Pixel Scroll 4/8/19 File The Scroll Ashore, Pixellujah

(1) MOST READ NOMINEES. Nicholas Whyte blogs the numbers of people who report owning copies of the Hugo nominees in various categories to see if it helps predict who will win: “Hugo finalists – Goodreads/LibraryThing statistics”.

Once again I’m running the statistical ruler over the finalists for the Hugos – this year, more than ever. This has not often been a useful guide to which books will win; however I think it does show the extent to which they ave penetrated popular consciousness, at least to within an order of magnitude.

(2) TAKEN ABACK. Best Fan Artist Hugo nominee Ariela Housman (Geek Calligraphy) apparently is getting some official pushback about which of her items are qualifying work, as explained in “Hugo Eligibility Revisited”.

When we published our eligibility post in December, we included the above two works, plus “Lady Astronaut Nouveau” based on The Calculating Stars by Mary Robinette Kowal. The former two were created earlier in 2018 and shown in art shows at Confluence and ICON. We finished “Lady Astronaut Nouveau” late enough in the year that we didn’t have any more art shows booked in which we could show it. We put it all over the interwebs, though.

This is what the Hugo Awards Website gives as the criteria for the Best Fan Artist category (bolding ours):

The final category is also for people. Again note that the work by which artists should be judged is not limited to material published in fanzines. Material for semiprozines or material on public displays (such as in convention art shows) is also eligible. Fan artists can have work published in professional publications as well. You should not consider such professionally-published works when judging this award.

The internet is about as public as it gets, right? It was even included in Mary Robinette’s Pinterest Gallery for Lady Astronaut Fan Art.

Apparently the Hugo Committee disagrees. Per the email I received from the committee member who contacted me prior to the announcement of the ballot:

The first two pieces clearly qualify, so that is fine. I’m afraid that the rules exclude pieces that have only been displayed online.

This, dear reader, is ridiculous.

Hopefully, Hugo Administrator Nicholas Whyte will reconcile all this for us, especially since some of us are under the impression fan artists’ online work was included in the 2017 Hugo Voter Packet.  

(3) THUS ENDETH THE SERIES. Comic Book Resources warns fans that “AMC’s Preacher Is Ending With Season 4”.

Co-creator Seth Rogen announced the news in a video teaser posted to his Twitter page. The simple, yet stylized video prominently displays the Preacher title card, followed by an explosion and the declaration, “The end is now.” Then, the title card returns to confirm that the show’s fourth season will mark the end of the series. The teaser also reveals that Preacher Season 4 will debut on Aug. 4.

(4) LUCKY NUMBER. Next week’s Titan Comics releases include another adventure with the thirteenth Doctor Who. No, it’s not a Prisoner mashup.

DOCTOR WHO: THIRTEENTH DOCTOR #6 –  The Thirteenth Doctor’s continue after the season finale, as Eisner nominee Jody Houser brings a fresh new Doctor Who story to fans old and new.

(5) TREK THRU FANHISTORY. The Dana Gould Hour podcast interviews John and Bjo Trimble:

John and Bjo Trimble. For those of you who don’t know John & Bjo, I’m very excited you get to hear their story for the first time. In the late 1960s, they were fans of a little TV show called Star Trek, and when it was announced, during Star Trek’s second season, that the show would not be returning for a third, they sprang into action. John and Bjo knew that TV shows don’t go into syndication unless they have three seasons – that gives you enough episodes strip the show. In other words, you need enough episodes to run five nights a without repeating episodes too quickly. You needed volume. And two seasons was not enough.

In those pre-internet days, John and Bjo started the letter writing campaign that saved Star Trek. Thanks to John and Bjo Trimble, Star Trek had three seasons, which allowed it to be syndicated, which allowed it to catch on, find its audience and become the juggernaut that it is today.

(6) MORE OREO MUTATIONS. Food & Wine’s spies say “Purple Creme Oreos Will Celebrate the Moon Landing, Apparently”.

 The weekend is two days long, so of course, we have photos of three new Oreo varieties for you.

(7) LEARNING A LOT. Cat Rambo posted highlights from Catherine Lundoff’s online class, “So You Want To Put Together An Anthology”. For more information about Rambo Academy for Wayward Writers Classes, see the website at academy.catrambo.com

(8) POP YOU CAN HEAR IN SPACE. Star Trek Nitpickers didn’t find it hard to choose ten, for obvious reasons:

Top 10 funniest uses of pop music in The Orville. There were only 11, so I threw in a runner up. Also–lots of song factoids. This video serves as a loose recap for season one as well. I hope you’ll check out other songs by these great musicians!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1887 Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel apparently beloved by many. (I’m not one of them.) In 1970 an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
  • Born April 8, 1939 Trina Schart Hyman. An illustrator of children’s books. She illustrated over 150 books, including fairy tales and Arthurian legends. She won the 1985 Caldecott Medal for U.S. picture book illustration, recognizing Saint George and the Dragon, retold by Margaret Hodges. Among the genre works she’s illustrated are Lloyd Alexander’s The Fortune-Tellers, Mark Twain’s A Connecticut Yankee in King Arthur’s Court and J. M. Barrie’s Peter Pan. (Died 2004.)
  • Born April 8, 1942 Douglas Trumbull, 77. Let’s call him a film genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost
  • Born April 8, 1943 James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1966 Robin Wright, 53. Buttercup! Need I say more? I think not. She next pops in in Robin William’s Toys as Gwen Tyler and I see she was in M. Night Shyamalan’s Unbreakable as Audrey Dunn. The animated Neil Gaiman Beowulf has her voicing Queen Wealtheow.  Blade Runner 2049 is next for her where she has the role of Lieutenant Joshi. The DC Universe is where we finish off with her playing General Antiope in three films, to wit Justice League, Wonder Woman and Wonder Woman 1984. 
  • Born April 8, 1967 Cecilia Tan, 52. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy
  • Born April 8, 1968 Patricia Arquette, 51. She made her genre debut as Kristen Parker in A Nightmare on Elm Street 3: Dream Warriors. That and the horror film Nightwatch in which she was Katherine are, I think, her only genre gigs other than a Tales from the Crypt episode called “Four-Sided Triangle” episode in which she was Mary Jo.
  • Born April 8, 1974 Nnedi Okorafor, 45. Who Fears Death won the 2011 World Fantasy Award for Best Novel.  Lagoon which is an Afrofututurist novel was followed by her amazing Binti trilogy. Binti which led it off that trilogy won both the 2016 Nebula Award and 2016 Hugo Award for best novella. Several of her works are being adapted for video, both in Africa and in North America. 
  • Born April 8, 1980 Katee Sackhoff, 39. Being noted here for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her role as Deputy Sheriff Victoria “Vic” Moretti on Longmire. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars In a recurring role of voicing Bo-Katan Kryze. 
  • Born April 8, 1981 Taylor Kitsch, 38. The lead in John Carter, a film I’ll be damn if I can figure out how anything can have such great digital effects and such truly bad acting. No mind you he went on next to be Lt. Alex Hopper In Battleship, a film based on, yes, the board game. Earlier in his career is did play Gambit (Remy Etienne LeBeau) in X-Men Origins: Wolverine which, errr, wasn’t received well either. 

(10) COMICS SECTION.

  • Frazz is all about coffee science.

(11) JANSSON LEGACY. The Guardian’s Lisa Allardice profiles the Moomins, subject of a new TV adaptation, in “‘It is a religion’: how the world went mad for Moomins”.

It is striking how much fear shadows the novels: for all the sunshine and picnics, menace lurks behind every bush: like a skater on ice, Jansson is always aware of the murky darkness just inches below. Of her success Jansson wrote: “Daydreams, monsters and all the horrible symbols of the subconscious that stimulate me … I wonder if the nursery and the chamber of horrors are as far apart as people think.” As Huckerby observes, the novels “go to some very dark places” and they have tried to reflect this in their adaptation. “It is being billed as prime time drama for all the family,” Ostler says. “It’s not a kids’ show.”

(12) YOU’RE THE TOP! To mix a metaphor, John Scalzi scaled Amazon’s Mt. Everest yesterday.

He also wrote a Twitter thread explaining that this good thing could not be improved by knocking other writers. Thread starts here.

(13) WELCOME OUR ROBOT UNDERLORDS. NPR announces “The Robots Are Here: At George Mason University, They Deliver Food To Students”.

George Mason University looks like any other big college campus with its tall buildings, student housing, and manicured green lawns – except for the robots.

…”We were amazed by the volume of orders that we had when we turned the service on,” Starship Technologies executive Ryan Tuohy says. “But what’s really touching is how the students on the campus have embraced the robots.”

(14) TURN OUT THE LIGHTS. A study shows “Big Cities, Bright Lights And Up To 1 Billion Bird Collisions”NPR has the story.

Up to 1 billion birds die from building collisions each year in the United States, and according to a new study, bright lights in big cities are making the problem worse.

The study, published this month in the journal Frontiers in Ecology and the Environment, examined two-decades of satellite data and weather radar technology to determine which cities are the most dangerous for birds. The study focused on light pollution levels, because wherever birds can become attracted to and disoriented by lights, the more likely they are to crash into buildings.

The study found that the most fatal bird strikes are happening in Chicago. Houston and Dallas are the next cities to top the list as the most lethal. One of the study’s authors, Kyle Horton, a postdoctoral fellow at Cornell University, called the cities a “hotspot of migratory action,” adding, “they are sitting in this primary central corridor that most birds are moving through spring and fall.”

(15) RUBBER WEAPONS CHECK. Somebody thinks Voyager’s photon torpedo account was overdrawn. Because they counted. (A 2011 post.)

(16) VOYAGE TO THE BOTTOM OF THE FOOD CHAIN. In comments, Darren Garrison figured out what the contents of Ursula Vernon’s next Hugo acceptance speech will be: “Unsettling Video Shows What Happens to a Dead Alligator at the Bottom of the Sea” at Gizmodo.

The enthusiasm of these scavengers is totally understandable. Deep-sea bottom feeders are immensely dependent upon “food falls,” in which deceased aquatic animals from above settle on the ocean floor. This typically involves whales, dolphins, sea lions, and large fish like tuna, sharks, and rays, but it can also involve stuff from the land, such as plant material, wood, and, as the new video shows, alligators dropped by scientists.

(17) ALL ABOARD! The Points Guy tells you how to catch a ride on this celebrity train: “Calling All Muggles: The Real Hogwarts Express Train Is Back in Action”.

Accio tickets to the Scottish Highlands!

After a seasonal break, the Jacobite steam train (a.k.a. the train used as a stand-in for the actual Hogwarts Express in the Harry Potter films) is back in business, People reports. And no, you won’t have to pass through Platform 9 3/4 to get there. 

The Jacobite steam train has been in operation for over 100 years. Known originally for its scenic views of the Scottish Highlands, the old rail line only got attached the Harry Potter-verse after it was featured as the Hogwarts Express in “Harry Potter and the Sorcerer’s Stone” and every other Potter film going forward.

(18) TOOTLE, PLUNK AND BOOM. In “Game of Thrones Turned Its Composer Into a Rock Star” in The Atlantic, Spencer Kornhaber profiles Ramin Djawadi, composer of the music for Game of Thrones.

The arsenal of instruments Ramin Djawadi has used to score Game of Thrones includes mournful strings, mighty horns, and the Armenian double-reed woodwind known as a duduk.  During the series’ first five seasons, however, he left one common weapon untouched:  the piano.  Early on, the showrunners, David Benioff and D.B. Weiss, decided that the ivories were too delicate for the show;s brutal realms, where even weddings tend to involve some stabbing.  They also banned the flute, for fear that Thrones would sound like a Renaissance fair.

(19) LIVE FROM NEW YORK. Kit Harington Saturday Night Live monologue is full of Game of Thrones jokes, and the sketch “Graphics Department” makes D and D jokes.

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Daniel Dern, Martin Morse Wooster, Carl Slaughter, Mike Kennedy, Darren Garrison, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 6/21/17 Pay No Attention To That Scroll Behind The Pixel

Commence appertainment in 5..4…3…2…

(1) BOMBS AWAY. Contrasting Giles Coren’s first novel experience with his own career, Ben Jeapes explains “Why everyone should be a science fiction fan” at Milford SF Writers.

…Ten years later he felt brave enough to make a documentary about it. Links have changed since I first saw it, but search “Giles Coren my failed novel” and you’ll find it. It’s really quite touching as you see the penny begin to drop. He speaks to the reviewers who had slated it. He listens in on a book club tearing it apart. He takes the first chapters to a creative writing course workshop. He tries rereading it himself and finds it unbearable. (He can’t get through the Bad Sex Award-winning passage without breaking down into laughter.) He listenes in awe to the likes of David Mitchell and Jeffrey Archer as they describe their highly disciplined writing habits, and admits to the latter that he had basically been lazy.

And he comes to the conclusion that this was the first novel everyone has – the one that should be written and then spend the rest of eternity in a trunk in the attic. Only, because he was Giles Coren, his got sold for a £30k advance. You sense that even he feels the injustice of this. No one likes being done a favour.

But here’s the thing. Coren was born in 1969. He’s in his late 40s, but I can’t imagine his discoveries and revelations being news to anyone past their late 20s or even late teens. I’ve come to the conclusion that I’ve been spoiled by growing up in the science fiction community, where expertise and experience flow like milk and honey. I read Dave Langford’s columns in 8000 Plus. I went to Milford. I jostled with the large crowd trying to get through the narrow doorway of Interzone acceptance. I knew it took hard work. I knew that if you didn’t think this was your best yet then you didn’t send it in. How did anyone not know that?

Conclusion: everyone should be an sf fan….

(2) WHERE THE IDEAS COME FROM. The Red trilogy features in “The Big Idea: Linda Nagata” today at Whatever.

Next, it occurred to me that if I set the new book even closer to the present time, I might have a chance of pushing beyond the science fiction genre and making inroads into the military thriller market.

Hey, we can all dream.

The Red trilogy was written around a unit of US Army soldiers. Following that similar-but-different philosophy, I decided the new novel would involve a private military company, because that would allow for more freedom with the plot.

Even with the benefit of hindsight, this all still makes sense to me. But in selecting my protagonist, I embarked on a major gamble.

My version of brainstorming is to engage in swiftly typed stream-of-consciousness question-and-answer sessions. It’s the best way I know to develop ideas. I was brainstorming the possible identity of my main protagonist when I typed this:

Hey. Maybe she’s middle aged. (How to kill a novel in one bad move.)

Generally speaking, middle-aged women are not considered to be cool main characters of the sort that commonly inhabit techno-thrillers. So this was a perfect example of the creative and logical parts of my mind contending with one another. The logical part immediately recognized the risk, but the obstinate, defiant, creative part turned out to be in charge.

(3) A STATISTIC. Here’s Clarkesworld’s box score.

(4) OPIE TO DIRECT ‘HAN SOLO’? Let’s just drop his name here: “Ron Howard Top Choice To Take Over Han Solo Film?” Deadline has the story.

Deadline hears that Ron Howard has emerged as front-runner to replace Phil Lord & Christopher Miller on the untitled Han Solo Star Wars spinoff film. Disney dropped a shocker this afternoon with the announcement that the duo exited a picture that has been in production since February at London’s Pinewood Studios. This after an inability to recover from creative rifts with Lucasfilm chief Kathleen Kennedy and screenwriter Lawrence Kasdan. The latter has been mentioned as possible to step in, but I’m putting my money on Howard.

(5) ‘BOTS! IT HAD TO BE ‘BOTS! I suspect this review is more entertaining than the movie. Nick Schager at The Daily Beast says “‘Transformers: The Last Knight’ Is Two-and-a-Half Hours of Racist Robot Torture”.

Those fans will be thrilled to hear that the latest entry in the canon du Bay-hem, Transformers: The Last Knight, more or less picks up right where its predecessor left off—by which I mean, in an orgiastic stew of detonations, jingoism, and sequences in which CGI vehicles make that weird wrink-wronk-wrank-wank noise as they turn into CGI titans. The only thing missing is Wahlberg unsubtly lusting after his offspring. Luckily, though, he’s still playing a character named Cade Yeager—a moniker that would make Keanu Reeves’ Point Break hero Johnny Utah stand up and slow-clap in appreciation—and this time around, he at least has an amusingly floppy new haircut. Oh, and there’s a three-headed Transformers dragon who’s amassed from ancient Autobots who used to hang out with a drunken Merlin and the Knights of the Round Table. If you were worried that Bay had lost his touch for sublimely absurd, wantonly steroidal toy cinema, you can lay your fears to rest.

(6) PALEO-HEDGEHOG. Live long enough and you see strange things happen, like 1991 becoming “the good old days” — “Sega Forever makes Genesis classics free on mobile”.

We have no shortage of shiny, life-like HD games these days, but if you’d like to revisit older titles from a bygone era, Sega has got your back. The video game company has just officially launched the first wave of the Sega Forever collection with five titles meant to begin “a retro revolution that will transport players back through two decades of console gaming.” Starting today, the 1991 version of Sonic the Hedgehog, fan-favorite RPG Phantasy Star II, classic arcade-style beat ’em up Comix Zone, platformer Kid Chameleon and Greek mythology-themed beat ’em up Altered Beast will be available on Google Play and iTunes as free ad-supported games. If you have an iPhone or an iPad, your games will even come accompanied by iMessage sticker packs.

(7) ACHIEVEMENT UNLOCKED. After reporting the other day that he was too shy to try, Wil Wheaton got to meet David Tennant after all.

(8) ALIEN TRIPPER. Mark Kaedrin ranks the finalists in another category — “Hugo Awards: Novelettes”. There’s an alien in first place, and another in last place.

So we come to the short fiction categories of this year’s Hugo Awards. This year, I start with the Novelettes, that odd category that fits stories that are longer than a short story but shorter than a novella. If the past several years are any indication, these stories actually tend to be my favorite of the short fiction finalists. Short stories have been almost uniformly a disaster for the past few years (partly the doing of the Puppies, but it was an issue for me even before then). Novellas somehow seem to be bloated and overlong while still missing the depth you get from a novel (with the notable exception of Bujold’s Penric novellas, which I love). Novelettes hit the Goldilocks zone, providing enough space for a complete narrative, but not so much that the story drowns in hooptedoodle. Does the trend continue this year? Let’s find out:

  1. Touring with the Alien by Carolyn Ives Gilman – Mysterious alien ships arrive one night without warning. Translators (comprised of formerly abducted humans) emerge and claim the aliens come in peace and don’t want anything. A woman is hired by the government to drive around a translator so that he can see the sights. It turns out that the aliens are intelligent but unconscious, which has some interesting implications. This story works well, with a good exploration of consciousness with the occasional detour into other areas. The ending has a twist that’s pretty easy to see coming (though it does elicit some questions as to the premise of this whole road trip – aren’t there, like, security clearances or something? Is the trip even necessary?), but it works. Lots of open questions, but at least we’re getting something that’s engaging with an interesting idea and trying to hit that sense of wonder that makes SF so great. Short and sweet, this is certainly not perfect, but it’s got some solid ideas and it works well enough…

(9) NOMINATED NOVELLA. Elan Samuel praises “The Dream-Quest of Vellitt Boe – Kij Johnson”  at Warbler Books.

A strange and delightful congruity connects The Dream-Quest of Vellitt Boe with the last Hugo-nominated book I reviewed, The Ballad of Black Tom. Both reach back toward Lovecraft, grab hearty handfuls of story, and mold it into works that manage the requisite respect for the author of such incredible tales while openly challenging his prejudices. You can refresh your memory about how Victor LaValle elegantly reframes Lovecraft into a tale of loss and revenge in last month’s review. We’re here today to talk about Kij Johnson’s brilliant, expansive, and enthralling The Dream-Quest of Vellitt Boe.

(10) INSIDE THE VOTING BOOTH. Ariela Housman of Geek Calligraphy gives readers the lowdown about how she’s voting in three categories on her Hugo ballot – including a thorough discussion of Best Fanartist, which is something you rarely see. Here’s part of her take on the Best Novel finalists.

Best Novel

Novels are my favorite thing to read and what I read the most of. I had already read a number of the nominees before nominations opened, much less after they closed.

  1.  A Closed and Common Orbit, by Becky Chambers I adored The Long Way to a Small, Angry Planet, which was an utterly delightful reading experience. But it lacked the emotional punch that the sequel delivers here. I’m a sucker for “what does it mean to be a person?” books, and this one comes at it from both ends in a devastating way.
  2. Ninefox Gambit, by Yoon Ha Lee I will admit that I couldn’t finish this one, which I started before award season. I bounced off it in much the same way I bounced off Ancillary Justice my first time around. Serious culture shock, working too hard to absorb the world to be able to sit back and enjoy the story. Though I finished AJ on my first attempt, it took me until my third readthrough to just enjoy it. I suspect it will be the same here. As is, I recognize the technical accomplishment already.

(11) FB. After being away for a while Joe Vasicek put a set of fresh eyeballs on Facebook and here’s what he found:

First, the site is a mess. It’s like a weird cross between Goodreads and MySpace. I know there’s a lot of people who love Goodreads, but sorry, that site is almost impossible to navigate. Way too much clutter, with the option you’re looking for hidden in some tiny link that doesn’t actually look like a link. Unless you’re a frequent user, you constantly feel like you’re lost. That’s Facebook now. It’s very unfriendly for new users, which I know is like me and ten people living in Yurts in Mongolia, but still. In terms of user-friendliness, it’s going the way of MySpace.

Second, Facebook has become really slutty. Again, first impressions here. It’s really interesting when Facebook has nothing to base their algos off of. I assume from what I’m seeing that the recommendations default to its power users, which at a cursory glance are mostly chicks and dude bros. Also, some of the group recommendations I’m seeing are insanely over the top in terms of sheer raunchiness. Since when did Facebook turn into Potterville?

He’s also a critic of multiracial emojis.

But Joe, what’s the harm in an emoji that reflects your skin tone? Two things. First, social media divides us far more than it unites us. It walls us off into tribes, helping us build our own custom echo chambers full of people who only agree with us. It’s an incubator for much of the divisiveness in society right now. Second, there is a very real effort in the country today to divide us all by race.

(12) THE FRENCH HAVE AN EQUATION FOR IT. Of concern to Traveling Jiants everywhere: “Why suitcases rock and fall over”.

It’s a common experience when dashing for a train or plane while lugging a two-wheeled suitcase.

The bag rocks alarmingly from side-to-side and threatens to overturn.

Now, scientists have investigated this conundrum of everyday physics. Speeding up rather than slowing down can solve the problem, they say.

Alternatively, you can pivot the handle of the suitcase as close to the ground as possible.

French scientists studied a model suitcase on a treadmill to see what goes wrong when a suitcase rocks out of control at high speed. They developed equations to explain why two-wheeled trolleys have a tendency to rock from one wheel to the other.

(13) ON RELIGION. Annalee Newitz at Ars Technica reviews American Gods season 1: “American Gods may be the best show about religion on TV”

The first season of American Gods ends with an image that compacts the many themes of the series into one odd moment. It’s an aerial shot, slowly revealing a line of cars, buggies, and other vehicles crowding the tiny road to a neglected Wisconsin tourist trap called The House on the Rock. Without giving you any spoilers, I can say that this scene captures American Gods‘ perspective on religious faith in America.

And now, with a generous dose of spoilers, I will tell you what I mean by that….

(14) LOST LIGHT. The Wertzone is sarcastic about the need for a Watchmen TV series: “Damon Lindelof penning frankly unnecessary WATCHMEN adaptation for HBO”.

Scriptwriter Damon Lindelof will be helming the new project, as he continues to play Russian Roulette with his career. He charmed millions of fans with his TV series Lost, only to annoy them with a somewhat confused ending, and then really annoyed lots of people with his scripts for Star Trek (2009) and Prometheus (2012), which were both troubled. More recently, however, he has won plaudits for his work on HBO’s The Leftovers, which recently concluded a three-season run with a lot of critical acclaim and plaudits.

(15) NEW GAME OF THRONES TRAILER. Game of Thrones Season 7 premieres this July. “It may be the first day of summer, but #WinterisHere on 7.16.”

(16) PHILIP “TWO SHEDS” PULLMAN. House Beautiful reports “Author Philip Pullman’s old shed is Shed of the Year 2017 contender”.

This shed has an impressive literary history – it was once owned by renowned author Philip Pullman. He allegedly even wrote His Dark Materials trilogy within it. It was passed down to current owner Ted, who is an author himself. But this shed comes with one strict rule – it must be freely passed on to the next steward of creative endeavours.

(17) STRANGE MAN. There’s a common saying that “Inside every man, there’s X trying to get out.” How often does X = dragon? I Am Dragon (2017) Movie Trailer.

[Thanks to Mark-kitteh, John King Tarpinian, Cat Eldridge, JJ, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]