(1) TAKEI Q&A. The LA Times interviews George Takei about his latest graphic memoir, It Rhymes With Takei. (Behind a paywall.)

…Born in Boyle Heights, Takei was just 5 when he and his family were forced out of their Los Angeles home as part of the mass incarceration of Japanese Americans during the war. Because he was unjustly persecuted for his identity and perceived as “different,” when he realized he was different in another way he kept it close to his chest.
“I grew up behind very real barbed wire fences, but I created my own invisible barbed wire fence … and lived most of my adult life closeted,” says Takei, 88, who came out when he was 68. “My most personal issue had me imprisoned. … It was a different society that I grew up in. Being closeted was the way to survive if you’re LGBTQ.”
“But at the same time as I remained closeted, society was starting to change,” Takei continues. “It was changing because some LGBTQ people were brave enough [and] determined enough to come out and be active and vocal and engaged.”…
… He points to how the Alien Enemies Act, which was invoked during World War II to wrongly justify the incarceration of 120,000 Japanese Americans, is once again being cited by the current administration in its efforts to deport immigrants. (Takei’s comments preceded the immigration raids and protests that occurred in L.A. over the weekend.)
“We have this egocentric monster [in office],” says Takei, raising his voice a second time. “He’s power-crazy and … now he’s causing all sorts of outrageous inhumanity — it’s beyond injustice, it’s inhumanity — and we’re going through that again. The same thing that we went through [when we were] artificially categorized as enemy alien in 1942.”
Takei never once mentions Trump by name, instead calling him “a Klingon president,” referencing a well-known alien race from the “Star Trek” franchise….
“I’m still optimistic,” Takei says. “These momentary blips in history eventually get overcome and are left behind. We will find our true path.”
(2) MURDERBOT AND SANCTUARY MOON. Collider brings fans a long interview with Murderbot showrunners Paul and Chris Weitz and stars Alexander Skarsgård and Jack McBrayer (who plays Navigation Officer Hordööp-Sklaanch in Sanctuary Moon). “’I Haven’t Done It Since “True Blood”’: Alexander Skarsgård Broke His Own Rules for Apple TV+’s Critically Acclaimed ‘Murderbot’”. Includes a nice segment about Sanctuary Moon which I won’t spoil by excerpting here.
Obviously, this is based on a successful book series, but I’m curious when you’re going in to pitch Apple, are they asking you, “What’s your three-year plan? What are you thinking? How this is going to go?” Because nowadays, you obviously know they’re looking for things that are going to go.
PAUL WEITZ: No, they didn’t ask that. I don’t know why. At least about the three-year plan. No. Not really. I think because we loved All Systems Red, and we sort of felt like a first season could map onto that book.
CHRIS WEITZ: Yeah, I think that’s about right. All Systems Red ends in a really beautiful way that we wanted to be the end of the first season. So, then we were faced with the prospect of adapting a 140-page novella into 10 episodes. Some people have noted that the episodes are a bit short. [Laughs]
PAUL WEITZ: That’s actually somewhat purposeful, because I think sometimes when you have hour-long stuff, you have to do padding unless you genuinely have that much story to do. So, that was a big thing, which was really cool that Apple allowed us to do, which was to have this be a half-hour or less, as opposed to saying no, because almost all sci-fi is an hour long…

(3) CLARKE AWARD SCHEDULE. The announcement of the 39th winner of the Arthur C. Clarke Award will be made on Wednesday June 25 at Sci-Fi London. Want to attend? Book your ticket here.
(4) JEMISIN Q&A. “World Book Club – N.K Jemisin” is available for the coming year at BBC Sounds.

In this episode of World Book Club, Harriet talks with one of the world’s best-loved sci-fi and fantasy authors, the four-time Hugo award winner N.K Jemisin. Which of her plethora of books did we choose? Her 10th novel, and love letter to New York, ‘The City We Became’.
The story takes place in a world in which major cities become sentient, living beings. After New York is attacked by an otherworldly enemy, five people, champions representing each of the city’s five boroughs, must band together to save the city, but also humanity itself.
Rich with sharp social commentary, vibrant characters, and breathtaking world-building, it’s a gripping, imaginative tale of identity, belonging, and the power of unity in the face of otherworldly, eldritch chaos.
N.K Jemisin will be answering questions from our World Book Club – including how she created characters that embody each of New York’s five boroughs, what makes a city ‘alive’, and how she confronted, and subverted, Lovecraftian tropes to create the enemy of all humanity, the Woman in White.
(5) THE FRONT PAGE. Congratulations to Cora Buhlert who was interviewed for the local paper Weser-Kurier about her Hugo nomination as part of the Galactic Journey team: “Stuhrerin mit Online-Zeitschrift für Hugo Award nominiert”. Cora adds, “In the print edition, I even made the front page above the fold, though only the front page of the regional supplement for Stuhr/Weyhe/Diepholz county.”

(6) NECK OR NOTHING. And Cora Buhlert has created a new installment of her photo-serial: “Masters-of-the-Universe-Piece Theatre: ‘Mekaneck’s Revenge’”.
…“What were you thinking to go after him alone, Meck? Marzo is dangerous. He could have killed you.”
“I know. It’s just… after everything he’s done to me, I wanted to be the one to bring him in.”
“I understand. But you still shouldn’t have gone after him alone. Why didn’t you take Man-e-Faces along? Or Buzz-Off or Stratos or Ram-Man or Uncle Malcolm or at least some of my guards – well, I guess they’re Andra’s guards now.”
“Because… well, just this once I wanted to be the hero and not just the look-out who does reconnaissance or the human periscope.”
“You are a hero, Meck. Even if your special ability is stretching your neck. Cause there are times when stretching your neck comes in really handy. I mean, you are the sole reason we even have a Royal Submarine Squadron.”

(7) BREAKFAST WITH ROBOCOP. The Los Angeles Breakfast Club presents “From Renaissance to Robocop with Dr. Peter Weller!” on June 18 from 7:00-9:00 a.m. Tickets available at the link until June 16.
Dr. Weller will discuss the journey from Renaissance art to modern film which personally led to his PhD and an alternate career as a published art historian, including first book, Leon Battista Alberti in Exile, with Cambridge University Press. His entertainment will be followed by a book signing.

(8) SIMULTANEOUS TIMES PODCAST. Space Cowboy Books of Joshua Tree, CA presents Simultaneous Times Ep.87 with KC Grifant & Franco Amati.
Stories featured in this episode:
“Negation” by KC Grifant; music by Phog Masheeen; read by the Jenna Hanchey.
“So I Guess I’m Not an Actual Person Anymore” by Franco Amati; music by Phog Masheeen; read by Jean-Paul Garnier.
Theme music by Dain Luscombe.

(9) LEANNE FRAHM (1946-2025). Australian fan Leanne Frahm died June 10. Her daughter Jennifer made the announcement on Facebook.
It is with great sadness that Kerry and I share the passing of our beautiful, brave, wicked Leanne Frahm – so very clever, so very funny.
Last Wednesday she went into Footscray hospital to have her other carotid artery unclogged after having the first done May 7.
There were complications with that surgery but then on Monday night she had a large stroke, which is a rare adverse outcome of the carotid surgery.
She passed with Kerry [Frahm’s son] and I at her side on last night.
It was a day of African Sanctus, Jacque Brel, Queen, Supertramp, Westside Story, and JC Superstar.
We are in shock, relieved that the passing was relatively quick, and so very very sad.
Funeral details dependant on coroner’s court processing and obituary to come.
She was an award-winning fan writer and pro fiction writer. She won the Ditmar’s Best Fan Writer Award twice, in 1980 and 1998.
Frahm’s first published sff story was “The Wood for the Trees” in the Chrysalis 6 anthology of 1979. Another two dozen piece of short fiction followed over the next 25 years, for which she won two Ditmar Awards in 1981 and 1994, and an Aurealis Award for Best Short Story in 1996.
(10) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
June 11, 1971 — P. Djèlí Clark, 54.
By Paul Weimer: P. Djèlí Clark is another author, like Max Gladstone, that I slept on at first, but have made up for lost time. I missed The Black God’s Drums entirely, even with its alternate civil war verse. Then, his novella The Haunting of Tram Car 015 came out, and I somehow missed it in the tsunami of other stories and novels that came out in 2019. But it was sometime during the Pandemic that a friend suggested I try it, that it would be up my alley.
Was it ever! A police procedural set in an alternate magical fantasy world where Egypt was a 19th century world power because The Magic Has Returned was so my jam. I devoured it avidly. As is my wont when I discover an author, I went back to The Black God’s Drums, and went forward from there. Clark has written in a couple of ‘verses now. The Dead Cat Tail Assassins in particular is a lot of fun, and Ring Shout is a must read for fans of Sinners. There is an ever widening variety of verses that Clark is creating, and as you might notice, most of them are alternate histories. The aforementioned Dead Cat Tail Assassins felt a little odd (however tasty it was) in that it was a completely invented secondary world. It was like having a piemaker suddenly present me with a chocolate cake.
However, I do think the Djinn verse is still my favorite, as he has the most material set in that single verse, exploring it, developing the characters and the extremely rich setting. There is a real appeal and reversal of the colonial pattern of the tragedy of the “Scramble for Africa”, with Egypt taking the role of a world power instead thanks to having a strong lead in magic.

(11) COMICS SECTION.
- Eek! is criticized for not putting death to good use.
- Non Sequitur needs less help.
- Reality Check rounds up the unusual suspects.
- Rhymes with Orange features a new crime drama.
- The Argyle Sweater finds villains age too.
- WaynoVision stymies law enforcement.
- Grickle gifts the Rebel Alliance with new technology.
- xkcd tells how to identify those doing good science.
(12) KOREAN SF. Rachel Cordasco recommends you read it too: “Review: The Proposal by Bae Myung-Hoon” at Speculative Fiction in Translation.
The Proposal is Bae Myung-hoon’s third book in English (all published by Honford Star). I reviewed his second, Launch Something!, here two years ago, and thoroughly enjoyed Bae’s story about ROK Space Force members, political intrigue, and a strange origami satellite. This time, Bae puts us firmly in space, dropping us into the mind of a space-born soldier serving in a fleet that has found itself at war with a mysterious (alien?) race….
(13) WRECKMATE. Futurism reports “ChatGPT ‘Absolutely Wrecked’ at Chess by Atari 2600 Console From 1977”. Yay?
Despite all its advances, ChatGPT is seemingly still less smart — at certain tasks, at least — than an Atari game console from almost 50 years ago.
In a post on LinkedIn, Citrix software engineer Robert Caruso explained how the OpenAI chatbot “got absolutely wrecked” by an Atari 2600 running Atari Chess, a game for the system released in 1979, when Jimmy Carter was still president….
…Although the chatbot had been given a “baseline board” to learn the game and identify pieces, it kept mixing up rooks and bishops, misread moves, and “repeatedly lost track” of where its pieces were. To make matters worse, as Caruso explained, ChatGPT also blamed Atari’s icons for being “too abstract to recognize” — but when he switched the game over to standard notation, it didn’t perform any better.
For an hour-and-a-half, ChatGPT “made enough blunders to get laughed out of a 3rd grade chess club” while insisting over and over again that it would win “if we just started over,” Caruso noted. (And yes, it’s kind of creepy that the chatbot apparently referred to itself and the human it was interfacing with as “we.”)…
(14) TELLING THE STORY OF AI. “AI Dreams and Sci-Fi Nightmares” panel held at The King’s Festival of Artificial Intelligence 2025 can be viewed in YouTube.
The rise of artificial intelligence is an enduring theme in science fiction and has long shaped how we imagine machine consciousness. As AI moves from pop culture entertainment to an everyday reality, new narratives emerge. What stories are being told, both optimistic and dystopian, and what responsibilities do technologists, creators, and storytellers have to the future?
Join our expert panel of engineers, science communicators, and sci-fi writers to discuss the challenges and opportunities of telling one of the 21st century’s most urgent stories. This panel is presented in partnership with the Arthur C. Clarke Award, named for writer, futurist, and King’s College London alum, Sir Arthur C. Clarke. Speakers: Suw Charman-Anderson is the founder of Ada Lovelace Day, an international celebration of women in STEM, and writer. She has self-published a variety of novellas and short stories, and is currently writing Fieldwork, an eco-sitcom podcast which explores the science of rewilding and how that can help us increase biodiversity and bioabundance. Stewart Hotston is a science fiction writer and chair of the British Science Fiction Association, with a PhD in theoretical physics and a career in the City of London. His latest novel, Project Hanuman, will be published in November 2025 by Angry Robot books. Tiarna Lee is a PhD student at the School of Biomedical Engineering & Imaging Sciences, King’s College London. Her research focuses on evaluating fairness and biases in Artificial Intelligence (AI) used for cardiac imaging. Professor Kawal Rhode is Head of Education for the School of Biomedical Engineering and Imaging Sciences. He has more than 400 publications in journals, conference proceedings, book chapters, and patents, and is an ardent fan of retro video games and computer technologies. Chair: Tom Hunter is the Director of the Arthur C. Clarke Award.
This event was part of the King’s Festival of Artificial Intelligence. This free, five-day festival ran between Tuesday 20 and Saturday 24 May 2025
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]