(1) MCCARTY REMEMBERS HARRISON. Dave McCarty pays tribute to his friend Howard Harrison, who passed away October 5, by retelling the experience of running the 1999 Capricon.
…I asked what if we weren’t actually throwing *Capricon*? What if instead, we were holding the annual meeting of the International Order of Villains? We treat the whole convention like it is some *other* event? Tracy asked me why that would be and then I hit her with the nefarious money plan. You see, if it’s a conference like that, when folks sign up, they would tell the convention organizers which kind of villain they were…be it henchmen, lackey, minion, mad scientist, Igor, etc. We could badge each of those groups differently so you’d know who was who. The kicker was that you could also choose to register as an Evil Overlord, but this would be a premium membership for which you would need to pay more money. If you wanted to be an Evil Overlord, you had to pay. We could work out getting them some tokens and souvenirs for it, but as long as we only spent a couple bucks on that, we were still helping the convention. The idea excited me and it excited Tracy, so we shared it with a few other folks and it universally got folks excited and worked up….
From that point on we were in a world we’d never anticipated. We got no small number of people to pay us extra money to be an Evil Overlord and boy howdy did that help us, but holy hell did it make for a convention that’s hard to forget. See, quite a number of the Evil Overlords were going around the convention recruiting minions, henchmen, and lackeys to their cause. Even more brilliantly, Howard Harrison was spending almost all of the time he wasn’t in the filk room going around and organizing the Union of Minions, Henchmen, and Lackeys Local 302. When I asked him why, he told me (in his best Chicago Superfan imitation) “You see, I know that I am going to die in a fiery explosion, or be thrown into a volcano, or just act as fodder for my bosses escape. I need to know what’s going to happen for my family!“. These conversations and all the recruiting brought me to freaking tears. Our whole convention was a LARP and almost everyone was playing and nobody was having a bad time or feeling pressured to participate. Howard even invented the UMHL salute. Take your right hand and make a tight thumbs-up, then flip it upside down (thumbs down). Now, place your knuckles against your temple in salute fashion. There you go, union salute! Howard then took his unionized brothers and sisters and started approaching the Evil Overlords to inquire about benefits and insurance and post-death family care to get his folks the best deal he could….
…At the time, I told him how brilliant he was…but over the years, his playfulness that weekend grew to mean a lot more to me and I don’t think I ever really got to tell him what that grew into for me. I’m sad that I can’t do that with him now, but I *can* share this story with all of you so that you know what a special guy he was.
(2) MAGIC IN SNORE-TH AMERICA. If you bet against J.K. Rowling writing magical history that’s as dusty and dull as regular history is reputed to be – you lost. New at Pottermore, “The Magical Congress of the United States of America (MACUSA)”.
The Magical Congress of the United States of America, known to American witches and wizards by the abbreviation MACUSA (commonly pronounced as: Mah – cooz – ah) was created in 1693, following the introduction of the International Statute of Wizarding Secrecy. Wizards worldwide had reached a tipping point, suspecting that they could lead freer and happier lives if they built an underground community that offered its own support and had its own structures. This feeling was particularly strong in America, due to the recent Salem Witch Trials.
MACUSA was modeled on the Wizards’ Council of Great Britain, which predated the Ministry of Magic. Representatives from magical communities all over North America were elected to MACUSA to create laws that both policed and protected American wizardkind…
(3) SURVIVING HOSTILITY. Angelica Jade Bastién, in an article for New Republic, says “For Women of Color, the Price of Fandom Can Be Too High”.
I’m open to criticism and discussing my writing with those who respectfully don’t agree with my opinion, but in covering comic properties, I’ve dealt with everything from people accusing me of not reading comics as if I had no idea what I was talking about to being told I was race baiting by acknowledging certain issues in the film. The worst were the very pointed attacks calling me an “idiot” or a “bitch” and far worse epithets from people I blocked. I won’t even go into the Reddit threads about my article that I was once tauntingly sent screenshots of. It’s something I’ve grown almost numb to as a critic. But what was more interesting to me was the level of hurt coming from these men and their routine way of doubting my comic knowledge—a dynamic other female journalists get time and time again.
I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous.
I have been reading comics obsessively since I was about ten years old. I can probably quote from John Ostrander’s original Suicide Squad run in my sleep, I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous. But I’ve found that the love and knowledge I have on these subjects never seems to be good enough for the people who grow furious at a black woman writing about these properties. White male fans often don’t want to face how their beloved properties often have troubling racial and gender politics. (Just peruse the comments on my review of X-Men: Apocalypse for RogerEbert.com: “The author feels like the X-Men series in general has failed its female characters—ignoring the fact that Mystique is elevated to a leadership and relevance level well above the source material.” Many didn’t want to face a critique coming from a woman, and a fan, who knows them better than they do.) You can only delete emails and block people on Twitter for so long until you feel burnt out. The reason why we don’t see more black women writing about these subjects with such visibility isn’t because we haven’t been interested in them, it’s that publications rarely give us the opportunity, and when we do write, we often find ourselves facing personal scrutiny that has little to do with the actual writing. At times, I’ve been left to wonder, why do I love these stories so much when they rarely care about people who look like me?
(4) HOLD ON TO THE LIGHT. At Magical Words, “100+ Sci-Fi & Fantasy Authors Blog About Suicide, Depression, PTSD—a #HoldOnToTheLight Update by Gail Z. Martin” includes links to the first 40 posts authors have written around the theme.
More than 100 authors are now part of the #HoldOnToTheLight conversation! Our authors span the globe, from the US to the UK to Canada, Australia and New Zealand. Even more exciting is that as the campaign picks up traction and visibility, more authors want to join, meaning a growing, vibrant dialog about mental wellness and coping with mental illness.
#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.
(5) MUSEUM OF SF KICKSTARTER FOR A WOMEN IN SF ANTHOLOGY. The Museum of Science Fiction has opened a Kickstarter appeal to fund Catalysts, Explorers & Secret Keepers, a “take-home exhibit” featuring short science fiction works by and about the women of the genre.
This anthology will showcase how they—as readers, as writers, and as characters—have engaged with and influenced science fiction for more than a century….
The cover of Catalysts, Explorers, & Secret Keepers will feature original artwork by the Hugo winning artist Julie Dillon. Award-winning authors Eleanor Arnason, Catherine Asaro, N.K. Jemisin, Nancy Kress, Naomi Kritzer, Karen Lord, Seanan McGuire, Sarah Pinsker, Kiini IburaSalaam, Carrie Vaughn, Jane Yolen, and Sarah Zettel have already agreed to contribute work to the exhibit.
Upon reaching the minimum funding target, the Museum will open submissions until December 1, 2016. The public will be able to submit original work that fits the take-home exhibit’s theme. Authors of original fiction published in Catalysts, Explorers, & Secret Keepers will receive the SFWA-standard pro-rate ofUS $0.06 per word, while authors of solicited reprints will receive US $0.03 per word. All authors featured in this exhibit will be invited to discuss their work as presenters and panelists in 2017 at Escape Velocity, the Museum of Science Fiction’s annual celebration of all things science fiction.
The appeal has raised $6,068 of its $8,500 goal with 26 days to go.
(6) TOR.COM REOPENING FOR NOVELLAS. Tor.com publishing will take unsolicited novella submissions for three months beginning October 12.
Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines before submitting. We will be open for three months, beginning on October 12th around 9:00 AM EDT (UTC-4:00) and ending on January 12th around 9:00 AM EST (UTC-5:00). We may extend this period depending on how many submissions we receive over the course of the open period.
(7) TAKE US TO YOUR CHIEF. From CBC Radio, “Drew Hayden Taylor on why we need Indigenous science fiction”.
Science fiction is meant to take us to places we’ve never been — this is what writer Drew Hayden Taylor is aiming to do with his new collection of short stories, Take Us to Your Chief.
Taylor’s new book filters famous sci-fi tropes such as aliens, time travel and government spying through the lens and perspective of Indigenous people. For him, he is simply taking these familiar stories and putting “some hot sauce on them.” …
“I pictured myself as a 12-year-old kid back on the reserve, reading science fiction or reading books and not seeing our experiences in this book,” he explains. “I was just taking certain touchstones that we were all familiar with and then using them to take them out of the reserve environment into the larger sci-fi environment, and giving it that sort of resonance.”
(8) POSTSCRIPT TO NATIONAL FINISH-YOUR-BOOK DAY. Camestros Felapton reports there was third sf novel finished yesterday – Timothy the Talking Cat’s The Confusing Walrus. According to Camestros,
I’ve read his ‘manuscript’ and it says “Copy whatever John Scalzi has written but use find/replace on the words ‘space’, ‘galaxy’, ‘star’ and ‘planet’ with the word ‘walrus’”
(9) INTERVIEW WITHOUT A VAMPIRE. Masters of Horror held a get-acquainted session with Horror Writers of America President Lisa Morton.
Interview With Lisa Morton By David Kempf
When did you first become interested in writing?
I’ve been writing almost as long as I’ve been reading – my first poem was published when I was 5! – but I didn’t seriously consider making a living out of it until I saw The Exorcist at the age of 15. Seeing the astonishing impact that film had on audiences during its initial release made me realize I wanted to do that, too.
How did you make this a full time job?
Well, it’s not my full time job now. I tried that for a while, back when I was making a fair amount of money as a screenwriter, and it didn’t work for me at all. I know most writers dream of being able to leave their day job and pursue writing all the time, but for me it was too isolating. Plus, I really love being a bookseller.
How did you become President of the Horror Writers Association?
By attrition, sadly. I was serving as Vice President when the President, Rocky Wood, passed away. Before that I’d held a variety of positions within the organization. I do find it satisfying to work with other writers and promote a genre that I love….
(10) NEXT BLADE RUNNER. The Verge reports “The Blade Runner sequel is officially titled Blade Runner 2049”.
— #BladeRunner 2049 (@bladerunner) October 6, 2016
(11) BROOKS ON WILDER AND FRANKENSTEIN. Mel Brooks got emotional before a screening last night.
Mel Brooks introduced one of the funniest movies ever made, Young Frankenstein, on Wednesday night. But the director couldn’t hold back tears.
Brooks paid homage to Gene Wilder, the star and co-writer of his 1974 classic comedy, before showing Young Frankenstein on the 20th Century Fox lot.
The live event was beamed to theaters around the country and turned into a tribute to Wilder, who died Aug. 29 at age 83. An encore presentation with Brooks’ introduction will screen in theaters Oct. 18.
“I get just a little overcome,” said Brooks, 90, from the stage, dabbing his eyes as he discussed Wilder. “I’ve had a few great memories in my life. But, honestly, I think making Young Frankenstein is my best year.”
(12) SWEET SWILL. ‘Tis the season for Deadworld Zombie Soda! (Turn the sound down when you click on this site.) The sodas come in 12 flavors, with label art created by comic book artists based on the characters and events that take place in Deadworld comic book universe.
- ORANGE – Orange Roamer
- CHERRY COLA – Goon Biters
- BLACK CHERRY – Royal Rotter
- CREAM SODA – Brain Sap
- COTTON CANDY – Zeek Cocktail
- VANILLA CREAM SODA – Geek Juice
- GRAPE – Grisly Swill
- VANILLA ROOT BEER – Slow Decay
- STRAWBERRY – Rot Berry
- ROOT BEER – Twilight Shuffler
- GREEN APPLE – Morbid Mix
- GINGER ALE – Graveyard Delight
Deadworld is the award winning, long running cult hit comic book series published by Caliber Comics that first exploded on the comic scene in 1986. With over 1 million copies in print and over 100 comics & graphic novels released to date, Deadworld is not your typical “zombie comic book or story”.
A supernatural plague has been unleashed on the world. The dead return to walk the earth…but this is no standard zombie story. The dead are just foot soldiers for those who have crossed the ‘Gateway’ from another dimension. There are leader zombies who are intelligent, sadistic, and in addition to having a hankering for flesh, enjoy the tortuous ordeals they put the surviving humans through.
(13) EERIE OUTFITTER. Tim Burton’s costume designer Colleen Atwood interviewed by NPR (with comments on Miss Peregrine’s…):
Working steadily since the 1980s, she’s dressed characters from the past and the future — the Middle Ages for Into the Woods, the Civil War for Little Women all the way to Gattaca and the 2001 Planet of the Apes. Her latest movie, Miss Peregrine’s Home for Peculiar Children, is her eleventh with Tim Burton. It travels back in time to Wales during World War II….
(14) SLOW DOWN, YOU MOVE TOO FAST. The BBC sums up interstellar travel:
Science fiction writers and moviemakers have shown us countless visions of humanity spread out across the Universe, so you might be forgiven for thinking that we’ve already got this in the bag. Unfortunately, we still have more than a few technical limitations to overcome – like the laws of physics as we understand them – before we can start colonising new worlds beyond our Solar System and galaxy.
That said, several privately funded or volunteer initiatives such as the Tau Zero Foundation, Project Icarus and Breakthrough Starshot have emerged in recent years, each hoping to bring us a little bit closer to reaching across the cosmos. The discovery in August of an Earth-sized planet orbiting our nearest star has also raised fresh hopes about visiting an alien world.
Interstellar spacecraft will be one of the topics discussed at BBC Future’s World-Changing Ideas Summit in Sydney in November. Is travelling to other galaxies possible? And if so, what kinds of spacecraft might we need to achieve it? Read on to get up to (warp) speed: …
(15) TREK BEYOND BLOOPERS. CinemaBlend has the story and the video — “Chris Pine Does His Best Shatner Impression In Hysterical Star Trek Beyond Gag Reel”.
As professional as the actors all are on the set of a Star Trek movie, the final cut of the film adds effects and music to the experience which help transport you to the fictional world. Without that, you’re just a guy standing on a set spouting Star Trek gibberish. This becomes all the more clear when an actor trips over their lines, and suddenly everybody remembers that they’re acting again. The best part, though, is when Chris Pine calls for “Full impulse, Mr. Suliu” and John Cho stops to say that he sounds like he’s doing a William Shatner impression. Pine does add a bit of a classic Shatner pause to the line, so it does sound a bit like him to us. As much as we love William Shatner, we hope this doesn’t become a habit.
(16) THAT’S APPERTAINMENT. IanP unleashed this instant classic in a comment on File 770 today.
With apologies to Paul Weller
A pixeled car and a screaming siren
A shuggoth trail and ripped up books
A walrus wailing and stray pup howling
The place of fifths and tea drinking
That’s appertainment, that’s appertainment
A file of scrolls and a rumble of boots
A wretched hive and a bracket ‘head cloth
Ink splattered walls and the award of a rocket
Time machine appears and spews out pizza
That’s appertainment, that’s appertainment.
[Thanks to John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]