Tag Archives: moon

Pixel Scroll 4/14/25 Peter And The Dire Wolf

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(1) SARA FELIX UPDATE. Sara Felix, whose husband was badly injured when their new house blew up yesterday, has given Facebook friends a news update.

The girls have such a nurturing bunch of moms that have watched them while I am at the hospital.

The community was damaged by this not just us. It is scary how big of an accident it was.

We hadn’t moved in so the girls are at the current house. Cheeto and everyone is fine.

Keith is stable and is through surgery. He has burns on a large percentage of his body, but he is recovering.

(2) AUREALIS AWARDS. The 2024 Aurealis Awards shortlists were announced today. Complete information at the link.

(3) FAAN AWARDS. The winners of the FAAn Awards for fanzine achievement were revealed yesterday in the UK. The full list is here: “2025 FAAn Awards”.

(4) STURGEON SYMPOSIUM DATES AND CALL FOR PAPERS. The J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction at the University of Kansas has set the dates for the 2025 Sturgeon Symposium.

The J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction is pleased to announce our 4th Annual Sturgeon Symposium, to be held October 9-10, 2025. In addition to presenting the annual Theodore Sturgeon Memorial Award for best science fiction short story, which will include a reading from the winner, we are delighted to announce that Darcie Little Badger has accepted our invitation to speak at the symposium. 

We have opened our call for papers where we invite papers, panel proposals, and roundtable discussions that engage with this year’s theme: “Expanding Speculative Horizons.” Inspired by Darcie Little Badger’s diverse contributions to SF (novels, short stories, comics, etc.), we encourage a wide range of submissions, especially those that reflect upon expansive understandings of speculative expression.

We encourage you to submit and share our CFP widely. Below you will find the link to our CFP with more details on the event and guidelines for proposals. Deadlines for submissions is May 19.

(5) DOCTOR WHO HISTORY. [Item by Nickpheas.] Front Row on BBC Radio 4 has quite a long feature on the new series of Doctor Who which spread to cover the history of the show, and even a brief interview with Waris Hussein, the original director (who I didn’t realize was still alive). “…Doctor Who new series & impact on culture…”. Doctor Who feature starts 11:20 in.

(6) RUSSELL T DAVIES Q&A. Parade tries to find out what’s coming in this season and the next: “’Doctor Who’ Boss Russell T Davies Breaks Down That ‘Earth-Shattering’ Premiere Twist”.

This year marks the twentieth anniversary of the modern incarnation of Doctor Who, which you helped bring on screen. What have you learned most over the course of working on so many episodes and with so many Doctors?
I mean, it’s astonishing. I just look exactly the same. So clearly, I’m made of Adamantium. It’s funny because actually, a couple of years ago, the BBC said, “You want to celebrate the 20th anniversary.” And I said, “We’ve just had a 60th anniversary!” And on Disney+, it’s only two years old, so no, so we chose not to. Now we get to the 20th, and everyone’s talking about the 20th. And I feel a bit stupid. We didn’t really do anything to celebrate it. Someone at the BBC is making a documentary, so that’ll be out in a couple of months.

I think about Doctor Who, you learn something new with every single episode. It was different. Now this year, coming out in Episode 2, this year, we go to Miami in 1952, where there’s a living cartoon. The cartoon has stepped out of the cinema screen, voiced by Alan Cumming. So, for that, we all had to learn hand-drawn animation. I’ve worked in television for a million years. And I’ve done graphics, I’ve done CGI. I’ve never actually done hand-drawn animation before, which was amazing.

What I did learn is it’s 15 times more meetings than anything else I’ve ever done. [Laughs.] But it’s wonderful. I feel like I’ve learned a lot, and I appreciate the skill of the animator more than ever. And Doctor Who has always done that. Always every week, it’s different. I mean, last year, we sort of said to ourselves, “Can we do an episode where the enemy is just an old woman who stands 73 yards away?” And we did, and it worked. So you have to take these very deep breaths and sort of say, “Is this going to work?” And have faith in it. So it teaches you something different every single time. And 20 years whizzes past in a flash….

… As we’re just starting out Season 2 on Disney+, are you already in the planning stages for Season 3?
We’ll always look ahead to the future if we get the chance to keep running. I’ve got ideas. “I think I’ll do that near [Season] 4 or 5.” And that’s always the way I’ve worked on things. So yes, I could promise you amazing stuff at the end of Season 4. There are things we’ve already mentioned that are going to bear fruit a long time into the future. So that’s just the fun of it. That’s the fun of Doctor Who. But, to say again, it’s the pit stops along the way….

(7) NAME THAT ORBIT. Mental Floss challenges readers: “Can You Match the Moon to the Planet It Belongs To?” Take the quiz at the link. Uh, after Earth and the Moon, my hit rate rapidly declined. I got 41%. You can do better!

(8) SF WAS SUPPOSED TO BE A WARNING, NOT A BLUEPRINT FOR THE FUTURE. Sam Freedman’s latest column in The Guardian is: “The big idea: will sci-fi end up destroying the world?”

One can only imagine the horror the late Iain Banks would have felt on learning his legendary Culture series is a favourite of Elon Musk. The Scottish author was an outspoken socialist who could never understand why rightwing fans liked novels that were so obviously an attack on their worldview….

… Musk isn’t alone in his enthusiasms. Mark Zuckerberg has renamed his company and sunk $100bn in pursuit of the “metaverse”, a word that first appeared in Neal Stephenson’s 1992 novel Snow Crash. So obsessed is Zuckerberg with the book – in which people plug into a simulated world to avoid a real one fallen into dystopian chaos – that at one point all product managers at Facebook were asked to read it as part of their training. Snow Crash also inspired the development of Google Earth, and was mandatory reading for the Xbox development team at Microsoft. Jeff Bezos loves Stephenson so much that he hired him to work for his Blue Origin rocket company.

If sci-fi’s influence was simply on product design, it wouldn’t be a problem. If Zuckerberg wants to burn his own cash in pursuit of a personal fantasy, or Musk wants to build hideous cars, that’s their call. It may even inspire something genuinely useful from time to time….

…The real issue is that sci-fi hasn’t just infused the tech moguls’ commercial ideas but also their warped understanding of society and politics. The dominant genre of sci-fi in the 80s and 90s, when today’s Silicon Valley overlords were growing up, was Cyberpunk – as exemplified in the novels of William Gibson (who invented the term “cyberspace”) and Stephenson, as well as any number of films and video games. The grandfather of the genre was Philip K Dick, whose novels and short stories spawned films including Blade Runner, Total Recall and Minority Report.

https://dff5fe6618baf1dc9a69a0f44e8ea6da.safeframe.googlesyndication.com/safeframe/1-0-41/html/container.html Dick’s stories were fuelled by amphetamine-driven paranoia. Nothing can be trusted and nobody is who they appear to be. It’s a style that’s arguably had more impact on modern culture and aesthetics than any other. The Matrix (1999) is just one example of Dick’s wider influence: he had often spoken of other worlds and suggested our own reality was a simulation.

As historian Richard Hofstadter noted in his famous 1964 essay, the “paranoid style” has been a feature of rightwing American politics for a long time – but The Matrix has given it a new vocabulary and imagery….

(9) PKD AT MEDIA DEATH CULT. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult is really into Philip K. Dick.  He has just posted a quick guide to the author. You can see the 24 minute video below…

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Probe series (1988)

Thirty-seven years ago on this date, the Probe series ended its seven-episode run, not by any means the shortest run of a series we’ve looked at – several, such as Nightmare Cafe and Space Rangers, lasted only six episodes. Can anyone recall a genre series that lasted less episodes? I’m sure there is one. 

It was co- created by Michael I. Wagner and Isaac Asimov. Asimov had quite some background in television SF series and Wagner was previously known for creating Hill Street Blues. (You can purchase all one hundred forty episodes at Apple TV+ for just $39.95!) 

Here Asimov co-created, produced and according to ImDB was involved in writing all of the eight scripts. That’s not particularly surprising to me that he did that given how prolific he was. 

The pilot and series starred Parker Stevenson as Austin James, an asocial genius who solved high tech crimes, and Ashley Crow as James’ new secretary Mickey Castle. Stevenson’s only major casting was on Baywatch.  Row has a serious genre credit as she played Sandra Bennett on Heroes. That series is streaming on Peacock. And no, I really don’t care if Baywatch is streaming anywhere.

It aired on ABC just once and was re-aired on Syfy, though they edited the episodes to stuff in extra commercials as they did every series they aired which they hadn’t produced. 

What happened to it? Did poor ratings doom it? No, they didn’t. As one reviewer notes, “Together, these two encounter out-of-control experiments, supernatural events, and mysterious deaths. As you might expect, Probe features heavy doses of scientific knowledge and logical reasoning, but was cut short due to the 1988 writers strike.” 

Remember the Australian-filmed Mission: Impossible shot during the writers strike was only a go because they dug into the file drawers of the first series and used not filmed scripts. Or possibly Grave’s  brain. 

It is not streaming anywhere. Except Space Rangers, I find really short run series that were not done as miniseries tend not to be streamed. 

Do I have to say that all those YouTube copies are illegal, so links will be, oh, need I say it?

(11) COMICS SECTION.

(12) YMMV DURING HOLY WEEK. There is a surprising sf film mentioned in this NPR story. “Revisiting our favorite (and not so favorite) religious films” at NPR.

DETROW: And even for those of us who live more secular lives, movies continue to offer a bit of a cinematic catechism with stories from the Bible and other religious traditions. And with Passover and Holy Week underway, we figured it would be a good time to talk about faith and film. I’m joined by NPR’s religion correspondent, Jason DeRose. Hey, Jason….

… DEROSE: Well, I have a very specific group of religion movies that I actually like quite a lot, and they are comedies. They’re the Monty Python films – “The Life Of Brian,” “The Holy Grail,” “The Meaning Of Life.” “The Meaning Of Life” has one of the funniest songs I ever heard in my life – “Every Sperm Is Sacred.”…

…MARTIN: The other film that I – is, like, “Arrival,” for example…

DETROW: Yes.

MARTIN: …Which is, again, like, science – it’s supposedly science fiction, right? But, like, I think a lot of films in sci-fi also – or that are technically sci-fi actually live in a – to me, in a spiritual space because they ask hard questions. What is the meaning of existence, and how do we know?…

(13) WHIP IT GOOD! Inverse tells how “’Indiana Jones And The Great Circle’ Just Got A Lot More Fun”. (See the Launch Trailer on YouTube.)

Indiana Jones And The Great Circle was one of the best games of 2024. Machine Games’ remarkable fusion of stealth gameplay, detailed open-ended levels, and a dogged faithfulness to the film series was a match made in heaven. Now, just a week ahead of its PlayStation 5 debut, The Great Circle is getting a few new additions that will make re-experiencing this modern classic worthwhile.

The Great Circle Title Update 4 will add entirely new perks for players to take advantage of in combat, over a dozen quality of life improvements, and a new hilarious use for an often underutilized item in the game.

The biggest item on the list is two new Adventure Books. One is called “Open Season,” which makes enemies more vulnerable to follow-up damage after getting hit with Indy’s whip. The second is called “Sleight of Hand,” which lets Indy use his whip to pull an enemy’s weapon towards him after doing a disarm whip attack. For players partial to the game’s optional gunplay, Sleight of Hand will add new strategy and variety to how ranged combat encounters play out.

For the more melee-focused player, Indy now has a secondary use for repair kits. These consumables are typically used to give more longevity to Indy’s makeshift weapon of choice. But The Great Circle is so chock-full of random pick-ups that they can often go ignored through most (if not all) of a single playthrough. Machine Games has made note of this player trend and adjusted things accordingly.

“Some of you have told us that you don’t have much use for Repair Kits,” the update’s patch notes read. “Well, now you can throw them at your enemies!”…

(14) WATER, WATER, EVERYWHERE. Learn “How climate change could disrupt the construction and operations of US nuclear submarines” at Bulletin of the Atomic Scientists.

…In recent years, the Defense Department has started to acknowledge climate change as a “threat multiplier”—albeit slowly. Acknowledging the billions of dollars climate change could cost the Navy in the future, the Pentagon now incorporates inclement weather disasters and other climate effects into military planning and base structures. However, during the first Trump administration, the Navy quietly ended the climate change task force put in place by the Obama administration, which taught naval leaders how to adapt to rising sea levels. As the new Trump administration wipes all mention of climate change and other environmental measures from federal agency websites, climate-related measures may also be halted despite being critical for the viability of naval missions.

Most of the naval construction and operations infrastructure for the United States’ ballistic missile submarines are located on the Pacific and Atlantic coasts. Due to sea level rise and increased inclement weather attributed to climate change, these facilities are becoming more vulnerable to flooding. The intensity and number of hurricanes in the North Atlantic region have increased since the 1980s and will continue to do so as ocean temperatures keep rising, further threatening coastal areas. These incidents are highly costly and disruptive to operations. According to a Congressional Research Service report, the Defense Department has 1,700 coastal military installations that could be impacted by sea level rise. In 2018, Tyndall Air Force Base in Florida suffered $4.7 billion in damages from Hurricane Michael.

Infrastructure at risk. General Dynamics Electric Boat—the lead contractor for the new Columbia-class submarines—performs over three-quarters of the construction operations for the 12 new ships at its two shipbuilding facilities located in Rhode Island and Connecticut. Both facilities are in at-risk flood areas….

(15) IN DEFENSE OF SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] Science by definition is arguable genre-adjacent to SF.  So no better a time for an appeal for reason.

The world’s two leading multi-disciplinary journals, Nature and Science have in the past month had a series of articles and news items reporting on how science in the US is being dismantled, and how it is being mis-represented by politicians on a range of issues from climate change to vaccines.

Ironically, Brit Prof Dave Kipping moved to US for his career and now many scientists are moving back and some US scientists are leaving.  See his 12-minute video from the Cool Worlds Lab…

(16) VIDEO OF THE DAY. [Item by Andrew (not Werdna).] DeForest Kelley was apparently well-prepared for Trek: “DeForest Kelley on The Millionaire”. Watch until the end.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Olav Rokne, Nickpheas, Andrew (not Werdna), Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Prokofiev” Dern.]

Pixel Scroll 12/19/24 Credentially Centigrade

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(0) I opened a ticket with Jetpack customer service yesterday after the eighth consecutive post without a subscriber notification. They’re looking into it.

(1) UP, UP AND AWAY. The ‘full length’ Superman Official Teaser Trailer dropped today.

(2) A SUPERBOY AND HIS DOG. Deadline follows up the trailer with: “’Superman’: James Gunn On Superhero’s ‘Complicated’ Relationship With Krypto; ‘He’s Not Nearly The Best Dog’”.

In a moving moment in the trailer, a bloodied Superman who has fallen to a snowy Earth suddenly whistles and out of the blue we see a storm in the distance as Krypto the dog comes to some form of a rescue.

Said Gunn at a presser for the trailer about including the canine in this live-action version of Superman: “I think we’re seeing that from the beginning we’re seeing a little bit of a different side of Superman than what we’ve seen.”

“This movie at the end of the day is not about power. This movie is about a loose term of the word a human being and who he is as a person and virtually struggling in his day-to-day life, and we see a different aspect of him in the beginning.” [says James Gunn]

“His relationship with Krypto is complicated. He’s not nearly the best dog. There’s a lot more to Krypto than you see in this trailer.”…

(3) YOUR FACE BELONGS TO US. [Item by SF Concatenation’s Jonathan Cowie.] Your Face Belongs to Us by Kashmir Hill is BBC Radio 4’s Book of the Week.

What if you could be identified by anyone with just a blurry photo..?  Now, we (SF fans) are surely all aware of the Orwellian nightmare of social control and identity.  In Your Face Belongs to Us Kashmir Hill looks at the ClearView AI…  and it’s not really that good…

Today ClearView AI declares that it has a database of 50 billion facial images sourced “from public-only web sources, including news media, mugshot websites, public social media, and many other open sources.” Your face may well belong to them.

Your Face Belongs To Us was shortlisted for the Royal Society Science book prize 2024 and described by the Financial Times as “A parable for our times”. According to The Economist, “A walk down the street will not quite feel the same again.”

You can download the following episodes: Episode 1, Episode 2, Episode 3, Episode 4, and Episode 5. 

(4) JEOPARDY! [Item by David Goldfarb.] I started taking notes when the Jeopardy round had a clue about a File 770 favorite:

That’s Weird, $600: Weird Tales magazine published his story “The Black Ferris”, which formed the basis for “Something Wicked This Way Comes”

Challenger Eric Weldon-Schilling was up on his Bradbury.

That’s Weird, $1000: It’s the formal & familial, though maybe not terribly polite way to address the trio of witches in “Macbeth”

After a noticeable pause, challenger Sarah Rosenthal rang in and tried, “What are ‘The Weird Sisters’?” and this was right.

The Jeopardy! round had a category “Poli Sci”. Double Jeopardy had “Poli Sci-Fi”.

There was a little bit of SFF content elsewhere, too.

Victorian Verse, $400: The Victorians loved these supernatural little creatures, often spelled with an “E” in place of an “I”, as in Yeats’ “The Stolen Child”

Eric got it: “What are faeries?”

Poli Sci-Fi, $400: Located somewhere in the Rockies, the capitol of this country dominates its 12 surrounding districts.

Champion Ashley Chan had read her “Hunger Games” and responded, “What is Panem?”

$800: George Lucas said of this “Return of the Jedi” guy, “Richard M. Nixon was his name. He subverted the Senate & finally took over”

Eric knew it: “Who is Emperor Palpatine?”

$1200: Secretary of Education Laura Roslin suddenly ascends to the presidency of the 12 colonies on this series

Eric, perhaps a fan, got this too: “What is ‘Battlestar Galactica’?”

$1600: This “Star Trek” organization, the UFP for short, has a president, a federal council & a supreme court

Eric again: “What is the United Federation of Planets?” And he then went to the last question in the category.

$2000: A prominent member of the Ape National Assembly, this doctor is both Minister of Science & Chief Defender of the Faith

Ashley came in here with “Who is Caesar?” but this cost her $2000.

Sarah and Eric didn’t try it — it was Dr. Zaius.

(5) JUDGE SIGNALS A LOSING CASE. “Florida Court Urges School District To Settle In Book Banning Case” reports Publishers Lunch.

A federal judge in Florida has urged the Escambia County School Board to settle a book-banning case brought by PEN, PRH, and others, mindful that it has cost local taxpayers hundreds of thousands of dollars. As of last September, the school board had already spent more than $440,000 on attorneys’ fees. District Judge T. Kent Wetherell II wrote in the footnote of a court order that a settlement, “should be particularly important to (the school board) because it is spending taxpayer money to defend this suit and it could end up having to pay all or part of Plaintiffs’ attorney’s fees on top of its own attorneys’ fees if Plaintiffs prevail in this case.”

Escambia County banned 1,600 titles from school libraries, including dictionaries and encyclopedias. In December, the parties attempted mediation but came to an impasse after eight hours. Additionally, the Tallahassee Democrat reports that Escambia County school officials have spent almost $200,000 in another lawsuit over the removal of picture book And Tango Makes Three. (Nassau County was also sued over the removal of this book and it was restored to shelves in September.)

Last January, Wetherell wrote, “The Court simply fails to see how any reasonable person would view the contents of the school library (or any library for that matter) as the government’s endorsement of the views expressed in the books on the library’s shelves.”

(6) FORTY WHACKS. Camestros Felapton continues to map out his plan for cashing in on a literary trend in “Dahrk Snarl II: The Romantasy of the Blood-Axe”.

[Simon Goquickly] Dear Mr Snarl, or may I call you Dahrk? So lovely to have you back.
[Snarl] You said you had a job for me.
[Simon Goquickly] I do, I do!
[Snarl] It had better not be one of them barbarianistas that make hot mud drinks. If I wanted to drink hot mud I’d fight the geyser golems of Gahst.
[Simon Goquickly] My, my, you fought the geyser golems of Gahst?
[Snarl] It was a misunderstanding see? I thought they said it was a “geezer” and I thought how hard could it be to fight some regular geezer? Turned out it was a ‘omonid.
[Simon Goquickly] A homonym?
[Snarl] That as well….

(7) BARRY MALZBERG (1939-2024). Author and editor Barry Malzberg died December 19. Following a series of medical problems, of which the last were pneumonia and a bacterial infection, a few days ago he was moved into hospice care. His daughter, Erika, informed friends today: “ My dad passed away this evening, around 4:30pm. My sister had been with him for a few hours and I was just getting back after having visited with my mother. He took his last breath almost the moment I arrived. It was very, very peaceful and we are so grateful.” 

His first science fiction story, “We’re Coming Through the Window”, was published in the August 1967 issue of Galaxy.

Many of his science short stories and novels in the late 1960s were published under the pseudonym “K. M. O’Donnell”.

His novel Beyond Apollo won the inaugural John W. Campbell Memorial Award (1973).

His nonfiction works won two Locus Awards: The Engines of the Night (1983), and Breakfast in the Ruins: Science Fiction in the Last Millennium (2008).

Malzberg collaborated with Mike Resnick on more than 50 advice columns for the SFWA Bulletin. They have been collected as The Business of Science Fiction.

Barry Malzberg and Edward Ferman. Photo by and (c) Andrew Porter.
Julius Schwartz, Barry Malzberg, and Ron Goulart. Photo by and (c) Andrew Porter.

(8) MEMORY LANE.

[Written by Paul Weimer.]

A Clockwork Orange

By Paul Weimer:

…or, Paul gets snakebit by looking at acclaimed films.

I’ve mentioned in earlier columns how I started to in the early to mid 90’s to read SFF books that had been nominated and won awards. I did the same thing for a while with films as well. Although I was not and would not be interested in photography as something for me to do for another decade, in retrospect, my interest in image started earlier, even more subconsciously, than I realized. 

Anyway, I had heard of the brilliance of A Clockwork Orange, and I had been watching a number of 70’s films, and so a trip to the video store (remember those?) meant that it was time for me to engage with Kubrick’s film. I had already seen Dr. Strangelove (I had won a copy in an early online contest) and of course, 2001. So I thought I knew what I was in for when I watched A Clockwork Orange.

Reader, I was not and did not.

Much of the film I was enthralled by. I had not yet read the Burgess book, but the worldbuilding, the dark future of Britain was enthralling. The movie is well acted, even if it is hard to take (poor, poor Alex’s reconditioning).  The score, even if I was and am not a music fan, was memorable (and I bought the soundtrack on CD).  It’s a dark future but an enthralling one. 

But that scene. You know the scene. The imagery. Alex’s break-in, his deadly sexual assault with that gigantic sculpture of a helpless woman. THAT I had not signed up for. That was hard to take. That I had not been warned about. I’ve only watched the movie a few times since, as brilliant as it is…and I skip that scene. Every single time after the second time, where I stopped and froze the cascade of images that we see in the height of the assault.  But I don’t need to see this scene anymore. So it goes.

But I still do use the phrase a “bit of the old ultraviolence” now and again. The movie is unforgettable, and revolutionary. 

(9) COMICS SECTION.

(10) LONDON CRITICS’ CIRCLE. [Item by Steven French.] Feminist body-horror movie The Substance is nominated in the London Critics’ Circle awards. “Anora and The Brutalist lead London film critics’ award nominations” – the Guardian has details. It appears this is the only film of genre interest in contention, except for the Technical Achievement category:

Film of the year

  • The Substance

Director of the year

  • Coralie Fargeat – The Substance

Screenwriter of the year

  • Coralie Fargeat – The Substance

Actress of the year

  • Demi Moore – The Substance

Supporting actress of the year

  • Margaret Qualley – The Substance

Technical achievement award

  • The Substance – makeup, Stéphanie Guillon & Pierre-Olivier Persin
  • Beetlejuice Beetlejuice – visual effects, Angus Bickerton

Also worth mentioning is the animated feature category.

Animated feature of the year

  • Flow
  • Inside Out 2
  • Memoir of a Snail
  • Wallace & Gromit: Vengeance Most Fowl
  • The Wild Robot

(11) LIKE SANDS THROUGH AN HOURGLASS. Didn’t you predict this? “’Dune: Prophecy’ Getting Season 2” reports Deadline.

HBO‘s Dune: Prophecy will be returning for a second season. The news was announced today during a virtual press conference with showrunner EP Alison Schapker, and stars Emily Watson and Olivia Williams.

The prequel series to Legendary’s Denis Villeneuve-directed Dune movies will air its Season 1 finale on Sunday….

(12) WHAT IF AI WAKES UP? [Item by SF Concatenation’s Jonathan Cowie.] In today’s Christmas Nature: “What should we do if AI becomes conscious? These scientists say it’s time for a plan”.

Look, I keep on telling folk that the machines are taking over, but no-one ever listens! Indeed, some say we should be concerned for any putative, war-mongering AIs welfare…. 

We all know what happened with the Forbin Project and younger fans will be well aware of issues with Skynet.   Well now someone is calling us to have AI care policies….

Researchers call on technology companies to test their systems for consciousness and create AI welfare policies.

A group of philosophers and computer scientists are arguing that AI welfare should be taken seriously. In a report posted last month on the preprint server at arXiv, ahead of peer review, they call for AI companies not only to assess their systems for evidence of consciousness and the capacity to make autonomous decisions, but also to put in place policies for how to treat the systems if these scenarios become reality.

(13) MOON’S BIRTHDAY QUESTIONED. “You don’t look a day over 4.35 billion! Here’s the moon’s anti-aging secret” – Laist shares a theory.

The Moon has long been the Earth’s close companion, but researchers have struggled to understand exactly when the moon formed, because tiny crystals in the moon rocks brought home by astronauts suggested two different ages.

Now, a study in the journal Nature argues for the earlier age, saying that the ancient Moon also went through a period when it got hot and partially remelted, producing new rocks about 4.35 billion years ago.

The rock-melting heat came from early gravitational interactions with the Earth, which stretched and squeezed the Moon, warming it up.

This process is called “tidal heating.” It is how Jupiter currently heats up its moon Io, the most volcanically active spot in the solar system….

… Nimmo says that lab workers have analyzed moon rocks brought back by the Apollo astronauts and found that almost all of the samples were 4.35 billion years old, suggesting they formed around 200 million years after the solar system started.

The trouble is, he says, simulations of the solar system’s evolution suggest the Moon had to have emerged earlier than that-–because at 200 million years, pretty much all of the material winging around had already been swept up into planets….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/25/24 Scrollin’ Pixelettes And Watching Captain Han Solo — Now Don’t Tell Me I’ve Nothin’ To Do

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(1) SQUELCHING A SQUID LEAK. In “Netflix subpoenas Discord to ID alleged Arcane, Squid Game leaker”, Polygon looked at the court papers.

Netflix is looking toward Discord for help in figuring out who, exactly, is leaking unreleased footage from some of its popular shows. The Northern District of California court issued a subpoena on Thursday to compel Discord to share information that can help identify a Discord user who’s reportedly involved in leaking episodes and images from Netflix shows like Arcane and Squid Game.

Documents filed alongside the subpoena specifically call out an unreleased and copyrighted image from the second season of Squid Game, posted by a Discord user @jacejohns4n. In an interview linked on the user’s now deleted X account, published on Telegram, the leaker claimed responsibility for the self-described “worst leak in streaming history,” where episodes of Arcane, Heartstopper, Dandadan, Terminator Zero, and other shows were published online. Netflix confirmed in August that a post production studio was hacked.

“One of our post production partners has been compromised and footage from several of our titles has unfortunately leaked online. Our team is aggressively taking action to have it taken down,” a Netflix representative told press at the time….

…The documents filed in November do not necessarily indicate a lawsuit; Digital Millennium Copyright Act laws allow copyright holders to file DMCA subpoenas without attached lawsuits. Copyright holders use this tactic to identify anonymous users on platforms like Discord, YouTube, X, and Reddit. Discord is currently fighting South Korean publisher Nexon over “improper and overly burdensome” DMCA subpoenas. “Discord is committed to fulfilling its obligations under the law, but acting as your copyright assertion partner is not one of them,” a Discord lawyer wrote to Nexon in a letter published as part of the case….

(2) BALLOONS, BEARS AND MORE, OH MY! [Item by Daniel Dern.] While driving over the weekend, listening to the radio, I happened to happen (on one of our local NPR stations) on part 1 (of 2) of Stephen Dubner’s Freakonomics one-hour podcasts on the Macy’s Day Parade. Episode 1 started with “what does the parade cost,” and, while not answering that question, went into a fascinating look at the logistics, history (early on they had live bears!), getting/making a float, etc. (Part 2 is/will be “brick’n’mortar” which I may pass on)

Here’s the link (to audio and transcript): “Is Macy’s Thanksgiving Parade Its Most Valuable Asset?”

(3) PILE HIGH YOUR MT. TSUNDOKU. NPR compiled a list of 351 “Books We Love” from 2024. Sixty-two of them are science fiction and fantasy.

NPR’s annual, interactive reading guide – is back with over 350 new recommendations from 2024. Discover picks by NPR staffers, including Ari Shapiro, Nina Totenberg, Eric Deggans, Steve Inskeep, Linda Holmes, and trusted critics such as Fresh Air’s Maureen Corrigan. 

(4) AND THEY ACTUALLY TALK ABOUT SFF! The Unofficial Hugo Book Club Blog touts a fanwriter: “SFF Criticism Needs Iconoclasts Like Brian Collins”.

…Brian Collins writes fearlessly, expressing opinions that seem heartfelt even when they go against the public consensus. Some of their iconoclasm can likely be chalked up to the hotheadedness of youth — but at the same time, this willingness to disregard tin gods can lead to interesting insight. This is most evident when they tackle more complex matters in their Observatory editorials. Their piece on Starship Troopers is one of our favourite critiques of Heinlein published in recent memory. To quote from the editorial: 

“Starship Troopers is one of the most famous and misremembered “canonical” SF novels; and unfortunately, no matter how you look at it, it also set a horrible precedent from which the genre still has not recovered. It’s totally possible the genre will never recover from such an impact so long as there are creative minds in the field (and by extension likeminded readers) who believe in Heinlein’s argument: that sometimes extermination is the only option.”

(5) SPEAKING OF INCONOCASTS. “’Wicked’ Costume Designer Explains Why Movie’s Ruby Slippers Aren’t Red” in People.

…When Paul Tazewell, costume designer for Wicked, was creating his own shoes for this year’s film, he went back to the original source material for inspiration. And it turns out, Baum never intended for those shoes to be red at all.

“They’re not ruby,” Tazewell tells PEOPLE of the original shoes. “In the book, they were these odd little silver boots.”

But because The Wizard of Oz was made in technicolor for 1939, the studio wanted to take advantage of the ability to showcase the many colors it had at its disposal, so Gilbert Adrian, costume designer for MGM, strayed outside the 1900 novel by L. Frank Baum.

Tazewell took the original book concept as his starting point and went from there….

(6) ANOTHER HORSE OF A DIFFERENT COLOR. Gizmodo reports, “Doctor Who’s ‘War Games’ Serial Makes a Colorful Return”.

…Earlier today, BBC revealed it’ll be re-releasing 1969’s “The War Games,” the final 10-part black-and-white serial that made up Doctor Who’s sixth season. That’d be notable on its own, but the network’s going the extra step by presenting it in color for the first time. In the serial, the Second Doctor (Patrick Troughton) and Companions Jamie and Zoe learn an alien called the War Lord has plucked soldiers from Earth history and brainwashed them into fighting each other so he can use the survivors as an army to conquer the galaxy. In the decades since, it’s been dubbed one of the most important Who episodes, and we were pretty high on the cliffhanger for its penultimate episode back in 2010.

But this new version of “War Games” isn’t just getting a splash of color, it’s also coming with an updated score and visuals. Interestingly, those changes may also affect how the Doctor regenerates into Jon Pertwee’s Third Doctor. Whereas the original version is a trippy, almost nightmarish sequence as he’s forced into his new look and pleads for the transformation to stop, the trailer for the technicolor airing hints at a process more in line with the show’s now default glowing flames around his body….

(7) THE SIMPSONS TAKE INSPIRATION FROM BRADBURY. “’Simpsons Wicked This Way Comes’ Is the Show’s Best Anthology Episode in Years [Review]” enthuses Bloody Disgusting.

The Simpsons’ Ray Bradbury-inspired horror and sci-fi anthology episode strikes gold with clever parodies, concise writing, and hilarious gags.

The Simpsons’ “Treehouse of Horror” specials were certainly the animated series’ first foray into anthology storytelling, but hardly the only time that they’ve dipped their toe into this water. 36 seasons in, The Simpsons has done “Simpsons Bible Stories,” “Simpsons Tall Tales,” “Simpson Christmas Stories,” and even “Thanksgiving of Horror.”…

… “Simpsons Wicked This Way Comes,” unsurprisingly, is an ode to Ray Bradbury, which the episode fully embraces. In many ways, it’s a successful counterpoint to “Treehouse of Horror IV’s” Night Gallery influence, except this time it’s riffing on Bradbury rather than Rod Serling. The episode’s triptych of supernatural societal stories is cleverly divided into different decades — the 1950s, an exaggerated sci-fi-skewing present, and a dystopian future — which makes for a strong enough structure that allows The Simpsons to flex its prophetic muscle, while it also wryly mocks the past and the present. It’s also a smart decision to use Lisa as the audience to the Illustrated Man’s (Andy Serkis) stories. Lisa is the one who listens to these subversive stories, but she’s not the protagonist in all three vignettes….

(8) A REASON FOR VIEWING. Abigail Nussbaum’s “Recent Movie Roundup 37” at Asking the Wrong Questions contains a highly qualified recommendation for Coppola’s Megalopolis.

..But for all of these problems—and without, to be clear, even suggesting that Megalopolis is not a bad movie—it must also be noted that it is not at all boring to watch. Partly this is simply because the cast—which also includes Laurence Fishburne, Jon Voight, and Robert De Niro—commit fully to the material no matter how absurd or nonsensical (Plaza, in particular, sinks her teeth into her rather iffy character with the zeal of a lion tearing meat off freshly-killed prey). Partly it’s that there are some beautiful images—Driver and Emmanuel balancing on steel beams among the city’s skyscrapers, building-sized statues of classical virtues collapsing in despair, human silhouettes flashing, stories tall, on the sides of buildings as a disaster strikes the city. But mostly, I think, it’s that Megalopolis is like no other movie you have seen or are likely to see, so obviously the product of a singular vision—and of that vision’s limitations, of time and age taking their toll on what was once a sharp talent—that you can’t help but appreciate it. It’s a terrible movie, but one that is terrible in its own, entirely unique way….

(9) TODAY’S DATE.

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 25, 1926 — Poul Anderson. (Died 2001.)

By Paul Weimer: One of my heart authors in the classical mode of SF is Poul Anderson, not far behind Zelazny and Vance in that ranking. My first known encounter with Poul Anderson’s work was, interestingly enough, Boat of a Million Years in 1989, years after my first encounters with Zelazny and Vance and the only one of the three I picked up as a grown up, first.  I think there was a favorable couple of blurbs that got me interested.  Unlike Vance and Zelazny, my older brother wasn’t into Anderson, so I missed him in my early SF education. But after reading Boat of a Million Years, about a set of immortals living through history (Highlander style!), I started seeking out his work, both his fantasy and his larger oeuvre of science fiction. I had loved the episodic historical vignettes of the characters as they live throughout human history, and I wanted more. I was hooked, friends.

I quickly found the theme of a lot of Anderson’s work: “Rage, rage against the dying of the light” seems to be the keystone of what his characters try to do, time and again, across time and space. And his characters do that, be they time patrol veterans, heroes living through history, Imperial officers trying to stave off the end of their empire, or post-apocalyptic sea captains exploring and making contact with other societies trying to rebuild Earth. The odds may be stacked, the game may seemingly be doomed, but Anderson’s heroes plod on, doing the best that they can. (Kind of reminds you of Prince Corwin of Zelazny’s Amber, doesn’t it?) 

And I found the historical motifs and how they add into his worldbuilding to be immersive, detailed and utterly enthralling. He does this in novels, both SFnal (such as his time patrol and other time travel novels) and historical fiction (such as The Golden Slave) where we are set in ancient and even prehistoric times. He does this also in imaginary societies as well. His Maurai novels and stories (such as Orion Shall Rise) are set on a future post-apocalyptic Earth, and Anderson has had a lot of fun in reimagining and mixing customs, societies and ideas from the past into his future world’s new civilizations.  An overseas Empire very much like the British Empire–but run by the Polynesians. Raiders and brigands form the heartland of what was once America…but ones that use airships.  He does this elsewhere, throughout his work, I could go all day with his historical motifs, but will just list one more for space: his Dominic Flandry portion of his future space history is very clearly an Empire in the Roman model…and Dominic Flandry is desperately trying to stave off its collapse, with plots, motifs and gambits taken from actual Roman history a plenty. 

The more you read, the more you know, the deeper the work of Poul Anderson becomes. (The power of the story “Uncleftish Beholding”, for example, where he describes a nuclear test just using Anglo-Saxon words, shows his power with linguistics.  And I haven’t even touched the sadness of The Broken Sword, the absolutely fun of A Midsummer’s Tempest, the genre-defining Three Hearts and Three Lions, and much more. His Science Fiction is his major chord, but his fantasy is definitely present as a noticeable minor chord in the fugue of his work.

My favorite Poul Anderson story is the one I keep coming back to, again and again and again. I consider it one of the definitive and best time travel stories ever written. No, it’s not “Delenda Est”, where Manse Everard must fix history after rogue time travels make Rome lose to Hannibal. That might get second place.  No, my pride of place must go to “Flight to Forever”, where an inventor finds that going backwards is much harder (and after a certain amount of time, seemingly impossible) and so goes ever more forward into the future, looking for a way back to his home timeline. It’s got strange future societies, a tragic love story, immersive detail and worldbuilding, and a sympathetic and engaging and driven main character. It does everything that Anderson does, in one novella length piece.

Besides his SFF writing, Anderson wrote poetry, helped found the Society for Creative Anachronism, was trained as a physicist, and also wrote and sang filk, primarily with his wife. If the title Renaissance Man means anything, it is he who can claim it.  Sadly, and tragically, I never met him in person.  More happily given just how big his oeuvre is, both in short stories and in novels, there is still plenty of Poul Anderson I have not yet read. I plan to, next year for File 770, start tackling the NESFA Press collections of Anderson like I did with the Zelazny.  Watch the skies!

Poul Anderson

(11) COMICS SECTION.

(12) IS THIS A MORAL ISSUE? “Ask A&L” tackles the question “Should I Sit Through the Movie’s Closing Credits?” – a New York Times article (unlocked to bypass the paywall).

Q: Is it morally correct to stay seated until the end of the credits in a cinema?

I’ve thought about this question my entire adult life! I think a lot of other people have, too. But to answer it, we have to think about what movie credits do, and why they’re there at all….

…It does seem like studios want you to watch all the credits, at least for their biggest movies. How can I tell? Because movies from Marvel and DC insert scenes after the credits roll that fill in key details about an upcoming sequel, or contain Easter eggs for fans of the franchise. Not everyone will stay, but people invested in the ongoing story will. And in a theater, you can’t just fast-forward through the credits to watch that post-credits scene….

(13) PLEASE BE SEATED. ViralNewsFlare asks, is your living room complete without one? “Dragon Sofas: A Fusion of Myth and Comfort for Unique Interiors”.

In the realm of innovative furniture design, dragon-inspired sofas have emerged as one of the most exciting trends, blending fantasy with luxury. These extraordinary seating pieces are not just functional but also serve as bold statement pieces for any home or lounge area. Dragon sofas, with their plush textures, intricate details, and mythological symbolism, bring an enchanting and otherworldly element to any space. Whether you’re a fantasy lover or simply want a unique centrepiece for your living room, these dragon sofas offer the perfect combination of comfort and style….

(14) TABLE OF LUNAR CONTENTS. A cannonball wrapped in an enigma: “It’s Official: Scientists Have Confirmed What’s Inside The Moon” says ScienceAlert.

Well, the verdict is in. The Moon is not made of green cheese after all.

A thorough investigation published in May 2023 found that the inner core of the Moon is, in fact, a solid ball with a density similar to that of iron. This, researchers hope, will help settle a long debate about whether the Moon’s inner heart is solid or molten, and lead to a more accurate understanding of the Moon’s history – and, by extension, that of the Solar System….

… They made several interesting findings. Firstly, the models that most closely resembled what we know about the Moon describe active overturn deep inside the lunar mantle.

This means that denser material inside the Moon falls towards the center, and less dense material rises upwards. This activity has long been proposed as a way of explaining the presence of certain elements in volcanic regions of the Moon. The team’s research adds another point in the “for” tally of evidence.

And they found that the lunar core is very similar to that of Earth – with an outer fluid layer and a solid inner core. According to their modeling, the outer core has a radius of about 362 kilometers (225 miles), and the inner core has a radius of about 258 kilometers (160 miles). That’s about 15 percent of the entire radius of the Moon.

The inner core, the team found, also has a density of about 7,822 kilograms per cubic meter. That’s very close to the density of iron….

(15) DELIVERY SPECIALIST. “Firefly Aerospace completes Blue Ghost moon lander for January 2025 SpaceX launch” at Space.com.

Firefly Aerospace’s moon lander is ready for its upcoming lunar voyage.

The company announced its Blue Ghost lunar lander completed environmental testing at NASA’s Jet Propulsion Laboratory (JPL) in mid-October and is now ready to be shipped to Kennedy Space Center in Florida. NASA and SpaceX plan to launch the lander from Launch Complex 39A atop a SpaceX Falcon 9 rocket during a six-day window that opens no earlier than mid-January 2025. The mission is known as “Ghost Riders in the Sky.”Blue Ghost will carry a variety of payloads to the moon, some of which are in support of NASA’s Commercial Lunar Payload Services (CLPS) program. CLPS pairs scientific payloads developed by NASA with commercial lunar landers headed for the moon on private missions….

(16) VIDEO OF THE DAY. Jim Janney says, “I know Worldcon is over, and this doesn’t seem to have any fannish connection, but it’s too good not to pass on.” Quite so! Enjoy the Haggis Wildlife Foundation’s documentary: “The Elusive Scottish Haggis”. (Is there any other kind?)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Daniel Dern, Jim Janney, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/6/24 24 Views of Mount Pixel, By Scroll-You-Say

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(1) PROS FOR SALE. Galactic Journey’s Gideon Marcus is at the Worldcon – the 1969 Worldcon: “[September 6, 1969] A hot time in the old town (Worldcon in St. Louis!)”.

… Jack Gaughan was the first artist since Frank Paul in ’56 to be the convention Guest of Honor.  Harlan Ellison was the toastmaster, a job he’s quite good at.  A little longwinded, but always funny.  On Friday, he auctioned off Bob Silverberg for $66 before Silverbob, in turn, auctioned Harlan off for $115 to a bunch of young ladies wearing Roddenberry sweatshirts….

(2) SFWA’S NEW QUARK. The Science Fiction and Fantasy Writers Association has inaugurated a monthly public-facing roundup of the organization’s news: “Quark – A SFWA Public Digest”.

In an effort to maintain transparency and foster communications with all members of the SFF community and the public, SFWA would like to introduce Quark, a monthly digest which will give quick updates on what’s been happening within the organization…. 

(3) I WISH I WAS A SPACEMAN, THE FASTEST GUY ALIVE [Item by SF Concatenation’s Jonathan Cowie.] This week’s Word of Mouth over at BBC Radio 4 took a look at what it is like to be an astronaut. It began with a quick dive into the film Gravity musing on what was real – an encounter with an imaginary George Clooney who somehow imparted unknown but critical information – and what was not. But soon the programme got into the real meat of what it is like to be a spaceman with an interview with Chris Hadfield. I have to say it was one of the best interviews I have heard with an astronaut. Topics covered included: the why’s of space techno-speak, overcoming fear, sense of place and Chris’ getting into being a fiction author. All good stuff. 

Colonel Chris Hadfield is a veteran of three spaceflights. He crewed the US space shuttle twice, piloted the Russian Soyuz, helped build space station Mir and served as Commander of the International Space Station. 

Getting words and language right in as clear and a concise way is a matter of life and death for astronauts. Crews are traditionally made up of different nationalities and Russian is second to English on board. Chris Hadfield who flew several missions and captained the International Space Station talks about how astronauts communicate and the special language they use that he dubs NASA speak. He speaks several languages and lived in Russia for twenty years. As an author he has written several novels based on his experience in Space and as a fighter pilot the latest of which is The Defector. His books The Apollo Murders are being made into a series for TV. He tells Michael about the obligation he feels to share in words as best he can an experience that so few people have – of being in space and seeing Earth from afar. 

You can hear the 25-minute programme here.

(4) HOMEWARD BOUND. Starliner Updates reports:

Boeing’s Starliner spacecraft undocked from the International Space Station on Friday, Sept. 6, with separation confirmed at 6:04 p.m. Eastern time.

The reusable crew module is expected to land at 12:01 a.m. Eastern time (10:01 p.m. Mountain time) Saturday at White Sands Space Harbor at the U.S. Army’s White Sands Missile Range in New Mexico.

AP News posted this overview: “Boeing Starliner returns to Earth without NASA astronauts”.

After months of turmoil over its safety, Boeing’s new astronaut capsule departed the International Space Station on Friday without its crew and headed back to Earth.

NASA’s two test pilots stayed behind at the space station — their home until next year — as the Starliner capsule undocked 260 miles (420 kilometers) over China, springs gently pushing it away from the orbiting laboratory. The return flight was expected to take six hours, with a nighttime touchdown in the New Mexico desert….

… A minute after separating from the space station, Starliner’s thrusters could be seen firing as the white, blue-trimmed capsule slowly backed away. NASA Mission Control called it a “perfect” departure.

Flight controllers planned more test firings of the capsule’s thrusters following undocking. Engineers suspect the more the thrusters are fired, the hotter they become, causing protective seals to swell and obstruct the flow of propellant. They won’t be able to examine any of the parts; the section holding the thrusters will be ditched just before reentry….

(5) NESFA SHORT STORY CONTEST. The New England Science Fiction Association is having a Short Story Contest (again) for non-professional writers.  Deadline is September 30.  Submissions must be less than 7500 words, and sent to storycontest@boskone.org. Full details here: “Short Story Contest”.

…The winner, runners-up, and honorable mentions will be announced during the awards ceremony at Boskone, in NESFA’s newsletter following Boskone, and in various electronic media, including e-zines, newszines, and the Boskone and NESFA websites, blogs, and Facebook pages.

The winner will receive a certificate of achievement, three NESFA Press books, and a free membership to their choice of the next Boskone or the Boskone after that.

Runners-up will receive a certificate and two NESFA Press books. Honorable mentions will receive a certificate and one NESFA Press book….

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on Mattar Paneer with horror writer William J. Donahue in Episode 235 of the Eating the Fantastic podcast.

William J. Donahue

Horror writer William J. Donahue is the author of such novels as Burn Beautiful Soul (2020), Crawl on Your Belly All the Days of Your Life (2022), and most recently, Only Monsters Remain (2023). His short story collections include Brain Cradle (2003), Filthy Beast (2004) and Too Much Poison (2014). When not writing fiction, Donahue works as a full-time magazine editor and features writer. Over the past 15 years, his writing and reporting have earned nearly a dozen awards for excellence in journalism from the American Society of Business Publication Editors.

We discussed the artistic endeavor which had him performing under the name Dirty Rotten Bill, why the first three novels he wrote will never see the light of day, what he was doing with one of those heads from the film 8 Heads in a Duffel Bag, why he finds playing with the apocalypse so appealing, the reason he’s neither a plotter or a pantser, but a plantser, how a vegetarian is able to do damage to human flesh in his fiction, the way our journeys were different and yet we managed to wind up at the same destination, how wrestling changed his life, why we keep writing and submitting in the face of rejection, and much more.

(7) GAME ON! N. helps readers evaluate potential game Hugo nominees in “Hugo Award Gamer Grab Bag 2025: Indelible Indies” at the Hugo Book Club Blog.

Last year saw the formal introduction of the Best Game or Interactive Work category to the Hugo Awards, set for re-ratification in 2028. This year saw beloved RPG title Baldur’s Gate 3 win the prize (accepted by an attending dev team!), showing that this category does indeed have juice.

Still, questions remain on logistics, and how Worldcon attendees can best evaluate games in the face of the sprawling gaming industry. That’s what we hope to tackle in this (sporadic) series of guest posts, in which we plan to highlight various genre titles worthy of Hugo consideration (and plain worthy of playing). Easing into this inaugural post, here are three acclaimed indie SFF video games of note released so far in 2024 that we think voters would enjoy…

(8) CLOSING THE STARGATE. Slashfilm thinks they know “Why The Sci-Fi Channel Canceled Stargate SG-1 After Season 10”.

…So, what was “Stargate SG-1” about? The series picks up roughly a year after the events in [Roland] Emmerich’s movie, by which point the titular artifact has become common knowledge among the masses and the U.S. government has leveraged it to traverse distant worlds. An elite U.S. Air Force squad named SG-1 is deployed with the intention of warding off alien attacks, as the dark forest hypothesis comes into play with access to galactic civilizations both benign and malignant. The Goa’uld, the Replicators, and the Ori emerge as key threats to Earth, and the series draws heavily from history and mythology to weave intriguing cultural tapestries that intertwine, and often clash, with our own.

However, this well-oiled machine, which often ran on fumes due to budgetary constraints or a dearth of fresh creative directions, came to a halt in August 2006, when the Sci-Fi Channel (where the show had migrated to in 2002), announced that there would be no 11th season. Speculations about dwindling ratings, ever-expanding production costs, and poor marketing were cited to justify this cancellation. However, the real reason “Stargate SG-1” was axed can be traced to a network decision that had little to do with such logistical aspects. But what happened, exactly?

… In a now-archived interview with Variety, Mark Stern, former exec VP of original programming for the Sci-Fi Channel (now known as Syfy), clarified that “SG-1” cancellation was not ratings-based. “[The cancellation] was not a ratings-driven decision. We’re actually going out on a high note,” Stern said, while affirming that the cast and crew were given enough time to wrap up the narrative in a satisfactory manner, with all loose ends tied up in the series finale….

(9) TODAY’S BIRTHDAY.

[Written by Dr. Valentin D. Ivanov.]

September 6, 1951 — Aleksandar Karapanchev.  (Died 2021.) Aleksandar Karapanchev was a Bulgarian speculative fiction writer, journalist and poet. He was also an active fan, publisher and editor. He graduated from the University of Sofia with degrees in Turkish and Russian languages. However, the most impactful part of his career was the work at the specialized speculative fiction publishers Rollis, Orphia and Argus in the 1990s. 

He joined fandom well before that and came to love and enjoy genre literature. He edited many dozens of books, served in the juries of a host of writing competitions and on the boards of non-profit organizations aimed to support and advance the speculative fiction. The last ten years of his life he was the secretary of Terra Fantastica – the society of Bulgarian speculative fiction writers.

Karapanchev authored tens of stories, published in the periodicals and in various anthologies. He was the recipient of tens of accolades and awards, including two Eurocons – for the Fantastica, Euristics and Prognotics (FEP) magazine he edited in 1989 and for his debut book in 2002. In 1996 as an editor he won, together with the team of the Argus publishing house, the most prestigious speculative genre accolade in Bulgaria – the Graviton award.

His most notable pieces of fiction are the short stories Stapen Croyd, describing the consequences of a noise catastrophe that has left the humanity in constant unrest and In the UNIMO Epoch, about the destructive effect of the consumerism. His stories have been translated in English, German and Russian. He also authored some poetry and a lot of genre-related non-fiction – reviews, articles on the history and modern tendencies of the genre.

Many young Bulgarian writers owe major improvements in their style to the diligent and careful editorial work of Aleksandar Karapanchev. His passing in 2021 was a major blow to the community.

(10) COMICS SECTION.

(11) LATEST ARTIFICIAL INTELLIGENCE NEWS. [Item by SF Concatenation’s Jonathan Cowie.] “LLMs produce racist output when prompted in African American English” – a news report in Nature. “Large language models (LLMs) are becoming less overtly racist, but respond negatively to text in African American English. Such ‘covert’ racism could harm speakers of this dialect when LLMs are used for decision-making.”

From the research paper’s abstract:

 Hundreds of millions of people now interact with language models, with uses ranging from help with writing1,2 to informing hiring decisions3. However, these language models are known to perpetuate systematic racial prejudices, making their judgements biased in problematic ways about groups such as African Americans4,5,6,7. Although previous research has focused on overt racism in language models, social scientists have argued that racism with a more subtle character has developed over time, particularly in the United States after the civil rights movement8,9. It is unknown whether this covert racism manifests in language models. Here, we demonstrate that language models embody covert racism in the form of dialect prejudice, exhibiting raciolinguistic stereotypes about speakers of African American English (AAE) that are more negative than any human stereotypes about African Americans ever experimentally recorded.

Primary research paper here, and it’s open access.

(12) NIGHT PATROL. Atlas Obscura explains how “In This Beautiful Library, Bats Guard the Books”.

THE 60,000 BOOKS IN THE Joanine Library are all hundreds of years old. Keeping texts readable for that long, safe from mold and moisture and nibbling bugs, requires dedication. The library’s original architects designed 6-foot (1.8 meters) stone walls to keep out the elements. Employees dust all day, every day.

And then there are the bats. For centuries, small colonies of these helpful creatures have lent their considerable pest control expertise to the library. In the daytime—as scholars lean over historic works and visitors admire the architecture—the bats roost quietly behind the two-story bookshelves. At night, they swoop around the darkened building, eating the beetles and moths that would otherwise do a number on all that old paper and binding glue….

(13) VOLCANISM ON THE MOON 120 MILLION YEARS AGO. [Item by SF Concatenation’s Jonathan Cowie.] Back when the dinosaurs were scaring Raquel Welch (I have never really forgiven them for that) 120 million years ago, there was volcanic activity on the Moon. Research reported in this week’s Science looks at samples from China’s the Chang’e-5 spacecraft.

Igneous rocks on the Moon demonstrate that it experienced extensive volcanism, with the most recent precisely dated volcanic lunar rocks being 2 billion years old. Some types of volcanic eruption produce microscopic glass beads, but so do impacts. Wang et al. examined thousands of glass beads taken from a lunar sample collected by the Chang’e-5 spacecraft (see the Perspective by Amelin and Yin). They used compositional and isotopic measurements to distinguish volcanic- and impact-related beads, identifying three beads of volcanic origin. Radiometric dating of those volcanic beads showed that they formed 120 million years ago and were subsequently transported to the Chang’e-5 landing site. The results indicate recent lunar volcanism that is not predicted by thermal models.

See the primary research here. 

(14) REV. B. HIBBARD’S VEGETABLE ANTIBILIOUS FAMILY PILLS. [Item by Andrew Porter.] From the site Daytonian in Manhattan. An advertisement in The Evening Post on August 25, 1837 promised in part:

They are highly appreciated for the relief they afford in affections of the Liver and Digestive Organs.  The worst cases of Chronic Dyspepsia, Inveterate Costiveness, Indigestion, Dyspeptic Consumption, Rheumatism, Nervous or Sick Headache and Scurvy, have been entirely cured by a proper use of them.  Also, Liver Complaints, Fever and Ague, Bilious Fever, Jaundice, Dysentery or Bloody Flex, the premonitory symptoms of Cholera, Dropsical Swelling, Piles, Worms in Children, Fits, Looseness and Irregularity of the Bowels, occasioned by Irritation, Teething, &c.

(15) WHERE WOLF? “’Wolf Man’ Trailer Sees Christopher Abbott’s Monster Unleashed”, and Deadline sets the scene.

Universal Pictures on Friday debuted the first teaser for Wolf Man, its new film in which Christopher Abbott (Poor Things) transforms into the classic movie monster.

Co-starring three-time Emmy winner Julia Garner (Ozark), Sam Jaeger (The Handmaid’s Tale) and young up-and-comer Matilda Firth (Subservience), the New Zealand-shot reboot helmed for Blumhouse and Universal by Leigh Whannell (The Invisible Man) follows a family that is being terrorized by a lethal predator. Pic is slated for release in theaters on January 17, 2025….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, N., Steven Lee, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/27/24 Slan Lake

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(1) CHRISTOPHER REEVE BIOPIC TRAILER. “Super/Man: The Christopher Reeve Story” – SCIFI.radio introduces the trailer. Only in Theaters September 21 and September 25.

The story of Christopher Reeve, his astonishing rise from unknown actor to iconic movie star, and his definitive portrayal of Clark Kent/Superman set the benchmark for the superhero cinematic universes that dominate cinema today. Reeve portrayed the Man of Steel in four Superman films and played dozens of other roles that displayed his talent and range as an actor before being injured in a near-fatal horse-riding accident in 1995 that left him paralyzed from the neck down….

(2) LACON V WSFS DIVISION. On the LAcon V website, the Committee & Staff List shows these folks will lead the 2026 Worldcon’s WSFS activities.

  • WSFS Division Manager: Linda Deneroff
  • Business Meeting: Jesi Lipp
  • Site Selection: Alexia Hebel
  • Hugo Administrator: Tammy Coxen
  • Hugo Awards Software: Chris R.

(3) 2026 HUGO TROPHIES. The LAcon V website also says that when the time comes they will run a “Hugo Base Contest”.

Keeping with Worldcon tradition, LACon V will be holding a Hugo Base Design Contest in the near future.

The basic design of the Hugo is a chrome rocket ship created by Jack McKnight and Ben Jason, with the current version based upon a refinement designed by Peter Weston in 1984. The design of the base on which the ship is mounted is left up to each individual Worldcon, so each year’s Hugos look slightly different. A photographic archive of Hugo designs is available here.

If you’d like more information, please email info@lacon.org (with the subject header: “Hugo Base Design”.) We’ll put you on a list to receive information about the contest as soon as it is available. Details will also follow here on our website.

(4) CHIANG AND ROBSON EVENT. The Toronto Public Library will host “Ted Chiang: Soulful Science Fiction” on October 24 from 7:00-8:00 p.m. Chiang will be in conversation with author Kelly Robson. The event is free – get tickets through Eventbrite.

Ted Chiang joins us to discuss his beloved stories, collected in Exhalation and Stories of Your Life and Others.

Perhaps the world’s most celebrated living science fiction author, his fantastical and elegant stories explore how our inner worlds and our societies would react to unexpected rifts in the fabric of science. How would it feel to receive a hormone injection that drastically improved your cognitive function? What if learning an alien language changed the way you perceived time? And if humanity were to create artificial life, what obligations would we owe it? Ted Chiang wrestles with the oldest questions on earth – What is the nature of the universe? What does it mean to be human? – and ones that no one else has even imagined. And, each in its own way, the stories prove that complex and thoughtful science fiction can rise to new heights of beauty, meaning, and compassion.

In conversation with author Kelly Robson.

Q & A and book signing to follow. Books available for purchase.

Ticket registration for this event is required: Free tickets for this event are available to book via Eventbrite.

(5) INFINITE MONKEYS SEEK ALIEN INTELLIGENCE. [Item by SF Concatenation’s Jonathan Cowie.] Panels are not my favorite convention programme item format: all too often they are ill-prepared with some of the panel members unwittingly being out of their depth.  But occasionally you do get some that exhibit true expertise and really engage the audience.  This weekend BBC Radio 4 gave an exemplar of one such, that would not be out of place at an Eastercon, NASFic or even Worldcon, with Saturday’s “The Infinite Monkey Cage — ‘Alien Life’”. This is a light-hearted, 42-minute science programme, helmed by a physicist and a comedian along with a couple of scientist guests, this time it was two astronomers.

This week they were discussing the search for alien life and intelligence. Much was covered including the usual Voyager message. One of the astronomers noted that the paper he had co-authored on an unusual star that irregularly periodically dimmed they designated with a number and the pre-fix ‘WTF’.

Apparently, the journal’s editor asked what ‘WTF’ stood for and – quickly realising that an acronym whose meaning included an expletive might not go down well – they replied ‘Why The Flux’. A few months later, other astronomers proposed an exotic solution, that the dimming might be caused by an alien mega-structure orbiting at an angle to the star’s line of sight with Earth hence irregularly obscuring the star’s light. (Since then there has been a more mundane explanation proffered and several other stars have now been found exhibiting such behaviour.)

The panel must be congratulated in a way that biologist and SF fan, the late Jack Cohen CBiol FIBiol would have thoroughly approved. (Jack hated it when TV programmes, and convention panels, on alien life all too often exclusively featured astronomers with no biologist present.) This week’s Infinite Monkey Cage panel did, on a couple of occasions, lament the lack of a biologist being there. Nonetheless, it was a solid 42 minutes.

You can hear it here.

(The truth is out there…)

(6) MEMORY LANE.

[Written by Cat Eldridge.]

August 27, 1998 — The Adventures of Brisco County, Jr. Twenty-six years ago on this date, The Adventures of Brisco County, Jr.  premiered on FOX. The series was created by Jeffrey Boam who wrote the screenplays for Indiana Jones and the Last Crusade, Innerspace and The Lost Boys, and Carlton Cuse who’d later be well known for the Lost series, but at this point had only done Crime Story. It was Indiana Jones and the Last Crusade that got this series greenlit at Fox. 

Though supposedly a Western, the series include generous amounts of the science fiction and steampunk genres. No spoiler shall I say as to what as some here may not have seen it and the… stopping right there. 

Cuse served as show runner and head writer. Boam, who served as executive producer, also contributed scripts for the show. As might be conjectured, it was an indeed weird Western unlike any other Western. 

It starred Bruce Campbell, Julius Carry, John Astin, Kelly Rutherford and Christian Clemenson.  Though the critics loved it, and it did very well initially in the ratings, it quickly dropped off, so FOX cancelled it after the one season run of twenty-seven episodes. 

I’ve watched and thoroughly enjoyed it. What do y’all think of it? 

(7) COMICS SECTION.

(8) PL TRAVERS REMEMBERED. At BBC Sounds you can listen to the Witness History episode “The writer of Mary Poppins”. As you probably have heard sometime, she was not a fan of the Disney adaptation.

In 1964, the Disney film ‘Mary Poppins’ was released. It was based on the character created by writer PL Travers. Travers disliked the Oscar-winning Disney production so much, that she never allowed any more Mary Poppins books to be adapted into films. In 2018, Vincent Dowd spoke to Brian Sibley and Kitty Travers about their memories of PL Travers.

(9) ABOUT THAT SMOOCH ON THE CUTTING ROOM FLOOR. “Carrie Fisher Fans Will Wage War: Star Wars: A New Hope Deleted Scene Reveals Han Solo Had a Love Interest Even Before Leia” dishes Fandomwire.

….In the original version of this scene, Solo was intended to appear along with a girl, who wasn’t identified on the screen by name. However, the character, played by British actress Jenny Cresswell, was meant to be Solo’s girlfriend. Furthermore, their romantic relationship was confirmed with a kiss between the two….

(10) LUNAR TUNES. Atlas Obscura wants you to know “All the Other Names for the Moon”.

Every 29 and a half days, the moon cycles through at least eight common English names: the New Moon, the Crescent Moon (new and old), the Gibbous Moon (waxing, waning), the Full Moon, the Quarter Moon (first and last). In Hawai’i, there are more ways to call the moon as it grows and shrinks: Hilo Moon, Hoaka Moon, Kūkahi Moon, Kūlua Moon, Kūkkolu Moon (with a low tide in the afternoon), Kūpau Moon, ‘Olekūkahi Moon, ‘Olekūlua Moon (the most challenging moon), and that’s only halfway through the list. Each of these moons is just a sliver more in the sky, but people noticed and called each lunar advance a new name….

(11) BITS AND PIECES. “Fallout from NASA’s asteroid-smashing DART mission could hit Earth — potentially triggering 1st human-caused meteor shower” reports Live Science.

Millions of tiny space rock fragments may be on a collision course with Earth and Mars after NASA deliberately crashed a probe into a far-away asteroid two years ago, a new study reveals. The celestial shrapnel, which could start hitting our planet within a decade, poses no risk to life on Earth — but it could trigger the first ever human-caused meteor showers.

On Sept. 26, 2022, NASA’s Double Asteroid Redirection Test (DART) spacecraft purposefully collided with the asteroid Dimorphos, smashing right into the middle of the space rock at around 15,000 mph (24,000 km/h). The epic impact, which occurred more than 7 million miles (11 million kilometers) from Earth, was the first test of humanity’s capability to redirect potentially hazardous asteroids that pose a threat to our planet.The mission was a major success. Not only did DART alter Dimorphos’ trajectory — shortening its trip around its partner asteroid Didymos by around 30 minutes — it also completely changed the shape of the asteroid. It demonstrated that this type of action, known as the kinetic impactor method, was a potentially viable option for protecting our planet from dangerous space rocks….

(12) TWIST AND SHOUT. “Meet the $16K Humanoid Robot Leaping Into Production”

Unitree unveiled a new video of its G1 robot performing acrobatic feats, as part of its lead up to production.

(13) VIDEOS OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Many SF groups over here in Brit Cit meet in pubs. Indeed, one of our longest standing meet-ups is a descendent of the London Circle made (in)famous by Arthur C. Clarke’s collection Tales from the White Hart. Now, over at Grammaticus Books we are urged to read Larry Niven’s collection The Draco Tavern, itself a Galactic watering hole….

Which brings us on to the skit at the 1984 L.A.con II, ‘Late One Night at the Draco Tavern’.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Michael J. Walsh, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/7/24 Pixels En Scrollgalia

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(1) HOLMES & WATSON. At Brandon O’Brien’s Afternoon Tea the author takes up the Elementary series: “Lapsang Souchong: Two People Who ‘Love’ Each Other”.

I’ve been thinking about this topic idly in my skull for quite some time, and since there are no real good places to put it—less than an essay, more than a tweet—I figured a good test of my discipline would be drafting it for a newsletter. So here’s me rambling about one of my favourite idle obsessions: the 2010s CBS procedural Elementary, in particular why its portrayal of the relationship between Holmes & Watson is one of my favourites. BIG SPOILERS, of course that goes without saying, but you’re already here, so…

(2) TINGLE Q&A. The Geekiary came back from the con with more proof that love is real! “WonderCon 2024: Interview with the Legendary Chuck Tingle”.

… “You don’t hear this so much anymore, but back in the day, conservatives had this sort of slippery slope dang baloney argument about ‘if we let gay people get married then what’s next? You gotta marry a tree? Are you going to marry a dang dinosaur?’ And I think that I always heard those arguments and I always thought why not? What would be wrong with someone marrying whoever, whatever, how many different people, different combinations. There’s nothing wrong with that. In fact, as long as you’re talking about consenting adults, the world would be a much better place if you took this conservative nightmare to the extreme, it would actually probably be more of a utopia.

“And so the Tingleverse in general, is kind of that conservative nightmare realized in that actually, it would be a really beautiful place full of love, and acceptance. And so, from the very first story, it is an unusual combination of lovers. But you realize if you read the book, ‘Oh, actually, that’s a really wholesome, beautiful, wonderful place that conservatives seem to just be terrified of.’”…

(3) “TRAD PUBLISHING IS LITERALLY FAILING AT DOING ITS JOB”. Lili Saintcrow cuts loose about the current WTF state of traditional publishing — “We Gotta Talk About (Trad) Publishing”. (Saintcrow’s fireworks are inspired by Lorraine Wilson’s analysis, “Is there a book submission arms race”, an article that Saintcrow praises as “perfectly lovely and … a hundred percent accurate”.)

…Publishing has always been an awfully exploitative business. For a long while the level of fuckery in trad pub was low enough for plenty of writers to make a reasonable gamble by submitting by the rules and building a career, but this is no longer the case. Which is not solely or even mostly a function of the pandemic, mind you–the problems were already there well before 2020 rolled around, but conditions since ~2016 have absolutely poured jet fuel on the fire and now we’ve got a multiple-alarm blaze. (You could even trace the problems to Amazon’s strong-arming, or further back to Reagonomics, but that’s a whole ‘nother blog post.)

The Big Five/Four have already offloaded the brute work of marketing onto individual authors, hollowing out their own marketing departments in order to line C-suite pockets. Now the crunch has reached editorial departments, where even salaried folk traditionally protected from a lot of industry bullshit are being ruthlessly overworked, underpaid, and just generally mistreated. (No, this is not a “pity the poor editors” screed, just a fact.) Consequently a lot of folk are leaving, and those who remain–or the shiny new ones coming in, thinking they’re going to score a good job–find it impossible to pick up the slack. The article linked above is absolutely correct that editors at the big houses are now being used as draft-horse project managers, which does not work with novels or nonfiction books. It just…doesn’t….

And there’s a lot more at the link.

(4) IN THE YEAR 2025. The 2025 UK Eastercon – named Reconnect — will be held April 18-21, 2025 in Belfast, co-chaired by James Bacon and Tommy Ferguson, with Deputy Chair Jo Zebedee. Get more information at the Eastercon Belfast website.

(5) GLASGOW 2024 PUBLISHES NEW PROGRESS REPORT. Glasgow 2024 today published Progress Report 4 (their fifth; the first was numbered as Progress Report 0). Anyone can download the PDF file from the Glasgow 2024 website.

The cover for Progress Report 4 (PR4), ‘Badger Finds A Charmawow’ is by Chris Baker (a.k.a. Fangorn), one of the Guests of Honour.

PR4 includes news from all areas including:

PR4 also features a look back at the London Worldcon of 2014, the final entry in their history of British Worldcons.

(6) WILL GLASGOW CAP ATTENDING MEMBERSHIPS? Progress Report #4 includes this information:

… Our current projections are for between 6,500 and 8,000 purchased in-person registrant types (including 1- and 2-day tickets). This upper number, if everyone turns up, is probably above the maximum holding capacity for the site. So, there is a chance we may need to cap in-person attending registrant purchases, if we are not to get overcrowded. So, we are advising folk to join as early as possible to avoid this possibility effecting your enjoyment of the convention….

(7) TEXAS-SIZED COLLECTION. Morgan Dawn recommended Bluesky readers watch a 2022 video about the “Huge Science Fiction and Fantasy Collection”, which explores the sff collection at the Texas A&M Library, and takes viewers back to the early days of the university’s Cepheid Variable club and their annual AggieCon.

(8) A BELFAST BOOK. “Michael Magee: ‘There’s a disbelief at how I’ve ended up’”, so he tells a Guardian interviewer.

Michael Magee, 33, won this year’s Nero debut fiction award for Close to Home, now out in paperback, as well as last year’s Rooney prize for Irish literature (previously awarded to Anne Enright and Claire Keegan). Set in west Belfast, where Magee grew up, the book follows Sean, a working-class graduate who falls foul of the law as he struggles to make a life in the shadow of violence both political and domestic….

What did you read growing up?
In my later teens I had a very good English teacher who gave me Barry Hines’s A Kestrel for a Knave, which was the first instance where I’d read something that reflected my own reality. I didn’t grow up in a bookish house and didn’t start reading in my spare time outside education till I was about 12 or 13. Lord of the Rings was my gateway drug. As a teenager I wrote a ripoff of it, drawing maps that I dabbed with wet teabags and burned at the edges to age them. But I did all this on the shy! You couldn’t be seen reading books in the company I was keeping. As a young man I felt impelled towards toughness, inexpressiveness, which was at odds with who I was, and who I am. It took me a very long time to disentangle myself from that.

You must run into people who knew you back then.
Of course, all the time. There’s a disbelief at how I’ve ended up – I ask myself the same question – and also a kind of piss-taking, which is completely deserved: “Still writing your wee books, Mick, are ye?”…

(9) IF YOU GIVE A MOUSE A BATH. Forbes believes they know “The Real Reason For Disney’s $11 Billion Streaming Losses”.

… For a number of months in 2020, Disney was almost entirely reliant on Disney+ and it came into its own. As people were stuck indoors during lockdown, the popularity of the platform surged and was hailed as Disney’s white knight. It was almost unthinkable that it could actually end up bringing the company to its knees but that is exactly what happened over the following years.

As subscriber numbers soared far beyond Disney’s forecasts, the Mouse got drunk on its own success and ploughed billions of Dollars into exclusive Disney+ content. By the time it was released, there was a vaccine for covid and the pandemic had receded. Consumers were left picking up the tab for blockbuster furlough payments creating a global cost of living crisis that endures to this day. It led to people cutting their streaming subscriptions and left Disney with a loss-making platform….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 7, 1934 — Ian Richardson. (Died 2007.) I do these Birthdays by seeing who I recognize and then doing a deep dive to see how interesting a given individual is. It’s not just what they did in our community that interests me but what they’ve done else as well. And Ian Richardson had an interesting career both here and elsewhere.

Ian Richardson

Where to start? He was at the right age, just about fifty, when he played Holmes in The Sign of Four and The Hound of the Baskervilles, a pair of made for television films. He also starred in BBC’s Murder Rooms: The Dark Beginnings of Sherlock Holmes playing Arthur Conan Doyle’s mentor, Dr. Joseph Bell.

What next? How about him being in Brazil? (I had to watch it three times before I liked it.)  He plays Mr. Warren, works in a rabbit-warren style place, a maze of Endless Corridors. A perfect bureaucrat he was.

He’s the Narrator of Dark City which was nominated for the Hugo Award at Aussiecon Three the year The Truman Show won.

In Rosencrantz & Guildenstern Are Dead, he’s Polonius. In the play by Shakespeare, Polonius is a verbose, faltering and pathetic old man whose servile devotion to Claudius renders him untrustworthy in the eyes of Hamlet. Here he portrays that character perfectly. Yes, I do love the film. 

He’s The Wasp in Alice Through The Looking Glass. You really, really need to see the yellow wig that they gave to represent him being a wasp. 

Ian Richardson as the Wasp in a Wig and Kate Beckinsale in Alice Through the Looking Glass (1998).

He’s in From Hell as Sir Charles Warren, an actual historical figure, an Officer in the British Royal Engineers who was one of the first archaeologists. 

Finally he’s in that Midsummer’s Night Dream. You know the one that Ian Holm, Helen Mirren, Diana Rigg, David Warner and Judi Dench in it? He plays Oberon here. 

Wait, though, as I do feel obligated to note his two extraordinary performances outside the genre. He played Tory politician Francis Urquhart in the House of Cards series — oh so magnificently — and he was British spy Bill Haydon in the Tinker Tailor Soldier Spy series. 

(11) COMICS SECTION.

(12) YES, YOU. Steve Lieber shared an unforgettable memo from Jim Shooter to the staff.

(13) THEY MADE THE SHIP THAT MADE THE KESSEL RUN. [Item by Steven French.] Atlas Obscura tells us the genre connection of Wales’ “Pembroke Dock Heritage Centre”.

THERE WAS SOMETHING DIFFERENT ABOUT the last ship to leave Pembrokeshire’s massive dock complex.

Following the success of the original Star Wars film in 1977, director George Lucas wanted a full-scale model of Han Solo’s fabled spaceship, the Millennium Falcon, for the filming of the next installment in the series, The Empire Strikes Back.

The job of constructing the 88-foot vessel fell to a team working out of the historic maritime dock complex at Pembroke Dock, Pembrokeshire…

Sadly, the model was sold for scrap.

(14) MAKE YOUR SPEED WORF FACTOR THREE. [Item by Dann.] “From the Starfighter to the Enterprise NCC-1701-D” in FLYING magazine.

From the late 1980s through the 1990s, Klingon Lt. Cmdr. Worf was one of the most visible characters on the popular TV shows Star Trek: The Next Generation and Star Trek: Deep Space Nine. Actor and pilot Michael Dorn, who was cast as Worf, made the character his own and ended up appearing in 276 episodes, the most of any other cast member in the Star Trek franchise’s history.

To Dorn, morphing into Worf each day was a lengthy process because of the amount of makeup and prosthetics required to bring the character to life. But when the cameras stopped rolling, it wasn’t the starship Enterprise that drew Dorn’s attention, it was a Cessna 172 Skyhawk. But there was a problem.

You see, Michael Dorn likes airplanes that go fast. Really fast. After moving through a few general aviation airplanes, he began buying and flying a long list of former U.S. military fighter jets. This desire to go fast also explains why he drives a Tesla Model X P100D today. “It has ‘Ludicrous’ mode,” Dorn says. “I live for on-ramps!”…

The list of aircraft Michael has owned includes:

Civilian aircraft

  • Cessna 172
  • Cessna 310
  • Cessna 340A
  • Citation 501SP
  • SOCATA Trinidad TB-20
  • Beechcraft Baron 55

Military (or military-grade) aircraft

  • HA200 Saeta  (Spanish and Egyptian Air Forces)
  • Lockheed T-33  (USAF, USN, Japanese Air Self-Defense Force, German Air Force)
  • North American F-86C (USAF, Japan Air Self-Defense Force, Spanish Air Force, Republic of Korea Air Force)
  • North American Sabreliner 40A (USAF, USN, & USMC operated military configurations)
  • Lockheed F-104 Starfighter (USAF, German Air Force, Turkish Air Force, Italian Air Force)

(15) TRUE GRIT. “Life Beyond Earth: What Awaits Humanity on the Moon” – Literary Hub makes it sound a lot less fun than Robert A. Heinlein used to.

…Moondust is a huge problem. Apollo astronauts were vexed by the sharp-edged powder, which got under their fingernails and into their noses, lungs, mouths, and eyes. Apollo 12’s Alan Bean said residual dust in the LM cabin “made breathing without the helmet difficult, and enough particles were present… to affect our vision.” The stuff is like “silty sand… [but] sharp and glassy,” according to the Lunar Sourcebook. Coughing and itching are nuisances, but simulated long-term exposure, in one study’s words, revealed “significant cell toxicity in neuronal and lung cell lines in culture, as well as DNA damage.” Mitigating the dust is a significant challenge, but astronauts and their equipment could be protected with invisible electrodes that activate what researcher Carlos Calle calls an “Electrodynamic Dust Shield”—shifting electric fields that keep the dust from sticking to a surface…

(16) NASFiC ECLIPSE. Joseph T. Major reminds us about a previous celestial experience:

 In 2017, too late to do anything about it, Mike Glyer had an interesting thought.  Why not have NASFiC in Nashville, during the August 21 eclipse?  But Ken Moore, the man who could have organized it, had died in 2009.

Nevertheless, there was a possibility.  Bob Embler annually held Outsidecon, where fans got in tent and socialized.  What was so important about that?

Every year, in Kelly, Kentucky, there is Little Green Men Festival, commemorating the close encounter there in 1955.  In 2017, the Festival ran a day over, so the flying saucer people could see the eclipse.  And they stayed in tents, too, because hotel bills were $300 a day and a minimum of three days’ stay.

If Mike and Bob had got together, they could have organized a Kelly Outdoor NASF­iC bid for the 18th through the 21st.  Now that would have been better than the San Juan NASFiC.

(17) VIDEO OF THE DAY. Elle Cordova delivers “Real footage of the #eclipse”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Dann, Bruce D. Arthurs, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/26/24 There Are Some Things Money Can’t Buy; For Everything Else, There’s Pixel Scroll

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(1) THE ROBOPOCALYPSE. [Item by SF Concatenation’s Jonathan Cowie.] Who is the best time traveler?  Well, of course the Doctor is, but then Brit Cit is the epicentre of SF. Nonetheless, across the Black Atlantic, in the home of the Mega Cities and the Cursed Earth, there are other time-travelling franchises…

“He was back….” BBC Radio 4 has just aired a programme dedicated to The Terminator a modern classic SF film that is this year 40 years old: ”I’ll Be Back: 40 Years of The Terminator”.

“It was the machines, Sarah…a new order of intelligence. Decided our fate in a microsecond: extermination.” So says Kyle Reese, time travelling freedom fighter in The Terminator. Released in the perfectly fitting year of 1984, The Terminator was a low budget, relentless slice of science fiction noir, drawing on years of pulp sf to conjure a future nightmare of humanity hunted to near extinction by the machines it created. In 2029, just 5 years away now,
Arnold Schwarzenegger’s unstoppable cyborg killer is sent back to 1984 to kill Sarah Connor, the yet to be mother of humanities saviour to come. Fate, redemption & the destructive power of A.I. all made in the analogue age but still influencing the way many imagine our new age of Artificial Intelligence.

Professor Beth Singler re-visits the making of the film with producer Gale Anne Hurd and explores its lasting influence. Forty years on, and the circular self-contained time travel plot of The Terminator has been cracked wide open letting out alternative timelines and delayed apocalypses: more films, a television show, graphic novels, comics, video games, theme park rides and even memes have spread versions of the original robopocalypse. More than that, the first Terminator has given us a vocabulary and a vision for the dangers of Artificial Intelligence.

(2) OVERVIEW OF CHINESE SFF RECOMMENDATION LISTS. [Item by Ersatz Culture.] I have finally published my write-up of Chinese recommendation lists: “Chinese SFF recommendation/best-of-the-year lists for works published in 2023”

The following summary bullet points for the Science Fiction World list are a suitable teaser – producing a Chinese recommendation list that doesn’t include any Chinese works first published in the year of eligibility — other than the fanzine — strikes me as an unconventional choice…

Science Fiction World

Links

Summary

  • Recommendations over 6 categories, with between 1 and 5 recommendations in each.
  • No Chinese fiction works first published in 2023 are included in the recommendations.
  • All the recommended novels are in English or Polish, and not yet announced for publication in China.
  • All of the novella and short story recommendations are older stories that were published in English translation in 2023 in a pair of venues.
  • Several of the categories that had recommendations last year – including Best Novelette – have no recommendations this year.
  • The editor recommendations are almost identical to last year – including the works listed.

(3) CLIPPING SERVICE. [Item by Daniel Dern.] I’m a NYTimes digital/paper subscriber, so I can do 10 “gift links”/month. I’ve been told (by somewhat reliable colleagues) that I can share to email lists, groups, etc, which I assume/believe includes F770-type thingies.

If I’m wrong, may the Pallid Ghost of the Gray Lady bite me on the nose (with mild apologies to Johnny Carson).

Note, these share links are only good for “30 days after [I’ve] shared it}…good enough for current readers, not so much for anyone dredging the past.

A) BORKED METAL. “A Rock Fell From Space Into Sweden. Who Owns It on Earth?”

Sweden’s courts have been debating claims to a meteorite that fell north of Stockholm, including whether the right to move around in nature, including on private property, extends to claiming a meteorite….

B) SNAKES IN A SCROLL!  “Now Arriving at J.F.K.: Horses From Iceland and Dogs From the West Bank”.

The ARK, a 14-acre facility at Kennedy International Airport, is often the first stop for animals of all kinds arriving in the United States….

(4) GLORIFIED SPYWARE. “How The BookmarkED/OnShelf App, Created to Help Schools [Navigate Book Bans], Fuels Them Instead” at BookRiot.

In December 2023, BookmarkED—an app designed to “help” educators, librarians, and parents navigate book bans in school libraries—rebranded. Now OnShelf, the app has been making its way into schools in Texas. Freedom of Information Requests obtained new information about how the app is getting into districts in Texas and how the app alerts users to so-called “banned books” in the district. The app is a student data privacy nightmare, and it undermines the professional capabilities of trained teacher librarians in educational institutions.

What Is BookmarkED/OnShelf? A Little About The App’s History

Founded by Steve Wandler, who works in the education technology space, BookmarkED aims to “empower parents to personalize school libraries.” It aims to ensure that parents get to decide the “individual literary journey for their children, based on their personal values and interests,” while teachers and librarians can keep “confidently recommending and providing more personalized books to their students, knowing precisely the learning outcomes they will achieve.” The technology helps libraries “simply and efficiently navigate the ever-changing challenged books landscape.”

BookmarkED soft launched their product during a Texas State Senate Committee on Education meeting on March 30, 2023, two and a half months before Texas passed the READER Act. Wandler noted that the app was developed while working with a superintendent in the state. That superintendent, Jason Cochran, is one of the owners of the app, and as of writing, works as the superintendent of Krum Independent School District. Prior to Krum, Cochran was superintendent at Eastland Independent School District. …

(5) A ROMANTASY MINICON. Publishers Weekly gleans all the details in a long report about last weekend’s event: “A Romantasy Festival Comes to Chicago”.

Romantasy was added as a category in the Goodreads Choice Awards in 2023, a fact mentioned several times at the inaugural Romantasy Literary Genre Festival, held March 22–24 at the Otherworld Theater in Chicago. More than 100 people celebrating the relatively new but rapidly growing genre attended the festival, which included author signings and Q&As, live podcast recordings, a drag tournament called Drag’N Brunch, and daily showings of Twihard!, a musical parody of Twilight. Books were sold on site by local indie bookstore Women & Children First.

The festival kicked off on Friday with a cocktail hour, mixer, and the weekend’s first performance of Twihard! Saturday, the first full day of the festival, began with the recording of the Whoa!mance podcast, hosted by Isabeau Dasho and Morgan Lott, who moderated an author panel with authors Samara Breger, Tamara Jerée, Megan Mackie, and Melanie K. Moschella. During the 90-minute conversation, the authors discussed their creative processes, genre crossovers, worldbuilding, escapism, beloved tropes, queer monsters, and more….

(6) ONE CLICHÉ AVOIDED. Simon Bland interviews several people who made The Thing, including the director, and an actor who didn’t come to a predictable end: “John Carpenter on horror classic The Thing: ‘It was an enormous failure and I got fired’” in the Guardian.

Keith David, who played Childs:

“ What I didn’t think at the time, and wasn’t thinking about until later, was how, traditionally, the Black man is not the guy who lasts to the end. This was one of the first movies where the Black guy lasts to the final scene. I don’t think I’m the only brother who’s ever survived in a horror or sci-fi movie, but I’m certainly one of the few. It was great foresight on John’s part.

I hear lots of theories about the final sequence. We played it various ways; as if I was the Thing, as if it was MacReady, and as if it was neither of us. People wonder why there’s no breath coming out of my mouth in the cold after the station burns down, and say it had to be me. But I say that if I’m downstage of the fire you wouldn’t see steam coming from my mouth because there’s too much heat. That’s how I explain it, but it’s your movie, your experience. The Thing is whoever you think it is.”

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 26, 1931 – Leonard Nimoy. (Died 2015.) Pointy ears, green skin —  it must be Leonard Nimoy as Mr. Spock. And what an amazing role it was. So what was Roddenberry’s initial conception of the character? Here it is:

The First Lieutenant. The Captain’s right-hand man, the working-level commander of all the ship’s functions – ranging from manning the bridge to supervising the lowliest scrub detail. His name is Mr. Spock. And the first view of him can be almost frightening – a face so heavy-lidded and satanic you might almost expect him to have a forked tail. Probably half Martian, has a slightly reddish complexion and semi-pointed ears. But strangely – Mr. Spock’s quiet temperament is in dramatic contrast to his satanic look. Of all the crew aboard, he is the nearest to Captain April’s equal, physically, emotionally, and as a commander of men. His primary weakness is an almost catlike curiosity over anything the slightest alien. 

“The Cage” — Jeffrey Hunter as Captain Pike. Leonard Nimoy as Spock.

Although Memory Alpha says that Roddenberry settled on Nimoy from the beginning, other accounts say that Martin Landau was an earlier casting consideration for the character, and several sources say DeForest Kelley auditioned for the role as well. Actual history is often far messier than the official version is.

So we get to Nimoy. It’s hard now over a half century on to imagine anyone else in that role, isn’t it? Can you envision Martin Landau in the role, or DeForest Kelley? Especially the latter? I certainly can’t. For better or worse, well better, Nimoy made for me the perfect Spock. 

Cool, elegant, ever so, dare I say it? almost on the edge of being sarcastic if Vulcans could indeed be that. Certainly more fascinating a character by far on the series than Kirk was by far. Yes, Kirk was cast in interesting stories such as “Shore Leave” but Spock was script in and out just more interesting to watch.

So my favorite Spock centered episodes? “Dagger of the Mind” in which marked the introduction of his mind-meld ability; “Amok Time” of course which also has the bonus of when “Live Long and Prosper” first showed up; “Journey to Babel” in we meet his parents, Sarek (Mark Leonard) and Amanda (Jane Wyatt); and “The Enterprise Incident “ for his not really amorous relationship with the unnamed Romulan Commander (yes she gets no name) and the rest of that splendid story.

Leonard Nimoy (Spock) at the Las Vegas Star Trek Convention 2011. Photo by Beth Madison.

I rewatched much of the series recently on Paramount+ as well as all of the other Trek series save the one season of the animated YA series whose name is completely escaping my name are here. (Never did figure out why they cancelled something so cheap to do when Strange New Worlds can cost them as much as ten million dollars an episode.)  He’s still my favorite when I rewatched them. I so wanted a spin-off Spock centered series to have happened after Trek ended. 

Usually I look at a performer’s entire genre career but I think I will look at just a single post-Trek undertaking, being Dr. William Bell in the stellar Fringe series. He decided to do the role after working with Abrams and Kurtzman on the rebooted Star Trek film and was offered with this series the chance to work with them again. He actually retired from acting before the series concluded but continued on here through its ending. 

(8) COMICS SECTION.

(9) EARTH ABIDES TO TV. [Item by Ersatz Culture.] TVLine reports that a six-episode limited series adaptation of George R. Stewart’s Earth Abides is about to go into production.

Alexander Ludwig is relocating from Starz to MGM+.

Fresh off the cancellation of Heels, Ludwig will headline the MGM+ limited series Earth Abides, based on the George R. Stewart novel of the same name.

Adapted by showrunner Todd Komarnicki (Sully) and described as “a wildly imaginative new take” on the sci-fi classic, Earth Abides centers on Ludwig’s Ish, “a brilliant but solitary young geologist living a semi-isolated life who awakens from a coma only to find that there is no one left alive but him…

Production on the six-episode series is set to begin in Vancouver on Monday, April 8. MGM+ is targeting a late 2024 release date. 

There is similar coverage at Variety, Deadline and The Hollywood Reporter.

(10) THESE SUITS ARE MADE FOR WALKING. “’Walking Dead’ Creator Robert Kirkman, Others Beat AMC’s Effort To Get Profits Lawsuit Dismissed” — Deadline tells how they convinced the judge.

The first season of the latest Walking Dead spinoff The Ones Who Live is concluding this weekend, but the latest profit participation lawsuit from zombie apocalypse creator Robert Kirkman, franchise executive producer Gale Anne Hurd and others is far from over.

With heavy emphasis on the $200 million settlement AMC suddenly made in 2021 to end ex-TWD showrunner Frank Darabont and CAA’s nearly 10-year long lawsuit over profits, U.S. District Judge Fernando Aenlle-Rocha yesterday denied the outlet’s move to have Kirkman, Hurd, David Alpert, Charles Eglee and Glen Mazzara’s mega-millions case dismissed.

“It would be an illogical interpretation of the MFN (most favored nations) provisions and contrary to the reasonable expectations of the parties in entering into the agreements if the court were to allow Defendants, as a matter of law, to provide Darabont and CAA with increased contingent compensation and a greater share of future gross receipts for the series through a settlement agreement—at Plaintiffs’ expense—without providing Plaintiffs the same,” the California-based federal judge wrote in a 13-page ruling filed Monday (read the TWD EP case ruling here).

Having pulled the short stick in a previous suit against AMC, Kirkman, Hurd and fellow TWD EPs sued AMC for $200 million in a November 15, 2022 breach of contract action.

“Plaintiffs are entitled to the same treatment afforded to Darabont with respect to his MAGR interests, they are therefore entitled to have the same valuation applied to their MAGR interests, which, collectively, exceed Darabont’s and CAA’s,” the LA Superior Court filing declared with reference to  modified adjusted gross receipts metric used to gauge profit participation payouts. “As a result, Plaintiffs are entitled to a payment well over $200 million from AMC, in an amount to be proved at trial.”…

(11) DIBS ON LUNA. “Scientists call for protection of moon sites that could advance astronomy” reports the Guardian.

Astronomers are calling for the urgent protection of sites on the moon that are rated the best spots in the solar system for advanced instruments designed to unveil the secrets of the universe.

The prime locations are free from ground vibration, shielded from Earth’s noisy broadcast signals or profoundly cold – making them uniquely well-suited for sensitive equipment that could make observations impossible from elsewhere.

But the pristine spots, known as sites of extraordinary scientific importance (Sesis), are in danger of being ruined by an imminent wave of missions such as lunar navigation and communications satellites, rovers and mining operations, with experts warning on Monday that safeguarding the precious sites was an “urgent matter”.

“This is the first time humanity has to decide how we will expand into the solar system,” said Dr Martin Elvis, an astronomer at the Harvard and Smithsonian Center for Astrophysics in Massachusetts. “We’re in danger of losing one-of-a-kind opportunities to understand the universe.”…

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/4/23 Pixels Of The Night, From Pixelated Pixelvania

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(1) APPRECIATING A FINE ANTIQUE. James Davis Nicoll has a new assignment for the Young People Read Old SF panel.

This month’s Young People Read Old Hugo Finalists features Bruce Sterling’s 1988 ​“Our Neural Chernobyl”. Sterling was, of course, a grand figure in science fiction at the time, being nominated and winning too many awards to list here. The Hugo was merely one of those awards….

Bruce Sterling’s early works are “old sff” now, but wow, where did the time go….

(2) SENIOR BRITISH DIPLOMAT ON MUSK AND SF. The author of “Does Elon dream of electric sheep?” at Medium is Julian Braithwaite, former Director General for Europe at the Foreign, Commonwealth & Development Office, and past Ambassador and Permanent Representative to the UK Mission to the WTO, UN and Other International Organisations in Geneva.

One of the most interesting revelations from this week’s AI Safety summit in the UK was something I didn’t expect: the role science fiction plays in Elon Musk’s world.

Interesting to me at any rate, as a fan of the genre and what it says about each generation’s concerns and hopes for the future.

Musk is widely considered a voice of caution on AI, eloquently warning about the risks. The famous joint letter in March in which he and others called for a pause in the development of AI frontier models. His penchant for kill switches to shut down rogue AI.

So it was something of a surprise to find him sitting with Prime Minister Sunak on Wednesday, urging people to read Iain M Banks, the Scottish science fiction author, and his “Culture” novels.

Surprising for two reasons. First, because the AI depicted in these novels, the “Minds”, are incredibly powerful but benign partners for humanity, co-creators of a galaxy-spanning utopian civilisation based on individual freedom and superabundance. And second because, in the science fiction of AI, the benevolent Minds are very much an outlier….

(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

How to access the online Chengdu Worldcon site from outside China

In Thursday’s Scroll, I wrote about how the con’s online site was no longer accessible outside China.  However, the error message reported by the browser made me think that there might be a workaround, and with the kind assistance of parties who will remain nameless, I can document a process whereby other con members can also regain access.

There is one slight caveat: I’m a Linux user, and haven’t had to touch OS X for over a year, and Windows for several years, so I can only reliably provide instructions for Linux.  I’m sure people who are more familiar with those other operating systems can provide addiitonal help in the comments.  (As for iOS or Android, I have absolutely no idea if or how you might be able implement a similar workaround.)  I’d also not be surprised if there is a more elegant solution to the problem than the one I’ve written up here; again, hopefully others can suggest things in the comments.

Basically, because DNS servers no longer have entries for online.worldcon.com to map it to an IP address, you have to add a manual override.  On a Linux machine, you can edit /etc/hosts to add a line “121.29.37.164 online.chengduworldcon.com” (no quotes) as shown in the screenshot.  You’ll need to do this via sudo, as that file should only be editable by the root user.

(Note that you can’t go directly to https://121.29.37.164/ in your browser; it just comes up with a “Forbidden” error.)

My recollection is that on current versions of OS X, you can do something pretty similar to the Linux /etc/hosts fix, but there’s perhaps some other faffing around you have to do to make sure the networking stack picks up your edits.

For the latest version of Windows that I was familiar with (10 I think?) the hosts file lived at C:\windows\system32\drivers\etc\hosts – whether that’s still the case, I have no desire to research into.  You would also need to edit this file with Administrator privileges.

A couple of things to note:

  • Whilst this manual override should be fairly benign, if the DNS record is restored and the site moves to a different IP address, then you wouldn’t be able to access the site, until you remove the override.  (And it should go without saying, you should be very wary about taking advice from random people on the internet about changing your network settings, without having a reasonable understanding about what the change actually does.)
  • Even when you get into the site and the “Live Planet” area where the videos reside, you might not be able to play the “Grasping the Future” video.  This is because the link to the underlying video file is a http:// URL, which by default are blocked when being accessed from https:// pages.  (Filers may remember a pretty much identical problem affecting Voter Packet downloads on the Hugo site…)
  • Related to the “bitrot” comments on that Scroll, just in case something similar happens to the other Chengdu sites, here are their IP addresses:

Con report published on Chinese government science site

This is quite an interesting con report, in that whilst it was published on a Chinese government science website, it’s clear that the author, Cao Wenjun, is a fan.  She covers areas that are of more interest to File 770 readers than the majority of the Chinese media coverage I’ve seen, which focusses more on the showbiz and business aspects of the event.  There’s a long section about what happened with RiverFlow, which is the first time I’ve seen any professional media mention that.

Some extracts (via Google Translate, with minor manual edits):

An insider told me beforehand that late-night snacking is the essence of all science fiction activities. This time I personally participated in them, and suddenly realized that this statement was true.

After the formal activities every day, groups of people in the science fiction circle always gathered together for late-night snacks. Sometimes groups of people who were working separately met each other in the hotel lobby or halfway, and they would gather together to form a larger late-night snack team, as if the stars in the universe attracted each other and converged to form a galaxy. In the circle, everyone was very familiar with each other, and those who have known each other from beforehand will treat each other as brothers. Occasionally, when a new face appears, everyone will get closer to each other immediately. After all, as long as you love science fiction, you’re part of the family. I had a busy schedule during the day and didn’t have much time to look for delicious food, so I experienced almost all the Chengdu delicacies during this trip at these late night snacks. At the late-night snack scene, I was fortunate enough to meet science fiction writers and critics such as Baoshu, [File 770 contributor] San Feng, A Que, Huihu, Xie Yunning, Jiao Ce, Wang Nuonuo, Wu Shuang, Qiyue, and Yang Wanqing [note: I corrected a couple of names there, but I’m sure others will have been mangled by machine translation]…

This international science fiction convention has many foreign writers and science fiction practitioners participating, and we often met them whilst having late-night snacks. Many domestic science fiction writers are also translators of foreign works. Inspired by the spirit of science fiction, everyone communicates smoothly and happily.

Probably because writers are often used to writing at night, even if they attend meetings all day long and eat late-night snacks until midnight, no one seems tired. Everyone raised their glasses and talked freely, congratulating the nominees, congratulating the winners, and congratulating everyone around them, and their drinking levels increased along with the mood. People talked about reading and writing, about work and life, and about the land, and the vast starry sky above their heads. During the night, rain fell, and the shopkeepers put up their awnings. The lights shone on the awnings stained with water drops and on the wet ground. The whole street looked like a spiral arm of the Milky Way, studded with colourful stars. The writers sat around the long table, surrounded by warm mist, chatting, laughing and clinking glasses, creating a dreamlike Chengdu night that will never be forgotten…

[After the Hugo ceremony] when I arrived at the hotel after returning from the hospital, I saw several people getting off the shuttle bus from the venue.  One of them was Hai Ya, who was holding a Hugo Award trophy. The SF people who were at the door of the hotel immediately expressed their congratulations to him, and Hai Ya did not hide his happiness. But I could see from his heavy breathing that he was still in a state of shock beyond belief.

Everyone was sitting around the tea table in the hotel lobby, and the Hugo Award trophy was placed on the tea table, allowing us to watch, touch and admire it. Hai Ya didn’t sit on the sofa, but sat cross-legged on the steps next to it. At that time, I didn’t know that he was wearing his work attire; I just thought that the clothes fit him well, but sitting on the steps like this was a bit strenuous. Someone asked him how he felt at this time. He took a long breath and said that he had imagined this moment when he learned that his story had been shortlisted, but that was just his imagination. It had really happened, and he felt incredible. Someone told him that his real name and workplace had been posted online. Hai Ya shrugged, appearing a little troubled and helpless. He said that when standing in the spotlight, people always have two sides. When you receive an honour, you will also lose something. He mentioned that he always writes after work, so his level of output is not high, but it was just as a kind of adjustment and relaxation. In subsequent news reports, many media asked this question, and he responded in the same way, but it seemed that many netizens did not understand.

What I learned is that most science fiction writers are actually like this. They have their own day jobs. Some are college teachers, some are engineers, some are journalists, and they are from all walks of life. Writing is just their side job…

When asked about how he planned to take such a big and heavy trophy back on the plane, because it might not be allowed on board, Hai Ya said, “Let’s leave it to my publisher. I have to rush back to work first.”  Several writers smiled understandingly on the spot, saying that they had taken a day or two off from work before they could attend the meeting, and they had to go back to work on Monday.

In my opinion, Hai Ya is not very familiar to many people in science fiction circles. He seems to have always fully separated his work life and hobbies, and protected them well. In the end, everyone took turns taking photos with him, including me. It was the first time I had taken a photo with a science fiction writer since attending the conference, and it also fulfilled a long-held wish…

At the venue, I spent some time observing the children who came to the venue. Some of them came with their families, and some came with their schools wearing their uniforms. They looked at everything in the venue with curiosity and excitement, stopped in front of every picture in the science fiction exhibition, and flipped through science fiction novels that they might not fully understand at the book signing counter. When it was getting dark, I saw a mother holding her child and saying she wanted to go home. The child moved reluctantly and asked: “Mom, can you come tomorrow? It’s so much fun here!”

My son is five years old and is very interested in everything related to science. I brought him along this time to let him experience the atmosphere of the World Science Fiction Convention. Like other children, he ran around in the open space on the first floor of the hall, interacted with people cosplaying science fiction characters, watched robots playing drums, experienced science fiction games in the theme exhibition hall, and received souvenirs and ribbons from each booth, looked at paintings drawn by other children, and watching the robot dog for a long time, without ever wanting to leave. When I was listening to a panel where Korean science fiction writers such as Kim Cho-yeop talked about Korean science fiction works, he also slipped into the venue at some point, wearing a simultaneous translator, and listened quietly for a long time. I asked him what he thought of science fiction conventions, and he shouted, “It’s fun!” …

In my opinion, science fiction needs to open its doors and let everyone participate, make it fun for children, and let the public play like children. Perhaps we don’t have to worry that the current science fiction traffic is concentrated on Liu Cixin, because his science fiction works are also an open door. Just like many science fiction authors and science fiction fans in the past started to get into science fiction from “Little Know-it-All Roams the Future”, Liu Cixin’s works are now the beginning of many people’s enlightenment on the road of science fiction, and they are also the future of Chinese science fiction.

What makes me happy is that after five days of reporting daily experiences to my circle of friends, many of them who hadn’t paid much attention to science fiction, began to ask me to recommend some SF novels for introductory reading.  Other friends were very interested in telling me about the science fiction novels they had recently read. I feel that I myself have become a small window of Chinese science fiction, opening up with enthusiasm, calling to and embracing everyone around me.

The author with the Kormo/Kemeng mascot
RiverFlow and Ling Shizhen accepting the Best Fanzine Hugo for Zero Gravity
Hai Ya’s Best Novelette Hugo
Children with the Kormo mascot

Xiaohongshu image galleries

I suspect most of the items in this Xiaohongshu image gallery，have already been seen in previous Scrolls, but I don’t think I’ve seen too many of the stamps, which are based on some of the con reports, that were popular amongst kids.

Similarly this one has many familiar sights, but also photos of a wall of Post-Its (I think at the Three-Body Problem event) and some author handprints, neither of which I’d previously encountered.

And this post continues the theme, although there are more photos of the props and exhibits than I’ve usually seen. The accompanying note is a short report that’s also worth reading; here’s the nearly the entire text via Google Translate, with manual edits:

The science fiction conference was fruitful and I was very happy.

The World Science Fiction Convention was really fun. I really gained a lot from those days. I was lucky enough to get autographs from Liu, Sawyer and [German author Brandon Q.] Morris, and saw all kinds of interesting exhibitions… But when it comes to science fiction-related topics, I feel very happy. Especially when participating in the panels, I felt that the atmosphere was super good and everyone was very happy.  After all, SF was a topic that everyone was very interested in but usually can’t find friends to discuss it with. 

The volunteers working the con were are all very friendly students. Not only were they very interested in science fiction, but they were also very passionate. It makes people feel the vitality of young people in the science fiction convention, and also makes people feel the friendliness of the city of Chengdu. 

The musical fountain at the weekend was also particularly good. It performed for half an hour after the Hugo Awards, and was really beautiful.

Although the entire conference did not feel perfect during the organization process, and the venue was indeed too far away. It still took two hours to get to the venue by bus and subway every day, but attending the con will remain an unforgettable memory

(4) CHENGDU CONREPORT BY NEXT YEAR’S GOH. Ken MacLeod, who will be a Glasgow 2024 Worldcon guest of honor, blogs about his experience at this year’s con in China: “Chengdu Worldcon: Meet the Future” at The Early Days of a Better Nation. The post includes many photos.

Last month I spent far too few days in China, at the Chengdu Worldcon, to which I was invited as an international guest. My travel, and accommodation for me and my wife, were covered by the Committee of the 2023 Chengdu World Science Fiction Convention, for which much thanks.

We had a wonderful time. The convention was a smashing success and easily the biggest, and most publicly celebrated, Worldcon ever….

…I took part in a couple of panels, one on Science Fiction and Future Science and one on cyberpunk, and was interviewed on video by an Italian documentary company and on voice recording for the Huawei news website. For two mornings I put in an hour or two at the Glasgow Worldcon stand. Never in my life have I been asked for so many autographs, or to pose with so many people for photographs. Nicholas Whyte, also at the stall, had the same experience, and others did too. Hardly any of the people whose notebooks and souvenirs we signed, or who stood beside us to have their photo taken, could have known who we were: that were overseas visitors with something to do with science fiction was enough. Among the few who did know us were some students from the Fishing Fortress College of Science Fiction in Chongqing. Our enthusiastic reception was nothing to that of Cixin Liu, author of the Three-Body trilogy and the story filmed as The Wandering Earth. His signing queue was like those I’ve seen for Neil Gaiman and Terry Pratchett. Science fiction in China is taken very seriously and sincerely by its fans….

(5) WONKA BIG B.O. ANTICIPATED. [Item by Cat Eldridge.] Oh god, they made a third version! “’Wonka’: Timothée Chalamet Movie Eyes $20M+ Box Office Opening” reports Deadline.

Warner Bros‘ anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on December 5, with box office analytics film The Quorum predicting a $20 million-$23 million opening. Note it’s still early in the campaign, so there’s potential for upside.

Unlike other tracking services that project three weeks before a movie’s release, Quorum is six weeks ahead.

In regards to Wonka‘s marketing campaign, there is material out there to move the needle: Two official trailers on the Warner Bros YouTube channel measuring at 31M and 9M views each, respectively; and lead star Timothée Chalamet will host Saturday Night Live on November 11 with the actor also on the cover of GQ. In addition, Warners has 17 one-sheets out there for the movie (in billboards, in-theater and online), and if there’s any barometer as to how much a studio is committing to a movie, it’s in the quantity of one-sheet posters….

(6) DOWNFOREVERYONE. “British Library Hit by Apparent Cyberattack” reports the New York Times.

On Saturday, the library was hit by what it is calling a “cyber incident.” Ever since, its website has been down and scholars have been unable to access its online catalog. The library’s Wi-Fi has also stopped working, and staff members haven’t been allowed to turn on their computers. 

In interviews this week, seven regular users of the library — including the author of a forthcoming book on classical music, a University of Cambridge lecturer, two postgraduate students and a Shakespearean scholar — said that the library had essentially gone back to a predigital age.

Now, according to a staff member in the library’s “rare books and music” reading room, ordering a book involves looking up its catalog number in one of several hundred hardback books or an external website, writing that number onto a slip of paper and then handing it to a librarian who, in turn, would check their records to see whether the book was available. Books are only available if they are stored at the main library location.

Any incident at the British Library tends to be high-profile news in Britain. 

Yet the British Library has issued only brief comments about the episode on X, the social media platform formerly known as Twitter. On Tuesday, it posted a statement saying that the library was “experiencing a major technology outage as a result of a cyber incident. This is affecting our website, online systems and services, and some on-site services including public Wi-Fi.”

On Friday, a library spokeswoman said in an email that she could not provide further comment. She did not respond to questions on whether an attack had actually occurred….

(7) MICHAEL WHELAN ON AI-CREATED ART. “What Happens to Illustrators When Robots Can Draw Robots?” in the New York Times.

Michael Whelan has made a career painting aliens, dragons, robots and other fantastical creatures for books covers. While he finds A.I. tools useful for brainstorming, he is also concerned about its impact on younger illustrators….

The first time Michael Whelan was warned that robots were coming for his job was in the 1980s. He had just finished painting the cover for a mass-market paperback edition of Stephen King’s “The Dark Tower: The Gunslinger,” a gritty portrait of the title character with the outline of a tower glimpsed through the haze behind him.

The art director for the project told him to enjoy these cover-art gigs while he could, because soon they would all be done by computers. Whelan dismissed him at the time. “When you can get a good digital file or photograph of a dragon, let me know,” he recalled saying.

For the next three decades, Whelan kept painting covers the old way — on canvas, conjuring dragons, spaceships and, of course, robots for science fiction and fantasy giants including Arthur C. Clarke, Isaac Asimov, Ray Bradbury and Brandon Sanderson.

Over time, Whelan forgot the art director’s name, but not his words. Now, he said, the day he was warned about is here. Robots have already started taking book illustration jobs from artists — and yes, they can paint dragons.

Over the past few months, users working with A.I. art generators have created hundreds of images in Whelan’s style that were slightly altered knockoffs of his work, he said, forcing him to devote considerable time and resources to getting the images removed from the web.

“As someone who’s been in this genre for a long time, it doesn’t threaten me like it does younger artists who are starting out, who I have a lot of concern for,” Whelan said. “I think it’s going to be really tough for them.”

While much of the discussion in publishing around generative artificial intelligence tools such as ChatGPT has focused on A.I.’s unauthorized use of texts for training purposes, and its potential to one day replace human authors, most writers have yet to be directly financially affected by A.I. This is not true for the commercial artists who create their book covers….

(8) FEARS OF THE FIFTIES. You can view “Atomic Attack”, an adaptation of Judith Merril’s novel Shadow on the Hearth, originally aired on The Motorola Television Hour in 1954.

In this sobering film, a family living 50 miles outside of New York must escape the fallout from a nuclear bomb dropped upon the Big Apple.

(9) MARVEL STUNTMAN DIES IN CAR CRASH. “’Avengers’ stuntman dies in car crash along with two children” at USA Today.

Taraja Ramsess will always be remembered by those who knew him best as a loving brother, a devoted father and a hard-working stuntman. 

The “Black Panther” stuntman was killed alongside two of his children in a car crash on Halloween night on an Atlanta highway, according to reporting by local affiliate WSB-TV.

The 41-year-old was making his way back home with his children around 11 p.m. when he crashed into a tractor-trailer that had broken down near an exit on the left-hand side of the highway….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 — Wendayne Ackerman. She was the translator-in-chief of 137 novels of the German space opera series Perry Rhodan, the majority published by Ace Books. She left Germany before WWII to escape anti-Semitism, working as a nurse in France and London. After the war she emigrated to Israel where she married her first husband and had a son. Following their divorce she moved to LA in 1948, and soon met and married Forrest J Ackerman. (Died 1990.)
  • Born November 4, 1917 — Babette Rosmond. She worked as an editor at the magazine publisher Street & Smith, editing Doc Savage and The Shadow in the late Forties. Rosmond’s first story, co-written by Leonard M. Lake, “Are You Run-Down, Tired-“ was published in in the October 1942 issue of Unknown Worlds. Error Hurled was her only genre novel and she only write three short genre pieces. (Died 1997.)
  • Born November 4, 1920 — Sydney Bounds. Writer, Editor, and Fan from Britain who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction. He was an early fan who joined Britain’s Science Fiction Association in 1937. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him. (Died 2006.)
  • Born November 4, 1934 — Gregg Calkins. Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.” (Died 2017.)
  • Born November 4, 1953 — Kara Dalkey, 70. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Otherwise Awards. 
  • Born November 4, 1953 — Stephen Jones, 70. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies edited quite some time ago. The Mammoth Book of Best New Horror accounts for eighteen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books and H. P. Lovecraft in Britain. He’s also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere. He’s won a number of World Fantasy Awards and far too many BFAs to count. 

(11) COMICS SECTION.

  • Saturday Morning Breakfast Cereal brings a robot to debate how people with emotions interact with people without emotions.
  • Tom Gauld’s x-ray vision finds the truth is out there.

(12) CATGPT? “’AI can teach us a lot’: scientists say cats’ expressions richer than imagined and aim to translate them” in the Guardian.

If an unexpected meow, peculiar pose, or unusual twitch of the whiskers leaves you puzzling over what your cat is trying to tell you, artificial intelligence may soon be able to translate.

Scientists are turning to new technology to unpick the meanings behind the vocal and physical cues of a host of animals.

“We could use AI to teach us a lot about what animals are trying to say to us,” said Daniel Mills, a professor of veterinary behavioural medicine at the University of Lincoln.

Previous work, including by Mills, has shown that cats produce a variety of facial expressions when interacting with humans, and this week researchers revealed felines have a range of 276 facial expressions when interacting with other cats.

(13) IMPACT FACTOR. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story is “Impact Factor”.

The cover shows an artist’s impression of the collision between the protoplanet Theia and proto-Earth about 4.5 billion years ago. It has been suggested that it was this ‘Giant Impact’ that formed the Moon, but direct evidence for the existence of Theia remains elusive. In this week’s issue, Qian Yuan and his colleagues present combined results from simulations of the impact and mantle convection to explain why two large regions in Earth’s deepest mantle differ seismically and could be 2–3.5% denser than the surrounding mantle. The researchers suggest that the two dense areas are the remains of Theia’s iron-rich mantle that sank and accumulated above Earth’s core 4.5 billion years ago, surviving there throughout Earth’s history.

Primary research here “Moon-forming impactor as a source of Earth’s basal mantle anomalies”

(14) MARVELOUS MINI-MOON. [Item by Steven French.]  “Mini moon: Nasa spacecraft discovers asteroid orbited by its own tiny satellite” in the Guardian.

In one of the smallest, but still exciting, discoveries by Nasa in recent years, a spacecraft visiting a minor asteroid way out in the solar system has discovered that the chunk of space rock has its own tiny sidekick.

The spacecraft, called Lucy, was visiting asteroid Dinkinesh when it made the unexpected find of a moon companion.

The discovery was made during Wednesday’s flyby of Dinkinesh, 300m miles away in the main asteroid belt beyond Mars. The spacecraft snapped a picture of the pair when it was about 270 miles out.

In data and images beamed back to Earth, the spacecraft confirmed that Dinkinesh is barely a half-mile (790 meters) across. Its closely circling moon is a mere one-tenth of a mile (220 meters) in size.

Nasa sent Lucy past Dinkinesh as a rehearsal for visiting the bigger, more mysterious asteroids out near Jupiter.

Launched in 2021, the spacecraft will reach the first of these so-called Trojan asteroids in 2027 and explore them for at least six years. The original target list of seven asteroids now stands at 11.

Dinkinesh means “you are marvelous” in Ethiopia’s Amharic language….

(15) VIDEO OF THE DAY. Matt O’Dowd over at PBS Space Time this fortnight takes a look at “How Will We (Most Likely) Discover Alien Life?”

The first discovery of extraterrestrial life will almost certainly NOT be when it visits us, nor when we visit it. It won’t be when we see its stray TV signals. It’ll be in the excruciatingly faint changes in the color of alien sunsets glimpsed hundreds of light years away. Today we’re going to talk about the first such hint, why it’s probably not aliens, and why there’s a tiny chance that it still might not not be aliens.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Nicholas Whyte, Steven French, Cliff, Carl Andor, Lise Andreasen, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 5/12/23 I’m A Citizens For Boisenberry Space Jam Of The Galaxy Fan

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(1) UNDERSTANDING A SOCIAL MEDIA SUCCESS STORY. [Item by Cora Buhlert.] Grace P. Fong explains how Twitter’s algorithm caused that Bigolas Dickolas tweet to go viral: “This is How Bigolas Dickolas Won the Twitter”.

…Basically, I think this not a case of lightning striking but more a case of two long-term successes colliding in a way that was socially unlikely (although algorithmically possible), followed by a snowball effect in part of the sheer novelty of these two social groups.

So first, you need to understand the social media algorithm…

We know that the algorithm groups people based off who they follow and who follows them back. This is why ‘top’ people in a particular circle will actually have similar follower counts give or take a few K. For example, pop stars will have followings in the 100Ks, visual artists at 20Kish, and writers at 10Kish. Posts that do well are first elevated to members of the same circle.

That’s the key to success here: the post by Bigolas Dickolas (who I’ll call BD to save space) hopped circles. A much bigger circle than the speculative fiction circle: the Trigun circle….

(2) TOLKIEN SCHOLARSHIP. Robin Anne Reid has published “My Presentation for the ‘Tolkien and Medieval Constructions of Race’ Roundtable” at Writing from Ithilien.

…I would like to thank Kris and Mariana for organizing this roundtable. I second their call to foreground work by medievalists of colour and to expand scholarship on Tolkien that draws on critical race, intersectional, postcolonial, and neo-colonial theories. However, my focus today is not on what Tolkien wrote. Instead, I argue that Tolkien studies is dominated by white scholars who too often defend their beloved author with the shield of authorial intentionality, and that we need to turn an analytical gaze on ourselves and the systemic racism that is the foundation of our field (and of Anglophone academia). What follows is an overview of that process in my own work.

My 2017 bibliographic essay on “Race and Tolkien” in Christopher Vaccaro and Yvette Kisor’s Tolkien and Alterity analyzes twenty-three essays and two books on the topic that were published between 2003-2013. The essays include a handful of entries in Michael Drout’s Tolkien Encyclopedia, but most are peer-reviewed publications. The conflict between those who defend what are held to be the author’s personal beliefs and those who analyze the texts is clear. My conclusion is that it is futile to frame the research question as “Is Tolkien racist or not?” as opposed to the question of “how does Tolkien’s work criticize and reproduce the racist/imperialistic/colonialist systems of the world in which he lived?” My bibliographic essay is the only one of the eleven chapters in the first collection on “Alterity” that engages with the topic of race and racisms as opposed to the other types of alterity which, by the unstated default, are primarily White: queerness; women; femininity; language, and identities….

(3) A WINDOW ON PUBLISHING ISSUES. The New York Times profiles R. F. Kuang, author of Yellowface, in “She Wrote a Blistering Satire About Publishing. The Publishing Industry Loves It.”

Everything about R.F. Kuang’s novel “Yellowface” feels engineered to make readers uncomfortable. There’s the title, which is awkward to say out loud, and the cover, which features a garish racial stereotype — cartoonish slanted eyes imposed on a block of yellow.

Then there’s the story itself. In the opening chapters, a white author steals a manuscript from the home of a Chinese American novelist who has died in a bizarre accident, and plots to pass it off as her own. What follows is a twisty thriller and a scorching indictment of the publishing industry’s pervasive whiteness and racial blind spots.

If people in the literary world bristle at Kuang’s withering depiction of the book business — or cringe in recognition — well, that’s exactly the point, she said.

“Reading about racism should not be a feel-good experience,” she said. “I do want people to be uncomfortable with the way that they’re trained to write about and market and sell books, and be uncomfortable with who’s in the room, and how they’re talking about who’s in the room.

“And it’s also functioning on a different level for writers of color,” she added, “to think about how we are moving through those spaces, and the traps that are set for us.”…

(4) AUDIOBOOKS MAKING NOISE. Publishing Perspectives shows that in February in the U.S. “Audio in Adult Titles Surpasses Ebooks”.

… The AAP’s report points to February as the first time that digital audio has surpassed ebooks in books for adults. We emphasize the “for adults” element only to stress that the handy lead taken by digital audio over ebooks in February is no across the board, but limited to adult content….

(5) SHOOTING THE MOON. [Item by Danny Sichel.] Andrew McCarthy used two telescopes for five years and stitched together +280,000 individual photos of the Moon to produce the “Gigamoon”, the most detailed image of the Moon on record. It’s over a billion pixels large, and he’s made an interactive version available.

Try zooming in — at EasyZoom.

(6) KGB. Ellen Datlow has posted her photos from the Fantastic Fiction at KGB readings on May 10, 2023 which featured guests Paul Tremblay and John Langan.

(7) SURVIVOR MARS — OR — THROW SHAT FROM THE HABITAT. [Item by Mike Kennedy.] Just when you thought every stupid “celebrity“ elimination show had been made, along comes Stars on Mars. Hosted by William Shatner on Fox, a dozen B-, C-, and mostly D-List celebrities will be gathered in a simulated Mars habitat and compete with each other to prevent being “sent back to Earth.“

Speaking for themselves, the Futurism article says, “We’ll probably be tuning in — even if it’s just so you don’t have to.” In any case, you’ve been warned. “New Show Traps Lance Armstrong and Ariel Winter in Simulated Mars Base”

…The show, set to premiere next month, will be hosted by none other than “Star Trek” legend and depressed space tourist William Shatner.

“Thanks to lower gravity on Mars, you’ll weigh 62 percent less,” Shatner quipped during a promo video. “Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”

The guest list is a bizarre mashup of VIPs, from UFC champion Ronda Rousey and “Real Housewives of Atlanta” reality star Porsha Williams Guobadia to actor Christopher Mintz-Plasse, who you might remember as McLovin’ from the comedy “Superbad.”

The show will vaguely mimic a NASA analog mission, with contestants living and working inside a mockup of a Martian colony, though it’s unclear for how long.

They will also compete with each other during several challenges set by Shatner and vote each other off of the show — “send them back to Earth” — until a single “space invader” is left standing, according to a press release….

(8) LIVE STAGE EFFECTS. The New York Times continues its periodic series with “5 Tony-Nominated Broadway Shows, 5 Stagecraft Secrets”. Includes the very bloody Sweeney Todd.

…Theater, at its best, is a form of magic — it enchants us, transforms us and often makes us wonder, “How do they do that?”

On Broadway, where craft is polished and spectacle is heightened, there is much at which to marvel. So this spring, now that all the 2022-23 plays and musicals have opened, we have once again asked a few of the Tony-nominated shows to let us peek behind the metaphorical curtain, exploring how they came up with, and pulled off, some of the sensational stagecraft that caught our attention this season.

Warning: Spoilers ahead….

(9) JERRY LAPIDUS (1948-2023). Fanzine fan Jerry Lapidus died about April 19 in his home in Ormond Beach, Florida announced D. Gary Grady.

I remember Jerry’s genzine Tomorrow and… which was published in a slightly exotic format on legal length paper (see issues at Fanac.org.) From 1968-1972 he also did an annual compilation of the current Worldcon constitution in The Legal Rules which identified the latest changes and published notes on the actions of the business meeting.   

Outside of fandom, recalls Grady, “For many years Jerry worked with Actors Equity in New York, negotiating Equity contracts with regional theaters all over the country. Later he took a position helping run a large performing arts center in Daytona Beach, the Seaside Music Theater, and more recently he was a volunteer at a small nonprofit theater in Palm Coast.”

Jerry’s wife Anita died in 2015. He is survived by his daughter, Kim.

(10) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

May I start off by saying we are so blessed to have Pat Cadigan among as both an individual and as a writer? Truly blessed? She’s an amazing person that has been honored with multiple Hugo nominations but only one win which was for “The Girl-Thing Who Went Out for Sushi”, the source of our Beginning this time. 

It was published in Jonathan Strahan’s Edge of Infinity anthology in 2012.

And now Cadigan demonstrates her most excellent wordsmithing in this Beginning…

Nine decs into her second hitch, Fry hit a berg in the Main ring and broke her leg. And she didn’t just splinter the bone—compound fracture! Yow! What a mess! Fortunately, we’d finished servicing most of the eyes, a job that I thought was more busywork than work-work. But those were the last decs before Okeke-Hightower hit and everybody had comet fever.

There hadn’t been an observable impact on the Big J for almost three hundred (Dirt) years—Shoemaker-Somethingorother—and no one was close enough to get a good look back then. Now every news channel, research institute, and moneybags everywhere in the solar system was paying Jovian Operations for a ringside view. Every JovOp crew was on the case, putting cameras on cameras and backup cameras on the backup cameras—visible, infrared, X-ray, and everything else. Fry was pretty excited about it herself, talking about how great it was she would get to see it live. Girl-thing should have been watching where she wasn’t supposed to be going.

I was coated and I knew Fry’s suit would hold, but featherless bipeds are prone to vertigo when they’re injured. So I blew a bubble big enough for both of us, cocooned her leg, pumped her full of drugs, and called an ambulance. The jellie with the rest of the crew was already on the other side of the Big J. I let them know we’d scrubbed and someone would have to finish the last few eyes in the radian for us. Girl-thing was one hell of a stiff two-stepper, staying just as calm as if we were unwinding end-of-shift. The only thing she seemed to have a little trouble with was the O. Fry picked up consensus orientation faster than any other two-stepper I’d ever worked with but she’d never done it on drugs. I tried to keep her distracted by telling her all the gossip I knew and when I ran out, I made shit up.

Then all of a sudden, she said, “Well, Arkae, that’s it for me.”

Her voice was so damned final, I thought she was quitting. And I deflated because I had taken quite a liking to our girl-thing. I said, “Aw, honey, we’ll all miss you out here.”

But she laughed. “No, no, no, I’m not leaving. I’m going out for sushi.”

I gave her a pat on the shoulder, thinking it was the junk in her system talking. Fry was no ordinary girl-thing—she was great out here but she’d always been special. Back in the Dirt, she’d been a brain-box, top-level scholar and a beauty queen. That’s right—a featherless biped genius beauty queen. Believe it or leave it, as Sheerluck says.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 12, 1907 — Leslie Charteris. I really hadn’t thought of the Simon Templar aka The Saint series as being genre but both ISFDB and ESF list the series with the latter noting that “Several short stories featuring Templar are sf or fantasy, typically dealing with odd Inventions or Monsters (including the Loch Ness Monster and Caribbean Zombies.” (Died 1993.)
  • Born May 12, 1928 — Robert Coulson. Writer, well-known fan, filk songwriter and fanzine editor. He and his wife, writer and fellow filker Juanita Coulson, edited the fanzine Yandro which they produced on a mimeograph machine, and which was nominated for the Hugo Award ten years running right through 1968, and won in 1965. Yandro was particularly strong on reviewing other fanzines. Characters modeled on and named after him appear in two novels by Wilson Tucker, Resurrection Days and To the Tombaugh Station. (Died 1999.)
  • Born May 12, 1937 — George Carlin. Rufus in Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. He also showed up in Scary Movie 3 and Tarzan II. I once met him many decades ago at a Maine summer resort. He was really personable and nice. (Died 2008.)
  • Born May 12, 1938 — David Pelham, 85. Artist and Art Director at Penguin Books from 1968 to 1979, who was responsible for some of the most recognizable cover art in genre books to date. He did the cog-eyed droog for Anthony Burgess’s novel A Clockwork Orange in 1972.
  • Born May 12, 1942 — Barry Longyear, 81. Best known for the Hugo- and Nebula Award–winning novella Enemy Mine, which became a film by that name as well. An expanded version of the original novella as well as two novels completing the trilogy, The Tomorrow Testament and The Last Enemy make up The Enemy Papers. I’m very fond of his Circus World series, less so of his Infinity Hold series.
  • Born May 12, 1950 — Bruce Boxleitner, 73. His greatest genre role was obviously Captain John Sheridan on Babylon 5. (Yes, I loved the show.) Other genre appearances being Alan T. Bradley in Tron and Tron: Legacy, and voicing that character in the Tron: Uprising series. He has a recurring role on Supergirl as President Baker.
  • Born May 12, 1958 — Heather Rose Jones, 65. Part of our File 770 community.  She received the Gaylactic Spectrum Award for the Mother of Souls, the third novel in her Alpennia series which has now seen four novels published, quite an accomplishment. For six years now, she has presented the Lesbian Historic Motif Podcast subseries of the Lesbian Talk Show.

(12) COMICS SECTION.

  • Frazz explains some indiocyncratic English pluralization(s).

(13) PIONEERING THE COMIC STORE BUSINESS. The Comics Journal interviews the current owner of L.A.’s famed “Golden Apple Comics” who inherited in from his father.

Just to step back historically for a moment, Golden Apple was one of the earliest comic stores in L.A., and became one of the most important stores nationally for comic retail. So, to your mind, what led to that influence? What was the key to your dad’s strategy?

First and foremost, his passion, his creativity, his drive, his vision. He was a retail pioneer for comic books. There were comic book stores in the 1970s, but they were run by fans, and they weren’t even legitimate businesses. My dad is actually the one who really pushed for cash registers, for example. Everybody else was using cigar boxes or whatever, and they weren’t paying their taxes, they weren’t doing inventory or anything. 

And selection was always a big thing for us. It was a really big store, the original store. We probably carried more new titles and deeper stock than anybody. We would just have hundreds of copies of every major Batman, Spider-Man, X-Men, Image title. Because here’s the thing about Golden Apple: we didn’t do subscriptions, like pull lists or traditional subscription boxes, which are sort of the backbone of the industry. My dad didn’t believe in it. He felt that it took away from the shopping aspect of [the store]: that they would come in, and buy [their holds], and walk out the door and not even look around. And he was wrong. There are a small handful who do that, and I always look at them and go, “Oh, you’re the ones my dad was fearing.” But it’s a very small amount of regulars.

Obviously, one of the main keys was, [Golden Apple] is a place to meet your heroes, whether it’s a comic creator, a celebrity, a movie star, a musician. If you had a comic book that you were trying to promote, you came through Golden Apple. So Wizard magazine did an article called “Comic Shop to the Stars” – we basically [had] kept it under wraps for years, as a sign of respect, and I didn’t want to publicly call out these celebrities that had been shopping in our store. And then one day, Wizard magazine said, “Hey, I heard X, Y and Z shop here.” And my dad said, “You know what? I think it’s time to tell the world.” And we did, and ever since then, our star has just risen: more celebrities come in, I think, because of it. Michael Jackson was famously a customer. It was the only comic store he went to, and we would close the place down for him. And he brought his kids and everything – we’re the last documented store where photographers took pictures of Michael and his three children before he died.

Have you ever felt there’s a downside to that – whether adding that level of glitz detracts from your identity as a comic shop in any way?

It’s a pure plus. I can’t tell you the countless amount of customers who have been in the store when a big celebrity comes in. It makes their day….

(14) BITE ME. “Soap can make humans more attractive to mosquitoes, study finds” reports the Guardian.

Lathering up with soap might seem a reasonable mosquito-evasion strategy on the basis that if they can’t smell you, they can’t bite you.

However, a study suggests that rather than helping you go incognito, soapy fragrances could make you a more attractive target, with mosquitoes favouring the scent of volunteers who washed with three out of four popular soap brands tested.

The scientists behind the research said mosquitoes may be attracted to soap because, when they are not feeding on blood, they supplement their sugar intake with plant nectars.

“The fact we are taking those flowery, fruity smells and putting them on our bodies means that now the same object smells like a flower and a person at the same time,” said Clément Vinauger, who led the work at Virginia Polytechnic Institute and State University. “It would be like waking up and smelling something that was like both coffee and muffins. Very appealing.”…

(15) HAMILTONIAN HUMOR. [Curated by Daniel Dern.]

At the 30th annual Easter Bonnet Competition, the company of Hamilton took top honors for transforming their opening number into an homage to Stephen Sondheim’s Sweeney Todd. Lin-Manuel Miranda chillingly portrayed the “demon barber of Fleet Street” as his fellow cast members retold the dark, twisted tale.

(16) VIDEO OF THE DAY. The faux “Lord of the Rings by Wes Anderson Trailer” is a big hit online. Jennifer Hawthorne says, “If you’ve seen any Wes Anderson movies this is hilarious, and if you haven’t it’s still pretty fun (and also, you should go see some Wes Anderson movies.)”

It was made using AI – the maker has posted an explanation about how they did it: “AI Filmmaking”.

[Thanks to Andrew Porter, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, Cora Buhlert, Daniel Dern, Danny Sichel, Ellen Datlow, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/17/23 Superscroll’s Fortress Of Pixeltude

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(1) BARD’S TOWER CLOSES. Bard’s Tower tweeted an announcement today that they have ceased operation. Bard’s Tower was Alexi Vandenberg’s book sales business noted for running autograph sessions at conventions to “provide celebrity experiences with the authors of SciFi and Fantasy.”

Let me begin by thanking all of our amazing authors, creative storytellers, patrons, and fans.

Since 2016 Bard’s Tower has provided a place for authors in the pop culture convention landscape. Unfortunately it has become clear that after 2020 and the subsequent 2021 and 2022 seasons that the financial and personal costs of running Bard’s Tower make its continued operation impossible.

I regret to inform everyone that as of today The Bard’s Tower will not continue in operation.

Thank you for your support and understanding.

For the past few years Bard’s Tower has been dogged by complaints, charges of late pay or no pay, and other forms of business malpractice.  

Author Michael Z. Williamson documented his experience trying to facilitate the sale of a deceased friend’s collection in “When Booksellers Go Bad: Alexi Vandenberg, Bard’s Tower, Rabid Fanboy Enterprises”. Published in February 2023, the post begins:

SUMMARY: Alexi Vandenberg was supposed to sell $10,000 worth of rare books from the estate of a multiply decorated combat veteran. The inheritor is the veteran’s disabled niece. Over 17 months later, he has not paid a cent to the estate, nor returned the books.

UPDATE: Two days after this post, after many exchanges on how to pay electronically, he has paid the estate his estimated value of the books.

Early this month at Geeks, Abbas Abbasi wrote a post about allegations made against the Bard’s Tower owner: “Alexi Vandenberg: A Monster In The Geek Community”.

Alexi Vandenberg, owner of Rabid Fanboy, styles himself as “The Merchant Prince of Fandom,” and “Steampunk Jesus,” and claims to be a serial entrepreneur, running Bard’s Tower, Prince of Cats Literary Productions, and the ironically-named Super Villain’s Network. However, aside from Rabid Fanboy, none of these companies actually exist. Alexi Vandenberg has used these as aliases to gain his perennial status as a vendor at science fiction conventions. You have likely seen him selling books as Bard’s Tower or Bard’s Tower Celebrity Experience….

(2) PRACTICUM. “Nuts and Bolts Interview with John Gray” is conducted by Tom Joyce for the Horror Writers Association blog, part of a monthly series of interviews and features dealing with the practical aspects of writing.

What are the different considerations that go into writing a screenplay, vs. writing a novel?

Novels and screenplays are very different animals — with scripts, you are always fighting the clock, especially in television, where there are usually pre-set running times. You are often having to sacrifice backstory and subplots, which can keep the work from rising above the superficial. With novels, there are no such limitations, and while it is still your responsibility as a writer to be economic and entertaining, you have much more freedom to explore your characters and their pasts, their inner lives, their thoughts, and you can complicate your plots in really satisfying ways, not always possible in film and television.

(3) FILM FESTIVAL VENUE SCOTCHED. Edinburgh’s Dead by Dawn Horror Festival has reluctantly announced that their longtime venue, the Filmhouse, is “boarded up and for sale.” Director Adele Hartley wrote on Facebook:

I was, like everyone else, hanging on for a miracle but miracles seem a little thin on the ground these days.

Filmhouse on Lothian Road needed a financial hand to get back on track and could then have continued to support itself going forward. A city which can find bewildering sums of money for bewildering projects apparently could not or would not help.

It’s hard to understand how a government seemingly so passionate about independence appears not to value independent arts on its own doorstep….

…As every horror fan knows, when the beast is lying in the dust, seemingly destroyed so the sun can come up and the final girl can go home, the camera will linger on the hand just long enough that we might see the pinkie give a tiny twitch – a death throes reflex, or a sequel? Only time will tell.

All I ever wanted to do was watch horror films with horror fans and I’m so glad you were there to do that with me for the last 29 years. I had a blast.

(4) LATE ARRIVALS. Publishing Perspectives reports “Tove Jansson’s Moomin Characters Licensed to Barnes & Noble”.

Less than two weeks before almost 29,000 trade visitors and illustrators were walking past a large Moomins R&B display at the 60th Bologna Children’s Book Fair, the United States’ largest bookstore chain, Barnes & Noble, announced a new licensing rights deal with the estate of Tove Jansson (1914-2001), the Swedish-speaking Finnish illustrator and writer best remembered for creating the Moomin books for kids.

Handled by Moomins Characters Oy Ltd. in Helsinki, the official rights holder of all the Moomin characters, the deal is bringing the Moomins to more than 600 Barnes & Noble stores in the United States. And it will surprise many in Europe and the United Kingdom—where Moomins can seem as ubiquitous as Disney characters are in the States—to know that many Americans are seeing these portly white figures for the first time…

(5) MOUNTAINTOP EXPERIENCE. Have no trepidations! “The Japanese call this practice tsundoku, and it may provide lasting benefits” says Kevin Dickinson at Big Think.

I love books. If I go to the bookstore to check a price, I walk out with three books I probably didn’t know existed beforehand. I buy second-hand books by the bagful at the Friends of the Library sale, while explaining to my wife that it’s for a good cause. Even the smell of books grips me, that faint aroma of earthy vanilla that wafts up at you when you flip a page.

The problem is that my book-buying habit outpaces my ability to read them. This leads to FOMO and occasional pangs of guilt over the unread volumes spilling across my shelves. Sound familiar?

But it’s possible this guilt is entirely misplaced. According to statistician Nassim Nicholas Taleb, these unread volumes represent what he calls an “antilibrary,” and he believes our antilibraries aren’t signs of intellectual failings. Quite the opposite.

… [Kevin Mims’] preferred label is a loanword from Japan: tsundoku. Tsundoku is the Japanese word for the stack(s) of books you’ve purchased but haven’t read. Its morphology combines tsunde-oku (letting things pile up) and dokusho (reading books)….

(6) LANCE REDDICK (1963-2023). Although best known for his roles in The Wire, Bosch, and the John Wick movies, actor Lance Reddick, who died March 17 at age 60, also worked in many genre productions.

He was in Godzilla vs. King Kong. He appeared in episodes of TV’s Lost, Fringe, Quantum Break, Young Sheldon, and Resident Evil. He voiced characters in episodes of the animated series The Avengers: Earth’s Mightiest Heroes, Tron: Uprising, Beware the Batman, Rick & Morty, Duck Tales, and The Legend of Vox Machina. He also did voice work in many video games.

(7) MEMORY LANE.

1970 – [Compiled by Cat Eldridge.]

Tony Hillerman’s The Blessing Way: A Leaphorn & Chee Novel is the start of the most excellent series. Published in hardcover by Harper & Row, fifty-three years ago, it was the first of seventeen novels that he wrote involving those two members of the Navajo Tribal Police, separately and together. 

The novels are rich in the details of Reservation life and the interaction with larger society around them.  This novel delves into the mythology of Navajo culture in ways I can’t discuss here without spoiling the story for you. (Do not read the Wikipedia article, really I mean it.) Hillerman who lived much of his life in the Southwest obviously loved this region and it shows here.

His daughter Annie wrote seven more so far. I’ve read three and they were quite well done. They’re different but still akin to his novels.

It’s not a spoiler to note these novels were made to a series. His novels Skinwalkers, A Thief of Time and Coyote Waits were adapted for television as of the American Mystery! series by the Public Broadcasting Service.

And now here’s our Beginning…

LUIS HORSEMAN LEANED the flat stone very carefully against the piñon twig, adjusted its balance exactly and then cautiously withdrew his hand. The twig bent, but held. Horseman rocked back on his heels and surveyed the deadfall. He should have put a little more blood on the twig, he thought, but it might be enough. He had placed this one just right, with the twig at the edge of the kangaroo rat’s trail. The least nibble and the stone would fall. He reached into his shirt front, pulled out a leather pouch, extracted an odd-shaped lump of turquoise, and placed it on the ground in front of him. Then he started to sing:

“The Sky it talks about it. 
The Talking God One he tells about it. 
The Darkness to Be One knows about it. 
The Talking God is with me. 
With the Talking God I kill the male game.”

There was another part of the song, but Horseman couldn’t remember it. He sat very still, thinking. Something about the Black God, but he couldn’t think how it went. The Black God didn’t have anything to do with game, but his uncle had said you have to put it in about him to make the chant come out right. He stared at the turquoise bear. It said nothing. He glanced at his watch. It was almost six. By the time he got back to the rimrock it would be late enough to make a little fire, dark enough to hide the smoke. Now he must finish this.

“The dark horn of the bica, 
No matter who would do evil to me, 
The evil shall not harm me. 
The dark horn is a shield of beaten buckskin.” 

Horseman chanted in a barely audible voice, just loud enough to be heard in the minds of the animals.

“That evil which the Ye-i turned toward me cannot reach me through the dark horn, through the shield the bica carries. 
It brings me harmony with the male game. 
It makes the male game hear my heartbeat. 
From four directions they trot toward me. 
They step and turn their sides toward me. “

“So my arrow misses bone when I shoot. 
The death of male game comes toward me.
The blood of male game will wash my body.
The male game will obey my thoughts.” 

He replaced the turquoise bear in the medicine pouch and rose stiffly to his feet. He was pretty sure that wasn’t the right song. It was for deer, he thought. To make the deer come out where you could shoot them. But maybe the kangaroo rats would hear it, too. He looked carefully across the plateau, searching the foreground first, then the mid-distance, finally the great green slopes of the Lukachukai Mountains, which rose to the east. Then he moved away from the shelter of the stunted juniper and walked rapidly northwestward, moving silently and keeping to the bottom of the shallow arroyos when he could. He walked gracefully and silently. Suddenly he stopped. The corner of his eye had caught motion on the floor of the Kam Bimghi Valley. Far below him and a dozen miles to the west, a puff of dust was suddenly visible against a formation of weathered red rocks. It might be a dust devil, kicked up by one of the Hard Flint Boys playing their tricks on the Wind Children. But it was windless now. The stillness of late afternoon had settled over the eroded waste below him. 

Must have been a truck, Horseman thought, and the feeling of dread returned. He moved cautiously out of the wash behind a screen of piñons and stood motionless, examining the landscape below him. Far to the west, Bearer of the Sun had moved down the sky and was outlining in brilliant white the form of a thunderhead over Hoskininie Mesa. The plateau where Horseman stood was in its shadow but the slanting sunlight still lit the expanse of the Kam Bimghi. There was no dust by the red rocks now, and Horseman wondered if his eyes had tricked him. Then he saw it again. A puff of dust moving slowly across the valley floor. A truck, Horseman thought, or a car. It would be on that track that came across the slick rocks and branched out toward Horse Fell and Many Ruins Canyon, and now to Tall Poles Butte where the radar station was. It must be a truck, or a jeep. That track wasn’t much even in good weather. Horseman watched intently. In a minute he could tell. And if it turned toward Many Ruins Canyon, he would move east across the plateau and up into the Lukachukais. And that would mean being hungry.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin. She’s readily available at the usual digital suspects. (Died 1901).
  • Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role as an actress, she played two roles, Maria and her double, the Maschinenmensch, plus several uncredited roles as well. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and in particular attacking Jewish financial speculators. (Died 1996.)
  • Born March 17, 1945 — Tania Lemani, 78. She played Kara in the Trek episode “Wolf in the Fold”. She first met Shatner when she was offered her a role in the pilot for Alexander the Great which starred him in the title role (although the pilot failed to be picked up as a series). She had parts in The Man from U.N.C.L.E., The Bionic Woman and she shows up in the fanfic video Star Trek: Of Gods and Men. I assume as Kara, though IMDb lists her as herself. 
  • Born March 17, 1947 — James K. Morrow, 76. I’m very fond of the Godhead trilogy in which God is Dead and very, very present. Shambling Towards Hiroshima is a lot of satisfying satirical fun as is The Madonna and the Starship which is also is a wonderful homage to pulp writers. Lazarus Is Waiting is his forthcoming novel. 
  • Born March 17, 1948 — William Gibson, 75. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. The works I struggled with are Pattern Recognition, Spook Country and Zero History. I’ve tried all of them, none were appealing. Eh? 
  • Born March 17, 1949 — Patrick Duffy, 74. Surely you’ve seen him on Man from Atlantis? No?  Oh, you missed a strange, short-lived show. His other genre credits are a delightfully mixed bag of such things as voicing a Goat on Alice in Wonderland, appearing on The Secret Adventures of Jules Verne as Duke Angelo Rimini  in the “Rockets of the Dead” episode and voicing  Steve Trevor in the incredibly excellent “The Savage Time” three-parter on Justice League.
  • Born March 17, 1951 — Kurt Russell, 72. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good and he’s fantastic in it.

(9) COMICS SECTION.

The Skeleton Man attempts to rewrite history: https://twitter.com/MKupperman/status/1636412766675238912

(10) IN TIMES TO BLEEP. [Item by Mike Kennedy.] Star Trek Twitter was apparently was all agog, or perhaps aghast, at a swear word escaping Picard‘s mouth. “’Star Trek’, swear words and TV characters’ changing mores” at AP News.

For nearly four decades, Jean-Luc Picard of “Star Trek” has largely been presented as genteel, erudite and — at times — quite buttoned up. Yes, he loses his temper. Yes, he was reckless as a callow cadet many years ago. Yes, he occasionally gets his hands dirty or falls apart.

But the Enterprise captain-turned-admiral stepped into a different place in last week’s episode of the streaming drama “Star Trek: Picard.” Now, he’s someone who — to the shock of some and the delight of others — has uttered a profanity that never would have come from his mouth in the 1990s: “Ten f—-ing grueling hours,” Patrick Stewart’s character says at one point during an intense conversation in which he expects everyone will die shortly.

…Over the weekend, “Star Trek” Twitter reflected that tension.

“Totally out of character,” said one post, reflecting many others. Some complained that it cheapened the utopia that Gene Roddenberry envisioned, that humans wouldn’t be swearing like that four centuries from now, that someone as polished as Picard wouldn’t need such language….

(11) YOUR MUG HERE. “Disney’s New Customizable Tron Figures Swap Sculpted Faces for Tiny Video Screens” at Yahoo!

…Thanks to innovations in 3D printing, anyone can now get an action figure customized with their own likeness through Hasbro’s Selfie Series program—assuming they’ve got the patience to wait a few months for it to be made. Disney’s new Tron Identity Program promises customized action figures in about 16 minutes by skipping the 3D printing altogether.

In fact, the new collection of Tron action figures don’t feature face sculpts at all. The secret to their speedy customization is hidden inside a slick helmet each figure is wearing. Behind the transparent visor is an LCD screen that displays images of digitally captured faces making different expressions, and when played back in sequence, it can even make the figure look like it’s talking….

Only Available at the Happiest Place on Earth

Creating the customized figures only takes around 16 minutes—plenty of time to browse the rest of the gift shop—and they arrive in packaging that looks like a miniaturized Tron arcade cabinet.

With a $90 price tag, the Tron Identity Program Experience is about $30 more expensive than ordering a customized Hasbro Selfie Series figure, but the price difference is probably due to the added electronics in the Tron figures. However, if you want one, you’ll also have to factor in the cost of a trip to Walt Disney World, because while Hasbro’s Selfie Series figures are available to anyone who can use a smartphone app, the Tron Identity Program Experience is only available at the park, outside the Tron Lightcycle attraction, in Florida.

(12) VIRGIN ORBIT HITS THE PAUSE BUTTON. [Item by Mike Kennedy.] Or is that a full stop? When Virgin Orbit had an unsuccessful launch in early January, some pundits predicted that they would run out of money by sometime in March. It is now sometime in March. “Virgin Orbit pauses all operations” in Ars Technica.

It’s been a rough first quarter of 2023 for Virgin Orbit, Sir Richard Branson’s US-based flagship satellite launch company. First, the company had a disastrous UK launch attempt in January; the launch failed after a problem with the rocket’s second-stage engine. The company’s already precarious financial situation went critical in the wake of that failure. As Ars’ Eric Berger reported at the time, several financial analysts predicted that the company would run out of money sometime in March.

Those analysts proved quite prescient. BBC News reports that the beleaguered company will pause its operations on Thursday and furlough almost all its staff, although the company did not officially confirm the furloughs to BBC News. In a statement, the company merely said, “Virgin Orbit is initiating a company-wide operational pause, effective March 16, 2023, and anticipates providing an update on go-forward operations in the coming weeks.” Shares dropped 18.8 percent to 82 cents (72p) in extended trading in response to the news….

(13) A NEW FRONTIER FOR NOISE POLLUTION. [Item by SF Concatenation’s Jonathan Cowie.] I think there are implications (which they don’t say) for SETI. “Are telescopes on the Moon doomed before they’ve even been built?” — an open access article at Nature. “Booming exploration and commercial activity could ruin the quiet environment of the lunar far side.”

For radioastronomers, the far side of the Moon could be the last unspoilt refuge in the Solar System. Planet Earth — and all the human-made electromagnetic noise it spews out into space — stays permanently below the horizon, so that any radio observatories positioned there would be free to observe the cosmos without interference.

But an upcoming boom in lunar exploration could put that at risk. In the next ten years or so, the Moon will be the target of hundreds of orbiters and landers, each of which could create radio noise. Researchers voiced their concerns last month at a conference called Astronomy from the Moon: The Next Decades, which took place at the Royal Society in London….

…Astronomers face an uphill struggle. The same technological advances that promise to make the Moon more accessible for their experiments will also make the environment more crowded. More than 250 Moon missions are expected over the coming decade from the space agencies of the United States, Europe, Russia, South Korea, China, Japan, India, Canada and the United Arab Emirates — as well as a host of private companies. That will add up to a US$100-billion ‘lunar economy’, according to Northern Sky Research, a consulting firm in Cambridge, Massachusetts. There are also plans to install a lunar satellite navigation system, which could be a source of noise.

lanna Krolikowski, a political scientist at Missouri University of Science and Technology in Rolla, thinks that researchers should push for international treaties to protect the Moon. “There is now widespread recognition that we need governance for this forthcoming lunar renaissance,” she told last month’s conference…

(14) IT’S ALIVE! “Active volcano on Venus shows it’s a living planet” says the journal Science. “Eruption spotted in 30-year-old data from Magellan mission”

Choked by a smog of sulphuric acid and scorched by temperatures hot enough to melt lead, the surface of Venus is sure to be lifeless. For decades, researchers also thought the planet itself was dead, capped by a thick, stagnant lid of crust and unaltered by active rifts or volcanoes. But hints of volcanism have mounted recently, and now comes the best one yet: direct evidence for an eruption. Geologically, at least, Venus is alive.

The discovery comes from NASA’s Magellan spacecraft, which orbited Venus some 30 years ago and used radar to peer through the thick clouds. Images made 8 months apart show a volcano’s circular mouth, or caldera, growing dramatically in a sudden collapse. On Earth, such collapses occur when magma that had supported the caldera vents or drains away, as happened during a 2018 eruption at Hawaii’s Kilauea volcano….

 [Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lee Whiteside, Michael J. “Orange Mike” Lowrey, SF Concatenation’s Jonathan Cowie, Lise Andreasen, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]