22 Filefjonk, Scrollmaiden, And Other Moominpixels

Posted on April 17, 2022 by Mike Glyer

(1) HE PUT THE BOMP. “Cyberpunk pioneer John Shirley survived Portland’s 1970s music scene, discovers you can go home again” – the author is profiled by The Oregonian.

…Ultimately, he didn’t make it as a punk rocker. And that was OK. He loved performing for an audience, creating noise and upheaval. But he loved sitting by himself in front of a typewriter too.
He wrote wild stories that took readers to distant worlds, and inside the heads of killers, sex fiends and sadists.
This was how he made his mark — his X.
Shirley pioneered cyberpunk (just ask William Gibson, the best-known writer associated with the influential science-fiction subgenre). He’s published more than 50 novels and many more short stories, earning a dedicated fan base. He co-wrote the screenplay for the cult movie “The Crow” and penned a series of paperback novels that inspired the Sylvester Stallone movie “The Specialist.”…

(2) JOCULARITY. “I Feel Funny: Humor Writing Tips for Novelists” by Kathy Flann at the SFWA Blog

Fairly or unfairly, the general public doesn’t associate science fiction and fantasy (SFF) with hilarity. In fact, a recent fake survey revealed that 72% of readers expected these novels to be “Moby-Dick in space … (or the moors or wherever).” However, what is humor if not an observant reimagining of the familiar, typically with some kind of an unexpected twist? Writers of SFF create ten interesting twists before their well-observed breakfasts. So, why aren’t our bookshelves and our zeitgeists chock-full of hilarious SFF novels?
My guess is that SFF writers already feel overwhelmed. Not only do they face the challenges of any novel—including character development, plot, point of view, and so on—but also the mandate to build worlds for characters to inhabit and confront. I think writers suffer from knee-knocking fear of the additional layer of “trying” to be funny. A corny novel that makes readers groan may erode their suspension of disbelief. All that work for nothing!…

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on butter chicken with Paul Kupperberg in episode 169 of the Eating the Fantastic podcast.

It’s time once again to step into the time machine, as this episode’s guest, Paul Kupperberg, is one of the two people in comics I’ve known the longest. He, along with former guest of the podcast Paul Levitz, ran fanzine sales at Phil Seuling’s 1971 4th of July weekend Comic Art Convention. We were both 16 then.
Paul’s another one of those guests I’d planned to sit across the table from during a day trip north sometime during the past two years, but that couldn’t happen, so to prevent the state of the world from stealing from us the conversation we would have had in better times, this became another one of the remote episodes I started doing once our world narrowed in early 2020, urged on by my Patreon supporters, who felt as much of a need for community during this difficult period as I did.
A lot has changed over the past half century since Paul and I met, as he’s written more than 1,000 short stories and comic book stories during those years. Among the characters whose adventures he’s scripted are Superman, Supergirl, Superboy, the new Doom Patrol, Green Lantern, the Justice League of America, Aquaman, Conan, and many others. He also scripted something near and dear to my heart — the first appearance of Keith Giffen’s Ambush Bug character in DC Comics Presents #52 (Dec. 1982). He wrote the syndicated The World’s Greatest Superheroes newspaper comic strip with José Delbo from 1981–1985. He’s the author of more than three dozen books of fiction and nonfiction, including The Same Old Story, JSA: Ragnarok, Direct Comments: Comics Creators in Their Own Words, and Paul Kupperberg’s Illustrated Guide to Writing Comics. He’s been an editor at DC Comics, WWE Kids’ Magazine, and the Weekly World News.
Paul ordered in Butter Chicken from Curry & Hurry in Riverside Connecticut, I ran over to Spice Connexion in Martinsburg, West Virginia for take-out Lamb Rogan Josh, and I hope you grab some Indian food so you can better pretend to be part of the gabfest.
We discussed which superhero starred in his first favorite comic book, the reasons we’re in agreement when it comes to the Stan vs. Jack debate, why his introduction to Superman had nothing to do with comics, what we each felt was lacking in our own early comic book writing, the surprising identity of the DC editor whose books sold the best, what caused legendary artist Don Heck to curse him out, the special challenges of writing comic strips, how he needed to get ready (or not) before writing all those legacy characters, what it was like rebooting Doom Patrol, which Archie character’s death upset him so much he had to step away from the keyboard, and much more.

(4) THE RESISTANCE. Publishers Weekly is “Confronting Cultural Illiteracy: LGBTQ Books 2022”.

The recent spate of challenges to books with LGBTQ content has been met with equally vocal resistance from booksellers, librarians, parents, and other advocates. Caught in the middle are the people who create the books.
George M. Johnson’s All Boys Aren’t Blue, a YA essay collection revolving around themes of identity and family, was, according to the ALA, the third most challenged book of 2021; it was cited for LGBTQ content, profanity, and because it was considered sexually explicit. “It’s never easy to wake up to Google alerts mischaracterizing your work as something that it isn’t or seeing it used as a pawn for political partisanship,” Johnson says. “It only makes me want to create more stories in the world—find newer, cooler mediums to tell my stories.”
Another author, Jarrett Dapier, had a virtual presentation of his picture book Mr. Watson’s Chickens cancelled when the school librarian told the principal that the story features a gay couple. The principal then suggested offering parents the choice to opt out of the event, which Dapier found unacceptable. The presentation was rescheduled, the author says, after the school agreed to his terms: he insisted that the principal not send the opt-out letter, and that “teachers would not change their approach to the book or point out the characters’ relationship in anything but a positive, normal light, if they did at all.”…

(5) DENIS MEIKLE (1947-2022). Author Denis Meikle, a scholar who wrote about Hammer Films, died this week reported his daughter. His books included A History of Horrors-The Rise and Fall of the House of Hammer (1996), Jack the Ripper-The Murders and the Movies (2001), Vincent Price-The Art of Fear (2002), Johnny Depp-A Kind of Illusion (2004), The Ring Companion (2006), Roman Polanski-Odd Man Out (2007), Mr Murder-The Life and Times of Tod Slaughter (2019). And he wrote numerous articles for magazines such as My Little Shoppe of Horrors, The Dark Side, etc. He was the publisher of The Fantastic Fifties, The Sensational Sixties, and The Age of Thrills magazines.

(6) MEDIA BIRTHDAY.

1964 — [Compiled by Cat Eldridge.] The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone. — Opening narration of this episode.

On this evening fifty eight years ago, The Twilight Zone‘s “The Jeopardy Room” first aired on CBS. The plot is Major Ivan Kuchenko as played by Martin Landau, a KGB agent who is attempting to defect, is trapped inside a hotel room in an unnamed, politically neutral country with a bomb about to go off unless he can disarm it. I’m assuming that you’ve seen, but on the grounds that you might not have, I won’t say more. It’s a splendid bit of Cold War paranoia.

Not surprisingly, it was written by Serling. It was directed by Richard Donner who later on would be known for The Omen, Scrooged and Superman but this was very early on in his career and he had just three years earlier released X-15, an aviation film that presented a fictionalized account of the X-15 research rocket aircraft program. Neat indeed.

It is one of only a handful of The Twilight Zone episodes that has no fantastical elements at all. It’s a classic Cold War story more befitting a Mission: Impossible set-up than this series. It even involves a message delivered by way of a tape recorder, but mine you that series is two years in the future so that has to be just a coincidence. Or The Twilight Zone being The Twilight Zone…

Like all of The Twilight Zone series, it’s streaming on Paramount +.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 17, 1919 — Julius Fast. He was the first recipient of the Edgar Award given by the Mystery Writers of America for the best first novel of 1945, Watchful at Night. (He wrote a lot of mystery novels.) He was also a sff genre writer and he released Out of This World, a collection of SF stories while he was still in the Army during WW II. He only genre novel was written in the Seventies, The League of Grey-Eyed Women. (Died 2008.)
Born April 17, 1923 — Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing-wise, his best known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. His “Monument” story published in Analog was a finalist at Chicon III for a Short Story Hugo. I find it interesting that he wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
Born April 17, 1923 — Earl Norem. An illustrator who signed his work simply Norem. He did a lot of work in Goodman’s men’s magazine but for our purposes I’m interested in the fact that he did a lot of for the same line of black-and-white comics magazines affiliated with his Marvel Comics division. Here is three of his covers, first for the trade paperback of Star Lord: Guardian of The Galaxy, next for Punisher/Black Widow: Spinning Doomsday’s Web (1992) #1, and finally for Moon Knight #6. (Died 2015.)
Born April 17, 1942 — David Bradley, 80. It’s his Doctor Who work that garners him a Birthday honor. He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time and then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories. He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain.
Born April 17, 1948 — Peter Fehervari, 74. Ok I’ll admit I’m including him because he’s written a number of novels set in the Warhammer Universe and I’ve never read anything set there. Who here has read the fiction set there? Is it worth reading, and if so, is there a good starting point? I’ll admit that as a causal collector of action figures that some of those do seriously interest me as they have a definite SF vibe as you can see here.

Born April 17, 1959 — Sean Bean, 63. His current role that garners him recognition is Joseph Wilford on Snowpiercer, though he gave an iconic performance as Ned Stark in Game of Thrones, and he’s been in our area of interest a long time. His first genre role was in GoldenEye as the antagonist of Bond, Alec Trevelyan (Janus). Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark which purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playing Mitch Henderson.
Born April 17, 1972 — Jennifer Garner, 50. Back before there was the Marvel Cinematic Universe, there were Marvel Comic movies which have not been retconned into the MCU reality. Such was the case with Elektra and its lead character of Elektra Natchios. She also had the same role in Daredevil which was at best an OK film though I’m fond of the Kingpin character. And yes, I know some of you don’t like that Kingpin.
Born April 17, 1973 — Cavan Scott, 49. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which bring me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Dr. Who (including the full blown subgenre of Professor Bernice Summerfield), Blake’s 7, Judge Dredd, Skylanders Universe, The Tomorrow People, Star Wars and Warhammer Universe (yes again). Judge Dredd? Novels? Who knew?

(8) COMICS SECTION.

Saturday Morning Breakfast Cereal has a “trippy” science fictional idea that you’re all familiar with.
Dork Tower has some silly wordplay inspired by Ghostbusters.

(9) ASIMOV PROFILE. The Jerusalem Post published this feature to mark the thirtieth anniversary of the author’s death: “Isaac Asimov: The biochemist who created new worlds – The Jerusalem Post (jpost.com)

Isaac Asimov is considered one of the greatest science fiction writers, and definitely the most famous of them all. He has written some of the most influential and popular books of the genre, which contained ideas, prophecies and quotes that appear in multiple references to this day. He has written and edited more than 500 books in different fields and was legendarily prolific as a writer. The American writer Harlan Ellison once commented about Asimov, “He had writer’s block once. It was the worst ten minutes of his life.”
Owing to his huge success as an author, it’s easy to forget that Asimov was also a scientist and a professor of biochemistry. Science was an integral part of his life and greatly influenced his stories….

(10) SELF-PUBLISHED BOOKS HONORED. Among those receiving medals in the 2022 Global Book Awards for Self-Published Authors this week in the science fiction categories were:

VS Holmes, author of Heretics won Silver for Sci Fi/ Hard
Kristina Rienzi, author of Among Us won Silver for Sci-fi / Space Exploration

Heretics

Hot-tempered Dr. Nel Bently is not cut out to save the world. After her last project ended in fire and death, Nel must put aside her distrust of just about everyone and embark on a lo-fi search for a deadly radio transmission.
Earth’s survivors are torn between the austere superpower of IDH and the high-tech grassroots Los Pobledores. At every turn more allies go missing and Nel questions where everyone’s true loyalties lie–and on which side Lin will fall when a line is finally drawn.
They need experts. They need firepower. But it looks like the only thing standing between Earth and devastation is Nel: archaeologist, asshole, and functioning alcoholic with anger issues.

Among Us

Marci Simon lives a double life: conservative professor of English by day, and controversial blogger of aliens by night. But when a classified document lands in her lap, her two worlds collide in an explosive revelation of shocking and deadly secrets.
Despite imminent danger at every twist, Marci embarks on an unstoppable quest to expose the terrifying truth. Only she never anticipated the entangled nebula of dark lies, nor the never-ending wormhole the government would spiral through to silence her forever.
Knowledge can kill.
And Marci knows too much. With global security at risk, no one can be trusted. To debunk the stratosphere of deceit, Marci races at the speed of light to escape the grips of the clandestine Extraterrestrial Security Agency (ESA) hunting her before she vanishes like all the others. But Marci is unique. Despite being the ESA’s prime target, she’s also the skeleton key to the deadliest truth in the history of the universe.
The nightmare is real, and it’s only just begun. Marci must take a nefarious leap of faith before her options, and her breaths, evaporate into a black hole for all eternity.

(11) VOYAGER NEWS. An excerpt has been released from a new documentary on Star Trek: Voyager.“To The Journey”.

(12) GYGAX. [Item by Martin Morse Wooster.] The BBC interviews E. Gary Gygax, the great game creator Sid Sackson, and goes to a British national gaming convention in this Classic BBC Clip from a 1982documentary that dropped this week. “Why do we play TABLETOP GAMES?”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, John Lorentz, Mickey Mikkelsen, Lise Andreasen, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 4/20/21 Because A Pixel Softly Filing, Left More Books As I Was Whiling

Posted on April 20, 2021 by Mike Glyer

(1) A LITTLE SMACK, BUT WHERE? Andrew Hoe advises about “Spec-Fic-Fu: How to Make Aliens and Robots Fight Better” at the SFWA Blog.

…The prevalence of human-to-humanlike alien combat in sci-fi has even been lampooned in Star Trek: Lower Decks, where First Officer Jack Ransom needs only his barrel roll and double-handed swinging-fist to throw down–good-natured pokes at the limited repertoire Captain Kirk demonstrates when fighting an anthropomorphic Gorn (TOS, “Arena”) Yet people in the speculative fiction galaxy aren’t cookie-cutter humanoid, and their fighting styles shouldn’t be either.
Enter: Spec-Fic-Fu—the art of using martial philosophy to create enhanced sci-fi battles.
Primary Targets:
First, consider an attacker’s primary targets. What must be protected? What should be attacked? Do your alien characters have the equivalent of Kung Fu paralysis points? Is your robot’s CPU located in its abdomen, making that a primary area to attack?…

(2) WHY AREN’T THERE MORE NOVELLAS? Lincoln Michel’s previous three posts in this series are quite interesting. The latest one is, too, but has definite flaws and oversights. “Novels and Novellas and Tomes, Oh My!” at Counter Craft. (You probably know Connie Willis wrote the 2011 award winner named in the excerpt.)

…So why are most novels published in a relatively narrow range of 60k to 120k words?
Or to put it another way: why doesn’t anyone publish novellas in America? Novellas as a form thrive in many parts of the world. They’re very popular in Latin America and Korea, and hardly uncommon in Europe. Yet it’s almost impossible to find a book labeled “a novella” in America outside of small press translations or classics imprints….
…Three quick notes on this chart. In 2012, the Pulitzer board refused to pick a winner from the finalists (justice for Train Dreams!). In 2019, the Booker co-awarded Bernardine Evaristo and Margaret Atwood so I averaged their page lengths. The 2011 Nebula and Hugo winner was Blackout / All Clear by Jo Walton, a single novel published as two books of 491 and 656 pages individually. Since the two were awarded as one book, I’ve combined the page count.
To be honest, I expected the page counts to be a bit more bloated than they are. Although the average (mean) for each award was in the tome territory of low 400s for the lit awards and high 400s for the SFF awards, excepting the NBA which came in at a longish-but-not-a-tome average of 321 pages.
The chart does add a data point to the anecdotal evidence that SFF books tend to be longer than literary fiction ones. Although the average (mean) lengths weren’t that different, there is far more variation of length in the lit awards including many shorter books below 300 pages. Between the Hugo and Nebula, only one book—Jeff VanderMeer’s Annihilation—is under 300 pages versus seven from the three lit world prizes. The median lit award novel was 336 pages vs. 432 pages for the SFF awards….

(3) HURLEY COLLECTION COMING NEXT YEAR. Apex Publications announced the acquisition of Future Artifacts: Stories by Kameron Hurley, the award-winning author and trained historian specializing in the future of war and resistance movements. Her books include The Light Brigade, The Stars are Legion, and The God’s War Trilogy, among others.

Future Artifacts is Kameron Hurley’s second short fiction collection and is comprised of 18 stories, many of which were previously only available through her Patreon. These stories include:

“Sky Boys”
“Overdark”
“The Judgement of Gods and Monsters”
“The One We Feed”
“Broker of Souls”
“Corpse Soldier”
“Leviathan”
“Unblooded”
“The Skulls of Our Fathers”
“Body Politic”
“We Burn”
“Antibodies”
“The Traitor Lords”
“Wonder Maul Doll”
“Our Prisoners, the Stars”
“The Body Remembers”
“Moontide”
“Citizens of Elsewhen”

Future Artifacts: Stories is slated to be released in the first quarter of 2022.

(4) BALTIC RESIDENCY. The BALTIC, an art gallery in North East England, released its “BALTIC Writer/Curator Residency Announcement 2021” yesterday.

We’re pleased to announce that Alice Bucknell will participate in BALTIC’s Writer/curator Residency in Alnmouth, Northumberland in collaboration with Shoreside Huts.
Alice Bucknell’s interdisciplinary practice spans writing, video, and 3D design to develop ecological world-building strategies. Drawing on the work of feminist science fiction authors including Octavia E. Butler and Ursula K. Le Guin, she is interested in the potential of emerging technologies including artificial intelligence and game engines in building alternative more-than-human futures.
Bucknell is currently a staff writer at Elephant Magazine and the Harvard Design Magazine, and her writing is published in titles including Flash Art, frieze, Mousse, PIN-UP, and The Architectural Review. During the BALTIC Writer/curator Residency, she will be laying the groundwork for ‘New Mystics’, a hybrid curatorial-editorial project that draws together the expanded practices of twelve artists fusing properties of mysticism and magic with advanced technology. The project will continue to be developed at Rupert in Lithuania in May and launched in summer 2021.

(5) HE LOOKED INSIDE. Rich Horton makes “A Delightful Discovery Inside an Old Book” at Black Gate. Let’s not spoil the surprise, but here’s a tiny clue:

…I have an ongoing interest in Twayne Triplets*, even though only two were ever published, so I grabbed my used copy of Witches Three eagerly many years ago. But while I’ve leafed through it before, I haven’t read it, partly because I already had copies of the other stories….

(6) Q&A ABOUT EARLY STAR TREK FANDOM. Fanac.org’s Edie Stern outlines what was discussed in April 17’s interview with two founders of Star Trek fandom. See the hour-plus video on their YouTube channel.

In this Fan History Zoom (April 2021), fan historian Joe Siclari interviews Ruth Berman and Devra Langsam about early Star Trek fandom. Ruth and Devra speak candidly about their introductions to fandom, the origins of their seminal fanzines T-Negative, Spockanalia and Inside Star Trek, and how the first Star Trek convention came to be. Hear the first hand stories of the reactions of science fiction fandom to Star Trek, before, during and after the run of the original series. How did fan fiction become so prominent in Trek fandom? Where did slash fiction come from? How did clips from the show make their way into the community? With contributions by Linda Deneroff, and others, along with an excellent Q&A session, this recording provides an entertaining and informative look at the beginnings of the first real media fandom, and how it grew.

(7) ALL IN THE SKYWALKER FAMILY. “Darth Vader ‘Star Wars’ script reveals how huge secret was preserved” – CNN says it will be auctioned on May the Fourth—“Star Wars Day”

A script for “Star Wars: Episode V — The Empire Strikes Back” reveals how a pivotal plot twist in the movie franchise was considered to be such a secret that it was not reflected in the lines provided to actors.
The script, which belonged to Darth Vader actor David Prowse, will be auctioned next month by East Bristol Auctions in the UK. The actor died in November aged 85.
Prowse wore the black suit and helmet to play Vader in the original “Star Wars” trilogy.
But it was the actor James Earl Jones who provided the character’s voice — and who delivered one of Vader’s most famous lines to Luke Skywalker, telling the young Jedi: “I am your father.”
However, the script provided to Prowse omits this key revelation and shows different lines in its place.
“Luke, we will be the most powerful in the galaxy. You will have everything you could ever want… do not resist… it is our destiny,” the script given to Prowse reads….
Prowse’s incomplete copy of the “The Empire Strikes Back” script, which is marked “Vader” at the top of each page, is expected to sell for between £2,500-4,000 ($3,490-5,580) at auction alongside other “Star Wars” memorabilia.

(8) SHOOTING PROMPTS ANOTHER LOOK AT BRONIES. EJ Dickson, in a Rolling Stone article reposted by Yahoo!, asks: “Do Bronies Have a ‘Nazi Problem’? FedEx Shooting Shines Light on Faction of Subculture”.

It is a sad reflection of the times we live in that mass shootings in the United States tend to follow a specific pattern. In the hours after a shooting, reporters tend to comb through the shooter’s social media presence, usually revealing a lengthy history of anonymous message-board postings and far-right indoctrination. Following the April 15th attack on the FedEx ground facility in Indianapolis, which resulted in the deaths of nine people including the gunman, there was a slight variation on this pattern: The 19-year-old gunman was revealed to be affiliated with the brony subculture.
According to The Wall Street Journal — which cited internal memos circulated by Facebook in the wake of the attack — the gunman primarily used his Facebook accounts to discuss his love for My Little Pony: Friendship Is Magic, a children’s cartoon series featuring magical ponies; male fans of the show are often referred to as “bronies.”
Though the memo was quick to state that there was no indication that brony culture played a role in the attack, the gunman posted about his love of a tawny pony named Applejack, one of the main characters of the franchise, less than an hour before the rampage. “I hope that I can be with Applejack in the afterlife, my life has no meaning without her,” he wrote. “If there’s no afterlife and she isn’t real then my life never mattered anyway.” The gunman also reportedly had a history of posting far-right content, such as a meme suggesting Jesus had been reincarnated as Hitler, the memo stated.
It’s important to note that the brony fandom is highly misunderstood, and it is not inherently racist or white supremacist; the majority of members of the fandom are simply fans of My Little Pony: Friendship Is Magic. Members of the community have also rallied to raise money for the victims with various GoFundMe campaigns circulating on social media. Yet the shooter’s social-media presence has drawn renewed attention to a disturbing trend within the community, which has been infiltrated by far-right forces since its beginning….

(9) CATASTROPHIC LIBRARY LOSSES. “Wildfire Deals Hard Blow to South Africa’s Archives” reports the New York Times.

Firefighters in Cape Town battled a wildfire on Monday that had engulfed the slopes of the city’s famed Table Mountain and destroyed parts of the University of Cape Town’s library, a devastating blow to the world’s archives of Southern African history.
… the fallout from this fire was also felt across the region after towers of orange and red flames devoured Cape Town University’s special collections library — home to one of the most expansive collections of first-edition books, films, photographs and other primary sources documenting Southern African history.
“We are of course devastated about the loss of our special collection in the library, it’s things that we cannot replace. It pains us, it pains us to see what it looks like now in ashes,” Mamokgethi Phakeng, vice chancellor of the University of Cape Town, said on Monday. “The resources that we had there, the collections that we had in the library were not just for us but for the continent.”
She added: “It’s a huge loss.”
By Sunday evening, a special-collections reading room at the university’s library had been gutted by the blaze, according to university officials. The reading room housed parts of the university’s African Studies Collection, which includes works on Africa and South Africa printed before 1925, hard-to-find volumes in European and African languages and other rare books, according to Niklas Zimmer, a library manager at the university.
A curator of the school’s archive, Pippa Skotnes, said on Monday that the university’s African film collection, comprising about 3,500 archival films, had been lost to the fire. The archive was one of the largest collections in the world of films made in Africa or featuring Africa-related content.
The library will conduct a full assessment of what has been lost once the building has been declared safe, university officials said.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 20, 1848 – Kurd Laßwitz, Ph.D. First major SF writer in German. One novel, seven shorter stories available in English; poetry; a dozen nonfiction books; four dozen essays; four hundred twenty works all told. Eponym – swell word, that – of the Kurd Laßwitz Award. (Died 1910) [JH]
Born April 20, 1914 – Karel Thole. (“tow-leh”) Best known as cover artist for Urania 233-1330; seven hundred sixty more covers, five dozen interiors. Here is Urania 247 (L’altra faccia di Mister Kiel “The other face of Mister Kiel” is J. Hunter Holly’s Encounter). Here is Do Androids Dream of Electric Sheep? Here is The End of Eternity. Here is The Long ARM of Gil Hamilton (tr. as “The third hand”). Here is White Queen. (Died 2000) [JH]
Born April 20, 1917 – Terry Maloney. Twoscore covers. Here is Sinister Barrier. Here is The Last Space Ship. Here is New Worlds 50. Here is the Apr 57 Science Fantasy. Here is New Worlds 62. (Died 2008) [JH]
Born April 20, 1926 – June Moffatt. First fannish career with husband Eph (“eef”) Konigsberg, then flourishing with 2nd husband Len Moffatt: TAFF (Trans-Atlantic Fan Fund) delegates, Fan Guests of Honor at Loscon 8, Evans-Freehafer Award (service to LASFS, Los Angeles Science Fantasy Soc.), co-editors with me of Button-Tack; First Fandom Hall of Fame; next door in detective-fiction fandom, co-founders of Bouchercon, named for Anthony Boucher who excelled there and in SF. Our Gracious Host’s appreciation of JM here; mine here and here. (Died 2018) [JH]
Born April 20, 1935 – Mary Hoffman, age 86. A score of novels, two dozen shorter stories, a dozen collections for us; seven dozen books all told. Outside our field Amazing Grace was a NY Times Best-Seller (1.5 million copies sold); its 2015 ed’n has an afterword by LeVar Burton. Here is Quantum Squeak. Here is Women of Camelot. Website. [JH]
Born April 20, 1937 — George Takei, 84. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again. He also was Kaito Nakamura on Heroes. And later he got to play his character once again on one of those video fanfics, Star Trek New Voyages: Phase II. (CE)
Born April 20, 1939 — Peter S. Beagle, 82. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. (I had dinner with him here once several years back. His former agent is not so charming.) My favorite works? A Fine and Private Place, The Folk of The Air, Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has the World Fantasy Award for Lifetime Achievement. (CE)
Born April 20, 1943 — Ian Watson, 78. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and recently for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for his charmingly-titled “The World Science Fiction Convention of 2080”. (CE)
Born April 20, 1949 — John Ostrander, 72. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in The Spectre, Martian Manhunter and the late Eighties Manhunter as well. His run on the Suicide Squad isavailable on the DC Universe app as is his amazing work on The Spectre. (CE)
Born April 20, 1951 — Louise Jameson, 70. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles. And she like so many Who performers has reprised her role for Big Finish productions. (CE)
Born April 20, 1959 — Carole E. Barrowman, 62. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology which is lot of fun to read. (CE)
Born April 20, 1971 – Ruth Long, age 50. Author and librarian. Half a dozen novels, three shorter stories, some under another name. Spirit of Dedication Award from Eurocon 37. [JH]

(11) ACTIVITY IN SPITE OF IT ALL. In the Washington Post, Steven Zeitchik looks at the Paramount Plus series No Activity and all the technical problems when it went from being a live-action comedy to an animated series as a result of the pandemic. “The Paramount Plus show No Activity has gone animated for a fourth season because of the pandemic”.

… After all, to make animated TV, actors needed equipment that would normally be at the studio. So kits containing boom microphones, advanced screens and other digital implements were sent to dozens of them around the world, complete with a snake’s den of colorful wires they had to untangle.
“It was a suitcase full of tech with Ikea-level instructions,” Farrell said.
“Actors aren’t usually the head of IT,” said Danny Feldheim, senior vice president of original content for ViacomCBS’s Paramount Plus, who oversees the show.
Hollywood stars decoding Fig B and Input C was only the start of the trouble. Producers and the animation company they hired, Flight School Studio from Dallas, needed to turn around eight half-hour episodes of animation in 11 months to make the Paramount Plus launch. (It can often take 18 months to do that.) The budget also couldn’t grow even though animation can be expensive….

(12) SET YOUR COURSE. At Psychology Today, Zorana Ivcevic Pringle Ph.D. extracts “Creative Leadership Lessons from Female Star Trek Captain Janeway”.

… Captain Janeway’s leadership style is different from other captains in the Star Trek universe. She is more measured than Captain Kirk and less aloof than Captain Picard. She is an immensely successful leader, succeeding in bringing Voyager home and solving problems never seen before. How she did it offers four main lessons about creative leadership.
1. Leading with emotional intelligence
Emotionally intelligent leaders are skilled in four ways related to dealing with one’s own and others’ emotions. First, they are skilled at accurately reading emotions, such as realizing when someone is frustrated or disappointed. They are not only aware of emotions but acknowledge them explicitly. Second, emotionally intelligent leaders help their staff channel feelings, even difficult ones, toward achieving important goals. They inspire enthusiasm and lead by hearing and considering both optimistic and pessimistic voices (or, concerns and hopes behind them). Third, emotionally intelligent leaders understand how their decisions or other events affect staff. And finally, they successfully manage their own emotions, as well as help staff when they are discouraged….

(13) TREK DOCUMENTARY FILMMAKERS. There will be a Zoom panel “Star Trek Deep Space Nine What We Left Behind Documentary Filmmaking with 455 Films and G-Technology” on May 20 from 5:00-6:00 p.m. Eastern. Click on this link to join the webinar. Passcode: 599833?

The production team at 455 Films will be discussing and showcasing the process behind the scenes in creating their recent documentary film “What We Left Behind” about the legacy of the Star Trek Deep Space Nine television series. Come learn how they created this documentary, from start to finish. They will be discussing how they came up with the idea, crowdsourced the financing, obtained legal approvals and contact with the actors and producers for filming, developed the film’s story and content throughout the whole process, and used G-Technology storage solutions during the filming and editing phases. There will also be a sneak peak of the current documentary they are working on for the Star Trek Voyager series. And there will be a raffle at the end of the event for a G-Technology hard drive.

(14) WORF NEWS. [Item by rcade.] Michael Dorn set all the planets of the federation ablaze with a tweet Monday afternoon.

Just got the news, being summoned back into action. Starfleet calls. #ad
— Michael Dorn (@akaWorf) April 19, 2021

Dorn played Worf for 272 episodes of Star Trek: The Next Generation and Deep Space Nine as well as four movies. But the project doesn’t involve anything for Paramount+, according to TrekMovie.Com: “Confirmed: Michael Dorn’s Cryptic Tweet About Starfleet Return Isn’t For A Star Trek Show Or Movie”.

While Dorn’s tweet about being summoned back into action by Starfleet could be seen as a hint related to his Captain Worf show, or possibly one of the three live-action or two animated Star Trek series currently in development, it appears that isn’t the case. TrekMovie has confirmed with sources that whatever this is, it isn’t related to a Paramount+ Star Trek project.

It probably doesn’t involve a movie either. Go back to your lives, citizens.

(15) RISE AND SHINE. Yahoo! advises, “The Lyrid meteor shower will leave ‘glowing dust trains’ across the sky on Thursday. Here’s how to watch.”

… The best time to glimpse the Lyrids is in the wee morning hours on Thursday, April 22, before the sun rises.
Waiting until the waxing moon sets – about 4 a.m. on the US East Coast – will make it easier to spot the meteors and their dust trains. Otherwise, the bright glow from the almost-full moon (it’ll be 68% full on Thursday) may obscure the meteor streaks.
Head to an area well away from a city or street lights, and bring a sleeping bag or blanket. No need to pack a telescope or binoculars, since meteor showers are best seen with the naked eye….

(16) BEAUTIFUL BALLOON. “The First Flight On Another World Wasn’t on Mars. It Was on Venus, 36 Years Ago” at Air and Space Magazine.

The world was thrilled this week as NASA’s Ingenuity helicopter pulled off something truly novel (see video above)—the first powered, controlled flight on another planet. But if you paid close attention, the precise wording of that accomplishment included qualifiers. Like the Wright brothers’ airplane, the Mars helicopter was preceded by balloons. In Ingenuity’s case it was a pair of aerobots that rode along with the Soviet Vega 1 and 2 Venus spacecraft and flew through the Venusian atmosphere in 1985. The episode is recounted in Jay Gallentine’s lively 2016 history of planetary exploration, Infinity Beckoned, from which the following excerpt is adapted….

(17) VIDEO OF THE DAY. You can speak to a digital Albert Einstein thanks to UneeQ’s “digital human platform.”

On the 100th year anniversary of Albert Einstein winning the Nobel Prize for Physics, one of the smartest minds and most recognisable personalities in modern history is stepping back into the fray. Digital Einstein is a realistic recreation of his namesake, embodying the great man’s personality and knowledge – multiplied by the power of conversational AI and powered by UneeQ’s digital human platform.

(18) VIDEO OF THE NIGHT. In “Honest Game Trailers: Balan Wonderworld” on YouTube, Fandom Games says that Balan Wonderworld is so weird that it has “the deeply cursed vibes of a failed Kickstarter” and “might drive you insane H.P. Lovecraft-style if you play it too long.”

[Thanks to Meredith, John Hertz, Mike Kennedy, Lorien Gray, Steven H Silver, Andrew Porter, Martin Morse Wooster, Michael Toman, JJ, rcade, John King Tarpinian, Jason Sizemore, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 1/2/21 You Put The Mime In The Tesseract And Drink Them Both Together

Posted on January 2, 2021 by Mike Glyer

(1) DAVID WEBER STATUS. Word of this alarming news went out last night:

David Weber is in the hospital. COVID.

Fuck the whole complete entire world.
— Harry Turtledove (@HNTurtledove) January 2, 2021

After the Turtledove tweet was reposted to David Weber’s author page on Facebook, his wife, Sharon Rice-Weber commented:

He’s doing better right now. I’ll try and keep everyone updated

Best wishes for a full recovery.

(2) NEW YEAR’S WHO. Camestros Felapton combines the features of a review and a complete script rewrite in his analysis of yesterday’s special: “Review: Doctor Who – Revolution of the Daleks”. BEWARE SPOILERS! BEWARE IMPROVEMENTS!

The New Year’s special provides a hit of Doctor Who but that is about all. The episode is inoffensive, it plays around with one interesting idea about the theatre of policing and the aesthetics of fascism but doesn’t know what to do with that. Above all, it exemplifies the frustrating aspects of the Chibnall era. There is always a feeling of a better episode, that is almost exactly the same, lurking around the same pieces….

On the other hand, this fellow found one part of the special to be exceptionally thrilling —

https://twitter.com/JohnBarrowman/status/1345219922389921800

(3) IN BAD TIMES TO COME. Future Tense presents “The Vastation” by Paul Theroux, “a new short story about a future pandemic that makes COVID-19 look simple.”

Steering to his assigned slot in the out-going convoy behind a bulky bomb-proof escort truck, Father said, “We’re going to Greenville,” and looked for my reaction to this surprising announcement. Surprising, not just because Greenville was far away, and where my Mother had been living, but also because I had never been taken outside the perimeter of Chicago….

There is a response essay to the story by physician Allison Bond: “In a pandemic, what do doctors owe, and to whom?”

…Today—as in this story—we fight a deadly contagious disease that has hit some communities much harder than others, and through which xenophobia and racism have been allowed to fester. In Theroux’s story, people are segregated into camps by nationality, into “island[s] of ethnicity, renewed country-of-origin pride and defiance in the enormous sea of rural America.” Perhaps these stemmed from viewing people who are different from oneself as the enemy, and then working to avoid them—something that is already increasingly prevalent in our society, in part thanks to social media.

(4) TRAVEL SAFETY PROPOSAL. “What are COVID-19 digital immunity passports?” — Slate explains.

This week, the first doses of the Pfizer COVID-19 vaccine were administered in the U.S.
With the FDA expected to approve Moderna’s vaccine imminently, people are already looking forward to a world where travel and gatherings are possible. But for those activities to be maximally safe, the country will either need to reach herd immunity—unlikely until mid-2021 at the earliest, assuming essentially flawless vaccine roll-out and widespread adoption—or to find ways to verify people’s negative tests or vaccination status in advance.
Some companies are looking to digital solutions. Airlines like JetBlue, United, and Virgin Atlantic have begun using CommonPass, an app developed by the Commons Project and the World Economic Forum that shows whether users have tested negative for COVID-19 for international travel. Ticketmaster, too, told Billboard that its “post-pandemic fan safety” plans include digital health passes that verify event-goers’ COVID-19 negative test results or vaccination status. While these digital health passes could become a prerequisite for some activities, widespread adoption of so-called immunity passports would require a level of coordination and organization uncharacteristic of the country’s response to COVID-19 so far….

(5) MEMORY WHOLE. The Guardian tries to answer its own question: “George Orwell is out of copyright. What happens now?” The situation resonates with Orwell’s pigs — some works are more out of copyright than others.

Much of the author’s work may have fallen into public ownership in the UK, but there are more restrictions on its use remaining than you might expect, explains his biographer.
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January.
…As is so often the way of copyright cut-offs, none of this amounts to a free-for-all. Any US publisher other than Houghton Mifflin that itches to embark on an Orwell spree will have to wait until 2030, when Burmese Days, the first of Orwell’s books to be published in the US, breaks the 95-year barrier. And eager UK publishers will have to exercise a certain amount of care. The distinguished Orwell scholar Professor Peter Davison fathered new editions of the six novels back in the mid-1980s. No one can reproduce these as the copyright in them is currently held by Penguin Random House. Aspiring reissuers, including myself, have had to go back to the texts of the standard editions published in the late 1940s, or in the case of A Clergyman’s Daughter and Keep the Aspidistra Flying, both of which Orwell detested so much – he described the former as “bollox” – that he refused to have them reprinted in his lifetime, to the originals of, respectively, 1935 and 1936.

(6) STRANGER THAN FICTION. L. Jagi Lamplighter is interviewed by ManyBooks about her work with “A Magic School Like No Other”.

What inspired you to create the Roanoke Academy for the Sorcerous Arts?
The original game that the books are based upon took place at a popular magic school from another series. When I sat down to write this series, I had to invent a whole new magic school—and I had to make it something
My son, who was then about nine or ten, had come up with the idea that the colony on the Island of Roanoke had disappeared because the whole island vanished and that there was a school of magic upon it.
I loved this idea, but I didn’t really know much about the area of the country where Roanoke Island is. So I decided it was a floating island that could wander. Then I put it in the Hudson River, near Storm King Mountain, because that is a place I happen to love. I found out there was a small island in that spot that actually has a ruin of a castle on it. I made that island (Bannerman or Pollepel Island) the part of the island that was visible to the mundane world of the Unwary (us.)
I spent hours on the internet looking at photos of all sorts of places—forests, buildings—that I loved. Then I put those photos together to create the island and the school. So Roanoke Island has many things I think are beautiful, paper birch forests, boardwalks by a river, Oriental gardens.
Then I needed to design the school itself. I noted that there were series where the magic school is like a British boarding school and series where the school is like an American boarding school. I wanted something different. So I decided to model Roanoke Academy for the Sorcerous Arts after the college I attended. St. John’s College in Annapolis, Maryland is quite different from most other colleges. Students sit around one large table. They have core groups, other students who are in all your classes. They have tutors instead of professors. They have an unusual system of intramural sports—so strange that every time I put part of it in the book, my editor tags it as too extraordinary to be believable.
I took my experience at St. John’s and spun it into the world of the Hudson Highlands, creating a marvelous place that is delightful to write about and, God willing, a joy for the reader, too.

(7) PULLING CABLE. FirstShowing.net introduces the trailer for “Intriguing Gig Economy Quantum Sci-Fi Film ‘Lapsis’”.

… Struggling to support himself and his ailing younger brother, delivery man Ray takes a strange job as a “cabler” in a strange new realm of the gig economy. This film is set in an alternate reality where the quantum computing revolution has begun, but they need to hire people to connect the cables for miles between huge magnetic cubes.

(8) BOLLING OBIT. Pianist, composer, and bandleader Claude Bolling died December 29. The Guardian’s tribute notes —

…He wrote music for over one hundred films … such as The Hands of Orlac (1960), … The Passengers (1977) [released in the US as The Intruder, based on Dean Koontz’s 1973 novel Shattered], The Awakening, a 1980 British horror film [third film version of Bram Stoker’s 1903 novel The Jewel of Seven Stars]. Bolling also composed the music for the Lucky Luke animated features Daisy Town (1971) and La Ballade des Dalton (1978).

(9) DOMINGUEZ OBIT. “Disney Legend” Ron Dominguez died January 1 at 85.

In 1957, Dominguez became the assistant supervisor of Frontierland, moving up to the manager of Tomorrowland in 1962. He became the manager of the west side of Disneyland and in 1974, was named vice president of Disneyland and chairman of the park operating committee.
In 1990, Dominguez became Executive Vice President Walt Disney Attractions, West Coast.

(10) VOYAGER DOCUMENTARY ASKS FOR FUNDS. Comicbook.com gives fans a head’s up: “Star Trek: Voyager Documentary Announces Crowdfunding Campaign”.

The upcoming Star Trek: Voyager documentary is ready to begin crowdfunding. The new documentary would have commemorated Voyager‘s 25th anniversary in 2020, but the coronavirus dashed most of those celebration plans. David Zappone of 455 Studios, the production company behind previous Star Trek documentaries like For the Love of Spock, Chaos on the Bridge, and What We Left Behind, confirmed that filming for the documentary resumed in August. Now it seems the production has reached the point where it’s ready to raise funds from fans. As Voyager star Garrett Wang (Ensign Harry Kim) explains in the announcement video below, fans will be able to donate to the campaign and pre-order the documentary beginning on March 1st.

Click to see the “Special Announcement From Garrett Wang”.

(11) TODAY’S DAY.

January 2 – Science Fiction Day. The date was picked because it’s Isaac Asimov’s birthday. The South Florida Reporter has filled an article with all kinds of intriguing bits of sff history: “The Phrase ‘Science-Fiction’ Is First Found In Print In 1851”.

(12) MEDIA BIRTHDAY.

January 2, 1978 — Blake’s 7 premiered on BBC. It was created by Terry Nation of Doctor Who fame, who also wrote the first series, and produced by David Maloney (series 1–3) and Vere Lorrimer (series 4), with the script editor throughout its run being Chris Boucher. Terry has said Star Trek was one of his main inspirations. It would would run for a total of fifty-two episodes. Principal cast was Gareth Thomas, Michael Keating, Sally Knyvette, Paul Darrow and David Jackson. Critics at the times were decidedly mixed with their reaction which is not true of audience reviewers at Rotten Tomatoes who give an amazing ninety one percent rating!

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born January 2, 1814 – Luise Mühlbach. A score of historical-fiction novels; you can read Old Fritz and the New Era here (Fritz is a nickname for Friedrich; she means Frederick II of Prussia); it has fantastic elements. She says “To investigate and explain … is the task of historical romance…. poesy… illuminated by historic truth…. Show me from history that it could not be so; that it is not in accordance with the character of the persons represented … then have I … presented only a caricature, faulty as a work of art.” (Died 1873) [JH]
Born January 2, 1871 – Nora Hopper. Journalist and poet in the 1890s Irish literary movement; Yeats said her Ballads in Prose “haunted me as few books have ever haunted me, for it spoke in strange wayward stories and birdlike little verses of things and persons I remember or had dreamed of.” There’s a 2017 Trieste reprint. (Died 1906) [JH]
Born January 2, 1920 — Isaac Asimov. I can’t possibly summarize him here so I won’t. My favorite novels by him are the original Foundation novels followed very closely by his Galactic Empire series and I, Robot. I know I’ve read a lot of his short fiction but I’ll be damn if I can recall any of it specifically right now. And I can’t possibly list all his Hugos here. (Died 1992.) (CE)
Born January 2, 1932 – Minagawa Hiroko, age 92. (Personal name last, Japanese style.) Three of her stories are in English, two in Speculative Japan 3-4. Shibata Prize. More famous for detective fiction; Honkaku Award for The Resurrection Fireplace (in Japanese Hirakasete itadaki kôei desu, roughly “I am honored to open it”), set in 18th Century London; Mystery Writers of Japan Award, Japan Mystery Literature Award for lifetime achievement. [JH]
Born January 2, 1948 — Deborah Watling. Best known for her role as Victoria Waterfield, a companion of the Second Doctor. She was also in Downtime, playing the same character, a one-off sequel to a sequel to the Second Doctor stories, The Abominable Snowmen and The Web of Fear. No Doctors were to be seen. If you’ve seen the English language dubbed version of Viaje al centro de la Tierra (Where Time Began, based off Verne’s Journey to the Center of The Earth), she’s doing the lines of Ivonne Sentis as Glauben. (Died 2017.) (CE)
Born January 2, 1954 – Ertugrul Edirne, age 67. Twoscore covers in German SF. Here is Galactic Trade. Here is On the Great River. Here is Kushiel’s Dart (German title In den Händen der Feinde, “In the Hands of the Enemy”). Here is Not From This World. [JH]
Born January 2, 1959 – Patrick Nielsen Hayden, age 62. Long-time fan, also guitarist (lead guitar in Whisperado). TAFF (Trans-Atlantic Fan Fund) delegate with wife Teresa Nielsen Hayden, both wrote “TAFF in Thirteen Paragraphs”, fanzines e.g. Izzard, Telos, Fan Guests of Honor at MidAmeriCon II the 74th Worldcon where at Closing Ceremonies PNH said “I can’t count the conversations I’ve had with total strangers”, see my con report (at the end, with a poem for each). Meanwhile also active as a pro; now VP, Assoc. Publisher, and Editor-in-Chief at Tor. [JH]
Born January 2, 1967 — Tia Carrere, 54. Best remembered for her three season run as Sydney Fox, rogue archaeologist on Relic Hunter. She’s been in a number of one-offs on genre series including Quantum Leap, Hercules, Tales from The Crypt, Airwolf, Friday the 13th and played Agent Katie Logan for two episodes on Warehouse 13. (CE)
Born January 2, 1971 — Renée Elise Goldsberry, 50. Best known for appearing on Altered Carbon as Quellcrist Falconer. She also performed the Johnny Cash song “Ain’t No Grave” for the end credits in the final episode of that series. Genre wise, she’s had one-offs on Enterprise, Life on Mars, Evil and voice work on DreamWorks Dragons: Rescue Riders, an all too cute series. She was Selena Izard in The House with a Clock in Its Walls. And she appeared on Broadway in The Lion King as Nala. (CE)
Born January 2, 1979 — Tobias S. Buckell, 42. I read and enjoyed a lot his Xenowealth series which he managed to wrap up rather nicely. The collection he edited, The Stories We Tell: Bermuda Anthology of Science Fiction, Fantasy and Horror, is well worth reading, as is his own Tides from a New World collection. And his Tangled Lands collection which won the World Fantasy Award is amazing reading as well. (CE)
Born January 2, 1982 – Aníbal J. Rosario Planas, age 39. (In this Hispanic style two surnames are given, the father’s Rosario then the mother’s Planas.) Drummer and author. Here are a photo, a 150-word teaser from his story Pólvora y vapor (“powder and steam”; in Spanish), and links to his talk (in Spanish and English) about Steampunk Writers Around the World. [JH]
Born January 2, 1983 — Kate Bosworth, 38. She’s Barbara Barga in the SS-GB series done off the superb Len Deighton novel which is definitely genre. She’s both a producer and a performer on The I-Land series where she’s KC, a decidedly not nice person. For a much more positive character, she portrayed Lois Lane in Superman Returns. (CE)

(14) COMICS SECTION.

Speed Bump makes a Martian discovery.
This is Bizarro’s idea of “good news.”

(15) GONE BUT NOT FORGOTTEN. In the Washington Post, Michael Cavna notes that Calvin and Hobbes’s last strip was on December 31, 1995, which gives him a chance to praise Bill Watterson and explain why his strip is timeless comedy. In a sidebar, Cavna notes two other important comic strips ended in 1995: Gary Larson’s “The Far Side” and Berkeley Breathed’s “Bloom County” spinoff “Outland.” But he notes that Bill Watterson praised Richard Thompson’s “Cul de Sac” as showing that “the launch of great comics was still possible” and interviews Breathed, who revived “Bloom County” as an online venture in 2015. “’Calvin and Hobbes’ said goodbye 25 years ago. Here’s why Bill Watterson’s masterwork enchants us still.”

…Stephan Pastis, creator of “Pearls Before Swine,” views Calvin as an expression of pure childlike id, yet thinks there is a whole other dynamic that makes many of Calvin’s acts of imagination so appealing.
Watterson “accurately captured how put-upon you feel as a kid — how limited you are by your parents, by your babysitter, by [schoolteacher] Miss Wormwood. You’re really boxed in and all you have is individual expression,” says Pastis, who collaborated with the “Calvin and Hobbes” creator on a week of “Pearls” strips in 2014, marking Watterson’s only public return to the comics page since 1995.
“I think that’s why to this day, some people get [Calvin] tattooed on their bodies,” Pastis continues. “He stands for that rebellious spirit in the fact of a world that kind of holds you down. You get into adulthood, you get held down by your various responsibilities. Calvin rebels against that, therefore he always remains a hero.”

(16) FOR POETS. The Science Fiction & Fantasy Poetry Association (SFPA) is taking nominations from members for two 2021 awards.

Rhysling Award Nominations: The 2021 Rhysling Chair is Alessandro Manzetti. Nominations are open until February 15 for the Rhysling Awards for the best poems published in 2020. Only SFPA members may nominate one short poem and/or one long poem for the award. Poets may not nominate their own work. All genres of speculative poetry are eligible. Short poems must be under 50 lines (no more than 500 words for prose poems); Long poems are 50+ lines, not including title or stanza breaks, and first published in 2020; include publication and issue, or press if from a book or anthology. Online nomination form here. Or nominate by mail to SFPA secretary: Brian Garrison, SFPA, PO Box 1563, Alameda CA 94501, USA.
Elgin Award Nominations: The 2021 Elgin Chair is Jordan Hirsch. Nominations due by May 15; more info will come by MailChimp. Send title, author, and publisher of speculative Star*Line 8 Winter 2021 poetry books and chapbooks published in 2019 or 2020 to [email protected] or by mail to the SFPA secretary: Brian Garrison, SFPA, PO Box 1563, Alameda CA 94501, USA. Only SFPA members may nominate; there is no limit to nominations, but you may not nominate your own work.

(17) OFF THE MARKET. Such is the draw of iconic movie locations. The LA Times explains the attraction of “Jim Brandon’s South Pasadena home”.

Jim Brandon better get used to unexpected visitors. The writer-producer, whose credits include “Arrested Development” and “Mixed-ish,” just paid about $2.2 million for a South Pasadena home with a special place in “Back to the Future” lore.
The 1985 hit doubles as a tour of L.A. County in many ways, with landmarks such as Griffith Park and the Gamble House popping up throughout the film. Another pivotal scene is set in Brandon’s new yard, where Marty McFly stumbles upon his father being a peeping Tom in the tree out front.
According to the home’s previous owner, filmmaker John McDonald, fans of the movie regularly make the trek to South Pasadena to pay homage — and climb up the now-famous tree to re-create the scene….

(18) MEMORY LANE.

In 1953, the International Fantasy Award was given to Clifford M. Simak for City, his first Award. This collection is sometimes presented as a novel which it is decidedly not as it is a fix-up of the stories “City”, “Huddling Place”, “Census”, “Paradise”, “Hobbies”, “Aesop” and “Trouble with Ants …”. The other nominations were Takeoff by C. M. Kornbluth and Player Piano by Kurt Vonnegut, Jr. A Retro Hugo Award at CoNZealand in 2020 would be awarded to it as well.

(19) NOTHING HAPPENING HERE, MOVE ALONG. In December someone pointed out that John C. Wright’s website was displaying an “Account Suspended” sign. My social media searches found no protests or grievances about this – or even that anyone else was aware of it. Wright subsequently explained the cause in “Account Not Suspended”.

My loyal webgoblin called the hosting company and reports that they said that the server was migrated this morning and that various changes are still propagating through their system. The “account suspended” message was a default one. The hosting company confirmed that there’s nothing wrong with the account and that the site hasn’t been pulled offline due to excessive bandwidth or any sort of legal action

(20) EXPANDING UNIVERSE. More Star Wars properties are on the way.

Star Wars: The Bad Batch is an all-new animated series from Lucasfilm Animation coming soon to Disney+.

In another new Disney+ series, Star Wars: Andor, Diego Luna will reprise his role as Cassian Andor.

(21) FUTURE FORSEEN. [Item by Martin Morse Wooster.] “What Will Future Homes Look Like? Filmed In the 1960s” on YouTube is an episode of the CBS News show 21st Century (which ran between 1967-70) called “At Home, 2001” narrated by Walter Cronkite, which tried to predict from the viewpoint of 1967 what homes in the 21st century would look like. Among the predictions: 3-D televisions twice as large as the largest current flat screen, plastic plates that would be molded for each use and then put into a vat to be printed again for the next use, and dinners that were programmed and cooked via computer. The show also saw that computers at home could teach kids and enable people to work at home, and there’s a prediction of something like cable TV. What they got wrong: there is no internet or YouTube.

[Thanks to Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, JJ, Michael Toman, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Sam. And that came from Sam’s first-ever comment here!]

Pixel Scroll 6/10/20 The Galileo Sevateem

Posted on June 10, 2020 by Mike Glyer

(1) INCOME INEQUALITY. In “#PublishingPaidMe and a Day of Action Reveal an Industry Reckoning”, the New York Times does a roundup of Monday’s Twitter exchange, leading with a focus on Jesmyn Ward. Other authors quoted include N.K. Jemisin and John Scalzi.

…Hand-wringing over diversity is nothing new in publishing — its work force is more than three-quarters white, according to a survey released earlier this year by the children’s book publisher Lee & Low Books — but over the weekend, conversations that have been occurring for years took a turn into public protest.
Using a hashtag, #PublishingPaidMe, that quickly began trending on Twitter, authors shared their advances, which is the amount of money they receive for their books before any royalties, typically based on copies sold, start coming in. The young adult author L.L. McKinney, who is black, started the hashtag on Saturday, hoping to highlight the pay inequality between black and nonblack writers.
“These are conversations black authors have been having with each other and trying to get the industry engaged on for a long time,” she said. While she wasn’t surprised by the disparities that were revealed, she was hurt, she said, by “how deep it went.”
Jesmyn Ward, a critically acclaimed novelist, said on Twitter that she “fought and fought” for her first $100,000 advance, even after her book “Salvage the Bones,” for which she said she received around $20,000, won a National Book Award in 2011. After switching publishers, she was able to negotiate a higher advance for “Sing, Unburied, Sing” — for which she won a second National Book Award, in 2017 — but, she said, “it was still barely equal to some of my writer friends’ debut novel advances.”
…A Google spreadsheet that collected the advances of authors also went viral, amassing nearly 1,200 entries by midday Monday. Its contents were self-reported and could not be independently verified, but many entries were detailed with the genre of book, the race, gender and sexual orientation of the author, as well as what the authors were paid. Of the 122 writers who said they earned at least $100,000, 78 of them identified as white, seven as black and two said they were Latin American.

(2) TOP LGBT SF. Rocket Stack Rank has posted their annual list of “Outstanding LGBT Science Fiction & Fantasy short fiction from 2019”. These 30 stories are finalists for major SF/F awards, included in year’s best SF/F anthologies, and recommended by prolific reviewers. Here are some of their observations about the list.

13 are Lesbian, 6 are Gay, 10 are Bisexual, 1 is Trans/NB (click link to jump to the section).
19 of the 30 stories are free online (click link to highlight)
No author has more than one story in this list.
2 of the stories were written by Astounding Award-eligible writers.
Prolific reviewers with the most recommendations here are Karen Burnham @ Locus (10), Maria Haskins @ Barnes & Noble (8) and Rocket Stack Rank (8).
Each of the 11 magazines covered by RSR (except for Interzone) had at least one recommended LGBT story.

(3) ROWLING CRITIC. At LitHub, “How JK Rowling Betrayed the World She Created. Gabrielle Bellot on Transphobia and Growing Up with the Harry Potter Universe”. One of many pieces responding to Rowling’s tweets of a few days ago.

Time and time again, I’ve become accustomed to having to defend my womanhood when public figures declare that transgender women are not “real” women. Sometimes, I want to quietly sit back, avoiding the stress of having yet another prolonged argument with people who will call me “sir” at best and a rapist who should be euthanized at worst—for all trans women, the argument goes, are just men who want to sneak into women’s locker rooms to do nefarious things. It’s emotionally and spiritually exhausting to debate your identity; sometimes, you just want to log off social media and take a walk or hug someone you love for support, curling up in your own small safe harbor, where, at least for a bit, no one is accusing you of being a freak, a pervert, an abomination who does not belong in the annals of this Earth….

(4) ROWLING REPLIES TO CRITICS. On her website today, “J.K. Rowling Writes about Her Reasons for Speaking out on Sex and Gender Issues” a 3,600-word explanation of her views that also includes a previously undisclosed personal history of sexual assault.

….But endlessly unpleasant as its constant targeting of me has been, I refuse to bow down to a movement that I believe is doing demonstrable harm in seeking to erode ‘woman’ as a political and biological class and offering cover to predators like few before it. I stand alongside the brave women and men, gay, straight and trans, who’re standing up for freedom of speech and thought, and for the rights and safety of some of the most vulnerable in our society: young gay kids, fragile teenagers, and women who’re reliant on and wish to retain their single sex spaces. Polls show those women are in the vast majority, and exclude only those privileged or lucky enough never to have come up against male violence or sexual assault, and who’ve never troubled to educate themselves on how prevalent it is….

(5) DOOM PATROL TRAILER. HBO Max dropped a trailer for the second season.

The Doom Patrol isn’t done with the weird just yet! See what the team’s been up to in Season 2, starting with 3 new episodes on June 25.

(6) COLORADO CON CANCELLED. COSine, Colorado Springs’ annual convention, has joined the ranks of the postponed. What’s unusual is – this was a January 2021 event, and it’s being bumped to 2022.

Fortunately, all of our guests have agreed to come in 2022! You can read the official announcement here.

(7) THE GLUE THAT HOLDS IT ALL TOGETHER. Frank Catalano says “It’s weird to cross streams between education conferences and the Nebula Conference, but I did it. With a photo, in EdSurge.” — “Who’s Zoomin’ Who? Remote Education Conference Woes and Wows”. Frank’s wide-ranging review of virtual conference techniques includes these notes of praise for SFWA’s recent Nebula Conference.

The Science Fiction and Fantasy Writers of America moved its annual Nebula Conference for professional writers in late May online. Yes, it had good moderators, snappy sessions and well-oiled combinations of online tools over its three days. But it also had something that helped replicate the physical experience.
In advance of the event, paid registrants received an unexpected package in the mail containing a four-page color schedule, a printed name badge and a short tumbler glass etched with the name of the event. To make those post-session Zoom happy hours more … happy.
Now that’s an organization looking to the future of virtual conferences.

(8) POD PERSON. Michael Dirda confesses: “All the books in my 300 boxes sparked joy. The lockdown made me rethink why I was keeping them” in the Washington Post. He really did end up giving some of the books away. A few.

… It was clear to my lightning brain — I’m not a Sherlockian for nothing — that I needed to free up space in the storage pod before I could put more boxes into it. There was, I deduced, just one way to accomplish this: I would have to start selling or giving away some of my books right now rather than later. But which ones should go? Obviously, I would keep personal favorites such as James Salter’s “A Sport and a Pastime,” Marilynne Robinson’s “Housekeeping,” Frederick Exley’s “A Fan’s Notes” and John Crowley’s “Little, Big,” as well as books I still hoped to read (Samuel Richardson’s “Clarissa,” Spenser’s “The Faerie Queene,” Cao Xueqin’s “The Story of the Stone”) or reread (Gibbon’s “Decline and Fall,” Boswell’s “The Life of Samuel Johnson,” Stendhal’s nonfiction, Macaulay’s essays, dozens of ghost-story collections, lots of P.G. Wodehouse, Edmund Crispin and Evelyn Waugh). I’d also retain material need for writing projects — mainly that popular fiction in the attic — and, not least, the first or special editions worth more than $100, including signed books by Zora Neale Hurston, Toni Morrison and Hunter Thompson.
So, picture me two weeks ago, as I sat on a white plastic lawn chair inside a gigantic metal oven, picking up book after book and only occasionally feeling a Kondoesque spark of joy amid many spasms of regret.

(9) TODAY IN HISTORY.

June 10, 1950 — Dimension X aired “The Green Hills of Earth”. Based on Robert Heinlein’s short story which originally appeared in the Saturday Evening Post on February 8, 1947, the title refers to a song that Heinlein wrote fragments of here and the filk community has filled out the lyrics down the years. It was adapted here by Ernest Kinoy who also did the same task at X Minus One. You can listen to it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born June 10, 1918 — Barry Morse. He was Prof. Victor Bergman on Space: 1999, and he also appeared on the Twilight Zone, Outer Limits, The Invaders, TekWar, The Martian Chronicles, Ray Bradbury Theater, Space Island One, Memory Run, The Shape of Things to Come and The Return of Sherlock Holmes. (Died 2008.) (CE)
Born June 10, 1918 – Frank Hamilton. He didn’t invent the Shadow, or Doc Savage, but he illustrated them excellently. We in fandom know about Mipple-Stipple; his stippled style defies us to call it mundane. Here is an FH Shadow on the cover of Frank Eisgruber’s Gangland’s Doom; here is the FH cover for a Doc Savage tribute; both with lots of interiors. Here is a note from ThePulp.net with a 1982 FH self-portrait; here is a note from “The Shadow” wiki. Find, if you can, his Amazing Pulp Heroes (with Link Hullar’s text). (Died 2008) [JH]
Born June 10, 1922 – Judy Garland. For us this star shines in the MGM Wizard of Oz – winning her only Academy Award. I love the Oz Frank Baum wrote; in the MGM version much is right; and otherwise, as a law school professor of mine said – of a major figure with whom he disagreed vigorously – There is a sense in which a genius can’t be wrong. The rest of her career was such a tragedy because there too she earned such glory. (Died 1969) [JH]
Born June 10, 1935 – Yoshiro Tatsumi. He coined geika for a development of manga he preferred; see here. I can’t go along with calling it more realistic, or saying that’s better – I had this quarrel with people when Watchmen first appeared – but Tatsumi-san was a genius, and we could stand knowing more about SF and related art of Japan. Here is the cover for his memoir of 1945-1960 A Drifting Life (English version); here is a Wikipedia article about it; here is an article about geika and manga; here is an article in the Lambiek Comiclopedia with panels showing his work. (Died 2015) [JH]
Born June 10, 1937 — Luciana Paluzzi, 73. She is best known for playing SPECTRE assassin Fiona Volpe in Thunderball. She also appeared in Hercules as Iole’s maid, The Green Slime as Doctor Lisa Benson, Captain Nemo and the Underwater City as Mala and The Six Million Dollar Man: The Solid Gold Kidnapping as Contessa DeRojas. (CE)
Born June 10, 1942 — Jürgen Prochnow, 78. I thought he was a rather good Duke Leto Atreides in Dune. It certainly was the best of the genre films he did around that time as The Keep, Terminus and The Seventh Sign were pretty awful horror films. Much better was Robin Hood where he was Sir Miles Folcanet. Then there’s Judge Dredd where he’s Judge Griffin… I’ll end his genre with his role as Cdr. Paul Gerald in Wing Commander. (CE)
Born June 10, 1951 — Charles Vess, 69. If you ever need a crash course in learning about his art, go find a copy of Drawing Down the Moon: The Art of Charles Vess which lavishly covers his career up to a decade ago. I’ve got a personally signed copy here along with lots of his artwork. He’s had interesting career including the Spider-Man: Spirits of the Earth graphic novel that he wrote and illustrated. I strongly recommend the illustrated version of Stardust he did with Gaiman as it’s amazing. (CE)
Born June 10, 1952 — Kage Baker. I never met her but we had a decade long conversation via email and once in a while via phone. We were supposed to write a Company concordance for Golden Gryphon but she got too ill for it to happen. Harry the Space Raptor is now living with her sister Katheleen. The two of them were also frequent attenders of Ren Faires were they set up a tavern and sold various sales. Kage had a deep fascination with Elizabethan English. (Died 2010.) (CE)
Born June 10, 1953 – Don Maitz. Two hundred thirty covers, a hundred twenty interiors from this luckily prolific artist; two Hugos, one Worldcon committee special award, ten Chesleys; World Fantasy award; Society of Illustrators Silver Medal. Two art books, First Maitz (he created the image of Captain Sir Henry Morgan 1635-1688 for Captain Morgan’s Spiced Rum) and Dreamquests; two sets of Don Maitz Fantasy Art Trading Cards. Guest of Honor at – among others – Boskone 18, Lunacon 28, Loscon 19, Minicon 49, Balticon 27, and Lonestarcon 2 the 55th Worldcon (1997). Here is his cover (with his wife Janny Wurts) for The Darkest Road. Here is his cover for his Worldcon’s Souvenir Book. [JH]
Born June 10, 1962 – Ahmed Khaled Tawfik, M.D., Ph.D. Author, physician, Professor of Medicine at Tanta University. Two hundred books in both Egyptian Arabic and Classical Arabic; also in Web-based magazines. Refaat Ismael of his Beyond Nature series is a retired bachelor doctor with a sarcastic attitude who keeps having paranormal adventures. In Utopia Egyptians live in a dystopian and utopian (or as I should say cacotopian and eutopian) society separated by walls; translated into English, Finnish, French, German. Cheryl Morgan interviewed him in Locus 614. (Died 2018) [JH]
Born June 10, 1964 — Andrew M. Niccol, 56. Screenwriter / producer / director who wrote and produced one of my favorite genre films, The Truman Show. The film won him a Hugo at Aussiecon Three. He also was involved in Gattaca, The Terminal, In Time, The Host, The Minutes short videoand Anon. Sort of genre adjacent is that he‘s been announced as the screenwriter for a live version of the Monopoly game but it is still in development. (CE)
Born June 10, 1986 – Amanda Havard. In The Survivors and two sequels Sadie Matthau searches for answers about her family who survived the Salem witch trials through supernatural abilities; on an Immersedition interactive book application are AH’s original music, and maps, photos, background, commentary; a syndication at Wattpad.com has had 5 million readers. Independent Publisher‘s Editor’s Choice award, eLit bronze medals for Fantasy – Science Fiction and Young Adult. [JH]

(11) COMICS SECTION.

Get Fuzzy — comic combinations.
“We Need a Trick to Feel Our Joys as Deep as Our Griefs”, written by Eric Kaplan and drawn by Eleanor Davis, explores the emotions connected with the euthanizing of a pet.

(12) TO PUT A POINT ON IT. James Davis Nicoll curates “Five SFF Works Inspired by RPGs”.

… Herewith, some works with RPG DNA: works that you may not know and may like, featuring the now familiar teams of skilled adventurers—don’t call them murder hobos—using their diverse skill set to solve problems. Usually by stabbing them.

(13) BATWOMAN POST RUBY ROSE. Entertainment Weekly explains that “Batwoman is replacing Ruby Rose’s Kate Kane with a new character”.

Just because Batwoman plans on introducing a brand new character to pick up the titular hero’s mantle in the wake of Ruby Rose’s exit doesn’t mean the CW superhero drama will forget about Kate Kane. In fact, Kate’s absence will baked into the show’s second season in the same way that Bruce Wayne’s was in the first season.
[…] “To be honest with you, I did consider the ‘soap opera version’ [of recasting] for a hot minute, because selfishly we already had a couple episodes written, and transition-wise it would be seamless,” [showrunner Caroline Dries] said, according to TVLine. “But upon further reflection — and I think [Arrowverse EP] Greg [Berlanti] helped me make this call — he’s like, ‘I think we should just reboot Batwoman as a different character.’” She went on to explain that this decision allowed them to honor Rose’s work in season 1 while also not forcing the audience to put a new face to a character they’d already spent time getting to know.

(14) IT’S A BIRD…IT’S A PLANE. Well, it’s a very small one. Gizmodo informs us “Google’s Drone Delivery Service Now Dropping Library Books to Kids”.

Book-loving kids in Christiansburg, Va., are about to get a special delivery to ease the boredom of summer quarantine (and months of being stuck at home). Google will soon start dropping books to kids via its drone delivery service, Wing, according to the Washington Post. Now they can get their hands on a copy of The One and Only Bob (if they don’t already own it).
… Google’s book delivery service is an extension of the company’s drone service, which first partnered with FedEx and Walgreens to deliver over-the-counter medicines and other items to Christianburg residents last October. That pilot program has continued throughout the pandemic. Wing also partnered with local restaurants to deliver meals to residents; that service also saw an increase in demand during quarantine. Google has been testing Wing since 2014, when the drones made their first test flights in Queensland, Australia.

(15) STANDING DOWN. NPR reports: “IBM Abandons Facial Recognition Products, Condemns Racially Biased Surveillance”.

IBM will no longer provide facial recognition technology to police departments for mass surveillance and racial profiling, Arvind Krishna, IBM’s chief executive, wrote in a letter to Congress.
Krishna wrote that such technology could be used by police to violate “basic human rights and freedoms,” and that would be out of step with the company’s values.
“We believe now is the time to begin a national dialogue on whether and how facial recognition technology should be employed by domestic law enforcement agencies,” Krishna said.
The nationwide demonstrations following the police killing of George Floyd already have led to changes to police departments around the country – over use of force policies, police misconduct and police contracts.
The moment of reckoning over the country’s relationship with law enforcement also comes as artificial-intelligence researchers and technology scholars continue to warn about facial recognition software, particularly how some of the data-driven systems have been shown to be racially biased. For instance, the MIT Media Lab has found that the technology is often less successful at identifying the gender of darker-skinned faces, which could lead to misidentifications.

People interviewed by the BBC expressed doubts:

Privacy International’s Eva Blum-Dumontet said the firm had coined the term “smart city”.
“All around the world, they pushed a model or urbanisation which relied on CCTV cameras and sensors processed by police forces, thanks to the smart policing platforms IBM was selling them,” she said.
“This is why is it is very cynical for IBM to now turn around and claim they want a national dialogue about the use of technology in policing.”
She added: “IBM are trying to redeem themselves because they have been instrumental in developing the technical capabilities of the police through the development of so-called smart policing techniques. But let’s not be fooled by their latest move.
“First of all, their announcement was ambiguous. They talk about ending ‘general purpose’ facial recognition, which makes me think it will not be the end of facial recognition for IBM, it will just be customised in the future.”
The Algorithmic Justice League was one of the first activist groups to indicate that there were racial biases in facial recognition data sets.

(16) ANOTHER RWA REFORM. Romance Writers of America, in “Dreamspinner Advocacy”, admits they didn’t adequately pursue the missing author payments from this publisher under the previous regime. They’re gathering statements to work on it now.

As we lay the foundation for RWA 2.0, one of the Board of Directors’ priorities is to strengthen RWA’s professional relations advocacy. To this end, we are reviving our advocacy efforts with respect to Dreamspinner Press and its missing author payments. Previous advocacy on this matter did not properly or fully address the issues, leaving many members unsupported. This is unacceptable and antithetical to our mission, and the Board and staff are committed to doing everything we can to support our members now to the greatest extent possible.

We will be reaching out to Dreamspinner Press to demand payments due to our members on behalf of our members who request that we do so. We also will be working with RWA’s attorney to explore all of our options in this matter. We will keep the membership updated on this process.

We would like to hear from any member who is a Dreamspinner Press author about your situation and what you would ideally like to see from our advocacy efforts. Also, if any members would like to contribute accurate, verifiable statements about their experiences with Dreamspinner Press to be used both in outreach to the publisher and in a potential public statement to better inform both members and non-members about the situation, we are collecting those by June 30, 2020.

(17) A CLOSER LOOK. “Planet’s satellites aim for still sharper view of Earth” — examples, and one picture just for drama.

When SpaceX puts up another batch of its Starlink satellites in the coming days, there’ll be three spacecraft from the Planet company catching the same Falcon rocket ride to orbit.
These companies – SpaceX and Planet – now operate the largest commercial constellations above our heads. SpaceX at over 450 satellites; Planet at more than 150.
SpaceX is targeting broadband communications; Planet is all about Earth observation, and this next launch marks a big milestone in the San Francisco outfit’s plans.
These next three platforms that go up with SpaceX will go into Planet’s SkySat network.
Already this comprises 15 spacecraft. The satellites were lowered in recent months from 500km in altitude to 450km, to increase their resolution. They now see any feature on the Earth’s surface larger than 50cm.
With the addition of the soon-to-launch threesome, and a further three about a month later, Planet will then have 21 of the high-resolution imagers circling the globe. At that point, the SkySats will be able to see any spot on the ground (cloud permitting) on average up seven times a day.

(18) MORE ON THE ANDROID BLIT. “‘How my photo ended up breaking Android phones'”.

Gaurav Agrawal, a scientist and amateur photographer living in San Diego, couldn’t believe it when he suddenly started seeing a photograph he took last summer popping up on the news.
He took it at St Mary Lake in Glacier National Park, Montana, one “magical evening” in August 2019.
He shared the snap on photo platform Flickr and thought no more about it.
However, a glitch meant that when the image was set as wallpaper, it caused some Android phones to fail.
The handsets would switch on and off repeatedly, requiring a factory reset which meant all data on them was wiped.
Last week, a tweet about the bug went viral – and Mr Agrawal contacted me.
…”It was a magical evening,” Mr Agrawal told the BBC of the night he took the photo, in the park with his wife. It was their third trip there, in pursuit of the perfect picture.
“It was gloomy and cloudy, and we thought there wasn’t going to be a great sunset. We were about to leave when things started to change.”
He grabbed the shot on his Nikon camera, and later did a small edit using the editing software Lightroom.
And that’s where the bug crept in.
Lightroom gives three colour-mode options for exporting the finished result – and the one he picked is the one that seems to confuse some Android handsets.

(19) MM-MM-GOOD. “Italian woman prepares olives during brain tumour operation”.

Brain operation patients have been asked to play the violin or the guitar during surgery, but until now there is no record of anyone stuffing olives on the operating table.
A 60-year-old Italian woman did just that during a procedure to remove a tumour from her left temporal lobe.
The neurosurgeon at Ancona’s Riuniti hospital said the two and a half hour procedure “went very well”.
His patient is said to have prepared 90 olives in the space of an hour.
Awake brain surgery, as it is known, is used to treat some neurological conditions such as tumours that affect the areas of the brain responsible for vision, movement or speech. To help the surgeon try to inflict minimal damage on healthy tissue, the patient can be asked questions or engaged in an activity during the operation.
As the left temporal lobe controls speech, memory and movement of the right part of the body, neurosurgeon Roberto Trignani told Ansa news agency the method “allows us to monitor the patient while we work on their brain functions and to calibrate our action”.

(20) VIDEO OF THE DAY. “Seven of Nine And The Doctor Singing ‘My Darling Clementine'” on YouTube is another clip of Jeri Ryan and Robert Picardo singing from Star Trek: Voyager.

[Thanks to Daniel Dern, John King Tarpinian, John Hertz, Cat Eldridge, Jeanne Jackson, Mike Kennedy, Jeffrey Smith, Michael Toman, Eric Wong, Martin Morse Wooster, JJ, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 4/18/20 You Can’t File All Of The Pixels All Of The Time

Posted on April 18, 2020 by Mike Glyer

(1) EASTERCON 2021. Next year’s UK Eastercon site has been selected reports the Friends of Eastercon blog.

ConFusion 2021 won an online bidding session for the 2021 Eastercon, to be held at the Birmingham NEC again, with 95% of the vote. Permission to record the session was refused.

(2) AID FOR ARTISTS. Publishers Lunch linked to the newly announced “Maurice Sendak Emergency Relief Fund”.

The Maurice Sendak Foundation has granted $100,000 to the New York Foundation for the Arts for an emergency relief grant program “to support children’s picture book artists and writers impacted by the COVID-19 crisis.” They will provide grants of up to $2,500 a person, and hope to raise at least another $150,000 in the initial phase.

(3) AND RESCUE FOR RETAILERS. The New York Times tells how “Comic Creators Unite to Benefit Stores”.

A large group of comic book creators are banding together to help support comic book retailers whose business have been disrupted by the coronavirus pandemic.
Using the Twitter hashtag #Creators4Comics, more than 120 creators will be auctioning comic books, artwork and one-of-a-kind experiences. The auctions will run from Wednesday through Monday and will benefit the Book Industry Charitable Foundation, which is accepting applications from comic book shops and bookstores for emergency relief.
The effort was organized by the comic book writers Sam Humphries and Brian Michael Bendis, along with Kami Garcia, Gwenda Bond and Phil Jimenez. Humphries will be auctioning “How to Break Into Comics by Making Your Own Comics,” which are video-chat sessions with aspiring writers. “It mirrors my own comic book secret origin story,” he said in an email. More information can be found at the Creators 4 Comics website….

(4) CONZEALAND VIRTUAL ATTENDING MEMBERSHIPS. The 2020 Worldcon website has been updated with information about attending memberships for its Virtual Convention.

Our new virtual attending memberships are now able to be purchased on our members' site. All you need to do is go to https://t.co/s2Y8TPUYtB and click to register for a new membership.#conzealand #worldcon2020
— CoNZealand (@CoNZealand) April 18, 2020

An Attending Membership is for people who will engage in the live, interactive Virtual Convention. There are a number of different types of Attending Memberships. Attending Memberships are all inclusive. You do not have to pay anything more for access to any of our online activity.
You will receive all our publications. This also comes with the right to nominate and vote in the Hugo Awards in 2020. You can also vote in Site Selection for the 2022 Worldcon.

Young Adult Attending is based on being born in 2000.
Unwaged Attending is a NZ resident of any age who does not have a consistent wage. This includes students, retirees, beneficiaries etc. Please contact us if you have questions about this.
- We will trust that if you become waged by the convention, that you will upgrade to a Full Attending.

(5) RE-VOYAGER. “Garrett Wang And Robert Duncan McNeill Are Launching A ‘Star Trek: Voyager’ Rewatch Podcast” reports TrekMovie.com. The podcast’s twitter account is @TheDeltaFlyers.

This morning, Star Trek: Voyager star Robert Duncan McNeill (Tom Paris) announced that he has teamed up with co-star Garrett Wang (Harry Kim) on a new podcast called The Delta Flyers. The new pod promises inside stories as the pair plan to rewatch every episode of Voyager, with the first episode arriving in early May.

We are excited to announce that the first episode of our podcast will be available in early May! #StarTrek #Voyager #StarTrekVoyager #TomParis #HarryKim #TheDeltaFlyers
— The Delta Flyers (@TheDeltaFlyers) April 17, 2020

(6) EISNER AWARDS. Newsarama reassures that “2020 Eisner Awards Going Forward Despite SDCC Cancellation”.

“I’m happy to report that the judging has been handled mostly virtually to date,” SDCC’s Chief Communications and Strategy Officer David Glanzer told Newsarama. “Things are in flux as you can imagine but our hope is to be able to have a list of Eisner winners for 2020.”
Longtime awards administrator Jackie Estrada is working with this year’s judges Martha Cornog, Jamie Coville, Michael Dooley, Alex Grecian, Simon Jimenez, and Laura O’Meara.

(7) OUT OF PRINT. In “This Is The Book That Outsold Dracula In 1897″, CrimeReads’ Olivia Rutigliano shows why an old bestseller is likely to remain in obscurity despite that singular achievement.

Bram Stoker’s Dracula has remained in print since it was first published in April 1897. A bestseller in its day, it has gone on to spawn countless derivatives and become one of the most indelible pop-cultural touchstones in recent history. Obviously. But, upon its first release, it was seriously outsold by another novel, a supernatural tale of possession and revenge called The Beetle, which fell out of print after 1960. And let me tell you, it’s something else.
Written by Richard Marsh, the author of extremely successful commercial short fiction during this era, The Beetle is actually rather like Dracula in form and plot. In addition to its being an epistolary novel, it is similarly about a seductive, inhuman, shape-shifting monster who arrives in England from the East, entrances a citizen into becoming its slave, and wages an attack on London society. And civilization’s only hope against this invader is a motley group of middle-class individuals (including one forward-thinking young woman and one expert on the supernatural), who must figure out what the creature actually is and ascertain why it has arrived to England, before finally destroying it….

(8) A FRIGID FORMULATION. Dann is “Re-Visiting Those Damned Cold Equations” at Liberty at all Costs.

… There is a forthcoming anthology of rebuttals to The Cold Equations. I expect many essayists to add elements that are not present in the original story to reach their own preferred conclusions. Rather than address the story as written, they will probably add in a factor that is not otherwise evident as a lever to be used against the main purpose of the story.

Rather than discussing the merits and criticism of the story, I’m first going to travel to Texas, rhetorically.

Lt. Governor Dan Patrick implied that he was willing to die to ensure the survival of his children and grandchildren. He went on to suggest that lots of grandparents would make the same choice. The context of his comments was the “choice” between maintaining our self-quarantine that is significantly damaging our economy or resuming normal social habits at the demonstrable risk of killing off a substantial number of our elderly.
…We are not currently at the point where we need to be deciding who lives and who dies. We are most certainly not at the point where we need to risk the lives of senior citizens by prematurely restarting the economy.

That being said, we do have to make choices; sometimes hard choices….
…The fact is that we all have to make choices based on what we hope is the best of information. We are all learning now about the importance of certain types of medical and personal protective equipment. We are learning that we had manufacturing and import capacity to cover the usual needs of society, but not enough to cover our needs during a pandemic. We are learning that we had stockpiles sufficient to cover a few significant regional calamities, but such stockpiles were entirely insufficient for a larger catastrophe.

…Will the critics of The Cold Equations pause in their rush to suggest alternative conclusions to acknowledge the practical limitations, however ham-handedly presented, that were in play?

(9) WHAT BOX? In a review of Bishakh Som’s new collection, NPR’s Etelka Lehoczky reports that “‘Apsara Engine’ Doesn’t Break The Graphic Novel Rules — It Ignores Them”.

There’s something a bit uncanny about Apsara Engine, the new comics collection by Bishakh Som. The world of comics is all about genre — superhero, sci-fi, fantasy, horror — and most of the time it’s pretty easy to match any book to its proper slot. Even highbrow graphic novels tend to categorize themselves through the style of art they employ and the types of stories they tell. Not this book, though. Its images and concepts seem to come from a place all their own. Som’s imagination is science-fictiony, without being particularly technological, mythic without being particularly traditional, and humanistic without cherishing any particular assumptions about where we, as a species, are headed.
You might classify these comics as “literary,” but Som’s approach to storytelling is as uncanny as her style and themes. Even the book’s structure keeps the reader off-balance. Som intersperses tales of future civilizations and half-human hybrid beasts with vignettes of run-of-the-mill contemporary life, so the reader never knows if something odd is about to happen.
You might classify these comics as “literary,” but Som’s approach to storytelling is as uncanny as her style and themes.
…Som’s artistic style breaks boundaries, too. She’ll employ traditional comic-book techniques for page layouts and character designs, then toss them aside with the turn of a page. A character who’s drawn iconically, with just a few efficient lines defining her features, will become lushly realistic at a pivotal moment. A story drawn in the usual square panels will suddenly burst forth into a series of flowing, uncontained two-page spreads.
Such moments of explosive transition provide the book’s heartbeat. It’s a mesmerizing arrythmia. The deceptiveness of what we think of as “ordinary life” is a running motif, one Som explores through unexpected juxtapositions. In “Come Back to Me,” a pretty young woman engages in an utterly mundane inner monologue while walking on the beach. Her reminiscences about the time she cheated on her boyfriend, which appear above and below the drawings, continue to unspool implacably even as she’s pulled into the ocean by a mermaid….

(10) BINNS OBIT. Merv Binns’ obituary, written by Leigh Edmonds, has appeared in The Age: “A luminary of Australian science fiction”. An excerpt:

In 1970, Binns established Space Age Books, with the help of his friends Lee Harding and Paul Stevens. It soon established a reputation as the best source of science fiction, fantasy and counter-culture literature in Melbourne, and probably Australia.
Space Age became the hub of a growing science fiction community and Binns became associated with leading authors, editors and publishers, as well the growing number of fans, in Australia and internationally.
As a result, Binns and Space Age were integral to the hosting of World Science Fiction Conventions in Melbourne in 1975 and 1985.

(11) MEDIA BIRTHDAY.

April 18, 1938 — Superman first appeared in Action Comics #1, a comic book published by National Allied Publications even though the cover said June. The character was created by writer Jerry Siegel and artist Joe Shuster. This was actually an anthology, and contained eleven features with the Superman feature being the first thirteen inside pages. Five years ago, a pristine copy of this comic sold for a record $3,207,852 on an eBay auction. It was one of two hundred thousand that were printed.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 18, 1884 — Frank R. Paul. An employee of editor Hugo Gernsback, he largely defined the look of both cover art and interior illustrations in the pulps of the Twenties from Amazing Stories at first and later for Planet Stories, Superworld Comics and Science Fiction. He also illustrated the cover of Gernsback’s own novel, Ralph 124C 41+: A Romance of the Year 2660. You can see his cover for Amazing Stories, August 1927 issue , illustrating The War of the Worlds here. (Died 1963.)
Born April 18, 1922 — Nigel Kneale. Writer of novels and scripts merging horror and SF, he’s best remembered for the creation of the character Professor Bernard Quatermass. Though he was a prolific British producer and writer, he had only one Hollywood movie script, Halloween III: Season of the Witch. (Died 2006.)
Born April 18, 1945 — Karen Wynn Fonstad. She designed several atlases of fictional worlds including The Atlas of Middle-earth, The Atlas of Pern and The Atlas of the Dragonlance World. (Died 2005.)
Born April 18, 1946 — Janet Kagan. “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo at ConFrancisco. She has but two novels, one being Uhura’s Song, a Trek novel, and quite a bit of short fiction which is out in The Complete Kagan from Baen Books and is available from the usual digital suspects. (Died 2008.)
Born April 18, 1952 — Martin Hoare. I’m not going to attempt to restate what Mike stares much better in his obituary here. (Died 2019.)
Born April 18, 1965 — Stephen Player, 55. He’s deep into Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh but that’s just a mere wee taste of he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money.
Born April 18, 1969 — Keith R. A. DeCandido, 51. I found him with working in these genre media franchises: such as Supernatural, Andromeda, Farscape, Firefly, Aliens, Star Trek In its various permutations, Buffy the Vampire Slayer, Doctor Who, Spider-Man, X-Men, Hercules, Thor, Sleepy Hollow,and Stargate SG-1. Has he ever written a novel that was a media tie-in?
Born April 18, 1971 — David Tennant, 49. Eleventh Doctor and my favorite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly. He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
Born April 18, 1973 — Cora Buhlert, 47. With Jessica Rydill, she edits the Speculative Fiction Showcase, a most excellent site. She has a generous handful of short fiction professionally published, and she’s also a finalist for the Best Fan Writer Hugo this year.

(13) COMICS SECTION.

Bizarro tells us what monsters sing.

(14) TOUGHER THAN DIAMOND? “DC to Sell New Comics. Here’s Why it Matters” is a Nerdist analysis of a potentially revolutionary development.

It’s been a wild month for comic book fans everywhere. Since the COVID-19 crisis fully took hold we’ve been getting used to new ways of living, working, and accessing our favorite art, even SDCC has been canceled! It was only a few weeks ago that Diamond–the comic book industry’s only physical distributor–would stop distributing single issues to comic shops. Since then, there have been plenty of rumors, failed plans, and new ideas. But now DC Comics has announced they will be selling comics directly to shops via two new distributors.
It’s great news for comics fans but also has massive implications for the future of the industry as a whole. We’re here to break down why.
… The fact that DC Comics is breaking with the exclusive deal Diamond has had with them for decades means that they are introducing two new distributors into the market for the first time in 20 years. It could essentially break the monopoly that Diamond has had on the industry. Possibly freeing up the proverbial trade routes that have long been under the control of one massive company….

(15) LEGACY OF THE PLAGUE. Sari Feldman looks ahead to “Public Libraries After the Pandemic” at Publishers Weekly.

…In a previous column, I wrote about the unprecedented library closures around the country in the wake of the pandemic. The value of public libraries is rarely questioned in times of crisis—think of the New Orleans Public Library after Hurricane Katrina, or the Ferguson Municipal Public Library during the unrest there. But this crisis—more specifically, the social distancing required to address this crisis—strikes at the very foundation on which the modern public library rests. And as the days go by, I find myself increasingly concerned about how libraries come back from these closures.
For one, I suspect that Covid-19 will change some people’s perspective on what can and should be shared. I fear many people will begin to overthink materials handling and the circulation of physical library collections, including books. It’s a reasonable assumption that people will emerge from this public health crisis with a heightened sense of risk related to germ exposure. How many of our patrons—particularly those with means—will begin to question the safety of borrowing books and other items from the library?
In terms of our buildings, open access for everyone has long been a celebrated library value. Public libraries have evolved, survived, and have even managed to thrive through a digital transformation by reconfiguring our spaces to be more social, more functional, and by offering more programs and classes. Can we maintain that in an age of social distancing? Will libraries need to supply gloves for shared keyboards? Will parents and caregivers still want to bring their children to a “Baby and Me” program? Will seniors still find respite in a library community?

(16) ONE PICTURE AND A THOUSAND WORDS. In “Revisiting Ursula K. Le Guin’s Novella About Interplanetary Racism” at New York Times Books, artist Ben Passmore visually comments on a Le Guin story.

A graphic novelist renders “The Word for World Is Forest,” a work that mixed the reality of racism with the fantasy of retribution.

(17) COUNTDOWN. In the Washington Post, Christian Davenport says NASA has authorized the first human spaceflight launching from the U.S. since 2011, with veterans Bob Behnken and Doug Hurley scheduled to go to the International Space Station on a SpaceX craft. “NASA sets a date for historic SpaceX launch, the first flight of NASA crews from U.S. in nearly a decade”.

…This time, though, the launch will be markedly different from any other in the history of the space agency. Unlike Mercury, Gemini, Apollo or the space shuttle era, the rocket will be owned and operated not by NASA, but by a private company — SpaceX, the hard-charging commercial space company founded by Elon Musk.

(18) KEEP YOUR DISTANCE. The Washington Post’s Travis M. Andrews says that last Saturday a giant music festival was held “featuring emo titans American Football, chiptune pioneers Anamanaguchi and electropop pioneer Baths,” but social distancing protocols were followed because this was a virtual festival that took place inside Minecraft. “Thousands gathered Saturday for a music festival. Don’t worry: It was in Minecraft.”

… Interested parties could “attend” in a few different ways. Some watched on the video game streaming site Twitch. To really get into the action, though, you needed to log into Minecraft, plug in the proper server info and, voilà!, you’d pop to life in a hallway and then explore the venue through your first-person viewpoint.
Purchasing a VIP pass (with real money) allowed access to special cordoned-off parts of the venue and the chance to chat with the artists on the gamer hangout app Discord. Meanwhile, the nearly 100,000 unique viewers on Twitch were encouraged to donate money to disaster recovery org Good360, which ended up with roughly $8,000 in proceeds.

(19) BIG SQUEEZE. “‘Bath sponge’ breakthrough could boost cleaner cars”

A new material developed, by scientists could give a significant boost to a new generation of hydrogen-powered cars.
Like a bath sponge, the product is able to hold and release large quantities of the gas at lower pressure and cost.
Made up of billions of tiny pores, a single gram of the new aluminium-based material has a surface area the size of a football pitch.
The authors say it can store the large volume of gas needed for practical travel without needing expensive tanks.
…As well as developing electric vehicles, much focus has been on hydrogen as a zero emissions source of power for cars.
The gas is used to power a fuel cell in cars and trucks, and if it is made from renewable energy it is a much greener fuel.
However, hydrogen vehicles suffer from some drawbacks.
The gas is extremely light – In normal atmospheric pressure, to carry 1kg of hydrogen which might power your car for over 100km, you’d need a tank capable of holding around 11,000 litres.
To get around this problem, the gas is stored at high pressure, around 700 bar, so cars can carry 4-5kg of the gas and travel up to 500km before refilling.
That level of pressure is around 300 times greater than in a car’s tyres, and necessitates specially made tanks, all of which add to the cost of the vehicles.
Now researchers believe they have developed an alternative method that would allow the storage of high volumes of hydrogen under much lower pressure.
The team have designed a highly porous new material, described as a metal-organic framework.

(20) CREDENTIAL TO KILL. NPR reveals what your SJW credential already knew — nature is full of self-propelled cat food: “The Killer At Home: House Cats Have More Impact On Local Wildlife Than Wild Predators”.

What does an outdoor cat do all day? According to new research, it could be taking a heavy toll on local wildlife.
A tracking study of more than 900 house cats shows when they kill small birds and mammals, their impact is concentrated in a small area, having a bigger effect than wild predators do….
“Even though it seems like their cat isn’t killing that many, it really starts to add up,” said Roland Kays, a scientist at North Carolina State University and the North Carolina Museum of Natural Sciences. (Full disclosure: Kays isn’t a cat or dog person but a “ferret person.”)
Kays and colleagues collected GPS data from cats in six countries and found most cats aren’t venturing very far from home.
“These cats are moving around their own backyard and a couple of their neighbors’ backyards, but most of them are not ranging very much further,” Kays said. “So initially I thought: ‘Oh, this is good news. They’re not going out into the nature preserves.’ “
Then Kays factored in how much cats kill in that small area. Some cats in the study were bringing home up to 11 dead birds, rodents or lizards a month, which doesn’t include what they ate or didn’t bring home to their owners.
“It actually ends up being a really intense rate of predation on any unfortunate prey species that’s going to live near that cat’s house,” he said.

(21) FLASHER. “Deep Sea Squid Communicate by Glowing Like E-Readers” – NPR item includes video so readers can test whether they see the patterns.

Deep in the Pacific Ocean, six-foot-long Humboldt squid are known for being aggressive, cannibalistic and, according to new research, good communicators.
Known as “red devils,” the squid can rapidly change the color of their skin, making different patterns to communicate, something other squid species are known to do.
But Humboldt squid live in almost total darkness more than 1,000 feet below the surface, so their patterns aren’t very visible. Instead, according to a new study, they create backlighting for the patterns by making their bodies glow, like the screen of an e-reader.
“Right now, what blows my mind is there’s probably squid talking to each other in the deep ocean and they’re probably sharing all sorts of cool information,” said Ben Burford, a graduate student at Stanford University.
Humboldt squid crowd together in large, fast-moving groups to feed on small fish and other prey.
“When you watch them it looks like frenzy,” Burford said. “But if you pay close attention, they’re not touching each other. They’re not bumping into each other.”

(22) THE HORROR. Consequence of Sound introduces a video publicizing Stephen King’s novella collection — “Stephen King Reads From New Book If It Bleeds: Watch”.

Stephen King jumped into the live stream game on Friday afternoon. The Master of Horror flipped on the camera to read the first chapter from his new book If It Bleeds. As previously reported, the book collects four different novellas — similar to Different Seasons or Four Past Midnight — and is available for Constant Readers on April 21st.
Wearing a Loser/Lover shirt from It: Chapter One, which is just all kinds of charming, King read from the first novel Mr. Harrigans Phone. The story continues the author’s mistrust of technology in the vein of Cell, and should make us all think twice about our respective smart phones. So, think about that as you watch King from your couch.

[Thanks to Michael Toman, JJ, Cat Eldridge, Bella Michaels, Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/25/19 Oh, Nicky, I Love You Because You Scroll Such Lovely Pixels

Posted on October 25, 2019 by Mike Glyer

(1) $$$ FOR JANEWAY MONUMENT. ScienceFiction.com spotlights a fundraiser — “Fans Are Collecting Money To Dedicate A Monument To Captain Janeway”.

Fans of ‘Star Trek: Voyager‘ are hoping to raise money to erect a monument in honor of lead character Captain Janeway in her future hometown Bloomington, Indiana. Kate Mulgrew portrayed the Captain for seven seasons on ‘Star Trek: Voyager’ from 1995-2001. She is the only female starship captain to serve as the focus of a ‘Star Trek’ series. The fictional character’s backstory included the fact that she was born and raised in Bloomington in the 24th century.
The Captain Janeway Bloomington Collective is raising funds to install a monument to the Star Trek: Voyager character in her “future” birthplace, Bloomington, IN. Donate between Oct. 22 – Dec. 22, and your contribution will be DOUBLED! www.janewaycollective.org/donate

(2) WRITERS, YOU’RE ON YOUR OWN. Science Fiction and Fantasy Writers of America responds to a ruthless business practice with a bromide: “SFWA Contracts Committee Advisory on No-advance Contracts”.

Recently, SFWA’s Contracts Committee was made aware of a situation in which a well-liked publisher canceled the publication of a number of books it had contracted to publish….

A publisher so well-liked that it cannot be named. (But see item #3 at the link).

And with this example of a ruthless business practice fresh in their minds what does SFWA advise writers to do?

Publishers of all sizes may find themselves unable to live up to their contractual commitments for a wide variety of reasons, some of which could not have been reasonably anticipated. Hence, the Contracts Committee urges writers to think carefully about signing a contract that provides no advance, or only a nominal advance, while tying up their work for a lengthy period of time.

So think carefully.

(3) LINE UP, SIGN UP, AND REENLIST TODAY. “Netflix’s ‘Space Force’ Enlists Noah Emmerich, Fred Willard And Jessica St. Clair” – ScienceFiction.com has the story.

Netflix’s already-in-production comedy ‘Space Force’ has added three new cast members to an already impressive cast, fronted by Steve Carell and John Malkovich. They will now be joined by Noah Emmerich, Fred Willard, and Jessica St. Clair. Carell stars as Mark R. Naird, “a General tapped by the White House to lead a new branch of the Armed Forces with the goal of putting American ‘Boots on the Moon’ by 2024.” Carell co-created the show with Greg Daniels (‘The Office’, ‘King of the Hill’).
Emmerich will portray the… *ahem* interestingly named Kick Grabaston, Naird’s old commanding officer, who is now the U.S. Air Force Chief of Staff. Jealous of Naird’s new position, he does “everything in his considerable power to make Naird’s life difficult.”

(4) BUT IS IT ART? Cora Buhlert sums up the cinematic kerfuffle in “Old Directors Yell at Clouds – Pardon, Superheroes”.

…Because for all their flaws, today’s superhero movies are a lot more diverse in front and behind the camera, then the highly touted movies of the New Hollywood era, which were made by and for a very narrow slice of people. It’s no accident that directors, actors and characters of those movies are all white and male and either Italian-American or members of some other immigrant group (the characters in The Deer Hunter are all descendants of Russian immigrants). There are a lot of people who never saw themselves reflected in those movies – women, people of colour, LGBTQ people, people who are not American – and who likely never much cared for those movies either, because the big Scorsese or Coppola fanboys are mostly white dudes themselves.
Saladin Ahmed says it best in the following tweet:

https://twitter.com/saladinahmed/status/1187208711552544768

(5) POP! SIX! SQUISH! Eneasz Brodski mourns a convention experience in “Why Are Your So Bad?” at the Death Is Bad blog.

I had a saddening encounter this weekend. On a panel about civil verbal disagreement, an audience member asked what to do when people use terms that are viewed by one side in a debate as slurs (such as “climate-denier”) and was told that in such a case, rather than getting upset one should stay quiet and introspect on their situation and see if they can understand why the other party would say such things….
(I know that “climate denier” is obviously drastically different. No one’s ever been kicked out of their house or beaten to death for being a climate denier. But after a failed attempt using a more analogous example, I found this was the only one that could get my co-panelist to consider how someone from the outside would view her call to ponder “why am I so bad?” rather than anything remotely realistic.)
Importantly, afterwards the panelist told me privately that she didn’t mean to be unfair or anything. It’s just that the person who asked the question was a White Man, he obviously needed to reflect on himself. And implicit both in her words and the “you know…” look she was giving me was that white men can have no legitimate complaints about how they are treated, and that was the basis of her answer. They are a class that can only ever do violence, and no verbal abuse can be visited upon them that is not morally justified. The only thing she knew about the question-asker was that he was white and male and somewhere north of his 40s, and that was enough.

(6) CARRIE FISHER BIO ON THE WAY. “Author of unauthorized Carrie Fisher biography defends it against family disavowal” — Entertaiment Weekly has statements from both sides.

A new biography on the late actress and writer Carrie Fisher is generating controversy ahead of its release next month.
On Thursday, Fisher’s daughter, Billie Lourd, and her father, Bryan Lourd, issued a statement disavowing Carrie Fisher: A Life on the Edge, by Sheila Weller. Set to be published through the Farrar, Straus and Giroux imprint Sarah Crichton Books, which falls under Macmillan — one of the Big 5 publishing houses in the U.S. — the book has generated strong buzz in the form of starred trade reviews and praise from award-winning writers including Rebecca Traister and David Maraniss.
Bryan Lourd wrote the statement. He calls the biography “unauthorized,” writing, “I do not know Ms. Weller. Billie does not know Ms. Weller. And, to my knowledge, Carrie did not know her.” He adds that Weller sold the book “without our involvement,” and that he has not read the book. “The only books about Carrie Fisher worth reading are the ones Carrie wrote herself,” he concludes. “She perfectly told us everything we needed to know.”

(7) HE’S DEAD JIM. The Guardian reports “Plan to exhume James Joyce’s remains fires international ‘battle of the bones’”. Seven cities claimed Homer dead, and all that.

… Joyce left Ireland in 1904 to live in Trieste, Paris and Zurich, never returning to his homeland after 1912. The writer had a complex relationship with the country, which in effect banned Ulysses over its “obscene” and “anti-Irish” content. He “decries Irish society’s conservatism, pietism and blinkered nationalism” in his writing, according to an essay from the Irish Emigration Museum curator Jessica Traynor. One of the characters in his novel A Portrait of the Artist as a Young Man describes Ireland as “the old sow that eats her farrow”.
Although Joyce “couldn’t bear to live in Dublin”, Traynor continues, his “spiritual and artistic engagement with the city continued until the end of his life”. When he lived in Paris, his “favourite pastime was to seek out visitors from Dublin and ask them to recount the names of the shops and pubs from Amiens Street to Nelson’s Column on O’Connell Street”.
When Joyce died aged 58 after undergoing surgery on a perforated ulcer, Ireland’s secretary of external affairs sent the order: “Please wire details about Joyce’s death. If possible find out if he died a Catholic.” Neither of the two Irish diplomats in Switzerland at the time attended his funeral, and the Irish government later denied Barnacle’s request to repatriate his remains.
If the Dublin city councillors’ motion is passed, the next step will be to ask the Irish government to request the remains be returned before the centenary celebrations around the publication of Ulysses in 2022. A spokeswoman for culture minister Josepha Madigan told theJournal.ie it was “a matter in the first instance for family members and/or the trustees of the Joyce estate”.

(8) COLLECTIBLE FANZINES. PoopSheet Foundation has details about the sale of the “Steve Ogden Fanzine Collection on eBay”.

Some of you know fanzine publisher/collector Steve Ogden passed recently. Per his wishes, I’ve begun listing his massive collection which includes comic fanzines, sf fanzines, mini-comics, underground comix, comic books and more.
Here are the current auctions and there are many, many more on the way. Please add me as a favorite seller if you’d like to stay on top of the new listings.

(9) TODAY IN HISTORY.

Wikipedia’s “Featured Article for October 25, 2019” is about a British prozine —

Science Fantasy was a British fantasy and science fiction magazine, launched in 1950 by Nova Publications. John Carnell edited the magazine beginning with the third issue, typically running a long lead novelette along with several shorter stories….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 25, 1909 – Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”, but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The Invaders, I Dream of Jeannie, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Science Fiction Theater, The Incredible Hulk and The Outer Limits. And yes, in The Time Machine film. (Died 1996.)
Born October 25, 1940 – Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties. Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also known for the Scavenger’s Newsletter which featured a number of noted writers during its long run including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
Born October 25, 1955 – Gale Anne Hurd, 64. Her first genre work was as Corman’s production manager on Battle beyond the Stars. (A decent 42% at Rotten Tomatoes.) From there, we’ve such films as Æon Flux, the Terminator franchise, Aliens, Alien Nation, Tremors, Hulk and two of the Punisher films to name just some of her genre work. Have any of her films been nominated for Hugos?
Born October 25, 1955 – Glynis Barber, 64. Soolin on Blake’s 7 for a series. She also appeared in The Hound of the Baskervilles (Ian Richard and Donald Churchill were Holmes and Watson) and a Sherlock Holmes series I didn’t know about, Sherlock Holmes and Doctor Watson starring Geoffrey Whitehead and Donald Pickering.
Born October 25, 1971 – Marko Kloos, 48. Lines of Departure was nominated for the 2015 Hugo Award for Best Novel on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors.
Born October 25, 1989 – Mia Wasikowska, 30. She’s Alice in Tim Burton’s creepy Alice in Wonderland and equally creepy Alice Through the Looking Glass. Rotten Tomatoes gave the first a 53% rating and the second a 29% rating.

(11) THE BOX SCORE. The Hollywood Reporter hears cash registers ringing: “Box Office: ‘Joker’ Passes ‘Deadpool’ as Top-Grossing R-Rated Pic of All Time”. I didn’t know they kept statistics for this.

To date, Joker has earned $258.6 in North America and $529.5 million internationally. It is is expected to ultimately take in close to $900 million globally, with some thinking it has a shot at approaching $1 billion. The film is an enormous win for Warner Bros., particularly considering it faced security concerns ahead of its release and that it is not a traditional comic book movie. Ultimately, Joker is expected to turn a profit north of $400 million. Village Roadshow and Bron each have a 25 percent stake in the film.
The new record for Joker puts it atop an R-rated all-time list that, in addition to Deadpool, includes 2003’s The Matrix Reloaded ($738.6 million), 2017’s It‘s ($697 million) and 2003’s The Passion of the Christ ($622.3 million), not adjusted for inflation.

(12) YOUR MONEY’S NO GOOD HERE. However, one studio is strangling a traditional revenue stream. Vulture reports “Disney Is Quietly Placing Classic Fox Movies Into Its Vault, and That’s Worrying”.

Joe Neff knew there was trouble when the horror films started vanishing.
Neff is the director of the 24-Hour Science Fiction and Horror Marathons that happen every spring and fall at the Drexel Theater, an independent venue in Columbus, Ohio. For this year’s Horror Marathon, Neff wanted to screen the original 1976 version of The Omen and the 1986 remake of The Fly, two of hundreds of older 20th Century Fox features that became the property of the Walt Disney Corporation after its $7.3 billion purchase of the studio’s parent company, 21st Century Fox, was made official this past spring. In the preceding few months, Neff had heard rumblings in his Google group of film programmers that Disney was about to start treating older Fox titles as they do older Disney titles — making them mostly unavailable to for-profit theaters. More and more film programmers and theater managers were reporting that they had suddenly and cryptically been told by their studio contacts that Fox’s back catalogue was no longer available to show. Some got calls informing them that an existing booking had been revoked.

(13) WATCHMEN AND ITS DISCONTENTS. [Item by Olav Rokne.] A segment of the fan community is voicing grievances about HBO’s Watchmen series that they complain is “too political.” Their grievance is, of course, nonsense, and Alex Abad-Santos of Vox magazine delves into exactly why Watchmen is, and always has been, a seriously political (dare we even say anti-fascist?) work of fiction. “Some Watchmen fans are mad that HBO’s version is political. But Watchmen has always been political.”

In Moore and Gibbons’ version of Watchmen, giving someone unrestrained authority is a recipe for disaster. Lindelof pushes that question further and glances into American history to draw on that same theme, but from the point of view of black men and women — people who have been ostracized, belittled, dehumanized. People who someone like Rorschach would have loathed.

(14) LET’S GET THIS STRAIGHTENED OUT. Gareth L. Powell will explain it all to you.

"No, no, no. 'Hubble' was the name of the scientist. 'Hubble's Monster' was the name of the telescope."
— Gareth L. Powell (@garethlpowell) October 21, 2019

(15) FOR ALL MANKIND. WIRED braves the elements to take readers “Inside Apple’s High-Flying Bid to Become a Streaming Giant”.

More than 50 buildings and soundstages sprawl across the 44 acres of the Sony Pictures lot. That’s a lot of windowless oblongs, and even more distance between them. If you need to get from, say, the Jimmy Stewart Building to Stage 15, golf carts and Sprinter vans are the customary mode—even on sunny days. On a particular Saturday in February, while an atmospheric river settled over Los Angeles, those vehicles were a necessity. The downpour was bad luck for the dozens of journalists there that day, but it was also a touch allegorical. After what felt like years of anticipation, Apple was about to take us behind the scenes of a show it was making for its still mysterious, still unnamed subscription streaming service. We were going to find out if Apple, maker of so many devices that have redefined the way we consume content, could finally make content—good content—of its own.
After the journalists handed their phones to Apple staffers to be taped up with camera-blockings stickers, the vans shuttled the group to Stage 15. (The Sony complex is also home to HBO’s Insecure and Showtime’s Ray Donovan. Apple may have a near-trillion-dollar market cap, but it still leases soundstages like everyone else in Hollywood.) Dryness maintained, we walked into the control room of NASA’s Manned Spacecraft Center circa 1969.

(16) THE NOTHINGULARITY. Vox makes a recommendation: “Zero Hours is a terrific fiction podcast about the end of the world”.

…But what feels like the end of the world happens millions of times a day on a more personal level. A marriage crumbles into ruin. Somebody loses their job. A child dies. Your favorite baseball team makes some boneheaded managing decisions and misses the World Series. You can’t find the chips you want. None of these is literally apocalyptic, but each one can be metaphorically so. Sometimes, that’s as bad as the real thing.
The space of the personal apocalypse is where the new audio fiction podcast Zero Hours thrives. It’s a seven-episode anthology series set across seven centuries and 594 years, beginning in 1722 and ending in 2316. (In between every episode, 99 years pass, so episode two takes place in 1821, episode three takes place in 1920, etc.)
Every episode depicts one of these smaller, personal apocalypses, but none of them actually end humanity (though the last takes place after we’ve gone extinct). The story is probably most similar to David Mitchell’s novel Cloud Atlas (and the subsequent film based on it), but really, it’s not quite like any other work of fiction.

(17) WHAT’S STREAMING? Zomboat! on Hulu.

In this British sitcom available on Hulu, a cheeky group of travelers flee a zombie-infested Birmingham, England, by canal.

Daybreak on Netflix, is a comedy that “revolves around cliquey teens in a post-apocalyptic Glendale, Calif., where a nuclear blast has transformed many grown-ups into zombie-like monsters.” (Hey, John King Tarpinian’s hometown!)

(18) NOT YOUR AVERAGE TAILORS. A company called Full Body Armors offers custom-fitted superhero outfits including Batman, Iron Man, and Deadpool. “The Iron Man Mark 47 suit can include a motorized mask, a voice changer, and even an integrated cooling system.” All for five thou a suit!

Even if you order today, The Wearable Armored Batsuit Costume Suit won’t arrive in time for Halloween. Or Christmas. Maybe for Martin Luther King’s Birthday.

(19) SJWCS’ REAL STORY. “Why do we think cats are unfriendly?” If you feed them, they will come. Maybe. Eventually.

Cats are the only asocial animal we have successfully domesticated. We’re disappointed that we don’t bond with them as easily as dogs. But are we just missing the signs?
Dogs seem almost biologically incapable of hiding their inner moods – shuffling, snuffling, tail-wagging clues to contentment, nervousness or sheer, unadorned joy. Despite what the famous painting might want to tell you, dogs would be terrible poker players. We pick up their cues all too easily.
Cats also have sophisticated body language – their moods are signalled through twitching tails, ruffled fur, and the position of ears and whiskers. A purr usually (but not always) signals friendliness or contentment. They’re a usually reliable method of working out if the cat is in friendly mode or best left alone.
…One clue to the cat’s image may come from how they were domesticated in the first place. It was a much more gradual process than that of dogs – and cats were very much in the driving seat. The earliest domesticated cats started appearing in Neolithic villages in the Middle East around 10,000 years ago. They didn’t depend on their early human hosts for food – they were encouraged to fetch it themselves, keeping crops and food stores safe from rats and other vermin. Our relationship with them was, from the outset, a little more at arms’ length than dogs, who helped us hunt and relied upon humans for a share of the spoils.
The cat that may be currently curled up on your sofa or glaring at you from its vantage point on top of the bookcase shares many of its instincts with that of its pre-domestic ancestors – the desire to hunt, to patrol territory, guarding it from other cat; they are much closer to their old selves than dogs. Our taming of cats has only partly removed them from the wild.

(20) THIS ONE’S REAL. Not a link to an Onion surrogate this time: “JK Rowling calls for end to ‘orphanage tourism'”.

JK Rowling has told young people not to become volunteers in overseas orphanages, because of the risk that they might be unwittingly supporting places that are cruel to children.
The Harry Potter author warned that children in orphanages in poorer countries often still had parents – but they had been separated by poverty rather than the death of their parents.
“Do not volunteer in orphanages. Instead, look at what drives children into institutions,” she told a conference in London.
The author set up a charity, Lumos, in response to cases of neglect in Eastern European orphanages, which is campaigning to remove children from orphanages and return them to their families.
It operates in countries including Moldova, Ukraine, Bulgaria, Colombia, Haiti, Ethiopia and Kenya.

(21) NOW IN PAPER. Well, yes, it is a commercial. But this is a pretty book! Star Wars: The Ultimate Pop Up Galaxy preview.

Presented in a dynamic 360-degree format that enables the action to be viewed from all sides, the book also opens up to form a displayable 3D diorama of the entire saga. Packed with amazing Star Wars moments and hidden surprises to discover, Star Wars: The Ultimate Pop-Up Galaxy represents a whole new level of sophistication and interactivity in pop-up books and is guaranteed to thrill fans of all ages. Matthew is the King of Paper Engineering and returns to the franchise with this new, deluxe pop-up.

[Thanks to Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Alan Baumler, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/8/19 File The Scroll Ashore, Pixellujah

Posted on April 8, 2019 by Mike Glyer

(1) MOST READ NOMINEES. Nicholas Whyte blogs the numbers of people who report owning copies of the Hugo nominees in various categories to see if it helps predict who will win: “Hugo finalists – Goodreads/LibraryThing statistics”.

Once again I’m running the statistical ruler over the finalists for the Hugos – this year, more than ever. This has not often been a useful guide to which books will win; however I think it does show the extent to which they ave penetrated popular consciousness, at least to within an order of magnitude.

(2) TAKEN ABACK. Best Fan Artist Hugo nominee Ariela Housman (Geek Calligraphy) apparently is getting some official pushback about which of her items are qualifying work, as explained in “Hugo Eligibility Revisited”.

When we published our eligibility post in December, we included the above two works, plus “Lady Astronaut Nouveau” based on The Calculating Stars by Mary Robinette Kowal. The former two were created earlier in 2018 and shown in art shows at Confluence and ICON. We finished “Lady Astronaut Nouveau” late enough in the year that we didn’t have any more art shows booked in which we could show it. We put it all over the interwebs, though.
This is what the Hugo Awards Website gives as the criteria for the Best Fan Artist category (bolding ours):

The final category is also for people. Again note that the work by which artists should be judged is not limited to material published in fanzines. Material for semiprozines or material on public displays (such as in convention art shows) is also eligible. Fan artists can have work published in professional publications as well. You should not consider such professionally-published works when judging this award.

The internet is about as public as it gets, right? It was even included in Mary Robinette’s Pinterest Gallery for Lady Astronaut Fan Art.

Apparently the Hugo Committee disagrees. Per the email I received from the committee member who contacted me prior to the announcement of the ballot:

The first two pieces clearly qualify, so that is fine. I’m afraid that the rules exclude pieces that have only been displayed online.

This, dear reader, is ridiculous.

Hopefully, Hugo Administrator Nicholas Whyte will reconcile all this for us, especially since some of us are under the impression fan artists’ online work was included in the 2017 Hugo Voter Packet.

(3) THUS ENDETH THE SERIES. Comic Book Resources warns fans that “AMC’s Preacher Is Ending With Season 4”.

Co-creator Seth Rogen announced the news in a video teaser posted to his Twitter page. The simple, yet stylized video prominently displays the Preacher title card, followed by an explosion and the declaration, “The end is now.” Then, the title card returns to confirm that the show’s fourth season will mark the end of the series. The teaser also reveals that Preacher Season 4 will debut on Aug. 4.

(4) LUCKY NUMBER. Next week’s Titan Comics releases include another adventure with the thirteenth Doctor Who. No, it’s not a Prisoner mashup.

DOCTOR WHO: THIRTEENTH DOCTOR #6 – The Thirteenth Doctor’s continue after the season finale, as Eisner nominee Jody Houser brings a fresh new Doctor Who story to fans old and new.

(5) TREK THRU FANHISTORY. The Dana Gould Hour podcast interviews John and Bjo Trimble:

John and Bjo Trimble. For those of you who don’t know John & Bjo, I’m very excited you get to hear their story for the first time. In the late 1960s, they were fans of a little TV show called Star Trek, and when it was announced, during Star Trek’s second season, that the show would not be returning for a third, they sprang into action. John and Bjo knew that TV shows don’t go into syndication unless they have three seasons – that gives you enough episodes strip the show. In other words, you need enough episodes to run five nights a without repeating episodes too quickly. You needed volume. And two seasons was not enough.
In those pre-internet days, John and Bjo started the letter writing campaign that saved Star Trek. Thanks to John and Bjo Trimble, Star Trek had three seasons, which allowed it to be syndicated, which allowed it to catch on, find its audience and become the juggernaut that it is today.

(6) MORE OREO MUTATIONS. Food & Wine’s spies say “Purple Creme Oreos Will Celebrate the Moon Landing, Apparently”.

The weekend is two days long, so of course, we have photos of three new Oreo varieties for you.

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(7) LEARNING A LOT. Cat Rambo posted highlights from Catherine Lundoff’s online class, “So You Want To Put Together An Anthology”. For more information about Rambo Academy for Wayward Writers Classes, see the website at academy.catrambo.com

You'll have about 80-90k word length to play around with and will need to remember that includes stuff like intros and bios. #anthologybuilder pic.twitter.com/Ip1XQynhck
— Cat Rambo (@Catrambo) April 6, 2019

(8) POP YOU CAN HEAR IN SPACE. Star Trek Nitpickers didn’t find it hard to choose ten, for obvious reasons:

Top 10 funniest uses of pop music in The Orville. There were only 11, so I threw in a runner up. Also–lots of song factoids. This video serves as a loose recap for season one as well. I hope you’ll check out other songs by these great musicians!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 8, 1887 — Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel apparently beloved by many. (I’m not one of them.) In 1970 an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
Born April 8, 1939 — Trina Schart Hyman. An illustrator of children’s books. She illustrated over 150 books, including fairy tales and Arthurian legends. She won the 1985 Caldecott Medal for U.S. picture book illustration, recognizing Saint George and the Dragon, retold by Margaret Hodges. Among the genre works she’s illustrated are Lloyd Alexander’s The Fortune-Tellers, Mark Twain’s A Connecticut Yankee in King Arthur’s Court and J. M. Barrie’s Peter Pan. (Died 2004.)
Born April 8, 1942 — Douglas Trumbull, 77. Let’s call him a film genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind, 2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost.
Born April 8, 1943 — James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
Born April 8, 1966 — Robin Wright, 53. Buttercup! Need I say more? I think not. She next pops in in Robin William’s Toys as Gwen Tyler and I see she was in M. Night Shyamalan’s Unbreakable as Audrey Dunn. The animated Neil Gaiman Beowulf has her voicing Queen Wealtheow. Blade Runner 2049 is next for her where she has the role of Lieutenant Joshi. The DC Universe is where we finish off with her playing General Antiope in three films, to wit Justice League, Wonder Woman and Wonder Woman 1984.
Born April 8, 1967 — Cecilia Tan, 52. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy.
Born April 8, 1968 — Patricia Arquette, 51. She made her genre debut as Kristen Parker in A Nightmare on Elm Street 3: Dream Warriors. That and the horror film Nightwatch in which she was Katherine are, I think, her only genre gigs other than a Tales from the Crypt episode called “Four-Sided Triangle” episode in which she was Mary Jo.
Born April 8, 1974 — Nnedi Okorafor, 45. Who Fears Death won the 2011 World Fantasy Award for Best Novel. Lagoon which is an Afrofututurist novel was followed by her amazing Binti trilogy. Binti which led it off that trilogy won both the 2016 Nebula Award and 2016 Hugo Award for best novella. Several of her works are being adapted for video, both in Africa and in North America.
Born April 8, 1980 — Katee Sackhoff, 39. Being noted here for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her role as Deputy Sheriff Victoria “Vic” Moretti on Longmire. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars In a recurring role of voicing Bo-Katan Kryze.
Born April 8, 1981 — Taylor Kitsch, 38. The lead in John Carter, a film I’ll be damn if I can figure out how anything can have such great digital effects and such truly bad acting. No mind you he went on next to be Lt. Alex Hopper In Battleship, a film based on, yes, the board game. Earlier in his career is did play Gambit (Remy Etienne LeBeau) in X-Men Origins: Wolverine which, errr, wasn’t received well either.

(10) COMICS SECTION.

Frazz is all about coffee science.

(11) JANSSON LEGACY. The Guardian’s Lisa Allardice profiles the Moomins, subject of a new TV adaptation, in “‘It is a religion’: how the world went mad for Moomins”.

It is striking how much fear shadows the novels: for all the sunshine and picnics, menace lurks behind every bush: like a skater on ice, Jansson is always aware of the murky darkness just inches below. Of her success Jansson wrote: “Daydreams, monsters and all the horrible symbols of the subconscious that stimulate me … I wonder if the nursery and the chamber of horrors are as far apart as people think.” As Huckerby observes, the novels “go to some very dark places” and they have tried to reflect this in their adaptation. “It is being billed as prime time drama for all the family,” Ostler says. “It’s not a kids’ show.”

(12) YOU’RE THE TOP! To mix a metaphor, John Scalzi scaled Amazon’s Mt. Everest yesterday.

So, uhhhhh… Apparently I'm the most popular author on @amazon at the moment. Of, like, all of them. So I have that going for me, which is nice. pic.twitter.com/Zignf5IfE3
— John Scalzi (@scalzi) April 8, 2019

He also wrote a Twitter thread explaining that this good thing could not be improved by knocking other writers. Thread starts here.

1. Because that author/creator you're dumping on might be a friend, or someone I otherwise like and respect. It's not fun to have someone else dump on your friends, even (especially) when it's couched in praise for you.
— John Scalzi (@scalzi) April 8, 2019

(13) WELCOME OUR ROBOT UNDERLORDS. NPR announces “The Robots Are Here: At George Mason University, They Deliver Food To Students”.

George Mason University looks like any other big college campus with its tall buildings, student housing, and manicured green lawns – except for the robots.

…”We were amazed by the volume of orders that we had when we turned the service on,” Starship Technologies executive Ryan Tuohy says. “But what’s really touching is how the students on the campus have embraced the robots.”

(14) TURN OUT THE LIGHTS. A study shows “Big Cities, Bright Lights And Up To 1 Billion Bird Collisions” – NPR has the story.

Up to 1 billion birds die from building collisions each year in the United States, and according to a new study, bright lights in big cities are making the problem worse.

The study, published this month in the journal Frontiers in Ecology and the Environment, examined two-decades of satellite data and weather radar technology to determine which cities are the most dangerous for birds. The study focused on light pollution levels, because wherever birds can become attracted to and disoriented by lights, the more likely they are to crash into buildings.

The study found that the most fatal bird strikes are happening in Chicago. Houston and Dallas are the next cities to top the list as the most lethal. One of the study’s authors, Kyle Horton, a postdoctoral fellow at Cornell University, called the cities a “hotspot of migratory action,” adding, “they are sitting in this primary central corridor that most birds are moving through spring and fall.”

(15) RUBBER WEAPONS CHECK. Somebody thinks Voyager’s photon torpedo account was overdrawn. Because they counted. (A 2011 post.)

(16) VOYAGE TO THE BOTTOM OF THE FOOD CHAIN. In comments, Darren Garrison figured out what the contents of Ursula Vernon’s next Hugo acceptance speech will be: “Unsettling Video Shows What Happens to a Dead Alligator at the Bottom of the Sea” at Gizmodo.

The enthusiasm of these scavengers is totally understandable. Deep-sea bottom feeders are immensely dependent upon “food falls,” in which deceased aquatic animals from above settle on the ocean floor. This typically involves whales, dolphins, sea lions, and large fish like tuna, sharks, and rays, but it can also involve stuff from the land, such as plant material, wood, and, as the new video shows, alligators dropped by scientists.

(17) ALL ABOARD! The Points Guy tells you how to catch a ride on this celebrity train: “Calling All Muggles: The Real Hogwarts Express Train Is Back in Action”.

Accio tickets to the Scottish Highlands!
After a seasonal break, the Jacobite steam train (a.k.a. the train used as a stand-in for the actual Hogwarts Express in the Harry Potter films) is back in business, People reports. And no, you won’t have to pass through Platform 9 3/4 to get there.
The Jacobite steam train has been in operation for over 100 years. Known originally for its scenic views of the Scottish Highlands, the old rail line only got attached the Harry Potter-verse after it was featured as the Hogwarts Express in “Harry Potter and the Sorcerer’s Stone” and every other Potter film going forward.

(18) TOOTLE, PLUNK AND BOOM. In “Game of Thrones Turned Its Composer Into a Rock Star” in The Atlantic, Spencer Kornhaber profiles Ramin Djawadi, composer of the music for Game of Thrones.

The arsenal of instruments Ramin Djawadi has used to score Game of Thrones includes mournful strings, mighty horns, and the Armenian double-reed woodwind known as a duduk. During the series’ first five seasons, however, he left one common weapon untouched: the piano. Early on, the showrunners, David Benioff and D.B. Weiss, decided that the ivories were too delicate for the show;s brutal realms, where even weddings tend to involve some stabbing. They also banned the flute, for fear that Thrones would sound like a Renaissance fair.

(19) LIVE FROM NEW YORK. Kit Harington Saturday Night Live monologue is full of Game of Thrones jokes, and the sketch “Graphics Department” makes D and D jokes.

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Daniel Dern, Martin Morse Wooster, Carl Slaughter, Mike Kennedy, Darren Garrison, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 3/17/19 To Say Nothing Of The Cat

Posted on March 17, 2019 by Mike Glyer

(1) DANK DAIRY. Nature gets into the spirit of St. Patrick’s Day in its own idiocyncratic way with publication of this research: “Four millennia of dairy surplus and deposition revealed through compound-specific stable isotope analysis and radiocarbon dating of Irish bog butters”.

Bog butters are large, white to yellow waxy deposits regularly recovered from the peat bogs of Ireland and Scotland, often found in wooden containers or wrapped in bark or animal membranes (Fig. 1). With recorded weights of up to 23?kg (and several examples that may be larger), bog butters were first documented in the 17^th century; the total number recovered to date may approach 500 specimens1^,2. Published radiocarbon determinations on Irish bog butters show activity spanning the Iron Age to the post-medieval period3^,4 with folk accounts indicating survival into the 19th century5^,6. While the reasons behind their deposition continue to be debated1^,2, the remarkable preservative properties of peat bogs are well known7 and several post-medieval accounts mention the practice of storing butter in bogs to be consumed at a later date, whether by necessity or as a delicacy8^,9^,10. Early medieval Irish law tracts list butter as one of the products payable as food rents11, which may have needed to be stockpiled or stored. Parallels have also been drawn with the widespread deposition of metal and other objects in wetlands during the Bronze Age and Iron Age, often assumed to be votive or ritual acts….

(2) CLOSE GUESSES. The New York Times Book Review has two articles on world-building in speculative fiction this week:

“What Do the Make-Believe Bureaucracies of Sci-Fi Say About Us?” by Ben Winters

“Ours is a world of laws—and given available evidence, so are all other worlds.
As they build their wild what ifs, the authors of speculative fiction draft legislation: They draw up regulations and establish cabinet agencies and sub-agencies, often employing a diction eerily reminiscent of real-life government and politics—the eeriness being very much the point.”

“When Science Fiction Comes True” by Namwali Serpell

Maybe because we’re living in a dystopia, it feels as if we’ve become obsessed with prophecy as of late. Protest signs at the 2017 Women’s March read “Make Margaret Atwood Fiction Again!” and “Octavia Warned Us”…
In “The Dreams Our Stuff Is Made Of: How Science Fiction Conquered The World,” Thomas Disch calls this relay between fiction and reality “creative visualization.”

(3) FIRE IN THE WHOLE. Steven Zeitchik says in the Washington Post that tensions are rising between the Writers Guild of America (East) & Writers Guild of America (West) and the Association of Talent Agents because the writers think the agents are forming production companies and not being fair to the writers. He says if the agents and writers don’t negotiate a new “artists manager basic agreement” about fee sharing by April 6, the result could be a mass firing by the 20,000 WGA members of their agents. “Hollywood agents and writers meet, but impasse remains”.

…The writers say they do not wish to renew the franchise agreement without significant revisions. They want new units that the agencies created to function as production companies to instead be formally carved out as separate entities. At present those units exist more as extensions of the agencies, which the writers say ups the possibility for conflicts of interest.
The also want to overhaul the main ways agents collect money on writers’ work. At the moment those revenue are dominated not by standard commissions from clients but by packaging fees, in which studios pay the agents for putting together the creative elements of a show. Those fees, the writers say, encourage agents to act against their own clients’ interests and also allow them to dip into a pool of revenue that should go to creators.
The agencies, particularly the Big Four — CAA, WME, UTA and ICM — that are leading the fight, say that the writers are working under false assumptions. Packaging fees and new entities offer riches to both parties, they say, especially as the media companies with which they are negotiating are growing larger and more vertical.

(4) FOR MEMORY CARE. The GoFundMe for Gahan Wilson has raised $52,175 of its $100,000 goal in the first 14 days. More than a thousand people have donated.

(5) NOT SAFE FOR WHATEVER. [Item by Dann.] Netflix recently released their series of sci-fi/fantasy/horror animated short files under the title Love, Death + Robots. The collection features 10-20 minute long films based on genre stories. Original story authors include John Scalzi, Marko Kloos, Joe Lansdale, and Ken Liu.

The collection is billed as an “NSFW anthology”. It generally lives up to that appellation. The films range from mildly questionable language to full-on body dismemberment to sexually explicit content (voluntary and otherwise). The use of felines periodically borders on being questionable.

Tim Miller, director of Deadpool, leads the effort. He is also an executive producer. Miller and David Fincher have been credited with developing the anthology as a sort of modern version of Heavy Metal magazine.

The collection is part of Netflix’s effort to create unique content. Many recently released titles feature genre based stories. Not unlike Amazon’s influence on the increasing number of sub-novel length works, might this development be a signal of technology changing markets to allow a range of video productions other than long format movies or shorter format TV series?

Is there a Hugo worthy animated short in this anthology? Only people living in 2020 know for certain.

(6) RYAN OBIT. In “Tom K. Ryan, R.I.P.”, Mark Evanier pays tribute to the Tumbleweeds cartoonist who died on March 7.

Cartoonist Tom K. Ryan, who gave us the syndicated strip Tumbleweeds has passed at the age of 92…actually, about 92.8. His popular western-themed comic made its debut in September of 1965 and lasted until the end of 2007 when Ryan decided he was getting too old to continue it. A run of 42+ years is pretty impressive in any industry. Like most cartoonists, Ryan was aided by occasional assistants, one of whom — a fellow named Jim Davis — did okay for himself when he struck out on his own and created Garfield.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role a an actress, she played two roles, Maria and her double, the Maschinenmensch. Oddly enough I’ve not seen it, so do render your opinions on it please. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and in particular attacking Jewish financial speculators. (Died 1996.)
Born March 17, 1945 — Tania Lemani, 74. She played Kara in the Trek episode “Wolf in the Fold”. She first met Shatner when she was offered her a role in the pilot for Alexander the Great, starring him in the title role (although the pilot failed to be picked up as a series). She had parts in The Man from U.N.C.L.E., The Bionic Woman and she shows up in the fanfic video Star Trek: Of Gods and Men. I assume as Kara, though IMDb lists her as herself.
Born March 17, 1947 — James K. Morrow, 72. I’m very fond of the Godhead trilogy in which God is Dead and very, very present. Shambling Towards Hiroshima is a lot of satisfying satirical fun as is The Madonna and the Starship which is also is a wonderful homage to pulp writers.
Born March 17, 1948 — William Gibson, 71. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. The works I struggled with are Pattern Recognition, Spook Country and Zero History. I’ve tried all of them, none were appealing. Eh?
Born March 17, 1949 — Patrick Duffy, 70. Surely you’ve seen him on Man from Atlantis? No? Oh, you missed a strange, short-lived show. His other genre credits are a delightfully mixed bag of such things as voicing a Goat on Alice in Wonderland, appearing on The Secret Adventures of Jules Verne as Duke Angelo Rimini in the “Rockets of the Dead” episode and voicing Steve Trevor in the incredibly excellent “The Savage Time” three-parter on Justice League.
Born March 17, 1951 — Kurt Russell, 68. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good.
Born March 17, 1958 — Christian Clemenson, 61. Though I’m reasonably sure his first genre appearance was on the Beauty and The Beast series, his first memorable appearance was on the BtVS episode “Bad Girls” as a obscenely obese demon named Balthazar. Lots of practical effects were used. His other significant genre role was on The Adventures of Brisco County, Jr. as fish way out of the water Eastern lawyer Socrates Poole. And yes, I loved that series!
Born March 17, 1962 — Clare Grogan, 57. On the Red Dwarf series as the first incarnation of Kristine Kochanski. Anyone here watch it? One truly weird series! She really doesn’t have much of any acting career and her genre career is quite short otherwise, a stint in an episode on Sea of Souls, a Scots ghost chasing series, is it.

(8) COMICS SECTION.

Tom the Dancing Bug finds humor in explaining why some time travelers hold no terrors for Americans of the 1950s.

(9) FRANSON AWARDS. National Fantasy Fan Federation (N3F) President George Phillies has picked three recipients for this year’s Franson Awards, named for the late Donald Franson, and given as a show of appreciation:

As your President, it is my privilege and honor to bestow the N3F President’s Award on our three art-ists, who have been doing so much to beautify our N3F zines. Please join me in thanking Angela K Scott, Jose Sanchez, and Cedar Sanderson for what they have done for our Federation.

(10) BEEP BEEP. MovieWeb is there when “Revenge of the Sith Deleted Scene of Anakin Speaking Droid Goes Viral”.

An old deleted scene from Revenge of the Sith where Anakin speaks droid has started to gain popularity online. Some Star Wars fans are having a hard time believing that the scene is real, which makes sense in an age where deleted scenes are practically a thing of the past. Over the years, the prequels have been looked at in a better light by a younger generation that grew up with those three installments being the first Star Wars movies that they saw.
…While it is a bit of a silly scene, it does probably point Obi-Wan in the direction to learn droid. In A New Hope, he can understand R2D2, so the scene could have served a purpose had it been left in. But it’s a little on the silly side because these are powerful Jedi that we’re talking about here. They should, at the very least, know how to talk to a droid before levitating rocks and using Jedi mind tricks. Whatever the case may be, the scene was left on the cutting room floor and thrown on the DVD.

just found out about this deleted scene from revenge of the sith and I am losing my goddamn mind pic.twitter.com/w6QJCvvHmq
— zich (@zichington) March 5, 2019

(11) NOW, VOYAGER. Slate tells why “It Was a Big Week in Politics for Star Trek: Voyager Fans”.

When it comes to ‘90s-era Star Trek series, Voyager doesn’t always get its due, maybe because it couldn’t quite live up to the high standard set by The Next Generation or because it lacked the gravitas and daring of Deep Space Nine. (Or maybe it’s just because we’re all trying to avoid thinking too hard about the events of “Threshold.”) Still, Voyager stayed true to Star Trek’s overarching spirit of exploration and cooperation, forcing two very different groups of people to work together to survive and testing the characters’ utopian ideals by stranding them far from the safety of the Federation. Plus, the series was the first in the franchise to be led by a female captain, Kathryn Janeway, played by the dynamic Kate Mulgrew.
The show’s lasting influence can be felt in two stories from this week about prominent Democratic politicians, Alexandria Ocasio-Cortez and Stacey Abrams, both of whom are fans of Voyager and, in particular, its lead character. The first surprise nod to Trek in the political sphere came from the Daily Mail’s unexpectedly wholesome interview with Blanca Ocasio-Cortez, who described how Voyager became a portent of her daughter’s future success.
[…] The other Voyager shoutout appeared in the New York Times on Thursday in a story with the headline “Stacey Abrams, Star Trek Nerd, Is Traveling at Warp Speed.” In quotes from a previously unpublished interview from last summer, the former Georgia gubernatorial candidate says that while The Next Generation is her favorite series, she “reveres Admiral Janeway.” She also shows off her good taste in Trek by picking a Voyager episode, “Shattered,” as a favorite. […]

(12) A LORD AND LADY. PopSugar already knows our answer is “Yes!” — “Tell Me Something, Droid . . . Are You Ready For a Star Wars “Shallow” Parody?”

A Star Wars Is Born . . . How did I not see this coming? The Star Wars and A Star Is Born universes finally collided to pay tribute to two fan-favorite ships in a Nerdist parody music video. If Ally and Jackson were transported to a galaxy far, far, away, perhaps their version of “Shallow” would’ve ended up a little like Kylo Ren and Rey’s.

(13) HARLEY QUINN. SYFY Wire eavesdrops as “Kaley Cuoco shares new glimpse of Harley Quinn animated series”.

When DC first announced its new service, it treated fans with an influx of announcements. Not only would they be able to stream classics like Batman: The Animated Series, but they received a plethora of original programming. […] Coming soon to the network will be Harley Quinn, an animated series featuring the voices of Kaley Cuoco (The Big Bang Theory) as Harley and Alan Tudyk (Firefly) as the Joker.
Other than the trailer released at NYCC, we’ve haven’t seen much else in regard to everyone’s favorite psychopath with a heart of gold. That is until Cuoco took to Instagram and posted some shots from her voice sessions.

(14) ORCISH LAWYERS. “Fearing a trademark lawsuit, Bucksport’s ‘Hobbit Hill’ farm agrees to change name” – the Bangor Daily News has the story.

When Kevin and Mandy Wheaton opened their farm off Ledgewood Drive last April, they couldn’t see anybody having a problem with the name they gave it:
Hobbit Hill Homestead.
“I thought a Hobbit was a small, woodland creature with giant hairy feet, and they were fun-loving and liked to smoke their little pipes,” Mandy Wheaton said, “like a gnome or a leprechaun.”
Well, it turns out that somebody did have a problem with the Wheatons using the name Hobbit — Middle-earth Enterprises.
That’s the California company that owns worldwide rights to trademarked terms within British author J.R.R. Tolkien’s fantasy world, including “The Lord of the Rings” and “The Hobbit.” It’s an arm of The Saul Zaentz Co., which produced the animated 1978 “Lord of the Rings” film.

(15) NO BADGES HERE. Not even B. Traven could save this issue? Galactic Journey’s Gideon Marcus pans the latest (in 1964) issue of F&SF, which includes a story by the writer:“[March 17, 1964] It’s all Downhill(April 1964 Fantasy and Science Fiction)”. (Traven wrote the novel that The Treasure of the Sierra Madre is based on.)

A friend of mine inquired about an obscure science fiction story the other day. She expressed surprise that I had, in fact, read it, and wondered what my criteria were for choosing my reading material. I had to explain that I didn’t have any: I read everything published as science fiction and/or fantasy.
My friend found this refrain from judgment admirable. I think it’s just a form of insanity, particularly as it subjects me to frequent painful slogs. For instance, this month’s Fantasy and Science Fiction continues the magazine’s (occasionally abated) slide into the kaka. With the exception of a couple of pieces, it’s bad. Beyond bad — dull….

FLING THAT THING. Comic Books vs The World calls them “giant death frisbees” in “Every MCU Captain America Shield Explained.”

He may not have been in action in the Marvel Cinematic Universe all that much, but Captain America’s had a bunch of different shields over the years. Let’s look over the timeline of the MCU and see what all he’s used so far!

[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Rob Thornton, John King Tarpinian, JJ, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern, who just saw Captain Marvel.]

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