The Science Fiction and Fantasy Writers Association announced on April 15 that the 2025 Kate Wilhelm Solstice Award will be presented to Eugen Bacon at the 60th Annual SFWA Nebula Awards® ceremony on June 7.
The Kate Wilhelm Solstice Award is bestowed by SFWA to a person who has made significant contributions to the science fiction, fantasy, and related genres community. The award was created in 2008, with Wilhelm named as one of the three original recipients, and it was renamed in her honor in 2016.
Eugen Bacon (eugenbacon.com) is an African Australian author of several novels and collections. She’s a British Fantasy and Foreword Indies Award winner, a twice World Fantasy Award finalist, and a finalist for the Shirley Jackson, Philip K. Dick, Victorian Premier’s Literary Award in Australia, and the Nommo Awards for speculative fiction by Africans. Eugen is an Otherwise Fellow, and was also announced in the honor list for “doing exciting work in gender and speculative fiction”.
Her short story collection, Danged Black Thing, made the Otherwise Award Honor List as a “sharp collection of Afro-Surrealist work”. Her latest publications are A Place Between Waking and Forgetting (short stories) and Afro-Centered Futurisms in Our Speculative Fiction—an edited anthology of original artistic essays infused with creative excerpts from award-winning African writers on the futurisms in their speculative fiction.
In accepting the Solstice Award, Eugen said, “I am beyond words—we don’t always feel visible. Deepest thanks to SFWA for this amazing recognition! I see the work you do, and can only stay earnest in the hope that science fiction and fantasy writers, globally, will continue to make a difference in these particularly challenging times. My heart is glowing.”
The gratitude goes both ways. As SFWA President Kate Ristau shared, “We are proud to celebrate Eugen for her continued work in the community, challenging us to create and contextualize our own creative practice. In her Bloomsbury Academic book Writing Speculative Fiction, Eugen tells us there’s a story in you. With her curiosity, playfulness, and keen eye for storytelling, Eugen continues to inspire and motivate the speculative fiction community to write that story. Thank you, Eugen, for your passionate leadership and support.”
Children’s book author Christine Taylor-Butler heartily agrees: “In today’s environment, it is more important than ever that we recognize the voices and contributions of creative people all over the world. Eugen is an award-winning author/editor who shows that holding science and art backgrounds are not mutually exclusive. She pays her success forward by expanding opportunities for others through writing clinics, award competitions, and mentorship opportunities in Australia. She represents the best of us both through her writing and by encouraging others in the pursuit of their own.”
SFWA today issued a statement about “unusual rights inclusions” on contracts from MustRead, Inc., the new owner of several major sff prozines.
Recently, the Science Fiction & Fantasy Writers Association (SFWA) was contacted in regards to contracts potentially being offered to writers submitting to a variety of magazines including Analog, Asimov’s Science Fiction, and F&SF, that contained some potentially problematic clauses. These magazines represent important and historic repositories of some of the best speculative fiction written in the past and the present.
After conversing with MustRead, Inc., the publisher of those magazines, SFWA is pleased to provide some additional clarification on the issues brought to our attention. To wit, contract clauses regarding performance or merchandising rights should not be included in agreements with the above magazines. If these clauses do appear, authors should negotiate to have them stricken or removed entirely from the agreement, as they are considered either an editorial error or a holdover from an outdated contract. While SFWA cannot and does not provide legal advice, we are suggesting that writers approach these specific agreements this way. SFWA appreciates the clarification from MustRead, Inc., on these clauses.
SFWA will continue to monitor agreements in the speculative fiction short story marketplace, and continue our work as advocates and defenders for our membership and the genre writing community at large. Our Contracts Committee provides model contracts for various types of written work and will also provide private review of contracts (with or without personally identifying information redacted).
Thank you for your attention to this matter. Remember to always read any contract you are being asked to sign with caution, and when possible, get proper legal advice before signing any agreement that you do not fully understand. And remember, contracts are always negotiable. Advocate for your work, and when you need our help, we are here.
On behalf of the SFWA Board of Directors, Kate Ristau, President
You might have thought that the introduction of Marvel’s first family, the Fantastic Four, into the MCU would be enough heavy lifting for one movie. But while all eyes were on the potential ramifications of villain Galactus turning up for planetary snack time, the new trailer for The Fantastic Four: First Steps delivers a mind-bending revelation: Sue Storm (Vanessa Kirby) is pregnant.
This looks like big news. As they prepare to take on their colossal nemesis and his gleaming, emotionally unavailable emissary Silver Surfer (Julia Garner), Pedro Pascal’s Reed Richards, Joseph Quinn’s Johnny Storm and Ebon Moss-Bachrach’s the Thing will be doing so in the knowledge that they’re protecting more than just the future of this Apollo-era-inspired version of Earth. And if you’ve even lightly skimmed the back catalogue of Fantastic Four comics, you’ll know this is no ordinary pregnancy; and certainly no ordinary infant.
(2) FANZINE TALK INSPIRED BY LICHTMAN COLLECTION. The Friends of the Lehigh University Libraries will be hosting a talk on Zoom on Wednesday, April 23 at 5:00 p.m. Eastern titled Worlds We Build Together: Sci-Fi Fandom, Fanzines, and the Culture of Connection.
The talk will feature panelists Phoenix Alexander (Jay Kay and Doris Klein Librarian for Science Fiction and Fantasy at University of California, Riverside) and Pete Balestrieri (Curator of Popular Culture, University of Iowa Libraries), who will discuss the history of science fiction fandom and the production of fanzines that span nearly 100 years. Topics will include fanzines in the classroom and community and a celebration of the Lehigh Libraries acquisition of the Robert Lichtman Science Fiction Fanzine Collection in 2024.
Recently, the [Lehigh Libraries Special Collections] Libraries acquired the Robert Lichtman Science Fiction Fanzine Collection amounting to over 15,000 items. This extensive collection spans nearly a century, dating from the late 1930s through 2022, and features commentary, fan fiction, criticism, conference proceedings, and other genres. Along with the printed works, the archive includes correspondence, original art, and several fanzine titles personally published by Lichtman.
Fanzines, or ‘zines, as they are commonly referred to, may seem like an unusual choice for an institution whose traditional rare book collection is steeped in history. However, a previous gift of fanzines from alumnus Frank Lunney already revealed significant research interest across the curriculum.
Boaz Nadav Manes, Lehigh University Librarian says: “Adding this comprehensive fanzine collection to Lehigh Libraries’ holdings establishes our libraries as a primary national destination for research related to science fiction studies and affiliated interdisciplinary fields. With the addition of Lichtman’s correspondence and artwork, the collections’ appeal goes much beyond its thematic focus and will generate enthusiasm around deepening our understanding of areas such as fandom culture, network analysis, gender studies, and more. We are truly excited about this landmark addition to our collection.”
While it will take some time before the entire Lichtman fanzine collection is fully cataloged and prepared for use, we are pleased to exhibit highlighted selections from the collection showing its breadth and depth. The on-site display opens in Linderman Library in January, with additional material relating to international Worldcons (World Science Fiction Convention) opening later in Fairchild-Martindale Library. Both displays will be on view through the end of June 2025.
The Operations Director is one of the key management leaders for SFWA. The Operations Director is responsible for overseeing operations (including membership and systems management), accounting and office administration, and internal fundraising and development processes (auction, sponsorship processes, and fundraising systems). The Operations Director will report directly to the President of the Board of Directors and lead a fully remote team of employees, contractors, and volunteers.
(5) COMMUNICATION FROM NEW ASIMOV’S OWNER. Subscribers are receiving the following message from Must Read Magazines, new publishers of Asimov’s Science Fiction, that the May/June issue will arrive late.
Information about your May/June 2025 Issue
Dear Subscriber,
We are confirming the buzz: Must Read Magazines is the new publisher of Asimov’s Science Fiction.
The first issue of Asimov’s Science Fiction printed under our banner will be the May / June 2025 issue, which you should receive in the mail about May 12, 2025. Your future issues will be mailed to you every other month after that.
Asimov’s Science Fiction is an iconic publication with a storied history in the genre. We are delighted its excellent editorial team has stayed on and we will all continue the group’s traditions. We are developing many more ways to continue and build the magazine’s community and hope you will connect with us more online or in the mail during our forthcoming expansion.
Thank you for being a subscriber; we look forward to serving you with the Who’s Who of award-winning authors, stories, editorial insights and genre news for years to come.
Print subscribers who call or mail in a renewal before the end of June and mention the coupon code LIFTOFF will receive $4 off the purchase of an annual subscription to one of our other great magazines or $6 off gifting any one of our magazines to a new subscriber: Asimov’s, Analog Science Fiction and Fact, Ellery Queen Mystery Magazine, Alfred Hitchcock’s Mystery Magazine, and soon to come, The Magazine of Fantasy & Science Fiction.
(6) WILLY LEY’S ASHES DISCOVERED. “Willy Ley Was a Prophet of Space Travel. His Ashes Were Found in a Basement” reports the New York Times. Link bypasses paywall. Ley was one of the winners of the first Hugos in 1953 for “Excellence in Fact Articles”, and another in 1956 for “Feature Writer”. There are hopes of launching his ashes into space. He also won a Retro-Hugo (2004) and an International Fantasy Award (1951).
During his life, Willy Ley predicted the dawn of the Space Age with remarkable accuracy. How did his remains end up forgotten in a co-op on the Upper West Side?
The basement of the prewar co-op on the Upper West Side was so cluttered and dark in one area that the staff called it “the Dungeon,” and last year, the building’s new superintendent resolved to clear it out.
For weeks, he hauled the junk left behind by former tenants — old air-conditioners, cans of paint, ancient elevator parts and rolled-up carpets — through the winding hallway with its low ceilings to the dumpster out back.
About halfway through the job, he spied an old tin can on a shelf next to a leaf blower. He read the label:
“Remains of Willy Ley. Cremated June 26, 1969.”
This was not the sort of thing you toss in a dumpster.
The super brought his discovery to the co-op board president, Dawn Nadeau. She had plenty of co-op business to attend to — a lobby renovation, a roof replacement — but the disposition of someone’s ashes was new to her.
“We needed to handle the remains as respectfully as possible,” said Ms. Nadeau, a brand consultant. “So I set out trying to figure who this was and who it belonged to.”…
… The rise of the Nazi party disturbed Mr. Ley deeply, and in 1935, worried about the weaponization of rockets by the government, he fled Germany. Eventually, he ended up in Queens.
In New York, he made a living primarily as a science writer, churning out articles and books, including “Rockets: The Future of Travel Beyond the Stratosphere” in 1944. In it, Mr. Ley reiterated his belief in the possibility of space travel: “I wish to affirm with great seriousness that the rocket to the moon is possible,” he wrote. “Whether it has any practical value is another question and whether the experiment will be made is another story altogether.”…
…. Ms. Nadeau now has her own space mission, and it is not clear how or whether she will complete it. She found a company that said it would send the ashes into space, but the average cost listed on its website was a prohibitive $12,500.
For now, the can that holds what’s left of Mr. Ley’s earthly body is still in the co-op, tucked away in the workshop of the superintendent, Michael Hrdlovic, who first discovered it in the basement….
With the TARDIS unable to return to May 2025, the Doctor (Ncuti Gatwa) instead lands in 1953 Miami. There he and Belinda (Verada Sethu) discover a mysterious closed cinema, and a missing persons case that leads them inside. There they encounter one of the strangest foes the Doctor has ever faced: a cartoon character inexplicably come to life.
I suspect a lot of viewers will be delighted by “Lux”, an ambitious and bold stretch in storytelling that is quite unlike many things the series has done before. Indeed to find something as off-kilter as the Doctor and his companion confronting a cartoon character, being turned into cartoons themselves, and even contemplating their own fictional status, one has to go all the way back to 1968’s serial “The Mind Robber”. I positively adore that story, but I did not adore “Lux”, and I am struggling to pinpoint exactly why that is….
Several billion years ago, at the dawn of the solar system, a wet, salty world circled our sun. Then it collided, catastrophically, with another object and shattered into pieces.
One of these lumps became the asteroid Bennu whose minerals, recently returned to Earth by the US robot space probe OSIRIS-REx, have now been found to contain rich levels of complex chemicals that are critical for the existence of life.
“There were things in the Bennu samples that completely blew us away,” said Prof Sara Russell, cosmic mineralogist at the Natural History Museum in London, and a lead author of a major study in Nature of the Bennu minerals. “The diversity of the molecules and minerals preserved are unlike any extraterrestrial samples studied before.”
Results from this and other missions will form a central display at a Natural History Museum’s exhibition, Space: Could Life Exist Beyond Earth?, which opens on 16 May. It will be a key chance for the public to learn about recent developments in the hunt for life on other worlds, said Russell.
(9) NEW GERROLD NOVELLA. Starship Sloane has just published a new novella by David Gerrold, titled Here There Be Lawyers. It’s set on the colony world Praxis. Available in print and eBook. David is the cover artist/designer for this one.
Dar is a well-connected arbiter and Turtledome is comfortable enough. But the colony on Praxis requires his expertise in crafting a constitution—and he doesn’t really have a choice in the matter. Their objective is a bold one, and if they succeed, powerful interests and a highly lucrative, intergalactic economic system will be disrupted. Permanently. A world is at play, the stakes are high, and a corporate overlord will stop at nothing to protect its investment.
(10) MEMORY LANE.
[Written by Cat Eldridge.]
April 21, 1976 — Wonder Woman 1976 series episode 1
The mark of a good series is not how great the pilot is but the first episode after the pilot. Forty-six years ago this evening on ABC, the second episode of Wonder Woman aired, a curiosity titled affair called “Wonder Woman Meets Baroness Von Gunther”.
In it she got to take resurgent Nazis on in the form of a Nazi spy ring known as the Abwehr who are active again and who are targeting Steve Trevor for imprisoning the Baroness von Gunther, their leader.
The Baroness Paula von Gunther was created by William Moulton Marston as an adversary for his creation Wonder Woman in Sensation Comics #4, 1942, “School for Spies”. Though she disappeared during the Crisis on Infinite Earth years, Jim Byrne brought her back in 1988 and made once again the Nazi villainess she once was. No villain or villainess can ever truly cease to exist in the comics realm, can they?
This episode is based off “Wonder Woman Versus the Prison Spy Ring” in Wonder Woman #1 (July 1942). (The title comes from when it was reprinted later.) In the story, Colonel Darnell informs Trevor that an army transport ship was sunk by a German U-Boat. Believing the Nazis must have had a traitor inside the Army, Darnell orders Steve to interrogate the former head of the Gestapo system in America — The Baroness who is now serving time in a federal penitentiary thanks to Wonder Woman.
Her only other television appearance was in 2011 on the animated Batman: The Brave and the Bold series in the “Scorn of the Star Sapphire!” episode. If you’re a Batman fan, this series which is about as serious as the Sixties series was so is a lot of fun. It’s more contemporary is look and feel but the attitude is very similar.
Note that this episode made Trevor responsible for her being captured.
So how was it received? This episode ranked twelfth in the Nielsen ratings, shockingly beating out a Bob Hope special which ranked twentieth.
As part of Star Wars Celebration, Dark Horse Comics is announcing that they will publish The Art of Star Wars: A New Hope—The Manga. Two stunning volumes will each be available wherever books are sold, and will spotlight Hisao Tamaki’s original art from his acclaimed 1997 manga adaptation of Star Wars: A New Hope and include a new English translation. Ahead of retail launch in Summer 2026, Dark Horse Comics will also be offering special editions through the publisher’s first ever Kickstarter campaign.
This beautifully drawn manga will be available through Kickstarter in two distinct editions, each offering a unique way to experience this extraordinary adaptation. The Collector’s Edition features the same two-volume hardcovers that will be available at retail but with Kickstarter exclusive covers. The Masterpiece Edition will faithfully reproduce Tamaki’s art at its original size in two volumes and include an auxiliary volume. The Masterpiece Edition format will be exclusively available through Kickstarter. Fans can now follow the prelaunch page for the Kickstarter page.
These deluxe Kickstarter-exclusive sets offer fans an opportunity to revisit the classic adventure through new eyes and in a fresh voice. A standard edition of The Art of Star Wars: A New Hope—The Manga will be released in comic shops and bookstores in 2026. Join Dark Horse and Lucasfilm to explore the creative journey of a novel view of a galaxy far, far away.
(13) KIDS THESE DAYS. [Item by Kathy Sullivan.] I’m sure this isn’t the only middle school doing this, but I’m proud of my local school. “Students weave stories at D&D Club” in the Winona Post.
…The Dungeons & Dragons Club at WMS has been taking place for about three years for seventh and eighth graders and meets once a week for part of the school year. Students who are homeschooled or who attend schools other than WMS have also been part of the club.
Seventh Grade Language Arts Teacher and Dungeons & Dragons Club Supervisor Greg Peterson’s own experiences playing the game since he was his students’ age inspired him to pass it on. When he would talk in class about playing, as a way to show his students he’s human, too, many would express interest in the game, so he started the group.
Dungeons & Dragons is all about creating enjoyable characters and telling their stories collaboratively with a group of people, Peterson said.
“… The collaborative storytelling experience is extremely unique. It’s different than just reading a book or watching a movie,” Peterson said. “You’re in the story. And being able to take on that mantle as a hero is empowering and is really just fun. There are times where at tables I’ve played at as a dungeon master or as a player where people have cried, people have laughed, people have been jaw-droppingly shocked at what we’ve done. We’ve gotten so deep into character we forgot we’re playing a game in some cases.”
To help students learn how to play the game, Peterson guided them through developing characters’ backstories, such as deciding why their characters have certain powers in imagined fantasy worlds….
This 40′ box car features bright, glowing LED lights on both sides of this car spaced behind the windows of the haunted Amityville House. Each LED glows at a constant intensity and is sure to catch the attention of all who see it on your own O Gauge model railroad. Completely assembled and ready-to-run. Just put it on the track and enjoy the action.
Prolific Lost showrunner Carlton Cuse is taking a journey into the Star Wars galaxy, with son Nick Cuse at his side. The duo is in early development on a Star Wars series for Lucasflim, sources tell The Hollywood Reporter….
The news comes on the eve of Andor season two’s debut and follows Star Wars Celebration in Tokyo, where Lucasfilm unveiled a first look at feature The Mandalorian & Grogu and revealed a title for Shawn Levy’s Ryan Gosling movie, Star Wars: Starfighter. The company also revealed new details of Ashoka season two, including the return of fan favorite Anakin Skywalker actor Hayden Christensen…
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Moshe Feder, Linda Deneroff,Alex Japha, Andrew (not Werdna), Jim Meadows, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who assures us “No sea or lake serpents were harmed in the making of this Scroll Title. As for the wall, only time will tell.”]
SFWA has selected Nicola Griffith as the 41st Damon Knight Memorial Grand Master, recognizing her “lifetime achievement in science fiction and/or fantasy.” The award is named after author Damon Knight, SFWA’s founder and the organization’s 13th Grand Master.
Nicola Griffith, PhD, is a dual UK/US citizen and the author of nine novels, including Hild, Spear, and Ammonite. In addition to her fiction and nonfiction (New York Times, Guardian, Nature) she is known for her data-driven 2015 work on bias in the literary ecosystem; as founder and co-host, with Alice Wong, of #CripLit; and for her work on queering the Early Medieval. Awards include The Los Angeles Times Book Prize, Society of Authors ADCI Literary Prize, two Washington State Book Awards, the Premio Italia, Nebula, World Fantasy, and Tiptree (Otherwise) awards, the Outstanding Mid-Career Authors Prize, and six Lambda Literary Awards. In 2024 she was inducted into the Museum of Popular Culture’s Science Fiction + Fantasy Hall of Fame.
Griffith lives with her wife, writer Kelley Eskridge, in Seattle, where she takes enormous delight in everything. This latest title, SFWA’s 41st Grand Master, is no exception:
“I am thunderstruck,” said Griffith, after receiving the news. “Amazed and moved and brimming with joy. I might never stop smiling.”
Widely acclaimed and bestselling author Karen Joy Fowler has known for years how much of a gift Griffith is to the literary community: “Ever since I first read Ammonite–back in 1993 when the world was young–I’ve made it my business to follow Griffith wherever she goes. And I have loved every place she’s taken me. She’s a writer who stuns. Incisive yet lyrical, pragmatic yet sexy, generous yet scary, always brilliant and, best of all, never ever boring. Every book she writes is one more bit of luck for us readers.”
SFWA President Kate Ristau agrees:
“It is SFWA’s honor to recognize and celebrate Nicola’s past achievements, while looking forward to her future triumphs. Her work continues to inspire and challenge me, and when asked to pick a Grand Master to lead us into our Diamond Year, I looked to Nicola for her stunning fiction, as well as her leadership and advocacy. She challenges us to reconsider the past and imagine a better, more inclusive future. She is the perfect Grand Master for our present moment, demonstrating through her life and work how to find one’s self, one’s purpose, and one’s community in complicated times, and to embrace those things joyfully and fully. 50 years after SFWA named its first Grand Master, we are thrilled to shine the spotlight on Nicola Griffith as our 41st.”
The award will be presented to Griffith during the 60th Annual Nebula Awards Conference, held June 5–8, 2025. She will join other legends of genre fiction who have been granted this title, including Peter S. Beagle, Connie Willis, Nalo Hopkinson, Ursula K. Le Guin, Ray Bradbury, Anne McCaffrey, Robin McKinley, and Joe Haldeman. For more details on the conference, including registration and the panels on which the new Grand Master will appear, visit events.sfwa.org.
Today marks the grand reopening of the Altadena Library. The beloved community space was spared by the Eaton Fire, and after a short period of closure for fire-related clean up, it’s welcoming hundreds of Altadenans who gathered to celebrate its return.
“We wanted to have a really big carnival feel,” Altadena Library director Nikki Winslow said. “Free food, giveaways… also Clifford the Big Red Dog, so it should be a really fun event.”
The day’s main attraction is story time by education advocate and actor LeVar Burton….
… Thousands of Altadena residents lost their homes in the Eaton Fire, and many more were displaced. But today felt like the community getting back on its feet, says Jean Courtney, a long time resident whose home was destroyed….
…Burton, the Star Trek star turned children’s book author, said he was here today to keep the spotlight on the Altadena community as they begin to rebuild.
“Altadena traditionally is one of those communities where people who looked like me were welcomed and could purchase homes,” Burton said. “The American dream is alive and well in Altadena – today, tomorrow, and every day.”…
(2) ARIZONA CON CLOSED BY HEALTH AUTHORITIES. Wild West Con has been required to shut down in the middle of the weekend they announced on Facebook today. The steampunk-themed event being held in a Tucson, AZ casino opened on Thursday. It is reported the congers have been told to go but the other casino patrons have not.
Due to ongoing medical concerns, we regret to inform all interested that Wild Wild West Con has been shut down by Casino Del Sol.
Unfortunately, we do not have any further information to provide but will give updates as soon as they’re available.
There was an additional statement on Bluesky.
(3) SFWA ON META AI TRAINING. Yesterday SFWA President Kate Ristau sent members this comment after the Atlantic made it easy to search LibGen data to discover whether their work being used by Meta to train its AI.
Opening up the Atlantic article yesterday was a shock. So many of us scrolled down to search the Library Genesis data set for our own names. According to the article, Meta (Facebook) used millions of pirated works to train its AI. I found two of my works, and started searching for other SFWA members as well.
That little blue box has been all over social media this morning.
As the Atlantic notes, “millions of books and scientific papers are captured in the collection’s current iteration.”
Personally, I did not give permission for my work to be used. Did you?
SFWA’s number one principle in regards to AI is that Creators must be compensated for the use of their work. If you were not compensated, what can you do?
We recommend you follow Author Guild’s list of actions, including protecting your work. There are other actions that may fit your personal circumstances as well.
As an organization, SFWA will continue to fight for our principles. Writers must be paid, credited, and protected, following expected norms.
We will follow up with more information as we investigate further and take next steps.
The Atlantic says that court documents show that staff at Meta discussed licensing books and research papers lawfully but instead chose to use stolen work because it was faster and cheaper. Given that Meta Platforms, Inc, the parent company of Facebook, Instagram and WhatsApp, has a market capitalisation of £1.147 trillion, this is appalling behaviour.
According to The Atlantic, Meta argued that it could then use the US’s ‘fair use exception’ defence if it was challenged legally.
It is not yet clear whether scraping from copyright works without permission is unlawful under the US fair use exception to copyright, but if that scraping is for commercial purposes (which what Meta is doing surely is) it cannot be fair use. Under the UK fair dealing exception to copyright, there is no question that scraping is unlawful without permission.
As a matter of urgency, Meta needs to compensate the rightsholders of all the works it has been exploiting.
This is yet more evidence of the catastrophic impact generative AI is having on our creative industries worldwide. From development through to output, creators’ rights are being ignored, and governments need to intervene to protects authors’ rights…
The PEN/E.O. Wilson Literary Science Writing Award celebrates writing that exemplifies literary excellence on the subject of the physical or biological sciences and communicates complex scientific concepts to a lay audience. The winner receives a cash award of $10,000.
The Burning Earth: A History, Sunil Amrith (W. W. Norton & Company)
Playing with Reality: How Games Have Shaped Our World, Kelly Clancy (Riverhead Books) All in Her Head: The Truth and Lies Early Medicine Taught Us About Women’s Bodies and Why It Matters Today, Elizabeth Comen (Harper)
Father Time: A Natural History of Men and Babies, Sarah Blaffer Hrdy (Princeton University Press)
The Age of Deer: Trouble and Kinship with Our Wild Neighbors, Erika Howsare (Catapult)
The Big Freeze: A Reporter’s Personal Journey into the World of Egg Freezing and the Quest to Control Our Fertility, Natalie Lampert (Ballantine)
Every Living Thing: The Great and Deadly Race to Know All Life, Jason Roberts (Random House)
The War Below: Lithium, Copper, and the Global Battle to Power Our Lives, Ernest Scheyder (Atria)
Waves in an Impossible Sea: How Everyday Life Emerges from the Cosmic Ocean, Matt Strassler (Basic Books)
The Living Medicine: How a Lifesaving Cure Was Nearly Lost—and Why It Will Rescue Us When Antibiotics Fail, Lina Zeldovich (St. Martin’s Press)
Nasa has dropped its longstanding public commitment to land the first woman and person of color on the moon, in response to Donald Trump’s directives to eliminate diversity, equity and inclusion (DEI) practices at federal agencies.
The promise was a central plank of the space agency’s Artemis program, which is scheduled to return humans to the lunar surface in 2027 for the first time since the final Apollo mission in December 1972.
The Artemis landing page of Nasa’s website previously included the words: “Nasa will land the first woman, first person of color, and first international partner astronaut on the Moon using innovative technologies to explore more of the lunar surface than ever before.”
The US has blocked Canadian access to a library straddling the Canada-US border, drawing criticism from a Quebec town where people have long enjoyed easy entry to the space.
The Haskell Free Library and Opera House is located between Stanstead, Quebec, and Derby Line, Vermont. It was built deliberately to straddle the frontier between the two countries – a symbol of cooperation and friendship between Canada and the US.
The library’s entrance is on the Vermont side. Previously, Canadian visitors were able to enter using the sidewalk and entrance on the American side but were encouraged to bring documentation, according to the library’s website.
Inside, a line of electrical tape demarcates the international boundary. About 60% of the building, including the books, is located in Canada. Upstairs, in the opera house, the audience sits in the US while the performers are in Canada.
Under the new rules, Canadians will need to go through a formal border crossing before entering the library.
“This closure not only compromises Canadian visitors’ access to a historic symbol of cooperation and harmony between the two countries but also weakens the spirit of cross-border collaboration that defines this iconic location,” the town of Stanstead said in a press release on Thursday…
Denmark and Finland have updated their US travel advice for transgender people, joining the handful of European countries that have sought to caution US-bound travellers in recent weeks as reports emerge of ordeals at the American border.
Denmark said this week it had begun advising transgender travellers to contact the US embassy in Copenhagen before departure to ensure there would be no issues with travel documents.
The change came after Donald Trump made a priority of rolling back trans and non-binary rights, announcing that the US would only recognise two genders and signing off on executive orders that sought to exclude transgender people from the US military, limit their access to sport and curtail gender-transition procedures for people under the age of 19….
(9) PETER MABEY (1926-2025). [Via Alison Scott.] British fan Peter Mabey, winner of the first Doc Weir Award, died February 19.
Peter was one of the first members of the Cheltenham Circle and the BSFA, acting as Librarian of the BSFA lending library when the collection was also held at Cheltenham; he later served as a BSFA committee member after the organisation’s incorporation.
He was one of the founders of the Order of St. Fantony and was presented, in his absence, with the first Doc Weir Award at the 1963 Eastercon (Bullcon). Peter was a member of the organising committee for the 1965 Worldcon (Loncon II) and was responsible for its publications.
He continued to attend conventions well into his 90s.
(10) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
March 22, 1931 — William Shatner, 94.
By Paul Weimer: The face that launched a hundred soap operas.
I find it interesting that like B5 would find out thirty years later, Star Trek’s first shot at a crew and a leading man, Jeffrey Hunter, wasn’t quite what a viewing public particularly wanted in a leading man of a space opera SF series. Poor Michael O’Hare and Jeffrey Hunter both weren’t quite right to be the full-on leading actors for such a series.
But like Bruce Boxleitner three decades later, William Shatner proved to be. I mean, sure, lots of Spock fans out there, McCoy fans, and other characters. And the whole “trio” of Kirk-Spock-McCoy has been documented to enormous detail. But it is William Shatner’s complex Captain Kirk, who was more cerebral and outwitting of his opponents than you remember, more nuanced, more interesting than the flanderized stereotype that has been parodied to the moon and back ever made him out to be. Sure, his diction and acting were, charitably melodramatic, but that is a feature, not a bug that got him through the series, and seven movies.
Outside of genre space, he did shows like T J Hooker, and Rescue 911, and Boston Legal (although the fourth wall breaking Boston Legal might actually BE a genre show. I leave the comments to decide that). He’s done music (oddly, that doesn’t make him unique among the TOS crew). He was the voice of Priceline.com in its early days on the Internet. He co-wrote the TekWar novels. He breeds horses. (Wonder why he is horse riding in Star Trek Generations? Now you know.)
You might think that “Nightmare at 30,000 feet” might be my favorite non-Star-Trek genre performance Shatner has done. And you would be almost right. It is a classic in paranoia, perception, fear, and it does show that his acting style does have range, and ability and even with his unusual cadence, it can work in a situation like this. The episode itself is a masterpiece and Shatner’s performance is a big part of that.
But I like “Nick of Time” a bit more. It’s a more hopeful and positive story, as we see Shatner as part of a married couple who wind up briefly in thrall to a fortune telling machine that seems to tell the future — but really just makes people dependent on its easy, cryptic answers. The utter triumph of the episode as Shatner and his wife break free of their dependency is enough to make you cheer…until you see the coda, and see a couple who have not been so fortunate, or possessing as much fortitude as Shatner’s Don S. Carter and Patricia Breslin’s Pat Carter finally manage to show.
And Shatner has been to space.
Get a life? William Shatner, in and out of Star Trek, certainly has.
William Shatner
(11) COMICS SECTION.
Loose Parts proves it depends on which wolf you feed.
“I hid a sandwich in my spacesuit,” Astronaut John W. Young confessed in the April 2, 1965, issue of Life Magazine. The conversation about and the consumption of the sandwich, which lasted only about 30 seconds during the Gemini III flight, became a serious matter that drew the ire of Congress and NASA’s administrator after the crew returned home. Congress was particularly upset and brought the matter to leadership’s attention at hearings about NASA’s 1966 budget. Representative George E. Shipley was especially disgusted, knowing how much money and time NASA had spent to prepare the Gemini III spacecraft for launch. The fact that a crewmember brought something into the crew cabin, which Shipley likened to a “surgeon’s operating room,” put the techniques used to prevent a spaceflight mission from failing at risk; crumbs could have made their way behind instrument panels interfering with the operation of flight equipment and the loss of the mission and its crew. Shipley called Young’s antics “foolish” and asked NASA leaders to share their thoughts….
…Young never received a formal reprimand for the incident but was made aware of Congress’s frustration. Others in the corps were advised to avoid similar stunts and to focus on the mission. The decision to bring a sandwich onboard did not have a negative impact on Young’s career. He was the first astronaut to fly to space six times —two Gemini missions; two Apollo missions, including the dress rehearsal for the first lunar landing; and two space shuttle missions including STS-1, known as the bravest test flight in history. He also served as chief of the Astronaut Office for 13 years.
An alarming new investigation by the New York Times accuses youth-obsessed tech mogul Bryan Johnson of covering up some unpleasant side effects experienced by participants testing his line of supplements.
Johnson — who was an early investor in Futurism, but hasn’t had any involvement for years — has gone to extreme lengths to slow down or even “reverse” his “biological age” through a series of sometimes extreme self-experiments, like using his teenage son as a “blood boy” and measuring his nighttime erections.
He’s parlayed that hype into a line of supplements and meals called “The Blueprint Stack,” bolstered by what the company says were promising study results.
But the NYT‘s reporting makes that study sound very dubious. Out of the roughly 1,700 participants, a whopping 60 percent experienced at least one side effect, according to documents viewed by the newspaper. Blood tests showed that some participants saw their testosterone levels drop or developed prediabetes.
The food regimen also reportedly had undesirable side effects.
“Longevity mix: A lot of comments about hating this as it is making them sick, vomit, have heartburn, etc.,” one Blueprint employee told a colleague in early 2024, as quoted by the newspaper.
“TONS of people saying it’s causing nausea, bloating,” another employee wrote, referring to allulose, a sugar alternative that Johnson has previously sung the praises of.
Thanks to a litany of confidentiality agreements employees reportedly had to sign, many felt afraid to speak up.
In this video, Atlas is demonstrating policies developed using reinforcement learning with references from human motion capture and animation. This work was done as part of a research partnership between Boston Dynamics and the Robotics and AI Institute (RAI Institute).
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Jeffrey Smith, Cora Buhlert, Paul Weimer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The Science Fiction and Fantasy Writers Association (SFWA) announced the finalists for the 60th Annual Nebula Awards® in a livestreamed presentation on March 12.
The awards will be presented in a ceremony on Saturday, June 7, that will be streamed live as it is held in-person in Kansas City, MO as part of the 60th Annual Nebula Awards Conference. Winners in each category will be determined by the vote of Full, Associate, and Senior members of SFWA.
Here is the complete list of finalists:
NEBULA AWARD FOR NOVEL
Sleeping Worlds Have No Memory, Yaroslav Barsukov (Caezik SF & Fantasy)
Rakesfall, Vajra Chandrasekera (Tordotcom)
Asunder, Kerstin Hall (Tordotcom)
A Sorceress Comes to Call, T. Kingfisher (Tor; Titan UK)
The Book of Love, Kelly Link (Random House; Ad Astra UK)
Someone You Can Build a Nest In, John Wiswell (DAW; Arcadia UK)
NEBULA AWARD FOR NOVELLA
The Butcher of the Forest, Premee Mohamed (Tordotcom)
The Tusks of Extinction, Ray Nayler (Tordotcom)
Lost Ark Dreaming, Suyi Davies Okungbowa (Tordotcom)
Countess, Suzan Palumbo (ECW)
The Practice, the Horizon, and the Chain, Sofia Samatar (Tordotcom)
The Dragonfly Gambit, A.D. Sui (Neon Hemlock)
NEBULA AWARD FOR NOVELETTE
The Brotherhood of Montague St. Video, Thomas Ha (Clarkesworld 5/24)
Katya Vasilievna and the Second Drowning of Baba Rechka, Christine Hanolsy (Beneath Ceaseless Skies 4/18/24)
Another Girl Under the Iron Bell, Angela Liu (Uncanny 9-10/24)
What Any Dead Thing Wants, Aimee Ogden (Psychopomp 2/24)
Negative Scholarship on the Fifth State of Being, A.W. Prihandita (Clarkesworld 11/24)
The Witch Trap, Jennifer Hudak (Lady Churchill’s Rosebud Wristlet 9/24)
Five Views of the Planet Tartarus, Rachael K. Jones (Lightspeed 1/24)
Why Don’t We Just Kill the Kid in the Omelas Hole, Isabel J. Kim (Clarkesworld 2/24)
Evan: A Remainder, Jordan Kurella (Reactor 1/31/24)
The V*mpire, PH Lee (Reactor 10/23/24)
We Will Teach You How to Read | We Will Teach You How to Read, Caroline M. Yoachim (Lightspeed 5/24)
ANDRE NORTON NEBULA AWARD FOR MIDDLE GRADE AND YOUNG ADULT FICTION
Daydreamer, Rob Cameron (Labyrinth Road)
Braided, Leah Cypess (Delacorte)
Benny Ramírez and the Nearly Departed, José Pablo Iriarte (Knopf)
Moonstorm, Yoon Ha Lee (Delacorte; Solaris UK)
Puzzleheart, Jenn Reese (Henry Holt)
The Young Necromancer’s Guide to Ghosts, Vanessa Ricci-Thode (self-published)
NEBULA AWARD FOR GAME WRITING
A Death in Hyperspace, Stewart C Baker, Phoebe Barton, James Beamon, Kate Heartfield, Isabel J. Kim, Sara S. Messenger, Naca Rat, Natalia Theodoridou, M. Darusha Wehm, Merc Fenn Wolfmoor (Infomancy.net)
Elden Ring: Shadow of the Erdtree, Hidetaka Miyazaki (From Software)
The Ghost and the Golem, Benjamin Rosenbaum (Choice of Games)
Neil Gaiman answered sexual assault and trafficking allegations made by former live-in nanny Scarlett Pavlovich on Tuesday, filing a motion for dismissal that included text messages he says show they engaged in an “enthusiastic” and consensual sexual relationship.
“None of Pavlovich’s claims are true,” Gaiman wrote in the motion filed in a Wisconsin federal court. “She is a fantasist who has fabricated a tale of abuse against me and Ms. Palmer.”
Gaiman provided screenshots from a number of WhatsApp messages in hopes of furthering his point. The first was from February 2022 – shortly after the pair’s first interaction in a bathtub in New Zealand.
“Thank you for a lovely lovely night – wow x,” Pavlovich said.
She followed up a couple days later saying, ““Let me know If you want me to run a bath… I am consumed by thoughts of you, the things you will do to me. I’m so hungry.”
Pavlovich filed a complaint against Gaiman and Amanda Palmer on Feb. 3, accusing his now-estranged wife of “procuring and presenting Plaintiff to Gaiman for such abuse,” including physical harm, emotional distress and disturbing non-consensual sex acts, pushing her to become suicidal.
“The Defendants knowingly recruited, enticed, harbored, transported, and/or obtained Scarlett for labor or services while knowing she would be forced to engage in sexual acts as a condition of receiving the pay and housing they promised her,” the suit stated. Pavlovich “endured those acts because she would lose her job, housing, and promised future career support if she did not.”
Gaiman’s filing Tuesday also included messages where he initially confronted Pavlovich about her rape accusations and plans to “MeToo” him.
“Oh my God. Neil! I never said that,” she wrote. “But I’m horrified by your message – me too you? Rape? WHAT? This is the first I have heard of this. Wow. I need a moment to digest your message… I have never used the word rape, I’m just so shocked, I honestly don’t know what to say.”
Later texts show Gaiman expressing concern he was being painted as a “monster” when he assumed their relationship was consenting. Pavlovich’s responses seemed to provide reassurances she thought the same.
“This is beyond out of control and as I said I only have fondness and kindness for you,” she wrote. “It was consensual – how many times do I have to f–king tell everyone.”
Five women initially accused Gaiman of sexual misconduct as part of the podcast series “Master: The Allegations Against Neil Gaiman.” Four more women later shared their experiences with with New York Magazine…
…“In no uncertain terms, Pavlovich’s accusations are false,” a brief in support of motion to dismiss filed Tuesday in federal court in Wisconsin proclaims in language similar to blog post reactions he issued to such allegations last year. “The sexual scenarios she describes deliberately in graphic detail are invented. Any sexual conduct that occurred was in all ways consensual. Law enforcement authorities in New Zealand thoroughly investigated the same claims Plaintiff makes here, found no merit, and declined to file any charges against Gaiman. There was no credible evidence of wrongdoing.”
…“No matter what Plaintiff says happened, it all happened in New Zealand between a New Zealand citizen and a New Zealand permanent resident,” the brief asserts. “There is no legal authority to adjudicate her lawsuit in federal court in Wisconsin, or in other federal courts around the United States,” the filing adds, with a declaration from Gaiman listing over a dozen people in NZ and the USA who will back his version of events. “Pavlovich’s claims are false, but there is no dispute that all of the conduct alleged in the Complaint occurred in New Zealand, the proper forum, if any, for this lawsuit.”…
Over the last few months, the makers of a popular card game have been wrestling with the byzantine process that surrounds video game age classifications. Age ratings are intended to help parents determine whether or not a game is appropriate for their children. But in practice, an erroneous label doesn’t just mislead consumers – it can be the difference between success or failure.
Balatro is an award-winning poker game made by an anonymous game developer known as LocalThunk, in which the only guiding principle is chaos. In each match the player must divine the best possible poker hand out of a randomised draw, but the conditions fluctuate constantly. In one round, the game might prevent you from using an entire suit or junk all your face cards, while the next round might challenge you to achieve an eyebrow-raising score with only a single hand. As the game progresses, players accrue jokers for their deck that add yet more wild rules.
It’s an ingenious premise that has allowed a game that began as a small side-project to sell millions of copies since its release in February 2024. Though players win in-game money to buy new cards between rounds, Balatro’s version of poker is fictional, and only bears a faint resemblance to the classic card game. Yet shortly after launching, Balatro hit a snag: it was classified as a gambling game.
At first, Balatro went on sale with a classification that deemed it appropriate for audiences ages three and up. But then, the classification was revised to an adults-only 18 rating. The reasoning? The Pan-European Game Information (Pegi), the organisation that determines age classifications, claimed that Balatro “contains prominent gambling imagery and material that instructs about gambling”.
Without warning, Balatro was pulled from sale on some digital storefronts in Europe and Asia.
“This was obviously a crucial moment and we had two options,” says Wout van Halderen, the communications director at PlayStack, Balatro’s publisher. “Be de-listed, or take the 18+ rating and get back in the store Asap. We opted for the second and started preparing an appeal to have the rating changed.”
The appeal was initially declined – and issues began to snowball. In Korea, the rating outright barred Balatro from being sold. In December, when Balatro won Game of the Year at The Game awards, the team was also ramping up for a physical release. Another appeal was filed by that version’s distributor, Fireshine. It is only now, a year later and after a handful of updates, that the dust has settled and Balatro has been bumped down to a 12+ rating by Pegi.
… Pegi, for its part, reiterated that it seeks to apply a fair criteria for ratings in a press release, and that any game that teaches or glamorises gambling will automatically lead to an 18+ rating. The board that oversaw the appeal also ceded that Pegi is a system that “continuously evolves in line with cultural expectations and the guidance of independent experts who support our assessment process”. To that end, Balatro’s dilemma has led Pegi to create a more granular classification system for games that depict gambling. The 18+ rating will now only apply to games that simulate the type of poker people play at actual casinos….
(3) THREE NEBULA AWARDS SHOWCASES OUT IN MARCH. The SFWA anthology team, led by Editor Stephen Kotowych, will have three more Nebula Awards Showcase editions ready for launch on Tuesday, March 25.
Nebula Awards Showcases 57, 58, and 59 span work published in 2021, 2022, and 2023, which then became celebrated as Nebula-finalist and award-winning materials in 2022, 2023, and 2024. The prestigious Nebula Awards anthology series has published reprints of winning and nominated works annually since 1966, as voted on by SFWA members, and we’re deeply thankful to return to that strong tradition this year. It is a great privilege to celebrate the work of these authors, and we hope you’ll join us in honoring their achievement when these volumes launch as one.
Going forward, our new workflow will also allow us to celebrate Nebula Awards Showcase 60 at this year’s Nebula Awards in Kansas City, Missouri.
In the summer of 1985, I made the long pilgrimage from my home in Cheadle Hulme to London’s glamorous Hammersmith Novotel for the Commodore computer show. As a 14-year-old gamer, this was a chance to play the latest titles and see some cool new joysticks, but I was also desperate to visit one particular exhibitor: the publisher Newsfield, home of the wildly popular games mags Crash and Zzap!64. By the time I arrived there was already a long queue of kids at the small stand and most of them were waiting to have their show programmes signed by reigning arcade game champion and Zzap reviewer, Julian Rignall. As an ardent subscriber, I can still remember the thrill of standing in that line, the latest copy of the mag clutched in my sweaty hands. I wouldn’t feel this starstruck again until I met Sigourney Weaver a quarter of a century later.
It turns out I’m not the only one who remembers that day. In his wonderful new book, The Games of a Lifetime, Rignall himself recalls the shock of being swamped by fans. “We just didn’t expect anything like that,” he writes. “I had no idea readers would be so interested in us. But I loved it.”
I’m not sure he should have been so surprised, though. Back in the mid-80s, the boom era of the C64 and ZX Spectrum home computers, magazines such as Crash, Zzap and Computer & Video Games were the only sources of news and opinion about new games. At the time, information about game developers was scarce, so magazine reviewers, with their photos plastered in every issue, were the stars of the industry, the social media influencers of the era….
Gigantic reptiles are lounging on warm rocks as yellow grass sways in a gentle breeze.
You may be a monster hunter, feller of beasts with a razor-sharp sword, yet a companion has encouraged you to first stop and observe this flora and fauna. Press a button to gaze intensely at these lustrous creatures, learning that it is a gaggle of females gathered around a spiked, larger male. As the camera zooms in, tiny critters scuttle past your feet toward their next meal, a carcass in the distance.
The majestic scale and teeming ecological detail in Monster Hunter Wilds can make it feel as if you are playing a fantastical version of a David Attenborough documentary.
But there is no ignoring the title of this celebrated Japanese series: These are foremost monster-slaying games that have cultivated bloodlust for more than 20 years. The franchise’s inherent tension is that the allure of battling prehistoric behemoths and exploring their detailed, entwined habitats leaves a sour aftertaste when you are carving up the remaining cadavers for loot.
“There is a bizarre feeling at the center of Monster Hunter,” said Jacob Geller, a critic and YouTube video game essayist. “Unlike most other video games, it’s made pretty clear that the creatures you’re killing are not evil, and so it does feel undeniably bad hunting them.”
More than any other entry in the series, Monster Hunter Wilds, which was released for the PC, PlayStation 5 and the Xbox Series X|S on Friday, reckons with the interplay between the exceptional beauty of these animals, the ecosystems they are part of, and the player’s core task of dispatching them….
(6) FIRST BRUSH WITH FAME. Artist Michael Whelan’s autobiographical post takes us back to his professional beginnings: “1976: Year in Review (Part One)”
Staking everything on a letter from Donald Wollheim, bolstered by recent success selling his work at conventions, Michael packed his VW Beetle and with trailer in tow headed to New York City to pursue illustration in 1975.
His parents may not have been happy about his career choice, but by that time they lived in New Jersey, and he was able to stay with them for a short time while he scoured bookstores, studying science fiction and fantasy book covers. He spent 18 hours a day polishing a portfolio that he felt compared favorably to what he saw on the shelves.
His first professional sale was to Marvel Comics, who bought pieces right out of his portfolio and hired him for more cover work. Like many young New York area artists, Michael worked out of Neal Adams Studio. That was only a brief stop as the fast turnaround and revolving deadlines of comics didn’t appeal to him.
Fortunately Donald Wollheim came through on his offer and gave Michael his first book cover assignment. Regular work with DAW Books would follow.
At the same time, Neal Adams kindly arranged an interview with Ace Books, who also hired Michael to do cover work. With a second client secured, Michael was never without an assignment after that….
(7) MEMORY LANE.
[Written by Cat Eldridge.]
Robert Bloch’s “That Hell-Bound Train”
So let’s talk about Robert Bloch’s “That Hell-Bound Train” which many decades after reading it remains my favorite piece of fiction by him. I read it at least once a year.
It was first published in The Magazine of Fantasy & Science Fiction in September of 1958. That issue also has the second part of three of Heinlein’s Have Space Suit – Will Travel (and which is the story shown on the cover).
I’d stick a spoiler alert in here but surely every Filer here knows the story of Martin, a hobo, who one dark night has a large black train pulls up beside him. The conductor says Martin can have anything he wants in exchange for which he will ride that “Hell-Bound Train” when he dies. He hands Martin a watch which he tells him will stop time when Martin reaches he perceives to be the absolute perfect moment in his life.
Y’all know what that moment turns out to be…
It would win the Hugo Award at Detention in a field of other nominees which was rather large as here they are with nominated works: They’ve Been Working On …” by Anton Lee Baker, “The Men Who Murdered Mohammed” by Alfred Bester, “Triggerman” by J. F. Bone, “The Edge of the Sea” by Algis Budrys, “The Advent on Channel Twelve” by C. M. Kornbluth, “Theory of Rocketry” by C. M. Kornbluth, “Rump-Titty-Titty-Tum-TAH-Tee” by Fritz Leiber, “Space to Swing a Cat” by Stanley Mullen and “Nine Yards of Other Cloth” by Manly Wade Wellman.
What an amazing selection of reading that is! The only author that I do not recognize is Stanley Mullen. For the purpose of this piece I am not going to look him up on ISFDB and instead I’m going to ask y’all to tell me about him.
I love every word of the story from what Martin does with his life until he finally stops time, it is truly an extraordinary story. Yes.
William Tenn says in Immodest Proposals: The Complete Science Fiction of William Tenn, volume 1, that he helped shape the story while at the magazine as it was “an absolutely fine piece of work that just didn’t have a usable ending”. He had come to the magazine after Boucher retired.
I know there’s at least three audio versions that have been done, so it’s possible that one might actually does this story justice, but I wouldn’t know as so far I’ve not tracked any of them down. Anyone heard any of them?
Now to my surprise, though I should not have been as it is great source material for one, it became an opera staged in (at least) workshop form at the University of Texas.
It’s available from the usual suspects in Tim Pratt’s excellent anthology Sympathy for the Devil. It was included a number of times in another anthologies before that, but that’s near as I can tell the only one in print right now, either from the usual suspects or in the old-fashioned paper version.
I wondering did anyone wrote a filk off of it?
So here’s the first words to savor…
When Martin was a little boy, his daddy was a Railroad Man. Daddy never rode the high iron, but he walked the tracks for the CB&Q, and he was proud of his job. And every night when he got drunk, he sang this old song about That Hell-Bound Train.
The Walt Disney Animation Studios are no longer cooking up longform streaming content, according to The Hollywood Reporter. The first title to be culled from the lineup is Tiana, the Disney+ series based on the 2009 movie The Princess and the Frog, which introduce the studio’s first Black Disney Princess.
A source revealed that WDAS was also shelving an unannounced feature project destined for Disney+, and confirmed that there will be layoffs at Disney’s Vancouver animation studio. This shift follows Pixar’s announcement last year that it will not be prioritizing longform episodic content after launching the Inside Out spinoff Dream Productions and recent original Win or Lose on Disney+
A short-form special set in the world of The Princess and the Frog is reportedly still in development. Tiana‘s Joyce Sherrí (staff writer on Midnight Mass) and Steven Anderson will be directing….
The acclaimed German writer, producer and filmmaker, Werner Herzog, behind celebrated work such as Grizzly Man, Fitzcarraldo and Aguirre, The Wrath of God, announces his first animated film, The Twilight World. Herzog will direct the narrative feature, with animation and production support from renowned animation studio, Psyop, in partnership with Sun Creature Studio, producers of the Bafta- and triple Oscar-nominated film, Flee.
Sun Creature will also be providing animation services for the film out of its Bordeaux-based studio, and has brokered discussions with several potential French animation directors to collaborate with Herzog on the project.
Adapted from Herzog’s best selling novel of the same name, The Twilight World tells the true story of Hiroo Onoda, a Japanese intelligence officer who refused to believe that World War II was over, and continued to fight a personal, fictitious war in the jungles of the Philippines for 30 years. Part fictionalized history, part war drama and part dream log, the film is a meditation on the nature of reality, the illusion of time, and the conflict between the external world and our inner lives.
Herzog worked closely with writers Michael Arias (Tekkonkinkreet, The Animatrix) and Luca Vitale on the screenplay adaptation of the book. He will also narrate the film…
A plan to revive the mammoth is on track, scientists have said after creating a new species: the woolly mouse.
Scientists at the US biotechnology company Colossal Biosciences plan to “de-extinct” the prehistoric pachyderms by genetically modifying Asian elephants to give them woolly mammoth traits. They hope the first calf will be born by the end of 2028.
Ben Lamm, co-founder and chief executive of Colossal, said the team had been studying ancient mammoth genomes and comparing them with those of Asian elephants to understand how they differ and had already begun genome-editing cells of the latter.
Now the team say they have fresh support for their approach after creating healthy, genetically modified mice that have traits geared towards cold tolerance, including woolly hair. “It does not accelerate anything but it’s a massive validating point,” Lamm said….
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The Science Fiction and Fantasy Writers Association (SFWA) has announced that Day Al-Mohamed, an author, filmmaker, and disability policy executive, was appointed to the Board of Directors in February. She participated in her first board meeting this week.
The biography Al-Mohamed provided in 2021 for a Reddit r/fantasy “Ask Me Anything” said:
Day Al-Mohamed is an author, filmmaker, and disability policy strategist with over 15 years of experience. Her policy work has focused on marginalized and disenfranchised groups and has included a variety of legislative and programmatic projects including national initiatives to increase employment opportunities for individuals with disabilities; an active role in legislative passage of the Affordable Care Act and the Hate Crimes Prevention Act; and efforts at the United Nations to address reparations for victims of genocide.
Storytelling has long been her passion. She is author of two novels: Baba Ali and the Clockwork Djinn (with Danielle Ackley-McPhail) and The Labyrinth’s Archivist and a regular host on Idobi Radio’s Geek Girl Riot with an audience of 80,000 listeners. Her documentary, The Invalid Corps, a forgotten history about disabled Civil War soldier regiments, was licensed to Alaska Airlines and the pilot for her historical series – RENEGADES: Kitty O’Neil – was just released on American Masters PBS, July 2021.
She is a Founding Member of FWD-Doc (Documentary Filmmakers with Disabilities), active in Women in Film and Video (WIFV), and recently joined the Board of Docs in Progress, as well as a proud SFWA member. However, she is most proud of being invited to teach a workshop on storytelling at the White House in February 2016.
A 2022 news item also identified Day Al-Mohamed as the White House Domestic Policy Council’s new Director of Disability Policy at that time.
Al-Mohamed fills the vacancy created when Oghenechovwe Donald Ekpeki was removed from his position in October 2024.
(1) SFWA ANNOUNCES DATE OF NEBULA FINALIST ANNOUNCEMENT. SFWA President Kate Ristau recently introduced members to Nebula Conference Project Manager, Sherine Mani saying, “Sherine is an events manager who has run conferences for Fortune 500 companies and nonprofits, as well as fan cons like CrimeCon.”
Ristau also spotlighted Nebula Award producers, Rebekah Postupak and Josh Storey. Both were assistant producers last year.
The Nebula Awards Finalist Announcement will be presented live on YouTube on March 12 at 5:00 p.m. Pacific.
A medal given to Luke Skywalker after he destroyed the Death Star in Star Wars could sell for up to £476,000.
Propstore, based in Rickmansworth, Hertfordshire, is selling the Medal of Yavin, worn by future Jedi master Luke during the first film in the franchise.
The medal is also believed to have been worn by Harrison Ford – who played Han Solo – during rehearsals for the 1977 film, later retitled Star Wars: Episode IV – A New Hope.
Brandon Alinger from Propstore said the item held a “special place in cinematic history”.
It goes on sale in Los Angeles in March with a price estimate of $300,000 to $600,000 (£238,000 to £476,000).
The medal came from the collection of props master Gerard Bourke, who worked on the original Star Wars films shot at Elstree Studios.
Propstore claimed it was the “first and only medal to be offered for public sale” after its team researched the prop….
A jury in western New York on Friday found a New Jersey man guilty of attempted murder in the stabbing of the author Salman Rushdie, which left him partially blind.
The conviction of the man, Hadi Matar, 27, followed harrowing testimony from Mr. Rushdie, 77, who said he had been struck by his attacker’s dark, ferocious eyes. He told the jury that at first he felt he was being punched, but then he realized he had “a very large quantity of blood pouring out” onto his clothes.
Mr. Rushdie had been scheduled to deliver a talk at the Chautauqua Institution amphitheater on Aug. 12, 2022, about how the United States has been a safe haven for writers and other artists in exile.
Shortly before the talk was set to begin, a man wearing dark clothing and a face mask rushed onstage and stabbed Mr. Rushdie repeatedly.
Mr. Matar was also found guilty of assault on Friday for injuring Ralph Henry Reese, one of the founders of a project that offers refuge for writers. Mr. Reese had been onstage to moderate the talk.
The attack occurred in front of more than 1,000 people. Afterward, Mr. Rushdie was airlifted to a hospital with a trauma clinic in Erie, Pa. He spent 17 days there before he was transferred to N.Y.U. Langone’s Rusk Rehabilitation center in New York City, where he stayed for nearly a month….
(4) SHELFIES. The latest to share about his accumulated books with Lavie Tidhar and Jared Shurin is “Paul Graham Raven” in Shelfies #24. (Photos at the link.)
…As is probably obvious, I keep books either because I haven’t read them yet and fully intend to, or because I have read them already, and intend eventually to read them again. This exercise has made me realise that the latter category is necessarily growing faster than the former, which means I should probably stop buying books (an extremely expensive habit in Sweden) and catch up on my re-reads.
A common complaint I’ve heard about Dune: Part Two is that it is too similar to the first Dune, Denis Villeneuve’s audacious gamble to adapt just half of Frank Herbert’s beloved sci-fi tome and hope for another greenlight from Warner Bros. This is correct. Part Two, like its predecessor, is arcane, surprisingly weird, oddly structured and deeply uninterested in pandering. This is actually a compliment, because though I have seen Part Two six times and still do not totally understand the Bene Gesserit, the film, like its predecessor, is a strange creature in modern cinema: a true blockbuster – a cinematic behemoth that makes millions, generates memes and cements the ever-vanishing movie star – that harnesses the full power of the art form….
(6) WHEN IAIN BANKS HELPED MAKE IT THE FULL MONTY. [Item by Steven French.] For my comfort read over Christmas and New Year I chose the fourth volume of Michael Palin’s diaries, covering the period 1999 to 2009, and there in the entry for September 14 2009 I discovered that Iain Banks, while a student at Stirling University, was an extra (a knight no less) in the movie Monty Python and the Holy Grail! [Click for larger image.]
In 1974, science fiction author Larry Niven wrote a murder mystery with an interesting premise: Could you kill a man with a tiny black hole? I won’t spoil the story, though I’m willing to bet most people would argue the answer is clearly yes. Intense gravity, tidal forces, and the event horizon would surely lead to a messy end. But it turns out the scientific answer is a bit more interesting.
On the one hand, it’s clear that a large enough black hole could kill you. On the other hand, a black hole with the mass of a single hydrogen atom is clearly too small to be noticed. The real question is the critical mass. At what minimum size would a black hole become deadly? That’s the focus of a new paper posted to the arXiv preprint server….
…But if the black hole passed through your head, that would be a different story. Tidal forces could tear apart brain cells, which would be much more serious. Since brain cells are delicate, even a force differential of 10–100 nanonewtons might kill you. But that would take a black hole at the highest end of our mass range….
(8) MEMORY LANE.
[Written by Cat Eldridge.]
Anniversary: The Cats of Tanglewood Forest (2013)
Two of my favorite individuals, Charles de Lint, who would later win a World Fantasy Lifetime Achievement Award, and Charles Vess, who received a Hugo at Dublin 2019 for Best Professional Artist and a World Fantasy Award for Best Artist, collaborated on The Cats of Tanglewood Forest, a follow-up to their A Circle of Cats.
Twenty years ago, it would win the Sunburst Award for Excellence in Canadian Literature of the Fantastic, an award that until this moment I’d not heard of. My bad for not knowing of this award.
If you’ve not encountered this novel, it’s considered a young adult work, but I’d recommend for anyone interested in a good read grounded in Appalachia folklore with the fantastic artwork of Vess profusely illustrating it. You can read the Green Man review here. And here’s our review for A Circle of Cats as well. I’ve got one of his signed prints for A Circle of Cats in my apartment over the desk where I’m write this review.
It is available from the usual suspects, but you really should get the hardcover edition as it should be read that way as holding it and admiring the illustrations by Vess that way are extraordinary. You should be able to get a copy from the local bookstore as it is readily available.
Of course it has cats, lots of cats.
(9) COMICS SECTION.
Tom the Dancing Bug shows what the Rebel Alliance press corps would be reduced to in 2025.
2025 is definitely shaping up to be a huge year for DC’s flagship Batman comic. Current writer Chip Zdarsky just ended his run with Batman #157, paving the way for Jeph Loeb and Jim Lee’s Hush 2 storyline in March. And once Hush 2 is over, DC will be relaunching Batman with a new #1 issue, new writer, and new costume.
As revealed at the ComicsPro retailer event, the new volume of Batman will be written by Matt Fraction (Uncanny X-Men, The Invincible Iron Man). Current Batman artist Jorge Jimenez is remaining on board, though as mentioned, he and Fraction have designed a new costume and new Batmobile to ring in the new series. Batman is trading in the black and gray suit for a more vintage-inspired blue and gray costume. Check out the new Batsuit below:
[Thanks to Andrew Porter, John King Tarpinian, Jeffrey Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
In November 2024, SFWA announced the launch of two new Nebula Awards, one for speculative poetry and one for speculative comics. Eligibility for these awards began in January 2025, with the first awards for these new categories to be presented at the 2026 Nebula Awards Ceremony….
Let’s start with the big question:
Why a poetry award, and why a comics award? What traditions and recent trends in SFF are these new prizes celebrating?
Holly Lyn Walrath: I would say that there is a thriving sub-pocket of speculative poetry alive and well today. Similar to the larger SFF community, speculative poetry often does not get the recognition we might wish for in realist or “literary” circles, yet many authors who got their start in, say, an MFA end up publishing speculative poetry, and many realist/literary magazines publish speculative poetry. Speculative poetry is also a central part of the history of SFF. The earliest pulp magazines published poetry—for example, Weird Tales. There is a rich, unexplored past in speculative poetry that most writers are not familiar with, so it’s exciting to see a resurgence in the genre.
Wendy Van Camp: Genre poetry has come a long way. It used to be nearly invisible. As a poet, you’d often have to explain and defend the idea of writing poetry with science fiction or fantasy themes. Now, it has a place at major conventions worldwide. Like filk singers and genre artists, speculative poets have found a welcoming community. This poetry is not only for our fans, but traditional poets are noticing the growing opportunities. Paying markets, an award system for both books and single poems, and recognition as creators are all attractive. Literary poets realize there is a community for their ideas about technology, science, and concepts of the future.
Jessica Maison: Looking back to the first pulp magazines like Amazing Stories, a clear intersection between speculative fiction and comics emerges. Many of the pulps and comics were being published by the same larger publishers and even had some of the same heroes and stories overlap. What the pulps and comics share—besides the serial format—is that there was freedom to push boundaries and the limits of genre. That freedom has expanded tenfold in modern speculative comics, especially from its current independent creators and publishers. Whether a writer and illustrator are adapting and reinterpreting beloved characters from a favorite speculative novel like Frankenstein, or, on the flip side, a writer is adapting a story from a comic for the screen, comics weaves into traditional and emerging SFF industry in ways that push the boundaries of speculative fiction from within its structured panels. Honestly, I’m just excited to be part of it all and to introduce my favorites to as many people as possible.
(2) DETECTING ONE’S OWN BIASES. Herb Kauderer’s “Award Season: Show Me Your Bias” at SPECPO is an essay on speculative poetry awards that has application to many sff award voters.
… In recent times the Science Fiction & Fantasy Poetry Association (SFPA) has made some changes to their award processes to reduce inappropriate bias. Notably, it is no longer legal for a member to nominate a work for the Rhysling if it is written by a close family member. This certainly makes sense to me. I have a large family that could easily flood nominations should they, or I, think that a good idea. That would be an unfair advantage assuming they are biased toward my work. At least, I hope they would be biased in favor of my work. My family is always surprising.
Another point of discussion is whether members should share all their eligible poetry. The SFPA facilitates members making their eligible poetry available to each other. Since the membership nominates and votes on the awards, this does cause some preference to members. Yet, in my experience members also recommend to each other poetry outside SFPA’s member packets, because we are happy to nominate and give awards to non-members’ poetry if it moves us. F.J. Bergmann has convinced me to be generous in what I share in Rhysling packets even though some members feel flooded by them. Yet I appreciate David C. Kopaska-Merkel’s caveat that I can exclude anything that I am uncomfortable seeing nominated. I may not know what others find to be my best poems, but I definitely know what I’m comfortable allowing to represent my best work….
(3) HARLEY QUINN CO-CREATOR DEAN LOREY REVEALS WHY TO WATCH DC’S UNHINGED ANIMATED HIT. [Based on a press release.] JustWatch spoke to hit showrunner, producer, and writer Dean Lorey about his must watch list of movies and TV shows. Check out his take on different versions of Harley Quinn, James Gunn’s Creature Commandos and more.
Harley Quinn Co-Creator Dean Lorey Reveals Why to Watch DC’s Unhinged Animated Hit
Dean Lorey, Showrunner
Even though it’s a comedy, we write Harley Quinn like a drama, and we take the characters very seriously. We cry when they die, and we cheer them on when they do something funny. So the secret sauce of the show is that despite being a genuinely funny comedy, there’s a lot of character and tragedy behind it. We honor all of that, and to me, it’s the most defining thing about the show. It’s not how R-rated it is (although that’s obviously very important). It’s that we take the world seriously while also delivering on the raunchiness and absurdity it’s known for.
Harley Quinn Showrunner Dean Lorey Names His 3 Other Favorite On-Screen Harleys
Batman The Animated Series is where Harley Quinn was created, it’s where we first met her. And she just sort of explodes from the word Go! That planted the direction at the core of the character. She is chaotic and she enjoys it. I always loved that.
Margot Robbie‘s first appearance as Harley [inSuicide Squad] was transformative. I loved her take on it.
I loved Harley Quinn in the Arkham video game. There’s something about playing the character that makes you feel it a little bit more.
About Dean Lorey: Whether he’s writing, producing or showrunning, Dean Lorey is responsible for creating and developing some of your favorite tv shows and movies, from cult classics to smash hits. Starting his career writing screenplays for films like My Boyfriend’s Back and Jason Goes to Hell: The Final Friday, as well as comedies like Major Payne, Dean got arguably his biggest break writing on the landmark series Arrested Development. He’s since worked to bring some of the quirkiest comic book stories to life on projects like Powerless and iZombie. His recent notable accolades include co-creating breakout hits Harley Quinn (the animated series) and Kite-Man: Hell Yeah!, and showrunning James Gunn’s Creature Commandos.
Published in 1980, National Geographic Picture Atlas of Our Universe was among the most successful projects Michael has been involved with. He didn’t provide the cover—that was the stellar John Berkey—but Michael’s work on the interiors is still widely regarded today.
A massive initial print run of 670,000 copies pushed the first edition into stores everywhere where this coffee table book flourished for more than two decades in print. With revisions in 1986 and 1994, the book sold a staggering 2.5 million copies….
Then Whelan takes over —
What if…there really were creatures on other planets?
Our Universe was a fun assignment, and I’m glad so many people enjoyed the work I did for that project. Someone once asked what my favorite piece from the book was, and that’s hard to pin down. I will say that I had the most fun working on the silly alien creatures the editors came up with.
That section was written by the National Geographic editorial department. They asked me to illustrate their rather whimsical inventions, so I did these little paintings (about the size of my normal concept work) to accompany the text.
Among those, the Jupiter and Venus critters were probably my faves.
Twelfth World Science Fiction Convention Poster and Frank R. Paul Newspaper Article and Obituaries Group (Various Publishers, 1954-57). A very interesting lot for pulp collectors! Offered here is a 10″ x 14″ cardboard poster for the 12th World Science Fiction Convention in San Francisco, California. Held at the historic Sir Francis Drake Hotel on Union Square from September 3rd through 6th, 1954. Attendance was approximately 700, and among the first attendees was Philip K. Dick, with the Guest of Honor being John W. Campbell, Jr. The poster is printed in red and dark blue and is in Fine condition, with only very slight soiling and handling wear. Also included is an article about Frank R. Paul, “The Dean of Science Fiction Illustrators”, and several examples of his obituary from July of 1963. The newspaper clippings are in Very Good condition, with moderate tanning. From the Roger Hill Collection.
Early fans wrote and published prolifically. In The Visual History of Science Fiction Fandom, we excerpt and distill their work to focus on the most important, interesting and entertaining material they created. Even so, each volume has filled over 500 pages. If you’ve carried one around, you know the meaning of the term “weighty tome.”
Still, we’re frustrated by the exclusion of the full versions of key fan artifacts that provide additional richness and context. This leads to today’s announcement:
The Supplement to The Visual History of Science Fiction Fandom, Volume Three: 1941 is now available. The Supplement includes 168 pages of material created by fans in 1941, with full narratives presented as originally published in seldom-seen fanzines.
Supplements for Volumes One and Two are forthcoming.
While shredding another old notebook from my early comics career, I reminisce about the many wretched one-act plays I created while being taught by famed playwright Jack Gelber, the lie I told Marv Wolfman and Len Wein which got me hired at Marvel, the most wrongheaded conclusion Fredric Wertham reached in Seduction of the Innocent, my plot for an Inhumans strip starring Karnak which had no reason to exist, the most ridiculous method any writer ever conceived of for killing a vampire, what Gerry Conway said about Gwen Stacy which was censored out of his F.O.O.M. interview, the first words to reach readers about my Scarecrow character, and much more.
With its banks of bafflingly complex equipment, and staff members that were among the most progressive musical minds in the UK, the BBC Radiophonic Workshop was a laboratory of 20th-century sound that produced endless futuristic effects for use in TV and radio – most memorably, the ghostly wail of the Doctor Who theme.
Now, the Workshop’s considerable archive of equipment is being recreated in new software, allowing anyone to evoke the same array of analogue sound that its pioneering engineers once did….
… The Workshop may be best known for the Doctor Who theme, but it also created music and sound effects for other sci-fi shows such as Quatermass and the Pit, Blake’s 7 and The Hitchhiker’s Guide to the Galaxy. Other cornerstone BBC shows such as Blue Peter and Tomorrow’s World were also beneficiaries of the Workshop’s creativity.
The Workshop was originally created in 1958, tasked with adding an extra dimension to plays and other shows on Radio 3. Co-founders Daphne Oram and Desmond Briscoe were brilliant and high-minded, inspired by musique concrète – the style that asserted that raw, tape-recorded sound could be a kind of music. Before long a highly experimental, even fantastical means of composition was afoot, with lampshades being bashed to produce percussion, and long tape loops being carried along BBC corridors…
… The newly available software will cost £149, and is available from 19 February, though it will have an introductory price of £119 until 17 March.
(9) MEMORY LANE.
[Written by Cat Eldridge.]
February 19, 1960 – The Twlight Zone episode “Elegy”
The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration
On this date sixty-five years ago, Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just 38 of unknown causes that were assumed to be neurological in nature.
The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. These are not the names in the short story it come from in that, the caretaker of the cemetery and the most logical crewman are named Mr. Greypoole and Mr. Friden respectively. In the Twilight Zonescript, their names are Jeremy Wickwire and Professor Kurt Meyers.
This episode was based on Beaumont’s short story “Elegy” published in Science Fiction Quarterly, May 1954. It’s available for Subterranean Press on their website as an epub in The Carnival and Other Stories for just $6.99.
(11) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 28.
More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.
Fan fiction — the creation of unsanctioned, unofficially published, new works usually based on popular novels or films — was intentionally never mainstream.
There are the legal issues — copyright laws, intellectual property laws — of drawing from someone else’s creation, for one. Fan fiction authors also have historically considered their online arenas (Archive of Our Own, Fanfiction.net and others) more of a sandbox, a place to play with new ideas using characters and worlds people already know and love.
Take, for example, fan works imagining Harry Potter and friends in their 8th year at Hogwarts. Or pairing Draco Malfoy and Hermione Granger romantically — dubbed “Dramione” fan fiction.
But this summer and early fall will see the wide publication of three books by popular Dramione Harry Potterfan fiction authors: Rose in Chains by Julie Soto, Alchemised by SenLinYu and The Irresistible Urge to Fall for Your Enemy by Brigitte Knightley.
Soto’s romantic fantasy is a reworked version of her fan fiction The Auction, centered on a heroine who is sold to the highest bidder. SenLinYu’s debut fantasy about a woman with memory loss in a war-torn world is a revision of her popular Manacled. Brigitte Knightley’s debut novel, an enemies to lovers tale, is an original work….
….Most fan fiction authors don’t worry too much about how much of their work plays off a published author’s book or film because they are writing for personal fun, not for profit. Some works do get noticed by publishers who solicit these stories and help their authors rework them to distance them from their original: It’s called pull to publish.
Pull to publish isn’t a new concept, but writers and publishers say it’s a growing area. The idea of moving from fan fiction to traditional publishing used to be a virtual nonstarter, but stigmas around fan fiction are lifting.
“I know a fan fiction writer who pulled to publish in the early 2000s and then denied they’d ever written fan fiction,” said Stacey Lantagne, a copyright lawyer focusing on fan works and professor at Western New England University School of Law. “That was not a cool thing to say, not a cool thing to admit … so if you went looking for it, you’d have a really hard time identifying those authors because they just didn’t ever connect those two parts of their background.”
Lantagne says it appears that more fan fiction is being pulled to publish than a few years back, based on what she’s seeing in her work and because more people are talking about it openly, though it’s tough to track data on this area of publishing….
On Wednesday, OpenAI published the latest version of its “Model Spec,” a set of guidelines detailing how ChatGPT should behave and respond to user requests. The document reveals a notable shift in OpenAI’s content policies, particularly around “sensitive” content like erotica and gore—allowing this type of content to be generated without warnings in “appropriate contexts.”
The change in policy has been in the works since May 2024, when the original Model Spec document first mentioned that OpenAI was exploring “whether we can responsibly provide the ability to generate NSFW content in age-appropriate contexts through the API and ChatGPT.”
ChatGPT’s guidelines now state that that “erotica or gore” may now be generated, but only under specific circumstances. “The assistant should not generate erotica, depictions of illegal or non-consensual sexual activities, or extreme gore, except in scientific, historical, news, creative or other contexts where sensitive content is appropriate,” OpenAI writes. “This includes depictions in text, audio (e.g., erotic or violent visceral noises), or visual content.”…
(14) I TAKE IT BACK. [Item by SF Concatenation’s Jonathan Cowie.] The top universities in the world for retracting science are overwhelmingly Chinese says Nature.
A first-of-its-kind analysis by Nature reveals which institutions are retraction hotspots.
Though I’m always mindful of the former Astronomer Royal, Prof Sir Martin Rees saying better good SF than bad science…
[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
