Twin Pair o’ Docs

By Bill Higgins: Spotted something unusual: In the April 2014 issue of Physics Today, two letters were published from two physicists, who are brothers, both commenting on the same article.

I doubt that has happened before.

James Benford and Gregory Benford were responding to an article on Cold War history by Frank von Hippel in the September 2013 issue. (Physics Today has always had a rather leisurely turnaround time in publishing letters.)

SFWA Readings in SoCal

Science Fiction Writers of America is launching a Southern California Reading Series on May 31. Mysterious Galaxy Bookstore will host these free, quarterly events at its San Diego and Redondo Beach locations.

The inaugural readings will take place Saturday, May 31 at 2 p.m. at the San Diego store (7051 Clairemont Mesa Bl.). Featured authors will be Cecil Castellucci, Nalo Hopkinson, and a third to be announced.

The second event is scheduled for Saturday, August 30 at 2 p.m. at Mysterious Galaxy’s Redondo Beach location (2810 Artesia Blvd, Redondo Beach). Readers that day will be Stephen Blackmoore, Sofia Samatar, and Sherwood Smith.

Snapshots 134 Ventura Freeway

Here are 10 developments of interest to fans.

(1) Star Wars VII starts shooting in May. Bloggers are shooting already.

Can anyone sound more jaded than the folks at Geekologie?

Star Wars Episode VII… [will] be released in theaters on December 18, 2015. The story will pick up some 30 years after the events of Return of the Jedi. What happened in those 30 years? Apparently nothing worth making a movie about. At least not until they finish this trilogy and backtrack again for Star Wars Episode X: The Wonder Years. Just like I did for all the disappointing prequels, I will be watching these on opening day, dressed in character. Which character remains to be seen, but I’m leaning towards Data or Worf.

(2) Here’s the brew they should order when they’re out drinking after the premiere – Klingon Warnog.

The wait is nearly over, Klingons and Klingon lovers. Klingon Warnog — the first Star Trek themed beer to hit the U.S. — can soon be yours. Brewed by Tin Man Brewing of Evansville, Indiana, Klingon Warnog will incorporate rye malt into a modern Dunkelweizen grain bill, creating a flavor profile that is both familiar and unique.

As the Federation of Beer folks put in brewing-ese, Warnog’s aroma is predominantly mild banana and clove produced by the German wheat yeast, supported by subtle sweet malt character from the use of Munich malt. The flavor draws heavily from the blending of the rye malt and traditional clove character, creating a very rich and unique flavor. The inclusion of wheat and caramel malts help to round out the mouthfeel of this beer, making this Dunkelweizen hearty enough to be called… a Klingon Warnog.

(3) Many things were done to promote the new season of Game of Thrones. HBO’s “Game of Thrones: Epic Fan Experience” drew 7,000 fans to Barclays Center in downtown Brooklyn. Winter had already arrived, reports the Grantland writer known as Netw3rk

As you approach the Iron Throne of Westeros, or any reasonable facsimile thereof, you may find yourself overcome with anxiety about how you’re going to sit in it….. It’s hard not to overthink something as instinctual as your body position during the normally quotidian activity of resting your ass on something, when that something happens to be one of the most iconic symbols in the pop-culture zeitgeist and you get only one chance for a good picture….

I can now report: The Iron Throne is uncomfortable. The one I sat in was, anyway. The seat, as one would expect of 1,000 swords hammered into the shape of a chair, is hard on the ass, but also narrower than you’d expect, and high. I tried to cock my torso over at an angle toward one of the armrests, elbow on the rest, hand under chin; kind of a Joffrey-meets-Biggie thing. But the circumscribed butt support area didn’t allow for the right body angle, and the result was much more Tin Man–meets-dirtbag than chilled-out sovereign. Alas.

(4) Meantime, George R.R. Martin’s story is now inspiring parents to name their babies after his characters:

Perhaps no Game of Thrones character is as beloved as Daenerys Targaryen (played by Emilia Clarke), the daughter of a slain king who has spent most of the series to date amassing forces to reclaim the lands that were once her father’s. Also she has dragons, which people seem to like.

So it’s not too surprising that fans of the show would name their kids after her. According to data from the Social Security Administration, were 21 newborns in 2012 named “Daenerys,” which was never used enough in previous years to show up in official counts (for privacy reasons, the SSA only releases numbers for names used five or more times in a given year).

But wee baby Daeneryses were dramatically outnumbered by newborns named “Khaleesi” — the title Targaryen earned when she married Dothraki leader (or “Khal”) Drogo. 146 “Khaleesi”s were born in 2012, making it more popular as a full name than “Betsy” or “Nadine.”

(5) “Late afternoon lighting produced a dramatic shadow of NASA’s Mars Exploration Rover Opportunity photographed by the rover’s rear hazard-avoidance camera on March 20, 2014,” begins a Mars Daily article.

Seeing that photo of a Martian rover’s shadow made James H. Burns ask:

What is it about this type of image that gets me so thrilled? I suppose it’s the basic notion of a man made creation, a miracle really, doing something so simple, and capturing it so gloriously, in what really are such fantastic circumstances. (And only the most callow lad, I think, would term this the echo of an Aresian “selfie”!)

(6) Years ago PC owners were asked to volunteer to process packets of data for the Search for Extraterrestrial Intelligence because SETI didn’t have enough computer power to do it all. Data processing power has zoomed ahead since then. Now a university is hosting an online tool that allows people to build entire custom universes and update these virtual models as new survey telescopes and instruments become available.

Swinburne University of Technology has launched a free online astronomy virtual laboratory that will allow scientists to build complex customised views of the Universe, all from the comfort of their own computer.

The Theoretical Astrophysical Observatory (TAO), funded by the Australian Government’s $48 million NeCTAR project, draws on the power of Swinburne’s gSTAR GPU supercomputer to allow astronomers to simulate the Universe and see how it would look through a wide range of telescopes.

(7) If – like me – you were unaware of the existence of Ultraman until you saw him posed beside the Hugo rocket on Nippon 2007’s award, then you probably also don’t know about Japan’s kaiju-themed restaurant filled with Ultraman paraphernalia.

(8) You probably haven’t forgotten that things didn’t go well for Loncon 3 when they announced Jonathan Ross as Hugo emcee. Now who will they ask? Milt Stevens knows who he would pick —

Loncon 3 has a problem. They need a Hugo Award Ceremony Host who can take a lot of heat. I have an idea for the perfect choice. Marvin the depressed android from Hitchhiker’s Guide. He can sneer at organics and get away with it. Marvin was played be English actor Warren Davis who might be available for the worldcon.

I’ve emailed my suggestion to the committee.

ReevesChristopher(9) The suspect’s name and the shirt he wore reminded people of Superman — but not his act. Christopher Reeves was busted for driving under the influence by local cops in Utah.

He wasn’t faster than a speeding bullet, so Davis County deputies were able to catch a man wearing a Superman shirt on I-15 early Tuesday morning, and arrest him on suspicion of drug trafficking.

Davis County Sheriff’s Office spokesperson Sgt. Susan Poulsen told the Clipper 33-year-old Christopher Jaye Reeves of Layton was spotted weaving and speeding through traffic on northbound I-15 at around 3:00 a.m. by a deputy on patrol.

Poulsen noted the similarity of the suspect’s name to the late actor Christopher Reeve (without the ‘s’) and specified that he has no relation to the man made famous by portraying the comic book superhero in movies before his death in 2004.

He’s no relation to George Reeves, either, who played Superman in the 1950s TV series Adventures of Superman.

(10) What flavor of politics do science fiction fans like best? I think we’ve learned that we can predict the answer to this rhetorical question if we know who’s asking. For example, no one will be surprised to learn that The Guardian finds Britain’s Liberal Democrats to be the party of trufans. (Trufans defined as viewers of Doctor Who, but then, I told you it was The Guardian.)

Some American fans would answer that question with “the Libertarian Party.” David Klaus writes:

I remember the first unsolicited fanzine I ever received, back in 1972, a copy of the late Irvin Koch’s Maybe, in which he noted the founding of the Libertarian Party earlier that year, and stated that he thought most sf fans would be interested in it, or words to that effect. Irv was a generalist fan, inclusive, not given to sectarian fan wars — he even was the contact for his local Church of All Worlds nest.

[Thanks for these links goes out to Andrew Porter, Mark L. Blackman, James H. Burns, David Klaus, Milt Stevens and John King Tarpinian.]

Cal Cotton Passes Away

Cal Cotton The Moor Tarik the Black King

Cal Cotton as “The Moor Tarik,” The Black King.

Cal Cotton, aka “The Moor Tarik” The Black King, died of cancer April 16. He was a popular figure around Southern California’s sf, Ren Faire and SCA fandoms.

He first connected with the Faire in 1968 while on home leave during the Vietnam War. He served his country as a Navy Seal.

At Faire, he…participated over the years as a member of the Queen’s Guard, the Black King in the epic Living Chess Game, a Sergeant in Stoddard’s Company of Foot, as an assistant falconer, and finally the owner of the well-known Hornsmythe Booth.

He also participated in Civil War reenactments and other living history events. If the occasion didn’t call for his Moorish attire, he was likely to be wearing his Buffalo Soldier hat.

He is survived by his wife, Theresa.

Cal Cotton. Photo by Morgan Hagar.

Cal Cotton. Photo by Morgan Hagar.

[Thanks to Tom Udo for the story.]

Shatner’s World a Fathom Event on 4/24

William Shatner’s one-man show will be screened in cinemas nationwide on April 24.

Shatner’s World, the critically acclaimed one-man show, takes audiences on an exhilarating behind-the-scenes voyage through his storied life and career. With an energetic mix of personal anecdotes, laugh-out-loud humor and poignant moments, William Shatner shares his phenomenal journey from classically-trained Shakespearean actor to internationally-known cultural icon, all the while illuminating the unique persona of his most important character, himself.

Whatever will we do for news when Shatner’s career finally comes to an end?

[Thanks to John King Tarpinian for the link.]

George R. R. Martin Slated for 2017 HWA Conference

Horror Writers Association President Rocky Wood wants everyone to know George R. R. Martin will be Guest of Honor at the group’s 2017 Conference, “to be held from 11-14 May…at a city yet to be determined.”

“While it is unusual to announce a guest this far in advance,” Wood admitted, “We feel George R. R. Martin’s fame dictated we release this information as soon as possible. We are excited that George will spend time at our Bram Stoker Awards Weekend and participate in panels, signings, the Banquet and other convention events.”

Hertz: The Tetrachiliad

By John Hertz: The 4,000th meeting of the Los Angeles Science Fantasy Society was held on Thursday, April 10, 2014.

Yes, “tetrachiliad” is Greek to me too (so its ch is like chorus). Writing it seemed the fannish thing to do.

The LASFS, my local s-f club, is I’m proud to say the oldest in the world. Most of us rhyme “LASFS” with joss fuss but Len Moffatt always rhymed it with sass mass. May yours live so long. I realize that’s something like “May you live in interesting times.” Ours have been.

From the name you’ll see we as long ago as 1934 were coppering our bets (to use an English Regency expression) with “science fantasy”. Technically science fiction and fantasy are distinct. Practically – well –

I saw Mike Glyer there. But Glyer keeps forgetting where he’s put his pen (see “Twice Times” in A.A. Milne’s Now We Are Six). So here I am.

The meeting hall in our current clubhouse, our third, was crowded. So were the social hall, the computer room, and the library, with members who didn’t care to attend the meeting. Some things never change.

On a table near the door was a display of historical photographs. Among refreshments in the social hall was a box of Cthulhu Peeps. I being among the few to rhyme “Cthulhu” in a limerick took one. It had no – heh heh.

President Eylat Poliner called us to order. Poetic license is part of life. She introduced former president David Gerrold who took the chair. In fact for decades we didn’t have a president, we had a director, but I’m leaving some things out.

We honored current and past officers and directors (either kind) present. Even this clubhouse couldn’t hold all our members, especially because Death Does Not Release You.

I brought greetings from Paul Turner, who’d invented our Building Fund, and from Roger Hill, one of the Cal Tech gang which included Ed Buchman our first president, and Dan Alderson the eponym of the space drive in The Mote in God’s Eye. Turner was in the desert. Hill was in Illinois. Buchman was present. Alderson was in After-Fandom.

June Moffatt having joined in 1947 was the longest-time member in attendance. Heedless of Methuselah’s Children neither Gerrold nor the rest of us put her into the chair.

We heard historical minutes from our first clubhouse, and a Forrest J Ackerman note of the first meeting there. Some things never change.

Jerry Pournelle said when Turner thought up the Building Fund, Pournelle had told him “You’re out of your mind”; Turner answered “Sure I am”; we should also remember Chuck Crayne and Bruce Pelz who made it happen. Up to then Pelz had shown no evidence of his ability to conjure money from stones.

Tom Locke announced the apparent discovery of magnetic monopoles. Larry Niven said Shipstar was out in hardback, showed a copy, and donated it to the library. Gerrold showed a precious hardback of Mote he’d had as a birthday present. He donated it to the library needling Niven and Pournelle to autograph it.

Fred Patten didn’t mention his new book Funny Animals and More. He remains exemplary as a general-interest fan who happened to become a big name in his special interests. So does Lee Gold; we’d read her first-clubhouse minutes. We adjourned to the program, a panel of members who’d joined over the decades.

No one joining in the 1930s was present or admitted it so Charles Lee Jackson II answered for them. June Moffatt spoke for the 40s; Bill Ellern, the 50s; Milt Stevens, the 60s; Glyer, the 70s; Karl Lembke, the 80s; Cathy Beckstead, the 90s; Peter Santell, the 2000s; Mimi Miller, the 10s. Stevens learned of us while reading fan-news columns in the prozines. Santell learned of us while a seminary student but then worked hours that kept him from meetings for twenty years.

In the 50s we rented a room in the Prince Rupert Apartments, which still exist and now charge $480 for what had cost us $40, i.e. about the same.

Through the years we’d maintained our involvement with Westercons, started our local Loscon, and by virtue (look it up) of individual members had much to do with Worldcons, Bouchercons for detective fiction, and Animé L.A. Also collecting, costuming, fanzines, filksinging, gaming, pro writing and illustrating, and things too fierce to mention.

We calculated when our pentachiliad would be and ended “See you there!”

Update 04/16/2014: Corrected to Lee Gold’s first-clubhouse minutes.

2014 Eisner Award Nominations

Comic-Con International has announced the nominees for the 2014 Will Eisner Comic Industry Awards, chosen by a panel of judges. Named for comics creator the Will Eisner, the awards, now in their 26th year, highlight the best publications and creators in comics and graphic novels.

Best Short Story
  • “Go Owls,” by Adrian Tomine, in Optic Nerve #13 (Drawn & Quarterly)
  • “Mars to Stay,” by Brett Lewis and Cliff Chiang, in Witching Hour (DC)
  • “Seaside Home,” by Josh Simmons, in Habit #1 (Oily)
  • “Untitled,” by Gilbert Hernandez, in Love and Rockets: New Stories #6 (Fantagraphics)
  • “When Your House Is Burning Down, You Should Brush Your Teeth,” by Matthew Inman, theoatmeal.com/comics/house
Best Single Issue (or One-Shot)
  • Demeter, by Becky Cloonan (self-published)
  • Hawkeye #11: “Pizza Is My Business,” by Matt Fraction and David Aja (Marvel)
  • Love and Rockets: New Stories #6, by Gilbert Hernandez and Jaime Hernandez (Fantagraphics)
  • Viewotron #2, by Sam Sharpe (self-published)
  • Watson and Holmes #6, by Brandon Easton, and N. Steven Harris (New Paradigm Studios)
Best Continuing Series
  • East of West, by Jonathan Hickman and Nick Dragotta (Image)
  • Hawkeye, by Matt Fraction and David Aja (Marvel)
  • Nowhere Men, by Eric Stephenson and Nate Bellegarde (Image)
  • Saga, by Brian K. Vaughan and Fiona Staples (Image)
  • Sex Criminals, by Matt Fraction and Chip Zdarsky (Image)
Best Limited Series
  • The Black Beetle: No Way Out, by Francesco Francavilla (Dark Horse)
  • Colder, by Paul Tobin and Juan Ferreyra (Dark Horse)
  • 47 Ronin, by Mike Richardson and Stan Sakai (Dark Horse)
  • Trillium, by Jeff Lemire (Vertigo/DC)
  • The Wake, by Scott Snyder and Sean Murphy (Vertigo/DC)
Best New Series
  • High Crimes, by Christopher Sebela and Ibrahim Moustafa (Monkeybrain)
  • Lazarus, by Greg Rucka and Michael Lark (Image)
  • Rat Queens, by Kurtis J. Wiebe and Roc Upchurch (Image/Shadowline)
  • Sex Criminals, by Matt Fraction and Chip Zdarsky (Image)
  • Watson and Holmes, by Karl Bollers, Rick Leonardi, Paul Mendoza et al. (New Paradigm Studios)
Best Publication for Early Readers (up to age 7)
  • Benjamin Bear in Bright Ideas, by Philippe Coudray (TOON Books)
  • The Big Wet Balloon, by Liniers (TOON Books)
  • Itty Bitty Hellboy, by Art Baltazar and Franco (Dark Horse)
  • Odd Duck, by Cecil Castellucci and Sara Varon  (First Second)
  • Otto’s Backwards Day, by Frank Cammuso (with Jay Lynch) (TOON Books)
Best Publication for Kids (ages 8-12)
  • The Adventures of Superhero Girl, by Faith Erin Hicks (Dark Horse)
  • Hilda and the Bird Parade, by Luke Pearson (Nobrow)
  • Jane, the Fox, and Me, by Fanny Britt and Isabelle Arsenault (Groundwood)
  • The Lost Boy, by Greg Ruth (Graphix/Scholastic)
  • Mouse Guard: Legends of the Guard, vol. 2, edited by David Petersen, Paul Morrissey, and Rebecca Taylor (Archaia/BOOM!)
  • Star Wars: Jedi Academy, by Jeffrey Brown (Scholastic)
Best Publication for Teens (ages 13-17)
  • Battling Boy, by Paul Pope (First Second)
  • Bluffton: My Summers with Buster, by Matt Phelan (Candlewick)
  • Boxers and Saints, by Gene Luen Yang (First Second)
  • Dogs of War, by Sheila Keenan and Nathan Fox (Graphix/Scholastic)
  • March (Book One), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)
  • Templar, by Jordan Mechner, LeUyen Pham, and Alex Puviland (First Second)
Best Humor Publication
  • The Adventures of Superhero Girl, by Faith Erin Hicks (Dark Horse)
  • The Complete Don Quixote, by Miguel de Cervantes and Rob Davis (SelfMadeHero)
  • The (True!) History of Art, by Sylvain Coissard and Alexis Lemoine (SelfMadeHero)
  • Vader’s Little Princess, by Jeffrey Brown (Chronicle)
  • You’re All Just Jealous of My Jetpack, by Tom Gauld (Drawn & Quarterly)
Best Anthology
  • Dark Horse Presents, edited by Mike Richardson (Dark Horse)
  • Nobrow #8: Hysteria, edited by Sam Arthur and Alex Spiro (Nobrow)
  • Outlaw Territory, edited by Michael Woods (Image)
  • Smoke Signal, edited by Gabe Fowler (Desert Island)
  • Thrilling Adventure Hour, by Ben Acker, Ben Blacker et al. (Archaia/BOOM!)
Best Digital/Webcomic
Best Reality-Based Work
  • A Bag of Marbles, by Joseph Joffo, Kris, and Vincent Bailly (Graphic Universe/Lerner)
  • The Fifth Beatle: The Brian Epstein Story, by Vivek J. Tiwary, Andrew C. Robinson, and Kyle Baker (M Press/Dark Horse)
  • Hip Hop Family Tree, vol. 1, by Ed Piskor (Fantagraphics)
  • March (Book One), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)
  • Today Is the Last Day of the Rest of Your Life, by Ulli Lust (Fantagraphics)
  • Woman Rebel: The Margaret Sanger Story, by Peter Bagge (Drawn & Quarterly)
Best Graphic Album—New
  • Bluffton: My Summers with Buster, by Matt Phelan (Candlewick)
  • The Encyclopedia of Early Earth, by Isabel Greenberg (Little, Brown)
  • Good Dog, by Graham Chaffee (Fantagraphics)
  • Homesick by Jason Walz (Tinto Press)
  • The Property, by Rutu Modan (Drawn & Quarterly)
  • War Brothers, by Sharon McKay and Daniel LaFrance (Annick Press)
Best Adaptation from Another Medium
  • The Castle, by Franz Kafka, adapted by David Zane Mairowitz and Jaromír 99 (SelfMadeHero)
  • The Complete Don Quixote, by Miguel de Cervantes, adapted by by Rob Davis (SelfMadeHero)
  • Django Unchained, adapted by Quentin Tarantino, Reginald Hudlin, R. M. Guéra et al. (DC/Vertigo)
  • Richard Stark’s Parker: Slayground, by Donald Westlake, adapted by Darwyn Cooke (IDW)
  • The Strange Tale of Panorama Island, by Edogawa Rampo, adapted by Suehiro Maruo  (Last Gasp)
Best Graphic Album—Reprint
  • The Creep, by John Arcudi and Jonathan Case (Dark Horse)
  • Hand-Drying in America and Other Stories, by Ben Katchor (Pantheon)
  • Heck, by Zander Cannon (Top Shelf)
  • Julio’s Day, by Gilbert Hernandez  (Fantagraphics)
  • RASL, by Jeff Smith (Cartoon Books)
  • Solo: The Deluxe Edition, edited by Mark Chiarello (DC)
Best Archival Collection/Project—Strips
  • Barnaby, vol. 1, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics)
  • Percy Crosby’s Skippy Daily Comics, vol. 2: 1928–1930, edited by Jared Gardner and Dean Mullaney (LOAC/IDW)
  • Prince Valiant vols. 6-7, by Hal Foster, edited by Kim Thompson (Fantagraphics)
  • Society Is Nix: Gleeful Anarchy at the Dawn of the American Comic Strip, edited by Peter Maresca (Sunday Press)
  • Tarzan: The Complete Russ Manning Newspaper Strips, vol. 1, edited by Dean Mullaney (LOAC/IDW)
  • VIP: The Mad World of Virgil Partch, edited by Jonathan Barli (Fantagraphics)
Best Archival Collection/Project—Comic Books
  • Best of EC Artist’s Edition, edited by Scott Dunbier (IDW)
  • Canteen Kate, by Matt Baker (Canton Street Press)
  • In the Days of the Mob, by Jack Kirby (DC)
  • MAD Artist’s Edition, edited by Scott Dunbier (IDW)
  • Will Eisner’s The Spirit Artist’s Edition, edited by Scott Dunbier (IDW)
Best U.S. Edition of International Material
  • Adventures of a Japanese Businessman, by Jose Domingo (Nobrow)
  • Goddam This War! by Jacques Tardi and Jean-Pierre Verney (Fantagraphics)
  • Incidents in the Night, Book One, by David B. (Uncivilized Books)
  • Today Is the Last Day of the Rest of Your Life, by Ulli Lust (Fantagraphics)
  • When David Lost His Voice, by Judith Vanistendael (SelfMadeHero)
Best U.S. Edition of International Material—Asia
  • The Heart of Thomas, by Moto Hagio (Fantagraphics)
  • The Mysterious Underground Men, by Osamu Tezuka (PictureBox)
  • Showa: A History of Japan, 1926–1939, by Shigeru Mizuki (Drawn & Quarterly)
  • Summit of the Gods, vol. 4, by Yemmakura Baku and Jiro Taniguchi (Fanfare/Ponent Mon)
  • Utsubora: The Story of a Novelist, by Asumiko Nakamura (Vertical)
Best Writer
  • Kelly Sue DeConnick, Pretty Deadly (Image); Captain Marvel (Marvel)
  • Matt Fraction, Sex Criminals (Image); Hawkeye, Fantastic Four, FF (Marvel)
  • Jonathan Hickman, East of West, The Manhattan Projects (Image); Avengers, Infinity (Marvel)
  • Scott Snyder, Batman (DC); American Vampire, The Wake (DC/Vertigo)
  • Eric Stephenson, Nowhere Men (Image)
  • Brian K. Vaughan, Saga (Image)
Best Writer/Artist
  • Isabel Greenberg, The Encyclopedia of Early Earth (Little, Brown)
  • Jaime Hernandez, Love and Rockets New Stories #6 (Fantagraphics)
  • Terry Moore, Rachel Rising (Abstract Studio)
  • Luke Pearson, Hilda and the Bird Parade (Nobrow)
  • Matt Phelan, Bluffton: My Summers with Buster (Candlewick)
  • Judith Vanistendael, When David Lost His Voice (SelfMadeHero)
Best Penciller/Inker or Penciller/Inker Team
  • Nate Bellegarde, Nowhere Men (Image)
  • Nick Dragotta, East of West (Image)
  • Sean Murphy, The Wake (DC/Vertigo)
  • Nate Powell, March (Book One) (Top Shelf)
  • Emma Ríos, Pretty Deadly (Image)
  • Thomas Yeates, Law of the Desert Born: A Graphic Novel (Bantam)
Best Painter/Multimedia Artist (interior art)
  • Andrew C. Robinson, The Fifth Beatle (Dark Horse)
  • Sonia Sanchéz, Here I Am (Capstone)
  • Fiona Staples, Saga (Image)
  • Ive Svorcina, Thor (Marvel)
  • Marguerite Van Cook, 7 Miles a Second (Fantagraphics)
  • Judith Vanistendael, When David Lost His Voice (SelfMadeHero)
Best Cover Artist
  • David Aja, Hawkeye (Marvel)
  • Mike Del Mundo, X-Men Legacy (Marvel)
  • Sean Murphy/Jordie Belaire, The Wake (DC/Vertigo)
  • Emma Ríos, Pretty Deadly (Image)
  • Chris Samnee, Daredevil (Marvel)
  • Fiona Staples, Saga (Image)
Best Coloring
  • Jordie Bellaire, The Manhattan Projects, Nowhere Men, Pretty Deadly, Zero (Image); The Massive (Dark Horse); Tom Strong (DC); X-Files Season 10  (IDW); Captain Marvel, Journey into Mystery (Marvel); Numbercruncher (Titan); Quantum and Woody (Valiant)
  • Steve Hamaker, Mylo Xyloto (Bongo), Strangers in Paradise 20th Anniversary Issue 1 (Abstract Studio), RASL (Cartoon Books)
  • Matt Hollingsworth, Hawkeye, Daredevil: End of Days (Marvel); The Wake (DC/Vertigo)
  • Frank Martin, East of West (Image)
  • Dave Stewart, Abe Sapien, Baltimore: The Infernal Train, BPRD: Hell on Earth, Conan the Barbarian, Hellboy in Hell, The Massive, The Shaolin Cowboy, Sledgehammer 44 (Dark Horse)
Best Lettering
  • Darwyn Cooke, Richard Stark’s Parker: Slayground (IDW)
  • Carla Speed McNeil, Bad Houses; “Finder” in Dark Horse Presents (Dark Horse)
  • Terry Moore, Rachel Rising (Abstract Studio)
  • Ed Piskor, Hip Hop Family Tree (Fantagraphics)
  • Britt Wilson, Adventure Time with Fiona and Cake (kaBOOM!)
Best Comics-Related Periodical/Journalism
Best Comics-Related Book
  • Al Capp: A Life to the Contrary, by Michael Schumacher and Denis Kitchen (Bloomsbury)
  • The Art of Rube Goldberg, selected by Jennifer George (Abrams ComicArts)
  • Co-Mix: A Retrospective of Comics, Graphics, and Scraps, by Art Spiegelman (Drawn & Quarterly)
  • Genius, Illustrated: The Life and Art of Alex Toth,  by Dean Mullaney and Bruce Canwell (LOAC/IDW)
  • The Love and Rockets Companion, edited by Marc Sobel and Kristy Valenti (Fantagraphics)
Best Scholarly/Academic Work
  • Anti-Foreign Imagery in American Pulps and Comic Books, 1920–1960, by Nathan Vernon Madison (McFarland)
  • Black Comics: Politics of Race and Representation, edited by Sheena C. Howard and Ronald L. Jackson II (Bloomsbury)
  • Drawing from Life: Memory and Subjectivity in Comic Art, edited by Jane Tolmie (University Press of Mississippi)
  • International Journal of Comic Art, edited by John A. Lent
  • The Superhero Reader, edited by Charles Hatfield, Jeet Heer, and Kent Worcester (University Press of Mississippi)
Best Publication Design
  • The Art of Rube Goldberg, designed by Chad W. Beckerman (Abrams ComicArts)
  • Beta Testing the Apocalypse, designed by Tom Kaczynski (Fantagraphics)
  • Genius, Illustrated: The Life and Art of Alex Toth, designed by Dean Mullaney (LOAC/IDW)
  • The Great War: July 1, 1916: The First Day of the Battle of the Somme: A Panorama, by Joe Sacco, designed by Chin-Yee Lai (Norton)
  • Little Tommy Lost, Book 1, designed by Cole Closser (Koyama)

The judges this year are Kathy Bottarini, owner of Comic Book Box, in Rohnert Park, CA; William H. Foster III, Professor of English at Naugatuck Valley Community College, CT; Christian Lipski, comics reviewer and journalist; Lee Oeth, member of the Board of Directors, Comic-Con International: San Diego; Jenny Robb, curator and associate professor, Billy Ireland Cartoon Library & Museum at the Ohio State University; and James Romberger, fine artist and cartoonist who lives and works in Manhattan’s Lower East Side.

Voting for the awards is held online. All professionals in the comic book industry are eligible to vote. The winners will be revealed on Friday, July 25 at Comic-Con International.

The voting in one Eisner Awards category, the Hall of Fame, is already completed. The judges chose the nominees earlier this year, and voting was conducted online.

Eisner Awards judges have selected three individuals to automatically be inducted into the Will Eisner Comic Awards Hall of Fame for 2014. These inductees are Golden Age artists Irwin Hasen (The Flash, Wildcat, Green Lantern for DC; Dondi syndicated strip), Sheldon Moldoff (Batman artist), and African American comics pioneer Orrin C. Evans (All-Negro Comics). In the past, the judges have chosen two automatic inductees, both deceased. This year’s judges decided to add one more inductee, a deserving still-living comics creator. The judges have also chosen 14 nominees from which voters will select 4 to be inducted in the Hall of Fame this summer. These nominees are Gus Arriola, Howard Cruse, Philippe Druillet, Rube Goldberg, Fred Kida, Hayao Miyazaki, Tarpé Mills, Alan Moore, Francoise Mouly, Dennis O’Neil, Antonio Prohias, Rumiko Takahashi, George Tuska, and Bernie Wrightson.