Mitchell: Bid Type Signifiers

[Editor’s Note: At Smofcon Finnish fan Eemeli Aro presented a Mariehamn in 2016 Worldcon bid that left the internet wondering whether he was serious or not. The debate inspired Petréa Mitchell to devise a set of criteria for diagnosing hoax convention bids which she posted to the SMOFS list. Having some experience perpetrating hoax bids myself, I was thoroughly entertained by her thought experiment. Petréa has given her permission to repost it.]

While waiting to get a definitive statement from the Mariehamn bid on its intended level of seriousness, I got to thinking about how we tell hoax bids and non-hoax bids apart, because I am a bit of a social psychology geek. (I’m a programmer, and my particular interest is in usability issues, which means having to learn a lot about how the human brain works.)

When I tried making a list of sensible-sounding criteria, I realized most of them actually don’t work. To wit:

(1) Date: Works if it’s obviously outrageous, e.g. Christmas, or in the past, or a year centuries in the future.

(2) Location: Again, has to be really obvious, like fictional (Xerps, Z’ha’dum), or not a city (Aberdeen Proving Ground). “Too small/out-of-the-way” is a criticism that gets made of actual Worldcon bids from time to time (remember the discussion about perceived lack of air connections to Spokane recently?).

(3) Silliness of campaign: IIRC, most of the content on the Australia in 2010 Web site when it first appeared was the timeline of how the bid started with an ill-chosen remark. The first Orlando bid poster is riffing on the Cuban Missile Crisis. Serious bids have no trouble getting silly, so this actually doesn’t work as a signifier.

(4) Degree of online presence: The site for Mariehamn consists of a single page, but between that, its Facebook page, and it Twitter account, it has more of an online presence than all the apparently-serious-so-far bids for 2017-2019 combined.

(5) Degree of organization: I’m guessing that most people would expect all the hoax bids to be run by a bunch of slackers and everything else to be polished efforts by well-organized groups. OTOH, I expect everyone on this list has encountered the occasional counterexample.

(6) SMOF density: Thinking over some recent hoax bids I’m familiar with, I think the hoaxes may actually have a slightly higher average level of conrunning experience involved.

So the confusion over the Mariehamn bid is due to #3-#6 being useless, sounding plausible on #1, and mixed appraisals of #2.

Given how many of these don’t work, it’s a wonder that most of the time everyone’s able to tell immediately which ones are the serious bids and which are the hoaxes.

[Postscript: We’re now reliably informed that Mariehamn is not a serious bid.]

[Petréa Mitchell regularly contributes to several fannish blogs and writes a quarterly sf-oriented fanzine named Picofarad, “The zine of little capacity.”]

2010 Sidewise Awards

Fans at Reconstruction, the 2010 NASFiC, are enjoying a bumper crop of awards announcements.

The winners of the Sidewise Awards were reported by Petrea Mitchell on SF Awards Watch:

Short Form: Alastair Reynolds, “The Fixation”, from The Solaris Book of New Science Fiction, Volume 3, George Mann (ed.) (Solaris)

Long Form: Robert Conroy, 1942 (Ballantine)

And if you click on through you can also see Petrea’s report of the 2010 Chesley Award winners.

Ups and Extras at Convention Centers

Con-News has a valuable article by Petréa Mitchell that analyzes why using a convention center is an expensive choice for an sf con. She explains the less obvious facts of life in an entertaining and knowledgeable way. For example:  

WiFi. Your attendees expect it, and in a geek-intensive community like fandom, they know that it isn’t that difficult to provide- in a technical sense, anyway. Some actual numbers: Last year’s Worldcon was looking at $36,000-$45,000 for the necessary access points, which is why it didn’t have free WiFi. The one in 2006 had a wired connection (if memory serves) to its Internet lounge, and that cost $38,000.