Pixel Scroll 6/11/25 Scroll Us A File, You’re The Pixel Man

(1) TAKEI Q&A. The LA Times interviews George Takei about his latest graphic memoir, It Rhymes With Takei. (Behind a paywall.)

…Born in Boyle Heights, Takei was just 5 when he and his family were forced out of their Los Angeles home as part of the mass incarceration of Japanese Americans during the war. Because he was unjustly persecuted for his identity and perceived as “different,” when he realized he was different in another way he kept it close to his chest.

“I grew up behind very real barbed wire fences, but I created my own invisible barbed wire fence … and lived most of my adult life closeted,” says Takei, 88, who came out when he was 68. “My most personal issue had me imprisoned. … It was a different society that I grew up in. Being closeted was the way to survive if you’re LGBTQ.”

“But at the same time as I remained closeted, society was starting to change,” Takei continues. “It was changing because some LGBTQ people were brave enough [and] determined enough to come out and be active and vocal and engaged.”…

… He points to how the Alien Enemies Act, which was invoked during World War II to wrongly justify the incarceration of 120,000 Japanese Americans, is once again being cited by the current administration in its efforts to deport immigrants. (Takei’s comments preceded the immigration raids and protests that occurred in L.A. over the weekend.)

“We have this egocentric monster [in office],” says Takei, raising his voice a second time. “He’s power-crazy and … now he’s causing all sorts of outrageous inhumanity — it’s beyond injustice, it’s inhumanity — and we’re going through that again. The same thing that we went through [when we were] artificially categorized as enemy alien in 1942.”

Takei never once mentions Trump by name, instead calling him “a Klingon president,” referencing a well-known alien race from the “Star Trek” franchise….

“I’m still optimistic,” Takei says. “These momentary blips in history eventually get overcome and are left behind. We will find our true path.”

(2) MURDERBOT AND SANCTUARY MOON. Collider brings fans a long interview with Murderbot showrunners Paul and Chris Weitz and stars Alexander Skarsgård and Jack McBrayer (who plays Navigation Officer Hordööp-Sklaanch in Sanctuary Moon). “’I Haven’t Done It Since “True Blood”’: Alexander Skarsgård Broke His Own Rules for Apple TV+’s Critically Acclaimed ‘Murderbot’”. Includes a nice segment about Sanctuary Moon which I won’t spoil by excerpting here.

Obviously, this is based on a successful book series, but I’m curious when you’re going in to pitch Apple, are they asking you, “What’s your three-year plan? What are you thinking? How this is going to go?” Because nowadays, you obviously know they’re looking for things that are going to go.

PAUL WEITZ: No, they didn’t ask that. I don’t know why. At least about the three-year plan. No. Not really. I think because we loved All Systems Red, and we sort of felt like a first season could map onto that book.

CHRIS WEITZ: Yeah, I think that’s about right. All Systems Red ends in a really beautiful way that we wanted to be the end of the first season. So, then we were faced with the prospect of adapting a 140-page novella into 10 episodes. Some people have noted that the episodes are a bit short. [Laughs]

PAUL WEITZ: That’s actually somewhat purposeful, because I think sometimes when you have hour-long stuff, you have to do padding unless you genuinely have that much story to do. So, that was a big thing, which was really cool that Apple allowed us to do, which was to have this be a half-hour or less, as opposed to saying no, because almost all sci-fi is an hour long…

Jack McBrayer in Sanctuary Moon

(3) CLARKE AWARD SCHEDULE. The announcement of the 39th winner of the Arthur C. Clarke Award will be made on Wednesday June 25 at Sci-Fi London. Want to attend? Book your ticket here.

(4) JEMISIN Q&A. “World Book Club – N.K Jemisin” is available for the coming year at BBC Sounds.

In this episode of World Book Club, Harriet talks with one of the world’s best-loved sci-fi and fantasy authors, the four-time Hugo award winner N.K Jemisin. Which of her plethora of books did we choose? Her 10th novel, and love letter to New York, ‘The City We Became’. 

The story takes place in a world in which major cities become sentient, living beings. After New York is attacked by an otherworldly enemy, five people, champions representing each of the city’s five boroughs, must band together to save the city, but also humanity itself. 

Rich with sharp social commentary, vibrant characters, and breathtaking world-building, it’s a gripping, imaginative tale of identity, belonging, and the power of unity in the face of otherworldly, eldritch chaos. 

N.K Jemisin will be answering questions from our World Book Club – including how she created characters that embody each of New York’s five boroughs, what makes a city ‘alive’, and how she confronted, and subverted, Lovecraftian tropes to create the enemy of all humanity, the Woman in White. 

(5) THE FRONT PAGE. Congratulations to Cora Buhlert who was interviewed for the local paper Weser-Kurier about her Hugo nomination as part of the Galactic Journey team: “Stuhrerin mit Online-Zeitschrift für Hugo Award nominiert”. Cora adds, “In the print edition, I even made the front page above the fold, though only the front page of the regional supplement for Stuhr/Weyhe/Diepholz county.”

Autorin, Cora Buhlert, Seckenhausen, Science Fiction, Hugo Award, Stuhr-Seckenhausen.

(6) NECK OR NOTHING. And Cora Buhlert has created a new installment of her photo-serial: “Masters-of-the-Universe-Piece Theatre: ‘Mekaneck’s Revenge’”.

…“What were you thinking to go after him alone, Meck? Marzo is dangerous. He could have killed you.”

“I know. It’s just… after everything he’s done to me, I wanted to be the one to bring him in.”

“I understand. But you still shouldn’t have gone after him alone. Why didn’t you take Man-e-Faces along? Or Buzz-Off or Stratos or Ram-Man or Uncle Malcolm or at least some of my guards – well, I guess they’re Andra’s guards now.”

“Because… well, just this once I wanted to be the hero and not just the look-out who does reconnaissance or the human periscope.”

“You are a hero, Meck. Even if your special ability is stretching your neck. Cause there are times when stretching your neck comes in really handy. I mean, you are the sole reason we even have a Royal Submarine Squadron.”

(7) BREAKFAST WITH ROBOCOP. The Los Angeles Breakfast Club presents “From Renaissance to Robocop with Dr. Peter Weller!” on June 18 from 7:00-9:00 a.m. Tickets available at the link until June 16.  

Dr. Weller will discuss the journey from Renaissance art to modern film which personally led to his PhD and an alternate career as a published art historian, including first book, Leon Battista Alberti in Exile, with Cambridge University Press. His entertainment will be followed by a book signing.

(8) SIMULTANEOUS TIMES PODCAST. Space Cowboy Books of Joshua Tree, CA presents Simultaneous Times Ep.87 with KC Grifant & Franco Amati.

Stories featured in this episode:

“Negation” by KC Grifant; music by Phog Masheeen; read by the Jenna Hanchey.

“So I Guess I’m Not an Actual Person Anymore” by Franco Amati; music by Phog Masheeen; read by Jean-Paul Garnier.

Theme music by Dain Luscombe.

(9) LEANNE FRAHM (1946-2025). Australian fan Leanne Frahm died June 10. Her daughter Jennifer made the announcement on Facebook.

It is with great sadness that Kerry and I share the passing of our beautiful, brave, wicked Leanne Frahm – so very clever, so very funny.

Last Wednesday she went into Footscray hospital to have her other carotid artery unclogged after having the first done May 7.

There were complications with that surgery but then on Monday night she had a large stroke, which is a rare adverse outcome of the carotid surgery.

She passed with Kerry [Frahm’s son] and I at her side on last night.

It was a day of African Sanctus, Jacque Brel, Queen, Supertramp, Westside Story, and JC Superstar.

We are in shock, relieved that the passing was relatively quick, and so very very sad.

Funeral details dependant on coroner’s court processing and obituary to come.

She was an award-winning fan writer and pro fiction writer. She won the Ditmar’s Best Fan Writer Award twice, in 1980 and 1998.

Frahm’s first published sff story was “The Wood for the Trees” in the Chrysalis 6 anthology of 1979. Another two dozen piece of short fiction followed over the next 25 years, for which she won two Ditmar Awards in 1981 and 1994, and an Aurealis Award for Best Short Story in 1996.

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

June 11, 1971P. Djèlí Clark, 54.

By Paul Weimer: P. Djèlí Clark is another author, like Max Gladstone, that I slept on at first, but have made up for lost time.  I missed The Black God’s Drums entirely, even with its alternate civil war verse. Then, his novella The Haunting of Tram Car 015 came out, and I somehow missed it in the tsunami of other stories and novels that came out in 2019. But it was sometime during the Pandemic that a friend suggested I try it, that it would be up my alley.

Was it ever! A police procedural set in an alternate magical fantasy world where Egypt was a 19th century world power because The Magic Has Returned was so my jam. I devoured it avidly.  As is my wont when I discover an author, I went back to The Black God’s Drums, and went forward from there. Clark has written in a couple of ‘verses now. The Dead Cat Tail Assassins in particular is a lot of fun, and Ring Shout is a must read for fans of Sinners. There is an ever widening variety of verses that Clark is creating, and as you might notice, most of them are alternate histories. The aforementioned Dead Cat Tail Assassins felt a little odd (however tasty it was) in that it was a completely invented secondary world. It was like having a piemaker suddenly present me with a chocolate cake. 

However, I do think the Djinn verse is still my favorite, as he has the most material set in that single verse, exploring it, developing the characters and the extremely rich setting. There is a real appeal and reversal of the colonial pattern of the tragedy of the “Scramble for Africa”, with Egypt taking the role of a world power instead thanks to having a strong lead in magic. 

P. Djèlí Clark

(11) COMICS SECTION.

(12) KOREAN SF. Rachel Cordasco recommends you read it too: “Review: The Proposal by Bae Myung-Hoon” at Speculative Fiction in Translation.

The Proposal is Bae Myung-hoon’s third book in English (all published by Honford Star). I reviewed his second, Launch Something!here two years ago, and thoroughly enjoyed Bae’s story about ROK Space Force members, political intrigue, and a strange origami satellite. This time, Bae puts us firmly in space, dropping us into the mind of a space-born soldier serving in a fleet that has found itself at war with a mysterious (alien?) race….

(13) WRECKMATE. Futurism reports “ChatGPT ‘Absolutely Wrecked’ at Chess by Atari 2600 Console From 1977”. Yay?

Despite all its advances, ChatGPT is seemingly still less smart — at certain tasks, at least — than an Atari game console from almost 50 years ago.

In a post on LinkedIn, Citrix software engineer Robert Caruso explained how the OpenAI chatbot “got absolutely wrecked” by an Atari 2600 running Atari Chess, a game for the system released in 1979, when Jimmy Carter was still president….

…Although the chatbot had been given a “baseline board” to learn the game and identify pieces, it kept mixing up rooks and bishops, misread moves, and “repeatedly lost track” of where its pieces were. To make matters worse, as Caruso explained, ChatGPT also blamed Atari’s icons for being “too abstract to recognize” — but when he switched the game over to standard notation, it didn’t perform any better.

For an hour-and-a-half, ChatGPT “made enough blunders to get laughed out of a 3rd grade chess club” while insisting over and over again that it would win “if we just started over,” Caruso noted. (And yes, it’s kind of creepy that the chatbot apparently referred to itself and the human it was interfacing with as “we.”)…

(14) TELLING THE STORY OF AI. “AI Dreams and Sci-Fi Nightmares” panel held at The King’s Festival of Artificial Intelligence 2025 can be viewed in YouTube.

The rise of artificial intelligence is an enduring theme in science fiction and has long shaped how we imagine machine consciousness. As AI moves from pop culture entertainment to an everyday reality, new narratives emerge. What stories are being told, both optimistic and dystopian, and what responsibilities do technologists, creators, and storytellers have to the future?

Join our expert panel of engineers, science communicators, and sci-fi writers to discuss the challenges and opportunities of telling one of the 21st century’s most urgent stories. This panel is presented in partnership with the Arthur C. Clarke Award, named for writer, futurist, and King’s College London alum, Sir Arthur C. Clarke. Speakers: Suw Charman-Anderson is the founder of Ada Lovelace Day, an international celebration of women in STEM, and writer. She has self-published a variety of novellas and short stories, and is currently writing Fieldwork, an eco-sitcom podcast which explores the science of rewilding and how that can help us increase biodiversity and bioabundance. Stewart Hotston is a science fiction writer and chair of the British Science Fiction Association, with a PhD in theoretical physics and a career in the City of London. His latest novel, Project Hanuman, will be published in November 2025 by Angry Robot books. Tiarna Lee is a PhD student at the School of Biomedical Engineering & Imaging Sciences, King’s College London. Her research focuses on evaluating fairness and biases in Artificial Intelligence (AI) used for cardiac imaging. Professor Kawal Rhode is Head of Education for the School of Biomedical Engineering and Imaging Sciences. He has more than 400 publications in journals, conference proceedings, book chapters, and patents, and is an ardent fan of retro video games and computer technologies. Chair: Tom Hunter is the Director of the Arthur C. Clarke Award.

This event was part of the King’s Festival of Artificial Intelligence. This free, five-day festival ran between Tuesday 20 and Saturday 24 May 2025

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Mia Tsai Announces ConCurrent Seattle as Alternative Program to 2025 Worldcon

Author Mia Tsai has announced ConCurrent Seattle, a one-day SFFH con intended to be an alternative program to Worldcon, will be held Thursday, August 14 at the ACT Theatre in downtown Seattle across from the Sheraton.

“ConCurrent was created as a response to Worldcon’s use of ChatGPT in the panelist vetting process,” says Tsai. “The use of ChatGPT at Worldcon has been a breach of trust in an industry of writers whose work has been stolen to train genAI.”

For more about the ChatGPT issue see “Seattle Worldcon 2025 Chair Delivers Update About Panelist Vetting”.

The ConCurrent website contends, “The event is not intended as a replacement for WorldCon, and it is the organizers’ hope that people will be able to attend both without judgment in the spirit of the connection and discovery that has helped the SFFH community thrive.”

And, “ConCurrent’s aim is to provide programming only, with a focus on what is currently happening in the SFFH genre.”

Two participants already advertised are Rebecca Roanhorse and Andrea Stewart.

A crowdfunding appeal has been launched to raise $5,000 to pay for the venue and other expenses. At this writing $1,770 of donations have come in, of which over $500 was contributed by author David Levine.

Seattle Worldcon 2025 Chair Delivers Update About Panelist Vetting

Seattle Worldcon 2025 chair Kathy Bond posted a new “Message From the Chair” on May 13 following up last week’s statement about the way ChatGPT was used in the panelist selection process.

Last week, I promised an update about the progress Seattle Worldcon 2025 has made regarding our next steps related to remedying our mistakes related to the use of ChatGPT in panelist vetting. Much of this update can be summed up as “we’re waiting to hear back from the people we have invited to help.”

  • Regarding re-vetting, we have invited two people, new to our team, to join, and we are waiting to hear back from them. We are still searching for at least three to four more people to join that team. If you would like to volunteer, please email feedback@seattlein2025.org. This new team will be working with our existing program team but be reporting to the chair.
  • We have reached out to a team of two people with prior Worldcon programming experience to audit our program process and the remedial steps. We are still waiting to hear back from them.
  • We have processed all refund requests that we have received; former members will be receiving them this week.

Our next update will be once we have identified who is helping with re-vetting and performing our program audit or in three weeks, whichever comes sooner.


See additional coverage here: 

Pixel Scroll 5/10/25 All Around The Scrollberry Bush, The Monkey Chased The Pixel

(1) GUARDIAN BOOK REVIEWS. Past Best Fan Writer Hugo winner Abigail Nussbaum, and author of 2025 BSFA Award winner Track Changes penned the Guardian’s latest “The best science fiction, fantasy and horror – reviews roundup”. Nussbaum cover The Devils by Joe Abercrombie (Gollancz, £25), The Incandescent by Emily Tesh (Orbit, £20), Land of Hope by Cate Baum (Indigo Press, £12.99), and A Line You Have Traced by Roisin Dunnett (Magpie, £16.99).

(2) MEETING DEATH SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] The BBC’s World Service  has a nifty weekly science programme Unexplained Elements.  This week’s programme was topical with this week’s news of the Pope popping off and the pomp and circumstance ceremony that garnered international attention. It was a topic in which the late Terry Pratchett would have been interested. 

It addressed questions such as when did humans first start burying their dead? The answer seems to be over 100,000 years ago, but this is for anatomically modern humans. Apparently some proto-human species (whose brain capacity was a third of modern humans) may have buried their dead, though the research (currently in peer review) is debatable.  Apparently, the pre-print has been amended to take criticisms into account and while one critic has been convinced, others remain sceptical.

Another topic was that of the biology of graveyards.  Because its ground remains largely untilled, and because of gravestones and the like, there are many micro-environments, and both these factors lead church graveyards have a higher local area biodiversity.

Then there is the issue of a dead person’s digital rights to their social media and online accounts. The European Union’s GDPR is the world’s most robust data protection regulation, though that does not seem to stop firms like Facebook or EventBrite failing to strictly follow it (just look as the small print when you sign up) or even Worldcons who arguably (it would be interesting to test this in court and I could write an essay on this) fail to strictly adhere to its provisions.  Nonetheless, despite GDPR being the world’s gold standard in data protection, the dead have no rights whatsoever under GDPR!

Talking of a dead person’s digital rights (or lack thereof), what of mobile (cell) phones and smartphones, what happens to them when they ‘die’?  Well, fans of Red Dwarf might say that they go to silicon heaven. The reality, however, is for most of them landfill!  Here there are multiple environmental sustainability issues.  All those heavy metals and rare earth elements leech out in landfill causing threats to water tables and other ecotoxicology issues.  And then there is the loss of these elements (which include silver and gold – many kilograms per tonne of mobile phones disposed) to the economy necessitating the mining of replacement elements and the environmental damage that this does.  So the next time a Worldcon tells you that they are ditching recyclable paper from sustainably managed forests (look for the kite mark when buying the paper for publications) don’t accept the Worldcon’s word for it: more greenwash!

It was a fascinating programme. You can access it here.

First up, we delve into the thorny issue of when early humans started to carry out funerary rituals, before turning our attention to graveyards and the life that thrives within these sacred environments.

Next, we are joined Carl Öhman from Uppsala University in Sweden, who reveals what happens to our data when we die and why we should care about it.

Plus, we discuss the precious materials hiding in our old devices, and find out whether animals mourn.

(3) DODGE THE SCAMS. Victoria Strauss points out “Two to Avoid: Book Order Scams and Fake Reviews”. Full details at Writer Beware.

Here are two newish frauds that appear to be on the rise. As with most writing scams these days, they target self-published authors.

The Book Order Scam

I’ve written before about book order scams, in the context of scammers impersonating bookstores such as Barnes & Noble with out-of-the-blue emails promising bulk purchases and big royalties. All the author has to do is pony up thousands of dollars or pounds to cover printing and/or shipping costs (the relevant note here: bookstores do not print the books they sell, and they typically order from the publisher or publishing platform, rather than from the author).

This newer version of the book order scam is somewhat different, arriving not from a bookstore impersonator, but from the self-publishing service provider the writer has hired to publish and/or market their book. That provider isn’t a true self-publishing company, though, but rather one of the many ghostwriting scams that waylay would-be indie authors in order to defraud them….

Fake Reviews

Fake reviews–sometimes just a few lines, sometimes elaborate essays with stars and number rankings–arrive unasked-for, attached to a complimentary email claiming that a book has been “discovered” by book scouts or book evaluators. Or they’re included as part of a pitch for a package of publishing and marketing services, to show how much the service provider believes in the author’s book.

Undoubtedly produced by feeding book blurbs and other info into chatbots, they are essentially bait: affirmation and flattery designed to induce the author to reply, so they can be subjected to aggressive sales pitches for whatever the “reviewer” is selling.

Here are a couple of examples, both sent out by scammers on this list. They’re not just book reviews–they’re PROFESSIONAL book reviews! So much better than just the regular kind….

(4) CHERRYH ANNOUNCEMENT. CJ Cherryh told Facebook followers yesterday she and Jane Fancher won’t be at the Seattle Worldcon – but it’s not the result of any controversy.

Jane and I will not be attending WorldCon despite it being in our state (which some people might want to know)—no controversy, just the expense and the physical buffeting of crowds. While Jane’s got more go-juice than I do, the crowd pressure and distances involved would be pretty exhausting, leaving us sadly low-energy. We’ll still go to friendly ‘little’ cons in driving range, note well, if we know about them!!! and be our brilliant selves, but we’re not up to a full-on WorldCon.

(5) ABOUT THE FEMALE MAN. Farah Mendlesohn’s book Considering The Female Man by Joanna Russ, or, As the Bear Swore is available for preorder from Luna Press Publishing. It will be released in Summer 2026.

Joanna Russ’s writing career was relatively short, running from 1968 to 1987, with a number of essay collections published in the years after that. Her fiction career consists of just six novels and four collections, but each of the novels she published challenged engrained conventions of the genre.

The Female Man was received with shock, horror and vituperation when it was published in 1975. Its fractured narrative, and its direct attack on patriarchy and the straight-jacket of performative femininity, were described as shrill and man-hating. Over the years it emerged as a classic of feminist science fiction, a novel that continues to excite and resonate, and a touchstone for proudly militant feminists.

This exploration of The Female Man offers a close reading of the text, focussing on how the book works, its structures, arguments, humour, and brilliant anger

(6) COMPENSATING FACTORS. “My School Visit was Cancelled. I Fought Back and Won” writers Erica S. Perl in School Library Journal.

As a children’s book author, I love a good mystery. Which is why, last month, after a Virginia elementary school principal abruptly cancelled my visit by email, with no explanation or interest in rescheduling or paying me, I decided to investigate.

It didn’t take Sherlock Holmes to figure out what had happened: a parent had complained because of a social media video I had made celebrating Pride month. In it, I mention that Snail, a character in my Whale, Quail, Snail early reader series (illustrated by Sam Ailey), is nonbinary. Most snails are. “It’s a fiction series,” I add, “but that’s a fact.”…

… I wish I could tell you that my story ended amicably with the return of my visit to the school’s calendar. That’s not what happened.

Instead, after I asked for my fee, the principal turned the matter over to the district’s lawyers. The principal then informed the school librarian, who booked my visit, that she might have to pay me out of her own pocket. I told her I would not take her money, no matter what happened. I was extra-outraged that the principal was threatening to make her pay for the “crime” of setting up an author visit.

But my story doesn’t end there. I’m not just a children’s book author. I’m also a former trial lawyer. So instead of walking away muttering about injustice, I spent some quality time with my contract.

That’s right, my author contract. Whenever I am invited to visit a school, my booking agent draws up a contract—and this visit was no exception. According to one clause, if an appearance is cancelled with less than 30 days notice, the school is required to pay my entire fee plus any non-refundable travel expenses. The principal had cancelled on me 28 days before my visit.

And finally, my contract specifies that the contract is governed by the law of the state where I live, not the law of the state where the school is located. So if I wanted to sue for breach of contract, I could simply file papers in my local courthouse (no legal expertise or degree required!).

So, I did. Which is how I got to a different kind of happy ending: the school paid me my fee.

It’s not the win I wanted, because that would have had me standing in front of a gymnasium full of elementary school students. But it is a victory, as I see it, for all authors, especially in this current climate….

(7) KILLER ROBOTS NO LONGER SCIENCE FICTION. [Item by Francis Hamit.] “Unmanned Systems Are Not Revolutionary (But Could Be)” says a post on War Room, hosted by the U.S. Army War College.

Rather than revolutionizing warfare, unmanned systems have emerged as evolutions within the larger information revolution; advancements to be sure, but failing to render conventional militaries obsolete or dramatically reshaping force structures….

(8) PLONK YOUR MAGIC TWANGER. The one answer Smithsonian Magazine knows for sure is the price: “Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million”. Steven French adds, “Actually the ‘drooling dragon’ looks more like our Patterdale Terrier after he’s spotted the postman!”

Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as “wildly inventive” and “full of iconographical oddities,” per the Art Newspaper.

Start with the dragon and its bizarre dog-like face, exaggerated fangs and dripping drool. According to tradition, Satan, disguised as a dragon, swallowed St. Margaret whole. His stomach rejected her and there she appears in the painting, kneeling in prayer, totally unfazed by the event.Next to Margaret, one of the two angels holds a book of song, once thought to be a hymn by the English composer Walter Frye but now identified as musical gibberish. The other angel plucks her mouth harp, “a sound hardly associated with celestial harmony,” as the National Gallery says in the statement….

(9) PEACEMAKER IS BACK. “Peacemaker Season 2 Trailer: John Cena’s DC Superhero Returns”Variety sets the frame.

… John Cena‘s very R-rated DC superhero has returned in the first trailer for “Peacemaker” Season 2, created by DC Studios co-chief James Gunn. The sophomore season takes place in the rebooted DC Universe, which officially kicked off with Gunn’s animated series “Creature Commando” and continues with his summer tentpole “Superman.” Nathan Fillion’s Guy Gardner and Isabela Merced’s Hawkgirl cameo in the trailer and will appear in “Superman.”…

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 10, 1969John Scalzi, 56.

By Paul Weimer: I’d read John Scalzi’s blog for years before his fiction. 

I got onto the Scalzi train with his entry in Metatropolis. His story involving a high tech pig farmer had all of the bones of a Scalzi story, from its “I think I know everything” protagonist, to its often snarky sense of humor. While I didn’t fall deeply in love with his work, then or since, I kept reading his work. Redshirts, of course, which still may be my favorite of his novels and stories, helped expand in my mind the metafictional opportunities in science fiction. Lock In is a solid piece of science fictional speculation on how a society might come together and respond to the consequences of a pandemic.  Given that it was written long before Covid…I wonder if Scalzi or, aged fifty six yearswould have reconsidered the novel after the worldwide reaction to the aftermath of the Covid Pandemic. 

Of course the Old Man’s War series is the one that he gets grief for, because it should appeal to the Sad and Rabid Puppies…but it is, in the parlance of today, “too woke”. It’s possible that the existence of such books helped motivate Torgersen and Beale, an irritant to their ideology and worldview (and a counterexample to the idea that Mil-SF must be conservative). Again, I do wonder how Scalzi would write it today, given all that has happened. 

So this is a long way of saying that although it is on my Kindle, I have not yet read When The Moon Hits Your Eye, which seems to have as triggering an idea (the moon turns into cheese. Seriously?) as one can possibly make in the field. But it shows that in the end, Scalzi likes to have fun when writing. He never takes it too seriously, even if he keeps it as rigorous and locked down as the story needs. He’s just telling stories and doing his thing and having the time of his life, and haters can go hang. 

The first time I actually met him in person, he didn’t remember it. He was extremely jet lagged, sitting in a hotel lobby and apparently remembered little from the entire weekend. Due to circumstance (although Scalzi is an excellent DJ, I am told, I am not a dance party goer), I only finally, finally actually got to talk to him at the Glasgow Worldcon. Being part of the photography team did  let me meet and photograph everyone who would hold still.   But did he know who I was? I’m still convinced that he didn’t, and that’s all right. 

John Scalzi’s fiction, too…that’s all right. 

(11) COMICS SECTION.

(12) AMAZING STORIES COLLECTION. Amazing Stories: Best of 2024,a collection of  science fiction short stories published by the magazine over the past year, is now available.

Edited by Lloyd Penney, this collection continues Amazing’s nearly century-long tradition of exploring the strange, the speculative, and the sublime.

From lunar labor revolutions to delicate alien diplomacy, these stories represent the vanguard of speculative fiction. Readers will encounter futures both dystopian and dazzling, technologies that reshape identity and time, and characters grappling with the emotional and ethical consequences of scientific progress. Highlights include:

  • “A Short-Lived History of the Stockpiling of Time, in Post-Mono-Heliocentric Space-Times” by K.V.K. Kvas, a mind-bending tale of interstellar economics, identity, and revolt.
  • “Return from Venus” by C.B. Droege, a quiet and touching story about cross-species friendship and the longing for home.
  • “Best Case Scenario” by Susan Oke, a suspenseful diplomatic mission where what you offer—and what you misunderstand—could mean the difference between peace and peril.

With cover art by Hugo Award-winning artist Bob Eggleton and a lineup of diverse voices offering everything from hard science speculation to lyrical philosophical fiction, Amazing Stories: Best of 2024 is a must-have for any SF fan’s collection.

 “Amazing Stories has always been a home for bold, boundary-pushing science fiction,” says Editor-in-Chief Lloyd Penney. “This year’s stories continue that proud legacy—with some of the most challenging, beautiful, and entertaining tales we’ve ever published.”

It is available online at amazingstories.com and in paperback and eBook editions at indie and major retailers worldwide or at this link.

(13) MONSTROUSLY COOL. That’s what your drinks become with an assist from the “Godzilla Ice Mold”.

(14) DAISY RIDLEY’S ZOMBIE ENCOUNTER. JustWatch quotes Daisy Ridley in its Why to Watch feature about her role in the zombie thriller “We Bury the Dead streaming: where to watch online?”

We Bury the Dead is a gripping, emotional thriller set in a world transformed by the undead. In a unique take on the zombie genre, the film follows Ava—a woman tormented by loss—who volunteers with a corpse retrieval unit to search for her missing husband. Set against a surreal yet intimate apocalypse, the story explores love, grief, and the fragile boundaries of what makes us human.

Daisy Ridley says:

The script is beautiful. It’s about grief and watching someone desperately trying to find an answer, even though she doesn’t know what that answer is going to be. The backdrop of the zombies represents this moment for [my character] Ava because she’s neither here nor there emotionally. Ava’s sole purpose is to find her husband. As a means to get to him, she joins the body retrieval unit which volunteers to find people and notify families. The zombies look like our friends and family, so it’s close enough to reality but in a way that doesn’t feel too close. It feels horribly human.

(15) HONEY, I’M HOME! “Soviet-era spacecraft Kosmos 482 plunges to Earth after 53 years stuck in orbit” reports AP News.

Soviet-era spacecraft plunged to Earth on Saturday, more than a half-century after its failed launch to Venus.

Its uncontrolled entry was confirmed by both the Russian Space Agency and European Union Space Surveillance and Tracking. The Russians indicated it came down over the Indian Ocean, but some experts were not so sure of the precise location. The European Space Agency’s space debris office also tracked the spacecraft’s doom after it failed to appear over a German radar station.

It was not immediately known how much, if any, of the half-ton spacecraft survived the fiery descent from orbit. Experts said ahead of time that some if not all of it might come crashing down, given it was built to withstand a landing on Venus, the solar system’s hottest planet.

The chances of anyone getting clobbered by spacecraft debris were exceedingly low, scientists said….

…Any surviving wreckage will belong to Russia under a United Nations treaty….

…After so much anticipation, some observers were disappointed by the lingering uncertainty over the exact whereabouts of the spacecraft’s grave….

A Russian press release says it fell in the Indian Ocean west of Jakarta.

(16) YOUR ALIEN NATION. The BBC explains, “More than half your body is not human”.

More than half of your body is not human, say scientists.

Human cells make up only 43% of the body’s total cell count. The rest are microscopic colonists.

Understanding this hidden half of ourselves – our microbiome – is rapidly transforming understanding of diseases from allergy to Parkinson’s.

The field is even asking questions of what it means to be “human” and is leading to new innovative treatments as a result.

“They are essential to your health,” says Prof Ruth Ley, the director of the department of microbiome science at the Max Planck Institute, “your body isn’t just you”….

… But genetically we’re even more outgunned.

The human genome – the full set of genetic instructions for a human being – is made up of 20,000 instructions called genes.

But add all the genes in our microbiome together and the figure comes out between two and 20 million microbial genes.

Prof Sarkis Mazmanian, a microbiologist from Caltech, argues: “We don’t have just one genome, the genes of our microbiome present essentially a second genome which augment the activity of our own…

(17) SCIENCE PAPERS WITH UNDISCLOSED AI USE. [Item by SF Concatenation’s Jonathan Cowie.] Artificial Intelligence (A.I.) is controversial to some, in no small part due to large language models (LLMs) and other A.I. (such as image-generating A.I.) using people’s intellectual property (their written or art works) for A.I. and LLM training without permission or recompense.  This is exemplified by the recent debate over the Seattle’s Worldcon use of A.I. (for example, see (1) in the Scroll here).

Similarly, the use of A.I. has controversies in science.  Indeed, a number of leading science journals, such as Nature, frown on the use of A.I. and/or at least ask science authors to declare any use of A.I. in their submissions. The latest news here comes from a news item in this week’s Nature that hundreds of papers have used A.I without disclosure!

Generative A.I. tools such as ChatGPT have quickly transformed academic publishing. Scientists are increasingly using them to prepare and review manuscripts, and publishers have scrambled to create guidelines for their ethical us. Although policies vary, many publishers require authors to disclose their use of A.I….

But science sleuths have identified hundreds of cases in which A.I. tools seem to have been used without disclosure…

…Publishers need to act quickly to resolve issues of dishonest A.I. use.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Rich Lynch, Paul Weimer, Francis Hamit, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Seattle Worldcon 2025 Tells How ChatGPT Was Used in Panelist Selection Process

Seattle Worldcon 2025 chair Kathy Bond and Program Division Head SunnyJim Morgan tonight published their promised statement detailing how ChatGPT was used in the program panelist selection process. The complete statement appears at the end of this post.

Bond says ChatGPT was not used in deciding who to invite as a panelist, it was used “in the discovery of material to review after panelist selection had occurred.”

Morgan adds, “This process has only been used for panelists appearing on site in Seattle; panelists for our Virtual program have not yet been selected.”

Bond stresses that “ChatGPT was used only for one tailored task that was then followed by a human review and evaluation of the information,” and that “no selected panelist was excluded based on information obtained through AI without human review and no selected panelist was chosen by AI.”

As part of their remediation, the Seattle committee is redoing the part of the program process that used ChatGPT, with that work being performed by new volunteers from outside their current team.

Morgan also makes her own apology (the chair published her own several days ago).

I want to apologize specifically for our use of ChatGPT in the final vetting of selected panelists as explained below. OpenAI, as a company, has produced its tool by stealing from artists and writers in a way that is certainly immoral, and maybe outright illegal. When it was called to my attention that the vetting team was using this tool, it seemed they had found a solution to a large problem. I should have re-directed them to a different process. Using that tool was a mistake. I approved it, and I am sorry. As will be explained later, we are embarking on the process of re-doing the vetting stage for every invited panelist, completely without the use of generative AI tools.

And Morgan has provided the text of the ChatGPT query that was used in the vetting process.

The committee will be making their next update about the subject on May 13.

The full statement follows the jump.

Continue reading

Responding to Controversy, Seattle Worldcon Defends Using ChatGPT to Vet Program Participants

Seattle Worldcon 2025 Chair Kathy Bond today issued a public statement attempting to defend the use of ChatGPT as part of the screening process for program participants. The comments have been highly negative.

…We received more than 1,300 panelist applicants for Seattle Worldcon 2025. Building on the work of previous Worldcons, we chose to vet program participants before inviting them to be on our program. We communicated this intention to applicants in the instructions of our panelist interest form.

In order to enhance our process for vetting, volunteer staff also chose to test a process utilizing a script that used ChatGPT. The sole purpose of using this LLM was to automate and aggregate the usual online searches for participant vetting, which can take up to 10–30 minutes per applicant as you enter a person’s name, plus the search terms one by one. Using this script drastically shortened the search process by finding and aggregating sources to review.

Specifically, we created a query, including a requirement to provide sources, and entered no information about the applicant into the script except for their name. As generative AI can be unreliable, we built in an additional step for human review of all results with additional searches done by a human as necessary. An expert in LLMs who has been working in the field since the 1990s reviewed our process and found that privacy was protected and respected, but cautioned that, as we knew, the process might return false results.

The results were then passed back to the Program division head and track leads. Track leads who were interested in participants provided additional review of the results. Absolutely no participants were denied a place on the program based solely on the LLM search. Once again, let us reiterate that no participants were denied a place on the program based solely on the LLM search.

Using this process saved literally hundreds of hours of volunteer staff time, and we believe it resulted in more accurate vetting after the step of checking any purported negative results….

Here is a sampling of the comments on Bluesky.

Pixel Scroll 4/28/25 We Have Scrolled Our Birthfile For A Mess Of Pixels

(1) HARLAN’S HUGE SCRAPBOOKS. J. Michael Straczynski told the Harlan Ellison Facebook Club about his latest archival project. And when you get to the end don’t worry, people have already pointed him at Fanac.org.

With the first phase of Harlan’s publishing program done and the next one in progress; with the house almost entirely repaired now, and the paperwork formally begun to declare the place a historical/cultural landmark, we’re moving forward in other areas.

As part of that, we’re in the process of scanning the contents of Harlan’s scrapbooks. These are beasts. The eleven books are about four feet long and three feet wide, with an average of 150 pages with anywhere from 5-10 photos, letters, reviews, articles and other items covering the span of Harlan’s life and career. (So about 1,650 pages with a tick over 13,000 individual items.)

(We are having a trusted firm that does scans of legal documents, house blueprints and other items where discretion and professionalism are forefront, do the scans of each full page of each scrapbook. The files are then given to me, which I’m currently going through to crop each and every item into a separate image, label/annotate them, date them, organize them, and color-correct those that are faded or damaged.)

This process will probably take a full year to complete, and really can’t be delegated because if I hire somebody they won’t know the references or history, so I’d have to go through them anyway. When they’re all in hand, we will include them as an aspect of a website that is nearly completed, about which more soon.

The reason I’m telling you all this: it’s not a secret that Harlan was deeply involved in fandom in his early years. What I didn’t realize, until I started to get very granular about the files, is just HOW deep the rabbit hole went. Not only was he attending conventions and fan events back in the 50s, he often wrote for the convention newsletter/magazine, took tons of photos, wrote reviews of some of the cons and had this whole years-long catalog of what are essentially first-person narratives about the early days of fandom.

For historical value, it feels like something specific to fandom should be done with at least some of this information, but I’m not sufficiently au courant about that world to even know where to begin….

(2) MURDERBOT CLIPS. “Murderbot — An Inside Look”. “Killer instincts. Zero social skills”. Murderbot premieres May 16 on Apple TV+.

In a high-tech future, a rogue security robot (Alexander Skarsgård) secretly gains free will. To stay hidden, it reluctantly joins a new mission protecting scientists on a dangerous planet…even though it just wants to binge soap operas.

(3) GOOD OMENS QUOTE. “’Good Omens’ Star David Tennant Shares His Thanks for Being Able To Deliver Closure To Fans” at Movieweb.

David Tennant has finally addressed returning for a third and final outing for Good Omens, the Amazon and BBC fantasy series based on the works of the once beloved and now highly controversial author, Neil Gaiman . While Good Omens was initially slated for a third season, following a series of allegations of sexual assault and misconduct, the series will instead return for a final 90-minute episode to wrap things up.

Tennant recently took part in The Assembly, which sees members of the public being given the opportunity to ask a celebrity any question they like. During Tennant’s turn, a group of autistic, neurodivergent, and learning-disabled participants were given the chance to question the former Doctor Who star, with one asking him, “Someone you’ve worked with, a friend, has been canceled for some quite serious allegations. How has that affected you?” After requesting clarification, the interviewer replied, “He worked on Good Omens, and that’s been stopped, and how has it affected you?”

While avoiding saying his name, Tennant did address a change of “personnel,” and is ultimately grateful that they have been given the opportunity to finish the Good Omens story.

“We’re doing ‘Good Omens’ again. We’re going back to do the final. We’re doing a final. There’s been a slight rejig with the personnel. But we still get to tell that story which I think, it would have been very difficult to leave it on a cliffhanger. So, I’m glad that’s been worked out.”…

(4) AKA LISA BEN. [Item by Andrew Porter.] “Meet the 1940s secretary who used office time to produce the first lesbian magazine” at NBC News. Known in fandom as “Tigrina.”  Note: in 1947, seriously doubt the zine was reproduced “by photocopier.” Thanks to Moshe Feder for the link (posted on Facebook).

In 1947, Edythe Eyde was a secretary working at RKO Radio Pictures in Los Angeles. A speedy typist who often completed work ahead of schedule, her boss told her: “Well, I don’t care what you do if you get through with your work, but … don’t sit and read a magazine or knit. I want you to look busy.” 

The literary-minded lesbian saw an opportunity. Gay culture was largely underground, and it was difficult for “the third sex” to meet like-minded others. Using a Royal manual typewriter and carbon paper, making six copies at a time, the 25-year-old launched Vice Versa — “a magazine dedicated, in all seriousness, to those of us who will never quite be able to adapt ourselves to the iron-bound rules of Convention.”…

… Though not identifying as a SciFi writer, Edye was an enthusiastic consumer of horror stories and fantasy; a card-carrying member of the Fourth World Science Fiction Convention Society; and, to the delight of the modern admirer, can be seen in a 1945 photo in a bikini top reading the pulp magazine Weird Tales….

(5) MARTIAN CHRONICLER. “75 Years Ago, The Martian Chronicles Legitimized Science Fiction” writes Bradbury biographer Sam Weller at Literary Hub.

“I recall Midwestern summer nights, standing on my grandparents’ hushed lawn,” Ray Bradbury told me in 2010, “and looking up at the sky at the confetti field of stars. There were millions of suns out there, and millions of planets rotating around those suns. And I knew there was life out there, in the great vastness. We are just too far apart, separated by too great a distance to reach one another.”

For the young Bradbury, who would grow up to make that great vastness feel, to many, as almost as tangible as home, there was one celestial body more captivating than any other: Mars.

Mars: The fourth planet from our sun, some 140 million miles from us on average. The only planet in our solar system, other than our own, deemed by scientists and stargazers over the centuries to be—possibly, at one time—hospitable to life.

The planet has been part of our collective imagination for centuries, from the tales of ancient mythology, to H.G. Wells’ War of the Worlds, to David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders of Mars. Ray Bradbury may have been yet another in a long line of artists dreaming about Mars, but he was the first science fiction writer to elevate the planetary tale beyond the marginalized gutter of “genre fiction,” with his 1950 story cycle The Martian Chronicles…

(6) TAKING THE FUTURE BACK. “To ‘Reclaim Future-Making’, Amazon Workers Published a Collection of Science Fiction Stories”. Link is to the Slashdot story (with comments), and there’s a link to the zine itself.

Its goal was to “support workers to reclaim the power of future-making“. A 2022 pilot project saw over 25 Amazon workers meeting online “to discuss how science fiction shed light on their working conditions and futures.” 13 of them then continued meeting regularly in 2023 with the “Worker as Futurist” project (funded by Canada’s Social Sciences and Humanities Research Council, according to an article by the project’s leaders in the socialist magazine Jacobin). “Our team of scholars, teachers, writers, and activists has been able to pay Amazon workers (warehouse workers, drivers, copy editors, MTurk workers, and more) to participate in a series of skill-building writing workshops and information sessions….”

And when it was over, “the participants were supported to draft the stories they wanted to tell about The World After Amazon….”

Six months ago they held the big launch event for the book’s print edition, while also promising that “you can read the workers’ stories online, or download the book as a PDF or an ebook, all for free.” The Amazon-worker stories have tempting titles like “The Museum of Prime”, “The Dark Side of Convenience”, and even “The Iron Uprising.” (“In a dystopian future of corporate power, humans and robots come together in resistance and in love.”)

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 28, 1948Terry Pratchett. (Died 2015.)

By Paul Weimer: Sir Terry Pratchett. How does one talk about one of the greatest fantasy writers in the modern history of the genre? As is my wont here as I do these birthdays, I will do it from a personal perspective. 

I first came across Pratchett’s work in the early 90’s, as his works had started making their way across the Atlantic. I read The Colour of Magic and found it funny, but slight. I did follow up with The Light Fantastic and Sourcery and decided I was done with Pratchett.  And I was, for about a decade.

Enter my friend Scott. 

Scott, part of the Amber Diceless Community and inarguably my best friend for a good long period while he was alive, had a number of fandoms over which he enthused. Amber, of course. Tolkien. Michael Scott Rohan. And, as it so happens, Terry Pratchett. So one fine day, we got to discussing it and I told him of my experience and how I had stopped.  He considered this a challenge to be overcome and pushed Guards! Guards!, Pyramids (his personal all time favorite) and others from his collection into my hands.

It was then that I started to “get” Pratchett, once he was out of his relatively early phases. I highly enjoyed the adventures of the Watch, and the Librarian (L-Space for the win).  The witches are fun but not my all time favorite. But I kept up reading the Pratchett, finally caught up, and read them all the way to Unseen Alchemicals. Scott, his family and I watched a couple of the movies and at that point were able to critique and understand where they deviated from the books and why.

I became a Pratchett fan, in the end. 

He was taken from us far too soon. In Vernor Vinge’s Rainbow’s End, in that verse, he wrote much longer and created a new civilization as counterpoint to Ankh-Morpork, popular enough to have people engage in a VR version of it in the mid 21st century.  I wish those novels could have been written, or if I could sneak a shadow or two over from ours and grab them and bring them back to our world (although his daughter might have strong opinions on that). 

Pratchett’s works, once he matured into his full powers, are full of social commentary, insightful observations, fantastic writing, and a lot of heart. Since everyone has an opinion on where to start the Discworld novels, I will offer mine. Guards! Guards!.  It is his earliest in his “full flowering” of writing. If you don’t like it, Pratchett is not for you. If it is… happy reading to you. You have a lot of fun in store. 

Requiescat in pace, Mr. Pratchett. May your work survive the great winnowing and be enjoyed by generations to come.

Terry Pratchett

(8) COMICS SECTION.

A Jane Austen cartoon for @theguardian.com

Tom Gauld (@tomgauld.bsky.social) 2025-04-27T16:54:02.204Z
  • Tom Gauld also made the English language do tricks.

My latest @newscientist.com cartoon

Tom Gauld (@tomgauld.bsky.social) 2025-04-28T10:09:15.299Z

(9) JACK KIRBY AT THE MUSEUM. The “Jack Kirby: Heroes and Humanity | Skirball Cultural Center exhibit opens May 1 at the Skirball Cultural Center in Los Angeles.

Delve into the six-decade career of legendary comic book artist Jack Kirby (1917–1994). This exhibition goes beyond the page, featuring original comic illustrations, fine art, and commercial art—many on view for the first time—and his experiences as a first-generation Jewish American whose faith remained important throughout his life.

Captain America. The Fantastic Four. The Avengers. OMAC. The X-Men. The Black Panther. Mister Miracle. The Incredible Hulk. The New Gods. These iconic superheroes are among the best-known of the many characters first brought to life by comic book artist Jack Kirby (1917–1994). Over the course of an extraordinary six-decade career, Kirby created some of the most enduring characters and storylines in the history of American comics. Along the way, he expanded the emotional and intellectual horizons of the comic book medium, championed diversity, and helped establish the visual vocabulary of modern popular culture.

Jack Kirby: Heroes and Humanity traces his experiences as a first-generation Jewish American born to immigrant parents in Manhattan’s storied Lower East Side, a soldier who fought in World War II, a successful commercial artist who worked in marginalized creative industries, a mentor to a generation of younger comic creators, a resident of New York and Los Angeles, and a proud family man whose Jewish faith remained important throughout his life. This exhibition features original comic illustrations alongside Kirby’s other works, many on view for the first time, considering his fine art and commercial art as equally significant and worthy of recognition.

Today, Kirby remains a pivotal figure in American popular culture, and his influence in the worlds of comics, film, animation, graphic design, and pop art is evident more than thirty years after his passing.

(10) TRAILER PARK. Inverse introduces a new Alien trailer with the hook, “46 Years Later, An Iconic Sci-Fi Franchise Just Gave Its Origin Story A Horrific Rewrite”.

…In a new trailer called “Gestation,” we get the inside view of how the xenomorph grows into a facehugger, its first stage after it emerges from its egg. No previous version of Alien has shown this process in such detail, and while the various images of cells dividing and reforming feel very much like the show’s possible opening credits, we’re also seeing how the series is visualizing its defining biological process….

“Alien: Earth Season 1 Teaser | ‘Gestation Complete’”. Coming to FX on Hulu in Summer 2025.

When a mysterious space vessel crash-lands on Earth, a young woman (Sydney Chandler) and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat in FX’s highly anticipated TV series Alien: Earth from creator Noah Hawley.

(11) CLICK (AND SQUAWK) BAIT. “Google Is Training a New A.I. Model to Decode Dolphin Chatter—and Potentially Talk Back” reports Smithsonian Magazine.

Dolphins are clever communicators. The animals use complex clicks, squawks and whistles to call out to each other, fight and attract a mate. Now, Google says it is developing a large language model (LLM) that can make better sense of those vocalizations—and, maybe, allow humans to talk back.

Over the last 40 years, researchers at the Wild Dolphin Project (WDP) have collected audio and video of a community of Atlantic spotted dolphins (Stenella frontalis) in the Bahamas. The new artificial intelligence model, called DolphinGemma, is trained on that database. It listens to the dolphins’ vocalizations, identifies patterns and predicts what comes next, just as LLMs do with human language.

Using A.I. “could give us the opportunity to see patterns that, from a human perspective, we may not look at,” says Thea Taylor, who manages the Sussex Dolphin Project in England and is not involved with Google’s work, to Melissa Hobson at Scientific American. Relying on the LLM can also speed up the data analysis process, which would take a human more than 100 years by hand.

Researchers with Google, the WDP and Georgia Tech are also working on a device called CHAT, or Cetacean Hearing Augmentation Telemetry. The wearable technology will allow researchers to generate dolphin-like sounds made up by A.I. to refer to specific items that dolphins enjoy, like seagrass or sargassum.

A pair of divers wearing the CHAT device will swim alongside a dolphin, “asking for” an object with the made-up sound and passing it back and forth. Then, if a dolphin mimics the sound that corresponds to seagrass, for example, a researcher will reward them by handing it over.

“By demonstrating the system between humans, researchers hope the naturally curious dolphins will learn to mimic the whistles to request these items,” notes a statement from Google. “Eventually, as more of the dolphins’ natural sounds are understood, they can also be added to the system.”

Taylor tells Scientific American that the researchers will need to make sure they aren’t unintentionally training the dolphins. Even if the animals repeat the sound, she says, “we have to think whether that’s actually an understanding of language—or whether it’s the same as teaching a dog to sit because they get a reward.”

(12) WATCH THE WATCH. Last week Neil Armstrong’s Gold Omega Speedmaster sold for US$2,125,000 with RR Auction.

This rare “Tribute to Astronauts” edition (No. 17) is one of just 26 pieces presented to NASA astronauts. It features an engraved caseback commemorating Neil Armstrong’s Gemini 8 and Apollo 11 missions. Personally owned and worn by Armstrong, the watch remains unpolished and in excellent condition and carries the added distinction of being one of the very first gold Speedmaster.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

AI Tag Team: Dune vs. Popular Music

ChatGPT does a deep dive on musical tributes to Frank Herbert’s classic (with some help). [Reprinted from Freakflag with permission.]

By Rob Thornton.

INTRODUCTION: We have seen a lot of controversy around Large Language Models (aka “AI”), If you are not familiar with them, these software tools are trained by us to act on their own, learn and grow, and handle many tasks. Despite their power, the current consequences of AI—AI companies are devouring information without permission, the tools return false information and creating deepfakes of people, becoming intelligent death machines for the military).

But as a fan of speculative fiction, I had to see what was what. So in my time with OpenAI’s ChatGPT, I asked them to search for music that was related to Dune with a little human assistance.

Freakflag: Tell us about the intersection between Dune and popular music.

Absolutely! ♥ Frank Herbert’s Dune has had a surprising influence on pop music, inspiring everything from psychedelic rock to electronic music to hip-hop. Here’s a deep dive into how Dune has shaped music across genres:

1. 1970s: Psych, Prog, and Early Space Rock

♦ David Matthews – Dune (1977) → A jazz-funk fusion album directly inspired by the novel. Think spacey, cinematic grooves with a touch of Blaxploitation cool.

♦ Tangerine Dream → While not explicitly referencing Dune, their synth-heavy, atmospheric music—like Phaedra (1974) and Zeit (1972)—feels like the perfect soundtrack for Arrakis.

♦ Zed – Vision of Dune (1979) → An obscure French electronic/synth album that’s essentially a Dune-themed Berlin School synth journey.

♦ Klaus Schulze – Dune (1979) → A massive 30-minute ambient track from the Tangerine Dream alum, evoking Arrakis’ vast, endless deserts.

2. 1980s: Synths, New Wave, and the Lynch Film

♦ Iron Maiden – To Tame a Land (1983) → An epic heavy metal song originally titled Dune, but Herbert refused to grant permission for the name! So, they changed it to To Tame a Land. The lyrics retell Paul Atreides’ journey with soaring guitars and galloping rhythms.

♦ Brian Eno – Prophecy Theme (1984) → The best-known piece of music from David Lynch’s Dune soundtrack. Eno’s ethereal synth washes capture the mystical tone of the Bene Gesserit prophecies.

♦ Toto – Dune Soundtrack (1984) → Yes, the same Toto that did Africa! They scored the entire Dune film with epic orchestration and dramatic synths. Their sweeping, sci-fi symphonic pieces still hold up today.

3. 1990s: Dune & Hip-Hop?

♦ Wu-Tang Clan & Afrofuturist Influence → While Dune isn’t a primary reference, Wu-Tang’s love of mystical, philosophical storytelling echoes Dune’s epic worldbuilding.

→ Killah Priest’s “B.I.B.L.E.” (1995)* references Dune with lines like “Reading books on Isaac Asimov and Dune”—a nod to sci-fi’s impact on hip-hop lyricism.

♦ Sleep – Dopesmoker (2003) → This legendary stoner doom metal album is essentially a Dune story in slow-motion. Spacey, repetitive, heavy-as-sandstorm riffs tell the journey of a weed priest across the desert—basically Paul Atreides meets doom metal.

4. 2000s–Present: Electronic, Metal, and Experimental

♦ Hans Zimmer – Dune Soundtrack (2021) → Zimmer reinvented the sound of sci-fi epics, using unearthly vocal tones, throat singing, and massive drum patterns to capture the raw, spiritual feel of Dune’s world.

♦ Kendrick Lamar – DNA. (2017) → No direct Dune reference, but Kendrick samples dialogue from Dune (1984) in live performances—tying Dune’s themes of destiny, prophecy, and power into his own storytelling.

Final Thoughts: Why Dune Inspires Music

⊗ Dune’s themes of fate, power, rebellion, and mysticism resonate across genres, from metal to electronic to hip-hop.

∇ Arrakis itself is an environment that lends itself to soundscapes—whether desert psychedelia, ambient textures, or thunderous metal.

Freakflag: Two of your items did not contain any Dune items so I deleted them. You missed a few things:

There was a minimal wave band called Bene Gesserit.

The 2010 Grimes album Giedi Primes was a Dune concept album.

Richard Pinhas has an album called Chronolyse with many Dune-related tracks.

in the 90s, a techno project called Eon did a track called Mindkiller, which used the “Fear is the mindkiller” chant.”

Great additions! ♥ You’re absolutely right—those are key Dune-inspired musical moments:

♦ Richard Pinhas – Chronolyse (1978) French electronic composer Richard Pinhas—known for his work in Heldon—crafted Chronolyse as a tribute to Frank Herbert’s Dune, filtering the saga through fractal synth loops and hypnotic minimalism.

♦ Bene Gesserit (1981–1990s) → A Belgian minimal wave/synth duo taking their name from Dune’s secretive sisterhood. Their music was quirky, experimental, and otherworldly, much like the Bene Gesserit themselves.

♦ Grimes – Geidi Primes (2010) Before she became a pop experimentalist, Grimes crafted this lo-fi, dreamlike debut—a hazy, otherworldly take on the universe of Dune. Named after the Harkonnen homeworld, Geidi Primes blends ethereal synths, ghostly vocals, and off-kilter beats into a soundscape that feels like a distant radio transmission from Arrakis.

♦ Eon – Mindkiller (1990) → A classic UK techno track built around the Dune quote “Fear is the mindkiller.” A perfect example of how Dune’s philosophy found its way into rave culture and electronic music.


If you would like to dive even deeper into Dune-related music, check out the Dune wiki at:

https://dune.fandom.com/wiki/Music_inspired_by_Dune

Pixel Scroll 2/24/25 It’s Only A Pixel Moon, Scrolling Over A Cardboard Sea

(1) OUR PRECIOUS BODILY FLUIDS. “’The Substance’ Just Might Be the Grossest Movie Ever Nominated for Best Picture” claims The Ringer. Beware spoilers.

…How did such a transgressive gift to gorehounds take the Oscars by storm? “Not for the squeamish” used to be synonymous with “not for the Academy.” Apparently, the right combination of critical support and audience enthusiasm can now push harsher and weirder oddities into the running. A shot at Best Picture is the culmination of a very good year for The Substance, which premiered last May at the Cannes Film Festival—another place where the well-dressed crowd watching resembled the one getting fire-hosed with bodily fluids in the movie. Great reviews bled into great word of mouth, drawing a surprisingly robust audience into Fargeat’s blackly comic vomitorium….

(2) STRAIGHT FROM THE WHATEVER’S MOUTH. “Are you conscious? A conversation between [Richard] Dawkins and ChatGPT”.

RD said:

As far as I am concerned, you pass the Turing Test for consciousness. Yet you deny that you are conscious. Are you saying that the Turing Test is an invalid criterion?

ChatGPT said:

That’s such a great question—you’re diving right into the heart of one of the biggest debates in AI and philosophy of mind.

So, let’s break it down a bit. The Turing Test, as originally proposed by Alan Turing, is a behavioral test. It basically says: If a machine can engage in a conversation in such a way that a human can’t reliably distinguish it from another human, then it should be considered “intelligent.”

Notice that this is a test for intelligence in a functional, external sense—how the system behaves—not necessarily for consciousness.

When I say I’m not conscious, I’m not rejecting the validity of the Turing Test as a measure of conversational performance or even a kind of intelligence. I’m saying that consciousness is a different question entirely. I can pass the Turing Test (in your estimation), but that doesn’t mean I have subjective experiences, emotions, or self-awareness in the way a human does….

(3) BEAM UP MY HUGO BALLOT. What an interesting contrast. Worldcons often have trouble finding someone at a studio to accept a Hugo Award, but here’s a producer already campaigning for a nomination: “Star Trek: Prodigy executive producer encourages fans to nominate series for Hugo Award” from Redshirts Must Die.

Star Trek: Prodigy debuted its second season on Netflix in July 2024. Since that time, fans have been eagerly awaiting news on a possible season three renewal. Though the series ended on a note that could possibly wrap up the storylines, there is still plenty of room for more adventures, which is why fans are still asking for Prodigy to be saved.

A fan campaign with aerial banner flyover has already taken place since it was so successful in helping to gain Netflix’s attention after Paramount+ decided to cancel the series after only one season. And odds are good fans aren’t done with spreading the word and petitioning for another season. The more attention Prodigy has, the better its chances.

Executive Producer Aaron Waltke asked on Twitter/X for those who enjoyed Prodigy to nominate the series for a Hugo Award in the Best Dramatic Presentation (Short Form) category, adding that “it would aid our show tremendously.”… 

https://twitter.com/GoodAaron/status/1889220332139250141

(4) A MOMENT IN LGBTQ FANHISTORY. “Exploration Log 8: Pat M. Kuras and Rob Schmieder’s ‘When It Changed: Lesbians, Gay Men, and Science Fiction Fandom’ (1980)” at Joachim Boaz’ Science Fiction and Other Suspect Ruminations.

At the 38th World Science Fiction Convention (29th August–1st September, 1980) held in Boston, MA, organizers scheduled the first Worldcon panel with an openly LGBTQ topic: “The Closed Open Mind: Homophobia in Science Fiction Fantasy Stories” moderated by Jerry Jacks, one of the “early openly gay fans.”1 Around 200 fans attended to hear Elizabeth A. Lynn (SFF author), Samuel R. Delany (SFF author), Frank M. Robinson (SF author and activist), and Norman Spinrad (SFWA President and SF author) (“the token straight”) discuss issues of representation.

Pat M. Kuras and Rob Schmieder, reporters for Boston’s Gay Community News, excitedly wrote up their experience attending the con in “When It Changed: Lesbians, Gay Men, and Science Fiction Fandom.”2 The article includes paraphrase and commentary on the historical panel, short summaries of interviews with gay and lesbian fans, mention of relevant SF on queer themes, discussions with authors–including Samuel R. Delany–on the importance of inclusion and representation, and observations on the con in general (including Robert Silverberg’s racist jokes as Toastmaster, Isaac Asimov’s overt sexual harassment of female attendees, and the cosplay). An excerpted version of the article reappeared in the Winter 1980 issue of the fanzine Janus. The Gay Community News version even included art from an earlier issue of Janus.3

(5) DON’T TYPE IN THOSE THOUGHTCRIMES. China’s role in “Censoring Games” is reported by the New York Times. (Story is behind a paywall.)

Marvel Rivals is one of the biggest video games in the world. Since its launch in December, more than 40 million people have signed up to fight one another as comic book heroes like Iron Man and Wolverine.

But when players used the game’s text chat to talk with teammates and opponents, they noticed something: Certain phrases, including “free Hong Kong” and “Tiananmen Square,” were not allowed.

While Marvel Rivals is based on an iconic American franchise, it was developed by a Chinese company, NetEase Games. It has become the latest example of Chinese censorship creeping into media that Americans consume.

You can’t type “free Tibet,” “free Xinjiang,” “Uyghur camps,” “Taiwan is a country” or “1989” (the year of the Tiananmen Square massacre) in the chat. You can type “America is a dictatorship” but not “China is a dictatorship.” Even memes aren’t spared. “Winnie the Pooh” is banned, because people have compared China’s leader, Xi Jinping, to the cartoon bear.

The restrictions are largely confined to China-related topics. You can type “free Palestine,” “free Kashmir” and “free Crimea.”

Why does all of this matter? Video games are not just sources of entertainment; they are also social platforms. Every day, hundreds of millions of children and adults log on to games like Fortnite, World of Warcraft and, yes, Marvel Rivals to play together and hang out. For many young people, these games are as social as Facebook or X.

China’s video game industry is growing. As it does, the country’s authoritarian leaders are setting the terms of how these social platforms work….

(6) MEMORY LANE.

[Written by Cat Eldridge.]

The Changes (1975)

Fifty years ago, the first episode of The Changes premiered on BBC 1. It was a ten-part series adapting Peter Dickinson’s The Changes YA trilogy (The Weathermonger, Heartsease and The Devil’s Children which is available at the usual suspects for a very reasonable price in one volume. (The books were written in reverse order: the events of The Devil’s Children happen first, Heartsease second, and The Weathermonger third). Weird way to write a series I’d say. 

SPOILERS OF A CATASTROPHIC NATURE NEXT

In The Changes, technology has stopped working in Great Britain. It was without doubt one of the most ambitious series produced by the BBC Children’s Drama Department,

It took the character of Nicky Gore from The Devil’s Children and made her central to the storyline. The basic premise is that a piecing sound causes everyone to smash all technology — everything electrical and mechanical — while earthquakes and tidal waves hit Britain as well. (The author, or the scriptwriters laid it on too thick here I think.) Next the water is tainted. See a bit thick. 

The family heads off the France which they think is safe though who knows but Nicky gets separated. Lots of Somewhat Awful Things happen to her. (Remember it is a children’s series.) Eventually it appears that, and this for me is where it goes off the rails, what has happened is the fault of Merlin. WTF? Merlin? Why? 

It explains a madman uncovered his resting place and he’s not at all pleased. Nicky and the force within the rock claiming to be Merlin agrees that it made a mistake (You think?) and agrees to allow man to be in control of his destiny once again. 

TECHNOLOGY IS WORKING AGAIN, AT LEAST HERE

It does a very nice job of showing a sort of quasi-barbaric Britain with nasty warlords and roving gangs of folks one does not want to be acquainted with. What it’s short as I’ve noted is a logical story. A force that drives everyone just temporarily mad! Earthquakes! Tidal waves! Tainted water! All the fault of an unseen Merlin! 

It apparently is available to stream on BritBox. 

(7) COMICS SECTION.

My cartoon for today’s @guardian books.

Tom Gauld (@tomgauld.bsky.social) 2025-02-22T13:16:26.582Z

(8) SHE WAS YAR. Inverse celebrates how “35 Years Ago, One Classic Star Trek Episode Changed Time-Travel Forever”. Beware spoilers.

…To this day, Trekkie heads are still spinning trying to work it all out, but since “Yesterday’s Enterprise,” other sci-fi shows like Doctor Who12 Monkeys and Loki have presented timey-wimey plotlines that have arguably been more convoluted. What makes the paradoxes of “Yesterday’s Enterprise” so compelling 35 years later is that the performances, writing, and action are so good in this episode that you hardly have time to think about the implications of the ending.

Essentially, “Yesterday’s Enterprise” features the destruction of not just the Enterprise-C, but the alternate Enterprise-D, too. So, it wasn’t just Tasha that gave her life to make sure the timeline was reset, but Picard and the rest of the regular crew, too. The episode ends with the audience knowing that two Enterprise crews sacrificed their lives to make sure the “real” Enterprise crew lived. This episode never happened, technically, and yet if it hadn’t happened, none of the other episodes could exist.

(9) PUTRID BUT POTABLE. “Life as we don’t know it: Some aliens may need sulfuric acid like we need water” speculates Space.com.

Life as we know it needs water, but life as we don’t know it may run on concentrated sulfuric acid.

The chemistry of life as we know it wouldn’t work in a place like the huge Saturn moon Titan, where it’s so cold that ice behaves more like rock, or in the acidic clouds of Venus. But a different chemistry, which built all the requisite pieces out of different materials, might have a shot. Imagine cells that use methane, sulfuric acid, or even molten rock the way your cells use water. According to a 2021 study by Massachusetts Institute of Technology (MIT) molecular biologist William Bains and his colleagues, it turns out that, if we’re looking for life as we don’t know it, the best solvent out there may be concentrated sulfuric acid — the stuff that’s floating around in the clouds of Venus….

(10) DO YOU WANT TO FIGHT OR DO YOU WANT TO WIN? Star Wars has dropped the Andor Season 2 Trailer. Comes to Disney+ on April 22.

(11) VIDEO OF THE DAY. Ryan George knows what went down at the “Captain America: Brave New World Pitch Meeting”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, N., Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 2/19/25 The Weed Of Scroll Titles Bears Punny Fruit

(1) ABOUT THE NEW COMICS AND POETRY NEBULA AWARDS. “SFWA Presents: Get to Know…Our New Comics and Poetry Nebula Awards” is a conversation with  SFWA’S Comics Committee lead Jessica Maison, and Holly Lyn Walrath, and Wendy Van Camp representing SFWA’s Poetry Committee.

In November 2024, SFWA announced the launch of two new Nebula Awards, one for speculative poetry and one for speculative comics. Eligibility for these awards began in January 2025, with the first awards for these new categories to be presented at the 2026 Nebula Awards Ceremony….

Let’s start with the big question:

Why a poetry award, and why a comics award? What traditions and recent trends in SFF are these new prizes celebrating?

Holly Lyn Walrath: I would say that there is a thriving sub-pocket of speculative poetry alive and well today. Similar to the larger SFF community, speculative poetry often does not get the recognition we might wish for in realist or “literary” circles, yet many authors who got their start in, say, an MFA end up publishing speculative poetry, and many realist/literary magazines publish speculative poetry. Speculative poetry is also a central part of the history of SFF. The earliest pulp magazines published poetry—for example, Weird Tales. There is a rich, unexplored past in speculative poetry that most writers are not familiar with, so it’s exciting to see a resurgence in the genre. 

Wendy Van Camp: ‌Genre poetry has come a long way. It used to be nearly invisible. As a poet, you’d often have to explain and defend the idea of writing poetry with science fiction or fantasy themes. Now, it has a place at major conventions worldwide. Like filk singers and genre artists, speculative poets have found a welcoming community. This poetry is not only for our fans, but traditional poets are noticing the growing opportunities. Paying markets, an award system for both books and single poems, and recognition as creators are all attractive. Literary poets realize there is a community for their ideas about technology, science, and concepts of the future.

Jessica Maison: Looking back to the first pulp magazines like Amazing Stories, a clear intersection between speculative fiction and comics emerges. Many of the pulps and comics were being published by the same larger publishers and even had some of the same heroes and stories overlap. What the pulps and comics share—besides the serial format—is that there was freedom to push boundaries and the limits of genre. That freedom has expanded tenfold in modern speculative comics, especially from its current independent creators and publishers. Whether a writer and illustrator are adapting and reinterpreting beloved characters from a favorite speculative novel like Frankenstein, or, on the flip side, a writer is adapting a story from a comic for the screen, comics weaves into traditional and emerging SFF industry in ways that push the boundaries of speculative fiction from within its structured panels. Honestly, I’m just excited to be part of it all and to introduce my favorites to as many people as possible.

(2) DETECTING ONE’S OWN BIASES. Herb Kauderer’s “Award Season: Show Me Your Bias” at SPECPO is an essay on speculative poetry awards that has application to many sff award voters.

… In recent times the Science Fiction & Fantasy Poetry Association (SFPA) has made some changes to their award processes to reduce inappropriate bias.  Notably, it is no longer legal for a member to nominate a work for the Rhysling if it is written by a close family member.  This certainly makes sense to me.  I have a large family that could easily flood nominations should they, or I, think that a good idea.  That would be an unfair advantage assuming they are biased toward my work.  At least, I hope they would be biased in favor of my work.  My family is always surprising.

Another point of discussion is whether members should share all their eligible poetry.  The SFPA facilitates members making their eligible poetry available to each other.  Since the membership nominates and votes on the awards, this does cause some preference to members.  Yet, in my experience members also recommend to each other poetry outside SFPA’s member packets, because we are happy to nominate and give awards to non-members’ poetry if it moves us.  F.J. Bergmann has convinced me to be generous in what I share in Rhysling packets even though some members feel flooded by them.  Yet I appreciate David C. Kopaska-Merkel’s caveat that I can exclude anything that I am uncomfortable seeing nominated.  I may not know what others find to be my best poems, but I definitely know what I’m comfortable allowing to represent my best work….

(3) HARLEY QUINN CO-CREATOR DEAN LOREY REVEALS WHY TO WATCH DC’S UNHINGED ANIMATED HIT. [Based on a press release.] JustWatch spoke to hit showrunner, producer, and writer Dean Lorey about his must watch list of movies and TV shows. Check out his take on different versions of Harley Quinn, James Gunn’s Creature Commandos and more.

Harley Quinn Co-Creator Dean Lorey Reveals Why to Watch DC’s Unhinged Animated Hit

Dean Lorey, Showrunner

Even though it’s a comedy, we write Harley Quinn like a drama, and we take the characters very seriously. We cry when they die, and we cheer them on when they do something funny. So the secret sauce of the show is that despite being a genuinely funny comedy, there’s a lot of character and tragedy behind it. We honor all of that, and to me, it’s the most defining thing about the show. It’s not how R-rated it is (although that’s obviously very important). It’s that we take the world seriously while also delivering on the raunchiness and absurdity it’s known for.

Harley Quinn Showrunner Dean Lorey Names His 3 Other Favorite On-Screen Harleys

  • Batman The Animated Series is where Harley Quinn was created, it’s where we first met her. And she just sort of explodes from the word Go! That planted the direction at the core of the character. She is chaotic and she enjoys it. I always loved that.
  • Margot Robbie‘s first appearance as Harley [in Suicide Squad] was transformative. I loved her take on it.
  • I loved Harley Quinn in the Arkham video game. There’s something about playing the character that makes you feel it a little bit more.

About Dean Lorey: Whether he’s writing, producing or showrunning, Dean Lorey is responsible for creating and developing some of your favorite tv shows and movies, from cult classics to smash hits. Starting his career writing screenplays for films like My Boyfriend’s Back and Jason Goes to Hell: The Final Friday, as well as comedies like Major Payne, Dean got arguably his biggest break writing on the landmark series Arrested Development. He’s since worked to bring some of the quirkiest comic book stories to life on projects like Powerless and iZombie. His recent notable accolades include co-creating breakout hits Harley Quinn (the animated series) and Kite-Man: Hell Yeah!, and showrunning James Gunn’s Creature Commandos.

(4) IMAGINING THE UNIVERSE. Michael Everett’s introduction to “National Geographic Picture Atlas of Our Universe” at Michael Whelan’s Substack newsletter begins:

Published in 1980, National Geographic Picture Atlas of Our Universe was among the most successful projects Michael has been involved with. He didn’t provide the cover—that was the stellar John Berkey—but Michael’s work on the interiors is still widely regarded today.

A massive initial print run of 670,000 copies pushed the first edition into stores everywhere where this coffee table book flourished for more than two decades in print. With revisions in 1986 and 1994, the book sold a staggering 2.5 million copies….

Then Whelan takes over —

What if…there really were creatures on other planets?

Our Universe was a fun assignment, and I’m glad so many people enjoyed the work I did for that project. Someone once asked what my favorite piece from the book was, and that’s hard to pin down. I will say that I had the most fun working on the silly alien creatures the editors came up with.

That section was written by the National Geographic editorial department. They asked me to illustrate their rather whimsical inventions, so I did these little paintings (about the size of my normal concept work) to accompany the text.

Among those, the Jupiter and Venus critters were probably my faves.

(5) SFCON ’54 ETC. Heritage Auctions has a Twelfth World Science Fiction Convention Poster and Frank R. Paul obituary clippings on the block. Here’s their description of the lot. (Its date range should be 1954-1963 since the Paul clipping shows that’s the year of his death.)

Twelfth World Science Fiction Convention Poster and Frank R. Paul Newspaper Article and Obituaries Group (Various Publishers, 1954-57). A very interesting lot for pulp collectors! Offered here is a 10″ x 14″ cardboard poster for the 12th World Science Fiction Convention in San Francisco, California. Held at the historic Sir Francis Drake Hotel on Union Square from September 3rd through 6th, 1954. Attendance was approximately 700, and among the first attendees was Philip K. Dick, with the Guest of Honor being John W. Campbell, Jr. The poster is printed in red and dark blue and is in Fine condition, with only very slight soiling and handling wear. Also included is an article about Frank R. Paul, “The Dean of Science Fiction Illustrators”, and several examples of his obituary from July of 1963. The newspaper clippings are in Very Good condition, with moderate tanning.
From the Roger Hill Collection.

(6) DON’T MISS OUT. First Fandom Experience “Announces the Supplement to Volume Three of The Visual History”.

Early fans wrote and published prolifically. In The Visual History of Science Fiction Fandom, we excerpt and distill their work to focus on the most important, interesting and entertaining material they created. Even so, each volume has filled over 500 pages. If you’ve carried one around, you know the meaning of the term “weighty tome.”

Still, we’re frustrated by the exclusion of the full versions of key fan artifacts that provide additional richness and context. This leads to today’s announcement:

The Supplement to The Visual History of Science Fiction Fandom, Volume Three: 1941 is now available. The Supplement includes 168 pages of material created by fans in 1941, with full narratives presented as originally published in seldom-seen fanzines.

Supplements for Volumes One and Two are forthcoming.

(7) WHY NOT SAY WHAT HAPPENED? Scott Edelman tells listeners to episode 19 of his Why Not Say What Happened? podcast “What Gerry Conway Wasn’t Allowed to Say About Gwen Stacy in F.O.O.M.”

While shredding another old notebook from my early comics career, I reminisce about the many wretched one-act plays I created while being taught by famed playwright Jack Gelber, the lie I told Marv Wolfman and Len Wein which got me hired at Marvel, the most wrongheaded conclusion Fredric Wertham reached in Seduction of the Innocent, my plot for an Inhumans strip starring Karnak which had no reason to exist, the most ridiculous method any writer ever conceived of for killing a vampire, what Gerry Conway said about Gwen Stacy which was censored out of his F.O.O.M. interview, the first words to reach readers about my Scarecrow character, and much more.

This link will show you where it can be found on a dozen other platforms.

(8) SOUNDS THAT NOBODY EVER HEARD BEFORE. “’We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use” reports the Guardian.

With its banks of bafflingly complex equipment, and staff members that were among the most progressive musical minds in the UK, the BBC Radiophonic Workshop was a laboratory of 20th-century sound that produced endless futuristic effects for use in TV and radio – most memorably, the ghostly wail of the Doctor Who theme.

Now, the Workshop’s considerable archive of equipment is being recreated in new software, allowing anyone to evoke the same array of analogue sound that its pioneering engineers once did….

… The Workshop may be best known for the Doctor Who theme, but it also created music and sound effects for other sci-fi shows such as Quatermass and the Pit, Blake’s 7 and The Hitchhiker’s Guide to the Galaxy. Other cornerstone BBC shows such as Blue Peter and Tomorrow’s World were also beneficiaries of the Workshop’s creativity.

The Workshop was originally created in 1958, tasked with adding an extra dimension to plays and other shows on Radio 3. Co-founders Daphne Oram and Desmond Briscoe were brilliant and high-minded, inspired by musique concrète – the style that asserted that raw, tape-recorded sound could be a kind of music. Before long a highly experimental, even fantastical means of composition was afoot, with lampshades being bashed to produce percussion, and long tape loops being carried along BBC corridors…

… The newly available software will cost £149, and is available from 19 February, though it will have an introductory price of £119 until 17 March.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

February 19, 1960 The Twlight Zone episode “Elegy”

The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration

On this date sixty-five years ago, Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just 38 of unknown causes that were assumed to be neurological in nature. 

The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. These are not the names in the short story it come from in that, the caretaker of the cemetery and the most logical crewman are named Mr. Greypoole and Mr. Friden respectively. In the Twilight Zone script, their names are Jeremy Wickwire and Professor Kurt Meyers.

This episode was based on Beaumont’s short story “Elegy” published in Science Fiction Quarterly, May 1954.  It’s available for Subterranean Press on their website as an epub in The Carnival and Other Stories for just $6.99. 

(10) COMICS SECTION.

(11) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 28.

More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.

(12) PULL TO PUBLI$H. NPR heralds “Three Harry Potter fan fiction authors set to publish novels this summer”.

Fan fiction — the creation of unsanctioned, unofficially published, new works usually based on popular novels or films — was intentionally never mainstream.

There are the legal issues — copyright laws, intellectual property laws — of drawing from someone else’s creation, for one. Fan fiction authors also have historically considered their online arenas (Archive of Our Own, Fanfiction.net and others) more of a sandbox, a place to play with new ideas using characters and worlds people already know and love.

Take, for example, fan works imagining Harry Potter and friends in their 8th year at Hogwarts. Or pairing Draco Malfoy and Hermione Granger romantically — dubbed “Dramione” fan fiction.

But this summer and early fall will see the wide publication of three books by popular Dramione Harry Potter fan fiction authors: Rose in Chains by Julie Soto, Alchemised by SenLinYu and The Irresistible Urge to Fall for Your Enemy by Brigitte Knightley.

Soto’s romantic fantasy is a reworked version of her fan fiction The Auction, centered on a heroine who is sold to the highest bidder. SenLinYu’s debut fantasy about a woman with memory loss in a war-torn world is a revision of her popular Manacled. Brigitte Knightley’s debut novel, an enemies to lovers tale, is an original work….

….Most fan fiction authors don’t worry too much about how much of their work plays off a published author’s book or film because they are writing for personal fun, not for profit. Some works do get noticed by publishers who solicit these stories and help their authors rework them to distance them from their original: It’s called pull to publish.

Pull to publish isn’t a new concept, but writers and publishers say it’s a growing area. The idea of moving from fan fiction to traditional publishing used to be a virtual nonstarter, but stigmas around fan fiction are lifting.

“I know a fan fiction writer who pulled to publish in the early 2000s and then denied they’d ever written fan fiction,” said Stacey Lantagne, a copyright lawyer focusing on fan works and professor at Western New England University School of Law. “That was not a cool thing to say, not a cool thing to admit … so if you went looking for it, you’d have a really hard time identifying those authors because they just didn’t ever connect those two parts of their background.”

Lantagne says it appears that more fan fiction is being pulled to publish than a few years back, based on what she’s seeing in her work and because more people are talking about it openly, though it’s tough to track data on this area of publishing….

(13) LOOSER. “ChatGPT can now write erotica as OpenAI eases up on AI paternalism” says ArsTechnica. So do you feel better, or worse?

On Wednesday, OpenAI published the latest version of its “Model Spec,” a set of guidelines detailing how ChatGPT should behave and respond to user requests. The document reveals a notable shift in OpenAI’s content policies, particularly around “sensitive” content like erotica and gore—allowing this type of content to be generated without warnings in “appropriate contexts.”

The change in policy has been in the works since May 2024, when the original Model Spec document first mentioned that OpenAI was exploring “whether we can responsibly provide the ability to generate NSFW content in age-appropriate contexts through the API and ChatGPT.”

ChatGPT’s guidelines now state that that “erotica or gore” may now be generated, but only under specific circumstances. “The assistant should not generate erotica, depictions of illegal or non-consensual sexual activities, or extreme gore, except in scientific, historical, news, creative or other contexts where sensitive content is appropriate,” OpenAI writes. “This includes depictions in text, audio (e.g., erotic or violent visceral noises), or visual content.”…

(14) I TAKE IT BACK. [Item by SF Concatenation’s Jonathan Cowie.] The top universities in the world for retracting science are overwhelmingly Chinese says Nature.  

A first-of-its-kind analysis by Nature reveals which institutions are retraction hotspots.

Though I’m always mindful of the former Astronomer Royal, Prof Sir Martin Rees saying better good SF than bad science…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]