RATINGS TIME. Gregory N. Hullender of Rocket Stack Rank says:

We analyzed all the RSR data to come up with a list for Best Editor (short form) Hugo nominations.

We construct several different lists, using different assumptions, and urge fans to use our data to make their own lists, so I don’t think this amounts to a slate.

This should be fun reading for anyone who’s really into short fiction, since I don’t believe anyone has ever done this kind of analysis before.

If anyone feels to the contrary — there are any slate-like tendencies in play here — please share your analysis.

(11) WE ALL DREAM IN GOLD. Since we always try to cover Guillermo del Toro’s doings on File 770 whenever we can, John King Tarpinian was disgustipated (I think that’s the technical term) that I overlooked this golden opportunity in my post about the 2016 Oscar nominations.

Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee will announce the 88th Academy Awards® nominations in all 24 Oscar® categories at a special two-part live news conference on Thursday…

(12) SHRUNKEN HEADS. Cass R. Sunstein at Bloomberg News breaks down “How Facebook Makes Us Dumber”.

Why does misinformation spread so quickly on the social media? Why doesn’t it get corrected? When the truth is so easy to find, why do people accept falsehoods?

A new study focusing on Facebook users provides strong evidence that the explanation is confirmation bias: people’s tendency to seek out information that confirms their beliefs, and to ignore contrary information.

I thought so. Or is it just confirmation bias at work if I agree that Facebook lowers my IQ?

(13) FOREVER DIFFERENT. Tobias Carroll checked with “28 Authors on the Books That Changed Their Lives”. The New York Magazine article has contributions from SF authors Elizabeth Hand, Ken Liu, Cathrynne M. Valente, Kelly Link, Jeff VanderMeer, and Jo Walton, among others.

Maria Dahvana Headley, author of Magonia and The Year of Yes “This question is both easy and difficult! I grew up a very rural and very gluttonous reader, in Idaho, about ten miles outside a town of 500 people. Essentially, I spent my reading childhood playing with other people’s imaginary friends, and I’ve grown into the kind of writer who does the same thing. So, in that regard, everything I’ve ever read has been life-changing. The first massive Rock My World book, though, was Toni Morrison’s Beloved, which I read when I was 17. Not only was I clueless about race in America at that point, coming from where I came from, I was also clueless about living female genius writers. I didn’t know there were any. Up to that point, I’d read almost entirely white men. KA-BAM. I got blasted out of the universe of dead white boys, and into something much more magnificent. Morrison’s way of flawlessly entwining her haunting with her history left me dazzled, sobbing, and bewildered. Morrison is obviously a genre-leaping master of style, and reading her not only made me aware of what was possible as a writer, it led me to all of the poets, songwriters, playwrights, and librettists who continue to influence my work today.”

(14) BOWIE AND SF. Jason Heller’s Pitchfork article “Anthems for the Moon: David Bowie’s Sci-Fi Explorations” is one more list of SF parallels and influences on Bowie’s work. Moorcock, Heinlein, Bradbury, Dick, Burgess, and others are mentioned.

In its celebration of androgyny, glam also lined up with Ursula K. Le Guin’s visionary 1969 novel The Left Hand of Darkness, which takes place on an alien planet where transitions between genders are as routine as any other biological process—a concept that certainly resonates with Bowie’s aesthetic. “Androgynous sexuality and extraterrestrial origin seemed to have provided two different points of identification for Bowie fans,” notes Philip Auslander in Performing Glam Rock: Gender and Theatricality in Popular Music. “Whereas some were taken with his womanliness, others were struck by his spaciness.”

(15) MARS MUSIC I. Matthew Johnson adds another number to that award-winning musical, The Martian.

(With apologies to David Bowie)

Hello, I feel I have to remind
You that you kind of left me behind
Is there life on Mars?

 

Four years alone could be a slog
I guess I ought to keep a log
Is there life on Mars?

 

On Mars a man dies by his wits
He even has to science his shit
Is there life on Mars?

 

The greatest scientist on the planet
I can plant it and grow it and can it
Is there life on Mars?

 

Disco hell is kind of groovy
Matt Damon plays me in the movie
Is there life on Mars?

 

Four years is a long time to be alone
There might be a new Game of Thrones when I’m done
Is there life on Mars?

(16) MARS MUSIC II. And Seth Gordon likewise swings and sways to a melody in his head…

As I walk through the valley with the sand so red
I take a look at my suit and realize that I’m not dead
’Cause I’ve been science-ing this shit for so long that
Even Houston thinks that my ass is gone…

[Thanks to Bret Grandrath, Rob Thornton, John King Tarpinian, Will R., and Nick Mamatas for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]