Tag Archives: Spider-Man

Pixel Scroll 5/12/25  I Heard It Through The Godstalk

Posted on by
18

(1) ARTHUR C. CLARKE SHORTLIST. The Arthur C. Clarke Award 2025 Shortlist was announced today. File 770 lists the six finalists at the link.

(2) HAPPY 90TH! On Wednesday May 14 “Griffith Observatory celebrates 90th birthday” reports LAist. (The official website with more detail about the celebration is here: “Griffith Observatory – Southern California’s gateway to the cosmos!”)

A star was born in 1935, when Griffith Observatory became the first public observatory west of the Mississippi.

Now, “Griffith Observatory is the most visited public observatory on the planet,” says Ed Krupp, longtime director of the observatory.

In the 90 years since its founding, more than 7 million people have peered through the historic Zeiss telescope that adorns the peak of Mount Hollywood in Griffith Park.

“More than any other telescope on Earth,” Krupp adds.

Celebrations kick off with a special opening ceremony on the observatory’s front lawn at 11:30 a.m., before doors open at noon. Visitors will receive limited-edition 90th anniversary buttons while supplies last.

Throughout the day, the observatory will host special programming highlighting both astronomical phenomena and the building’s history as a center for public astronomy.

“People on site will get to see how the sky really works,” Krupp said. “It’s a reminder that the observatory itself is an instrument.”

In the evening, a program in the Leonard Nimoy Event Horizon Theater will honor California’s Indigenous astronomical traditions. And visitors will gather on the West Terrace to salute the sunset “as the sun salutes Griffith Observatory’s birthday,” Krupp said. “It’s a cosmic party.”

As night falls, the celebration will continue with a rare event: the Southern Major Standstill Moonrise, part of an 18.6-year lunar cycle. The event will also be live-streamed on Instagram.

(3) IT’S BOT TIME. NPR’s TV reviewer says this is what to watch for: “On TV this week: ‘Murderbot’ and a Joan Rivers tribute on NBC”.

Think back to a time about six years ago, before the explosion of streaming services that included Apple TV+, and it’s tough to imagine a TV show like Murderbot getting made.

Not just because its star, dreamboat actor Alexander Skarsgård, might be more focused on big films. But because the eye-popping special effects and high-quality production involved in developing a project from Martha Wells’ ambitious science fiction novel series The Murderbot Diaries might be a stretch even for a major motion picture – let alone a TV series on a platform that struggles to build big hits.

In fact, Murderbot is the latest example of a trend I’ve noticed on streaming TV – exquisitely produced science fiction and fantasy shows that may not be seen outside of a small-yet-passionate fanbase.

Apple TV+’s Murderbot, debuting Friday, has quite a few hallmarks of high-quality TV. Not only is Skarsgård magnificent in playing a cyborg who has secretly become an independent, free thinking artificial being – he’s in a series created and executive produced by Chris and Paul Weitz, brothers who worked on acclaimed films like About a Boy and American Pie….

…It’s an innovative, creative story told in 10 short episodes, satirizing everything from ruthless corporatism to blithely naive social justice stands. And it will be catnip for science fiction fans who love all the actors who pop up in it. But it’s also not likely to get wide viewing, because Apple TV+ has made a habit of spending loads of money on beautifully shot science fiction stories that have a tough time making a wide impact….

(4) PARTING SHOT. The release of the pre-publication version of the third part of the Copyright Office’s report “Copyright and Artificial Intelligence” came the day before — “Copyright Chief Fired Amid AI Debate”. Publishers Weekly reports on the suspicious move.

On Saturday, the Trump administration fired Shira Perlmutter, the register of copyrights and director of the U.S. Copyright Office, just two days after the dismissal of Librarian of Congress Carla Hayden, under whose auspices the U.S. Copyright Office operates. Perlmutter was appointed by Hayden in 2020….

… The move, like Hayden’s dismissal before it, was immediately blasted by Democratic members of Congress. Rep. Joe Morelle (Dem., N.Y.), the top Democrat on the Committee on House Administration, called the move “a brazen, unprecedented power grab with no legal basis,” adding, “It is surely no coincidence he acted less than a day after she refused to rubber-stamp Elon Musk’s efforts to mine troves of copyrighted works to train AI models.”

On Friday, Perlmutter’s office released the pre-publication version of the third part of the Copyright Office’s report “Copyright and Artificial Intelligence,” following a first segment released in July 2024 and a second released this January. This third part focuses on the impact of generative AI training across a wide range of topics, from the origins of the technology, to AI companies’ possible infringement in training their data sets, to those companies’ defense that the training counts as fair use, to what potential licensing scenarios might look like.

Morelle and others have speculated that Perlmutter’s dismissal was likely due to her release of the preliminary report. But sources close to the office, who spoke with PW on condition of anonymity, suggest that it is more likely that Perlmutter, having heard of her impending dismissal, ordered the report released beforehand to ensure it entered the public record in spite of its incomplete status. (The report, for instance, lacks some citations.)…

(5) POSTER BOY. “’I add the human touch’: the beautiful, bespoke work of Berlin’s last cinema poster artist” – a Guardian profile.

Götz Valien is Berlin’s last movie poster artist, for more than three decades earning a modest living producing giant hand-painted film adverts to hang at the city’s most beloved historic cinemas – a craft he says will probably die with him, at least in western Europe. The studios’ own promotional posters serve as a template, but Austrian-born Valien, 65, adds a distinctive pop art flourish to each image coupled with the beauty of imperfection – part of the reason he has managed to extend his career well into the 21st century.

“Advertising is about drawing attention and I add the human touch, which is why it works,” he said. Valien’s work plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a screen siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play on the German words for cinema and dinosaur….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 13, 1937 — Roger Zelazny. (Died 1996).

I’ve mentioned many times that Roger Zelazny, in conjunction with Tolkien, got me into fantasy. And you’ve possibly read my reviews of the collected Roger Zelazny short stories here at File 770. Or one of my many other reviews in various places over the years. 

So what else can I tell you about my relationship with Zelazny that you haven’t read already?  Surely you know that I started with Zelazny’s work with Nine Princes in Amber, and so with Zelazny, I gained a permanent love of multiversal fiction that would lead me to Moorcock and many other authors in due course. Amber also was one of my entry points into RPGs and so along with D&D, and Traveller, and Call of Cthulhu, there was the tiny but influential Amber Diceless Roleplaying Game. So Zelazny has been always a part of my RPG life.

Imagery. Powerfully invoked scenes. Poetic prose (the collected Zelazny, with his poetry, was revelatory as to where all that came from). Sharp archetypal characters, that feel like they came out of a tarot deck (or a Trump deck?) As a stylist, in my personal constellation of reading, he has no equal. 

As I have said in my reading of the collections, I inadvertently stumbled upon many Zelazny stories outside of his novels when I was young, and not knowing what they really were. There are several Zelaznys inside of himself, as he changed, evolved and always trying new things. The author of Amber is also the author of Damnation Alley and also the author of Lord of Light and also the author of “24 views of Mount Fuji, by Hokusai”. All of these are very different, and yet indubitably Zelazny.

Zelazny has been part of my reading since the beginning of my SFF reading, and will continue to do so for as long as I have strength. For as long as I have that strength, I will keep walking that Road to Amber, revisiting the sights and wonders Zelazny has left for us along the way.

I never got to meet him, alas. Requiescat in pace

Roger Zelazny

(7) COMICS SECTION.

(8) ON A MISSION. James Bacon’s article “The Leprechaun, and the Irish War on Comics” at downthetubes.net is a companion piece to his article here, “Greann — Ireland’s First Comic Book, from a veteran of the 1916 Rising”.

With its colourful front cover and striking red masthead The Leprechaun may have seemed very attractive to children in 1953, and this tabloid-sized Irish comic feels like it may have been influenced by and created to compete with the likes of the British comic Eagle – but in actual fact it was not, although its publisher, like the Eagle’s editor, the Reverend Marcus Morris, did have similar aims. The Leprechaun was also created to combat “the outcry against the harm being done by imported comics” and to provide for “the need for clean comics” for Irish readers.

As Mr. French of Bray Urban District Council noted about American Comics they “were nothing but sensual cesspools of iniquity” when he proposed a resolution calling on the Minister for Justice to ban the importation of all comics emanating from American publishers (reported in the Irish Independent on Wednesday, 11th June 1952).

The Horror Comics Campaign in Britain that the late Martin Barker so brilliantly wrote of in A Haunt of Fears encompassed a movement between 1949 and 1955 that brought about the Children and Young Persons (Harmful Publications) Act of 1955. The fear was mirrored in Ireland, and comics continually featured in contemporary newspaper reports across the country. 

On 8th November 1952, the Connacht Tribune reported about the “COMICS: DÁIL QUESTION” with the Minister for Justice responding to a question with, “I have no information that objectionable comics are printed in Ireland.”

Into this hot fray of emotion, intellectual anxiety and fear of God, the first issue of the fortnightly comic The Leprechaun was published in early July 1953…..

(9) IF LOVING YOU IS A CRIME, I’LL ALWAYS BE GUILTY. [Item by Steven French.] As with fantasy, so with games – GTA comes over all romantic: “GTA6 gets it on: can the notoriously cynical action series finally find time for romance?” asks the Guardian.

Something new is coming to the Grand Theft Auto universe next year. I don’t mean super-high-definition visuals, or previously unexplored areas of Rockstar’s take on the US. This time it’s something much more profound. If you’ve seen the newly released second trailer from GTA6 – somewhat cruelly released just days after we discovered the game won’t be out until next May – then you might know what I mean. The brand new thing is romance.

It’s now clear that the key protagonists of the latest gangland adventure are Lucia Caminos and Jason Duval, two twentysomething lovers from the wrong side of the tracks. He’s ex-army, now working for drug runners; she’s fresh out of jail, looking to make a better life for herself and her beloved mom. They fall for each other, hatch a plan to get out of Vice City, and then when their simple heist goes wrong, they find themselves at the sharp end of a state-wide conspiracy. You always knew that if Rockstar were going to tell a love story, it would involve a formidable cast of underworld kingpins, gang members, conspiracy nuts and corrupt politicians, and you were right….

(10) OLD IN NEW YORK. Deadline is there when “Nicolas Cage Makes Photo Debut As Aging Web Slinger in ‘Spider-Noir’”.

Nicolas Cage made his photo debut in Spider-Noir at Amazon’s annual upfronts presentation this afternoon and can be seen below. Spider-Noir will be available in both black and white and color when it premieres in 2026.

The live-action series from MGM+ and Prime Video, based on the Marvel comic Spider-Man Noir, tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York, who is forced to grapple with his past life as the city’s one and only superhero….

(11) ANIME MVP’S. “MLB Anime: Heroes of the Game (ft. Shohei Ohtani, Aaron Judge, more!)”

MLB has teamed up with a crew of creators from the world of anime, tapping animators from One Piece and Full Metal Alchemist to release Heroes of the Game! The power, precision, and skill needed for MLB players to reach the top of their game is almost superhuman. Now, that intensity is being showcased through the world of anime—connecting fans from America, Japan, the UK, and beyond. The campaign features Shohei Ohtani as the Master of Both Sides of the Game, Paul Skenes as the pitcher with ferocious power to unleash, Aaron Judge as the Herculean hitter on a mission to become one of the all-time greats, and Juan Soto as the man who sees all and can change the game with just one swing.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthur’s latest video title made me think of J. G. Ballard’s book. However I am not sure I buy into the concept of complex crystal biology as Isaac does.  (Though I loved Crichton’s The Andromeda Strain.) “Crystal Aliens: Life, But Not As We Know It”.

Crystals are not alive, yet they grow, form complex structures, and even conduct electricity. Could life emerge from crystals rather than carbon-based molecules? Explore the intriguing possibility of crystal-based lifeforms, the challenges they would face, and the conditions where they might thrive. We journey to five exotic worlds—Vulcan, Ribbon World, Longenacht, Telluride, and Tempest—each offering unique environments where crystalline life might take hold. Could such life develop naturally, or might humanity one day engineer it? Join us as we dive into the cutting-edge science and speculative possibilities of crystalline biology.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Paul Weimer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/1/25 Scroll, Scroll, Scroll, Till Her Daddy Takes Her Pixel Away!

Posted on by
16

(1) THE VERSIFICATORE. Bruce Sterling offers the creation of a working Star Trek-style communicator as one example of “How to Rebuild an Imaginary Future (2025)” in the Medium transcript of an extemporaneous speech he gave at SXSW 2025 on March 12. Then he goes into full detail about a comparable project he’s involved with in Italy. (Let me emphasize this is not an April Fools post.)

Fifteen years ago, here at South By Southwest, I was on a panel where the term “design fiction” was made public. Before Julian Bleecker invented and deployed that term, there were many things going on that resembled “design fiction.” But nobody knew “how to do design fiction.” The ideas and approaches were diffuse, they weren’t crystallised.

This current speech is taking place in another decade, in a era where “design fiction” has been normalized, and it’s practiced widely. “Design Fiction” is established, and is part of the worlds of design and futurism. This speech, “How to Rebuild an Imaginary Future,” is also about futurism, design, and design-fiction “diegetic prototypes.”…

…I am the art director of a technology art festival in Turin, Italy, which is called “Share Festival.” In our researches, we found a historical design-fiction that we want and need to rebuild for artistic and cultural reasons. And we are rebuilding it. It’s an artifact, an imaginary machine, from a science fiction story written 65 years ago by a science fiction writer in Turin: Primo Levi.

Primo Levi’s imaginary “Versificatore” is as old as a Star Trek Communicator. It is a cybernetic, desktop, mass-manufactured business machine that can write Italian poetry. The Versificatore works with prompts, very much like ChatGPT. So, Primo Levi’s historic “Versificatore” is a prophetic vision of Large Language Model Artificial Intelligence.

The Versificatore first appeared, in May 1960, as a character in a short drama piece that Levi published in a newspaper. Years later, that story was gathered into a collection of other futuristic gadget stories that Primo Levi also wrote, as part of a series of Levi’s science fiction satires and comedies.

In 1971, the Versificatore became one episode of Italian TV series derived from the Levi stories.

In these screenshots from the TV show, we can see an Italian poet, and a technology salesman, and a secretary interacting with their brand-new desktop poetry machine. The machine is a creative writer and is the center of the action in the drama. The humans react to this intelligent machine with varying attitudes of enthusiasm, amazement, commercial interest, dread, alarm and so on.

It’s quite amazing how well Levi understood the future human reactions to a novelty like an AI that can write human language. You can watch that show on YouTube right now, it’s quite engaging and funny. Of course it’s all in Italian, but who cares? As you watch the show, you can get Google’s Artificial Intelligence to translate the TV show from speech to subtitled text in real-time. It turns out, sixty year later, that Primo Levi was quite right about the prospect of machines with an astonishing command of human language. They’re very much here, and wreaking predictable havoc.

So, at Share Festival, thanks to a good friend, Riccardo Luna from “Wired Italia,” we became aware of Levi’s diegetic prophesy of modern AI. Since Primo Levi was from Turin, and we’re a festival from Turin, we immediately decided that we had to rebuild a Levi Versificatore and show that device to our public. We understand that the Versificatore has historic, artistic, cinematic, computational and literary significance. It should be a public source of civic pride.

In other words, we are motivated to rebuild an imaginary future. This is not a merely hypothetical project. It’s an actual artistic production project, and even a patriotic crusade. It’s a practical matter for us, where we have to raise funds, and find designers and crafts people, and find a venue for the display of our new artifact, and so on….

…Let’s admit it: it’s a rather unusual thing to re-make an imaginary Italian Artificial Intelligence from the 1960s that works in public and speaks Italian poetry. But in this speech, I want to put that work into a larger context. It’s just one practical sample of a broader creative practice, which might be described as: deliberately turning culturally significant imaginary things into functional real-life things.

We are using modern capabilities to make things work, when it was once merely imagined that these things might somehow someday work.

This Versificatore project is a physical demonstration of the impressive prescience of a world-famous Turinese writer. Primo Levi made up some other different gadgets in his stories, but with this one, he hit the predictive jackpot.

We have means, motive and opportunity to rebuild this important object, for our public, which is the Turinese public, and for our client, who is MUFANT, the science fiction and fantasy museum in Turin. Turin has a museum of “fantascienza,” so naturally they’re interested in Turinese science fiction museum exhibits. Like this one.

So, with that given, what is the proper way to do this? We are confident that we can build a replica, but what are the best practices here? Who else is doing anything like this? Where can we get some help and good advice? How do we know if we’ve done a good job? What are we trying to prove with this project?…

(2) CHINA MIÉVILLE Q&A. [Item by Tom Becker.] Capitalist billionaires are changing the world’s political and economic systems to serve their visions of the future that are straight out of science fiction. China Miéville, who knows politics and science fiction very well, punctures that balloon in an interview with TechCrunch: “China Miéville says we shouldn’t blame science fiction for its bad readers”.

Even though some science-fiction writers do think in terms of their writing being either a utopian blueprint or a dystopian warning, I don’t think that’s what science fiction ever is. It’s always about now. It’s always a reflection. It’s a kind of fever dream, and it’s always about its own sociological context. It’s always an expression of the anxieties of the now. So there’s a category error in treating it as if it is “about the future.”

The full interview is well worth reading, because Miéville is always interesting, and he has much to say about the fantasy traditions that inspired him, and the science fiction that he loves, and the value of literature that is diverse and contradictory and not a simplistic blueprint.

(3) IS PRATCHETT MORE BASED THAN TOLKIEN? “Discworld Rules” claims Venkatesh Rao at Contraptions.

The Lord of the Rings is a great story, but I have to say, I’ve never understood the strange hold it seems to have on the imagination of a particular breed of technologists.

As a story it’s great. It is pure fantasy of course (in the Chiang’s Law sense of being about special people rather than strange rules), full of Chosen Ones doing Great Man (or Great Hobbit) things. As an extended allegory for society and technology it absolutely sucks and is also ludicrously wrong-headed. Humorless Chosen people presiding grimly over a world in terminal decline, fighting Dark Lords, playing out decline-and-fall scripts to which there is no alternative, no Plan B.

This is no way for a high-agency technological species to live, and thankfully it doesn’t have to be.

I mean, I get why politicians and economists might identify with the story. They enjoy little to no direct technological agency, harbor ridiculous Chosen One conceits, and operate in domains — political narratives and the dismal pseudoscience of economics — that are natural intellectual monopolies or oligopolies. Domains that allow fantasies to be memed into existence (the technical term is hyperstitional theory-fictions) for a while before they come crashing down to earth in flames, demonstrating yet again that no, you do not in fact get to create your own reality; that “reality is that which, when you stop believing in it, does not go away.”

There is a contrarian reading of The Lord of the Rings that argues that Sauron and Mordor are in fact the good guys, and represent technological progress, etc. But this is throwing good money narrativium after bad. Flipping the valence of a Chosen One story doesn’t make it any better. It’s still a Chosen One story with reversed roles.

No, you have to tell different sorts of stories altogether.

Such stories have, in fact, been told. They are Terry Pratchett’s Discworld stories. This post is an extended argument that as a lens for thinking about the world, The Lord of the Rings, is a work that you should “not set aside lightly, but throw across the room with great force,” and that in place of Middle Earth, you should install Terry Pratchett’s Discworld….

… If you’re an actual, serious technologist, Discworld is where you should look for clues about how the world works, how it evolves in response to technological forces, and how humans should engage with those forces. It is catnip for actual technological curiosity, as opposed to validation of incuriously instrumental approaches to technology….

(4) FEARLESS MONSTER FANS. Peter Bebergal will deliver a Zoom lecture, “Monster World”, about “How pop culture monsters mythologised our worries about sexuality, nuclear war, race and the other” on April 14. This Last Tuesday Society digital event begins at 8:00 p.m. – British time, apparently. Tickets are £6 – £10 & By Donation. Ticket buys also will be sent a recording valid for two weeks the next day.

Monster Worlds
In the 1970s, the sometimes-garish world of monster-movie pop culture was a comfort, an external expression of grotesquery and strangeness that the culture was feeling inside but had no name for. Rather than making us more afraid, monsters mythologized our own abstract worries about sexuality, nuclear war, race and the other, as well as personifying our collective sense of being untethered from mystery and enchantment. The talk will track the changing face of monsters as mythic and literary creatures as our culture’s own lingering unease began to morph, moving from the shadowed myths of the past into the daytime horrors of serial killers and gore and argue that we need monsters again to learn how to reimagine what frightens us in a way that remythologizes our anxieties and will offer a path for a re-enchanting our imaginations using monsters as a guide, looking at current examples in film, television, and comics.

(5) CRAWFORD AWARD JUDGES SOLICIT SUBMISSIONS FOR 2025. The William L. Crawford Award, given by the International Association of the Fantastic in the Arts (IAFA), recognizes an outstanding writer whose first fantasy book was published during the previous calendar year. The judges are currently soliciting books published in 2025 for the award to be given at the International Conference of the Fantastic in the Arts in 2026.

Publishers are asked to submit qualifying ebooks in PDF and ePub formats here.

What works qualify

This is an award for an author’s first work of fantasy in book form. It is not a first novel award; an author may have a long bibliography and still qualify for their first work of fantasy. “Book” is defined broadly, and includes novels, novellas, poetry collections, short fiction, graphic novels, works in translation, or other work at the discretion of the judges.

The Award Administrator is Kelly Robson. This year’s judges are Brian Attebery, Joyce Chng, Eddie Clark, Joy Sanchez-Taylor, and Bodhisattva Chattopadhyay.

Brian Attebery is an American writer and emeritus professor of English and philosophy at Idaho State University. He is known for his studies of fantasy literature, including The Fantasy Tradition in American Literature: From Irving to Le Guin and Strategies of Fantasy which won the Mythopoeic Award

Joyce Chng lives in Singapore. Their speculative fiction has appeared in The Apex Book of World SF II, We See A Different Frontier, Cranky Ladies of History, and Accessing The Future. Joyce also co-edited THE SEA IS OURS: Tales of Steampunk Southeast Asia with Jaymee Goh. Their novels span across wolf clans (Starfang: Rise of the Clan), vineyards (Water into Wine) and swordmaking forges (Fire Heart) respectively. Joyce wrangles article editing at Strange Horizons and is diversity coordinator for IGDN (Independent Game Designer Network). 

Eddie Clark is an academic and SFF fan from Wellington, New Zealand. He has been peering into the obscure corners of SFF for thirty years, recently with a particular focus on queer fantasy.

Dr. Joy Sanchez-Taylor is a Professor of English at LaGuardia Community College whose research interest is science fiction and fantasy literature by authors of color. Her first book Diverse Futures: Science Fiction and Writers of Color (2021) examines the contributions of late twentieth and twenty-first century U.S. and Canadian science fiction authors of color to the genre. Her newest book is titled Dispelling Fantasies: Authors of Color Reimagine a Genre (forthcoming July 2025).

Bodhisattva Chattopadhyay is Associate Professor in Global Culture Studies at the University of Oslo. He is the leader of CoFUTURES, an international research group on contemporary futurisms headquartered in Oslo. He is a World Fantasy Award-winning editor, translator, writer, and critic of speculative fiction, and the producer of Kalpavigyan: A Speculative Journey, the first documentary film on Indian science fiction.

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Ruthven Todd’s Space Cat series

The Muppet Show has a segment called “Pigs in Space.” Well, this is the Social Justice Credential counterpart, “Cats in Space”, with a dollop of ever-so-cute kittens added in, which appeared long before Heinlein’s Pixel came into being as they were published between 1952 and 1958. 

This was definitely a departure for the author Ruthven Todd who is known primarily for his poetry, scholarly work on William Blake studies, and as R. T. Campbell for writing mysteries.

It’s a children’s books series involving Flyball, a cat who, yes, lives in space. And like all cats wears a space suit. These are not your ordinary felines by any means. 

The books, which are all illustrated by Paul Galdone, are Space Cat, Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. Without giving anything away, let me just say that there will be a lot of cats, not a few kittens and considerable comical situations as the series goes on. 

If you don’t mind a lot of SPOILERS, James Davis Nicoll has a rather funny look at them over at Reactor.

They are available in both hardcover and from the usual suspects.

(7) COMICS SECTION.

(8) STARLINER DEBRIEFING. Ars Technica spoke to the astronauts and learned “Starliner’s flight to the space station was far wilder than most of us thought”.

As it flew up toward the International Space Station last summer, the Starliner spacecraft lost four thrusters. A NASA astronaut, Butch Wilmore, had to take manual control of the vehicle. But as Starliner’s thrusters failed, Wilmore lost the ability to move the spacecraft in the direction he wanted to go.

He and his fellow astronaut, Suni Williams, knew where they wanted to go. Starliner had flown to within a stone’s throw of the space station, a safe harbor, if only they could reach it. But already, the failure of so many thrusters violated the mission’s flight rules. In such an instance, they were supposed to turn around and come back to Earth. Approaching the station was deemed too risky for Wilmore and Williams, aboard Starliner, as well as for the astronauts on the $100 billion space station.

But what if it was not safe to come home, either?

“I don’t know that we can come back to Earth at that point,” Wilmore said in an interview. “I don’t know if we can. And matter of fact, I’m thinking we probably can’t.”

Starliner astronauts meet with the media

On Monday, for the first time since they returned to Earth on a Crew Dragon vehicle two weeks ago, Wilmore and Williams participated in a news conference at Johnson Space Center in Houston. Afterward, they spent hours conducting short, 10-minute interviews with reporters from around the world, describing their mission. I spoke with both of them….

We cut to where two thrusters have just failed as the Starliner arrives at the ISS.

… Wilmore: “Thankfully, these folks are heroes. And please print this. What do heroes look like? Well, heroes put their tank on and they run into a fiery building and pull people out of it. That’s a hero. Heroes also sit in their cubicle for decades studying their systems, and knowing their systems front and back. And when there is no time to assess a situation and go and talk to people and ask, ‘What do you think?’ they know their system so well they come up with a plan on the fly. That is a hero. And there are several of them in Mission Control.”

From the outside, as Starliner approached the space station last June, we knew little of this. By following NASA’s webcast of the docking, it was clear there were some thruster issues and that Wilmore had to take manual control. But we did not know that in the final minutes before docking, NASA waived the flight rules about loss of thrusters. According to Wilmore and Williams, the drama was only beginning at this point….

(9) TAKING EXTRA TIME TO SPIN THIS WEB. “Spider-Man: Beyond the Spider-Verse’ Release Date and First Look” at Variety.

“Spider-Man: Beyond the Spider-Verse,” the third entry in Sony’s animated web-slinging trilogy, will swing into theaters… in a few years. It’ll be released on June 4, 2027.

“We know how important this franchise is to so many people around us. We just could not run it back,” the filmmaking team of producer Phil Lord and co-directors Bob Persichetti and Justin K. Thompson said at CinemaCon, the movie theater trade show that’s currently unfolding in Las Vegas. “So, we decided we needed to take the time to make sure we got it just right.”…

… On stage at CinemaCon, Lord teases that Miles begins the threequel as a fugitive on the run from every other spider in the multiverse… and hinted that “Gwen and his other friends may or may not be enough to help him save the family that’s been the leading part of the entire system.”…

(10) JUSTWATCH TOP 10S. The most-viewed streaming sff movies and TV of March 2025 have been ranked by JustWatch.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Tom Becker, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

A Quickie TV-Series Review: Disney+/Marvel Animation’s Your Friendly Neighbor Spider-Man

Posted on by
4

By Daniel Dern: Probably 80-90% of my comic book reading these days is via my (12.9″ display—ideal for reading comics full-size) iPad, using a mix of my HooplaDigital and Libby accounts (free, via my public library card), and my DC and Marvel digital-comic-streaming subscriptions…which, last week, over in my Marvel account, included noticing and reading “Your Friendly Neighborhood Spider-Man (2024) #1, The Official Prequel to the Upcoming Disney+ Series“

I enjoyed it — and it led me to, a few days later, watch (on Disney+) the premiere episode of Marvel Studios Animation’s new series Your Friendly Neighborhood Spider-Man. 

My summary review/opinion: Highly recommended! I like the art. (It’s apparently a mix of 2D and 3D.) Faithful IMHO to the spirit of Spider-Man comics and characters…but enough of a different mix/take (from comics and movies) that it’s fresh and new. Yes, it’s Peter Parker. Timeframe: We open with Peter on the first day of high school…and I’m not going to say more. It’s Spider-Man. I’ll watch Episode 2 (they dropped the first two in a batch) in another day or so, and then re-tune back in weekly.

According to Epicdope / (and other sources), “the remaining episodes [are] being released in groups until February 19, as part of Phase Five of the MCU. A second and third season are in development.”

If you think you’ll want to watch the show, I suggest you DON’T watch either of the two brief trailers, because of mild spoilers.

Instead, if you do want to get a (free) taste, watch “Marvel Animation’s Your Friendly Neighborhood Spider-Man | Sneak Preview | Disney+” trailer — which is simply the first eight minutes of the premiere episode — including (at the end) “Neighbor Like Me” theme song (performed by The Math Club), which  starts with the familiar does-whatever-a-spider-can.

Disclaimer: I have not (yet) seen any of the previously TV animated or live-action Spider-Man shows (of which there have been, apparently about a dozen, going back to the late 60’s). But I have read kilolots of the comics, and I have seen — and enjoyed! — both Spider-Verse movies — and seen all the Spidey movies.

According to WhatNerd, “The first Spider-Man TV show aired in 1967—five years after the character’s comic debut—and since then, there have been no fewer than ten more TV series starring the webbed Wall-Crawler.”

I found this (WhatNerd) article informative…and am likely to act on at least some of its which-to-watch recommendations, in months to come. (Note: This article covers both animated and live-action Spider-Man TV shows.)

Here’s another informative article, from CBR: “Every Spider-Man Animated Series (In Chronological Order)“.

And here’s a helpful article from JustWatch, a site which is invaluable for finding, well, where you can find/watch specific stuff, “Where to Watch Every Spider-Man TV Series“: “This guide will show you every Spider-Man television series and let you know where they’re all streaming online right now.”

Here’s some more (spoiler-free) info:

According to Marvel, “Your Friendly Neighborhood Spider-Man follows Peter Parker on his way to becoming a hero, with a journey unlike we’ve ever seen and a style that celebrates the character’s early comic book roots.”

According to the show’s Wikipedia page (for this animated television series, not the similarly named comic books):

“The series…is set in an alternate timeline from the main films and television series of the MCU [SPOILER REDACTED]… It was originally intended to be set in the main MCU continuity but the creative team found this too restrictive and decided to move it to an alternate timeline, allowing the series to explore familiar ideas and characters in new ways…The 3D cel-shaded animation pays homage to the art style of early The Amazing Spider-Man comic books by Steve Ditko and John Romita Sr., with animation provided by Polygon Pictures and CGCG, Inc.”

I don’t think you have to know anything about Spider-Man to enjoy this… and knowing lots won’t diminish the experience.

OK, here’s three unsurprising, non-spoiler facts/items, from the premiere episode:

  1. Yes, Norman Osborn
  2. Yes, a spider bites!
  3. One of Peter’s classmates is Nico Minoru (originally from Marvel’s RUNAWAYS).

Enjoy!

Pixel Scroll 1/26/25 Pixels To The Left, Filers To The Right, I’m Stuck In The Middle With This Scroll

Posted on by
23

(1) WHAT’S ‘BEST’ THIS YEAR. Siobhan Maria Carroll reviews the 2024 editon of Best American Science Fiction and Fantasy in “Science Fiction, Fantasy, and the End of Earnestness” at Los Angeles Review of Books.

NOW IN ITS 10TH year, the annual Best American Science Fiction and Fantasyanthology provides an excellent overview of short genre fiction published in the United States. Each year, series editor John Joseph Adams selects 80 short stories from SF magazines and literary journals for blind review by a guest editor, who chooses their favorites from among them. This process maintains a high level of quality and consistency, while also allowing the guest editor to make a distinctive mark on each collection.

Hugh Howey, the 2024 guest editor, rose to fame after his self-published dystopian story“Wool” (2011) became an online sensation, leading to his stories’ distribution by Simon & Schuster and their adaptation into the Apple TV+ series Silo (2023– ). As might be expected for an author with a good eye for the market, Howey’s choices for the 2024 collection steer more toward the crowd-pleasing than those of my favorite series entry—the 2019 volume edited by Carmen Maria Machado. The result, however, is an impressive array of stories that will likely appeal both to casual readers and would-be writers….

… The high-water mark of the new millennium’s Age of Earnestness (the supposed successor to the 1990s Age of Irony) was directly tied to the rise of Twitter, as well as to a reading culture where attempts at nuanced expression could swiftly fall victim to dogpiles and hot takes. At least 12 of the 20 stories included in this volume (several of them from writers outspoken on social justice issues) were published in online magazines in 2023 in the wake of Twitter’s post-Musk exodus. Writing this review in the aftermath of the American election, I cannot help but perceive these stories as anticipatory responses to a changed technological and social culture. They are less overt in their depiction of “good” politics than previous entries in the Best American series, more interested in the psychology of “bad” and morally ambiguous characters, and more interested in depicting characters whose ability to change oppressive systems is limited or nonexistent….

(2) JOHN BARROWMAN NOW CLAIMS VICTIMHOOD STATUS. “’It was crap’: John Barrowman still refuses to take accountability for his actions” according to The Mary Sue.

Another day, another man fails to see how his sexually inappropriate behavior is wrong. This time around the man is John Barrowman, who up until a few years ago was one of Doctor Who’s most beloved stars. He played Captain Jack Harkness, one of the first pansexual characters on British TV, and was one-half of the show’s very first same-sex kiss. Fans adored him for his charm and charisma. That’s no longer the case.

Barrowman’s downfall was the result of another sexual misconduct allegation. In 2021, Noel Clarke, who played Mickey Smith on the show, was accused of sexual harassment by multiple women. Any chance of his ever returning to Doctor Who went up in smoke, as did his career. During this media storm, journalists uncovered some old footage of Clarke at a 2015 convention discussing Barrowman’s dubious behavior. He spoke about how Barrowman was allegedly constantly “taking his d*** out” on set and once even rested it on co-star Camille Coduri’s shoulder when they were in a makeup truck (she confirmed that she remembered this incident in the video but offered no further context). Seemingly, this had been tolerated for a while—but it wasn’t about to be tolerated any longer.

It turned out that Barrowman had been called out for his behavior in the past, but had seemingly learned nothing. In 2008, he admitted to exposing himself during a BBC Radio 1 show and apologized for it, saying he “went too far.” This apology was seemingly at the forefront of his mind when he made another apology in the wake of the 2021 allegations.

“With the benefit of hindsight, I understand that upset may have been caused by my exuberant behavior and I have apologized for this previously,” he said in a statement. “Since my apology in November 2008, my understanding and behavior have also changed.”

But apparently, this actually resulted in Barrowman learning nothing. Instead of changing and growing, he’s simply bitter that he lost his Doctor Who gig and a large portion of his entertainment career. He said as much to Wales Online recently. “I think I’ve been badly treated, definitely,” he complained. “I’m disgusted at the way my Doctor Who and Torchwood family turned their backs on me—99% of the things that were said about me were bulls***.”

Barrowman claimed that “no one was offended, no one was upset,” by his actions—but clearly, this isn’t true if he was delivering apologies. “It was crap,” he went on. “I ended up being good clickbait and it has lasted for three years. It’s been devastating—to the point I was blackballed. I can’t get into a room for an audition or a meeting anymore.”…

(3) DROPPING GENRE NAMES. Shelf Awareness brings us “Reading with… Carter Wilson”:

Book you’re an evangelist for:

William Goldman’s The Princess Bride. This might have been the only book I had to read in high school English that I fell in love with. The sheer creativity of Goldman is astonishing.

Book you’ve bought for the cover:

Well, it’s much more common I don’t buy a book because of the cover. But I will say I was persuaded by the gorgeousness of Anne Rice’s complete Vampire Chronicles. Gorgeous wrought-iron detailing all over the cover of that one

Book that changed your life:

The Road by Cormac McCarthy. Not sure any book has truly changed my life, but The Road is a book that forces you to read every single word. I can’t think of any other author whose use of language is as compelling as McCarthy’s.

Favorite line from a book:

“Don’t Panic.” –Douglas Adams, The Hitchhiker’s Guide to the Galaxy…

(4) WHERE CASTLE? If any Filefolk happen to be in the Paris area this summer: “Rare manuscript from middle ages that inspired Disney castle to go on display for first time in 40 years” in the Guardian. Despite the headline, the article never says what Disney castle they’re talking about. I guess you’re just supposed to know. However, the castle at the original Disneyland took its cues from Bavaria’s Neuschwanstein Castle.

… Pages from Les Très Riches Heures (The Very Rich Hours) – an elaborately decorated prayer book from the 15th century – will be exhibited at the Château de Chantilly, north of Paris, after a costly restoration. It has not been seen, even by historians and academics, since the 1980s….

…He said the exhibition would also feature books from the duke of Berry’s collection on display for the first time since the 15th century. Berry, known as John the Magnificent, whose motto was “Le Temps venra” (the time will come), was one of medieval France’s greatest patrons of the arts and collected illuminated manuscripts.

Deldicque said the restoration of Les Très Riches Heures would be completed after the exhibition closes and the manuscript returns to the museum’s archive.

“It is too fragile and at risk of damage from light to be on permanent display,” he said. “That’s why this exhibition will be unique. Everyone knows about this book – but nobody has seen it.”…

(5) ON THE HORROR TRAIL. [Item by Steven French.] For the travelling horror fan, Atlas Obscura has compiled a list of fourteen must-see places to visit: “14 Haunting Places in Literature”.

There’s nothing quite like a horror story. The supernatural and macabre have haunted our imaginations for centuries—and inspired writers for centuries to create works that can terrify us.

We’ve compiled a list of our favorite places across the world that have appeared in horror literature, from Bram Stoker’s Dracula to places that inspired Edgar Allan Poe before his death. Take a spine-tingling tour of these horror-inspiring locations—if you dare….

Here’s one of their bizarre destinations.

“The Raven that Inspired Dickens and Poe”

Perched on a log in the Rare Books department of the Free Library of Philadelphia stands a strange piece of history. Dead since 1841, but preserved with arsenic, and frozen inside a shadow box, this bird’s legacy is longer than most people’s. The raven’s name is Grip. Grip the Clever, Grip the Wicked, Grip the Knowing.

Once Charles Dickens’ pet raven, upon its death Dickens had it professionally taxidermied and mounted. Grip even makes an appearance in Barnaby Rudge, one of Dickens’ lesser-known stories.

The book was reviewed for Graham’s Magazine by its literary critic at the time, Edgar Allan Poe. Poe wrote that “[the raven’s] croaking might have been prophetically heard in the course of the drama.” It wasn’t long after this that Poe published his breakout work “The Raven.” The coincidence didn’t escape notice, and Poe was taunted with the refrain “Here comes Poe with his Raven, like Barnaby Rudge, / Three fifths of him genius, two fifths sheer fudge.”

Despite this, “The Raven” was a smashing success and Poe enjoyed performing readings at fancy salon parties. He would turn down all the lights and recite the poem with great drama. Everyone referred to him as “the Raven,” but it would only be four years after publishing “The Raven” and gaining worldwide fame that Poe would be found delirious on the streets of Baltimore, dying shortly thereafter….

(6) CHRISTOPHER BENJAMIN (1934-2025). Actor Christopher Benjamin died January 10 at the age of 90. The portion of his career of interest to sff fans is noted by the Guardian’s obituary:

With a portly but athletic physicality, a rich baritone voice, a bloodhound, drooping visage and a sarcastic sense of humour, Christopher Benjamin, who has died aged 90, was a backbone actor on television, but mostly stage, for many years.

He had a sort of internet afterlife when his role as Henry Gordon Jago in the BBC TV 1977 Doctor Who saga The Talons of Weng-Chiang was reprised in an audio supernatural mystery series from 2010 to 2021.

Benjamin was on TV and radio from 1965, appearing in Z Cars, The Avengers, The Saint, Jason King and, notably as the same character, Potter, in Danger Man and its more surreal, sci-fi spin-off, The Prisoner, both starring Patrick McGoohan. …

(7) MEMORY LANE.

[Written by Cat Eldridge.]

January 26, 1994 — Babylon 5 series premieres

Thirty-one years ago on PTEN, the Prime Time Entertainment Network, a syndicated network organized by Warner Brothers, the Babylon 5 series premiered.  It was created by writer and producer J. Michael Straczynski. It followed Babylon 5: The Gathering (1993), the pilot film which aired a year earlier. It would run for five twenty-two episode seasons as planned plus six related films. 

It generated a spin-off series, Crusade, but that only lasted thirteen episodes. Two other series were planned, The Legend of the Rangers and The Lost Tales, but neither got past the pilot. 

Its cast was marked by tragedy with a number of the principal actors dying young including Mira Furlan, Richard Biggs, Jeff Conaway, Jerry Doyle, Andreas Katsulas and Michael O’Hare. 

It won two Hugo Awards for “The Coming of Shadows” at L.A. Con III and “Severed Dreams” at LoneStarCon II.

Babylon 5 in the revised print is streaming currently on Prime. I’m going to rewatch it this Winter as I’ve not seen it in at least a decade. 

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 26, 1918 — Philip José Farmer. (Died 2009.)

By Paul Weimer: Philip José Farmer first came to my attention as a name mentioned in the famous “Appendix N” of the original Advanced Dungeon Master’s Guide. Like the rest of the entries in that bibliography, it just listed his name, and a book title (“World of Tiers, et al”) and that was it. 

Not long thereafter, though, I came across issue 37 of Dragon Magazine, which was an in-house organ for TSR that mostly focused on D&D and (early on) other TSR games as well. Anyway, in issue 37, Ed Greenwood wrote an article called “From the City of Brass to Dead Orc Pass in one small step. The theory and use of Gates.” As someone who was already clued into my love of multiverse stuff, this was a formative article for me. 

In that article, Greenwood mentions The World of Tiers as “The magnum opus of gate systems”. He mentioned a number of other authors (particularly Moorcock and Cherryh) but I had remembered the mention of Farmer in the AD&D book and now really wanted to find The World of Tiers books, and now had the titles of each and every one. 

And so I read them and was immediately absorbed into the story of Robert Wolff, who is not the suburban homeowner he really thinks he is, but someone far older, more powerful and more dangerous. I also saw that Kickaha, the trickster who sets off Wolff on his adventure, was in fact, an even more interesting character with a complicated story (and very possibly an author insert character). 

From Tiers, I soon discovered the Riverworld novels, and got hooked on the idea of historical characters being pitted against each other after waking up on the titular planet, and much else besides. It’s one of the most interesting settings ever created in SFF. I remember back in the day, daydreaming what I would do if I woke up on the Riverworld. (The copy I had stressed and made it clear that everyone who ever lived “including you” was going to wake up on the planet.) I also weirdly associate the Billy Joel song “River of Dreams” with Riverworld as well. 

I recall a shared world of novels that he created the setting for, the “Dungeon”.  Farmer didn’t write any of the novels himself, but instead created the setting for a series of writers to play in. Like Tiers, it was a world involving Gates and strange planes, but as you might guess from the title, this was really a “prison plane” that the main character, Clive, is trying to penetrate to find his missing brother. What I particularly remember is that the novels with different authors took very big “Swings” back and forth, with authors in subsequent books retconning major events in previous books. I got the sense that the authors did not like the ideas of their counterparts all that much.  It does make the series not satisfactory overall, and I can’t imagine ever trying to reread it, but it was memorable for its imagery and imagination. 

Farmer is the second author, after Heinlein, that I read who tried to synthesize a lot of his characters and settings into as much of a single coherent whole as possible, particularly with his Wold Newton works. 

My favorite Farmer besides all of the goodness of Tiers and Riverworld might be The Gate of Time, eventually renamed Two Hawks from Earth. It featured a Native American pilot flying over Romanian airfields during WWII who gets blasted into an alternate history where the migrations of the Native Americans into North America didn’t happen, and they instead rolled westward into Europe, drastically changing the development of Europe instead. I loved how our protagonist tries and figure out what he is dealing with, a culture very different than anything he remembers, and gets caught up in intrigue and adventure. And really, that is what Farmer’s works have always done for me — entertaining action adventures that keep the pages turning.

Philip José Farmer

(9) COMICS SECTION.

(10) WET WORK. “Monster Devastated To See Film Depicting Things He Told Guillermo Del Toro In Confidence” – read all about it in The Onion.

Saying he felt humiliated by such a public betrayal of his trust, a monstrous abomination known as the Bog Freak told reporters Friday that he was devastated to have seen a movie depicting things he told filmmaker Guillermo del Toro in confidence….

(11) RESEARCHERS STICK WITH IT. Futurism reports “Scientist Testing Spider-Man-Style Web Shooters He Accidentally Made in Lab”.

Tufts University biotech researcher Marco Lo Presti made an astonishing discovery while investigating how silk and dopamine allow mussels to stick to rocky surfaces.

“While using acetone to clean the glassware of this silk and dopamine substance,” he told Wired, “I noticed it was undergoing a transition into a solid format, into a web-looking material, into something that looked like a fiber.”

Lo Presti and his colleagues immediately got to work, investigating whether the sticky fibers could be turned into a “remote adhesive.”

The result is an astonishingly “Spider Man”-like silk that can be shot not unlike the superhero’s wrist-mounted web shooters, as detailed in a paper published in the journal Advanced Functional Materials last year.

While it won’t allow an adult person to swing from skyscraper to skyscraper any time soon, the results speak for themselves. Footage of the team’s experiments shows strands of the material being dripped onto a number of objects from several inches above, forming a solid connection in a matter of seconds and allowing the object to be carried away.

The researcher’s collaborator, Tufts engineering professor Fiorenzo Omenetto, recalled being caught off guard by the accidental discovery….

(12) LONG NUMBERS TAKE DEEP POCKETS. In “New Prime Number, 41 Million Digits Long, Breaks Math Records”, Scientific American tells how the search operates. Oh, and that this particular search cost maybe $2 million to do.

…Last fall a new entry came from Luke Durant, a researcher in San Jose, Calif. Durant’s discovery unseated the former record holder for the largest prime, which had gone uncontested for nearly six years, an unprecedentedly long reign in the modern search for such numbers. The gap makes sense: the bigger primes are, the further apart they end up, making each new find harder than the last.

The new prime contains a mind-boggling 41,024,320 digits. To put that in perspective, the estimated number of atoms in the observable universe has around 80 digits. Each additional digit increases a number by 10 times, so the size of the new prime lives far beyond human intelligibility. Primes play a major role in pure math, where they’re main characters in a field called number theory, and in practice, where, for example, they underlie widely used encryption algorithms. A prime with 41 million digits won’t immediately join the ranks of useful numbers, but for now it adds a feather in the cap of a community that longs to apprehend the colossal….

… When asked how much money his project cost in an interview with Numberphile on YouTube, Durant said, “I believe it’s under $2 million.” That’s a hefty investment compared with the prime-search project’s prize of $3,000, which he plans to donate to the high school he attended, the Alabama School of Mathematics and Science….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/10/24 We Are The Telepath Guild, The Telepath Guild, The Telepath Guild

Posted on by
26

(1) UNION AND STRAND BOOK STORE SETTLE. “Strike Ends at the Strand as Union, Management Reach Tentative Agreement” reports Publishers Weekly.

The Strand Book Store has reached a tentative contract agreement with its staff union, which is represented by United Auto Workers Local 2179, putting an end to a strike that stretched through the weekend and much of Monday, December 9. Should the contract be ratified, it would last through Aug 31, 2028, adding an additional year to a contract that was previously three years long, said Will Bobrowski, the former Strand employee and current second VP at UAW Local 2179.

Among the changes to the contract, Bobrowski told PW, are an increase to the store’s per hour hiring rate, which will now be $0.50 above New York State minimum wage and a $1.50/hour raise in an employee’s fourth year, amounting to a roughly 37% wage increase over four years for Strand workers who begin at the base salary. (The minimum wage in New York will increase by another $0.50 on January 1, 2026, and on Jan. 1, 2027, the state’s rate will be tied to the Consumer Price Index for Urban Wage Earners and Clerical Workers, taking inflation into account in the establishment of a minimum.)

Paid time off for employees will remain unchanged in the new contract, totaling nine days for all workers. Charges of unfair labor practices filed by the union to the National Board of Labor Relations over the weekend will also be dropped….

(2) DEADLINE APPROACHES TO APPLY FOR OTHERWISE FELLOWSHIPS. The Otherwise Motherboard is soliciting applications for two 2024 Otherwise Fellows.

The Otherwise Fellowship (formerly Tiptree Fellowship) was established in 2015 to support and recognize new voices who are creating work that is changing our view of gender today. The Fellowship program seeks out creators who are striving to complete new works, particularly creators from communities that have been historically underrepresented in the science fiction and fantasy genre and those who are working in media other than traditional fiction! Each Fellow receives USD $500 in support of a new or ongoing project.

Applications are due December 15, 2024, at 11:59 p.m. Pacific Time, via email. Selected Fellows will be announced in Spring 2025. The Fellowship committee is being chaired by Otherwise Motherboard member Jed Samer.

For more information about what the Fellowship entails and how to apply, see “How to apply for an Otherwise Fellowship”.

(3) GENRE SPECIALISTS’ PICKS. At Reactor: “Reviewers’ Choice: The Best Books of 2024”.

As readers of speculative fiction, we are spoiled for choice. The book releases in the genres of science fiction, fantasy, horror, and beyond this year took us to lands of magic and wonder, newly terraformed planets and generation ships, crumbling gothic mansions, and tech-fueled future Earths—and we are so lucky to get to read them all. Our reviewers each picked their top contenders for the best books of the year, along with some personal favorites….

(4) ASFS’ REVISED CODE OF CONDUCT. The African Science Fiction Society released its new Code of Conduct today in concert with this statement about Oghenechovwe Donald Ekpeki. (The Code of Conduct is at the link.)

ASFS had started gathering information in response to Erin Cairns’ report discussed in File 770’s post “Two Accusations Against Ekpeki Disproved”.

(5) SCOTT EDELMAN’S OTHER PODCAST. Episode 10 of Scott Edelman’s podcast Why Not Say What Happened? — “Why I Was Questioned by the Police for Wearing a Mister Miracle Mask” — includes his ramblings about his first cons — plus a couple of con photos of him at 16.

And here’s the link to all episodes in the series, which can be downloaded through multiple sites.

Scott Edelman, at right wearing glasses.

(6) CALL ME ISHMAEL, BUT DON’T CALL ME LATE TO DINNER. “’People are rooting for the whale’: the strange American tradition of Moby-Dick reading marathons” at Yahoo!

Every fall on Venice beach, local residents set up a director’s chair by the water. A harpoon goes on one side, a whalebone on the other. Then, in honor of grey whale migration season, they spend two days reading Moby-Dick aloud.

Nearly 200 years after Herman Melville first published the story of a sea captain’s obsessive hunt for a white whale, Moby-Dick marathons have become a surprisingly popular American tradition. There are an estimated 25 or more across the US each year, in locations ranging from museums to a 19th-century whaling ship….

…The Venice beach marathon, held for 29 years, is a particularly surreal scene. Even in late November, the beach is crowded: French tourists on bicycles, the men of Muscle beach lifting weights, friends playing volleyball in short shorts. Far out on the sand, where the air begins to smell more like salt than weed or essential oils, the Moby-Dick readers sit in a circle, switching readers every chapter, as tourists and surfers eddy around them, drifting up to take photographs and then drifting away again. Occasionally, readers spot whales in the distance….

…Other classic novelists may inspire larger fan events, but Jane Austen celebrations don’t typically include a live reading of all of Pride and Prejudice.

“No offense to Jane Austen, but more happens. It’s more exciting to hunt a whale than to hunt a husband,” said Dawn Coleman, the executive secretary of the Melville Society, and an English professor at the University of Tennessee, Knoxville….

(7) MANY DOLLARS WERE LOST. Giant Freakin Robot makes its case for “How Disney’s Horrible Marketing Forever Changed Sci-Fi Movies”. They begin by dissecting the corpse of Disney’s marketing campaign for John Carter (2012).

In the long, storied history of Disney, the company has had massive successes, including the history-making Marvel Cinematic Universe and their entire animated output in the ’90s. At the same time, they’ve created some of the biggest bombs of all time.

The 2012 sci-fi adventure John Carter was, at the time of its release, the least profitable film ever made, a title it might end up losing to Joker: Folie a Deux by the end of the year. A rollicking sci-fi adventure based on classic pulp novels, John Carter should have been a massive success, but it never had a chance, thanks to the worst marketing campaign of all time….

…The second trailer course-corrected and starts off with Carter fighting in an arena before launching into a montage of the alien planet with Led Zeppelin’s “Kashmir” playing. As with everything about this movie, it was too far ahead of the curve, as today, every trailer has a slowed-down, epic version of a classic rock song playing over the trailer, but in 2012, this confused most of the general audience.

Worse, there’s nothing about being based on the legendary pulp novels of Edgar Rice Burroughs, nothing about being an adventure 100 years in the making, no mention of how it’s starring Taylor Kitsch, who at the time Hollywood was pushing as the next big thing. In interviews leading up to its release, Kitsch publicly spoke about his disappointment with the film’s marketing, which lacked any sort of “hook” or jaw-dropping special effects shot to leave an impression on viewers. Even his other sci-fi dud, Battleship, included a screen-filling shot of the alien ship in all of its glory to tease moviegoers of the battle yet to come….

(8) WICKED INSPIRATION. Saturday Night Live gives us “Gladiator II: The Musical”. “There’s No Place Like Rome.”

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

December 10, 1960 — Kenneth Branagh, 64.

I first saw Kenneth Branagh with his then-wife Emma Thompson in Much Ado About Nothing, the Shakespearean comedy which he adapted. Truly lovely film.

So let’s look at his genre work as a performer. Dead Again might or might not be his first genre film where he was Mike Church / Roman Strauss, but Mary Shelley’s Frankenstein where he was Victor Frankenstein is genre and he directed it as well. I’ve heard varying opinions on it. What did y’all think of it? 

Then there’s Wild Wild West where he was Arliss Loveless, some bastardized variant on Michael Dunn’s perfectly acted Dr. Miguelito Quixote Loveless. He didn’t work for me. Not at all. Nor did that shudderingly awful film. 

Alien Love Triangle is a thirty-minute film starring Kenneth Branagh, Alice Connor, Courteney Cox and Heather Graham. Teleportation. Aliens. Genders, alien. 

He got to play in Rowling’s universe in Harry Potter and the Chamber of Secrets as Gilderoy Lockhart. Great role it was.

Oh, and in an alternate reality sort of way, he plays William Shakespeare in All is True, another name for Shakespeare’s play Henry VIII.  It’s a very lovely role and a sweet film as well. Recommended. 

For hard SF, I’ve got him directing Thor. (Well sort of hard SF.) For fantasy, he directed Cinderella and Artemis Fowl. 

Finally, he’s Hercule Poirot in the three Agatha Christie films produced so far — Murder on the Orient Express, Death on the Nile and A Haunting in Venice. He was also director and producer for these. He’s certainly a different manner of that detective. Really different.

Kenneth Branagh

(10) SPIDER-MAN FIGURES. “Hasbro Unveils New Spider-Man Marvel Legends Wave for 2025” – Bleeding Cool has all the photos. Here are a couple.

…The first wave of Marvel Legends figures for 2025 have been revealed, with Spider-Man bringing some heat in the new year…. However, the whole roster has been unveiled, with six iconic heroes and villains coming to life, with each getting their own card back. For the classic Spider-Man: The Animated Series retro wave, we have the debut of The Chameleon, and yes, he gets a J. Jonah Jameson mask. We are also getting a Clone Saga debut with Kaine from a time before he was a hero and the corrupt clone of Peter Parker. Lastly, we are stepping into the Spider-Verse with the 1st ever-Marvel Legends figure of Spider-Man Unlimited!…

…The latest wave of Marvel Legends Series Spider-Man inspired figures:

  • Spider-Man Unlimited
  • Agent Venom (Flash Thompson)
  • Spider-Boy
  • Marvel’s Chameleon
  • Marvel’s Kaine
  • Electro (Francine Frye)

(11) CASTING OUCH. Variety reports “Jeremy Allen White Joins ‘Star Wars’ Film ‘The Mandalorian & Grogu’ as Jabba the Hutt’s Son”. Eh, Jabba the Hutt’s son? How? Parthenogenesis? Binary fission? Actual sex? Where’s my eye bleach.

… Plot details have been hard to come by for “The Mandalorian & Grogu,” so White’s casting as Jabba’s son provides the first real glimpse for what could be in store for the titular bounty hunter and his adorably wee adopted son. Their Disney+ series “The Mandalorian” is set in the years following the events of 1983’s “Return of the Jedi,” in which Princess Leia (Carrie Fisher) strangles Jabba to death. The recent spin-off series “The Book of Boba Fett” revealed that Jabba’s absence left a power vacuum among the organized crime bosses on Tatooine; two of Jabba’s cousins made a play for his territory, only to be defeated by Boba Fett (Temuera Morrison), who takes over instead. It seems likely that, with Jabba’s son somehow involved in the new film, Boba Fett and his deputy Fennec Shand (Ming-Na Wen) could show up as well….

(12) BLASTED IN THE PAST. Larry Correia would never do this. “Why ‘Gladiator’ director Ridley Scott keeps a 40-year-old negative review framed on his wall: ‘I was actually hurt’” at CNBC.

At 87 years old, director Ridley Scott has seen a tremendous amount of success over the course of his career. 

His films have grossed billions at the box office and taken home nine Academy Awards, including Best Picture for 2000′s “Gladiator.” But despite the plaudits he has received as a filmmaker, it’s the critical pans that have stayed with Scott the most. 

In an interview with filmmaker Fede Alvarez on the DGA’s “Director’s Cut” podcast, Scott revealed that he has a negative review from famed film critic Pauline Kael of his 1982 science fiction epic “Blade Runner” on display in his office. 

Scott explained that Kael “destroyed Blade Runner in four pages” in the New Yorker, likening the review to “industrial espionage, because you’re destroying a product before it’s out.”…

… “I framed that. It’s still in my office today,” he said. “It taught me this: there’s only one critic that means anything, and that’s you.”…

(13) THE WEST EGG AND I. Chuck Tingle seems to have embraced Scott’s number – and a good many other things.

(14) UNUSUAL VIDEO GAME. [Item by N.] “I Hope This Hurts: Mouthwashing Through A Disabled Lens” at The Jimquisition is a video essay from game critic James Stephanie Sterling, which analyzes the recent indie sci-fi horror success Mouthwashing from the vantage point of disability.

(15) CASTLEVANIA. Netflix dropped a trailer for “Castlevania: Nocturne Season 2”, which is available there starting January 16.

The legendary Alucard, Richter Belmont, and his band of vampire hunters are in a desperate race against time. Erzsebet Báthory, the Vampire Messiah, who already seems invincible, seeks the full power of the goddess Sekhmet so she can plunge the world into endless darkness and terror

(16) ZOMBIES BY INCREMENTS. Gizmodo says, “In 28 Years Later’s First Trailer, the Apocalypse Just Keeps Going”. Beware spoilers (maybe). Beware gory zombie stuff (definitely). In theaters June 20, 2025.

A lot can change in nearly three decades, even in a zombie apocalypse. New ways to survive, new mysteries evolving in the infection that laid the world low. Sometimes people grow up and become Aaron Taylor-Johnson, even. But one thing that doesn’t change? The violence….

…28 Years Later is just the first half of our long-awaited return to this version of the zombie apocalypse, however–Boyle’s sequel was shot back-to-back with its own continuation, helmed by Nia DaCosta and titled The Bone Temple (which we seem to get a brief look at in this trailer, too). That film will see Cillian Murphy reprise his role from 28 Days as Jim, but it hasn’t stopped people from speculating that one of the zombies glimpsed in the trailer could be his grim fate, as there is one that looks especially like a particularly gaunt Murphy glimpsed rising out of a bed of wild grass….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Sumana Harihareswara, N., Daniel Dern, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “We’d Like To Welcome You” Dern.]

Pixel Scroll 11/23/24 Virtual Pixels Just Scurry Around On Screens, Trying To Fake It

Posted on by
22

(1) BOLLINGER EVERYMAN WODEHOUSE SHORTLIST. The Bollinger Everyman Wodehouse Comic Fiction Prize shortlist includes two genre works — High Voltage and Ministry of Time.

The Bollinger is awarded to “the funniest novel of the past 12 months, which best evokes the Wodehouse spirit of witty characters and perfectly-timed comic phrases.”

  • A Beginner’s Guide to Breaking and Entering by Andrew Hunter Murray (Hutchinson Heinemann)
  • Glorious Exploits by Ferdia Lennon (Fig Tree)  
  • Good Material by Dolly Alderton (Fig Tree)
  • High Vaultage by Chris Sugden and Jen Sugden (Gollancz)
  • The Ministry of Time by Kaliane Bradley (Sceptre)
  • The Rachel Incident by Caroline O’Donoghue (Virago)
  • You Are Here by David Nicholls – published by (Sceptre)

The winner will be announced December 2.

In winning the Bollinger Everyman Wodehouse Comic Fiction Prize, you get not only a jeroboam of the Special Cuvée, but also a case of Bollinger La Grande Année, a complete set of the Everyman’s Library PG Wodehouse collection and, most entertaining, a pig who is to be named after your winning book.

(2) PRIMATES APLENTY. Dave Hook rounds up all the sfnal variations he can find that address the literature Infinite Monkeys might produce in “Monkeys and Shakespeare: The Infinite Monkey Theorem and Speculative Fiction” at A Deep Look by Dave Hook.

…I read nine stories and one essay for this blog post. I suspect there might be more stories out there connected to the Infinite Monkey Theorem, and I’d love to hear from my readers with other suggestions….

He analyzes (beware spoilers) and rates them all.

(3) ONE WAY TO GET A HANDLE ON YOUR POPCORN CONSUMPTION. “AMC Reveals Its Lord of the Rings: War of the Rohirrim 27-Inch Popcorn Bucket” – CBR.com shows it to you.

…Commemorative popcorn buckets are increasing in popularity, with these collectibles released for movies such as Dune, Wicked and Gladiator II, among others. The Lord of the Rings: War of the Rohirrim arrives in theaters in the U.S. on Dec. 13, 2024, alongside its own exclusive popcorn bucket. The long handle of the movie’s war hammer replica is designed to appear as though it’s wrapped in leather, with a gray and red face and a gold spike on top. Fans will be able to purchase the limited-edition ‘hammer bucket’ at AMC theaters for $32.99 (not including tax), but only while supplies last.

Some people have complained that this popcorn bucket is potentially deadly, being modeled after a weapon and closely resembling one as well. While the design of the bucket is made to immerse fans in the experience of the movie, it’s also now being called the “most dangerous” popcorn bucket ever. Buyers of this product are urged to exercise caution and good judgment when wielding it.

For those who don’t want a potentially inconvenient 27-inch long popcorn bucket to snack from, another item is also being sold in celebration of the release of the upcoming movie — a faux-wooden stein (or traditional beer mug) with the official Lord of the Rings: War of the Rohirrim logo on the side…. 

(4) MURAKAMI Q&A. [Item by Steven French.] Tangentially genre related: “Haruki Murakami: ‘My books have been criticised so much over the years, I don’t pay much attention’”

… Japanese fiction now represents a quarter of all translated fiction sold in Britain. Why do you think it has such a wide appeal?
I didn’t know that Japanese novels are that popular in Britain. What’s the reason? I have no idea. Maybe you could tell me – I’d like to know.

The Japanese economy is not doing well these days, and I think it’s a good thing that cultural exports can make a contribution of sorts, though literary exports don’t make that much of one, do they?

Did Mieko Kawakami’s criticism of the women in your books, made in 2017, have any effect on how you write female characters?
My books have been criticised so much over the years that I can’t remember in what context the criticisms were made. And I don’t pay much attention to it, either.

Mieko is a close friend and a very intelligent woman, so I’m sure whatever criticism she made was spot on. But honestly, I don’t recall what exactly she criticised. Speaking of women and my works, though, incidentally my readers are pretty much equally divided between men and women, a fact that makes me very happy….

And if you want to know more about those popular Japanese novels, read the Guardian’s article, “Surrealism, cafes and lots (and lots) of cats: why Japanese fiction is booming “.

…The popularity of modern Japanese fiction is not a new phenomenon in the UK … In the 1990s, two writers broke through and became cult hits in this country. Haruki Murakami, a worldwide literary phenomenon, took off in Britain when Harvill Press published The Wind-Up Bird Chronicle in 1998. Scott Pack, who ran Waterstones’ buying team in the early 2000s, is a big Murakami fan and remembers giving him “lots of attention. Whatever books of his came out, we got massively behind.” This week, Murakami publishes his 15th novel The City and Its Uncertain Walls, about a man who travels to a mysterious walled town in pursuit of the woman he loves, finding himself in a strange world of libraries, maps and dreams. So what’s behind the lasting success of Murakami’s books, which tend to combine lonely protagonists, jazz, cats, and fantasy elements? “It’s fairly accessible, weird shit,” Pack says….

(5) DIALED IN.  Sharon Lee is restarting her blog with shares like “Opening the windows”:

…Speaking of Just Me, I decided that I would watch “Astrid” last night (people who love the show, my comments are about the show not about you or your preferences in pleasure viewing). I will not be continuing. Not only does the first segment start with a man dousing himself with gasoline and lighting himself on fire on-screen, Astrid herself was a little too close to home. I remember mapping out phone calls before I made them, so I’d be sure to transmit the correct information in a socially normal way, and the feeling of panic when there was a vary. (I once called somebody to ask them a question before I had Breathed In, and when they answered the phone said, “MynameisSharonLeecallingforXandIwouldliketoknowthisnthat.” The person I was calling paused for a moment, then said, very gently, “Wow. Are you from New York?”) I’ve gotten much better, with lots of practice, and lots of years, about making eye contact when talking to people, but it was sorta painful to watch. This is, in case it’s not clear, a tribute to the actor who plays Astrid. She clearly Gets It….

(6) LONG-REMEMBERED THUNDER. [Item by Steven French.] Sometimes a line in an obituary will raise the old eyebrows! Peter Sinfield, who has recently passed away, wrote the lyrics for late 60s/early 70s ‘prog rock’ band King Crimson, as well as going on to write a number of pop hits (including for Celine Dion). And amidst all the music production details, there’s an interesting genre related connection: “Peter Sinfield obituary” in the Guardian.

…In 1979 he narrated Robert Sheckley’s In a Land of Clear Colors, an audio sci-fi story with music by Brian Eno….

Editor’s note: I’m running this item because I remember that my friend Richard Wadholm was a big fan of their first album, In the Court of the Crimson King (1969). And that if it had been within his power, I’d have been a big fan, too.

(7) KORY HEATH (1970-2024). W. Eric Martin pays tribute to the late Kory Heath at BoardGameGeek:  “In Memoriam: Kory Heath”.

Designer Kory Heath took his own life on November 18, 2024, after “enduring years of chronic pain and depression”, in the words of John Cooper, who co-designed The Gang with Kory.

More from Cooper: “He was a genius, also funny, kind, patient. I’m so grateful we could spend so many years, laughs, and tears together, and that he knew he was deeply loved by all of his friends.”

Kory was best known for his game Zendo, a game of inductive logic in which the master exhibits two “koans” — one following a secret rule created by the master, one violating this rule — and students create koans of their own in order to determine what this rule is.

…Kory Heath’s list of published games is an eclectic one: the party game Why Did The Chicken…?, in which players create punchlines for randomly generated situations; the inductive logic game Zendo, in which players try to determine rules for constructing figures; the bluffing game Criminals; and the abstract game Uptown….

(8) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary, November 23, 1963 — Doctor Who premieres

It would take years for me to see An Unearthly Child, the premiere of Doctor Who.  On PBS in NYC, the Fourth Doctor was the first Doctor widely shown in the states, and for years, was the only one. Eventually a channel on Long Island branched out from the Fourth Doctor, showing what they called “The Doctor Who movies”–basically an entire serial in one go on a Saturday evening. They started with the Fourth Doctor, moved to the then new to me Fifth Doctor.  And then after the end of the Fifth Doctor’s run (The Caves of Androzani), they then went back to the beginning. Back to the First Doctor…

Back to the premiere of Doctor Who…An Unearthly Child which happened on this date in 1963 on BBC.  I had already seen the First Doctor, but not the original actor. The First Doctor appears, as played by Richard Hurndall. So I knew the First Doctor as a somewhat crotchety figure…but William Hartnell’s appearance was completely revelatory as the original and sometimes very alien First Doctor.  He is brutal and savage and ready to commit a bit of murder right there in the first serial. I appreciated the mystery of the Doctor as Ian and Barbara try and figure out what’s so strange about their student, Susan, and the terror and horror in being cast in time and space. I still think the episode holds up, the premiere of Doctor Who, even today. A story of progress, and tolerance, and trying to understand things beyond your ken (on several levels). And so ably directed by Verity Lambert, the BBC’s first female drama producer. 

Those “Doctor Who movies”, starting chronologically with An Unearthly Child, would cement my love of Doctors other than the Fourth (especially the Third) and I suppose in a sense were the original “binge watching” for Doctor Who. And the Doctor Who movie format made me ready, in 1996, for the TV movie, on a snowy television set. But that, as they say, is a story for another day.

(9) COMICS SECTION.

(10) GET YOUR GRAINS OF SALT READY. “‘Spider-Man: Beyond the Spider-Verse’ Reportedly Scrapped & Rewritten” – Movieweb tells what they know.

Spider-Man: Beyond the Spider-Verse won’t be following up on that crazy cliffhanger anytime soon, if the latest rumor is to be believed. Ever since the upcoming Across the Spider-Verse sequel was delayed from its 2024 release date, fans have wondered what is happening with the highly-anticipated project. It currently has no set release date, and Sony never even officially acknowledged that major change. Rumors have since circulated about its production woes, and the latest report explains why development on Beyond the Spider-Verse has been at a standstill.

According to Brandon Davis (via World of Reel), Sony scrapped what they completed for Beyond the Spider-Verse shortly after the release of Across the Spider-Verse. Moreover, the script was thrown away and set to be rewritten, and it’s not clear if that process is complete yet. The craziest part is that the studio reportedly still doesn’t have an ending in place for the trilogy, and that has not changed yet. Of course, this should be taken with a grain of salt until proven otherwise, but the writing has been on the wall for the past year. Originally slated to release on Mar. 29, 2024, Beyond the Spider-Verse remains away from the Sony release schedule….

(11) HISTORIC HOLLYWOOD PROPERTY WILL HAVE NEW FOLKS PULLING THE STRINGS. SFGate says there’s a way to tour the old Chaplin/Jim Henson studio, which can’t be counted on to be around for much longer now that the place has new owners: “Hollywood A-listers buy Jim Henson’s LA studio for $40 million”.

…Given that its departure seems imminent, fans may want to pay their way into one last La Brea lot tour while they can. Here’s how: If you book a VIP ticket to the vulgar and “perverted” improv puppet show “Puppet Up!” — which will run you $175 — you’ll be instructed to arrive an hour and a half early. That’s when a Henson Company tour guide will take you around the lot for a rare look at this treasure trove.

Chaplin’s fingerprints (and literal footprints, in the concrete) are all over the space, which he built starting in 1917. (If you want to see how wildly different LA looked back then, Chaplin shot his studio’s construction as part of a never-released film that was completed years later.)  The stage where “Puppet Up!” takes place is Chaplin’s former soundstage, and the hand saw — as well as the barn — that the actor-director used to build sets is still on the lot. Even the vault where Chaplin stored his coveted reels for famous films like “The Kid” (which was shot on site) is still nestled inside the reception office, although these days it holds office supplies like a printer and a fax machine. 

There are fascinating asides during the tour, too, that explain quirky touches like why certain doors are located several feet off the ground: It’s because the lot used to hold a swimming pool, which Chaplin used to film several movies of his. The conference room also features a comically large table, which has been there since the A&M days because, apparently, the movers couldn’t get it out of the doors….

(12) ARTEMIS NEWS. “NASA chooses SpaceX and Blue Origin to deliver rover, astronaut base to the moon” reports Space.com.

NASA is keeping its foot on the gas for the space agency’s Artemis program, announcing plans to assign demonstration missions for the two vehicles it has picked to land astronauts on the moon.

Both SpaceX and Blue Origin were awarded contracts for NASA’s Human Landing System, and have been in the process of designing their respective vehicles for returning astronauts to the surface of the moon. Now, NASA has given both companies a heads-up to expect to put those designs to the test in some upcoming qualification missions that will task them with sending large cargo to the moon.The mission assignments follow a 2023 request from NASA, which also directed SpaceX and Blue Origin to build cargo variants of their lunar landers, the space agency indicated in a statement. Having two different lunar landing systems to choose from will give NASA flexibility for both crew and cargo missions, while also “ensuring a regular cadence of moon landings for continued discovery and scientific opportunity,” said Stephen D. Creech, NASA’s assistant deputy associate administrator for technical at the agency’s Moon to Mars Program Office….

… “Based on current design and development progress for both crew and cargo landers and the Artemis mission schedules for the crew lander versions, NASA assigned a pressurized rover mission for SpaceX and a lunar habitat delivery for Blue Origin,” Human Landing System program manager Lisa Watson-Morgan said in the statement.

The pressurized rover Starship will deliver is being developed by the Japan Aerospace Exploration Agency (JAXA), and is currently targeted to launch in 2032 to support missions after Artemis 6, according to NASA. Blue Origin’s lunar habitat is slated sometime a year later, 2033….

(13) OUT TO LAUNCH. “I Renovated a Missile Silo for $800,000. It’s Not for Everyone” – Business Insider finds out how it was done.

This is an as-told-to essay based on a conversation with GT Hill, a 49-year-old former director of technical marketing who lives in Vilonia, Arkansas. He bought a $90,000 decommissioned missile silo and turned it into an Airbnb….

…  really wanted to dig it up and see what was in there. Initially, I intended to make it a house for my family.

Lastly, I was interested in owning a missile silo because it’s just kick ass. The place has 7,000-pound doors. Its three floors are made out of a steel structure nicknamed “the birdcage.”

It’s on eight springs and actually hangs from the ceiling. And the reason is if it gets hit by a bomb, it allows the structure to shake to try to preserve the equipment and the people inside….

… Titan II was denuclearized after the US and Russia signed a 1979 treaty to limit each country’s nuclear weapons. The US disarmed Titan II as part of that negotiation, called the Strategic Arms Limitation Talks II or SALT II….

… There are no walls and doors, so there’s no real primary bedroom. The top floor has a king bed, a large, open shower, and a free-standing bathtub. The middle floor has two queen beds that we can move to make more space. Then, the kitchen and the living room are on the bottom floor, which also doubles as a dance floor and can turn into a club.

We host anything on the property, including meetings. If it’s semi-legal and people want to do it there and pay for it, we’re fine with it.

The first booking we got was in November 2020. It was a couple coming for their honeymoon, but they got a little too intoxicated at their wedding to make the trip. They sent their best man instead….

(14) NEW RELEASE FROM STARSHIP SLOANE PUBLISHING.

A Wereshark’s Memoir by Justin T. O’Conor Sloane

A novelette following the fantastical journey of an immortal sea captain across the centuries, whose turbulent life as a pirate and a wereshark is by turns beautiful and haunting.

In his magnum opus Ethics published posthumously in 1677,Spinoza argues that God is substance. Evil is substance in A Wereshark’s Memoir by Justin Sloane. Original, frightening, and beautiful, this work is a study into the impossibility of evil to reign over the human race. It is a fiction of the open wound. It hurts and it makes you invent a therapy to alleviate pain. Often this is impossible. In a way, it is a subtle analysis of what society suffers from today. As Justin Sloane puts it, “Time is neither friend nor foe. But it can be made either.” —Zdravka Evtimova, 4x best novel of Bulgaria and author of He May Wear My Silence

With all the linguistic beauty of scientific romance, and a splash of cosmic horror, Mr. Sloane takes us on an aquatic romp through piracy, love, and death. Fans of William Hope Hodgson will want to devour this tale. —Jean-Paul L. Garnier, editor of Star*Line magazine and author of Garbage In, Gospel Out

Justin Sloane’s A Wereshark’s Memoir is a true megalodon of a novelette, howling hammerheaded through the centuries, timeless like that eldest breed named for Greenland. Equal parts werewolf, shark, and swashbuckler who befriends Blackbeard himself, Sloane’s narrator, sea-bewitched, bioluminescent shape-shifter, proves at least as haunted as a Ulysses unable ever to return home. —Dr. Matt Schumacher, editor of Phantom Drift: A Journal of New Fabulism and author of The Fire Diaries: Poems

Available everywhere for only $5.99.

(15) VIDEO OF THE DAY. The ultimate in nostalgia. “Family Feud: Gilligan’s Island Vs. Batman”. What year was this?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Brick Barrientos, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 10/30/24 John Pixel’s Not The Boogeyman. He’s Who You Send To Scroll The Boogeyman

Posted on by
15

(1) NEW 2030 WORLDCON BID. The Edmonton in 2030 Worldcon bid unveiled its Bluesky page today: “Edmonton Bidding for 2030 Worldcon” at File 770.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present James Patrick Kelly and James Teel Glenn on Wednesday, November 13, beginning at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

James Patrick Kelly

James Patrick Kelly has won the Hugo, Nebula and Locus awards for his short fiction. He has also written five and half novels, a dozen or so plays and some embarrassing poetry. His column “On The Net” is a regular feature of Asimov’s Science Fiction Magazine. He is an early adopter, a shade gardener, a cross-country skier, and an open water swimmer, so it helps that he lives on a lake in New Hampshire. KGB is one of his favorite places to read and this will be his eighth visit to Fantastic Fiction since 2000. His new novella, Moon and Mars, will be out from Asimov’s in the January/February issue.

Teel James Glenn

Teel James Glenn has killed hundreds and been killed more times–on stage and screen, for forty-plus years as a stuntman, swordmaster, storyteller, book illustrator, bodyguard, actor, and haunted house barker. He has dozens of novels and stories published in over two hundred magazines including Weird Tales, and Sherlock Holmes Mystery Magazine. His novel A Cowboy in Carpathia: A Bob Howard Adventure won best novel 2021 in the Pulp Factory Award. He can be found at in wild Weehawken NJ and at TheUrbanSwashbuckler.com.

(3) ANOTHER EKPEKI ISSUE RAISED. Dare Segun Falowo is a winner of the inaugural Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction, an award created by Oghenechovwe Donald Ekpeki. Today Dare shared on Bluesky a bad experience with Africa Risen co-editor Ekpeki about Dare’s support for the idea that writers in anthologies should share credit for awards won by editors. Thread starts here.

And ‪Bogi Takács emphatically supports the practice of writers in anthologies sharing credit with the editor(s) for the book’s awards:

(4) THE BIRD OF CRIME BEARS BITTER FRUIT. [Item by Steven French.] Two thumbs up from the Guardian for The Penguin: “Batman who? Why The Penguin is TV’s biggest surprise of the year”.

…Between Falcone and Oz, this show is like watching two scuzzy raccoons fight over the last slice of rancid pizza in a back alley from the depths of DC hell. Neither is prepared to end up second best, and both have shown themselves capable of mass murder to avoid having to settle for it. It reminds me of that scene in Christopher Nolan’s The Dark Knight in which Heath Ledger’s Joker snaps off a pool cue and invites two wannabe goons to fight to the death for the chance to be one of his henchmen.

One reason many fans might consider watching The Penguin is the expectation that Robert Pattinson’s Batman is likely to turn up at some point to show both who’s really in charge. In reality, both the showrunner, Lauren LeFranc, and Reeves have said that’s unlikely to happen any time soon, but the splendid thing about the show is that we barely miss the caped crusader. This is Gotham at street level, the city’s grimy underbelly exposed in all its filth and fury, while Batman’s place is above the city’s streets, looking down on the scum below like an avenging dark angel. Who knew that one of those unfortunate wretches scurrying about the gutter might just be capable of carrying an entire show on his doughy shoulders?

Sure, the ultimate expectation is that the Penguin will at some point climb his way up the greasy pole of power to become an A-list villain for Pattinson to take down in a future movie. But right now, watching Farrell shuffle through the shadows like a cross between Machiavelli and Harvey Weinstein after a fight with a dumpster, the whole thing is so engrossing that there’s absolutely no rush.’…

(5) DAREDEVIL. “Daredevil: Born Again trailer teases Punisher return, hints at Bullseye” – Radio Times has the story.

A trailer spotlighting Marvel’s upcoming Disney Plus releases has emerged online, with a 20-second teaser for Daredevil: Born Again included within it.

The teaser is sure to get fans excited for the revival show, which is set to arrive in March next year and will see Charlie Cox’s Matt Murdock once again face off against Vincent D’Onofrio’s Kingpin….

(6) LOST ELLISON. Michael Burianyk compares two of “The Lost Visions of Harlan Ellison” in his latest blog post.

There’s been an interesting juxtaposition of recently published books that shed light on two of the most notorious events in Science Fiction history – “The Last Dangerous Visions” and “The Starlost”, both involving the venerated writer, Harlan Ellison….

… In his long introduction to the anthology, Straczynski recounted the saga of “The Last Dangerous Visions”, his close friendship with Ellison and the revelation that Ellison suffered from bipolar disorder and clinical depression which went untreated until close to Ellison’s death in 2018. His mental condition is cited as the reason he was not able to concentrate on big projects and gather the spiritual energy to finish the grand undertaking he had conceived….

(7) A ROBOT GROWS IN BROOKLYN. [Item by Andrew Porter.] According to John Boston:

Appeared on the local Nextdoor.com site, allegedly “the product of a welding training program and is based on a graphic novel hip hop character.”   It resides in Borough Hall Park, and hard by the federal district court for the Eastern District of New York and the main Brooklyn Post Office.

From the pages of the first-ever hip hop comic book, written by Eric Orr in 1986, to the streets of the Boogie Down Bronx and finally to the streets of Paris, Rappin’ Max Robot is alive and standing 18 feet tall.

Andrew Porter adds:

I saw them installing it Monday, when I walked by having just gone to the Post Office (visible at right background). It’s about 20 feet high.

Made a comment to the workers, “You’re gonna have to oil up that robot!”

This is exactly where much of the Brooklyn Book Festival too place, on this plaza.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 30, 1977 — Malka Ann Older, 47.

By Paul Weimer: I remember when she burst onto the scene with Infomocracy.  It was in wake of her talented brother Daniel Older’s own SF literary debut with Half-Resurrection Blues, and I do wonder if Infomocracy got play and visibility because Malka Older was his sister. As for me, I had not read Blues and picked up Infomocracy solely on the strength of its idea of a new, atomized, political system with strengths and advantages, but problems of its own. It depicts a vibrant, multicultural and inclusive future (with one SF “gimmie” to make it happen), and it knocked my socks off. When I told Malka that I truly didn’t know that she was Daniel’s brother, her reaction was a somewhat skeptical “Really?!”

But it’s true. I don’t know everything in SF.

I think her Mossa and Pleiti novels, starting with The Mimicking of Known Successes walk a fine line between being “cozy” and comfortable reads, and being furiously inventive medium-term science fiction. They are so well written, and so different in some fundamental ways than Infomocracy that it really shows her range and ability. 

But my favorite Older work is her collaboration with Fran Wilde, Jacqueline Koyanagi, and Curtis C. Chen in Ninth Step Station. Ninth Step Station is a collaborative cyberpunk crime drama published by Serial Box and showcases the writers’ talents showing a divided and dangerous Tokyo in the near future. It combines the political power and intrigue from the Infomocracy novels with the (later) mystery and investigation of the Mossa and Pleiti novels and serves as a bridge between the two types of works. 

Malka Older

(9) COMICS SECTION.

(10) HORRIBLY YOUNG. [Item by Steven French.] “What’s it like to be the spine-chilling child in a scary film?” The Guardian asked the actors who played them: “’After the shoot, we had a party in a slaughterhouse’: horror movies’ creepiest kids reveal all”.

When Danielle Keaton was seven, her homework was to open her eyes as wide as possible and stare. She had just secured a role in director John Carpenter’s Village of the Damned – a horror film about inhuman psychic children with violent tendencies – and had to perfect her creepy glare. “We had to practise not blinking for a very long time,” says the actor and coach, now 38 and based in LA. “We would have to look in a mirror and hold the stare without laughing.” On set, the children would have staring contests with Superman star Christopher Reeve…

(11) SFF ON LEARNEDLEAGUE: PORTALS AND NEXT YEAR’S ONE-DAY SPECIALS. [Item by David Goldfarb.] LearnedLeague just had a One-Day Special quiz entitled “Just Images Portals” — the “Just Images” part means that each question has a picture associated with it, which may be required to answer the question correctly. You can find the questions here, although unfortunately you need to be a LearnedLeague member in order to view the pictures.

I got 8 right out of 12, placing 211th out of 1,167 players.

Also next year’s One-Day Special schedule has now been set. Here are the ones that seem to be SFF-related. Notes in parentheses are from me:

  • Elemental Masters
  • Zoey’s Extraordinary Playlist
  • Madeleine L’Engle’s Time Quintet
  • What We Do in the Shadows
  • Victorian Fiction (not an SFF subject, but SFF-related because the quiz will be written by SF fan and anthologist Rich Horton – DG)
  • The Stormlight Archive
  • Goblins
  • Watchmen
  • Ghost
  • Dragon Age
  • Mass Effect
  • Extra-Terrestrial Intelligence
  • Learn Zoology with the Animorphs
  • Actors in Star Wars & Other SF/Fantasy IP
  • Personification of Death in Literature
  • Tolkien’s Other Work (after three quizzes on The Lord of the Rings and one on The Silmarillion, now we move on to the Other Work – DG)
  • The Last of Us
  • Famous Luxembourgers (not directly SFnal, but sure to have a question on Hugo Gernsback at least – DG)
  • Sapphic Fantasy
  • Batman ’66 (to be written by SF fan Tom Galloway – DG)
  • xkcd2
  • Mars 2
  • Apocalyptic Fiction
  • Songs about Superman
  • Furry Fandom 101

(12) RIDERS OF THE PURPLE WHOPPER. A little late with this story – but it was news to me! “Burger King’s Addams Family Menu Has Landed — Here’s What’s in It” at Food & Wine.

…This year, the King is celebrating Halloween with a group of people who have been creepy, kooky, mysterious, and spooky for more than 80 years. That’s right: Burger King has teamed up with the Addams Family for a special menu that will launch on Thursday, October 10, with four new Addams-inspired items. 

Two of them are:

Wednesday’s Whopper

This sandwich takes all of the trappings of a classic flame-grilled Whopper, tops it with Swiss cheese, ketchup, lettuce, mayo, onions, pickles, and tomatoes — and serves it up on a purple bun. (The violet bun gets its signature shade from purple potatoes.) 

Thing’s Rings

The Addams Family’s long-time companion, Thing, was just a disembodied hand — which means it is perfectly designed to grab a few crispy onion rings right out of the package. During the month of October, BK’s rings come in a special Addams-family-designed sleeve. 

There’s also Gomez’s Churro Fries and Morticia’s Kooky Chocolate Shake.

(13) FOR NATIONAL CATS DAY. [Item by Daniel Dern.] Which was yesterday in the U.S. The latest issue of Marvel Meow, from Marvel’s Infinity line, many of which (including this issue) are digitally available free, and without needing a (free) Marvel.com account. “Marvel Meow Infinity Comic (2022) #19”.

MARVEL MEOW IS BACK! To kick off, the Spider-Men and Doc Ock take on their biggest battle yet–finding homes for stray cats!

(14) CHINESE ASTRONAUT SCULPTURE. Interesting photo from the Brooklyn Eagle.

(15) SHROUDS OF WITNESS. Ryan George is in time for the Halloween season with his video “Super Scary and Definitely Real Ghost Evidence”.

(16) VIDEO OF THE DAY. Posted by MGM: “Halloween With The Addams Family (Full Episode)” (legit).

A pair of bank robbers are welcomed as Halloween trick-or-treaters by Morticia and Gomez. The creepy atmosphere of the house, Morticia’s smoldering holiday punch, and Lurch’s ominous presence impel the crooks to abandon their plans to add Addams money and jewelry to their bank loot.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 9/30/24 Don’t Scroll Me – I’m Pixelectric!

Posted on by
16

(1) CLARKE AWARD OPENS FOR 2024 TITLES. The Arthur C. Clarke Award today announced that submissions are now officially open for next year’s award.

The prize is now open to novels written in English by an author of any nationality, provided that the novel is published for the first time by a UK publisher between January 1 and December 31, 2024.

The deadline for submissions is December 31. This year’s judges are:

(2) IT IS THE END, MY FRIEND. Variety blabs: “’The Simpsons’ Series Finale Wasn’t Really Its Last Episode”. Beware spoilers.

“The Simpsons” kicked off its Season 36 premiere on Sunday with what the show dubbed its “series finale.” Hosted by an animated version of former “Simpsons” writer Conan O’Brien, the episode opened with “The Simpsons” characters and other notables entering a Dolby Theatre-esque venue (technically, the “Dolby-Mucinex Theatre”) to celebrate the show’s ending.

“It’s such an honor to be with you all for the series finale of ‘The Simpsons,’” O’Brien said in his opening monologue. “I knew I was the right man for the job because I’ve hosted the last episode of three of my own shows and counting… Well, it’s true. Fox has decided to end the Simpsons. This show was such a special part of my early career, so being here means the world to me. Also. I left a sweater in the writer’s room in 1993 this is the only way they’ll let me get it back….

“Now, not many people know this, but Fox has been trying to end it for years,” O’Brien added. “When the very first episode aired in 1989 the viewers agreed on one thing: It wasn’t as funny as it used to be, and their expressions of hatred could serve as a history of modern communication technology. Fox executives, unaccustomed to criticism of any kind, immediately caved to public pressure and decided to end ‘The Simpsons’ in 1990.”

O’Brien then showed what he said were the original cuts of scenes from famous “The Simpsons” episodes, such as 1990’s “Bart the Daredevil” and 2000’s “Little Big Mom,” in which Homer died for real. “Many now classic episodes were originally conceived as series finales,” O’Brien said….

(3) Q&A WITH GERARDO SÁMANO CÓRDOVA. The Horror Writers Association continues: “Latinx Heritage in Horror Month 2024: An Interview with Gerardo Sámano Córdova”.

…Time to daydream: what are some aspects of LatinX history or culture – stories from your childhood, historical events, etc — that you really want our genre to tackle? (Whether or not you’re the one to tackle them!)

I would love to read a horror book set during the Mexican Revolution. Such a complex time socially, politically, and ideologically.

Who are some of your favorite LatinX characters in horror?

Juan from Mariana Enriquez’s Our Share of Night is such a complex, vivid character, the Kentukis from Little Eyes by Samanta Schweblin (although I’m not sure if the Kentukis qualify as LatinX – or proper characters for that matter, regardless, the idea of them as voyeurs and masks is wonderful).

Who are some LatinX horror authors you recommend our audience check out?

Mariana Enríquez, Samanta Schweblin, Fernanda Melchor, Bernardo Esquinca, Monica Ojeda, Carmen María Machado, Gabino Iglesias, Amparo Dávila….

(4) CHRISTOPHER TOLKIEN CENTENARY CONFERENCE. The Tolkien Society will host an online “Christopher Tolkien Centenary Conference” on November 23-24. It’s a free event — register at the link.

Confirmed speakers (in alphabetical order):

  • Douglas A. Anderson — editor of The Annotated Hobbit
  • Nicholas Birns — author of The Literary Role of History in the Fiction of J.R.R. Tolkien
  • Sara Brown — lecturer on Tolkien, and Language and Literature Department Chair at Signum University
  • Sonali Chunodkar — researcher on secondary beliefs in Tolkien’s works
  • Michael D. C. Drout — editor of Beowulf and the Critics, and J.R.R. Tolkien Encyclopedia; co-editor of Tolkien Studies
  • Vincent Ferré — Tolkien scholar, lecturer and translator, and editor of Dictionnaire Tolkien
  • Dimitra Fimi — co-editor of A Secret Vice
  • Verlyn Flieger — editor of Smith of Wootton Major, The Story of Kullervo, and The Lay of Aotrou and Itroun; author of Splintered Light
  • William Fliss — Tolkien archivist at Marquette University’s Raynor Library
  • John Garth — author of Tolkien and the Great War, The Worlds of J.R.R. Tolkien and Tolkien at Exeter College
  • Christopher Gilson — chief editor of Parma Eldalamberon and leading member of the Elvish Linguistic Fellowship
  • Nick Groom — author of Twenty-First-Century Tolkien
  • Peter Grybauskas — editor of The Battle of Maldon: together with The Homecoming of Beorhtnoth
  • Wayne G. Hammond — co-editor of The Collected Poems of J.R.R. Tolkien, J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion, The Art of The Lord of the Rings by J.R.R. Tolkien, and Roverandom
  • Andrew Higgins — co-editor of A Secret Vice
  • Thomas Honegger — co-editor of Sub-creating Arda and Laughter in Middle-earth: Humour in and around the Works of J.R.R. Tolkien
  • Carl F. Hostetter — editor of The Nature of Middle-earth and Vinyar Tengwar
  • John Howe — artist who has illustrated covers for The Hobbit, The Lord of the Rings, and The History of Middle-earth
  • Yvette Kisor — researcher on medieval literature and the works of J.R.R. Tolkien
  • Kristine Larsen — writer and researcher on science and astronomy in Tolkien’s works
  • Alan Lee — artist who has illustrated The Lord of the Rings, The Children of Húrin, Beren and Lúthien and The Fall of Númenor
  • Ted Nasmith — artist who has illustrated The Silmarillion and Unfinished Tales
  • Richard Ovenden — Bodley’s Librarian and co-editor of The Great Tales Never End
  • John D. Rateliff — author of The History of The Hobbit
  • Robin Reid — researcher on Tolkien fandom, fan fiction, and race in Tolkien’s works
  • Christina Scull — co-editor of The Collected Poems of J.R.R. Tolkien, J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion, The Art of The Lord of the Rings by J.R.R. Tolkien and Roverandom
  • Brian Sibley — author of The Fall of Númenor
  • Chris Smith — the Tolkien editor of HarperCollins
  • James Tauber — researcher on corpus linguistics and digital humanities for Tolkien’s works

(5) HORROR QUARTET. Gabino Iglesias reviews “4 New Horror Books Filled With Eldritch Terrors and Other Frights” in the New York Times: Laird Barron’s collection, Not A Speck of Light: Stories (Bad Hand Books); Hildur Knutsdottir, The Night Guest (Tor Nightfire), translated from the Icelandic by Mary Robinette Kowal; Richard Thomas, Incarnate (Podium Publishing); Sinophagia: A Celebration of Chinese Horror (Solaris), translated and edited by Xueting C. Ni. Behind a paywall.

(6) THANKS FOR NOTHING, GUV. “California Gov. Newsom vetoes AI safety bill that divided Silicon Valley” reports NPR.

Gov. Gavin Newsom of California on Sunday vetoed a bill that would have enacted the nation’s most far-reaching regulations on the booming artificial intelligence industry.

California legislators overwhelmingly passed the bill, called SB 1047, which was seen as a potential blueprint for national AI legislation.

The measure would have made tech companies legally liable for harms caused by AI models. In addition, the bill would have required tech companies to enable a “kill switch” for AI technology in the event the systems were misused or went rogue….

(7) STOP THAT TRAIN! “SpaceX grounds its Falcon rocket fleet after upper stage misfire” – breaking news at Spaceflight Now.

SpaceX’s Falcon rocket fleet was grounded for the third time in three months after a second stage problem occurred Saturday following the successful launch of a Dragon Capsule carrying two crew to the International Space Station. The suspension in flights comes as the company prepares to launch two solar system exploration missions in October with narrow launch windows.

SpaceX said the Falcon 9 second stage that launched NASA’s Crew 9 mission failed to correctly perform a firing of its Merlin Vacuum engine less than 30 minutes after releasing Dragon Freedom into a planned 117×128 mile (189×206 km) orbit.

The engine firing is designed to prevent the rocket body from becoming space debris by driving the stage into the atmosphere for a destructive reentry. Any debris was supposed to fall harmlessly into the ocean in an area previously identified in warnings to mariners and aviators.

“Falcon 9’s second stage was disposed in the ocean as planned, but experienced an off-nominal deorbit burn,” SpaceX said in a social media post, shortly after midnight EDT on Sunday. “As a result, the second stage safely landed in the ocean, but outside of the targeted area.”

The mishap has prompted an investigation from the Federal Aviation Administration (FAA) which oversees the company’s launch licenses. SpaceX is currently in dispute with the FAA over fines related to Falcon 9 activities at Kennedy Space Center and delays gaining authorization for the fifth test flight of its Starship vehicle from Starbase in Texas.

“The FAA is aware an anomaly occurred during the SpaceX NASA Crew-9 mission,” the FAA said in a statement issued on Monday. “No public injuries or public property damage have been reported. The FAA is requiring an investigation.”…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Elvira, Mistress of the Dark film

Thirty-three years ago on this date, Elvira, Mistress of the Dark premiered. It was directed by James Signorelli from a script by Sam Egan, John Paragon, and of course Cassandra Peterson who is as you know the person behind the campy facade of Elvira, Mistress of the Dark. 

Elvira, Mistress of the Dark of course has a history. 

In 1981, six years after the death of Larry Vincent who was Sinister Seymour, host of a LA weekend horror show called Fright Night, the producers decided to bring the show back but with a hostess this time thinking she would have greater appeal to a male audience. So the station sent out a casting call, and Peterson auditioned and won the role. 

Producers left it up completely to her to create the role’s image. She and her best friend, Robert Redding, they designed, according to ScreenRant, “Elvira’s character after famous horror hostess Vampira, as well as Charles Addams’ popular character Morticia, and incorporating a Valley Girl spunk into their dark beauty after producers rejected her original idea to look like Sharon Tate’s character in The Fearless Vampire Killers.” 

About the use of elements of Vampira… ScreenRant notes, “Maila Nurmi, who had portrayed the iconic horror hostess Vampira for The Vampira Show in the ’50s, thought that Cassandra Peterson copied her character in creating Elvira. She promptly sent the production a cease-and-desist letter. Nurmi argued that both characters wore black skin-tight dresses, had black hair, heavily applied makeup, and even closed episodes with similar catch phrases.” The cease-and-desist letter was a failure as the lawyers successfully argued in Court that all the elements of Elvira were standard horror tropes. 

It took upwards of three hours to do her makeup and get her into that dress.  It, like the dress worn by Anjelica Huston in The Addams Family Values, was hideously uncomfortable. Keep in mind that she also wore six-inch stilettos as well. 

She’s really the only cast that matters here as this is Her Vehicle.  

Unfortunately for the box office the distributor went dramatically out of business without warning the day before it came out without having produced or distributed most of the prints, so it would only ever appear on five hundred screens instead of the twenty-five hundred that was intended, so it ended up losing a lot of money despite only costing seven-and-a-half million to produce. (Her costume was undoubtedly the most expensive thing in the film.) 

Some critics liked it with Anton Bitel of Little White Lies noting that “Elvira is all sarky, smutty sex positivity, making a prominent display of her two best assets: her verbal wit, and her ability to laugh at everything and everyone including, first and foremost, herself.” Other critics didn’t like it such as Steve Crum of the Kansas City Kansan who said, “There’s nothing dark about Elvira’s cleavage.” And then his review dissected its failure. 

Audience reviewers at Rotten Tomatoes give it an excellent sixty-five percent rating.  

She would shoot a series of Coors Light commercials of which this is one.

(9) COMICS SECTION.

(10) LOOK! UP IN THE SKY! Eh, no, it’s not Superman.

This Thanksgiving, Spider-Man makes his grand return to the streets and skies of New York City. Set to debut during Macy’s Thanksgiving Day Parade® on November 28, Marvel and Macy’s will premiere an all-new Spider-Man balloon, inspired by and in honor of the iconic art style of comic book legend John Romita Sr.

Spider-Man first debuted in Macy’s Thanksgiving Day Parade in 1981, later making his debut as Marvel’s first larger-than-life balloon in 1987. Spidey quickly became a favorite of Parade watchers and fans at other events for over a decade. After the original balloon was retired, Spidey made his return to the Parade in 2009, running as part of the Parade until 2014.

The 98th Macy’s Thanksgiving Day Parade will air Thursday, November 28th in the U.S. on NBC and stream on Peacock.

(11) DOUGH SHORTAGE. “Terry Gilliam Says He Doesn’t Have Enough Money to Make ‘The Carnival at the End of Days’” – World of Reel has the story.

Terry Gilliam has had such a hard time trying to fund his last few projects that he’s hinted about retirement. However, back in April, fansite Gilliam Dreams reported that the director was set to direct a new, maybe final, film, titled “The Carnival at the End of Days.”

This past May, Gilliam claimed he had found funding for ‘Carnival.’ We already know that Johnny Depp will play Satan and that the rest of the cast would be composed of Jeff Bridges, Adam Driver and Jason Momoa. A January 2025 shoot was being eyed. (via Premiere)

No surprise, five months later, Gilliam is now telling Czech media that he doesn’t have the sufficient funds to make ‘Carnival,’ and that he would have to creatively compromise his vision to make it happen (via Novinky)….

(12) THERE IS JUST ONE SCULPTURE ON THE MOON. So says Atlas Obscura. “There Is Just One Sculpture on the Moon”. And it is?

ACROSS THE MANY MISSIONS TO the Moon over the years, countless bits of flotsam and jetsam have been deposited on the lunar surface. From Soviet sensors to a couple of golf balls, there are roughly 800 manmade objects up there. There is, however, one of them that’s different than the others. In 1971, the crew of Apollo 15 left a piece of aluminum, 3.3 inches long, on the lunar surface. It is called Fallen Astronaut, and it is the first (and only) art installation on our closest neighbor. (The Moon Museum, a ceramic wafer etched with drawings by Andy Warhol, Robert Rauschenberg, and others may or not have been snuck aboard Apollo 12.)

(13) GRIFFITH OBSERVATORY’S REFERENTIAL NOOK. The 42 Collective on Facebook shared this IRL homage:

 The Cafe at the End of the Universe. For when Milliways has too many options and you just want a coffee or tea.

At Griffith Observatory in Los Angeles, CA, USA. -Timothy Transue

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

(14) AND THE WINNERS ARE… “’Flow’ and ‘La Voix des Sirènes’ Swim Home with Ottawa Intl. Animation Festival’s Top Prizes” – Animation Magazine has the complete list of award winners at the link.

Gintz Zilbalodis animated feature Flow and Gianluigi Toccafondo’s short La Voix des Sirènes (The Sirens’ Voice) were honored with the top prizes at this year’s Ottawa Intl. Animation Festival on Saturday.

An expansion of Zilbalodis’s student film Aqua (2012), Flow has been a festival darling since its debut at the Cannes and Annecy Festivals earlier this year. Janus Films/Sideshow will be released in U.S. theaters on Nov. 22. The beautifully crafted feature centers on a cat that is trying survive a water-drenched, human-free world with a few other animal companions. Latvia’s official entry in the Oscar race, it will be released by Sideshow/Janus Films in U.S. theaters on Nov. 22

A timeless film that uses a captivating mixed media approach, La Voix des Sirènes (The Sirens’ Voice) is the latest film from award-winning director Toccafondo. The short also picked up the top prize at Fest Anca in Slovakia earlier this year.

This year’s DGC Award for Best Canadian Animation winner, In the Shallows (dir. Arash Akhgari), showcased a unique combination of animation techniques, digging into the dangerous allure of mass media intoxication. Akhgari also receives $1000 CAD courtesy of the Directors Guild of Canada as a part of the award….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Review: Kotobukiya ARTFX+ Spider-Man Miles Morales

Posted on by
Reply

By Cat Eldridge: A few years back, I really liked the Miles Morales Spider-Man after seeing Spider-Man: Into the Spider-Verse during a extended hospital stay as I was looking for something entertaining to watch and I heard very good things about this film. It turned out that it is a fantastic film that if you are a Spider-Man fan you should see now as Miles Morales is an amazing Spider-Man and the rest of the Spider-Beings are equally amazing. Yes, it won a well deserved Hugo at Dublin 2019. And yes I’m looking forward to seeing the sequel. 

I’m was reasonably sure that this is by no means an authorised figure but it turned out that indeed it was as Kotobukiya does a vast array of DC, Marvel and Star Wars merchandise. It originated in Hong Kong, there’s a vast market in pop culture products around those characters, especially if there’s been a film out with the character in question.  So this appeared just a few short months after the film was released. 

So finding a figure that I liked was a matter of a search on eBay, I found a number of possibilities from the usual action figures, some pretty badly done, to high-end collector figures way, way out of my budget. This one interested me because of the dynamic pose. Now it is not an action figure. It’s a statue, as nothing moves on it all. And it’s only just about four inches tall. When it came it was it in four parts with the head and arms separate which was a bit of a surprise. They attached very nicely, so no fuss there. 

The color is sharp, with no sloppy edges, and once he’s assembled, you wouldn’t know that he came in multiple pieces. Unlike many statues, the poses is quite dynamic.

In theory, you could display him sans base but it really isn’t a great idea as he doesn’t sit right without it, as he’s got magnets in his feet that allowed him to balance as you see him here. I really, really like the pose that they did for him.

If you’re interested in him, he’ll run you around a hundred dollars. Not bad at all in the world of such collectibles. 

Pixel Scroll 7/19/24 The Doors Of His Cats, The Lamps Of His Reading Table

Posted on by
14

(1) DRAMA. “JK Rowling Edinburgh Trans Rights Play ‘TERF’ Primed For Protests” reports Deadline. The play will be presented during the Edinburgh Fringe next month.

…Penned by Joshua Kaplan, a Hollywood writer whose credits include HBO’s Tokyo Vice, TERF imagines a confrontation between Rowling and the stars of Harry Potter over her views on transgender rights.

The production is topical given Rowling’s near-daily pronouncements and hardened rhetoric on how trans rights have come into conflict with women’s rights. Her posts on X (once Twitter) have put her further at odds with Daniel Radcliffe, Emma Watson, and Rupert Grint in recent months, and Kaplan sees TERF as a “family conversation” between loved ones with differing views.

In the real world, there have been public exchanges between Rowling and the Harry Potter stars as recently as this year. In April, Rowling accused Radcliffe and Watson of being “cosied up to a movement intent on eroding women’s hard-won rights.” Radcliffe told The Atlantic that he was saddened by Rowling’s stance.

Staged by veteran Edinburgh Festival Fringe producers at Civil Disobedience, TERF (an acronym for trans-exclusionary radical feminist usually deployed in a pejorative context) had to change venue from Saint Stephens Theatre to the Assembly Rooms amid concerns over the controversy the play was attracting.

Barry Church-Woods, the co-founder of Civil Disobedience, said that the team is now putting security and other measures in place for protests. He told Deadline that they anticipate audience members could attempt to disrupt the play as it is performed.

“We expect that most people, if they’re intending on disrupting what we’re doing, that will happen in the auditorium of the theatre. We have processes in place that are going to deal with that,” said the producer, who has previously worked on Edinburgh shows with the likes of RuPaul’s Drag Race star Courtney Act….

(2) GLASGOW 2024 PUBLISHES FINAL PROGRESS REPORT. This week the Worldcon published its sixth electronic Progress Report, which due to there having been a PR #0 is numbered Progress Report 5. Download the PDF here. Cover by Sara Felix.

PR5 includes news from all areas including:

  • A final update from Convention Chair Esther MacCallum-Stewart
  • A list of our 6,000+ registered members and ticket holders
  • Membership statistics and demographics, with 33 countries represented from around the globe
  • Practical information to help attendees arrive in and enjoy their time at the convention, from site maps to badge collection arrangements and discounted local travel passes
  • Full details and timings for our Special Events – including the Hugo Award Ceremony, Masquerade, Opera, Orchestra, theatrical performances, concerts, and dances
  • Updates on Volunteering, Accessibility and Childcare Services, as well as our approach to Sustainability
  • Our updated Code of Conduct, which all members and ticket holders are expected to abide by when attending the convention in person or online.

(3) DOCTOR WHO REPORT CARD. “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight” reports Deadline.

Those lucky enough to attend May’s Disney‘s upfronts at the North Javits Center were treated to clips, teases and appearances from some of the world’s biggest stars.

In the spotlight from the Bob Iger-led Mouse House were hits from the Disney stable including The Acolyte, Welcome to Wrexham, Abbott Elementary and a wealth of ESPN sports shows. The combined budget must have been astronomical.

But almost completely absent from the upfront festivities was Doctor Who, the iconic British sci-fi series that Disney+ now co-produces with the BBC following what was undoubtedly one of the biggest global TV show deals of the past decade. Doctor Who was handed a minor bit of real estate at the North Javits, but its lack of front-and-center placement may spin a yarn about the series’ position in the Disney priority log nearly three years on from the deal being struck.

… Following the conclusion of the the first Disney-BBC Doctor Who season several weeks ago, Deadline has taken the opportunity to analyze its performance both locally and across the pond, its critical reception and just what the future has in store for the deal. Noises that it may not last beyond its initial two seasons are already reverberating around international TV circles, and one source close to the production tells us that they feel its future hangs in the balance already. Disney, the BBC, and co-producers BBC Studios and Bad Wolf all declined Deadline’s interview requests for this article….

(4) DOROTHY VAUGHAN DEDICATION. “NASA Johnson to Dedicate Building to Dorothy Vaughan, Women of Apollo”.

NASA’s Johnson Space Center in Houston will recognize legendary human computer Dorothy Vaughan and the women of Apollo with activities marking their achievements, including a renaming and ribbon-cutting ceremony at the center’s “Building 12,” on Friday, July 19, the eve of the 55th anniversary of the Apollo 11 Moon landing.

At 9 a.m. CDT, NASA Johnson Director Vanessa Wyche will begin with a discussion about the importance of Vaughan and the women of Apollo’s contributions to the agency’s lunar landing program and their significance to today’s Artemis campaign. Other highlights include a poetry reading, a recital by Texas Southern University’s Dr. Thomas F. Freeman Debate Team, and a “Women in Human Spaceflight” panel discussion….

…Following the program, the ribbon-cutting ceremony will begin at Building 12, which will thereafter be named the “Dorothy Vaughan Center in Honor of the Women of Apollo.” The dedication is a tribute to the people who made humanity’s first steps on the Moon possible.

(5) CAGE MATCH. “’Spider-Noir’: Li Jun Li Cast In Amazon’s Marvel Series” – Deadline has the story.

 Li Jun Li (Wu Assassins) is set as a series regular opposite Nicolas Cage in Spider-Noir, the upcoming MGM+ and Prime Video live-action series based on the Marvel comic Spider-Man Noir.

From executive producers/co-showrunners Oren Uziel and Steve Lightfoot and Sony Pictures Television, Spider-Noir tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York who is forced to grapple with his past life as the city’s one and only superhero.

Li will play a singer at the premier nightclub in New York. In addition to Cage, she joins previously cast Lamorne Morris as Robbie Robertson….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 19, 1969 – Kelly Link, 55.

By Paul Weimer: Genius Grant recipient. Small Press Owner, Small Beer Press. Anthologist.

Oh, and just perhaps the best short fiction fantasist of our age. 

 No biggie, right? I think of her work, be it ”Magic for Beginners”, “The Faery Handbag” or “The Hortlak” or any of the numerous other stories she’s written, as being in an overlapping series of subgenres that are centered in magic slipstream realism. To this core central subgenre, Link ably adds elements of urban fantasy, horror, mystery, into this basic dough and bakes rather tasty treats of stories that linger in the mind and in the soul. 

Kelly Link

 I think of Link as a magic realist counterpart to Ted Chiang: her actual output of stories is not actually all that massive. She is careful with word choice and writing, shaping words and sentences to sublime effect. Link’s stories are never to be skimmed over, ever. You will, in the end, regret it.  Her work needs and demands attention, and sometimes, like the work of Liz Hand, I feel like as a reader I am “not in her league” and don’t always grok what she is doing in a story. (To be fair the kind of fantasy Link writes is stuff I do not commonly read besides her fabulous work.

But that’s really wrongheaded of me to make her seem inaccessible. In fact, like Chiang, I think of Link as an excellent ambassador for genre fiction in the worlds of literary fiction, luring readers from outside the genre into it, hopefully to stay. Certainly “Magic for Beginners” is probably the one story I would hand to someone who hasn’t read much or any contemporary fantasy and wanted to give it a try.

(7) COMICS SECTION.

(8) WHAT IF? Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men.

The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500. For more information, visit Marvel.com.

AMAZING SPIDER-MAN #59 DISNEY WHAT IF? VARIANT COVER BY GIADA PERISSINOTTO

AMAZING SPIDER-MAN #61 DISNEY WHAT IF? VARIANT COVER BY PAOLO MOTTURA

AMAZING SPIDER-MAN #63 DISNEY WHAT IF? VARIANT COVER BY FRANCESCO D’IPPOLITO

(9) REMEMBERING H.R. PUFNSTUF. The LA Breakfast Club will host “Sid Krofft: 55 Years of Weird” on September 4. Tickets at the link.

CELEBRATE ALL THINGS KROFFT, INCLUDING PUFNSTUF’S ANNIVERSARY! On September 6, 1969, the world was introduced to the series H.R. PufnStuf and with it, the zany genius of brothers Sid and Marty Krofft! In the decades that followed, Sid & Marty continued to innovate TV, films, live shows and even theme parks with their signature style of puppetry, visuals and storytelling.

Join us on September 4th to witness Sid Krofft’s honorary initiation into The LA Breakfast Club! We’ll then join Sid on a rollicking discussion about the beloved projects that define his groundbreaking career.

Sep 04, 2024, 7:00 AM – 9:00 AM

The Los Angeles Breakfast Club, 3201 Riverside Dr, Los Angeles, CA 90027, USA

(10) IN A HOLE IN THE GROUND THERE LIVED… “A newly-discovered dinosaur may have spent part of its life underground” NPR has learned.

…Now there is a new dinosaur species on the paleontology block, Fona herzogae.

HAVIV AVRAHAMI: Small plant-eating dinosaurs – they were bipedal. If you took, like, a Komodo dragon tail and attached it to the back of an ostrich, that’s kind of what Fona would have looked like.

ARI SHAPIRO, HOST:

That’s Haviv Avrahami. He’s a Ph.D. student at North Carolina State University and was part of the team that identified this new dino. They published their research in the scientific journal The Anatomical Record this month.

AVRAHAMI: It was a small dinosaur. It was about 7 feet long, so probably would have been as long as Shaq would have been if he was laying down….

(11) HORRIFYING HUMOR. From Twilia’s Art: “Peter Lorre & Vincent Price being a chaotic duo”.

Vincent Price and Peter Lorre were in 3 Roger Corman films together, and the two shone as a hilariously odd couple. I would gladly watch their chemistry in any film! So here’s a compilation of all my favorite bits of them.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]