25 ‘Twas Pixel, And The Scrolly Toves

Posted on January 25, 2025 by Mike Glyer

(1) DISCOVER TANITH LEE. Astra Publishing House begins its recommendation “Where to start reading the works of Tanith Lee” with a fascinating reminiscence.

DAW Publisher Betsy Wollheim–who was her editor from 1975 to 1985–shares her memories of working with Tanith Lee, saying:

“When I think of Tanith Lee, I think of nighttime. I remember the hot summer nights when we ran around Manhattan, full of the exuberance of youth. But I also remember sitting alone in the dark, empty office, mesmerized by the wonderous dreamscapes of her manuscripts until long after closing time.

“Tanith’s manuscripts were the only ones we never took home. Typed on fragile onionskin, they had to be copied page by laborious page. Tanith’s actual originals were written in longhand, in a kind of shorthand she invented. The typescript that we received was painstakingly transcribed, first by Tanith’s mother, and in later years by Tanith herself. I’ll never forget the times I saw Tanith writing—she was like a person possessed.

“And when a Tanith Lee manuscript came into the DAW offices, I was like a woman possessed. When I began reading, nothing could interrupt me. I stayed in the office, transfixed, until I was finished, often not returning home until the wee hours of the morning. Leaving our dark and eerily deserted Manhattan office near dawn and venturing out onto the silent—yet unawakened —streets of midtown, I used to feel like Tanith’s heroine from The Birthgrave, her first DAW book: a woman emerging from a volcano into a strange and alien land.”…

(2) DARK HORSE CANCELS GAIMAN. Dark Horse Comics today announced this response to the sexual assault allegations against Neil Gaiman.

(3) INTRODUCING STUDENTS TO HORROR. Deep Cuts in a Lovecraftian Vein revisits “Ghosts and Monsters (1982) by Mark Falstein & Tony Gleeson”.

…Ghosts and Monsters was published by Educational Insights in 1982. The kind of boxed set of teaching materials that found there way easily into hundreds or thousands of classrooms across the country. The contents were pretty basic: a book of spirit masters for duplicating worksheets (crosswords, etc.) in an age before photocopying became ubiquitous; a brief teacher’s guide with suggested questions and activities; and a package of ten comic booklets which adapted a dozen tales of horror and weird fiction to comics…

… Given the limitations of space, the monochromatic printing, and the incredibly tight scripts, credit has to be given to Tony Gleeson for doing a very decent job on the art. Stuck with a very boxy framing setup, he nevertheless manages to use perspective shots and shadowed silhouettes to hint and convey something of a horror-mood. While the Teacher’s Guide suggests that the typeset text will make it easier to read, I suspect the real issue was that the budget for this project didn’t extend to hiring a letterer.

When we consider Lovecraft as something more than a cult figure, but as a writer who has entered the canon of world literature—this is a good example of what that looks like. Not necessarily fancy, expensive editions that can only be seen and enjoyed by a few, but stories that penetrate into common educational materials, hitting the masses when they’re young and becoming part of the foundation of reading. Ghosts and Monsters is a core sample of how Lovecraft came to the masses….

(4) RECOMMENDED SCIENCE BOOKS. [Item by Steven French.] Nature’s weekly roundup of the best science books includes A Century of Tomorrows. “Sharing is caring and other moving stories: Books in brief”.

A Century of Tomorrows

Glenn Adamson Bloomsbury (2024)

Modern weather forecasting became feasible in the 1840s, when volunteers formed a nationwide US network to report current weather conditions using the newly invented telegraph. Today, notes cultural historian Glenn Adamson in his stimulating analysis, imagining the future preoccupies social theorists, political activists, insurance executives, architects, urban planners, military war gamers, fiction writers and others. But he avoids making predictions. “I’m just a historian,” he writes, “more or less the opposite of a futurologist.”

(5) NEW PICTURE BOOKS. [Item by Steven French.] In “Children’s and teens roundup – the best new picture books and novels”, the Guardian’s Imogen Russell Williams reviews the best new picture books and novels, including, among other SFF items:

The Zombie Project by Alice Nuttall, Chicken House, £7.99

Merian’s world relies on death-flies to pollinate plants and provide food; unfortunately, death-flies also turn dead humans into zombies. Most people are terrified of zombies, but Merian knows they’re simply a (dangerous) part of nature. When she and her scientist mum are caught up in an outbreak in the city, however, they uncover a terrifying conspiracy … Hugely original, lively, comic and gruesome, this 9+ debut is a post-apocalyptic story with a difference.

(6) HORRIBLE SNUBS? In the New York Times (behind a paywall), Zach Schonfeld complains, “Why Are the Oscars So Scared of Horror Films?”

For fans of scary movies, 2024 was an extraordinary year. Vital and thrilling horror films, such as “Nosferatu,” “Red Rooms,” “I Saw the TV Glow” and “Longlegs,” all earned critical respect and box office success. Yet you’d barely know this from the Oscar nominations, which were announced Thursday morning.

With the exception of “The Substance,” that rare Academy-approved gore-fest that scored five nominations including best picture, very few of last year’s notable horror films were recognized in the major categories — a continuation of a long-running snubbing by the Oscars that’s gone from curious to downright shameful.

This refusal to acknowledge an entire genre feels especially out of touch at a time when horror is not only critically ascendant but especially attuned to our feelings of ambient dread. We’re living in an age of real-life terrors — climate catastrophe, political unrest, tech-driven dehumanization — so it’s no wonder that many of the most exciting filmmakers working today are using the vocabulary of horror to reflect our moment’s anxieties back to us, and maybe help us process them.

If the 1940s was a decade defined by film noir, the ’50s by westerns and the ’70s by paranoid conspiracy thrillers, then the current era is a golden age for frightening films. The genre has long deserved to be treated as real cinema, with the Oscar recognition to match.

Not all horror movies are created equal, as the term can plausibly encompass everything from the most brazen teensploitation flicks to “The Silence of the Lambs,” the only horror film to win best picture. For my purposes, I’m including any film that’s primarily designed to frighten or unnerve its audience through dark and disturbing subject matter. Even given that relatively narrow definition, only seven horror films have been nominated for best picture since the Academy Awards began in 1929 — including, this year, “The Substance,” an unholy fusion of art-house ambition and B-movie gore from the French filmmaker Coralie Fargeat.

A partial list of essential American horror movies that were ignored entirely by the Oscars can start with “Dracula” in 1931 and continue through 1968’s “Night of the Living Dead” and “The Shining” in 1980 from the director Stanley Kubrick. At the 1987 Oscars, David Cronenberg’s “The Fly” was nominated only in the makeup category, leaving its star Jeff Goldblum so disappointed that he had to discuss the snub with his psychoanalyst.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

January 25, 1971 — City Beneath the Sea

Fifty-four years ago, City Beneath the Sea premiered on NBC. It had a tangled history as it was originally a pilot for a series that Irwin Allen had pitched to that network several years earlier but which was never made. The film itself was an expansion of a much shorter idea reel that Allen had shown to the network.

Allen filmed the original concept for City Beneath The Sea but it was never shown publicly. It was not released to the public until the Sci-Fi’s The Worlds of Irwin Allen DVD came out twenty years ago in which it was included as a special feature.

The story was by Allen, but the screenplay was by John Meredyth Lucas who had written four Trek episodes, “Elaan of Troyius”, “The Changeling”, “Patterns of Force” and “That Which Survives” in addition to direction and production duties there.

The primary cast was Stuart Whitman, Rosemary Forsyth, Robert Colbert, Burr DeBenning, Robert Wagner, Joseph Cotten and Richard Basehart. Irwin’s suggested cast for the series was Glenn Corbett, Lloyd Bochner, Lawrence Montaigne, Francine York, Cecile Ozorio and James Brolin, but the network for reasons it never explained to him rejected his casting and told him that would be the cast, an unusual move for a network.

When the network showed no interest in a series based on the film, Allen shopped it around. There was no interest there either.

I couldn’t, for love or chocolate, find any critical reviews of the film, nor does Rotten Tomatoes have an audience rating which is highly unusual.

Here’s the trailer for City Beneath the Sea. It’s streaming on Prime.

(8) COMICS SECTION.

Tom The Dancing Bug starts copyright combat. (This is effin’ brilliant!)
The Argyle Sweater adheres to the rules we must follow.
Macanudo encounters books that are not yet part of Mt. TBR.
Thatababy encounters the ruin of a classic children’s series.

(9) STORY DNA. Game Rant recalls “Harlan Ellison Wrote The Twilight Zone Episode ‘Gramma’ Based On Stephen King”.

…Harlan Ellison wrote season 1, episode 18 of The Twilight Zone called “Gramma” which aired on February 14th, 1986 and was based on Stephen King’s short story, which was published in the 1985 collection Skeleton Key. The story centers around a boy named Georgie (Barret Oliver) who is spending time with his grandmother, who isn’t well. As George pretends he is no longer afraid of his grandmother, he learns his grandmother is a witch, which is the first sign that something is wrong.

Adapting a short story can be tricky if there isn’t a clear ending or strong character work. But, of course, King is a legend for a reason and his story “Gramma” has a relatable main character, a creepy villain, and a scary conclusion.….

(10) THE LATEST EXECUTIVE ORDER.

(11) DEATH-RAY, AFTER A FASHION. “Sony to End Recordable Blu-ray Disc Production in Japan in February” says Anime News Network.

Sony announced on January 23 on its website it will end production of several recordable media discs in Japan. In the announcement the media giant stated it is ending production of recordable Blu-ray Disc media, as well as recordable mini discs, MD data discs, and mini DV cassettes in February. The company also stated no successors to the above media formats are in production.

The company had originally announced last July that it would end the production of recordable Blu-ray Discs, but this new announcement adds more media that is ending production, and gives the specific timeframe of February. Sony stated in July that development and production of Blu-ray Disc recording and playback devices will continue…

(12) TUNING IN. CNN Science reports “Mysterious fast radio bursts may have diverse origins in space”.

Mysterious fast radio bursts, or millisecond-long bright flashes of radio waves from space, have intrigued astronomers since the first detection of the phenomenon in 2007. The enigmatic signals, known as FRBs, release as much energy in less than the blink of an eye as the sun emits in one day.

Researchers are still trying to unravel what the celestial pulses are, as well as how and where they occur. Specialized telescopes have enabled astronomers to track radio bursts within the Milky Way galaxy as well as up to 8 billion light-years away.

Now, four new studies are providing answers about where the fast radio bursts originate, which could shed light on what causes them — but the locations for two recently described radio bursts are wildly different.

One of the fast radio bursts appears to have come from the chaotic, magnetically active environment near a type of dense neutron star called a magnetar. Meanwhile, the other fast radio burst, which scientists observed pulsating over the course of several months, came from the outskirts of a distant dead, star-starved galaxy.

Researchers utilized a fast radio burst-hunting machine called CHIME, or the Canadian Hydrogen Intensity Mapping Experiment radio telescope, to uncover both bursts. The instrument has enabled the detection of thousands of FRBs since 2020….

(13) I DIDN’T KNOW THEY WERE MISSING. “Where in the world are Earth’s oldest dinosaurs?” asks Yahoo!

What are the oldest known dinosaurs?

Currently, the earliest known dinosaurs include Nyasasaurus, Eoraptor, Herrerasaurus, Coelophysis, and Eodromaeus. A group of fossils belonging to an unknown dinosaur in the Herrerasauridae family were described last year and date back about 231 million years. Similarly old fossils have all been unearthed in countries located south of the equator including Argentina, Brazil, and Zimbabwe, but there are likely even older specimens that have not been uncovered yet.

These early dinosaurs were also initially vastly outnumbered by their reptile cousins–a group of enormous crocodile ancestors called the pseudosuchians and pterosaurs who grew to the size of fighter jets. By comparison, Earth’s earliest dinosaurs were much smaller than their descendants. They were about the size of a dog or chicken, not 33,000 pounds like a Brontosaurus. Early dinosaurs were also bipedal and are believed to have been omnivores….

(14) INSIDE STORY. On the National Air and Space Museum blog, “Restoring the Museum’s V-1 Missile”.

A little over a year ago, I recounted the restoration of our German V-2 ballistic missile. Now the Preservation and Restoration Unit at our Steven F. Udvar-Hazy Center is completing its compatriot, the V-1 cruise missile. which we will display in the Jay I. Kislak World War II in the Air gallery, which opens in 2026.

Of Nazi Germany’s two “vengeance weapons,” the low-flying, pulsejet-powered V-1 was launched in much greater numbers in 1944-1945—more than 22,000 as opposed to about 3,000 V-2s. Frequently referred to as the “buzz bomb” or “doodlebug,” the V-1 was also more effective. Its noisy approach was psychologically disturbing to targeted populations and it diverted Allied anti-aircraft resources into defending against it. Like the V-2 rocket, the great majority of V-1s were fired against two cities: London and Antwerp. The cruise missile caused over 10,000 deaths in its target areas, and thousands more concentration-camp prisoners died in the production program. Yet, both weapons fell far short of the hopes of the Nazi leadership: knocking Britain out of the war, or at least preventing the Allies from using the Belgian port of Antwerp to supply their armies in northwest Europe. The two missiles were strategic failures, albeit ones that greatly influenced the Cold War nuclear arms race….

… One new component he integrated is an original German airlog propeller. In a well-timed stroke of luck, a donor offered us one in 2021. Colin Donovan’s grandfather, U.S. Army 1^st Lt. James J. McFague, had brought it home as a war souvenir. Since the device was still in original factory packing, it is possible that McFague picked it up during his service in the occupation of Germany. In operation, the number of times the propeller turned approximated the distance flown to the target. When a preset number was reached, the device sent a signal to cut off the engine and initiate a terminal dive….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/8/22 Bright Scrolls, Big Pixels

Posted on September 8, 2022 by Mike Glyer

(1) CHICON 8 COVID UPDATE. The Chicon 8 committee has notified attending members that another 19 people present at the 2022 Worldcon last weekend have tested positive for Covid. (The first email listed 8 cases.)

Where known, it includes information about the locations and times that the people were before they tested positive. Some have allowed Chicon 8 to release their names.

(2) 1946: ONCE MORE, WITH FEELING! First Fandom Experience is taking a victory lap today: “1946 Project Wrap-Up: We Had Fun!”

During Chicon 8, First Fandom Experience had the privilege of organizing the 1946 Project. The program track encompassed sixteen panels and presentations….
…To inform our program, we published a series of blog posts with historical context on SFF and fandom in 1940:

The last one, about Ray Bradbury, also posted today.

In 1946, Ray Bradbury — then age 26 — saw seventeen of his stories in print. His tales appeared in ten different professional magazines. Six were genre pulps. Four were mainstream “slicks.”…

(3) TROUBLE WITH REDBUBBLE. The Glasgow 2024 Worldcon announced yesterday their Redbubble merchandisde account has been suspended.

We’ve just been made aware that our Redbubble account has been suspended.
We are investigating this at the moment and thank you in advance for your patience.
It’s important to us that our art and artists are recognised and we would ask that you only buy Glasgow 2024 merchandise from our official accounts.

The same thing happened to Chicon 8, and their account is still down.

Ron Oakes wrote a good commentary about this problem on Facebook.

…I am not up on the exact reason that Redbubble has given for the suspension, but comments surrounding the announcements have indicated that both of these cases have involved having the artwork that the conventions had licensed from the artists and then to Redbubble being stolen and used to produce knock-off convention merchandise….
…As fans, please ensure that you get your convention merchandise from a genuine source. This may not always be the convention, as some conventions allow other vendors to utilize their name on some merchandise – usually only at the event. And generally, make sure that any artwork you buy online comes from the actual artist or license holder.

Herman Ellingsen commented there:

…Redbubble do absolutely nothing to stop people from stealing art on their page.
If they would reduce the quality of the artwork on their web page, and/or add watermarks, and/or use web codes that makes it difficult to download the artwork, stealing artwork on redbubble would be more difficult….

(4) THE MAN FROM UNCLE’S. Minneapolis CBS affiliate WCCO reports that Uncle Hugo’s is back: “Beloved sci-fi bookstore, established in ’70s, reopens after burning down during unrest”. There’s a 2-minute clip of the aired news report at the link.

…Blyly almost called it quits, but it was the regulars who convinced him to start over.
Insurance money from the fire, as well as selling books online during the pandemic, went a long way toward allowing Blyly to reopen.
It took him 18 months to find his new location, a building one block from what was the Minneapolis Police Department’s 3rd Precinct headquarters, and across the street from Moon Palace Books.
“Probably 95% of the used books here on the shelves are from my own personal collection,” Blyly said…

(5) ANOTHER SIDE OF DAW. Reviews of the documentary Casa Susanna intersect with the life of science fiction figure Donald A. Wollheim: ” … Betsy Wollheim, the daughter of science-fiction writer Donald, who recounts her discovery after his death of his life as a cross-dresser. (Donald’s experience is also recounted via excerpts from a book he wrote under a pseudonym, A Year Among The Girls.)”

Yahoo! — “’Casa Susanna’ Review: A Lost Chapter of Queer History Comes to Life”.

In the tireless drive toward progress, it’s easy to forget the past. When it comes to queer history, discrimination and fear of persecution discouraged, if not actively erased, the documenting of queer life. Queer historians have had to fight tooth and nail to reclaim countless writers, artists, and musicians, even if they lived quite openly during their lifetimes. After all, if Emily Dickinson could write her “hot and feverish” letters to Susan without academia recognizing her queerness until recently, what chance was there for everyday queer people of yore?
Brilliantly, a nearly lost chapter of queer history has been delicately excavated in “Casa Susanna,” a sumptuous documentary about an oasis where trans women and crossdressing men found community throughout the 1950s and ’60s….
…The film gently navigates the shifting mores and language around gender expansive identities, allowing the older trans women to self-identify and using their language as a guidepost. It’s not too often you hear the words crossdresser, transvestite, and transsexual these days, but it only adds to the film’s appeal as a rare time capsule. Fascinatingly, Casa Susanna was strictly for “straight men,” and their wives often accompanied them on their weekends upstate. The fear of being outed as gay followed them, creating strict divides….

Screen Daily: “’Casa Susanna’: Venice Review”.

…Memories are placed front and centre as the director approaches the story of Casa Susanna — an unassuming house in New York’s Catskills where men could freely adopt a female identity — from the perspective of some of those who found refuge there or whose lives were touched by extension. The power of recollection is evident from the start as octogenarian Katherine Cummings makes a pilgrimage back to the Catskills and begins to tell her story with the warmth of memory infusing every word. Her journey not only includes a ship voyage from Australia to North America but a decades-long interrogation of her own identity that was helped by the friendships she found at Casa Susanna.
Joining her is Diana Merry-Shapiro, who crossed paths with Katherine at Casa Susanna while on her own journey from a Lutheran upbringing to gender-affirmation surgery, and Betsy Wollheim, the daughter of science-fiction writer Donald, who recounts her discovery after his death of his life as a cross-dresser. (Donald’s experience is also recounted via excerpts from a book he wrote under a pseudonym, A Year Among The Girls.)….
… There’s a fair bit of myth-busting here, as while some might expect flamboyant drag, home video from the Casa shows how those who visited wanted to emulate upper-middle-class feminine elegance. There’s also a real sense of the fear people like Betsy’s father had about their ”secret” getting out. Lifshitz takes time to explore these stories, letting conversations or remembrances flow freely. They run from joy at acceptance so profound it is likely to move you to tears, to sadness at the impact on Donald’s daughter of what seems to have been unresolved unhappiness, as the story of what happened to the Casa and its owners is also gradually revealed….

(6) NERFS IN SPACE. Gizmodo makes sure we know “Hasbro’s Next Wild Nerf Gun Is a Star Trek Phaser”.

Hasbro’s Nerf “LMTD” crossover has given us foam dart versions of everything from the Aliens pulse rifle to The Mandalorian’s rifle—and now it’s boldly going into a very peculiar collaboration with Star Trek.
Hasbro has revealed that its next project in the crossover lineup is a Star Trek mashup to give us not one, but two of the franchise’s most iconic hand-held weapons—the Starfleet Type 3 (that’s the phaser rifle) and Type 2 (the standard phaser seen in TNG, DS9, and Voyager) phasers….

(7) MEMORY LANE.

1973 – [By Cat Eldridge.] All of you I suspect remember the Ray Walston fronted My Favorite Martian series that lasted three seasons on CBS for one hundred and seven episodes. But likely, you may have forgotten that forty-nine years ago that there was an animated series called My Favorite Martians (noted the “s”) that lasted a wee bit shorter, well a lot shorter as CBS pulled it after just sixteen episodes.

That might have had something to do with the fact that Ray Walston refused to participate in it as the money offered him was quite appalling. So they got Jonathan Harris of Lost in Space fame to do his role. And no, Bill Bixby wasn’t around either for similar reasons.

Howard Morris voiced Tim O’Hara, Detective Brennan and Andromeda. Jane Webb did Katy O’Hara and Lorelei Brown.

It did poorly in ratings and was quickly cancelled. The series used a number of scripts from what would have been season four of the live series. Jack Chertok Television co-owned it, with the Chertok company retaining all merchandising rights to the show. Jack Chertok Television had developed My Favorite Martian.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 8, 1911 – Byron Morrow. He’s the first original Trek Admiral appearing as an Admiral in two episodes, Admiral Komack, in “Amok Time” and as Admiral Westervliet “For the World is Hollow and I Have Touched the Sky”. Other genre appearances include Cyborg 2087, Mission Impossible, Colossus: The Forbin Project, Panic in Year Zero!, The Resurrection of Zachary Wheeler, Rollerball and Fantasy Island. (Died 2006.)
Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are genre. Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved many folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
Born September 8, 1945 — Willard Huyck, 77. He’s got a long relationship with Lucas first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom. And he was the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest ever production scored on Rotten Tomatoes by Lucasfilm production ever did at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm which would be a not quite so dismal twenty four percent.
Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
Born September 8, 1948 — Michael Hague, 74. I’m very fond of East of the Sun and West of the Moon retold by him and his wife Kathleen. Not to be missed are his Wind in The Willows and The Hobbit which are both lovely takes on those tales.
Born September 8, 1952 — Linda D. Addison, 70. First Black winner of the Stoker Award which she has won five times. Amazingly, the first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. Indeed all five of her Awards were to be for poetry collections. She also is the author of the story “Shadow Dreams”, published in the Black Panther: Tales of Wakanda anthology.
Born September 8, 1954 — Mark Lindsay Chapman, 68. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI which wasn’t really needed when the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
Born September 8, 1966 — Gordon Van Gelder, 56. From 1997 until 2014, he was editor and later publisher (which he still is) of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, the Hugo for Best Editor Short Form. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times.
Born September 8, 1975 — C. Robert Cargill, 47. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script.

(9) COMICS SECTION.

Frank and Ernest say Robin Hood is getting some questionable applicants to work with him.

(10) MAGICALLY DELICIOUS? [Item by Martin Morse Wooster.] I saw this in the supermarket. But I didn’t buy it! “Kellogg’s Introduces New Disney Hocus Pocus 2 Cereal” at Chew Boom.

(11) THE PLANE OF JARS. [Item by Martin Morse Wooster.] In the Washington Post, John Kelly discusses a contest Burma-Shave ran in 1958 where they offered a free trip to Mars for anyone who turned in 900 bottles of the stuff and what they did when Arliss French actually did it. “Remembering the grocer who convinced Burma-Shave to send him to ‘Mars’”. Registration is required to read the full article there, however, Neatorama covered it about a decade ago:

…The company also posted two promotional offers on their signs; the first one (“Free offer! Free offer! / Rip a fender off your car / mail it in / for a half-pound jar / Burma-Shave”) resulted in some actual fenders being mailed to the company, which made good on its promise. The second promotion (in the title of this post) stimulated the imagination of Arliss French in Appleton, Wisconsin.
French managed the town’s Red Owl supermarket and offered to pay customers 15 cents for every empty Burma Shave jar they brought in. He ran a full-page ad in the paper reading, “Send Frenchie to Mars.” As the empties accumulated in his store, he telegraphed the company, “Please advise where to ship the jars.”

The folks at Burma Shave scrambled to avoid embarrassment. Thinking he would decline, they offered to send him to the village of Moers, Germany (which they insisted was pronounced, “Mars”) if he would wear a space suit for the trip. He agreed.

French and his wife departed New York at the company’s expense on Dec. 2, 1958. He wore a football helmet and a silver costume emblazoned with the Red Owl logo. When he arrived in Moers two days later, all 78 residents turned out to greet him….

(12) SECOND SLICE. [Item by Martin Morse Wooster.] I regard Knives Out as fandom-adjacent so here is the sequel. “Glass Onion: A Knives Out Mystery”.

(13) SLITHER IN. [Item by Michael Toman.] Does the world (or your automobile?) need another new bumper sticker? “I BRAKE FOR VENOMOUS SNAKES”. From MSN.com: “Officials Close Illinois Road for Mass Migration of Venomous Snakes”.

The U.S. Forest Service (USFS) is closing three miles of a road in southern Illinois this September and October due to heavy traffic…of snakes. The closure is meant to protect snakes undertaking a biannual migration in the Shawnee National Forest, 90 miles southeast of St. Louis.
…Meanwhile, tourists travel from around the country to observe and photograph the phenomenon. “You’ll see a surprising number of out-of-state license plates,” Vucovich said. He advises that visitors drive carefully. But if they venture to where the snake traffic is thickest—typically along a 2.7-mile stretch of Great River Road—they’ll have to walk carefully because that section of the road will be closed to motorized vehicles. “Forest Road 345 is the number,” said Vukovich. “Everybody knows it as Snake Road. It’s just a great place to come watch snakes.”…

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Olav Rokne, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris S.]

Astra Publishing House Acquires DAW Books

Posted on July 13, 2022 by Mike Glyer

Sheila Gilbert and Betsy Wollheim at the 1995 World SF Convention in Glasgow. Photo by and copyright © Andrew Porter

Astra Publishing House has acquired DAW Books. The deal was announced today in a press release run at Amazing Stories and elsewhere.

DAW, although it has a distribution relationship with Penguin Group and is headquartered in Penguin USA’s offices in New York City, was editorially independent and formerly was closely held by its current publishers, Betsy Wollheim (Donald A. Wollheim’s daughter) and Sheila E. Gilbert.

Leying Jiang, President and CFO of APH said, “We’re so thrilled to have DAW Books and its talented team joining Astra Publishing House. It feels like we are adding another bright star to our growing program. And so this acquisition marks a new milestone to Astra’s journey to a successful future.”

DAW co-publishers Betsy Wollheim and Sheila Gilbert said, “We are extremely pleased by Astra’s enthusiasm, and thrilled that we will be the sole SFF imprint of their company (a first for DAW!). We think this is the perfect fit for us, and it’s exciting and refreshing to be an integral part of a new and growing company. It speaks volumes about Astra’s respect for our company that they have included our entire staff. We’re very happy.”

DAW, previously distributed by the Penguin division of Penguin Random House, will be distributed by the Penguin Random House Publisher Services division which distributes all of Astra Publishing House books.

Astra Publishing House, as Shelf Awareness reported in 2020, was formed by combining established and new publishing operations as a subsidiary of Thinkingdom Media Group. With headquarters in Beijing, China, TMG specializes in literary fiction, nonfiction and picture books. TMG is also associated with publishers in Japan, France and Germany. Founded by Chen Mingjun in 2002, Thinkingdom Media Group is the only non-state-owned publishing company to go public in China and has published more than 4,000 titles in that country.

APH’s newly-added DAW Books page outlines the imprint’s history: “Founded in 1971 by veteran paperback editor Donald A. Wollheim, along with his wife, Elsie B. Wollheim, DAW Books was the first publishing company ever devoted exclusively to science fiction and fantasy. Now over 50 years and 2,000 titles later, under the direction of co-publishers Betsy Wollheim and Sheila Gilbert, DAW has a well-deserved reputation for discovering and publishing the hottest talents in the industry.”

David Lamb and Susan Reich at Book Advisors brokered the deal for DAW, with Kuo-Yu Liang of Ku Worldwide. Alan J. Kaufman served as DAW’s counsel.

Pixel Scroll 9/13/21 Headcanon: The Universe Will Come To An End Following The Generation Of Nine Billion Pixel Scroll Titles

Posted on September 13, 2021 by Mike Glyer

(1) THE WAY THEY DO IT DOWNTOWN. Nisi Shawl celebrated a rare moment on Facebook:

My name on a book ad in Times Square! I feel like in that Stevie Wonder song: “New York! Just like I pictured it–skyscrapers an everything!” The Black Stars anthology is now blasting way past cool…

Another dream is in the world – the Black Stars collection! We created a dope black universe featuring @ChimamandaReal, @c_t_rwizi @victorlavalle, @Nnedi, @nalohop1 and my co-editor @NisiShawl. Check out the full collection via @plympton/ @AmazonPub : https://t.co/9nYxyFaHdB pic.twitter.com/6s0oazHlhK
— Latoya Peterson ???? GDC (@LatoyaPeterson) September 13, 2021

(2) GROWING PAINS. Alyx Dellamonica tells how to diagnose “Is my short story really a novel idea?”

Does it make sense to keep working on short fiction, with the idea of developing my writing skills before moving on to a novel? How do you know when one of your own ideas will be a short story or a novel??
These are two great and related questions that I get a lot, and I have a lecture-length answer to should I work on short fiction before tackling novels? at Clarkesworld, home of several of my writing craft essays as well as a novelette called “The Immolation of Kev Magee.”
What about the second question, though–what do you do if you’ve started writing a story, and now you think it might actually be a novel?
This is an issue that comes up a lot when you’re workshopping. What happens in those cases is that your readers notice that you have a lot going on in the story you’ve submitted. Like, a lot: lots of characters, lots of complexity within the world you’ve built, maybe even multiple story threads. You’ve alluded to a dozen or more incredibly interesting things and none of them feels fully realized, and several readers are calling for you to expand each and every one of those elements. But you’re already pushing 7,500 words!…

(3) NOT BURMA BUT TIBET. “Shaving the Yak — such is life. How do you live your truth in a system…” Marianne de Pierres ponders the answer at Medium.

If someone asked me to reflect on my life, I’d probably say something like “yeah, I’m the woman who missed the moments.” I watched Veronica Mars for the first time in 2017, The OC in 2020, drank my first red wine when I was 50, and learned the meaning of “Shaving the Yak” when I was 60.
Being late to the party is kind of my tribute song. Annoyingly, it means there’s no one to hoot and holler with, about what you’re just discovering/crushing on.
Also, I regularly feel slightly… well… dumb.
So this week I heard the expression “shaving the yak” for the first time. A very polite gentleman I was interviewing, explained to me that it meant wanting to solve a problem, but running into a bunch of other problems you have to navigate, to get to the thing you want to do. It first got wings after a Ren and Stimpy show in the early 2000s. And for those of you that prefer a visual cue, here’s Hal doing it in Malcolm in the Middle, circa 2001….

(4) Q&A WITH BETSY WOLLHEIM. On YouTube, “An Interview with Betsy Wollheim: President, co-Publisher, and co-Editor-in-chief of DAW Books.”

Betsy Wollheim gives us insight into her nearly fifty years of experience in the publishing industry, highlighting her work with author Kristen Britain and the “Green Rider” series.

(5) MILES AND MILES. Book Riot’s Laura Sackton uses Bujold’s Vorkosigan series as the text to discuss “What Makes a Great Long-Running Series?”

… At 34, I was a very different reader than I was at 15, when I first read Shards of Honor. Sure, the series has its flaws. The vast majority of sci-fi published the 1980s has flaws. And I’m not going to pretend that I can be objective about it, because I have a deep emotional connection to the world and its characters. But what struck me, on this most recent reread, was how well the series stands up. I was consistently impressed with Bujold’s mastery of the series as a form. I picked up on small details I hadn’t noticed before. I started to paying attention to the way Bujold plots each novel and to how each book connects to the others. I noticed patterns. Certain things started to jump out at me: how the books end, the ways the characters change over time, the many different kinds of stories contained in the series as a whole….

(6) MEMORY LANE.

1974 – Forty-seven years ago this evening on ABC, Kolchak: The Night Stalker first aired. It was preceded by The Night Stalker and The Night Strangler films, both written by Richard Matheson. It was created by Jeff Rice who Mike has some thoughts about here. As you know it has a small cast consisting of Darren McGavin, Simon Oakland, Jack Grinnage and Ruth McDevitt. It has become a cult favorite which currently carries a not surprising ninety-four percent rating among audience reviewers at Rotten Tomatoes but it was a Nielsen ratings failure and only lasted one season of twenty episodes before being cancelled. Chris Carter who credits the series as the primary inspiration for The X-Files wanted McGavin to appear as Kolchak in one or more episodes of that series, but McGavin was unwilling to reprise the character for the show. He did appear on the series as retired FBI agent very obviously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 13, 1916 — Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or did he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected. My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
Born September 13, 1931 — Barbara Bain, 90. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart! She was active as of last year as showed in the Space Command series as Auut Simone in the “Ripple Effect” episode.
Born September 13, 1939 — Richard Kiel. He’s definitely best remembered for being the steely mouthed Jaws in The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… One of his last credits was voicing Vlad in the animated Tangled. He was The Salorite in The Phantom Planet, Eegah in the low budget horror film Eegah, a giant in House of the Damned, Dr. Kolos in The Human Duplicators, a Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone, Kolchak: The Night Stalker, The Wild Wild West (where he worked in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)
Born September 13, 1944 — Jacqueline Bisset, 77. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of the Counterpart series that’s her entire encounter with genre acting. Genre adjacent, she appeared in the Albert Finney fronted Murder on the Orient Express as Countess Helena Andrenyi.
Born September 13, 1947 — Mike Grell, 74. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth. Theanimated Justice League Unlimited “Chaos at the Earth’s Core“ episode made use of this story.
Born September 13, 1960 — Bob Eggleton, 61. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
Born September 13, 1961 — Tom Holt, 60. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, deeply into Wagner, you’ll love Expecting Someone Taller; if not, skip it. His only two Awards are a pair of World Fantasy Awards, both for novellas, “A Small Price to Pay for Birdsong” and “Let’s Maps to Others”. And yes, I know that he also publishes under the K. J. Parker name as well but I won’t go into the works he publishes there here.
Born September 13, 1974 — Fiona Avery, 47. Comic book and genre series scriptwriter. While being a reference editor on the final season of Babylon 5, she wrote “The Well of Forever” and “Patterns of the Soul” as well as two that were not produced, “Value Judgements” and “Tried and True”. After work on the Crusade series ended, she turned to comic book writing, working for Marvel and Top Cow with J. Michael Straczynski’s Rising Stars series being another place where her scripts were used. She created the Marvel character Anya Sofia Corazon later named Spider-girl. She did work on Tomb Raider, Spider-Man, X-Men and Witchblade as well.

(8) COMICS SECTION.

The Far Side shows the Scarecrow’s plans to be another Lincoln will have to be postponed.
The Argyle Sweater has an Oz-themed joke of its own involving Dorothy.

(9) SEE YOU AT THE RBEM. Wauke-Con – Waukegan’s First Comic Book Convention — will be at the Ray Bradbury Experience Museum on October 16 and 17 at the Ray Bradbury Experience Museum, located at lucky 13 N. Genesee, from 12-6 both days. Buy a ticket here.

(10) HAWKEYE TRAILER. Disney+ shares a look at Marvel Studios’ Hawkeye.

Disney+ and Marvel Studios invite you on an unexpected holiday getaway, unwrapping a brand-new teaser trailer and poster today for “Hawkeye,” a new series set in post-blip New York City. Former Avenger Clint Barton has a seemingly simple mission: get back to his family for Christmas. Possible? Maybe with the help of Kate Bishop, a 22-year-old archer with dreams of becoming a Super Hero. The two are forced to work together when a presence from Barton’s past threatens to derail far more than the festive spirit.

(11) FORBIDDEN ADDRESS. Powell’s Books presents “Caitlin Starling in Conversation With Wendy N. Wagner” on October 6 at 5:00 p.m. Pacific. Register for the free Zoom webinar here.

From Bram Stoker-nominated Caitlin Starling, author of The Luminous Dead, comes The Death of Jane Lawrence (St. Martin’s), a new gothic fantasy horror novel. Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man — one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to. Set in a dark-mirror version of post-war England, Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished. Starling will be joined in conversation by Wendy N. Wagner, editor of Nightmare magazine and author of An Oath of Dogs.

(12) MUCHO MOOLA FOR WOOLLY BULLY. Slashdot reports a “Firm Raises $15 Million To Bring Back Woolly Mammoth From Extinction”. How much to bring back two?

… The scientists have set their initial sights on creating an elephant-mammoth hybrid by making embryos in the laboratory that carry mammoth DNA. The starting point for the project involves taking skin cells from Asian elephants, which are threatened with extinction, and reprogramming them into more versatile stem cells that carry mammoth DNA….

(13) B5 DREAMING. Add this to your list of rumors of SF series reboots/sequels. Make of it what you will.

Who knows…this might not be so wild a dream as it appears…. https://t.co/8bBaK1wXZL
— J. Michael Straczynski (@straczynski) September 13, 2021

[Thanks to JJ, Michael Toman, John King Tarpinian, Joyce Scrivner, Dann, Steven H Silver, Marc Criley, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Brian Z.]

Pixel Scroll 12/4/20 The Rest Of The File, To Scroll Man, It’s… It’s A Filkbook!

Posted on December 4, 2020 by Mike Glyer

(1) SFPA OFFICER ELECTIONS. The Science Fiction and Fantasy Poetry Association announced the outcome of its recent elections. Incumbent President, Bryan Thao Worra, was voted in to continue.The new Vice President is Colleen Anderson, and the new Secretary is Brian U. Garrison.

(2) EATING THE FANTASTIC. “Chow down on pizza with Ignatz Award-winning Alison Wilgus” in episode 133 of Scott Edelman’s Eating The Fantastic podcast.

Alison Wilgus is a writer and cartoonist who’s been working in comics for more than a decade, and whose latest work is Chronin, a science fiction duology published by Tor. Their first professional gig was as a colorist and staff writer for Cartoon Network’s Codename: Kids Next Door, and since then has been published by Scholastic, Del Rey, DC, Nickelodeon Magazine, Dark Horse, and First Second Books. They’ve also written works of graphic non-fiction, including The Mars Challenge (illustrated by Wyeth Yates) and Flying Machines: How the Wright Brothers Soared (illustrated by Molly Brooks). Alison is also co-host of Graphic Novel TK, a podcast about graphic novel publishing.
We discussed how their life might have gone an entirely different way if not for the Teenage Mutant Ninja Turtles movie, why they describe themselves to people as “a feral nerd,” how an unsolicited pitch on a Post-it note led to selling their first script, what fanfic taught them about writing professionally in other people’s universes, the best way to interact with sensitivity readers, why they’ve retired from Hourly Comics, what would have happened with Odo and Kira if their Deep Space Nine spec script been accepted, the big surprise about the way they made their first sale to Analog, and much more.

(3) HOPE FOR LIBRARIES. Publishers Weekly has learned “Amazon Publishing in Talks to Offer E-books to Public Libraries”.

In what came as a surprise to many librarians and industry observers, a report in The Hill this week revealed that the nonprofit Digital Public Library of America has been in discussions with Amazon Publishing on a potential a deal to make Amazon’s e-book content available in public libraries. And in a call with PW, DPLA officials confirmed that a deal could be done soon.
“I don’t want to get too far out over my skis,” said Michele Kimpton, director of business development and senior strategist for the Digital Public Library of America, when asked to characterize how close a potential deal was to completion. Kimpton told PW that talks with Amazon have been ongoing since spring, adding that the discussions have gone well and that the parties were making “good progress.” And while she expressed hope that Amazon titles could be available to libraries on the DPLA Exchange sometime in early 2021, she also tempered expectations, stressing there were still details to be worked out….

(4) GROGU ENCOURAGES READING. “Baby Yoda stars in new READ® poster and bookmark from the American Library Association”.

Star Wars fans, book lovers, and collectors from around the universe can use their powers to help libraries this holiday season. The Child (a.k.a. Grogu or Baby Yoda), the breakout star of Disney+’s hit series The Mandalorian, is featured in several new must-have products from the American Library Association (ALA), a 501c3 non-profit. All proceeds will fund advocacy, awareness, and accreditation programs for library professionals worldwide.
ALA’s READ® campaign, supported by ALA Graphics, celebrates the joy of reading and the importance of lifelong learning. For more than 30 years, the iconic READ® posters have featured celebrities, musicians, award-winning authors and illustrators, and library advocates who’ve lent their star power to support our nation’s libraries.
Reminiscent of the original Yoda poster ALA Graphics offered in the early 1980s, The Child’s poster and bookmark continue the tradition of previous Star Wars™ READ® collaborations, including with C3PO and R2D2, as well as other timeless characters.

(5) ARECIBO ENDING. “Analyzing Video Footage Of Collapse of Massive Arecibo Telescope” a 13 minute video and analysis.

The collapse was on Tuesday morning, but yesterday the NSF made video of the catastrophic collapse available, and so many viewers asked I continue my long tradition of ‘coping by analyzing failure’ and document what I see in this footage. It’s hard to watch because this magnificent structure has always been part of the world of astronomy for me.

Ars Technica’s text article also explains how the video was obtained: “NSF releases footage from the moment Arecibo’s cables failed”.

The video of that collapse comes from a monitoring system put in place in the wake of the cable failures. Due to the danger of further cable breaks, the NSF had instituted no-go zones around each of the three towers that supported the cables. With no personnel allowed to get close enough to inspect the cables, the staff started monitoring them using daily drone flights, one of which was in progress during the collapse. In addition, a video camera was installed on top of the visitor’s center, which had a clear view of the instrument platform and one of the support towers.

(6) ANSWERS FROM DAW BOOKS. Keystroke Medium hosted a “Behind-the-Scenes Look at Traditional Publishing” with Betsy Wollheim.

What do Patrick Rothfuss, Tad Williams, Mercedes Lackey, C.J. Cherryh, and Nnedi Okorafor all have in common? Besides being A-List fantasy wordcrafters, all were published by DAW Books. Tonight we meet the woman behind one of science fiction and fantasy’s most beloved publishing houses, DAW Books’ President, Publisher, and Editor-in-Chief, Betsy Wollheim. Betsy’s here to pull back the curtain on what goes into the traditional publishing process, give you tips on how to get published, and discuss where she thinks the publishing world is headed.

(7) VIDEO GAME DOCUMENTARY PREVIEW. “Chicago was a video game powerhouse in the ’90s. ‘Insert Coin’ looks at the company behind ‘Mortal Kombat’” – MSN.com.

…Midway was among the first to use digitized actors — walking, running, punching, all of it — in its games, giving them a simulacrum of reality unique to the time.
“Up until that point, in most games the artwork was hand-drawn,” said Tsui. “Japanese video game development houses back then were huge and had teams of artists drawing beautiful artwork. So what Midway brought in was this ability to digitize actors and get them into the game and make them look really great” — plus it was cheaper and faster than employing artists.
The documentary captures a moment in time when a homogenous workforce prompted nary a second glance in the world of video games, and it is a harbinger of many of the same issues that the industry is still working through today. More on that in a bit.
Tsui remains off-camera throughout the film, but his connection to Midway is personal. After attending Columbia College for film school, he worked at Midway from 1993 to 1999. “They hired me as a video artist. We couldn’t use a blue screen or green screen background to key out the actors, so for every frame of a character we would hand cut them out, pixel by pixel, to keep the image as clean as possible. That was one of my first jobs when I started working there and it was painstaking. But the teams working on a game were so small back then, usually about five people — nowadays it’s hundreds of people — so everybody had to multitask.” he said.
“The amount of hours we worked was just crazy. But it was almost like being in a secret society, where everybody had this passion for what they were working on. So even though we had these long hours, we would work all day for 10 or 12 hours, and then after work we would stay and play games with each other well into the night and then go home, sleep for a bit and rinse and repeat.”

(8) NEWSTEAD OBIT. Automata creator Keith Newstead has died reports The Guardian:

Keith Newstead, who has died aged 64 of cancer, was the UK’s pre-eminent maker of automata – artistic mechanical devices that are built to look like human or animal figures and which give the illusion of acting as if under their own power.
Newstead had a straightforward, even humble relationship with his chosen artform. Although his work drew on a rich tradition of makers of kinetic art from Leonardo da Vinci to Jean Tinguely, he considered himself an entertainer as much as an artist, and was unconcerned with raising the status of automata as sculpture. Instead he wanted, as he put it in 2015, to “bring enjoyment and entertainment to both young and old alike.”

An example of his work is the Gormenghast Castle Automata.

(9) MEDIA ANNIVERSARY.

2010 — Ten years ago, Catherynne M. Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making wins the Andre Norton Award for Young Adult Science Fiction and Fantasy with Kage Baker’s Hotel Under the Sand coming in second and Sarah Beth Durst’s Ice placing third. Valente’s novel was first published online at her website, so it was the first book to win the Norton award before traditional publication by Feiwel & Friends. It would also win a Nebula. The series would eventually reach five novels. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born December 4, 1886 – Lawrence Stevens. Seventy covers, two hundred eighty interiors. Here is the Mar 44 Famous Fantastic Mysteries (note “The Man Who Was Thursday”). Here is a 1948 interior. Here is the Jan 49 Super Science. Here is an interior for “The Eye of Balamok”. Here is the Jul 52 Amazing. Outside our field, newspaper cartoonist, designer & illustrator for General Motors. Knew Conan Doyle in Belgium. (Died 1960) [JH]
Born December 4, 1937 — David Bailie, 83. He played Dask in “The Robots of Death,” a Fourth Doctor story, and also appeared in Blake’s 7 as Chevner in the “Project Avalon” story. Also he played the mute pirate Cotton in the Pirates of the Caribbean film franchise. Intriguingly he shows up in The Creeping Flesh film which starred Christopher Lee and Peter Cushing. (CE)
Born December 4, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by the author. He is quite likely best known for his invention of the character Kane, the Mystic Swordsman who I think is in as many as thirty novels by Wagner. Anyone here read all of them? Rhetorical question I know as I’m someone here will have. I ask because I don’t think I’ve read more than a few. His Carcosa publishing company issued four volumes of stories by authors of the Golden Age pulp magazines. Anything I left off that folks should know about him? (Died 1994.) (CE)
Born December 4, 1945 – Bill & Dick Glass, age 75. Of these two too little-known now fans I can tell too little now. Bill’s interior for Double:Bill 13 (thus triple Bill?) was just reprinted in Afterworlds; he had reviews in Delap’s, Shangri-L’Affaires, SF Review, Thrust. Dick had a graphic-novel treatment of “The Bridge of Khazad-Dûm” (The Fellowship of the Ring Bk. 2 ch. 5) and an essay about doing it in I Palantir, a short story in Nova 3. [JH]
Born December 4, 1949 – Richard Lynch, age 71. In the famous misspelling of Rick Sneary (rhymes with very; most of us didn’t realize the “Snearyisms” were unintentional, bad health kept him out of school, although brilliant he never learned to spell), a publishing jiant. RL and wife Nicki Lynch did Chat for their local club in Chattanooga, then won six Best-Fanzine Hugos with their remarkable Mimosa , see here. Rebel Award for both, Fan Guests of Honor at Rivercon XI, Chattacon XV, DeepSouth Con 40, Conucopia the 7th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). RL edited the Souvenir Book for Bucconeer the 56th Worldcon; he now and then publishes My Back Pages. [JH]
Born December 4, 1951 — Mick Garris, 69. Best remembered for his work in the horror genre. He has worked with Stephen King several times, such as directing Sleepwalkers, written by King and starring Mädchen Amick, and on the Bag of Bones series. Garris was also the co-screenwriter and executive producer of Hocus Pocus, and he’s the creator of the Masters of Horror series. (CE)
Born December 4, 1954 — Tony Todd, 66. Let’s see… He was a memorable Kurn in Next Gen and Deep Space Nine, he plays Ben in Night of the Living Dead, he’s of course the lead character in the Candyman horror trilogy, William Bludworth in the Final Destination film franchise, Cecrops in Xena: Warrion Princess and Gladius on Hercules: The Legendary Journeys. Those are just selected highlights. He reprises the lead role in the forthcoming Candyman. (CE)
Born December 4, 1954 – Sally Kobee, F.N., age 66. Bookseller and filker. See here for her and her late husband Larry Smith. SK & LS chaired World Fantasy Con in 2010, SK chaired in 2016 and also Ohio Valley Filk Fest 4 & 10. Both were Fan Guests of Honor at Windycon XXVII; elected Fellows of NESFA (New England SF Ass’n; service). [JH]
Born December 4, 1957 – Kathryn Reiss, age 63. A dozen novels for us, nine others. Fulbright Scholar. American Lib’y Ass’n Best Book for Young Adults award, three YA Lib’y Services Ass’n awards. Professor of English at my mother’s alma mater, Mills. [JH]
Born December 4, 1957 — Lucy Sussex, 63. Fan, reviewer, author, and editor. Born in New Zealand, resident in Australia, she’s been writing SFF ever since attending a Terry Carr-led workshop. And she’s an editor as well having edited several anthologies such as She’s Fantastical, the first collection of Australian women’s speculative fiction. She’s won three Ditmar Awards, an A. Bertram Chandler Award and an Aurealis Award to name some of her awards — impressive indeed! I’ve not heard of her before now, so I’ve not read her, so who has read her? (CE)
Born December 4, 1974 – Anne Gray, age 46, the Netmouse. Poet and physicist. Five years working with Cheryl Morgan on Emerald City. Chaired ConFusion 30-31 & 35. Fan Guest of Honor at Apollocon 2008. Reviews in Subterranean Online. Born Anne Gay, became Gray with husband Brian Gray, jointly TAFF (Trans-Atlantic Fan Fund) delegates. She was Murphy for a while, and seems to have been in Yellow Springs, Ohio, during November 2009; speaking of which, Netmouse, how’s Wellspring? [JH]
Born December 4, 1989 — Nafessa Williams, 31. She had only two genre roles but with the first being the revival series of Twin Peaks where she was Jade. The other is what gets her Birthday Honors — She’s Anissa Pierce who is the Thunder superhero on the Black Lightning series. Superb series, great character! (CE)

(11) COMICS SECTION.

The Far Side can tell the difference between Frankenstein and Fred Astaire.
The New Yorker has a weekly Cartoon Caption Contest. Bruce Arthurs noticed: “This week’s has two dinosaurs (I think?) conversing; one is wearing a rainbow-striped propeller beanie, which reminded me of Ray Nelson’s beanie cartoons in old fanzines.” The cartoon is here.
The online webcomic “Could Be Worse” offered their take on paleontology today

Well, I accept the theory presented by the webcomic "Could Be Worse." pic.twitter.com/5yZ0LscfRO
— H Book Club blog (@Hugo_Book_Club) December 4, 2020

(12) FOR A FEW DOLLARS MORE. In the Washington Post, Christian Davenport says NASA sold rights to several companies for mining concessions for the Moon, including one to Lunar Outpost for $1 because NASA believed the company had the capacity to launch mining efforts. “NASA names companies that will mine moon”.

NASA announced Thursday that several companies had won contracts to mine the moon and turn over small samples to the space agency for a small fee. In one case, a company called Lunar Outpost bid $1 for the work, a price NASA jumped at after deciding the Colorado-based robotics firm had the technical ability to deliver.“You’d be surprised at what a dollar can buy you in space,” Mike Gold, NASA’s acting associate administrator for international and interagency relations, said in a call with reporters.
But the modest financial incentives are not the driver of the program. Nor to a large extent is the actual lunar soil. NASA is asking for only small amounts — between 50 and 500 grams (or 1.8 ounces to about 18 ounces). While there would be scientific benefits to the mission, it’s really a technology development program, allowing companies to practice extracting resources from the lunar surface and then selling them.It would also establish a legal precedent that would pave the way for companies to mine celestial bodies in an effort blessed by the U.S. government to help build a sustainable presence on the moon and elsewhere.
To do that, NASA says it needs its astronauts, like the western pioneers, to “live off the land,” using the resources in space instead of hauling them from Earth. The moon, for example, has plenty of water in the form of ice. That’s not only key to sustaining human life, but the hydrogen and oxygen in water could also be used as rocket fuel, making the moon a potential gas station in space that could help explorers reach farther into the solar system….

(13) LEAKAGE. “Leaked reports from Pentagon UFO task force discuss ‘non-human technology,’ mysterious objects” – FOX News has the story.

Two classified reports from the Pentagon’s task force used to “detect, analyze and catalog” UFOs have been leaked, both of which include photos of unidentified objects….
The leaked photo, taken off the East Coast of the U.S. by a “pilot’s personal cell phone,” was a part of the 2018 position report, one source told the news outlet. This report discussed what the unidentified silver “cube-shaped” object could be, with a list of possible explanations discussed, including the fact it could be “alien” or “non-human” technology.
The 2020 photo, which has been leaked but is not widely available yet, is described as a triangle with white lights in each corner. This may be the more interesting photo, Nick Pope, a former employee and UFO investigator for Britain’s Ministry of Defense, told Fox News.
“I’m more interested in the fact that this first photo has been leaked, and in the related leaking of information about the Pentagon’s Unidentified Aerial Task Force, where serving intelligence community personnel have shared insights from two intelligence position reports,” Pope said via email. “With my own defense background in this subject, three things stand out. Firstly, the description by one insider of the reports as ‘shocking’ — a word that begs the question what about UAP do these people find shocking. Secondly, the fact that the intelligence reports seem to have been given a surprisingly wide distribution in various intelligence agencies, and thirdly, the fact that the extraterrestrial hypothesis seems genuinely not to have been taken off the table.”
Pope added he expects further leaks, noting he believes there is “a faction within government clearly wants this information to be released to the public.”

(14) NICE TRY. “Man’s Wife Makes Him Sell His PlayStation 5 After Realizing It Wasn’t an Air Purifier” reports Yahoo!

A Taiwanese man was forced to part with his PlayStation 5 last month after his wife discovered that he had lied to her about it being an air purifier, Taiwan News reports.
This heartbreaking story comes courtesy of Jin Wu, who turned out to be the lucky recipient of Sony’s next-gen console. Wu detailed his interaction on Facebook, claiming that one day after agreeing to buy the PlayStation 5 from a reseller in person, he called the individual he believed to be a man on the phone only to hear a woman pick up.
After his brief conversation with the mysterious woman, Wu could ascertain that she didn’t know much about the PS5, but was adamant about selling it, even at a remarkably low price…

(15) LUKE TREETALKER. Tree communication is posited in “The Social Life of Forests”, a New York Times Magazine article.

…Now a professor of forest ecology at the University of British Columbia, Simard, who is 60, has studied webs of root and fungi in the Arctic, temperate and coastal forests of North America for nearly three decades. Her initial inklings about the importance of mycorrhizal networks were prescient, inspiring whole new lines of research that ultimately overturned longstanding misconceptions about forest ecosystems. By analyzing the DNA in root tips and tracing the movement of molecules through underground conduits, Simard has discovered that fungal threads link nearly every tree in a forest — even trees of different species. Carbon, water, nutrients, alarm signals and hormones can pass from tree to tree through these subterranean circuits. Resources tend to flow from the oldest and biggest trees to the youngest and smallest. Chemical alarm signals generated by one tree prepare nearby trees for danger. Seedlings severed from the forest’s underground lifelines are much more likely to die than their networked counterparts. And if a tree is on the brink of death, it sometimes bequeaths a substantial share of its carbon to its neighbors….

(16) PUSS IN MORE THAN JUST BOOTS. Credentials suit up!“Cosplay costumes for cats earn former teacher a living” – video at MSN.com.

(17) SUPERPOSITIONED CREDENTIALS. “Schrödinger’s Cat Explained: Does Schrödinger’s Cat Really Exist?” asks Popular Mechanics.Tagline: “But don’t worry—they’re not going to harm any cats.”

For the first time, scientists believe they might be able to show that Schrödinger’s cat could exist in real life—not just in thought experiments. With larger and larger quantum objects, they say, a superpositioned cat seems inevitable. In the meantime, the scientists only have to figure out what’s preventing superpositioning at all in the largest quantum objects.
This one gets a little wavy gravy, so let’s first go over what Schrödinger’s cat even is. It’s a thought experiment, or what cognitive philosopher Daniel Dennett might call an intuition pump, that leads people to a new understanding of quantum mechanics. First, you put a hypothetical cat in a box. Then you basically flip a coin, and either the cat is killed or not killed inside the box.
The box remains closed and opaque the entire time, and there are no weasely workarounds like listening to the cat or seeing the box move. Is the cat alive or not? Since there’s no possible way to tell, the cat is effectively both alive and dead. Like a quantum particle, it’s superpositioned in two states at once.
From this description, you can see why the idea of a “real” Schrödinger’s cat is so stupefying. If a complex mammal could experience superpositioning, that would unlock far-out ideas like teleportation.

[Thanks to JJ, Cat Eldridge, Mike Kennedy, John Hertz, John King Tarpinian, Olav Rokne, Martin Morse Wooster, Daniel Dern, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/27/20 Why Did Constantinpixel Get The Works?

Posted on November 27, 2020 by Mike Glyer

(1) BABY TALK. If you’re not watching The Mandalorian but still want all the latest spoileriffic information about Baby Yoda, read this episode recap at Variety — “’The Mandalorian’: Ahsoka Tano And Baby Yoda Reveal Their Secrets“. BEWARE SPOILERS. (Was that clear enough?)

“The Mandalorian” teed up the arrival of Ahsoka Tano two episodes ago and judging from the speed and cameo size of the show thus far, viewers would have been forgiven for thinking we might only get a small glimpse of the Jedi this episode. But that thought was immediately sliced in half by two white lightsabers….

(2) PANTS REMOVED. And some Mandalorian news of less import – SYFY Wire says “The Mandalorian has digitally removed the ‘Jeans Guy’ blooper”.

It’s been one week since eagle-eyed viewers discovered an unexpected blooper on The Mandalorian, as a regular-clothed member of the crew was spotted in the background of one of the scenes of the hit Disney+ TV series.
However, despite “Jeans Guy” quickly becoming a bit of an Internet sensation, the production gaffe — which even appeared in production stills for the series — has since been digitally removed from the episode by the streamer and Lucasfilm….

(3) SHE PLAYED HER CARDS RIGHT. The Walter Day Collection presents a Q&A in “Science Fiction Trading Card Spotlight – Betsy Wollheim”.

How did you feel when you first started out at DAW?
It was very difficult working in an office between my mother and my father for ten long years. But I stayed because I loved the work and realized that was what I was meant to do.

(4) LASFS. The Los Angeles Science Fantasy Society has named Susan Fox as the winner of the Evans-Freehafer Award for club service – specifically, her work this year facilitating the club’s virtual meetings.

(5) FIRE WHEN READY. David Steffen unleashes a formidable idea in “Universal Transitive Headcanon (UTH): A Metafiction Framework Proposal” at Diabolical Plots. (Philip Jose Farmer will be sorry he missed this.)

I would like to propose some terminology for a particular type of headcanon that can be applied across many media, though centered around actor-based media like movies and TV based on actor-transitivity and character-transitivity: the Universal Transitive Headcanon (UTH). This proposal will be the basis of a series of posts that I intend to write analyzing movies, books, comics, and other media through the UTH.
For those who are not familiar with the term, “headcanon” refers to an unofficial interpretation of a work of fiction, which may or may not have any support in the source material, but which are not part of the official canon as defined by the source material.
…The foundational concepts of the Universal Transitive Headcanon are:

Actor-Transitivity: Every character played by a single actor is part of the same continuity. For example, this would dictate that Darth Vader and Mufasa are part of the same character story….

(6) BATMAN HISTORY. [Item by Martin Morse Wooster.] “How Batman Changed The World” on Screen Rant is a Batman documentary on YouTube that explains how the best Batman stories, including “Batman: The Animated Series” and the films of Tim Burton and Christopher Nolan, have room both for strongly realized Batman characters and strongly realized descriptions of Bruce Wayne. This includes a description of historian Mark Bolderman’s efforts to find Bill Finger’s heirs and get them to successfully sue Warner Brothers for co-creator credit (which first happened on Batman V. Superman: Dawn Of Justice.” This dropped today.

(7) MEDIA ANNIVERSARY.

2005 — Fifteen years ago, China Miéville’s the Iron Council novel would win the Arthur C. Clarke Award besting Ian McDonald’s River of Gods, David Mitchell’s Cloud Atlas, Richard K. Morgan’s Market Forces, Audrey Niffenegger’s The Time Traveler’s Wife and Neal Stephenson’s The System of the World. It follows Perdido Street Station which also won this Award and The Scar which was nominated for this Award in the Bas-Lag universe series. It would also win the BFA August Derleth Fantasy Award for Best Novel and place well in the Hugo Award for Best Novel that year as well.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldrdge and John Hertz.]

Born November 27, 1935 — Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series. She appeared in the fan-made Doctor Who tribute “A Happy Ending” in 2005. (Died 2007.) (CE)
Born November 27, 1951 — Melinda M. Snodgrass, 69. She wrote several episodes of Next Generation including “The Measure of a Man” which was nominated for a Prometheus Hall of Fame Award and served as the series’ story editor during its second and third seasons. She also wrote scripts for Sliders, Strange Luck, Beyond Reality, Odyssey 5, Outer Limits and SeaQuest DSV. She’s co-editor and a frequent story contributor to George R. R. Martin’s Wild Cards series. Of her novels, I like her Queen’s Gambit Declined the best. CE)
Born November 27, 1957 — Michael A. Stackpole, 63. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels. (CE)
Born November 27, 1961 — Samantha Bond, 59. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. Was Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones. (CE)
Born November 27, 1963 — Fisher Stevens, 57. He’s best remembered as Ben Jabituya in Short Circuit (and renamed Ben Jahveri in the sequel), Chuck Fishman on Early Edition, and Eugene “The Plague” Belford in Hackers. He’s alsomhad roles on The Hunger, Lost, The Mentalist, Medium and Elementary. (CE)
Born November 27, 1974 — Jennifer O’Dell, 46. Her only meaningfu role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World but what a pulp heroine she made there. She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield and Dr. Laurie Williams on Vampire flick Slayer but nothing major to date. (CE)
Born November 27, 1907 – L. Sprague de Camp. Aeronautical engineer and author; as Fancyclopedia 3 says “not primarily a fan but a very fannish pro”; famous for fantasy often rooted in science; good-natured and playful when he accepted the rules; tireless materialist and debunker, with all that brought. A hundred books, far more shorter stories, four hundred essays, two hundred reviews, a hundred poems. Guest of Honor at Tricon the 24th Worldcon (1966) and many SF conventions thereafter, e.g. Balticon 3 &17, Boskone 9, Lunacon 20, LibertyCon 1, 5 & 10. Forry Award, Pilgrim Award, Int’l Fantasy Award, SFWA Grand Master, World Fantasy Award for Life Achievement, Sidewise Award for Life Achievement in Alternative History. Productive collaborator with e.g. Lin Carter, Robert E. Howard, Fletcher Pratt, Catherine Crook de Camp. Biographer of Howard and Lovecraft. Fiction and study guides about Conan the Barbarian. One Hugo, for his memoir Time and Chance. The Incomplete Enchanter, see the NESFA Press omnibus. Tales from Gavagan’s Bar, get the Owlswick ed’n if you can; the Bantam lacks the illustrations; the Kindle I’m told has goofs. Outside our field notably The Ancient Engineers. My anecdote here (11th paragraph, but you’ll need the 4th). (Died 2000) [JH]
Born November 27, 1909 – James Agee. One novelette for us, which he got published in Harper’s; very worthy outside our field, see here. (Died 1955) [JH]
Born November 27, 1916 – Earl Singleton, Sc.D. His Nepenthe was the first fanzine devoted to poetry. Journeyed from Boston to Chicon I the 2nd Worldcon (1940) with Art Widner in AW’s car the Skylark of Foo, no small adventure then. Later great outside our field. (Died 1999) [JH]
Born November 27, 1928 – Josh Kirby. Three hundred covers, two hundred interiors. Artbooks Voyage of the Ayeguy, The Josh Kirby Poster Book, In the Garden of Unearthly Delights, A Cosmic Cornucopia, Josh Kirby’s Discworld Portfolio. British Fantasy Award for Best Pro Artist. Here is New Writings in SF 13. Here is The Jagged Orbit. Here is A Bad Day for Ali Baba. Did the Two of Cups for Bruce Pelz’ Fantasy Showcase Tarot Deck (PDF). (Died 2001) [JH]
Born November 27, 1942 – Marilyn Hacker, 78. Nat’l Book Award, Barnstone Translation Prize, PEN (Poets, Essaysts, Novelists) Award for Poetry in Translation, Fagles Translation Prize, PEN/Voelcker Award for Poetry, Lambda Literary Award, Marshall Poetry Prize, Lorde Award, Conners Prize, Masefield Memorial Award, NY Writers Hall of Fame, Amer. Acad. Arts & Letters Literary Award. Chancellor of the Amer. Acad. Poets. Edited Quark with Delany; his Babel-17 has chapter epigraphs from her poems. [JH]
Born November 27, 1960 – Lori Wolf. Hugo Ceremony Manager at LoneStarCon 2 the 55th Worldcon. Co-chaired ArmadilloCon 15 & 23. Reviews in Nova Express. Fan Guest of Honor at Conestoga 6 and much missed. (Died 2004) [JH]
Born November 27, 1974 – Lisa Mangum, 46. Three novels, four shorter stories, four anthologies. Lives in Utah, likes trips to Disneyland. Has read The Secret Lives of Codebreakers (I myself recommend Between Silk and Cyanide), Stephen King’s On Writing, The 2011 Book Blogger’s Cookbook, Literature: Unsuccessfully Competing Against Television Since 1953. [JH]

(9) COMICS SECTION.

Pluggers says you are one (a plugger) if this genre idea is your ambition.

(10) LIVE LONG AND OOPS. “B.C.’s ‘nerd’ premier gives Vulcan salute during swearing-in ceremony” – CTV News has the story.

Self-described “nerd” John Horgan flashed a Vulcan salute while being sworn in as B.C.’s 36th premier on Thursday, but said the gesture was purely accidental.
Horgan had his hand raised to recite the oaths of allegiance, office and confidentiality with Lt.-Gov. Janet Austin when his fingers slowly formed the salutation made famous by Leonard Nimoy on “Star Trek.”
While speaking to reporters after the ceremony, Horgan acknowledged making the gesture but suggested he did it subconsciously.
“Quite honestly it wasn’t until after it happened that it was brought to my attention,” Horgan said. “I’m a nerd, I can’t help it. I do that a lot.”
The premier stressed that he meant no disrespect giving the salute during a formal ceremony, and that it wasn’t an intentional “signal to geeks everywhere.”

(11) FIAT LUX SKYWALKER. That Anakin has a great holiday gift idea — the Talking Darth Vader Clapper.

This Darth Vader clapper responds and talks each time you clap your lights on or off. Just clap twice to turn you lights on, and he’ll say “The force is strong with this one”, and clap twice again to turn your lights off, and he’ll respond with “You underestimate the power of the dark side”. Just plug your lamp into the bottom of him, and plug him into any wall outlet.

Okay, this is what everybody I know is getting for Christmas!

(12) UFO AIRBNB. Homes & Property brings word of “Spaceship home for sale: extremely rare Futuro house in New Zealand on the market after being in storage for years”.

… Designed by Finnish architect Matti Suuronen in 1968, the Futoro house is one of only 100 ever built.
…Futuro homes were originally intended to be ski cabins that would be easy to built and heat, with the end result being transportable homes that could be dismantled and reassembled in two days — or even airlifted in one piece if required.

The seller's step-granny lived in it for 15 years https://t.co/rSBawggWWh
— Standard Homes & Property (@ESHomesProperty) November 10, 2020

(13) PUPPET TIME CAPSULE. [Item by Martin Morse Wooster.] “Art Carney Meets Peter And The Wolf with The Bil Baird Marionettes” on YouTube is a show originally broadcast on ABC on November 30, 1958, as a puppet-based musical with music by Sergei Prokofiev and lyrics by Ogden Nash. The video includes 10 minutes of an interview Ed Sullivan did with Walt Disney (and Donald Duck) at the Disney studios in 1953.

(14) VIDEO OF THE DAY. The Russian space agency has produced its version of the idea “Our sky, if some celestial bodies were closer to us”.

[Thanks to John King Tarpinian, JJ, Olav Rokne, Kathy Sullivan, Mike Kennedy, John Hertz, Michael Toman, Cat Eldridge, Martin Morse Wooster, Rich Lynch, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/26/20 I Feel My Temperature Rising, Higher Higher, It’s Pixelling Through To My Scroll

Posted on July 26, 2020 by Mike Glyer

(1) RETRO ROCKET. [Item by Jeffrey Smith] A documentary crew’s attempt to find a 100-year-old rocket: “Space Oddity” in The Washington Post Magazine. This one has special interest for me because this is where I live — not Venus, but Hampden. In fact, I was on Morling Avenue today when I went out to pick up our dinner. I’ve eaten at Holy Frijoles, but not at Rocket to Venus, though it’s been here long enough and we’ve eaten everywhere else, so I don’t know why not.

… Now, three longtime friends living in Baltimore — John Benam, Brian Carey and Geoff Danek — along with a film crew, are trying to fill out the story of Robert Condit and his rocket for a documentary titled “Rocket to Venus.” In January, they retraced Condit’s movements to Miami Beach, where they learned he had taken the rocket after leaving Baltimore. Condit had made international news when he announced that he would launch himself into space from the Florida beach, including a December 1927 mention in The Washington Post under the headline “A Jaunt to Venus.”
“Time and again some hardy soul hoped to reach the stars,” the article read. “Never, so far as is known, has the feat been attempted: but no one had possessed a machine such as Mr. Condit has developed.”
…“It will not be very long until we know just what we have for neighbors,” Condit wrote about space travel in a 1928 lecture discovered by the filmmakers, “and in the course of the next few years, we will probably be doing business with Venus as casually as we now transact our affairs across the ocean or go for an aeroplane ride of a few thousand miles before breakfast.”

(2) EVEN HOTTER THAN WASHINGTON D.C. All the rocketship did was blow up in his garage, but the technology Condit used was not that different from rockets built at the time by Robert Goddard and Hermann Oberth. What would Condit have found if he’d made it? “Likely active volcanoes found on Venus, defying theory of dormant planet” says The Guardian.

Scientists have identified 37 volcanic structures on Venus that appear to have been recently active – and probably still are today – painting the picture of a geologically dynamic planet and not a dormant world as long thought.
The research focused on ring-like structures called coronae, caused by an upwelling of hot rock from deep within the planet’s interior, and provided compelling evidence of widespread recent tectonic and magma activity on Venus’s surface, researchers have said.
Many scientists had long thought that Venus, lacking the plate tectonics that gradually reshape Earth’s surface, was essentially dormant geologically, having been so for the past half billion years.
…The researchers determined the type of geological features that could exist only in a recently active corona – a telltale trench surrounding the structure. Then they scoured radar images of Venus taken by Nasa’s Magellan spacecraft in the 1990s to find coronae that fit the bill. Of 133 coronae examined, 37 appear to have been active in the past 2m to 3m years, a blink of the eye in geological time.

(3) DOCTOR TOO. “Tade Thompson: full-time doctor who finds energy for full-on writing career” – profiled in The Guardian.

After Anton Chekhov and Arthur Conan Doyle, Tade Thompson is the latest in a long line of medical doctors who have become writers.
Thompson is a full-time hospital psychiatrist, who writes science fiction, fantasy and crime thrillers that have received rave reviews and prizes, but he has no intention of giving up the day job, somehow fitting in everything by writing in the early hours.
A fierce bidding war has finally concluded over the film rights to his Molly Southbourne novellas, a nightmarish psychological story about a girl who, when she bleeds, creates duplicates of herself who want to kill her.
The rights have gone to Complete Fiction, the film company the director Edgar Wright and the producer Nira Park set up with their long-time collaborators the writer-director Joe Cornish and the producer Rachael Prior. They will transform the stories into a multi-season television series in collaboration with Netflix. Thompson is executive producing it and may write an episode or two…

(4) SPORTS SECTION. [Item by Steven H Silver.] Where else would you expect to find a mention of Gene Wolfe except in an article about an Argentine football manager published on an Indian website? “Marcelo Bielsa: Genius That’s Hard to Miss, Harder to Notice, Impossible to Fathom”.

In April last year, at the age of 87, the writer Gene Wolfe died of heart disease in Illinois. For science fiction fans, Wolfe was a cult figure, a modern day savant whose writing only a few could understand, and yet unanimously admired. His books never sold much, and yet he is widely regarded as the greatest American science fiction writer of all time. All his obituaries, while admiring and respectful, had an underlying theme, a question that invariably also followed a huge amount of his literary work. His writing, and its implications, were so challenging and polarising that everyone seemed to question what kind of greatness it was.
The reason to bring up Wolfe is because Marcelo Bielsa is back in business. Talking about Bielsa even more so. The mad stories, legends and myths about this football obsessed, workaholic, crazy, maniacal Argentinian cult figure, spoken about in hushed tones (and loud yells) in football circles across the world, have become mainstream over the past few years….

(5) AT THE ALTER. Lucas Adams reviews the exhibition in “Worlds Apart: Sci-Fi Visions of Altered Reality” in the New York Review of Books.

… Attempting to rework the past, at least on paper, has been the outlet of artists and authors for as long as people have been wishing for different endings. “As If: Alternative Histories From Then to Now,” an exhibition at the Drawing Center, presents eighty-four works from 1888 to the present that “offer examples of how we might reimagine historical narratives in order to contend with the traumas of contemporary life.”
…Among them is Futurian War Digest by J. Michael Rosenblum, a British science fiction zine the conscientious objector made during World War II, featuring spacefaring adventurers, robot love affairs, and more. The police kept an eye on Rosenblum during the war, out of concern that he was “publishing seditious materials and of collecting contraband ink and paper,” the museum wall text explains, but one look at its simple but fanciful black-and-white illustrations, and it’s clear this was simply a creative outlet in the midst of a war.
Also on view is work by Herman Poole Blount, better known as the Jazz musician Sun Ra, one of the pioneers of Afro-futurism. In the late 1930s, Sun Ra experienced a life-altering vision in which he went to Saturn and met aliens, and discovered he was not an Earthling, but actually a citizen of outer-space. Ra’s creation of a new identity allowed him to free himself from societal constraints, or as the exhibition’s free zine puts it: “As an interstellar visitor, Sun Ra wasn’t subject to racial violence–he was someone, from somewhere, else.”

(6) SAXON OBIT. Actor John Saxon, known for his roles in three Nightmare on Elm Street movies and Enter the Dragon died July 25 at the age of 83 reports the Chicago Sun-Times. His horror résumé also includes two films for Roger Corman: Queen of Blood (1966) and Battle Beyond the Stars (1980), playing a tyrannical warlord.

(7) MEDIA BIRTHDAY.

July 26, 1968 — Mission Mars premiered. (Called Murder in the Third Dimension in the U.K.) Directed by Nick Webster, it was produced by Everett Rosenthal from a screenplay by Mike St. Clair with the story being written by Aubrey Wisberg. The cast was Darren McGavin, Nick Adams, George De Vries and Michael DeBeausset. Not a single critic at the time like it with one saying it was just a “conventional monster movie” and another commenting that it was “plodding, dull and amateurish“. There’s no rating at Rotten Tomatoes. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born July 26, 1856 – George Bernard Shaw. This great playwright, radical, and wise guy did some SF; Man and Superman, Back to Methuselah, Androcles and the Lion, Too True to Be Good, a few more; two dozen short stories; outside our field, essays, music criticism, plays, preachments. “My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.” Nobel Prize. (Died 1950) [JH]
Born July 26, 1885 – Paul Bransom. Illustrated The Wind in the Willows, Just-So Stories; comic strip The Latest News from Bugville for The New York Evening Journal. Fifty books of wildlife subjects. Many fine Saturday Evening Post covers. Clinedinst Medal. Here are Ratty and the Wayfarer from Willows, and here is Pan. Here is “The stork was as hungry as when she began” from An Argosy of Fables. Here is Buck leaping in the air from The Call of the Wild. Here is a cover with Joseph Gleeson for Just-So Stories. (Died 1979) [JH]
Born July 26, 1894 – Aldous Huxley. Many know his masterpiece Brave New World, with everything wrong and people made to love it, translated into Bulgarian, Dutch, French, Galician, German, Hungarian, Italian, Japanese, Portuguese, Serbian, Spanish; some, his other SF e.g. After Many a Summer Dies the Swan; his last, Island, with everything right, may be weaker. More novels, essays, short stories, plays and screenplays, poetry, travel. Pacifist and psychedelicist. (Died 1963) [JH]
Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just too damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.) (CE)
Born July 26, 1929 – Lars-Olov Strandberg. Co-founded SFSF (Scandinavian SF Ass’n); chairman, secretary, or treasurer of its board continuously 1965-2011. Life-long photographer, thus documenting SF cons (see e.g. this fine photo of Kathy & Drew Sanders’ entry in the Masquerade costume competition at Seacon ’79 the 37th Worldcon). Linked Swedish fandom to Denmark, Norway, the United Kingdom. Alvar Appeltofft Award. Fan Guest of Honor at Swecon 2, Interaction the 63rd Worldcon. (Died 2018) [JH]
Born July 26, 1939 – Steve Francis, 81. Some become all-round fans from fanzines; he, from the Dealers’ Room. With wife Sue, mainstays of Rivercon during its twenty-five years; together, Fan Guests of Honor at MidSouthCon 10, Marcon 27, DeepSouthCon 33, Con*Stellation XX. Rebel and Rubble Awards. DUFF (Down Under Fan Fund) delegates. Big Heart, our highest service award. Scheduled to be Fan Guests of Honor at the cancelled 14th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas) this year. [JH]
Born July 26, 1945 — M. John Harrison, 75. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time. (CE)
Born July 26, 1945 — Helen Mirren, 75. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy. (CE)
Born July 26, 1969 — Tim Lebbon, 50. For my money, his best series is The Hidden Cities one he did with Christopher Golden, though his Relics series with protagonist Angela Gough is quite superb as well. He dips into the Hellboy universe with two novels, Unnatural Selection and Fire Wolves, rather capably. (CE)
Born July 26, 1971 – Mary Anne Mohanraj, Ph.D., 49. Co-founded Strange Horizons, editor four years; editor for ten issues of Jaggery. One SF novel, three others; two dozen shorter SF stories of which three in Wild Cards, a dozen others; essays in SH, Fantasy, Uncanny; interviewed in Lightspeed, Locus, Mithila; edited WisCon Chronicles9. Gardener and cook. [JH]
Born July 26, 1978 — Eve Myles, 42. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. (CE)
Born July 26, 1978 – Elizabeth Tudor, 42. Azerbaijani lawyer and SF author. A dozen novels, as many shorter stories. Here is her Authors Guild page. [JH]

(9) COMICS SECTION.

Tom Gauld:

‘The government finally issues coronavirus guidance for fantastic quests’ (for yesterday’s @guardianreview) pic.twitter.com/TBCgEwUQsK
— Tom Gauld (@tomgauld) July 26, 2020

(10) RNZ BOOSTS THE SIGNAL. Here’s a first taste of Worldcon coverage in New Zealand’s mainstream media: “World Science Fiction Convention hosted by NZ” at RNZ. Hear audio of the broadcast at the link.

Ten years of planning have gone into New Zealand’s first time hosting the World Science Fiction Convention. Several thousand ardent fans, guests and speakers were due to come to Wellington from around the world – about now.
But organiser Lynelle Howells says the show must go on – and it will this Wednesday to Sunday, in the virtual realm – more than 750 planned talks, sessions and workshops will be beamed out around the world online.
“The world science fiction convention is held in a different city every year, so for it to come down to New Zealand is a really big deal; then of course Covid happened. It’s the first time anybody’s tried to run a WorldCon virtually, but needs must,” she says.

(11) WORDLESS IN GEHENNA. At The Wertzone, Adam Whitehead reports “Patrick Rothfuss’s editor confirms she is yet to read a single word of THE DOORS OF STONE”.

In somewhat surprising news, Patrick Rothfuss’s editor Betsy Wollheim has reported that she is yet to read any material from his next novel, The Doors of Stone, the third and concluding volume in The Kingkiller Chronicle, and notes a lack of communication on the book’s progress.
Rothfuss shot to fame with the first book in the trilogy, The Name of the Wind, in 2007. With over 10 million sales, The Name of the Wind became one of the biggest-selling debut fantasy novels of the century. The second book, The Wise Man’s Fear, did as well on release in 2011. Nine years later, the third book remains unpublished.

The Doors of Stone is probably the second-most-eagerly-awaited fantasy novel of the moment, behind only George R.R. Martin’s The Winds of Winter, which it actually exceeds in waiting time (though only by five months). Martin has provided updates on The Winds of Winter, albeit extremely infrequent ones, but has recently reported much more significant progress being made. Rothfuss, on the other hand, has maintained near constant zero radio silence on the status of book in recent years, despite posting a picture of an apparently semi-complete draft in 2013 that was circulating among his beta readers….

(12) THE GREATEST STAR TREK SERIES YOU’RE NOT WATCHING. So says Space Command creator Marc Zicree.

I’m the author of The Twilight Zone Companion and also a writer for such shows as Star Trek – The Next Generation, Babylon 5, Deep Space Nine, Sliders and many others.

Recently, I’ve been shooting a new show that I wanted to share with you. And if you can share it with your fans, that would be great (and let them know we have a Kickstarter campaign going in order to shoot more).

It’s called Space Command,

The Kickstarter is to fund the fifth episode, which is a little bit confusingly called “SPACE COMMAND Episode 4 – FORGIVENESS PART 2”. As of today they’ve raised $26,798 of the $48,000 goal, with 17 days left to go.

The show’s cast (with some of their previous genre credits) includes Doug Jones (Star Trek Discovery, Shape of Water); Christina Moses (A Million Little Things); Neil deGrasse Tyson (Cosmos); Mira Furlan (Lost, Babylon 5); Nichelle Nichols (Star Trek); Robert Picardo (Star Trek Voyager, The Orville); Mike Harney (Orange is the New Black, Project Blue Book); Bruce Boxleitner (Supergirl, Babylon 5, Tron); Bill Mumy (Lost In Space, Babylon 5); Ethan McDowell (Doom Patrol); Barbara Bain (Space: 1999, Mission Impossible); Armin Shimerman (Deep Space Nine, Buffy).

The Pilot Episode

The Animatic Prequel — (combining the completed audio play with the work-in-progress graphic novel).

Our Special Two-Part Pandemic Episode

(13) WANDERERS. In Ken Kalfus’ story “In Little America” at N+1 Magazine, Americans become the world’s illegal migrants.

…For ten months or so I belonged to a crew on a container ship flying a flag of convenience. My passport wouldn’t allow me ashore in most ports. The borderless, visa-free ocean was my home.
The American catastrophe had meanwhile entered a new phase that drained the world of any cruel pleasure it had taken in our downfall. Now the overwhelming sentiment was pity. I followed the news with averted eyes….

(14) YOU MAY HAVE ALREADY WON. “Human-sized robot presents lottery winner with check in Quebec”.

The first in-person check presented to a lottery winner in Quebec since the start of the COVID-19 pandemic was presented by an official immune to the disease — a human-sized robot.
Loto-Quebec said it employed the use of a robot designed by a student club at the Montreal-based Ecole de Technologie Superieure, in partnership with Centech, to present Guylaine Desjardins with her check for $4.47 million.

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[Thanks to Olav Rokne, John Hertz, Andrew Porter, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, Michael Toman, Steven H Silver, Errolwi, and John King Tarpinian for some of these stories. Ttle credit goes to File 770 contributing editor of the day Camestros Felapton.]

NESFA Presents Skylark, Gaughan Awards at Boskone 57

Posted on February 15, 2020 by Mike Glyer

The New England Science Fiction Association honored the winners of two annual awards at Boskone 57 on February 15.

SKYLARK AWARD

Betsy Wollheim

The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA^® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.

GAUGHAN AWARD

Iris Compiet

The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.

Judges: Patrick Wilshire, Maryanne Plumridge, and Stephen Hickman.

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Pixel Scroll 8/17/18 I Heard Him Say In A Voice So Gruff, I Wouldn’t Read You ‘Cause You’re So Tough

Posted on August 18, 2018 by Mike Glyer

Super short tonight!

(1) BETSY WOLLHEIM HONORED. Penguin Random House has announced that DAW Books Publisher Betsy Wollheim will be awarded the World Fantasy Lifetime Achievement Award, for demonstrating outstanding service to the fantasy field.

We are incredibly proud to congratulate our esteemed editor and co-publisher, Betsy Wollheim, who will be honored with a Lifetime Achievement Award at this year's World Fantasy Awards! pic.twitter.com/iaK8KGPT2Q

— DAW Books (@dawbooks) July 27, 2018

(2) EATING THE FANTASTIC. Scott Edelman welcomes you to a fish and chips place with John Langan in episode 74 of the Eating the Fantastic podcast.

John Langan

John Langan wrote the poetic horror novel The Fisherman, which was probably my favorite book of 2016. And I obviously wasn’t the only one who felt that way, because it won the Bram Stoker Award for Superior Achievement in a Novel the following year. His short fiction has been published in magazines such as Lightspeed and Fantasy & Science Fiction, anthologies such as Lovecraft’s Children and Poe, plus many other venues.

His debut short story collection, 2008’s Mr. Gaunt and Other Uneasy Encounters, went on to become a Stoker Award nominee. He and I may be the only two people in the history of the planet to write zombie stories inspired by Thornton Wilder’s “Our Town”—his 2008 story “How the Day Runs Down” and my 2001 story “Live People Don’t Understand” tackle that theme in very different ways. He’s a co-founder and on the Board of Directors of the Shirley Jackson Awards.

We discussed how reading Conan the Barbarian comic books as a kid made him hope he’d grow up to be a comic book artist, why his evolution as a writer owes as much to William Faulkner as it does to Peter Straub, what he learned about storytelling from watching James Bond with his father and Buffy the Vampire Slayer with his wife, the best way to deal with the problematic life and literature of H. P. Lovecraft, the reason his first story featured a battle between King Kong and Godzilla, his process for plotting out a shark story unlike all other shark stories, why a writer should never fear to be ridiculous, what a science experiment in chemistry class taught him about writing, his love affair with semicolons, that time Lucius Shepard taught him how to box, the reason the Shirley Jackson Awards were created, and much more.

(3) TODAY’S BIRTHDAYS

Born August 17, 1879 – Samuel Goldwyn. Producer, The Unexplained series pilot (1956) which was titled ‘The Merry-Go Round’ and which Bradbury reused in the Something Wicked This Way Comes film. Also The Secret Life of Walter Mitty and Hans Christian Andersen.
Born August 17, 1917 – Oliver Crawford. Screenwriter for episodes of Star Trek, The Wild, Wild West, Terry and The Pirates, Voyage to the Bottom of the Sea, Outer Limits, I Spy, Land of the Giants, The Six Million Dollar Man, and The Bionic Woman.
Born August 17 – Robert DeNiro, 75. Ok, I’m surprised in that he has at least three genre roles, to wit Fearless Leader in The Adventures of Rocky & Bullwinkle; also in Neil Gaiman’s Stardust in a role… well you decide, and in Brazil as well. Also in the forthcoming Joker film.
Born August 17 – Helen McCrory, 50. A lead in the Penny Dreadful series, also Dr. Who, the Harry Potter film franchise, a gender bending sf version of Frankenstein and Interview with the Vampire: The Vampire Chronicles.
Born August 17 – Taissa Farmiga, 24. Lead role in American Horror Story, voice work in the animated Teen Titans: The Judas Contract and Justice League vs. Teen Titans.

(4) END RUN. James Davis Nicoll pleads, “When Will SF Learn to Love the Tachyon Rocket?” at Tor.com.

Readers of a certain age may remember the excitement stirred up when various physicists proposed to add a third category of matter to:

A. matter with zero rest mass (which always travels at the speed of light), and

B. matter with rest mass (which always travels slower than light).

Now there’s C: matter whose rest mass is imaginary. For these hypothetical particles—tachyons—the speed of light may be a speed minimum, not a speed limit.

Tachyons may offer a way around that pesky light-speed barrier, and SF authors quickly noticed the narrative possibilities. If one could somehow transform matter into tachyons, then faster-than-light travel might be possible.

(5) RETRO HUGO BASE. At the official Hugo site, a picture of the prototype awarded on Thursday.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Scott Edelman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP.]

The Dogs My Destination 5/18

Posted on May 18, 2015 by Mike Glyer

aka Recent studies have shown that approximately 40% of authors are sad puppies. The rest of us just drink.

Today’s roundup delivers alisfranklin, John C. Wright, Alexandra Erin, Kevin J. Maroney, Betsy Wollheim, Dave Freer, Lela E. Buis, David French, thezman, Eric Flint, Joe Sherry, Scott Seldon, Lis Carey, Lisa J. Goldstein, Larry Correia, Jeff Duntemann, and Declan Finn. (Title credit goes to File 770 contributing editors of the day Tuomas Vainio and Laura Resnick.)

alisfranklin on Unassigned Readings

“As for gaming the Hugo Awards it is surprisingly…” – May 18

You want to talk about slates of nominees and culture wars and take-overs? Fine, let’s talk about that. Because you know what I want to see for the 2016 Hugo awards?

I want to see Welcome to Night Vale up for awards in Best Novel and Best Dramatic Presentation. I want to see Stephen Universe and Agent Carter and whatever anime is big right now. I want to see Homestuck. I want to see something from the OTW and I want at least one videogame up for Long Form and one DLC/expansion up in Short Form. I want to see fanfic writers and fanartists up for their categories. I want to see someone get nominated purely on force of their Tumblr.

Whether or not I like the individual nominations doesn’t matter. I just want to see them, because seeing them will tell me the Hugos are relevant again. That they mean something to kids who were born after the invention of the personal computer, let alone born this century. You want to talk about logrolling an awards ceremony? Tumblr fandom is orders of magnitude bigger than the voting pool for the current Hugos. If y’all want those awards, they’re yours. No old greybeard muttering about “true fans” and “golden age SFF” can take that away from you. Literally not; by numbers alone there just aren’t enough of them.

John C. Wright

“WSJ on SJW” – May 18

A lamebrain and lazy Wall Street Journal article: http://www.wsj.com/articles/the-culture-wars-invade-science-fiction-1431707195

For any reader without the patience (or the nose-clothespin) to wade through this, the summary is: “We asked two white guys with lots of awards and they said the system was fine and the Sad Puppies are pulp-writing carpetbagging racists.”

First, the issue is not about literary fiction versus pulp adventure fiction. The Social Justice Warriors do not write literary fiction, they write boring lectures and finger-wagging trash. They are members of a clique who have controlled the awards for about a decade.

They excuse the poor craftsmanship of their meandering tales by claiming them to be written to erudite and aethereal literary standards beyond the grasp of the hoi polloi. (Or they would say, if they were literary enough to use phrases like the hoi polloi (a Greek remark!), or drop Gilbert and Sullivan allusions casually into their sentences.)

For the record, I write literary fiction, and Larry Correia writes pulp, and he and I are on the same team.

Alexandra Erin on Blue Author Is About To Write

“Situation Normal: All Fisked Up” – May 18

So Brad Torgersen, leader of the Sad Puppy campaign for this year, has a post up on his blog called “Fisking The Broken Narrative”. Fisking, for the uninitiated, is an art from in which one takes a written work, quotes the whole or majority of it in-line, broken up with zingers a la Mystery Science Theater. At least, that’s my understanding of the typical fisking. The Sad Puppies seem more inclined to just rant and rave in the interstices, and Torgersen in particular spends more time reacting to what it would have been convenient for his narrative for the source editorial to have said than he does responding to the actual text…..

Mr. Maroney, the individual whom Torgersen was attempting to fisk, did in his source attempt to gently clue the Puppies in to the inadvisability of labeling their opponents “reactionary” while holding a stated goal of “stop people from trying to change things and bring it back to the way it used to be”, but all Torgersen appeared to take away from it was “STOP SAYING MEAN THINGS”. We could speculate about whether this was due to an inability to comprehend the point or a tactical decision to only respond in ways that further the Puppy’s narrative, but I don’t see the percentage in it.

Kevin J. Maroney in New York Review of SF

“The Puppies of Terror” – May 17

The Sad Puppies are a group of writers and other fans dissatisfied with what they saw as a trend in the Hugo process toward overrepresentation of “liberal” works at the expense of traditional, meat-and-potatoes science fiction and fantasy. So in 2014 they gamed the Hugo nomination system to place nominees in several Hugo Award categories. What the Puppies did was very simple: They encouraged people to buy Worldcon supporting memberships and vote for the Puppy slate of nominees, and they got one or two nominees into several categories. These “Sad Puppy 2” nominees failed to land any trophies; in fact, with the exception of Toni Weisskopf in the Best Editor, Long Form, the SP2 finalists came in last in every category. And, like any well-intentioned, thoughtful group of principled actors, the Sad Puppies responded by encouraging the attention of a group of woman-hating terrorists.

Kevin J. Maroney in New York Review of SF

“The Puppy Fight” – May 18

The entire Puppy movement, rhetorically, is based on the idea that the science fiction enterprise has changed tremendously and not for the better, since the fabled Golden Age when all of the Puppies were young. The head Sad Puppy himself, Brad Torgersen, has taken to referring to his enemies as CHORFS, “Cliquish, Holier-than-thou, Obnoxious, Reactionary, Fanatics.” So, yes, the person who is bravely positioning himself as the force that will stop the people who want to change things believes that his opponents are “reactionaries.” This is, apparently, someone whose understanding of words is limited to “what sounds like an insult?”

Lela E. Buis

“Is there too much diversity in SF&F?” – May 18

So, is there really too much diversity on the ballot? This might not be a popular observation, but I can personally see a clear political agenda, at least in the US and Northern Europe, to increase acceptance of diversity. Everyone must have noticed this. Diversity is billed as a good thing, something we should respect that can bring in new ideas and new ways of doing things. It also implies acceptance of differences like gender, LGBTQ status, religion, disability, race, national origin, etc., etc., etc. But, the truth is that diversity makes us all nervous. Political scientist Robert Putnam, researching community trends in 2000, made the inconvenient discovery that greater diversity in a community leads to less trust, less volunteering, less cooperation, less voting and less civic engagement in general for average members of the community. As a liberal, Putnam was so disturbed by this finding that he waited until 2007 to publish the results, i.e. that diversity damages communities.

Betsy Wollheim on Facebook – May 16

I’ve been silent about the whole disgusting Hugo mess, but frankly I’m shocked by some of the mainstream coverage it’s been getting. For the record, many people on the “puppy ballot” were never asked permission, like my business partner, Sheila Gilbert, who has no affiliation with any puppies, but will not withdraw because (in my opinion and that of her authors) she damn well deserves a Hugo after 45 years dedicated to editing Science Fiction and Fantasy. Personally I think the puppies are fucked. There has always been a “Wellsian and Vernian” split in the field, but this takeover of the award is just abominable! Not only New Republic has spoken out against them, but now, the Wall Street Journal.

Betsy Wollheim on Facebook – May 16

I am personally grateful to George R. R. Martin for bravely supporting the rational and historical side of the Hugo brouhaha. As someone who has been attending conventions since age six (1958) I can say there have always been political divisions in our field, but prior to the internet neither political side has had the power (nor inclination!) to game the field’s most prestigious award. If you look at the novels that have won the Hugos over the decades. You will see that as many are great adventure yarns as books with political messages. It’s really pretty even. But this current fiasco is just plain disgusting. Also, as an editor, it makes me angry to see a writer as important as GRRM having to spend his valuable time informing ignorant people about the history of worldcon and the history of the Hugos.

Dave Freer at Mad Genius Club

“Who we write (and publish) For.” – May 18

It’s been very revealing during the various bursts of rage at the Sad Puppies by traditionally published authors and their publishers. We’re getting to see that dislike, that disdain, that ‘second (or possibly far lower) class citizen, should not be allowed to vote, aren’t ‘Real Fans’, should be put in a dog-pound (we’re not human, and there is no need to treat us as such, apparently. Now I do understand that as far as this monkey is concerned, but most of the pups, their supporters and friends are as human as their detractors.) You get editors like Betsy Wolheim at DAW telling us filthy hoi polloi “as an editor, it makes me angry to see a writer as important as GRRM having to spend his valuable time informing ignorant people about the history of worldcon and the history of the Hugos.” Thanks Betsy. A good spin attempt to blame us for GRRM’s decisions. He’s adult, he can decide what he wants to do. We pig-ignorant revolting peasants can’t actually MAKE him do anything. He wasn’t going to write any more if Bush was re-elected IIRC. The tide of BS from this has overflowed my gum boots.

David French at National Review

“Sci-Fi’s Sad Puppies” – May 18

A literary revolt against political correctness It turns out that pop culture doesn’t inexorably drift toward political correctness. The forces of “social justice” are not invincible, and conservative artists do have cultural power. Just ask the very angry, very frustrated members of the science-fiction Left.Conservatives are by now familiar with the depressing pop-culture script. Angry at perceived injustice or exclusion and eager to spread their particular brand of “social justice,” the Left targets for transformation an artistic medium that was previously not overtly or intentionally politicized. Within a few short years, the quality of art — or its popularity — becomes far less relevant than either its message or the identity of the artist. As part of this process, prestigious awards are no longer a means of rewarding the best work but rather a means of rewarding the best work from the list of acceptable choices. [The remainder of the article is behind a paywall, cost 25 cents.]

thezman

“Sad, Rabid Puppies on the Front Lash” – May 18

The only area of fiction with a male audience is sci-fi/fantasy. So-called serious fiction was taken over lunatics and feminists to the point where it has no audience outside of the academy. The fiction that sells best is the rape fantasy stuff popular with middle-aged white women. Otherwise, fiction for men is mostly aimed at harmless weirdos who prefer to be the female character in on-line games.

That’s why the lunatics are making war on sci-fi and fantasy fiction. They sense this group of white males are weak and can be bullied. After all, a guy who gets beat up for wearing his Frodo costume to school is not going to push back against the heavy weights of the genre. At least that’s the assumption. It’s why the cult has made a fetish of bullying, by the way. They want it as their exclusive tool for socializing children.

Eric Flint

“WHAT THE HELL, LET’S DO IT AGAIN – STILL MORE ON THE HUGO AWARDS” – May 18

James May, who keeps posting here, is the gift that never stops giving. In one of his most recent posts, he insists once again that the SJW (social justice warrior) hordes are a menace to science fiction. So, in this essay, I will go through his points one at a time to show how ridiculous they are whether examined in part or (especially) as a whole…..

In one of my former lives I was a TA in the history department at UCLA. In that capacity, I read and graded a lot of essays written by students in which they attempted, with greater or lesser success, to advance an historical proposition.

So far, James May’s essay advancing the proposition that science fiction as a genre—or at least its most prestigious awards—have been overwhelmed by a radical lesbian-centric racialized feminist crusade is getting an F. He’s made no attempt to substantiate a single one of his claims. Literally, not one.

Charmingly Euphemistic

“Received my Hugo voters’ reading packet today” – May 18

Slates are extremely powerful. In normal voting everyone reads different stuff and has different tastes, so no one work will receive more than maybe 10% of the nominating votes. But slate voters agree to vote on the same five nominees for each category. This means a slate needs to come up with about 10% of the nominating votes to sweep every category. The 90% of individual voters are swamped and overwhelmed by the 10% of slate voters. Lest you think I am exaggerating, over two thirds of the slots on this year’s Hugo ballot are on the Sad Puppy Slate or the Rabid Puppy Slate, or both.

I am really afraid that if these slates see any success at all, it will be slates all the way down from now on. Therefore, in order to whatever I can to discourage slates in future years, I plan to only vote for non-slate works above “no award.”

While the extreme sexist and racist attitudes of some of the slate organizers sickens me, it is the damage to the Hugo awards that will be done by slates that motivated me to get involved this year. I don’t want slates of progressive writers either.

Joe Sherry on Adventures in Reading

“Hugo Nominee / Voter’s Packet Available” – May 18

You can find Zombie Nation online, but there’s no way to tell what is included in the nominated collection. I’ve been boldly reading the comic from the start, powering through, but I’m only up to 2013 strips, so it’s taking a while. But, you can look at any 2014 work from Zombie Nation and use that to evaluate Carter Reid for Fan Artist if you don’t want to wait for Zombie Nation to hit the voter’s packet (or attempt to read five years of strips).

Scott Seldon on Seldon’s SF Blog

“Ann Leckie – What A Hugo Award Winner Should Look Like” – May 18

I quickly followed reading Ancillary Justice with the sequel, Ancillary Sword. It was as good and as engrossing, bringing with it new aspects of the universe and the characters. If a sequel ever deserved as many awards as the original, this one certainly does. It is a magnificent world given to us by a magnificent writer. I can’t way for the third book. I definitely have a new author to add to my list of favorites. I can’t wait to see what she does next. Her nomination for this year’s Hugo Awards is justly deserved.

Lis Carey on Lis Carey’s Library

“One Bright Star to Guide Them, by John C. Wright” – May 18

This wants so badly to be an allegorical fable in the manner of C.S. Lewis’s Narnia. And it fails so, so badly.

Lisa J. Goldstein on theinferior4

“The Hugo Ballot, Part 11: Novellas” – May 18

I love the idea behind “The Plural of Helen of Troy,” by John C. Wright. There’s a City Beyond Time, Metachronopolis, with shining towers and bridges and gardens. Fog caused by too many time changes shrouds the lower towers, and in the upper stories live the Masters, who control the forces of time. Unfortunately there’s something of a fog on the story as well.

Larry Correia on Monster Hunter Nation

“Sad Puppies 3: The Ensaddening” – January 26

It is that time of year again. If you’d like to nominate good books, stories, and related works for the Hugos so that the biggest award in sci-fi/fantasy isn’t just a Social Justice Warrior circle jerk, you need to get yourself a supporting membership to Sasquan before the end of January.

Declan Finn on A Pius Man

“Sad Puppies Bite Back, V: a Puppy Wins the Hugo” – May 18

[DF adjusts speakers. SWAT team Irish step dances down the street, never to be seen again. DF sighs, moves to mailbox, muttering] I wonder if John C. Wright will loan me some of his Vatican Ninjas. It’s not like he gets SWATted like this. He’s a living brain in a jar, what are they going to slap the handcuffs on?

@tcmccarthy_ I've been hoping that the Sad Puppies phenom will lead to a separate SF fandom. If you hear anything about this, please tweet!

— Jeff Duntemann (@JeffDuntemann) May 18, 2015

File 770

Mike Glyer's news of science fiction fandom

Tag Archives: Betsy Wollheim

Pixel Scroll 1/25/25 ‘Twas Pixel, And The Scrolly Toves

Pixel Scroll 9/8/22 Bright Scrolls, Big Pixels

Astra Publishing House Acquires DAW Books

Pixel Scroll 9/13/21 Headcanon: The Universe Will Come To An End Following The Generation Of Nine Billion Pixel Scroll Titles

Pixel Scroll 12/4/20 The Rest Of The File, To Scroll Man, It’s… It’s A Filkbook!

Pixel Scroll 11/27/20 Why Did Constantinpixel Get The Works?

Pixel Scroll 7/26/20 I Feel My Temperature Rising, Higher Higher, It’s Pixelling Through To My Scroll

NESFA Presents Skylark, Gaughan Awards at Boskone 57

Pixel Scroll 8/17/18 I Heard Him Say In A Voice So Gruff, I Wouldn’t Read You ‘Cause You’re So Tough

The Dogs My Destination 5/18

alisfranklin on Unassigned Readings

John C. Wright

Alexandra Erin on Blue Author Is About To Write

Kevin J. Maroney in New York Review of SF

Kevin J. Maroney in New York Review of SF

Lela E. Buis

Betsy Wollheim on Facebook – May 16

Betsy Wollheim on Facebook – May 16

Dave Freer at Mad Genius Club

David French at National Review

thezman

Eric Flint

Charmingly Euphemistic

Joe Sherry on Adventures in Reading

Scott Seldon on Seldon’s SF Blog

Lis Carey on Lis Carey’s Library

Lisa J. Goldstein on theinferior4

Larry Correia on Monster Hunter Nation

Declan Finn on A Pius Man