Tag Archives: Frank Oz

Pixel Scroll 7/14/22 You’ve Got To — Accentuate The Positronic

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(1) SMACK IN THE MIDDLE (EARTH) WITH YOU. Amazon Prime put out “The Lord of the Rings: The Rings of Power” main teaser today.

Prime Video’s The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

(2) WESTERCON COVID TALLY. Westercon 74, held in Tonopah, asked that any person who contracted COVID-19 during the con or for one week following send them an email so they could track any outbreak.  Kevin Standlee reports that at the end of the week 11 members reported positive COVID-19 tests. That represents 7% of the members who picked up their badges and attended the convention. The contact reports by those who gave permission to have their information published are at http://westercon74.org/covid/.

(3) STOKING THE FLAMES. LitReactor interviewed Bram Stoker Awards administrator James Chambers to find out “Everything You Ever Wanted to Know About the Bram Stoker Awards® | LitReactor

… Each year there’s an official Stoker reading list. I have used this list a lot both to make recommendations and to read recommended works. A few questions about the list: Is it open for public viewing?

Yes, a public version of the list for works published in 2022 is available here. Members recommend works they think merit consideration for a Bram Stoker Award, and we share their selections with the public. It’s a great resource for anyone looking for reading suggestions or wondering what’s new that year. Libraries sometimes refer to this list to make book selections for their patrons. Anyone, HWA member or not, can view this record of horror publishing from year to year. Last year’s list is available here.

Who is allowed to recommend books to the list?

Any member of the HWA in good standing may recommend books….

(4) GETTING TO KNOW YOU. Kelley Armstrong discusses the historical research she did for her time travel mystery A Rip Through Time in “Adventures in Writing Time Travel” at CrimeReads.

…I decided to try a time-travel mystery… with a modern detective, transported into the body of a housemaid working for an undertaker-turned-early-forensic-scientist in 1869 Edinburgh. That meant researching domestic service, undertaking, law enforcement, medicine, forensics and so much more, all of it in Scotland while most of the resources are English.

I quickly learned that secondary resources aren’t necessarily reliable. I spent the first quarter of the book referring to my local police detective as Inspector McCreadie, based on secondary sources that insisted that was the proper title in both England and Scotland. Then I started poring over firsthand police accounts and contemporary newspapers, only to discover the correct title was Detective….

(5) PUPPY PUPPETRY [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Sarah Hemming discusses a new musical version of 101 Dalmatians, which is playing at the Open Air Theatre (openairtheatre.com) in Regent’s Park through August 28.  She interviews the theatre’s artistic director, Timothy Sheader.

“There is the matter of 101 spotty dogs. And that’s before you get to the canine alliance that springs into action to rescue the stolen pups.  A pack of hounds on stage, park or no park, seems inadvisable, so while there might be a fleeting glimpse of a real puppy–‘things may get changed in previews,’ says Sheader — the vast majority of dog action will be down to puppets and children — ‘We have 96 puppets, four children, and a dog.’

For Sheader, puppets are not just a practical solution:  they also invite you to identify with the dogs.  ‘What the cartoon does brilliantly is what the novel does:  it manages to be from the perspective of the dogs,’ he says. ‘And when you go to (actual) dogs that can’t talk, they get sidelined.  We have managed to control the dogs like the cartoon. What I like about puppetry is the invitation to an audience to use their imaginations.'”

(6) A FAMILY TRADITION. “Long before Frank Oz brought many Muppets to life, his father, an amateur Dutch puppeteer, made a Hitler marionette as an act of defiance. He buried it during the war.” “The Saga of a World War II Ancestor of Miss Piggy, Bert and Yoda” in the New York Times.

A marionette of Hitler that was created in the 1930s as an instrument of parody by Frank Oz’s father, Isidore (Mike) Oznowicz, will be displayed at the Contemporary Jewish Museum in San Francisco.via Frank Oznowicz, Jenny Oznowicz and Ronald Oznowicz; Jason Madella

The puppet stands 20 inches tall, hand-painted and carved out of wood, its uniform tattered and torn. But for all it has endured over more than 80 years — buried in a backyard in Belgium at the outset of World War II, dug up after the war and taken on a nine-day cross-Atlantic journey, stored and almost forgotten in an attic in Oakland, Calif. — it remains, with its black toothbrush mustache and right arm raised in a Nazi salute, immediately and chillingly recognizable.

It is a depiction of Hitler, hand-carved and painted in the late 1930s by an amateur Dutch puppeteer, Isidore (Mike) Oznowicz, and clothed by his Flemish wife, Frances, as they lived in prewar Belgium.

The Hitler marionette, an instrument of parody and defiance, offers an intriguing glimpse into the strong puppetry tradition in the family of the man who retrieved it from that attic: Frank Oz, one of its creators’ sons, who went on to become one of the 20th century’s best-known puppeteers, bringing Cookie Monster, Bert, Miss Piggy and others to life through his collaborations with Jim Henson, and later becoming a force in the Star Wars movies, giving voice to Yoda. The marionette will be shown publicly for the first time later this month at the Contemporary Jewish Museum in San Francisco….

(7) CHECKED OUT FOR GOOD. A local library is a casualty of the culture wars. “What’s Happening With The Vinton Public Library” asks the Iowa Starting Line.

Residents of a small Iowa town criticized their library’s LGBTQ staff and their displaying of LGBTQ-related books until most of the staff quit. Now, the town’s library is closed for the foreseeable future.

After having the same library director for 32 years, the Vinton Public Library can’t seem to keep the position filled anymore. Since summer 2021, the Vinton Public Library has gone through two permanent directors and an interim director who has served in that role twice. 

Located about 40 miles northwest of Cedar Rapids, the doors of the Vinton Public Library—housed in a brick and stone Carnegie—have been open to the public since 1904, but were shuttered on Friday, July 8, while the Vinton Library Board tries to sort out staffing issues seemingly brought on by local dalliances with the national culture wars….  

(8) MEMORY LANE.  

1999 – [By Cat Eldridge.] Muppets in Space which premiered on this day was the first film released after the death of Jim Henson. As such, it came with great hope and quite a few individuals expected it to, well, fail as it didn’t have the magic of Jim Henson in it. 

It was written by written by Jerry Juhl, Joseph Mazzarino, and Ken Kaufman. Juhl wrote every Muppets films that had been done as well as the chief writer on The Muppets, Mazzarino was the chief writer on Head Writer and Director on Sesame Street.  So serious writing creds here. Well excepting Kaufman who had none.

SPOILERS HERE! 

The plot is an SF one with Gonzo being told by a pair of cosmic knowledge fish, that he is an alien from outer space. Yes, I’m serious as he really as we will see an entire ship full of gonzo beings. Now having said that very weird tidbit, I’m not going to say another word about the story.

SPOILERS END!

One of the co-writers, Mazzarino. has repeatedly said that he left the film before shooting started, due to changes made to his draft of the screenplay. He said that his draft included parodies of Alien, Contact and  Men in Black but most of that got removed on the request of the studio. 

Reception was decidedly mixed. Robert Ebert of the Chicago Sun-Tribune said, “Muppets from Space is just not very good.” However, Robin Rauzi of the Los Angeles Times exclaimed “The magic is back.” Frank Oz, who was not there for the filming, kvetched that it was “not the movie that we wanted it to be.”   

Indeed, it lost money, not much, as it made just about two million less than the twenty-four that it cost to make.   

Audience reviewers at Rotten Tomatoes give it an excellent sixty-three percent rating.   

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 14, 1906 — Abner J. Gelula. One of the many authors* of Cosmos, a serialized novel that appeared first in Science Fiction Digest in July 1933 and then has a really complicated publication that I won’t detail here. It was critiqued as “the world’s most fabulous serial,” “one of the unique stunts of early science fiction,” and conversely “a failure, miserable and near-complete.” The entire text, chapter by chapter, can be read here. [*To be precise, Earl Binder, Otto Binder. Arthur J. Burks, John W. Campbell, Jr., Lloyd Arthur Eshbach, Ralph Milne Farley, Francis Flagg, J. Harvey Haggard, Edmond Hamilton, David H. Keller, M.D., Otis Adelbert Kline, A. Merritt, P. Schuyler Miller, Bob Olsen, Raymond A. Palmer, E. Hoffmann Price and Edward E. Smith. Gulp!] (Died 1985) 
  • Born July 14, 1910 — William Hanna. American animator, voice actor, cartoonist, and who was the co-creator with Joseph Barbera of Tom and Jerry as well as the creator of the animation studio and production company Hanna-Barbera. He’s also responsible for The Flintstones and Jetsons. (Died 2001.)
  • Born July 14, 1926 — Harry Dean Stanton. My favorite genre role for him? The tarot card player in them video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding.  He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.)
  • Born July 14, 1943 — Christopher Priest, 79. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders (both of which won BSFAs) and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound?  What would you add in? 
  • Born July 14, 1964 — Jane Espenson, 58. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 (2003) for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 (2012) for Game of Thrones, season one. She was on the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica.
  • Born July 14, 1966 — Brian Selznick, 56. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a traveling circus family is magical in its own right though not genre. His next work, Kaleidoscopic, due out this autumn looks to just as fantastic. 
  • Born July 14, 1987 — Sara Canning, 35. Major roles in A Series of Unfortunate Events, Primeval: New World and The Vampire Dairies, she also appeared in Once Upon a Time, War for the Planet Of The Apes, Android Employed, Supernatural and Smallville to name some of her other genre work.

(10) COMICS SECTION.

  • Some JWST humor from Shane Bevin.

(11) NARRATIVE HOOK. Molly Odintz interviews Liz Michalski “Liz Michalski On Peter Pan, Motherhood, and the Meaning of Perpetual Youth” at CrimeReads.

In Darling Girl, Wendy Darling was merely the first of many generations of women to be visited by the perpetually youthful Pan. Is this a stand-in for generational trauma?

I was thinking more along the lines of the Me Too movement and what a struggle it has been for women to be heard. Peter Pan’s story has been told for years — now it’s the turn of the Darling women.

(12) USUAL THINGS. Once again – don’t let people work con security who want to work con security: “’Stranger Things’ Fans Brought Joseph Quinn to Tears After Security Yelled at Him for Speaking to Them” – Yahoo! relays the latest example why.

“Stranger Things” breakout Joseph Quinn broke down in tears during a recent appearance at London Film and Comic Con. The actor, who became an instant fan favorite thanks to his performance as Hellfire Club leader Eddie on the fourth season of the Netflix series, couldn’t hold tears back after a fan stood up to thank him for sharing his time with fans.

Reports surfaced on social media during London Film and Comic Con that security hounded Quinn for interacting with fans for too long while signing memorabilia (via BuzzFeed). The event reportedly oversold tickets to Quinn’s meet-and-greet, and thus wanted to filter guests in and out quickly. Quinn apparently was chatting with his fans for longer than security would have liked.

“The way Joseph Quinn was treated at LFCC is fucking disgusting,” one attendee wrote on social media “Staff fully yelled at him to shut the fuck up and to just sign and not to interact with fans [because] they over sold and couldn’t get all people seen.”

During a larger Q&A session with Quinn, one fan stood up and said, “Mine’s not really a question, it’s just more an extension of gratitude. A lot of us have heard of what happened yesterday, whether it’s true or not, about how you were treated. I really want to say, we’re really grateful that you’re sharing your time. Thank you for signing our things, for spending time with us and making our summer.”

(13) OVERDRAWN AT THE BLADE BANK. “House of the Dragon Iron Throne prop had to borrow swords” says SYFY Wire.

We regret to inform you that the supply chain issues caused by the COVID-19 health crisis have finally reached Westeros. Speaking with Entertainment Weekly for a lengthy feature about the upcoming House of the Dragon (premiering on HBO and HBO Max late next month), co-showrunner, executive producer, and series director Miguel Sapochnik estimated that around 2,500 swords were used to build the show’s interpretation of the coveted Iron Throne.

Construction on this prop required so many blades, in fact, that the Game of Thrones prequel was forced to borrow a few sabres from other fantasy projects like Netflix’s The Witcher and Duncan Jones’ Warcraft movie.

The resultant amalgamation of steel representing the epicenter of Targaryen power isn’t just a harmless bit of set dressing — it could actually take an eye out. “Literally we had to put [up] fences when we first built it,” Sapochnik revealed. “Some of them are real swords. It is as dangerous as it is [described] in the books.” While the crew could have gotten away with recycling the Iron Throne created for GoT, they decided to build something that felt more accurate to the one described in the books penned by George R.R. Martin.

(14) ALTERNATIVE TO RUSSIAN LAUNCHER. “Successful debut flight for Europe’s Vega-C rocket” reports BBC News.

The medium-lift vehicle was sent up from French Guiana to deliver seven satellites to orbit, the largest of which will test Einstein’s general theory of relativity.

Vega-C has enormous importance for Europe’s continued access to space.

It’s needed to fill a big gap in capability now that Russian rockets are no longer available because of the war in Ukraine.

The withdrawal from the market of Moscow’s Soyuz launchers earlier this year left European institutional and commercial satellites scrambling for alternative rides.

Vega-C will be the obvious option for many, although even before Wednesday’s successful maiden flight, the new Italian-led rocket system was fully booked through 2023, 2024 and 2025.

And there’s a further reason why Vega-C’s entry into the launcher business is critical. Its first stage, the segment of the vehicle that gets it up off the ground, is also going to be used on Europe’s forthcoming heavy-lift rocket, the Ariane-6.

Sharing the stage technology across both launcher systems is expected to lead to significant cost savings…

(15) THIRD FIFTH. The Season 5 teaser for The Handmaid’s Tale dropped today.

In Season 5, June faces consequences for killing Commander Waterford while struggling to redefine her identity and purpose. The widowed Serena attempts to raise her profile in Toronto as Gilead’s influence creeps into Canada. Commander Lawrence works with Aunt Lydia as he tries to reform Gilead and rise in power. June, Luke, and Moira fight Gilead from a distance as they continue their mission to save and reunite with Hannah.

(16) SPLISH SPLASH. [Item by Mike Kennedy.] It could be Waterworld Part II  if Kevin Costner, Dennis Hopper, Jeanne Tripplehorn, et al. were anime characters. (Well, I hope I’m mistaken.): “Netflix’s ‘Drifting Home’ trailer introduces a mysterious, water-filled anime world”. Available to stream on September 16.

…The film follows two childhood friends who go to play in the now-abandoned apartment building where they grew up, only to suddenly find themselves floating through a watery world with their old neighbourhood no longer in sight.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Stranger Things (Season 4),” the Screen Junkies say that Stranger Things has run out of Stephen King material to copy, so they’re riffing off of heavy metal album covers and ’90s movies.  The character David Harbour plays “should be dead.  But someone wanted David Harbour tortured–a lot.”  And what rocker in the ’80s preferred Kate Bush to Lynyrd Skynyrd?

[Thanks to JJ, John King Tarpinian, Andrew Porter, Todd Mason, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daneel Dern.]

Pixel Scroll 8/30/21 Riding Out On A Scroll In A Pixel-Spangled Rodeo

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(1) DRAGON AWARDS DEADLINE. The deadline for requesting a ballot for the Dragon Awards is Friday. Their website says: “You may register to receive a ballot until 11:59 (EDT) on the Friday of Dragon Con”, which is September 3. Voting ends September 4.  The finalists are listed here.

(2) GET THE POINT. At the Maryland Renaissance Festival in Revel Grove, which is running weekends through October 24, the Anne Arundel County Department of Health is encouraging people to get Covid vaccinations by offering a souvenir pin.

HEAR YE! HERE YE! #LimitedEdition “#VACCINATED for the Good of the Realm” pins when you get a #COVID19 shot at the Maryland Renaissance Festival in #Crownsville. #GoVAXMaryland

Revelers age12+ can get a #COVIDvaccine at the #Renaissance Festival weekends (through Oct. 24) 10am–6pm. No appointment required. For more vaccination locations, visit: covidvax.maryland.gov

(3) VARLEY HEALTH NEWS. Meanwhile, John Varley told readers of his blog that he and his partner Lee Emmett have contracted COVID-19. (Varley already had another major health issue earlier this year when he was hospitalized for heart bypass surgery.)

You do everything right, and still things go wrong. We are both double vaccinated and we’ve been masking up and social distancing since the pandemic began. Then last week after having lunch at a restaurant here in Vancouver where the vaccination rate is 54 percent we both started feeling very bad. Almost too weak to walk. I’ve been coughing horribly. Lee not so much, but neither of us have hardly been out of bed for almost week.

Went in to get tested, and sure enough. I’m positive for COVID-19. A so-called breakthrough case. They say symptoms will usually be milder. If this is milder, it’s easy to see why people are dying, unable to breathe. This is fucking terrible.

I don’t expect this is likely to kill us, but you never know. This short note is all the energy I have right now. You may not be hearing from us for a while. Wish us luck.

Stay safe and get vaccinated!!

(4) THINGS A CORPORATION CAN’T UNDERSTAND. Hadley Freeman interviews legendary puppeteer Frank Oz for the Guardian. Unsurprisingly, he, too, has issues with Disney: “Frank Oz on life as Fozzie Bear, Miss Piggy and Yoda: ‘I’d love to do the Muppets again but Disney doesn’t want me’”.

…Oz, 77, is talking to me by video from his apartment. It is impossible to talk to him without frequent reference to Henson. When I ask if he lives in New York he says yes, and adds that he’s lived there since he was 19, “ever since Jim [Henson] asked me to come here to work with him on the Muppets”. He talks about himself as Henson’s No2 – the Fozzie Bear to Henson’s Kermit.

Yet is it possible that Oz has made more of an imprint on more people’s imaginations than Henson and the Beatles combined. Even aside from the Muppets and Sesame Street, where he brought to life characters including Cookie Monster, Grover, Fozzie Bear, Animal, Sam the Eagle and Bert, he is also the voice of Yoda, and yes, he coined Yoda’s formal yet convoluted syntax, all “Speak like me, you must not” and so on. “It’s funny you ask about that because I was just looking at the original script of The Empire Strikes Back the other day and there was a bit of that odd syntax in it, but also it had Yoda speaking very colloquially. So I said to George [Lucas]: ‘Can I do the whole thing like this?’ And he said: ‘Sure!’ It just felt so right,” says Oz….

(5) MIGHTY IN THE ANTIPODES. The Guardian spotlights obscure Australian superhero movies: “From Captain Invincible to Cleverman: the weird and wild history of Australian superheroes”.

… The phrase “nobody makes superhero movies like Australia” has, I dare say, never before been written. Our humble government-subsidised film and TV industry is no more than a lemonade stand in the shadow of Hollywood’s arena spectacular, unable to compete budget-wise with the deep pockets of Tinseltown or produce bombast on the scale of American studios.

But scratch the surface of Australian film and TV history and you will find a small but rich vein of super strange locally made superhero productions with their own – forgive me – true blue je ne sais quoi. Their eclecticism and off-kilter energy provides a refreshing counterpoint to the risk-averse kind falling off the Hollywood assembly line.

The first port of call is the riotously entertaining 1983 action-comedy The Return of Captain Invincible, a stupendously odd and original movie that proved ahead of the curve in many respects. From Mad Dog Morgan director Philippe Mora, and co-writer Steven E. de Souza (who co-wrote Die Hard) the film stars Alan Arkin as the eponymous, ridiculous, frequently sozzled hero, drawn out of retirement to combat his nefarious super-villain nemesis (the great Christopher Lee) who has stolen a “hypno-ray” with which he can take over the world….

(6) TRILOGY CELEBRATED. Howard Andrew Jones continues his When The Goddess Wakes online book tour on Oliver Brackenbury’s So I’m Writing A Novel podcast (which Cora Buhlert recently featured in her Fancast Spotlight) — “Interview with Howard Andrew Jones”.

Author of the recently concluded Ring-Sworn trilogy, editor of the most excellent sword & sorcery magazine Tales of the Magician’s Skull, and teacher of a heroic fantasy writing class Oliver recently attended (the next session just opened to registration), Howard Andrew Jones has been a source of inspiration, knowledge, and encouragement for Oliver while our earnest podcast host has worked on his book.

(7) AGAINST ALL BOOKS. James Davis Nicoll tells Tor.com readers about “Five Works About Preserving or Destroying Books”. First on the list: Fahrenheit 451.

Recently, news went out that the Waterloo Undergraduate Student Association is determined to reallocate the room currently occupied by the Clubs Library. Among the collections housed there: WatSFiC’s extensive science fiction and fantasy library, portions of which date back to the 1970s. One hopes that the library will find another home, or that other accommodations can be made before the collection is broken up or lost.

…Here are five works about books and libraries, their friends, and their bitter enemies.

This hits close to home because, says James, “I was watsfic treasurer for six terms.”

(8) HE DREW FROM THE WELL. Jack Chalker is remembered in this article at the Southern Maryland News: “Chalker literary career provided sci-fi fun”.

… Sample reading list: “Well of Souls” series including “Midnight at the Well of Souls,” “Exiles at the Well of Souls,” “Quest for the Well of Souls,” “The Return of Nathan Brazil” and “Changewinds” books including “When the Changewinds Blow,” “Riders of the Winds” and “War of the Maelstrom.”

…His work won several Sci-Fi awards beginning with the Hamilton-Brackett Memorial Award in 1979, a Skylark Award (1980), a Daedalus Award (1983), and The Gold Medal of the West Coast Review of Books (1984).

While Chalker loved Sci-Fi, he also had a great interest in ferryboats; so much so that he was married on the Roaring Bull boat, part of the Millersburg Ferry, in the middle of the Susquehanna River and then after his death had his ashes scattered off a ferry near Hong Kong, a ferry in Vietnam, and White’s Ferry on the Potomac River. His fans follow each other www.facebook.com/JackLChalker.

(9) GETTING READY. You could hardly ask for a more prepared Guest of Honor!

(10) MEMORY LANE.

  • 1982 – Thirty-nine years ago, Raiders of The Lost Ark wins the Hugo for Best Dramatic Presentation at Chicon IV where Marta Randall was Toastmaster.  It was, I think, a great year for Hugo nominated films as the other nominations were Dragonslayer, Excalibur, Outland and Time Bandits.  It would be the first of the two films in the franchise to win a Hugo as Indiana Jones and the Last Crusade would also win at ConFiction. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 30, 1797 – Mary Shelley. Author of Frankenstein, or The Modern Prometheus (1818), her first novel. Another of Shelley’s novels, The Last Man (1826), concerns Europe in the late 21st century, ravaged by a mysterious pandemic illness that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity. Scholars call it one of the first pieces of dystopian fiction published. (Died 1851) (OGH)
  • Born August 30, 1896 — Raymond Massey. In 1936, he starred in Things to Come, a film adaptation by H.G. Wells of his own novel The Shape of Things to Come. Other than several appearances on Night Gallery forty years later, that’s it for genre appearances. (Died 1983.)
  • Born August 30, 1942 — Judith Moffett, 78. She won the first Theodore Sturgeon Award with her story “Surviving” and the John W. Campbell Award for Best New Writer at Nolacon II. Asimov wrote an introduction for her book Pennterra and published it under his Isaac Asimov Presents series. Her Holy Ground series of The Ragged World: A Novel of the Hefn on Earth, Time, Like an Ever-Rolling Stream: A Sequel to the Ragged World and The Bird Shaman are her other genre novels. The Bear’s Babys And Other Stories collects her genre short stories. All of her works are surprisingly available at the usual digital suspects.
  • Born August 30, 1943 — Robert Crumb, 78. He’s here because ISFDB lists him as the illustrator of The Religious Experience of Philip K. Dick which is likely they say an interview that Dick did with Gregg Rickman and published in Rickman’s The Last Testament. They’re also listing the cover art for Edward Abby’s The Monkey Wrench Gang as genre but that’s a very generous definition of genre.
  • Born August 30, 1955 — Mark Kelly. He maintains the indispensable Science Fiction Awards Database, which we consult almost daily. He wrote reviews for Locus in the Nineties, then founded the Locus Online website in 1997 and ran it single-handedly for 20 years, along the way winning the Best Website Hugo (2002). Recently he’s devised a way to use his awards data to rank the all-time “Top SF/F/H Short Stories” and “Top SF/F/H Novelettes”. Kelly’s explanation of how the numbers are crunched is here. (OGH)
  • Born August 30, 1955 — Jeannette Holloman. She was one of the founding members of the Greater Columbia Costumers Guild and she was a participant at masquerades at Worldcon, CostumeCon, and other conventions. Her costumes were featured in The Costume Makers Art and Threads magazine. (Died 2019.)
  • Born August 30, 1963 — Michael Chiklis, 58. He was The Thing in two first Fantastic Four films, and Jim Powell on the the No Ordinary Family series which I’ve never heard of.  He was on American Horror Story for its fourth season, American Horror Story: Freak Show as Dell Toledo. The following year he was cast as Nathaniel Barnes, in the second season of Gotham, in a recurring role. And he voiced Lt. Jan Agusta in Heavy Gear: The Animated Series. 
  • Born August 30, 1965 — Laeta Kalogridis, 56. She was an executive producer of the short-lived Birds of Prey series and she co-wrote the screenplays for Terminator Genisys and Alita: Battle Angel. She recently was the creator and executive producer of Altered Carbon. She also has a screenwriting credit for Lara Croft: Tomb Raider, a film the fanboys hate but which I really like. 
  • Born August 30, 1972 — Cameron Diaz, 49. She first shows as Tina Carlyle in The Mask, an amazing film. She voices Princess Fiona in the Shrek franchise. While dating Tom Cruise, she was cast as an uncredited Bus passenger in Minority Report. (CE)
  • Born August 30, 1980 — Angel Coulby, 41. She is best remembered for her recurring role as Gwen (Guinevere) in the BBC’s Merlin. She also shows up in Doctor Who as Katherine in the “The Girl in the Fireplace”, a Tenth Doctor story. She also voices Tanusha ‘Kayo’ Kyrano in the revived animated Thunderbirds Are Go series.

(12) COMICS SECTION.

(13) DEADLY CONSEQUENCES. “Kim Stanley Robinson, The Ministry for the Future, and 2021’s extreme heat”, Rebecca Onion’s Q&A with the author starts with his book’s intense beginning.

“I feel like my circles have divided between those who’ve read the opening chapter of The Ministry for the Future and those who haven’t,” wrote novelist Monica Byrne on Twitter earlier this month. This book, by beloved science fiction author Kim Stanley Robinson, came out in 2020, and has haunted my summer in 2021. Ministry opens in a small city in Uttar Pradesh, India, where the character Frank May, an American who works for an unidentified NGO, just barely survives an extreme heat wave that kills millions of people in the country. This opening is so viscerally upsetting that, for days after reading it, I worried at it in my mind, turning it over, trying—and failing—to get it to go away.

… Rebecca Onion: This opening brutalized me. (And I know I’m not alone.) I read it without any preparation—I hadn’t been warned—and it gave me insomnia, dominated my thoughts, and led me to put the book down for a few months. Then I picked it back up and found that the remainder of it is actually quite optimistic, for a book about a rolling series of disasters! What were you aiming for, when it comes to readerly emotional response, in starting the book this way?

Kim Stanley Robinson: I wanted pretty much the response you described. Fiction can put people through powerful imaginative experiences; it generates real feelings. So I knew the opening scene would be hard to read, and it was hard to write. It wasn’t a casual decision to try it. I felt that this kind of catastrophe is all too likely to happen in the near future. That prospect frightens me, and I wanted people to understand the danger….

Robinson also tried a different approach, the carrot instead of the stick, in this TED Talk in July: “Kim Stanley Robinson: Remembering climate change … a message from the year 2071”.

Coming to us from 50 years in the future, legendary sci-fi writer Kim Stanley Robinson tells the “history” of how humanity ended the climate crisis and restored the damage done to Earth’s biosphere. A rousing vision of how we might unite to overcome the greatest challenge of our time.

(14) SAND, NOT DUNE. Nerds of a Feather’s Paul Weimer checks out “6 Books with John Appel”, author of Assassin’s Orbit.

4. A book that you love and wish that you yourself had written.

I’d give up a redundant organ to have written Roger Zelazny’s Doorways in the Sand, about a young man named Fred Cassidy whose uncle left him a generous stipend as long as he pursues a college degree – a process which Fred has stretched out for over a decade. Fred gets caught up in the disappearance of an alien artifact on loan to Earth as part of a cultural exchange and hijinks ensue. Fred’s narration of events is done with incredibly deadpan hilariousness and at times a Douglas Adams-esque absurdity, and Zelazny’s usual brilliant touch with language and imagery. 

(15) MANIFEST’S DESTINY. Whacked by NBC, the show will get to finish its story elsewhere reports USA Today. “’Manifest’: Netflix revives drama for fourth and final season”.

We haven’t heard the last of the passengers of Flight 828. 

Netflix announced the popular TV series “Manifest” will return for its fourth and final season. The news came Saturday (8/28) in a nod at the show’s plot which centers around the mysterious Montego Air Flight 828. 

The drama follows a group of passengers who land on what seems like a routine flight from Jamaica back to the states. However, once the wheels touch the tarmac the travelers deplane into a world that has aged five years since when they first boarded. 

(16) CHINA CUTS DOWN VIDEO GAMING. Not quite a Prohibition yet: “Three hours a week: Play time’s over for China’s young video gamers” – Reuters has the story.

China has forbidden under-18s from playing video games for more than three hours a week, a stringent social intervention that it said was needed to pull the plug on a growing addiction to what it once described as “spiritual opium”.

The new rules, published on Monday, are part of a major shift by Beijing to strengthen control over its society and key sectors of its economy, including tech, education and property, after years of runaway growth.

The restrictions, which apply to any devices including phones, are a body blow to a global gaming industry that caters to tens of millions of young players in the world’s most lucrative market….

[Thanks to JJ, Michael Toman, John King Tarpinian, Cora Buhlert, Dann, Mlex, Red Panda Fraction, Michael J. Walsh, Cat Eldridge, Mike Kennedy, Andrew Porter, Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Dann.]

Pixel Scroll 10/20/17 The Fan In The High Pixel

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(1) WELCH’S STAR WARS VINTAGES. Collect and swill ’em all!

The Force is strong with these ones! Welch’s new Star Wars™ themed Sparkling Red 100% Grape Juice is the perfect addition to your celebration, or to your collection. Find all 4 unique designs, including the limited edition!

(2) PULLMAN ON THE AIR. Starting next Monday, BBC Radio 4 is presenting a 10-part audio narration of Philip Pullman’s La Belle Sauvage, volume 1 of Pullman’s new The Book of Dust trilogy.

Episode 1 at 10:45 PM (GMT), Monday 10/23. As usual with BBC, the episodes will be available for online listening “shortly after broadcast”.

This is part of BBC’s Book At Bedtime series, which is more of an audiobook-on-radio than the dramatic adaptations they’ve done elsewhere on their schedule.

Accompanying the novel installments will be nonfiction essays by Pullman, “Dreaming of Spires”:

In these personal, entertaining and deeply thoughtful essays, Philip Pullman examines the art of storytelling.

Written over a period of 30 years, they reflect on a wide range of topics including the origins of his own stories, the practice of writing and the storytellers who have most inspired him.

(3) FORMERLY FORBIDDEN. Cat Rambo conducts an “Interview with Sherwood Smith on Omniscient Point of View in the Inda Series”.

Recently the question of omniscient POV has come up in several classes, so I started reading some examples of it. One of the best I hit was Sherwood Smith’s Inda series. I figured, why not go to Sherwood and ask some questions about how she pulled that off.

What drew you to using omniscient point of view for the Inda series? What sorts of stories work particularly well with that POV? Were there any models that you looked when working with it?

I had always written in omni. I’m a visual writer (with all its pluses and pitfalls), which means I see a movie in my head—not just dialogue but characters’ inner lives. Omni always seemed the easiest way to get that movie down.

But when I started selling, I was told to switch to limited third, which I had to learn.

Segue up a couple decades, I was desperate to escape the limitations of third, and omni was no longer (trigger doom music) Forbidden….

(4) BECKY CHAMBERS’ NEXT NOVEL. Hodderscape invites you to “Read the first extract from Becky Chamber’s Record of A Spaceborn Few“

When we heard that Becky Chambers was writing a new book set in the world of the Wayfarers we were over the moon. When we read the blurb and heard that one of the main characters was an alien academic (squee!) we were way over the moon and somewhere near Jupiter. Then we read this extract and we shot into a whole other galaxy entirely.

…Record of a Spaceborn Few arrives 26th July 2018 and is available to pre-order now.

(5) FILERS AND REFILERS. Librarians at an Auckland public library kept finding books that had gone missing from their shelves “reshelved” in nooks & crannies.  Turns out bookloving homeless people were responsible (because they didn’t want the books to be lent out before they got a chance to finish reading). The New Zealand Herald has the story: “The curious case of the missing books at Auckland Library”.

“A lot of the guys that come in are extremely well-read and have some quite eccentric and high-brow literary tastes … people are homeless for so many different reasons, and being intelligent and interested in literature doesn’t preclude that.”

According to Rivera, around 50 homeless people visit the library daily.

The story also has been taken up by The Guardian.

(6) FOR YOUR SJW CREDENTIAL. Cat bowls hand-painted by celebrities are being auctioned for the benefit of “Architects For Animals Giving Shelter”. They include the handiwork of William Shatner, Elvira, and Jeri Ryan.

(7) HOVERCRAFTER. IBM’s Science and Star Wars video series talks about how superconductors are the future of mass transportation – an installment featuring Kevin Roche, engineer scientist at IBM Research Almaden who coincidentally is also chair of next year’s Worldcon in San Jose.

(8) EATING THE FANTASTIC. Episode Five-Oh! Book ‘em, Danno! Scott Edelman invites everyone to “Bask in Basque beef stew as Eating the Fantastic turns 50 with guest Xia Jia”.

Here we we are, more than 20 months later, and those of you who’ve followed my journey have listened as I’ve shared at times full meals—at times a donut, during my two lightning–round episodes—with more than 75 guests. And the feasting’s not over yet!

This time around, I’m inviting you to join me and my guest for lunch during Worldcon at Parrilla Española, the oldest Spanish restaurant in Helsinki.

And who is this episode’s guest?

Xia Jia, whose short stories have been published in Nature, Clarkesworld, Year’s Best SF, Science Fiction World, and many other venues. She’s won five Galaxy Awards for Chinese Science Fiction as well as six Nebula Awards for Science Fiction and Fantasy in Chinese. But her science fiction skills have been visible on more than just the page, because she directed the 2007 science fiction film Parapax, in which she also acted, appearing as three different identities of the protagonist across parallel universes.

We discussed how reading science fiction gave her the courage to take risks; what it means when she says she writes not hard SF, nor soft SF, nor slipstream, nor cyberpunk, but “porridge sci-fi;” why Ray Bradbury matters so much to her; the challenges of writing in Chinese, writing in English, and translating from one language to the other; our mutual love for Italo Calvino’s If on a Winter’s Night a Traveler; how The Three-Body Problem changed the perceptions of science fiction in China, why she has faith she’ll eventually get to Mars, and more.

(9) MAY OBIT. Julian May (1931-2017) died October 17.

John Hertz profiled her in “May the Force Be With Her” in 2015, after he accepted her First Fandom Hall of Fame Award on her behalf.

She has always spelled her name Julian, and although after marrying T.E. Dikty (1920-1991, elected posthumously in 2013) she sometimes declared copyright as Julian May Dikty, she continued to write under the name Julian May — among others, including, I’m told, Wolfgang Amadeus Futslogg, by which I dare not address her.

Her fanzine was Interim Newsletter, rendering her to some extent a surrogate for all of us. Her story “Dune Roller” was in the December 1951 issue of Campbell’s Astounding, with four interiors by herself (it was made into a 1972 film, credited to her as Judy Dikty). Eight months later she chaired Chicon II, at the age of twenty-one….

(10) TODAY IN HISTORY

  • October 20, 1932 — James Whale’s The Old Dark House opens in theaters.
  • October 20, 1943 – Son of Dracula premieres.

(11) TODAY’S BIRTHDAY BOY

  • October 20, 1882 – Bela Lugosi

(12) COMICS SECTION.

John King Tarpinian believes in Frankensteinly speaking as practiced by The Argyle Sweater.

(13) SPEAK UP. Mary Robinette Kowal is boosting the signal.

(14) SOUND INVESTMENT.  Atlas Obscura takes us “Inside the World of a Halloween Sound-Effects Artist”.

…Jumping ahead to the late 1950s, vinyl records allowed people to bring albums of sound effects home. Novelty records by the likes of Spike Jones, featuring funny monster songs and spooky stories set to eerie effects, became popular. However, possibly the first record with a track of just spooky sounds seems to be a record released by Disney in 1964 called Chilling, Thrilling Sounds of the Haunted House. The album features effects that are now Halloween staples: moaning ghosts, barking dogs, clattering chains, and screaming victims, interspersed with short, often comedic, vocal segments that established them. “Disney’s Haunted House album, which was rereleased in 1995, seems to have become a staple in the U.S.A. in particular,” Haggerwood says.

(15) ANOTHER WORLD. At Nerds of a Feather, The G kicks off a new series of posts: “WORLDBUILDING: A Big World and Beyond”.

Welcome to the first post in our Worldbuilding series, where our writers explore various elements of imagining place, people and culture. Today I’m going to discuss where inspiration for fantasy worlds comes from, and what I’d like to read more of in that regard. Obligatory disclaimer: this is an opinion piece. You may agree, if our tastes align or if the arguments put forth resonate with you; or you may disagree, if they do not. That’s healthy. There is ample space for all kinds of approaches to fantasy, and life would be boring if we all wanted to read the same things. -G

Second-world fantasy is not historical, but draws from human histories, cultures and mythologies. The most famous and influential fantasy author, J.R.R. Tolkien, drew heavily from Nordic and Celtic mythologies in constructing Middle Earth. Most fantasy published since The Lord of the Rings has been similarly Eurocentric, utilizing the tropes he established and/or popularized as well as other widely-known (European) sources: Arthurian Legends, the Brothers Grimm, Niebelungenlied and various medieval bestiaries. Many, like Tolkien, are also in a sense a retelling of Song of Roland, or Herodatus–wherein a “civilized” stand-in for the West is threatened by a horde from the geographic periphery.

(16) TASTER’S CHOICE. Also at Nerds of a Feather, Charles Payseur uploads his monthly short fiction reviews: “THE MONTHLY ROUND – A Taster’s Guide to Speculative Short Fiction, 09/2017”.

The stories very much run the gamut between joyous and crushing, but each one is beautiful in its own way, and each brings its unique flavor to this early autumn tasting experience. So settle in and raise a glass, and let’s get to it. Cheers!

Tasting Flight – September 2017

“Pan-Humanism: Hope and Pragmatics” by Jess Barber and Sara Saab (Clarkesworld)

Notes: Expertly balanced between darkness and light, the story tastes like a breath of fresh air after a lifetime of smog, warms and lifts and offers a hope of healing.

Pairs with: Amber Bock

Review: Amir and Mani grow up in a Beirut strained by climate change, by water-scarcity, by the fear of doing greater harm. Both characters, because of their world and because of the weight of history, know only too well the cost of possession, of privatization. Both enter into service to try and heal the planet and bring water and hope and life back to a world that is on the brink. At the same time, they find themselves drawn to one another, and yet mindful that how humans treat the world, and how they treat each other, is linked, and that treating people like possessions, just like treating the Earth like a possession, leads only to corruption, deprivation, and loss. The story, through the exploration of these characters lives and relationships, begins to build a picture of what it might take to make the world work better. It stresses that it’s not technology alone that will save us, because without a philosophy to match, the exploitation and consumption will continue to escalate, pushing past all obstacles and barriers and safeguards. I love how the story implies that humanity needs a different framework in order to respect humans and the environment, in order to put cooperation and compassion ahead of personal ambition or passion. And it is a beautiful story that touches on how love still works in this philosophy, not quite in the same way that we now expect but still in profound and powerful dimensions that allow Amir and Mani’s story to be one of hope and healing and triumph, even as it is often about longing and distance as well. It is an amazing piece, and one of my very favorite stories of the year, period.

(17) WHERE NO MAN HAS GONE. At Centauri Dreams, an interesting piece on whether robotics might make the traditional SF vision of asteroid mining practical — “Robotic Asteroid Mining: Bootstrapping the Solar System Economy”.

While the prospects for humans in space dimmed somewhat, a renewed flowering of developments in AI and robotics burst onto the scene with capabilities that astonished us each year.  On the endlessly orbiting ISS, while astronauts entertained us with tricks that we have seen since the dawn of spaceflight, autonomous robots improved by leaps and bounds.  Within a decade of a DARPA road challenge, driverless cars that could best most human drivers for safety appeared on the roads.  Dextrous robots replaced humans in factories in a wide variety of industries and threaten to dramatically displace human workers. DeepMind’s AlphaGo AI beat the world’s champion GO player with moves described as “beautiful” and well within the predicted time frames.  In space, robotic craft have visited every planet in the solar system and smart rovers are crawling over the face of Mars.  A private robot may soon be on the Moon.  In orbit, swarms of small satellites, packing more compute power than a 1990 vintage Cray supercomputer, are monitoring the Earth with imaging technologies that equal those of some large government satellites. On Earth we have seen the birth of additive manufacturing, AKA 3D printing, promising to put individual crafting of objects in the hands of everyone.

What this portends is an intelligent, machine-based economy in space.  Machines able to operate where humans cannot easily go, are ideally suited to operating there.  Increasingly lightweight and capable, and heedless of life support systems, robotic missions are much cheaper..  How long before the balance tips overwhelmingly in the machines’ favor? Operating autonomously, advanced machines might rapidly transform the solar system.

(18) FASHION VIOLATIONS. Kelly Woo’s Yahoo! piece, “Halloween horror: 19 terrible ‘sexy’ movie and TV costumes no one should ever wear”, is clickbait that warns that women who want to dress up as Sexy Freddy Kruger, Sexy Strawberry Shortcake, and Sexy Remote Control, don’t do it!

So-called sexy Halloween costumes have gotten out of control in the last few years, with manufacturers doing their best to crank out a “sexy” version of pretty much anything. Even characters that have no business being sexy are now tarted up — and it’s time for the madness to end. Click through to see 19 terrible “sexy” pop culture costumes that simply should not exist.

(19) KEEPS ON TICKING. Lisa Taylor is enthusiastic about The Salt Line by Holly Goddard Jones — review at The Speculative Herald.

I’ll cut straight to it: The Salt Line is one of my favorites for the year. The entire concept of killer ticks sounds like it could be campy or over the top. That is not at all the case. The ticks are described in such a realistic and terrifying way that it truly becomes plausible. Or at least feels plausible. The author is able to use enough facts grounded in science to create this terrifying epidemic. This book did remind me a bit of Joe Hill’s The Fireman in that way. It depicts a world that has been ravaged by some disease, where people’s ways of life are altered because of them. I suppose there are a number of books that could fit this, but the over all tone and presentation and just the quality of writing put me in mind of Hill. That is a huge compliment from me as Hill is one of my favorite, must read authors.

(20) IT IS THE END, MY FRIEND. Talk about “news to me” – I never heard there was another ending: “Frank Oz restores dark original ending of ‘Little Shop of Horrors’ for Trump era”.

The first time Warner Bros. screened Little Shop of Horrors, Frank Oz’s 1986 film musical, test audiences ate it up like a bloodthirsty plant devouring a sadistic dentist. They rooted hard for Seymour (Rick Moranis), the nerdy 1960s shop assistant who makes a devil’s bargain with a man-eating plant to win the love of his co-worker Audrey (Ellen Greene). Every scene met with laughter and applause — until the plant devoured Seymour and Audrey, and the audience went silent. After two previews and many livid comment cards, Oz and screenwriter Howard Ashman decided to scrap the original, 23-minute ending — in which the plant eats everyone and takes over the world — in favor of giving Seymour and Audrey their happily-ever-after. Oz has no regrets. “My job is to entertain,” he tells Yahoo Entertainment, and the new ending was “more satisfying to the audience.” However, film fans have long mourned the disappearance of the original ending, which included a heartbreaking reprise of Audrey’s ballad “Somewhere That’s Green” and a fantastic montage of the plant, named Audrey II, rampaging, Godzilla-style, across New York City.

This month, Little Shop of Horrors will be screened for the first time nationwide with its original, darker ending restored. Oz wonders if the film will have a new resonance in the Trump era, when America’s real-life monsters thrive on blood, greed, and the misguided good intentions of countless Seymours….

(21) THE KINDEST CUT OF ALL. Vanity Fair interviews the principals to find out “How The Princess Bride Built Film’s Most Beloved Sword Fight”.

For six months, Princess Bride star Mandy Patinkin had trained to become Inigo Montoya, the world’s greatest swordsman. His worthy opponent, the Man in Black/Westley—played by Cary Elwes—had four months of prep under his belt as well. Spirits were high as the actors performed their duel for director Rob Reiner on the Cliffs of Insanity set for the first time, in London in 1986.

Elwes and Patinkin finished, drawing applause from the film’s crew. Then, both drenched in sweat, they looked to Reiner, who voiced his own response: “That’s it?” It wasn’t exactly the reaction they had hoped for.

(22) THE PEN IS MIGHTIER. Marked down to $6,862.50! “Montegrappa Limited The Iron Throne Game Of Thrones Limited Edition Fountain Pen & Rollerball Set Matching Number”.

But if you can’t swing that, there’s always “Montegrappa Limited DC Comics Superhero Set Ballpoint” for  $3,920.00.

(23) SPACE JOCKEY. Jockey statues have mostly gone out of fashion – unless it’s one created by H.R. Giger. You’ve got less than a week to put in your bid at Nate Sanders Auctions: “H.R. Giger Hand-Painted Model of Space Jockey & the Derelict Spaceship From ”Alien” — Measures Over 3 Feet by 3 Feet, Personally Owned by 20th Century Fox Executive Peter Beale”. Minimum bid: $100,000.

The enormous Space Jockey and cavernous spaceship are quintessential Giger, renowned for human-machine melded beings called biomechanoids; the walls of the spaceship appear to be either vertebrae from a once living creature, or cogs in a vast industrial machine system, or perhaps both. Space Jockey is fused into his command station and wears either a mask, or has an elephantine trunk extending from his face. In the ”Alien” set — which was built based on this model — Space Jockey sits 26 feet tall, dwarfing the characters of Kane, Dallas and Lambert who find him dead, his rib cage blasted open, serving as foreshadowing to what awaits the crew later in the film. So pivotal was the scene — establishing the world of the Alien creature and serving as ground zero for the film’s mythology — that Ridley Scott insisted upon its construction, despite the enormous cost of building the life-size (or larger than life) set. Space Jockey so enthralled the audience of ”Alien”, that the character would even go on to serve as a critical and central story point in Scott’s ”Promethus”, the ”Alien” origin story released in 2012.

(24) HORROR MUST ADVERTISE. Adweek has the story behind a series of seasonal candy commercials: “The Makers of the ‘Bite Size Horror’ Ads Tell Us All About Their Wonderfully Spooky Creations”

Halloween advertising has been a treat this year, thanks to Fox and Mars candy brands, which teamed up for a wonderfully creepy series of two-minute “Bite Size Horror” films that have been airing on Fox TV networks.

The series has included four films— “Floor 9.5” for Skittles, “The Road” for M&Ms, “The Replacement” for Starburst, and “Live Bait” for Snickers. (The campaign was created by Fox Networks Group’s integrated agency All City. Tony Sella from All City is the executive producer of the campaign, and Arby Pedrossian from Fox Digital Studio is the producer.)

 

https://www.youtube.com/watch?v=_1olUV3BGvQ

[Thanks to Bruce Arthurs, John King Tarpinian, Lenore Jean Jones, Michael Brian Bentley, JJ, Alan Baumler, Martin Morse Wooster, Cat Eldridge, Soon Lee, and Mark Hepworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]