Tag Archives: International Booker Prize

Pixel Scroll 5/20/25 L.A. Mike And The Ark Of The Lost Scroll

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(1) SUN-TIMES PRINTS FAKE READING LIST. [Item by Steven H Silver.] On Sunday, the Chicago Sun-Times published a recommended reading list.  The problem is that only 5 of the 15 books exist.  The other 10 were AI hallucinations.

The list includes the real Dandelion Wine by Ray Bradbury and the not-quite-so-real The Last Algorithm by Andy Weir.

Ars Technica has the story: “Chicago Sun-Times prints summer reading list full of fake books”.

The creator of the list, Marco Buscaglia, confirmed to 404 Media that he used AI to generate the content. “I do use AI for background at times but always check out the material first. This time, I did not and I can’t believe I missed it because it’s so obvious. No excuses,” Buscaglia said. “On me 100 percent and I’m completely embarrassed.”

A check by Ars Technica shows that only five of the fifteen recommended books in the list actually exist, with the remainder being fabricated titles falsely attributed to well-known authors. AI assistants such as ChatGPT are well-known for creating plausible-sounding errors known as confabulations, especially when lacking detailed information on a particular topic. The problem affects everything from AI search results to lawyers citing fake cases.

On Tuesday morning, the Chicago Sun-Times addressed the controversy on Bluesky. “We are looking into how this made it into print as we speak,” the official publication account wrote. “It is not editorial content and was not created by, or approved by, the Sun-Times newsroom. We value your trust in our reporting and take this very seriously. More info will be provided soon.”…

… Freelance journalist Joshua J. Friedman noted on Bluesky that the reading list was “part of a ~60-page summer supplement” published on May 18, suggesting it might be “transparent filler” possibly created by “the lone freelancer apparently saddled with producing it.”…

…The publication error comes two months after the Chicago Sun-Times lost 20 percent of its staff through a buyout program. In March, the newspaper’s nonprofit owner, Chicago Public Media, announced that 30 Sun-Times employees—including 23 from the newsroom—had accepted buyout offers amid financial struggles….

(2) INTERNATIONAL BOOKER PRIZE 2025. Heart Lamp, a collection of 12 short stories by Banu Mushtaq, translated from Kannada by Deepa Bhasthi, has won the International Booker Prize 2025. It is a non-genre work.

In a collection of 12 short stories, Heart Lamp chronicles the everyday lives of women and girls in patriarchal communities in southern India.

Originally published in the Kannada language between 1990 and 2023, Banu Mushtaq’s portraits of family and community tensions testify to her years tirelessly championing women’s rights and protesting all forms of caste and religious oppression.

Mushtaq’s writing is at once witty, vivid, moving and excoriating, building disconcerting emotional heights out of a rich spoken style. It’s in her characters – the sparky children, the audacious grandmothers, the buffoonish maulvis and thug brothers, the oft-hapless husbands, and the mothers above all, surviving their feelings at great cost – that she emerges as an astonishing writer and observer of human nature.

(3) DARTH VADER IS STILL TALKING AND SAG-AFTRA TAKES ISSUE. [Item by Jim Janney.] “SAG-AFTRA Hits Fortnite With Unfair Labor Practice Over AI Darth Vader Voice” reports Variety — although the objection is not the use of James Earl Jones’ voice (which he authorized prior to his death), or even the use of AI, but the lack of negotiation to set a new price.

SAG-AFTRA is objecting to the use of AI to recreate the late James Earl Jones’ bass intonations of Darth Vader in Epic Games’ “Fortnite.”

The actors union said Epic-owned Llama Productions “chose to replace the work of human performers with AI technology” for the Star Wars-themed Fortnite Battle Royale mini-season that launched last week. “Unfortunately, they did so without providing any notice of their intent to do this and without bargaining with us over appropriate terms.” As such, SAG-AFTRA filed an unfair labor practice charge with the National Labor Relations Board against Llama Productions….

…Jones, who died in 2024 at 93, had signed off an agreement to allow his archival voice recordings to be used to recreate his younger voice from the Star Wars films for future Lucasfilm projects. In addition, Jones’ family had granted permission for the use of his voice in “Fortnite,” according to Disney, Lucasfilm and Epic Games. “James Earl felt that the voice of Darth Vader was inseparable from the story of Star Wars, and he always wanted fans of all ages to continue to experience it,” his family said in a statement. “We hope that this collaboration with ‘Fortnite’ will allow both longtime fans of Darth Vader and newer generations to share in the enjoyment of this iconic character.”

But SAG-AFTRA said “Fortnite’s” use of Jones’ AI-generated voice was not cleared by the union.

In its statement, the union said, “We celebrate the right of our members and their estates to control the use of their digital replicas and welcome the use of new technologies to allow new generations to share in the enjoyment of those legacies and renowned roles. However, we must protect our right to bargain terms and conditions around uses of voice that replace the work of our members, including those who previously did the work of matching Darth Vader’s iconic rhythm and tone in video games.”…

(4) IAIN M. BANKS MUST BE SPINNING. Vox notes “The tech billionaires are missing the point of their favorite sci-fi series”.

One of the most momentous developments of the new Trump era is how major billionaires in the tech industry — frequently known as the broligarchs — have thrown their weight behind the president. During the 2024 election, they offered high-profile support and made big donations; after the inauguration, they announced new company policies that aligned them with President Donald Trump’s regressive cultural ideologies.

Elon Musk had already turned Twitter into a right-wing echo chamber since purchasing it in 2022, and spent several chaotic months earlier this year as Trump’s government efficiency henchman. Jeff Bezos has revamped the Washington Post’s editorial section to build support for “personal liberties and free markets.” Mark Zuckerberg decided to get rid of fact-checkers at Meta.

It was a massive show of power that revealed how possible it is for these wealthy men to remake our culture in their own image, transforming how we speak to each other and what we know to be true. Using that power on Trump’s behalf seems to have paid mixed dividends for Silicon Valley, but it nonetheless makes clear how important it is to understand their worldview and their vision for the future.

Which is why it is striking to note that Musk, Bezos, and Zuckerberg share a favorite author: Iain M. Banks, the Scottish science fiction writer best known for his Culture series. Banks is an odd choice for a bunch of tech billionaires. The author, who died in 2013, was a socialist and avowed hater of the super-rich.

“The Culture series is certainly, in terms of more modern science fiction, one of my absolute favorites,” Bezos told GeekWire in 2018, adding, “there’s a utopian element to it that I find very attractive.” Bezos has attempted twice to adapt the series for TV at Amazon, once in 2018 and again in February. Meanwhile, Zuckerberg picked the Culture novel Player of Games for his book club in 2015….

… The politics of these books are not subtle, and they are also not compatible with the existence of billionaires. So it’s worth thinking about why the broligarchs have so consistently cited a socialist author as an inspiration. What do they find tantalizing about Banks’ work? Are they missing the point altogether?…

(5) ANOTHER BOOKSTORE SUPPORT FUNDRAISER. “Binc Launches Fundraising Campaign to Meet Increased Need and Rising Grant Amounts”. [Via Shelf Awareness.]  Dozens of authors and creators have joined the Book Industry Charitable Foundation to help launch the Now More Than Ever, I Stand with Bookstores fundraising campaign to encourage book and comic lovers to stand with their community stores in challenging times. 

Dozens of authors and creators from across genres have joined the Book Industry Charitable (Binc) Foundation to declare their commitment to book and comic people. Their support is launching the Now More Than Ever, I Stand with Bookstorescampaign to engage book and comic lovers in standing with their community stores amidst challenging times. Stores across the country will have displays May 19-June 2, 2025, encouraging in-store purchase and/or donating to Binc. 

Thanks to the generosity of Binc ambassador and best-selling author Amor Towles and other authors/creators the first $50,000 in donations received will be matched dollar for dollar. Donate today.

Binc noted that with the growing uncertainty regarding federal funding to support local community resources, the challenges against First Amendment rights, and overall financial insecurity, “store employees are at greater risk of harassment and not being able to withstand and navigate a personal crisis.” Requests to Binc for help have increased 8% over last year and the average amount to resolve a crisis is also rising….

(6) IS THE TIME LORD RUNNING OUT OF TIME? Inverse collates the Doctor Who cancellation rumors in “37 Years Later, The Oldest Sci-Fi Show Might Repeat Some Troubling History”.

…According to new rumors published by The Mirror, the current incarnation of Doctor Who, shepherded by showrunner Russell T Davies, is headed for a “big pause” after the 2025 “Season 2” concludes in two weeks. The report cites “insiders” who claim that Davies has “already planned the next two seasons, having almost completed scripts for series 16 and with stories for the 17th series worked out.” (Series 16 and 17 translate Season 3 and 4 in the new post-2024 number system.)

The rumor that’s bigger, and backed up by some confirmed statements, is that it’s unclear if the BBC’s partnership with Disney+ will continue after 2025. Before the latest season of Who launched, Inverse confirmed with Davies himself that “There’s no commission of Season 3 yet. There are no serious conversations about anything because the series doesn’t exist yet. But I love this job. I love staying in it. I’d be very happy.”…

(7) WELLMAN BOOK REMINDER. “Manly Wade Wellman’s Cahena Going Out of Print” and DMR Books would be happy to sell you a copy while they still can. Ordering information is here — “Cahena — DMR Books” – where there is also a detailed plot summary.

In 2020 DMR Books made arrangements to reprint Manly Wade Wellman’s final novel, Cahena, bringing it back into print for the first time in nearly thirty-five years. The contract is expiring soon, and at the end of May it will once again be unavailable.

Cahena is a historical novel (with fantasy elements) dealing with the brave and beautiful warrior queen who reigned over the Berbers in the seventh century. The Cahena, as she was known, was believed to be a sorceress and prophetess. She led an army forty thousand strong in a valiant struggle against the Mohammedan invaders who were fresh from their conquest of Carthage….

(8) AI / COPYRIGHT BATTLE IN PARLIAMENT. BBC reports “Peers demand more protection from AI for creatives”.

The House of Lords has dealt a second defeat to the government over its Data (Use and Access) Bill.

Peers had already backed an amendment calling for more copyright protections for the creative industries from artificial intelligence (AI) scrapers once.

MPs rejected that amendment and sent the Bill back to the Lords, where Technology Minister Baroness Jones told peers it would lead to “piecemeal” legislation as it pre-empted consultation on AI and copyright.

However, there was broad and vociferous support for Baroness Kidron, a film director and digital rights campaigner, who accused ministers of being swayed by the “whisperings of Silicon Valley” asking them to “redefine theft”.

The Lords rebellion follows condemnation from Sir Elton John, who called the government “losers” over the weekend and said ministers would be “committing theft” if they allowed AI firms to use artists’ content without paying.

He joins the ranks of high-profile musicians, including Paul McCartney, Annie Lennox, and Kate Bush, who are outraged by plans they say would make it easier for AI models to be trained on copyrighted material.

Kidron’s amendment would force AI companies to disclose what material they were using to develop their programmes, and demand they get permission from copyright holders before they use any of their work.

Highlighting the power differential between the big tech giants in the US and creatives in the UK, Kidron branded the government’s plans “extraordinary”.

“There’s no industrial sector in the UK that government policy requires to give its property or labour to another sector – which is in direct competition with it – on a compulsory basis, in the name of balance,” she said….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

May 20, 1928 — Shirley Rousseau Murphy. (Died 2022.)

Now we come to a woman who wrote about cats who talked and understood human speech, Shirley Rousseau Murphy. How could I resist such a writer?  Certainly the Pixels wouldn’t be happy if I didn’t celebrate her, would they? 

The series that I’m interested is the Joe Grey series which involves a number of felines in a small coastal California town with a thriving tourist trade who develop the rather unusual ability not only to understand human speech but to talk it as well. No, it’s not explained, nor should it be. It is just is as all such things should be, 

Shirley Rousseau Murphy

In first novel, Cat on the Edge, Joe Grey, our central feline and mostly the narrator here and in all of the novels, is the only witness to a murder. As the author says on her website, “Escaping the killer, he becomes the hunted, and he’s one scared tomcat–until he meets green-eyed Dulcie, a charmer with talents to match his own.”  He also discovers shortly there’s the aforementioned talents. Weirded out at first, he’s delighted eventually. 

The writing here is better than just decent with some quite unexpected plot developments that add considerable depth to the story. Joe Grey as a cat seems a feline in his behavior, the setting is charming and makes sense, and the mysteries are reasonably good though I wouldn’t call them particularly deep. I should admit I find that true of nearly every mystery I read. If characters are interesting, the plot fascinating and the setting well crafted, I don’t care that the mystery is slight at best, which they more often than not are. 

It obviously sold well as there were twenty-one novels before she stopped with the last, Cat Chase the Moon, published after her death. A novella, Cat Chase the Moon, which I think is a prequel also has been published only by the usual suspects. 

So all of these novels in this series I suspect based on listening to the first eight and a number of the latter to date are all like any series of this sort such that you could read any or all of them and be entertained by what you read. Is there an explicit order to them? No idea though I do know the last one does wrap up the series. 

She has a number of other works, none of which I’ve read. 

The Fontana Duology is a paranormal series involving Satan Himself with cats again prominently involved based on the really cute orange tabbies on both covers, and also the titles are The Cat, the Devil, and Lee Fontana and The Cat, the Devil, the Last Escape. 

Tired of cats yet? You’re out of luck if you are as she wrote went on to pen The Catswold Portal where a young girl could transform herself into, oh guess. She actually notes on her website that she describes each cat in detail so this is a small calico.

Ok, I promise no more cats, so finally I’ll stop with dragons that I consider to be akin to cats. I really do. They probably like having their bellies tickled. Carefully. 

The Dragonbards trilogy which has as its story a sleeping dragon who awakens only to find her beloved land ruled by an evil despot and the only one who can save is a bard who is not be found. It’s a YA series that got very, very good reviews. 

Well I should say that she did unicorn fiction as well. Her story is “Starhorn” which is found in The Unicorn Treasure which she edited in the hardcover first edition from Doubleday cover art and illustrations by Tim Hildebrandt.

(I am not looking at her children’s fiction which would take many more paragraphs. Really it would. And there’s horses there.)

Cats, dragons, unicorns. Is that the Holy Trinity of fantasy fiction? If not, it should be. 

(10) COMICS SECTION.

(11) SANCTUARY MOON. Inverse tells “Why Apple’s Best New Sci-Fi Series Created Its Own Version of ‘Star Trek’”. For those who can’t get enough Murderbot coverage, of which I am one.

…That’s right, while the primary story of SecUnit (Alexander Skarsgård) is the focus of Murderbot, the Murderbot itself is a big fan of a fictional sci-fi soap opera called The Rise and Fall of Sanctuary Moon. While the book version of this meta-show was described by author Wells as “How to Get Away with Murder in Space,” the TV series version is very much more a Star Trek, complete with the hilarious catchphrase “boldness is all.” Speaking to Inverse, the showrunners of Murderbot, Paul Weitz and Chris Weitz, revealed how their take on Sanctuary Moon happened.

Mild spoilers ahead.

In the series, we get John Cho of Star Trek fame as a kind of swaggering Captain Kirk figure, who may have the best collar and jacket in all of contemporary sci-fi. But both Weitzes note that casting Cho because of the Star Trek connection wasn’t the only reason to bring him into this project. “John did have that iconography coming in, as did Clark Gregg with his Marvel experience,” Paul Weitz explains. “But really these were just people who we had their phone numbers. We’d worked with John before on I think 12 films or something.”…

(12) HYDROGEN BOMB DESIGNER. [Item by Andrew Porter.] This is a very fascinating article, and there’s a link to an interview with his widow, which talks about growing up in Cleveland Heights, Ohio. Link bypasses the New York Times paywall: “Dick Garwin Fought Nuclear Armageddon. He Hid a 50-Year Secret”.

Enrico Fermi’s battle with cancer was nearing its end in late 1954 when he received a visitor.

Fermi, a Nobel laureate in physics, had fled fascism in Europe and become a founder of the nuclear age, helping bring the world’s first reactor and first atom bomb to life.

The visitor, Richard L. Garwin, had been Fermi’s student at the University of Chicago, the laureate calling him “the only true genius I have ever met.” Now, he had done something known at the time only by Fermi and a handful of other experts. Not even his family knew. Three years earlier, the boy wonder, then 23, had designed the world’s first hydrogen bomb, which brought the fury of the stars to Earth.

In a test, it had exploded with a force nearly 1,000 times as powerful as the atomic bomb that leveled Hiroshima, its power greater than all the explosives used in World War II.

To his reverential student, Fermi confided a regret. He felt his life had involved too little participation in crucial issues of public policy. He died a few weeks later at 53.

After that visit, Dr. Garwin set out on a new path, seeing nuclear scientists as having a responsibility to speak out. His resolve, he later told a historian, came from a desire to honor the memory of the scientist he had known best and admired most…

(13) BLAST IN THE PAST. “14,000 years ago, the most powerful solar storm ever recorded hit Earth. ‘This event establishes a new worst-case scenario’” says Space.com.

An extreme solar storm hit Earth some 14,300 years ago, more powerful than any other such event known in human history, a new analysis of radiocarbon data has revealed.

The solar storm, the only known to have taken place in the last Ice Age, long eluded scientists as they lacked appropriate models for interpreting radiocarbon data from glacial climate conditions.

But a new study by a team from the Oulu University in Finland has taken a stab at the measurement interpretation with eye-opening results. Using a novel chemistry-climate model, the team found that the marked spike in the carbon-14 isotope detected in fossilized tree rings was caused by a solar storm more than 500 times as powerful as the 2003 Halloween Solar Storm, which was the most intense in modern history….

… In 2023, a major spike in radiocarbon concentrations in fossilized tree rings was discovered, indicating a major solar storm must have taken place as the last ice age was drawing to an end.

The new study was finally able to precisely assess the magnitude of that solar storm and date it more accurately. The scientists believe that solar storm took place between January and April in the year 12,350 BC, likely dazzling the hundreds of thousands of mammoth hunters who lived in Europe at that time with the most awe-inspiring aurora borealis….

…Scientists previously studied records of five other radiocarbon spikes found in tree ring data, which they attributed to powerful solar storms that had taken place in 994 AD, 775 AD, 663 BC, 5259 BC and 7176 BC….

(14) SPACE MAIL. [Item by Chris Barkley.] LOOK at what I found in my mailbox TODAY!!!!! I had completely forgotten that I did this when I attended Chicon 8!

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Rob Thornton, Jim Janney, Dave Ritzlin, Steven H Silver, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/18/25 Pixels Tickle When They Walk Through You

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(1) ZELAZNY-INSPIRED ART. Michael Whelan discusses the series of covers he created for “The Collected Stories of Roger Zelazny” from the NESFA Press.

I rank Roger Zelazny as one of the best F/SF writers of his generation. One of my prime regrets is that I never got to meet him.

I was immediately intrigued when offered the chance to provide covers for a multi-volume collection of his works by NESFA Press, the publishing side of the New England Science Fiction Association.

While pitching the project, the publisher explained that Roger had said in an interview that he always wished to have me do a cover for one of his books; alas that it didn’t come to pass during his lifetime. But I was happy to show my respect for his legacy through my art….

…Upon reflection I settled on a blend of 1) managing elements of RZ stories that applied to tales within a particular volume, and 2) adding things ‘on the fly’ as a part of the process of doing the painting, using connections that popped up while adding details to the composition.

I’m not going to lie…it did occur to me that I could paint anything at random, knowing that a connection could be found between what I chose to depict and some narrative or thematic element in Zelazny’s writing.

That was liberating. I felt free to develop the composition from a “big design” standpoint since there was such a wealth of material to draw on to “populate” the image areas.

The idea of running one image across the spines of the seven books was discussed early on; I believe Alice Lewis, jacket designer on this project, was the one who originally mentioned it. The challenge of making it work seemed exciting, so I was drawn to that approach right away….

(Paul Weimer has reviewed the first five books in the series for File 770: “Paul Weimer Review: Roger Zelazny’s Threshold”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Two: Power & Light”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Three: This Mortal Mountain”; “Paul Weimer Review: The Collected Works of Roger Zelazny, Volume Four, Last Exit to Babylon”; and “Paul Weimer Review: The Collected Stories of Roger Zelazny: Volume 5: Nine Black Doves”.)

(2) SEATTLE WORLDCON 2025 CONSULTATIVE VOTE IS OPEN. Seattle Worldcon 2025 is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting. Voting runs from May 1 to May 31 and is accessed through the member registration portal in the same manner as the Hugo Award voting. More information is available on the Consultative Vote Webpage.

As previously announced, Seattle Worldcon is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting to the Seattle Worldcon: the proposed revisions of the Hugo Award categories for best professional artist and best fan artist, and the proposed amendment to abolish the Retro Hugo Awards.

The purpose of the consultative vote is to test whether this type of vote is feasible, in case the practice is someday adopted as a formal part of the WSFS decision-making process. These proposals were chosen because they have clearly generated wide interest among the Worldcon community.

(3) ON THE WAY. “Frankenstein in the Age of CRISPR-Cas9” at Nautilus.

…[Mary] Shelley drew on a mythology of technology that goes back to the 6th century B.C. when the figure Prometheus stole fire from the gods and bestowed it to mankind. The “fire bringer,” is often associated with Lucifer, (literally meaning “light bearer”), who pilfered light from the heavens and brought it down to Earth. The “fall of man” implies an age when mortals are illuminated with knowledge. Immanuel Kant was the first to modernize the term, when he nicknamed his pal, Benjamin Franklin, “the Prometheus of modern times” for his nifty work with kites. In the early 19th century, Shelley’s Frankenstein, or The Modern Prometheus put the concept into terms of controlling biological forces. She not only arguably invented science fiction, but her novel offered a plot device for modern tales, including Flowers for Algernon, The Stand, The Andromeda Strain, Jurassic Park, 2001: A Space Odyssey, and Yann Martel’s short story “We Ate the Children Last.” We all understand the illusions. A scientist sets out to create a more perfect entity, only to have it backfire as the thing he creates gets out of control.

…By the early 1980s, Richard Mulligan at the Massachusetts Institute of Technology isolated genetic code and wrapped it up in a virus, returning it to humankind as a tool. In the same decade, companies such as Biogen and Genentech claimed the patents to control the first applications of genetic engineering. Scientists today are using the gene editing tool CRISPR to do things such as tinker with the color of butterfly wings, genetically alter pigs, and engineer microbes with potentially pathogenic or bioterror purposes. Last year, a group of 150 scientists held a closed-door meeting at Harvard Medical School to discuss a project to synthesize the code of a human genome from scratch using chemical techniques. As Andrew Pollack wrote in The New York Times, “the prospect is spurring both intrigue and concern in the life sciences community because it might be possible, such as through cloning, to use a synthetic genome to create human beings without biological parents.” In August, Shoukhrat Mitalipov at the Oregon Health and Science University in Portland reported using CRISPR to alter a human embryo….

…We are at the very start of the “industrial revolution of the human genome,” just as Shelley was writing at the start of the Industrial Revolution. Her essential insight is that science and technology can progress but will never achieve social control without a willful and ongoing abdication, or repression, of our agency. Shelley wants to tell us that what we seek from technology is based on our existential fear of being in control over our own lives, which have no ultimate solution, and which compels us to so eagerly pursue what psychologists call an external locus of control. But mythology is often first presented as a utopia, only to result in a dystopian reality…

(4) THE SF COLLECTION SOME OF US GREW UP WITH. “A Treasury of Great Science Fiction, Volume One & Two, Anthony Boucher editor, 1959 Doubleday & 1960 SF Book Club” features at A Deep Look by Dave Hook.

The Short: I recently reread one of my favorite SF anthologies as a much younger person, A Treasury of Great Science Fiction, Volume One and Volume Two, Anthony Boucher editor, 1959 Doubleday/1960 Science Fiction Book Club. It was available for purchase only as a two volume set when new. I am not aware of any other SF anthology that includes two novels and 10 pieces of short fiction, much less one that includes four novels and 20 short fiction works in the set. My favorite novel included is the classic The Stars My Destination by Alfred Bester, and my favorite short fiction is the classic “The [Widget], the [Wadget], and Boff“, a novella by Theodore Sturgeon. My overall average rating is 3.73/5, or “Very good”. It was great to rediscover how great the John Wyndham novel Re-Birth is…. 

(5) GOING ROGUE IS RECOMMENDED. “Five Takeaways From Rewatching ‘Rogue One’ After ‘Andor’” at The Ringer.

…The makers of Andor have teased how transformative it can be to revisit Rogue One after the prequel-to-a-prequel’s conclusion. As of last week, Andor creator Tony Gilroy hadn’t rewatched Rogue since finishing Andor, but he hyped the practice anyway: “Other people around me have done it. So I’ve been reassured. And I’ve seen bits and pieces of it; it comes on, and you’re like, ‘Oh my god, holy crap. Look what that does.’” Diego Luna was even more insistent. “I urge people to see Rogue One right after the end of Season 2,” the actor who plays Cassian said. “They’re going to see a different film.”…

There follow five takeaways which, as you should expect, are full of spoilers.

(6) AS IMAGINED IN THE TWENTIETH CENTURY. [Item by Andrew Porter.] “When a president goes rogue: In these books, it already happened” at Salon. Discussion of several novels including The Man In The High Castle and Parable of The Sower.

…As the second Trump administration lurches into its third month, moving fast and breaking government, I’ve been studying what American writers have suggested would occur if a demagogue were elected president. A next step, in novels such as Sinclair Lewis’ “It Can’t Happen Here,” involves a direct attack on the Supreme Court if it declines to affirm a president’s agenda. Much the same forces are at work 90 years later. Alternative histories, particularly dystopias, reflect their societies’ radical pessimism, as  Harvard professor and New Yorker writer Jill Lepore suggested in 2017:  

“Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and Infowars, the fiction of helplessness and hopelessness.”…

(7) INTERNATIONAL BOOKER THOUGHTS. [Item by Steven French.] A couple of genre related novels top the Guardian’s list of contenders for the International Booker Prize: “A Danish Groundhog Day or tales of millennial angst… What should win next week’s International Booker?”

What unites the books on the shortlist for this year’s International Booker prize? Brevity, for one thing: five of the six are under 200 pages, and half barely pass 100. They are works of precision and idiosyncrasy that don’t need space to make a big impression. Themes are both timely – AI, the migration crisis – and evergreen: middle-class ennui; the place of women in society. And for the second consecutive year, every book comes from an independent publisher, with four from tiny micropresses. Ahead of the winner announcement on 20 May, here’s our verdict on the shortlist….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

May 18, 1962 — Twilight Zone’s “I Sing The Body Electric”

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — Intro narration.

On this date in 1962, The Twilight Zone aired “I Sing The Body Electric”. 

It was scripted by Ray Bradbury and although he had contributed several scripts to the series, this was the only one produced. (His first script, “Here There Be Tygers,” was accepted but never filmed.)

It became the basis for his 1969 short story of the same name, named after an 1855 Walt Whitman poem which celebrates the human body and its connection to the universe. It was according to Whitman anti-slavery. The original publication, like the other poems in Leaves of Grass, did not have a title. In fact, the line “I sing the body electric” was not added until the 1867 edition.

Bradbury’s short story would be published first in McCall’s, August 1969. Knopf would release his I Sing The Body Electric collection in October of that year. It’s been included in least fifty collections and anthologies.) 

James Sheldon and William F. Claxton directed the episode; Sheldon directed some of The Man from U.N.C.L.E episodes; Claxton is known for Bonanza and Little House on the Prairie. I’ll confess to having seen a fair amount of the former but none of the latter. 

A large ensemble cast was needed as, minor spoiler alert, the primary cast here are shown at two ages, hence Josephine Hutchinson, David White, Vaughn Taylor, Doris Packer, Veronica Cartwright, Susan Crane and Charles Herbert all being performers even though the actual script calls for very few characters. 

Another spoiler alert. Perhaps I’m being overly cautious but we did get a complaint about spoiling a 50-year-old episode of a program by not noting that I was going to say something about that program, hence spoiler alerts for these programs.

Auntie, the organic one, caring for the children has decided they are too much of a burden and has decided to leave. So father decided to get a robot grandmother, a new fangled invention in their city. The mechanical grandmother after some resentment by one child is accepted by all after she saves one child from mortal injury and Serling says after that —

As of this moment, the wonderful electric grandmother moved into the lives of children and father. She became integral and important. She became the essence. As of this moment, they would never see lightning, never hear poetry read, never listen to foreign tongues without thinking of her. Everything they would ever see, hear, taste, feel would remind them of her. She was all life, and all life was wondrous, quick, electrical – like Grandma.

So this gentle tale that only Bradbury could write of the children who love her and the ever so wonderful mechanical grandmother ends with Serling saying the words scripted of course by Bradbury for him:

A fable? Most assuredly. But who’s to say at some distant moment there might be an assembly line producing a gentle product in the form of a grandmother whose stock in trade is love? Fable, sure, but who’s to say?

This was the year that the entire season of the series won the Best Dramatic Presentation Hugo at Chicon III. Just my opinion, but I think of all the nominees that it was clearly the far superior choice to win the Hugo. Really superior. 

It is streaming on Paramount+. 

There’s also a boy in the family but I couldn’t find an image of all three children, the father and the grandmother that was as good as this one is.

(9) COMICS SECTION.

(10) EXPECT A CODA FOR THIS SEASON OF DOCTOR WHO. BBC Doctor Who reveals: “Special episode of Doctor Who: Unleashed announced celebrating 20 years of revival”.

Travel back with David Tennant, Billie Piper and host Steffan Powell through a host of Whoniversal history…

As Season 2 comes to a climax, a special edition of Doctor Who: Unleashed is set to air on BBC Three, BBC iPlayer and BBC Wales. Steffan Powell is once again set to take a trip through the time vortex as he invites viewers on a journey celebrating the last twenty years since Doctor Who returned, and he will be joined by a host of cast and creatives that have played a part in bringing the show back into the Whoniverse.

Joining Steffan for the ride are some of the show’s most recognisable faces, including past Doctors David Tennant and Jodie Whittaker, former companions Billie Piper, Pearl Mackie, and Mandip Gill, ex-showrunners Steven Moffat and Chris Chibnall, the current Doctor Ncuti Gatwa alongside his newest companion Varada Sethu, as well as the current showrunner and the man who brought the show back in 2005, Russell T Davies.

As well as chatting with the stars about what Doctor Who means to them, Steffan will be revealing secrets from behind the scenes with interviews with those who work behind the cameras to bring Doctor Who to life….

 (11) PRECURSORS? Facebook’s group for David Attenborough Fans discusses the Silurian Hypothesis.

…The idea of the Silurian Hypothesis was inspired by an episode of Doctor Who, where intelligent reptilian creatures called Silurians awakened from 400 million years of hibernation due to nuclear testing. While this was a work of fiction, the hypothesis raised a profound possibility: What if there were once other advanced civilizations on Earth that have completely vanished?

Humans often think that their existence and their civilization are eternal, but history teaches us otherwise. Take ancient Egypt, for instance. For over 3,000 years and across 30 dynasties, Egyptians lived under the shadow of the pyramids, fished the Nile, and mingled with other cultures. To them, their civilization seemed everlasting, yet it too disappeared. Similar fates befell the Mesopotamians, the Indus Valley civilization, the Greeks, Nubians, Persians, Romans, Incas, and Aztecs. These great empires, once thriving with millions, left behind scant evidence of their grandeur.

Modern humans have been around for about 100,000 years, a mere blip in the hundreds of millions of years that complex life has existed on Earth. Given this vast expanse of time, it’s conceivable that other intelligent species might have risen and fallen long before us. Would we even know they had been here?…

…The Silurian Hypothesis suggests looking for markers of industrialization on a global scale. One key marker is changes in the isotopic composition of elements, which can be detected in sedimentary layers. For instance, human activities have altered the nitrogen cycle and increased the levels of certain metals like gold, lead, and platinum. Most notably, the burning of fossil fuels has changed the carbon isotope ratios in the atmosphere, known as the Suess effect, which is detectable in sediment cores.

Interestingly, a sudden global change in carbon and oxygen isotope levels was observed 56 million years ago during the Paleocene-Eocene Thermal Maximum (PETM). The PETM saw Earth’s temperature rise by six degrees Celsius over 200,000 years, with fossil carbon levels spiking. Some scientists speculate that a massive volcanic eruption caused this, but the exact cause remains unknown. Could it have been evidence of an ancient civilization? Probably not, but it does show how such an event could leave a detectable mark.

The Silurian Hypothesis, while not proving the existence of ancient civilizations, provides a framework for searching for them, not just on Earth but also on other planets. The Drake Equation estimates the number of extraterrestrial civilizations in our galaxy, suggesting there could be anywhere from 150,000 to 1.5 billion. If intelligent life can arise multiple times on a single planet, as the Silurian Hypothesis proposes, it opens up exciting possibilities for finding civilizations throughout the galaxy….

(12) THE INSIDE (THE BOOKSHOP) STORY. [Item by John King Tarpinian.] The Howling (1981) Bookshop scene was filmed at the Cherokee Bookshop, which was on Cherokee just off of Hollywood Boulevard.  The wandering customer is Forry Ackerman.   

(13) PITCH MEETING. Ryan George takes us inside the “Thunderbolts* Pitch Meeting”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Jeffrey Smith, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

International Booker Prize 2025 Shortlist

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The 2025 International Booker Prize shortlist was released April 8. Two of the six shortlisted books with genre elements are still in the running.

  • Under the Eye of the Big Bird by Hiromi Kawakami, translated from Japanese by Asa Yoneda  

In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings – but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. 

Unfolding over geological eons, Under the Eye of the Big Bird is at once an astonishing vision of the end of our species as we know it and a meditation on the qualities that, for better and worse, make us human. 

  • On the Calculation of Volume I by Solvej Balle, translated from Danish by Barbara J. Haveland

In the first part of Solvej Balle’s epic septology, Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November

She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand – the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband’s surprise at seeing her return home unannounced.  

But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain. 

As Tara approaches her 365th 18th of November, she can’t shake the feeling that somewhere underneath the surface of this day, there’s a way to escape. 

On the Calculation of Volume I is the first book of a planned septology. Five books have been published in Danish so far, with translations underway in over 20 countries. 

The other four titles on the shortlist are:

  • Small Boat by Vincent Delecroix, translated from French by Helen Stevenson
  • Perfection by Vincenzo Latronico, translated from Italian by Sophie Hughes
  • Heart Lamp by Banu Mushtaq, translated from Kannada by Deepa Bhasthi  
  • A Leopard-Skin Hat by Anne Serre, translated from French by Mark Hutchinson

The shortlist of six books – five novels and one collection of short stories – was chosen by the 2025 judging panel, chaired by bestselling Booker Prize-longlisted author Max Porter. The other judges are: prize-winning poet, director and photographer Caleb Femi; writer and Publishing Director of Wasafiri Sana Goyal; author and International Booker Prize-shortlisted translator Anton Hur; and award-winning singer-songwriter Beth Orton.

The list celebrates the best works of long-form fiction or collections of short stories translated into English and published in the UK and/or Ireland between May 1, 2024 and April 30, 2025, as judged by the 2025 panel. The judges made their selection from 154 books submitted by publishers – the highest number since the prize was launched in its current format in 2016.

The prize recognizes the vital work of translators with the £50,000 prize money divided equally: £25,000 for the author and £25,000 for the translator (or divided equally between multiple translators). In addition, there is a prize of £5,000 for each of the shortlisted titles: £2,500 for the author and £2,500 for the translator (or divided equally between multiple translators).

The International Booker Prize 2025 winner will be announced at a ceremony at Tate Modern, London on Tuesday, May 20.

[Based on a press release.]

Pixel Scroll 3/14/25 Said The Pi Man

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(1) INTERNATIONAL BOOKER PRIZE. You’re invited to “Meet the authors and translators longlisted for the International Booker Prize”. Includes Solenoid author Mircea Cărtărescu (below at left).

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to mangia mussels in Baltimore’s Little Italy with David Simmons in Episode 249 of the Eating the Fantastic podcast.

David Simmons

It’s time for lunch in Baltimore’s Little Italy with David Simmons, author of the horror diptych Ghosts of East Baltimore and Ghosts of West Baltimore. His short fiction can be found in Brave New Weird Volume Two, Kaleidotrope, and This World Belongs to Us: An Anthology of Horror Stories About Bugs. His novel Eradicator will be released later this year.

We discussed how he manages to give such dramatic performances during his public readings, why his answer when asked to describe his genre of writing is “Baltimore,” the way discovering the novels of Donald Goines changed his life, why his wife was responsible for his first short story being written and sold, how he hopes reading him will have you feeling as if you’re in a frenetic car chase, why for him the villains always come first, the extensive research he needed to write Baltimore right, why his rapping career is a thing of the past, the reason a story’s opening line is so important, and much more.

(3) BEWARE THE IDES OF GALLIFREY. “Comic-Con Museum in San Diego set to open ‘Doctor Who’ exhibition this weekend” reports the San Diego Union-Tribune. It opens March 15.

An exhibit of Daleks, left, and Cybermen, who are prominent villains in the BBC’s long-running TV series “Doctor Who.” They’re featured in “Doctor Who Worlds of Wonder: Where Science Meets Fiction,” an international exhibition that makes its U.S. premiere on March 15 at the Comic-Con Museum in Balboa Park. (Phoebe Mackenzie)

San Diego fans of the long-running BBC sci-fi series “Doctor Who” can step inside the TARDIS, get face-to-face with a Dalek and see various versions of the Sonic Screwdriver when the touring exhibition “Doctor Who Worlds of Wonder: Where Science Meets Fiction” makes its U.S. premiere Saturday at the Comic-Con Museum in Balboa Park.

For the uninitiated, “Doctor Who” is a long-running sci-fi TV series that debuted on England’s BBC in 1963. It aired continuously until 1989, then took a yearslong break until it was rebooted in 2005. Originally designed as a children’s show, it has been adopted by legions of fans of all ages from around the world…

…The “Doctor Who Worlds of Wonder” exhibit features an extensive array of original props and sets from the show, as well as behind-the-scenes resource materials from what is now the world’s longest-running sci-fi show. Besides exhibit displays, there are interactive digital displays and kiosks where fans can learn about the Doctor’s adventures. There are also screens where visitors can learn about the real-life science that the show’s writers incorporate into the show, including the concept of time travel, artificial intelligence, DNA manipulation and cloning….

…The exhibition was launched in 2022 in Liverpool, England, and has since visited Scotland and New Zealand. The San Diego visit will run through March 2026, so it will be open when San Diego Comic-Con returns July 24-27. The “Doctor Who” TV series usually has a panel and merchandise booth at the annual sci-fi convention….

(4) STARSHIP TROOPERS REBOOT? [Item by John A Arkansawyer.] Back to the source material, the story says, and not the first movie: “New Starship Troopers Movie in the Works from Neill Blomkamp” at The Hollywood Reporter.

Johnny Rico is coming back to kill some more bugs.

Columbia Pictures is plotting a new Starship Troopers movie, setting District 9 filmmaker Neill Blomkamp to write and direct an adaptation of the classic sci-fi novel story by Robert A. Heinlein.

Blomkamp will also produce the feature alongside Terri Tatchell, his partner and wife who co-wrote the South African filmmaker’s District 9 and 2015 outing, Chappie.

Published in 1959, Troopers ostensibly told of an interstellar war between Earth and a host of bug-like aliens, and focused on a rise of a military serviceman named Johnny Rico. But the story had other things on its minds, like exploring the strengths of life in a military society and such ideas as having to perform service in order to have voting rights.

While the book won a Hugo Award for best novel and has been quite influential in sci-fi literature, some quarters described the book as fascist. It was that tone that was satirized in the 1997 movie from Paul Verhoeven, the director of Robocop, Total Recall, Basic Instinct and Showgirls. Verhoeven was over-the-top in his depiction of the military jingoism and propaganda, fetishized costumes, and highlighted Nazi influences….

… Blomkamp’s take is not a remake of the Verhoeven movie, and sources say the goal is to go back to the source material.

Blomkamp most recently directed Gran Turismo for Sony Pictures, a critical and commercial success that grossed over $122 million worldwide….

(5) MEMORY LANE.

[Written by Cat Eldridge.]

Robocop series (1994)

Thirty-one years ago the Robocop series was first broadcast this week in Canada. (It would be four days more before it was broadcast in the States.) Stripped largely of the violence and cynicism of the film that it was based on, it was intended to appeal to children and young adults. Ed Neumeier and Michael Miner who scripted the first RoboCop film were back for the pilot here. They scripted a sequel to the movie but Orion went in a different direction — elements of that sequel are largely the pilot here. 

Richard Eden is Murphy / RoboCop. And given its target audience, playing a prominent role is Sarah Campbell as Gadget, an eight year-old girl. All the characters in the film were renamed into new characters, i.e. Anne Lewis becomes Lisa Madigan. Why so? The iron law of copyright meant that all of the main characters except RoboCop/Alex Murphy had to have their names changed. So The Old Man is the chairman and so on. For the same copyright reasons they could not use ED-209 or refer to it. 

They had planned on reusing the gun from the film, and had permission to do so, but Canadian Customs decided it looked too much like a real weapon which meant it couldn’t come into the country. So they designed and constructed a new, lighter one which worked better according to the actor who had handled the other prop weapon. 

Cinespace studios in Toronto devoted fifty thousand square feet of permanent sets to resemble old Detroit. This was not a cheap series to do, was it?

So how was critical reception for it? The Variety review at the time said that, “Series has a good chance of succeeding because, on the basis of the opener, it’s brave enough to amuse instead of intimidate. There’s a lesson there.” 

The Houston Chronicle like it quite a bit saying it “works well as a mass-market show as it offers action, as opposed to violence. And it’s ironic humor, though not as hard-edged as the movies’, has a sly, subversive bent.”  

Final word goes to the Boston Globe: “This is a far campier and cartoonier RoboCop than the original. Even when the wit is blunt, the writing is snappy; and the acting is just broad enough to poke a little fun at itself.”

None of these reviews helped. It lasted but twenty-two episodes of one season as it never found an audience. Cancellation was actually announced just barely into the season.  Interestingly they did a one-off film, Robocop: The Future of Law Enforcement, which was decided on late in the season.

Like so many other genre series, it’s streaming on Peacock.  For once, I can tell you they are legally up as well on YouTube provided you chose the ones up there by Rallie who did the series.

(6) COMICS SECTION.

(7) BUY BOB CLAMPETT’S STUFF. Van Eaton Galleries is holding a Bob Clampett Collection auction on March 22-23. Meantime you can see the lots in a free public exhibition from March 4-20, Tuesday – Saturday, 10am-6pm, at their location — 12160 Ventura Blvd., Studio City, CA 91504.

They also will sell you a print copy of “The Bob Clampett Collection Auction Catalog” for $50 (or you can view it gratis as a flipbook at the link).

A softcover catalog for our March 2025 “The Bob Clampett Collection” auction. The gorgeous collectible reference catalog measures 11″x8.5″ and features lovely full-color imagery for nearly 1000 amazing animation artifacts available in the auction, detailed across 350 pages.

(8) FIRE, ASH, AND TEARS. [Item by Steven French.] The Guardian adopts a somewhat flippant tone in reporting James Cameron’s claim that his wife sobbed for four hours after watching the third installment in the Avatar franchise: “Having a bawl: why Avatar 3 will reduce you to a sobbing husk (just ask James Cameron’s wife)”.

Can you feel it? If you’re paying enough attention, and you have your spirit tuned to the frequencies of the planet, then you’ll be able to sense that the old Avatar machinery is starting to crank up again. The third instalment of the series, Avatar: Fire and Ash, is set for release in December. And this means that James Cameron finds himself saddled with a familiar task; in just nine months he has to try and motivate people to see a film from a franchise that they’ve already forgotten about twice before now.

The bad news is that these are incredibly expensive films to make. So expensive, in fact, that Cameron previously stated that the second film needed to be the third highest grossing movie of all time just to break even. And, just to compound things, that film was such an incomprehensible mishmash of confused mythology, nondescript motivation and vague characterisation that this one needs to be something really special to get bums on seats….

But the better news is that James Cameron has been here before. He knows exactly how to get people excited for Avatar movies now, and by God he’s going to pull out the big guns. So, how is Cameron going to make you want to watch Avatar: Fire and Ash? Simple, by promising you a sustained emotional breakdown.’

(9) PLAGUE YEAR. Inverse reminds us “30 Years Ago, Dustin Hoffman Made Disaster Movie So Ahead Of Its Time It Seemed Like Sci-Fi”. (You mean it wasn’t?)

When Outbreak was released 30 years ago, Wolfgang Petersen’s tense, often terrifying (if conventionally melodramatic) film seemed like the sci-fi movie it was. Surely a global outbreak of something as devastating as the movie’s mutant Ebola-like virus couldn’t really happen, could it? Three decades later, Outbreak seems prophetic, not just in its scenario of a rogue virus escaping from Africa and making its way into the U.S., but also in the reactions of government, business, and people alike to such a catastrophe. Outbreak is something of a mirror on society that, three decades later, is worth taking a deep look into….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day John Hertz.]

International Booker Prize 2025 Longlist

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The 2025 International Booker Prize longlist was released February 25. Five of the thirteen books are stories with genre elements.

The longlist was selected by a panel of five judges: Booker Prize-longlisted author Max Porter; prize-winning poet, director and photographer Caleb Femi; writer and Publishing Director of Wasafiri Sana Goyal; author and International Booker Prize-shortlisted translator Anton Hur; and award-winning singer-songwriter Beth Orton.

The shortlist of six will be announced on April 8, and the winners of the prize will be named on May 20. 

Here are the works of genre interest.

Written by Hiromi Kawakami; Translated by Asa Yoneda; Original language: Japanese

In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings – but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. 

Unfolding over geological eons, Under the Eye of the Big Bird is at once an astonishing vision of the end of our species as we know it and a meditation on the qualities that, for better and worse, make us human. 

Written by Mircea Cărtărescu; Translated by Sean Cotter; Original language: Romanian

Grounded in the reality of communist Romania, the novel grapples with frightening health care, the absurdities of the education system and the struggles of family life, while investigating other universes and forking paths. 

In a surreal journey like no other, we visit a tuberculosis preventorium, an anti-death protest movement, a society of dream investigators and a minuscule world of dust mites living on a microscope slide. Combining fiction and history with autobiography – the book is partly based on Cărtărescu’s experiences as a teacher – Solenoid searches for escape routes through the alternate dimensions of life and art, as various monstrous realities erupt within the present. 

Last May, this book won the €100,000 Dublin Literary Award.

Written by Gaëlle Bélem; Translated by Karen FleetwoodLaëtitia Saint-Loubert; Original language: French

On the island of La Réunion, two parents struggle with the legacy of their enslaved ancestors. But this context offers little solace to their neglected daughter. These parents have distanced themselves from their heritage, replacing ancestral rituals with the empty consolations of alcohol and tele­vision. For the unnamed narrator of There’s a Monster Behind the Door, their resentment at her existence is made clear by their daily indifference, at best, and malice, at worst. She describes them as “horrible Creole versions of the monosyllabic Bartleby coupled with that nutcase Lovecraft”. This latter reference is explained by their dedication to horror films, which they watch throughout her childhood, with no consideration for how this might affect her.

Written by Solvej Balle; Translated by Barbara J. Haveland; Original language: Danish

In the first part of Solvej Balle’s epic septology, Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November

She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand – the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband’s surprise at seeing her return home unannounced.  

But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain. 

As Tara approaches her 365th 18th of November, she can’t shake the feeling that somewhere underneath the surface of this day, there’s a way to escape. 

On the Calculation of Volume I is the first book of a planned septology. Five books have been published in Danish so far, with translations underway in over 20 countries. 

Written by Ibtisam Azem; Translated by Sinan Antoon; Original language: Arabic

What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Ibtisam Azem’s powerfully imaginative novel

Alaa is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland after the Nakba. Ariel, Alaa’s neighbour and friend, is a liberal Zionist, critical of the military occupation of the West Bank and Gaza yet faithful to the project of Israel. When he wakes up one morning to find that all Palestinians have suddenly vanished, Ariel begins searching for clues to the secret of their collective disappearance. 

That search, and Ariel’s reactions to it, intimately reveal the fissures at the heart of the Palestinian question. Between the stories of Alaa and Ariel are the people of Jaffa and Tel Aviv – café patrons, radio commentators, flower-cutters – against whose ordinary lives these fissures and questions play out. 

Spare yet evocative, intensely intelligent in its interplay of perspectives, The Book of Disappearance – which was critically acclaimed in its original Arabic edition – is an unforgettable glimpse into contemporary Palestine as it grapples with both the memory of loss and the loss of memory. 

Pixel Scroll 5/21/24 Cotton Candy Pixels, What Flavor Is Your Favorite?

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(1) COUNTERFEIT CHARACTERS. [Item by SF Concatenation’s Jonathan Cowie.] We all now know that A.I. threatens creativity… something we seemed to have missed in SF where A/I. was oft portrayed more as a physical threat. BBC Radio 4 (the BBC’s national news and magazine station that replaced the Home Service) is airing a half-hour programme on A.I. replacing actors…. “Counterfeit Characters”.

What do Artificial Intelligence and digital technology mean for actors and their relationship with audiences?

Leading acting coach Geoffrey Colman, who has spent his working life on the sets of Hollywood movies, in theatrical rehearsal spaces, and teaching in the UK’s most prestigious classrooms, wants to find out.

AI, he says, may represent the most profound change to the acting business since the move from silent films to talkies. But does it, and if so how are actors dealing with it? What does that mean for the connection between actors and audiences?

Geoffrey’s concern is rooted in acting process: the idea that the construction of a complex inner thinking architecture resonates with audiences in an authentic almost magical way. But if performance capture and AI just creates the outer facial or physical expression, what happens to the inner joy or pain of a character’s thinking? The implications for the actor’s technique are profound.

To get to the bottom of these questions Geoffrey visits some of those at the cutting edge of developing this new technology. On the storied Pinewood lot he visits Imaginarium Studios, and is shown around their ‘volume’, where actors’ every movement is captured. In East London he talks to the head of another studio about his new AI actor – made up from different actors’ body parts. And at a leading acting school he speaks to students and teachers about what this new digital era means for them. He discusses concerns about ethical questions, hears from an actor fresh from the set of a major new movie, quizzes a tech expert already using AI to create avatars of herself, and speaks to Star Wars fans about how this technology has allowed beloved characters to be rejuvenated, and even resuscitated.

You can access the programme at this link.

(2) VOICEJACKING. Meanwhile, back in the litigious real world… “Scarlett Johansson Said No, but OpenAI’s Virtual Assistant Sounds Just Like Her” says the New York Times.

Days before OpenAI demonstrated its new, flirty voice assistant last week, the actress Scarlett Johansson said, Sam Altman, the company’s chief executive, called her agent and asked that she consider licensing her voice for a virtual assistant.

It was his second request to the actress in the past year, Ms. Johannson said in a statement on Monday, adding that the reply both times was no.

Despite those refusals, Ms. Johansson said, OpenAI used a voice that sounded “eerily similar to mine.” She has hired a lawyer and asked OpenAI to stop using a voice it called “Sky.”

OpenAI suspended its release of “Sky” over the weekend. The company said in a blog post on Sunday that “AI voices should not deliberately mimic a celebrity’s distinctive voice — Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice.”

For Ms. Johansson, the episode has been a surreal case of life-imitating art. In 2013, she provided the voice for an A.I. system in the Spike Jonze movie “Her.” The film told the story of a lonely introvert seduced by a virtual assistant named Samantha, a tragic commentary on the potential pitfalls of technology as it becomes more realistic.

Last week, Mr. Altman appeared to nod to the similarity between OpenAI’s virtual assistant and the film in a post on X with the single word “her.”…

(3) WHISKY TASTING EVENT CONCURRENT WITH WORLDCON. [Item by Sandra Childress.] This is an invitation to those attending Worldcon this summer to venture outside of the convention space for a couple of hours and taste some local history and whisky at the Clydeside Distillery Tour & Tasting. This event is a venue takeover being hosted by Joel Phillips’ Friday Night Weekly Whisky Zoom that has been running nearly non-stop since April 2020. This group has hosted parties at Discon 3 and Chicon 8 — all in the name of friendship and whisky. 

The Clydeside Distillery

This time around, the group is doing something different. The Clydeside Distillery is across the parking lot from the convention center. Joel and the Zoom members knew this was not to be passed up. So, on August 9 (Friday) starting at 7:00 p.m. there will be a tour and tastings for up to 150 pre-paid attendees. The cost of $103USD includes the following:

  • 2 tickets for welcome drinks (1 of which can be used at the blind Scotch tasting station if you choose)
  • Welcome drinks are Prosecco, Beer or mixed whisky drink
  • 6 canapes per person
  • 4 wee drams of single malts (your choice) from Clydeside Distillery including a bourbon cask finish and sherry cask finish only available at the distillery and a third single malt yet to be determined.

Additionally, a cash bar will also be available and a station where you may buy a bottle for £68 and create your own personalized label.

Deadline to register and pay is Thursday July 25th or when the count hits 150. There will be no onsite registrations available. Please register via the Google Form (https://forms.gle/QnGmmhTN58Xe76un6) and follow the instructions there for payment. As of May 20, there are 62 registered…so there is still room for you and your friends to join the tour and tasting.

(4) INTERNATIONAL BOOKER PRIZE 2024. The non-genre novel Kairos by Jenny Erpenbeck, translated by Michael Hofmann, has been named the winner of the International Booker Prize 2024. The winner was announced by Eleanor Wachtel, Chair of the 2024 judges, at a ceremony sponsored by Maison Valentino and held at London’s Tate Modern today. 

The £50,000 prize is split equally between author Jenny Erpenbeck and translator Michael Hofmann, giving each equal recognition. 

Erpenbeck’s novel, which was originally written in German, follows a destructive affair between a young woman and an older man in 1980s East Berlin, with the two lovers seemingly embodying East Germany’s crushed idealism. A meditation on hope and disappointment, Kairos poses complex questions about freedom, loyalty, love and power. 

(5) SHE’S THE CAPTAIN. “’Star Trek: Starfleet Academy’ Series Casts Holly Hunter in Main Role” – Variety has details about the actor and the series. If you wondered, this Hunter is no relation to the Hunter who played Star Trek’s first Captain.

The “Star Trek: Starfleet Academy” series at Paramount+ has cast Holly Hunter in a lead role, Variety has learned.

Hunter’s character will serve as the captain and chancellor of the Academy, presiding over both the faculty and a new class of Starfleet cadets as they learn to navigate the galaxy in the 32nd century….

(6) DON’T PANIC. Not that you were anyway… “’3 Body Problem’ Creators Clarify Netflix’s Mysterious Renewal Plan” for The Hollywood Reporter.

One of the biggest 3 Body Problem mysteries since the show ended has been: What did Netflix‘s renewal announcement mean, exactly?

During the streamer’s upfront presentation last week, Netflix promised “additional episodes” of the acclaimed sci-fi drama to “finish the story.”

Of course, “additional episodes” could mean anything from two episodes to five seasons and, naturally, many fans worried that the ultimate answer would be too close to the former for comfort.

But showrunners David Benioff, Dan Weiss and Alexander Woo assure things are going to be just fine (for the show, at least, if not for their ensemble drama’s characters facing an alien invasion). While the trio didn’t reveal the exact number of episodes in their new deal, they emphasized it was for “seasons” — plural — and that the number of hours aligns with their original plan to adapt author Liu Cixin’s two remaining novels in his Hugo-winning trilogy.

“We knew going into this how many hours we need to tell the rest of the story because we’ve got a roadmap through to the end,” Weiss told The Hollywood Reporter. “And we have what we need to get to the end as intended from when we started.”

“By the time we finish with the show, it will be seven years we’ve devoted to it,” Benioff added. “We’re now at a place where we get to tell the rest of the story, and, yes, we have enough time to tell the rest of the story the way we want to and that’s immensely gratifying.”…

(7) LECKIE Q&A. The Mountain View (CA) Public Library hosted an online event with author Ann Leckie as part of Sci-Fi September last year.

Critically acclaimed science fiction author Ann Leckie joined us for an exclusive conversation about her new novel Translation State and answered questions from the audience.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 21, 1917 — Raymond Burr. (Died 1993.) Surely you know Raymond Burr, the man whose Birthday it is today. So let’s get started.

I must of course start with his long running role as Perry Mason which is decidedly not genre. CBS paid Gardener for the rights to two hundred and seventy-two of his stories, a good idea given that Perry Mason would run nine seasons. Many early episodes were based off his stories and novels.  

The role of Perry Mason proved the hardest to cast. Richard Carlson, Mike Connors, Richard Egan, and William Holden were considered. None at all suited the casting team. Burr initially read for the role of district attorney Hamilton Burger, but he told them that he was more interested in the Perry Mason role. They had seen him being a lawyer, and said he could play the role provided he lose at least sixty pounds. He did and got the role.

Raymond Burr, right, Frank Iwanaga, left, in Godzilla, King of the Monsters

What a magnificent Perry Mason he made. Burr’s coolness, control and reserved sense of humor were such that he became so identified with the character that, for the television audience, that meant there was no other Mason but Burr. He was not the Mason that had existed, there were four before him, all on film, and the producers tried reviving the series after CBS cancelled it, but it utterly failed. And HBO has a new series that looks at early years of his life. 

In the late Eighties he reprised his Mason role in twenty-six tv movies. The first has the title of Perry Mason Returns.

Now for his genre work.  Mike joked with me when I said when I was doing him that he was the lawyer for Godzilla. Well, he was Steven Martin in Godzilla, King of the Monsters! It is a re-edited for American audiences of the 1954 Japanese film Godzilla which in its original wasn’t available outside Japan for fifty years. He would reprise this role in Godzilla 1985.

He was the Grand Vizier Boreg al Buzzar in The Magic Carpet. Evil viziers! Dungeons! Magic carpets! Princesses! 

He’s Cy Mill, hulking villain in Gorilla at Large. Remember what was said about his weight in his Burr casting. Well, this film was done just previous to this series and he was quoted as saying there, “I was just a fat heavy.” Burr told journalist James Bawden, “I split the heavy parts with Bill Conrad. We were both in our twenties playing much older men. I never got the girl but I once got the gorilla in a 3-D picture called Gorilla at Large.”

He was Vargo in Tarzan and the She-Devil , the seventeenth film of the Tarzan film series that began with 1932’s Tarzan the Ape Man, twenty years earlier.

Television wise, he appeared on Tales on Tomorrow in “The Masks of Medusa” and in the horror film Curse of King Tut’s Tomb, he’s Jonash Sebastian. I thought there’d be more but there aren’t. 

(9) ARMED SURVIVOR. In “Rocket Man No More”, Heritage Auctions introduces one of the headline lots from the May 31 Star Wars Signature Auction: “Star Wars Prototype Rocket-Firing Boba Fett L-Slot / Hand-Painted”.

Star Wars Prototype Rocket-Firing Boba Fett L-Slot / Hand-Painted AFA 60 (Kenner, 1979). The Rocket Firing Boba Fett has been called the “Crown Jewel of Unproduced Toys” It’s become legendary as an iconic Star Wars “Mandela Effect,” (far better termed “Rocket Fett Syndrome.”) The figure everyone thought they had, but didn’t. Offered as a mail-away premium, the Rocket Firing Boba Fett was highly promoted by Kenner, lodging it in everyone’s imaginations. For four proof-of-purchase seals cut from any Star Wars 3 ¾” action figure card back it could be yours. It seemed a cruel trick, when the Boba Fett figures that shipped, arrived with their plastic missiles sonically welded in place. It was a clear letdown. Helping along this disappointment was a small polite letter explaining Kenner’s safety concerns over the toy necessitating the change. It offered in substitution any Star Wars 3 ¾” action figure of choice if the consumer wasn’t satisfied with the redesign. Looking back, the removal of the rocket launching mechanism should have been no surprise. Almost immediately anything to do with it was being mysteriously obscured by stickers ignoring the feature. Kenner’s legal department already had concerns over the toy’s safety, but the company’s outgoing President Bernie Loomis was highly in favor of the project. As Kenner engineer’s struggled to make the toy safe, another ominous event was happening in the toy world. Rival toy company Mattel was experiencing their own problems with their popular Battlestar Galactica toy spaceships, which fired a similar sized projectile. If accidentally shot into the mouth, the choking potential for children was becoming clear. Already, there were several aspiration induced injuries, and one child’s death. The culmination of these two events ultimately doomed the Rocket Firing Boba Fett. Painfully most would agree Kenner made the right decision, erroring on the side of safety. It’s uncertain exactly how many Rocket Firing Boba Fetts were created before Kenner abandoned the concept for a safer non-firing figure. What survives today in the hobby generally comes from ex-Kenner employees who took examples home. All others are believed destroyed with none (despite urban legends) ever getting distributed to the public. Surviving populations featuring the original reverse “L-slot” latch configuration number about seventy. Mostly injection molded in blue-gray, these “first-shot” figures are generally unpainted and were created to test the mold cavity functions before general production. As such these unpainted “first-shots” lack all copyright and point of origin stamps to the back of the legs. Of the seventy examples believed in collector’s hands today, only five have been found hand painted – two in production paint scheme as this example, and three in unique alternate paint schemes. One of only two examples known to exist…

(10) DOCTOR MEWLITTLE. An SJW credential with credentials! “Meet Max, the cat receiving an (honorary) doctorate from Vermont State University this weekend” – Vermont Public has the story.

As Vermont State University Castleton graduates receive their degrees this weekend, so too will a tabby cat. The cat, named Max, is getting an honorary degree as a “Doctor in Litter-ature.”

Once a feral kitten in the town of Fair Haven, Max has lived with his human mom, Ashley Dow, on Seminary Street in Castleton for the past five years. And for most of those years, he’s been venturing up to the university campus….

(11) ANOTHER SPACE CAT. Captain Kirk also picked up an honorary sheepskin on May 20. Forbes reports, “William Shatner Among Geniuses Honored At Liberty Science Center Gala, Underscoring Intrinsic Bond Of Art And Science”.

William Shatner beamed up into the Liberty Science Center (LSC) last night to accept the 2024 Icon Award at the sold-out 12th Annual Liberty Science Center Genius Gala.

“On October 13, 2021, William Shatner, age 90, boldly went where no one else had gone before: into space,” said LSC President and CEO Paul Hoffman. “At 93, Will remains incredibly active.”

Shatner was filming in Los Angeles, so Hoffman interviewed him in his Studio City office.

“I saw a great deal that made me cry, and I didn’t know why I was crying, literally crying. I was weeping uncontrollably when I landed,” said Shatner. “I realized, oh my God, I’m in grief! For what I’ve seen of the world, you look at your telescopes, it’s fantastic, it’s magical. Space is magical. I’m looking at space from the spaceship and all it is is palpable blackness, it’s black death. I look back and I see blue, beige, and white. The planet is calling to us. You can’t believe how small this rock we’re living on is. You can’t believe how thin the fertile earth is. … That’s how precious our topsoil is. And then there’s the air. I’m a pilot. I know you can’t go above 3,500 feet for oxygen. Two miles of oxygen, a handful of dirt that we’re going to live on, and live on with increasing numbers. We now know everything is connected, interconnected. Everything is part of each other. All of nature is alive and vibrant with intelligence and life.”…

(12) SPACEPLANE MISSION TO ISS. “World’s first commercial spaceplane in final stages before debut ISS flight” reports New Atlas.

The world’s first winged commercial spaceplane has arrived at NASA’s Kennedy Space Center in Florida, its final destination before its first mission to the International Space Station (ISS) later this year.

Following rigorous testing at Ohio’s Neil Armstrong Test Facility, the Dream Chaser DC-100 spaceplane named Tenacity got the green light to commence final pre-launch preparations, such as finishing its thermal protection system and payload integration, before it hitches a ride on a United Launch Alliance (ULA) Vulcan rocket to deliver 7,800 pounds (3,540 kg) of food, water and science experiments to the ISS….

(13) MILKY WAY. [Item by Steven French.] A collection of absolutely stunning photographs: “Milky Way photographer of the year 2024 – in pictures” in the Guardian. Photo at the link —

The vanity of life | Wadi Rum desert, Jordan

Photographer Mihail Minkov: ‘The concept behind this shot is to highlight the stark contrast between the vastness of the cosmos and the minuscule nature of humanity. The composition intentionally draws the viewer’s focus to a small figure, underscoring our insignificance in the grand scheme of the universe, while the majestic Milky Way core dominates the background’

Photograph: Mihail Minkov/2024 Milky Way photographer of the year

(14) VIDEO OF THE DAY. Heritage Auctions has an interview with Former Kenner Engineer Jacob Miles about the Boba Fett – Star Wars action figure pulled from production.

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Sandra Childress, Daniel Dern, Heath Row, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/9/24 Ebenezer Scroll! Tonight You Will Be Visited By Five Pixels (Three, My Lord!)

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(1) IMAGINE THERE’S NO MUSIC. “59 Years Later, The Oldest Sci-Fi Show Ever Is Fixing A Very Big Beatles Problem” — Inverse tries to guess how Russell T. Davis will do it in a Fab Four-themed Doctor Who episode — because he can’t afford the rights to the real thing.

…In the upcoming relaunched Doctor Who Season 1 (2024), the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) will travel to the 1960s in the forthcoming episode “The Devil’s Chord,” and, at some point, cross paths with the Beatles….

… As Russell T. Davies says in the new Empire interview: “‘How would you do a Beatles episode without Beatles music?” Previous movies about the Beatles have faced similar problems. The 1994 biopic Backbeat — which chronicles the Beatles’ early days in Hamburg — features no actual Beatles music. Meanwhile, the 1979 movie Birth of the Beatles (helmed by Return of the Jedi director Richard Marquand!) used cover versions of most Beatles songs to avoid copyright issues of the time.

But, for Davies and Doctor Who, the copyright law problem became “the entire plot.” As Davies says, “I knew instantly you can never play Beatles songs on screen because the copyright is too expensive… That’s where the idea came from — copyright law!”

Could this mean the Doctor and Ruby will inspire alternate Beatles songs? Could the Beatles be getting by with a little help from their time-traveler friends? We don’t know the exact plot of “The Devil’s Chord,” but there’s a good bet that the Doctor will almost certainly inspire a classic Beatles song. We’ll just have to read between the lines to figure out which one.

(2) CAROL SHIELDS PRIZE FINALISTS. The Carol Shields Prize shortlist has been revealed. The award recognizes “creativity and excellence in fiction by women and non-binary writers in Canada and the United States”.

One of the finalists is a work of genre interest.

  • Birnam Wood by Eleanor Catton

In this eco-thriller, a guerilla gardening collective named ‘Birnam Wood’ (after Macbeth) meets an American billionaire. In his review for WHYY’s Fresh Air, John Powers writes, “this New Zealand-set book is a witty literary thriller about the collision between eco-idealism and staggering wealth.”

The other shortlisted books are:

  • Daughter by Claudia Dey
  • Coleman Hill by Kim Coleman Foote
  • A History of Burning by Janika Oza
  • Brotherless Night by V. V. Ganeshananthan

The winner gets $150,000 and a residency with Fogo Island Inn in Newfoundland, Canada. Each of the four runner-ups will get $12,500. The prize-winner will be announced May 13.

(3) INTERNATIONAL BOOKER PRIZE SHORTLIST. Based on the descriptions of the works at the website, there are no books of genre interest among the 6 that made the International Booker Prize 2024 shortlist today.

(4) 2023’S MOST-CHALLENGED BOOKS. From the American Library Association: “ALA Releases Top 10 Most Challenged Books of 2023”. Publishers Weekly has the list. Based on the descriptions, none are sff works.

The Most Challenged Books of 2023

  1. Gender Queer by Maia Kobabe, for LGBTQIA+, and sexually explicit content.
  2. All Boys Aren’t Blue by George M. Johnson, for LGBTQIA+ and sexually explicit content.
  3. This Book Is Gay by Juno Dawson, for LGBTQIA+ and sexually explicit content.
  4. The Perks of Being a Wallflower by Stephen Chbosky, for LGBTQIA+, and sexually explicit content, rape, drugs, profanity.
  5. Flamer by Mike Curato, for LGBTQIA+ and sexually explicit content.
  6. The Bluest Eye by Toni Morrison, for rape, incest, sexually explicit and EDI (equity, diversity, inclusion) content.
  7. (Tie) Tricks by Ellen Hopkins, for LGBTQIA+ and sexually explicit content.
  8. (Tie) Me and Earl and the Dying Girl by Jesse Andrews, for sexually explicit content, profanity.
  9. Let’s Talk About It by Erika Moen and Matthew Nolan, for LGBTQIA+ and sexually explicit content.
  10. Sold by Patricia McCormick, for sexually explicit content, rape.

(5) IN-BODY EXPERIENCES. Logan Dreher discusses “Octavia Butler, Audre Lorde, and the Power of Pleasure” at Reactor.

…I’ve been especially interested in revisiting three of her strangest works—her vampire novel Fledging; “Bloodchild,”a short story about a colony of humans living alongside an insectoid race of aliens; and the Xenogenesis trilogy, which explores human’s post-apocalypse relationship with a bioengineering race of extraterrestrials called the Oankali. Across these stories, I see a recurring fascination with the reality of our bodies, our needs and frailties, and the way our bodily desires inextricably link us to each other.

In each of these stories, humans are less powerful than their nonhuman counterparts, whether that’s the tentacled, pheromone-exuding Oankali in Xenogenesis or the three-meter long, centipede-like Tlic in “Bloodchild.” But for all of their physical superiority, the nonhuman characters are desperately reliant on their relationships with humans. In Xenogenesis, the Oankali can exude chemicals that drug humans with a thought and heal with a touch. They manipulate their own genetic makeup and easily heal their own bullet wounds. Yet they depend on their human relationships in order to live. Oankali adolescents go into metamorphosis where they are comatose—profoundly helpless—and rely on their human partners to care for them. In Imago, the final book in the trilogy, a young Oankali begins to physically dissolve, unable to survive because it does not have human companions to ground it in a stable form. As the narrator notes, “We called our need for contact with others and our need for mates hunger. One who could hunger could starve.”….

(6) AFROANIMATION AWARDS NEWS. “AfroAnimation Summit Honors Kemp Powers, Camille Eden, Bruce Smith & Jermaine Turner” – Animation Magazine introduces these icons and other awards finalists.

AfroAnimation, the largest annual event featuring diverse and BIPOC animators and creators, announced today the honorees for the first AfroAnimation Summit Icon Awards…

…Icon Award honoree Kemp Powers, director of Spider-Man: Across the Spider-Verse, will headline the summit’s kick-off panel April 10, ‘Developing Original Stories and the Art of Diverse Storytelling.’ Pioneer Award honoree Camille Eden, Vice President of Recruitment, Talent Development & Outreach at Nickelodeon, will speak on the April 11 panel, ‘Unveiling the Untold Narratives of Women in Entertainment: Triumphs, Challenges, & Journeys.’

In addition, Bruce Smith, creator and executive producer of Disney+’s The Proud Family: Louder and Prouder, and Jermaine Turner, Director of Adult Genre Animation for Netflix, will be honored as industry pioneers at the AfroAnimation Icon Awards….

FRWD Awards Semifinalists. (Celebrates the art of diverse storytelling in the film, new media, and streaming platform industries.)

  • Best Series: Castevania, The Proud Family: Louder and Prouder, Young Love, Scavengers Reign
  • Best Animation Feature: Spider-Man: Across the Spider-Verse, Elemental, The Boy and the Heron, Craig Before the Creek
  • Best International Series: Kizazi Moto: Generation Fire, Iwájú, Kiya & the Kimoja Heroes, Supa Team 4
  • Best Animation Director: Kemp Powers (Spider-Man: Across the Spider-Verse)

(7) M. JOHN HARRISON MEMOIR. Saga Press will publish author M. John Harrison’s anti-memoir Wish I Was Here on September 3, 2024. 

What is an “anti-memoir”? M. John Harrison has produced one of the greatest bodies of fiction of any living British author, encompassing space opera, speculative fiction, fantasy, and magical and literary realism.  Yet in WISH I WAS HERE, he asks, ‘Is there even an M. John Harrison and if so, where do we find him?’ This is the question the author asks in this memoir-as-mystery, turning for clues to forty years of notebooking: ‘A note or it never happened. A note or you never looked.’

Are these notebooks records of failed presence? How do they shine a light on a childhood in the industrial Midlands, a portrait of a young artist in counterculture London, on an adulthood of restless escape into hill and moorland landscapes? And do they tell us anything about the writing of books, each one so different from the last that it might have been written by another version of the author?

With aphoristic daring and laconic wit, this anti-memoir will fascinate and delight. It confirms M. John Harrison still further in his status as the most original British writer of his generation.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 9, 1937 — Marty Krofft. (Died 2023.)

H.R.Pufnstuf.
Who’s your friend when things get rough?
H.R. Pufnstuf.
Can’t do a little, ‘cause he can’t do enough

Who here didn’t grow up watching some of the shows created by the Krofft brothers? Well, this is the day that Marty Krofft was born, so I get to talk about their work. So let’s get started.

Their very first work was designing the puppets and sets for Banana Splits, a rock band composed of four animal characters for Hanna-Barbera.  To get a look at them, here’s the open and closing theme from the show.

After working for Hanna-Barbera, they went independent with the beloved H. R. Pufnstuf, their first live-action, life sized puppet series. It ran a lot shorter than I thought lasting only from September to December of ‘69. Like everything of theirs, it ended up in heavy, endless syndication.

Next was The Bugaloos. This was a musical group, very much in keeping with the tone with Banana Splits. It was four British teenagers wearing insect outfits, constantly beset by the evil machinations of the Benita Bizarre. Here’s the opening song, “Gna Gna Gna Gna Gna” courtesy of Krofft Pictures.

Lidsville, their next show lasted but seventeen episodes, and I’ve no idea if the short longevity of their series, all of them, was planned or due to poor ratings. This show had two types of characters: conventional actors in makeup taped alongside performers in full mascot costumes. It was mostly stop motion in its filming. 

Opening credits are here. The opening was produced at Six Flags Over Texas. The show was itself shot at Paramount Pictures film studio in Los Angeles.

https://www.youtube.com/watch?v=FFMuNkseruo

Sigmund and the Sea Monsters lasted two seasons though it was aired over three years, the second delayed because a fire at the beginning of season two which destroyed everything. It’s about two brothers who discover a friendly young sea monster named Sigmund who refuses to frighten people. Poor Sigmund. This time you get a full episode as that is all Krofft Pictures had up, “Frankenstein Drops In”.

There’s two more series I want to note. 

The first is Land of the Lost which was created though uncredited in the series by David Gerrold. So anyone know why that was? It was produced by Sid and Marty Krofft who co-developed the series with Allan Foshko. Lots of genre tropes here. A family lost in a land with dinosaurs and reptile men? It was popular enough that it lasted three seasons. And here’s the opening and closing credits for season three.

The very last pick by me is Electra Woman and Dyna Girl which lasted but sixteen episodes of twelve minutes. Despite the ElectraEnemies, their foes here being way over the top, this is SF though admittedly on the pulp end of things. 

So they stayed active including doing rebooted versions of new versions of Electra Woman and Dyna Girl, H.R. Pufnstuf, Land of the Lost and Sigmund and the Sea Monsters. 

Marty Krofft passed on from kidney failure on November 25, 2023, at the age of eighty six. 

(9) COMICS SECTION.

(10) VASTER THAN EMPIRES, AND MORE EXPENSIVE. Francis Ford Coppola’s Megalopolis might be sff – which might matter more if the film can make it into theaters. Variety says it will premiere at Cannes. However, The Hollywood Reporter learned studios are not lining up to accept the film’s high-dollar marketing risk: “’Megalopolis’: Francis Ford Coppola’s Challenges in Distribution”.

…The project, which Coppola first began writing in 1983, cost a reported $120 million to make — funded in part by the sale of a significant portion of his wine empire (the 2021 deal was reportedly worth over $500 million). Clocking in at two hours and 15 minutes, the film follows the rebuilding of a metropolis after its accidental destruction, with two competing visions — one from an idealist architect (Adam Driver), the other from its pragmatist mayor (Giancarlo Esposito) — clashing in the process. References to ancient Rome — including Caesar haircuts on the men — abound…

… One source tells THR that Coppola assumed he would make a deal very quickly, and that a studio would happily commit to a massive P&A (prints and advertising, including all marketing) spend in the vicinity of $40 million domestically, and $80 million to $100 million globally.

That kind of big-stakes rollout would make Megalopolis a better fit for a studio-backed specialty label like the Disney-owned Searchlight or the Universal-owned Focus. But Universal and Focus have already tapped out of the bidding, sources tell THR…. 

(11) THANKS FOR YOUR GIZZARD. James Davis Nicoll comments on “Five Science Fiction Stories About Involuntary Organ Donation” at Reactor.

… Why should some teenager enjoy perfect skin, a pain-free back, and functional joints when persons of my age could make much better use of these body parts? Yet such are the politically correct times in which we live that simply proposing, never mind implementing, mandatory organ1 donations is considered somehow controversial.

Science fiction can see past the squeamishness of short-term social fashions to the glorious world we might have if we were willing to apply technology in a socially responsible—which is to say, one that benefits the people in charge—manner. Consider these five classic tales….

One of the selections is –

The Reefs of Space by Frederik Pohl and Jack Williamson (1964)

…Reefs features an intriguing deep space ecology in no way inhibited by plausible science. The use of political prisoners as involuntary organ donors is much more plausible….

(12) SPACE COWBOYS READINGS. Space Cowboy Books will host an online Flash Science Fiction Night on April 23 with Howard V. Hendrix, Ai Jiang, and Hailey Piper. These short science fiction readings (1000 words or less) are great way to learn about new authors from around the world. Starts at 6:00 p.m. Pacific. Lasts around half an hour. Register for free at Eventbrite.

(13) TODAY’S THING TO WORRY ABOUT. “They Came From Outer Space. Now, They’re Going Into Hiding.” So says the New York Times.

If you’re looking for meteorites, here’s a tip: Go south. All the way south. And do it soon.

In some parts of Antarctica, there’s a good chance that what looks like a regular old rock could actually be a chunk of an asteroid, the moon, or even Mars. Roughly 60 percent of all known meteorites have been collected there.

But scientific sleuthing for such extraterrestrial material, which can shed light on how the solar system formed billions of years ago, will probably get more difficult in Antarctica in the coming decades. That’s because, as temperatures rise, thousands of meteorites will sink into the continent’s ice and disappear from sight every year, according to a new study published on Monday.

Antarctica’s meteorite largess isn’t because more extraterrestrial stuff is falling there, Cari Corrigan, a geologist at the Smithsonian Institution and a curator of the National Museum of Natural History’s meteorite collection, said.

Rather, meteorites simply tend to be more visible on the Antarctic ice sheet than they would be, say, in your backyard. “Your eye can pick out a dark rock on a white surface super easily,” said Dr. Corrigan, who was not involved in the new research….

(14) ON THE JOB. Here’s the trailer for “Monsters at Work: Season 2” with Ben Feldman, Billy Crystal, and John Goodman. The season premiered April 5 on Disney Channel, and on May 5 comes to Disney+.

(15) VIDEO OF THE DAN. [Item by Daniel Dern.] For the small Venn overlap who know both references: “Leslie Nielsen in Star Wars”.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Kathy Sullivan, Dann, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/15/24 What Can You Scroll About Chocolate Covered Stepping Disks?

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(1) WALDROP TO THE SCREEN. George R.R. Martin tells us, “The Chickens Are Coming” at Not A Blog.

Howard Waldrop is gone, but his work will live on.

…And here’s the latest one, an adaptation of Howard’s most famous story, THE UGLY CHICKENS.  Winner of the Nebula.   Winner of the World Fantasy Award.   Nominee for the Hugo, but, alas, not a winner.   A pity, that.  Howard never won a Hugo, but in some more Waldropian  world he has ten of them lined up on his mantle.

Felicia Day (SUPERNATURAL, THE GUILD, DR. HORRIBLE’S SING ALONG BLOG) stars in our film of “that dodo story.”   Mark Raso (COPENHAGEN, KODACHRONE) directed.   Michael Cassutt (TWILIGHT ZONE, MAX HEADROOM, TV101, EERIE INDIANA, and many more) did the screenplay.

Howard saw a rough cut of the film before he died.   He liked it, which pleases me no end.   I only wish we had been able to screen the final cut for him.

(2) HIGH CALIBER CANON. The Atlantic’s list of“The Great American Novels” includes Fahrenheit 451 by Ray Bradbury, The Haunting of Hill House by Shirley Jackson, A Wrinkle in Time by Madeleine L’Engle, Do Androids Dream of Electric Sheep by Philip K. Dick and a number of other works of genre interest.

(3) INTERNATIONAL BOOKER PRIZE LONGLIST. Based on the descriptions of the works at the website, there are no books of genre interest among the 13 that made the International Booker Prize 2024 longlist.

(4) BECOMING THE LIFE ON MARS. Space.com interviews Robert Zubrin about his new book: “’The New World on Mars’ offers a Red Planet settlement guide”.

To say that Dr. Robert Zubrin, the esteemed Colorado-based aerospace engineer, author, lecturer and founding president of the Mars Society, has the Red Planet on his mind is a colossal understatement.   

This pioneering educational voice and influential space authority has written many books on the timely topic of Mars and Mars settlement over the years as interest in humankind’s role in its ultimate development has risen exponentially. Now Zubrin adds to his impressive catalog of visionary volumes about our mysterious planetary neighbor with the recent release of “The New World on Mars” (Diversion Books, 2024), a fascinating and infinitely readable peek into Mars’ inestimably rosy future….

Space.com: One of the most interesting chapters deals with the psychological aspects of leaving Earth and establishing an identifiable Martian culture with its own customs, rites and rituals and the importance of that process. Can you elaborate on that subject more?

Zubrin: The Mars Society over the past couple years held two contests asking people to design a 1,000-person Mars colony and a one-million-person Mars city-state. And by design we meant not just the technology or the economy, but the social system, political system, what kind of sports are likely to be played, as well as the aesthetics. 

Between the two contests, there were something like 300 entries. The ideas proposed spanned a huge range of political systems from socialist, to democratic and libertarian. Rather than attempt to choose my favorite system for a Martian utopia, I took the point of view that there will be many Martian cities founded by different people with very different ideas on what the ideal state should be, and it’s going to be sorted out by natural selection.  

Some of the answers I came up with I like a lot, like human liberty. But this is in contradiction to many visions of science fiction colonies that are totally controlled because no one would immigrate to one. The ones that will outgrow the others will clearly be the ones that are most attractive to immigrants. Freedom is a great attractor. North Korea does not have an illegal immigrant problem. Martian colonies will have to be highly inventive and invention only thrives under freedom. I believe a Mars colony will also require a great deal of social solidarity, so it will not be multi-cultural and will need to have a strong sense of community and common identity….

(5) DOCTOR WHO STARTING TIME.  From Variety we learn “’Doctor Who’ Starring Ncuti Gatwa Reveals May Premiere Date”.

…The new season of “Doctor Who,” starring “Sex Education” breakout Ncuti Gatwa as the Fifteenth Doctor, will premiere on May 10.

The new installment will be the first-ever to launch on Disney+ and release simultaneously worldwide. The premiere will start on May 10 at 7 p.m. ET in the U.S. and internationally (excluding the U.K.) with Christmas special “The Church on Ruby Road” airing before two brand-new episodes. In the U.K., the season will premiere at midnight GMT on May 11 on BBC iPlayer.

…A new trailer for the season will debut on March 22.

(6) SHATNER WON’T BE ECLIPSED – FOR LONG, ANYWAY. The Los Angeles Times interviewed “William Shatner on his long career, horses and watch design”. Behind a paywall, unfortunately. Here’s the first paragraph:

A documentary on his life, “You Can Call Me Bill,” directed by Alexandre O. Philippe (“Lynch/Oz”), is scheduled to roll out in theaters March 22 to coincide with his 93rd birthday. He continues to host and narrate the puzzling-phenomena History series “The UnXplained With William Shatner.” A 2022 performance at the Kennedy Center, backed by Ben Folds and the National Symphony Orchestra, is about to be released both as an album, “So Fragile, So Blue,” and a concert film. The title song, says Shatner, “encompasses a lot of my thinking about how we’re savaging the world, and [I’d hope] it’d be a song that people would listen to and perhaps be inspired to do something about global warming.”

And on April 8, for 15 minutes before the shadow of an eclipse falls over Bloomington, Ind., Shatner will address “55, 60,000 people” in the Indiana University football stadium. “So what do you say, what do you write, what do you do? I’m going to have to solve those problems.”…

(7) SIMULTANEOUS TIMES CELEBRATES ANNIVERSARY. Space Cowboy Books presents a special six-year anniversary episode of Simultaneous Times in collaboration with Worlds of IF Magazine bringing you works from the pages of Worlds of If Magazine #177. Listen to the podcast at the link. Story and poetry featured in this episode:

  • “Contact” by Akua Lezli Hope; with music by Fall Precauxions. Read by the author
  • “The Pain Peddlers” by Robert Silverberg; with music by Phog Masheeen. Read by Jean-Paul Garnier
  • “Time Junkies” by Pedro Iniguez; with music by Fall Precauxions. Read by the author

Theme music by Dain Luscombe

(8) RELICS OF WONKY PROMOTION TRANSMUTED TO CHARITY GOLD. “Props from botched Willy Wonka event raise more than £2,000 for Palestinian aid charity” reports the Guardian. The charity is Medical Aid for Palestinians.

Props from a botched Willy Wonka event in Glasgow that went viral after frustrated attenders called the police have raised more than £2,000 at auction for a Palestinian aid charity.

Fabric backdrops from the “immersive experience”, which was cancelled midway, were found in a bin outside the warehouse where it took place.

Monorail Music, a record shop in the city, auctioned the remains on eBay after they were passed on by the finder. The listing said: “Don’t miss out on this rare opportunity to own a piece of history.”

The Wonka event gained online notoriety after images of the sparsely decorated warehouse in Glasgow, staffed by actors dressed as Oompa Loompas and other characters, spread worldwide. On Thursday, the listing had a total of 57 bids and the items were sold for £2,250. Michael Kasparis, online manager of Monorail, described the outcome as “amazing”….

(9) RED FLAGS RAISED ABOUT TCG-CON. Outside the Asylum urges “Don’t Go to TCG-Con”. Here’s the synopsis of a long post with many receipts:

Summary: TCG-con frequently does not pay out its advertised prizes and staff compensation. They currently owe upwards of $50,000 to players, cosplayers, judges, and other staff members for previous conventions, and appear to be in the process of collapsing entirely. I would strongly recommend not purchasing a ticket to their future events, trying to get a refund if you already have, and warning anyone you know away from them as well. If you’re owed money yourself, see the end of this page for information on next steps.

(10) GRANT PAGE (1939-2024). Deadline pays tribute in “Grant Page Dead: Australian Stuntman In ‘Mad Max’ Films & 100-Plus Others Was 85”.

Grant Page, the Australian stunt icon who performed in and coordinating stunts for the original Mad Max,sequel Beyond Thunderdome,the upcoming prequel Furiosa: A Mad Max Sagaand more than 100 other films and TV series, died Thursday in a car crash. He was 85.

A legend of Aussie cinema, Page worked … on the 1979 action classic Mad Max,which introduced the world to Mel Gibson. He performed and served as stunt coordinator on …  its 1985 second sequel Mad Max Beyond Thunderdome… He also worked on … prequel, Furiosa: A Mad Max Saga, which is on the radar to premiere at Cannes in May, and on his 2022 pic Three Thousand Years of Longing.

(11) COMICS SECTION.

The New Yorker cartoon for the Ides of March gives us Dr. Seuss’ interpretation instead of Shakespeare’s.

(12) I BECAME WHAT I BEHELD. “Grant Morrison Responds to Zack Snyder’s Take on Batman Killing, ‘If Batman Killed His Enemies, He’d Be the Joker’” (comicbook.com) – in a quote at Comicbook.com.

Filmmaker Zack Snyder recently stirred up some controversy when he defended his aggressive version of Batman from Batman v Superman: Dawn of Justice who killed, a choice that for many comic book fans runs counter to basic tenets of the character. Now, comic book writer Grant Morrison is weighing in and they don’t agree with Snyder. According to Morrison, “if Batman killed his enemies, he’d be the Joker.”

In their newsletter Xanaduum (via ScreenRant), Morrison — whose own work has been among some of the more definitive takes on Batman — dug into not only the practical aspect of why Batman doesn’t kill (because he’d end up arrested by Commissioner Gordon, in theory) but also the psychological aspect of the character and how Batman’s “no-kill” rule is something locked into him from the time he was a small child and is a part of his mental state having never fully developed, in some respect, out of the child who saw his parents murdered in Crime Alley.

“That Batman puts himself in danger every night but steadfastly refuses to murder is an essential element of the character’s magnificent, horrendous, childlike psychosis,” Morrison wrote.

There’s also the matter of the line between what Batman does and what the villains do. Villains kill; Batman does not. It makes all the difference, at least to Bruce Wayne who, should he ever cross the line, would then become no better than those who killed his parents….

(13) SNOWPIERCER RESCUED. It won’t be frozen out by streaming services after all says Deadline: “’Snowpiercer’: AMC Picks Up Season 4 After TNT Scrapped Sci-Fi Drama”.

The final season of Snowpiercer has finally found a home.

The fourth season of the sci-fi drama will air on AMC after the company acquired the rights to the Tomorrow Studios-produced series. It comes after TNT scrapped the show last year as part of a wider Warner Bros. Discovery content write-down strategy.

Deadline revealed in January 2023 that the fourth season wouldn’t air on its original home, as part of a slew of content cuts that also included the axing of Batgirl, Abrams’ HBO drama Demimonde, and TBS series such as The Big D, Chad and Kill The Orange Bear….

(14) A YELLOWSTONE UNSTUCK IN TIME. Gizmodo assures us “Josh Brolin’s Sci-Fi Hole Show Will Get Even Sci-Fi-er, Holier in Season 2”.

…The central mysteries of Outer Range surround that giant hole, which materializes on property owned by Brolin’s Wyoming rancher character and is eventually established to be a time portal. Along the way, various characters go missing, are revealed to have been born in different centuries, notice odd happenings that seem anachronistic, or are unmasked as characters we’ve already met who happen to be several years older than they should be. In season two, we’ll all take a time leap; the action begins in 1984 with a younger version of Brolin’s character, and Vanity Fair describes the narrative structure as “gamely hopping between different decades (and centuries) with newfound propulsion.”

An astrophysicist called in to help the time-travel stuff make sense—but according to new showrunner Murray, “The biggest part of what time travel meant to me and the writers was: How can this help us expose something that a character’s going through?” We’re very intrigued to see where this wild trail heads next….

(15) DISHING IT UP. A reporter tells BBC that “’Journalists are feeding the AI hype machine’”.

When Melissa Heikkilä looks back on her past four years writing about artificial intelligence (AI), two key things jump out to her, one good, one bad.

“It’s the best beat… AI is a story about power, and there are so many ways to cover it,” says the senior reporter for magazine MIT Technology Review. “And there are so many interesting, and eccentric people to write about.”

That’s the positive. The negative, she says, is that much of the wider media’s coverage of AI can leave a lot to be desired.

“There is more hype and obfuscation about what the technology can and cannot actually do,” says Ms Heikkilä. “This can lead to embarrassing mistakes, and for journalists to feed into the hype machine, by, for example, anthropomorphizing AI technologies, and mythologizing tech companies.”…

(16) RIGHT TURN, CLYDE. And while we’re on the subject of dud reportage – “Seismic signal that pointed to alien technology was actually a passing truck” says Physics World.

In January 2014 a meteor streaked across the sky above the Western Pacific Ocean. The event was initially linked to a seismic signal that was detected on Papua New Guinea’s Manus Island. This information was used by Harvard University’s Amir Siraj and Avi Loeb to determine where the object likely fell into the ocean. Loeb then led an expedition that recovered spherical objects called spherules from the ocean bottom, which the team claimed to be from the meteor.

Because of the spherule’s unusual elemental composition, the team has suggested that the objects may have come from outside the solar system. What is more, they hinted that the spherules may have an “extraterrestrial technological origin” – that they may have been created by an alien civilization.

Now, however, a study led by scientists at Johns Hopkins University has cast doubt on the connection between the spherules and the 2014 meteor event. They have proposed a very different source for the seismic signal that led Loeb and colleagues to the spherules.

“The signal changed directions over time, exactly matching a road that runs past the seismometer,” says Benjamin Fernando, a planetary seismologist at Johns Hopkins who led this latest research.

“It’s really difficult to take a signal and confirm it is not from something,” explains Fernando. “But what we can do is show that there are lots of signals like this, and show they have all the characteristics we’d expect from a truck and none of the characteristics we’d expect from a meteor.”

That’s right, it was a truck driving past the seismometer, not a meteor….

(17) WAR OF THE WORLD. “Air defense for $13 a shot? How lasers could revolutionize the way militaries counter enemy missiles and drones” at Yahoo!

Britain this week showed off a new laser weapon that its military says could deliver lethal missile or aircraft defense at around $13 a shot, potentially saving tens of millions of dollars over the cost of missile interceptors that do the job now.

Newly released video of a test of what the United Kingdom’s Defense Ministry calls the DragonFire, a laser directed energy weapon (LDEW) system, captured what the ministry says was the successful use of the laser against an aerial target during a January demonstration in Scotland.

“It’s a potential game changer for air defense,” the video says as a bright laser beam pierces the night sky over a firing range in the remote Hebrides archipelago, creating a ball of light as it hits its target.

The Defense Ministry says the DragonFire can precisely hit a target as small as a coin “over long ranges,” but it did not offer specifics. The exact range of the weapon is classified, it said.

The laser beam can cut through metal “leading to structural failure or more impactful results if the warhead is targeted,” a UK Defense Ministry statement said….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Sandra Miesel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/24/23 We Don’t Need Another Pixel (Thunderscroll)

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(1) NEW TIKTOK BOOK AWARDS UK/IRELAND. TikTok isintroducing the TikTok Book Awards UK and Ireland 2023.

In the past year, the #BookTok hashtag has grown more than 160% to over 138 billion views – and shows no sign of stopping! The #BookTok community of authors, readers and fans is transforming the publishing world: propelling new authors into the mainstream, reviving much loved classics, inspiring a new generation of bookworms and helping to boost print book sales.

In celebration and recognition of the titles, authors, content and creators that have made the unique BookTok ecosystem what it is, we are proud to launch our very own TikTok Book Awards for the UK and Ireland. For the first time, we’re creating a true people’s choice book award – giving our community the chance to vote for the winning books, authors and creators in-app….

The award categories will be: BookTok Creator Of The Year, BookTok Book Of The Year, BookTok Author Of The Year, Best BookTok Revival, Indie Book Shop Of The Year, Best Book to End A Reading Slump, Best Book I Wish I Could Read Again For The First Time, BookTok Cover of The Year, and BookTok Livestreamer of The Year.

A panel of judges is creating the longlist (they are named at the link). The final winners will be decided by the TikTok community in the UK and Ireland, through an in-app vote that will go live in July, with all winners being crowned in August.

(2) INTERNATIONAL BOOKER PRIZE. The International Booker Prize 2023 winner was announced May 23 – Time Shelter by Georgi Gospodinov, translated by Angela Rodel. It is not a genre work, although that may not be your first impression after reading the description:

Time Shelter becomes the first novel originally published in Bulgarian to win the prize. In the book, a ‘clinic for the past’ offers a promising treatment for Alzheimer’s sufferers: each floor reproduces a decade in minute detail, transporting patients back in time. But soon the past begins to invade the present.

(3) RUSSIA/UKRAINE CONFLICT ROILS PEN AMERICA. The Guardian explains why “Author resigns from PEN America board amid row over Russian writers panel”.

Masha Gessen, the prominent Russian-American writer who has documented Russia’s decline into authoritarianism, has resigned as vice-president of PEN America after the organisation cancelled an event last week with Russian dissidents after objections from Ukrainian participants.

The group, which was founded in 1922 and describes itself as “stand[ing] at the intersection of literature and human rights to protect free expression,” was plunged into controversy after it acknowledged that it had called off an event at a literary festival in New York after Ukrainian writers on a separate panel had threatened to pull out.

Gessen’s resignation – and coverage of it in the US media including Gessen’s claim that the Ukrainian position had “blackmailed” PEN America – has prompted a series of furious exchanges with Gessen accused of “gaslighting” Ukrainians by focusing on Russians as “victims of tyranny”.

… In a statement released by PEN America on Tuesday, the group admitted it had made “mistakes” and misunderstood a requirement from two Ukrainian participants, Artem Chapeye and Artem Chekh, who are also serving soldiers, that they could not be involved in PEN’s World Voices festival if Russian writers were involved in any way.

While Gessen – who uses they/them pronouns – was born in Russia but lives in the US is seen by many as an “American writer,” the presence of the two others on the panel complicated the issue with Chapeye telling the Atlantic, which first broke the story, he could not make distinctions between “good” Russians and “bad” Russians.

“Until the war ends,” he added, “a [Ukrainian] soldier can not be seen with the ‘good Russians.’”…

(4) RE-DISCOVERY LIT ANNOUNCED. Open Road’s new imprint Re-Discovery Lit has 200 titles slated for its inaugural list. Their use of a “similarity engine” to scout reprints doesn’t sound at all creepy, does it? “Imprints: Open Road’s Re-Discovery Lit” at Publishers Lunch.

Open Road has launched an imprint devoted to republishing out-of-print and reverted titles, Re-Discovery Lit. They expect to reissue about 200 titles a year, publishing primarily in ebook format, though titles will be available in print-on-demand editions as well. Mara Anastas, who is publisher of the imprint, says in the announcement, “Agents and writers everywhere have been excited to learn of this new opportunity for out-of-print and reverted works.”

Authors on the list include Barbara Delinsky, Clifford D. Simak, Roger Angell, Alan Dean Foster, and Ronald Malfi. An agreement with Alloy Entertainment brings back series including Melinda Metz’s YA Fingerprints series and Eileen Goudge’s Who Killed Peggy Sue? series.

For acquisitions, Open Road is drawing on the “similarity engine” technology to assess titles and use predictive analytics to see if they are a good match for the company’s marketing levers. “If it isn’t a fit, we’ll say to the rightsholders, ‘This is not a book we can help lift,'” ceo David Steinberger noted, and for titles that do align they can present a clear marketing plan for the republication.

(5) TINA TURNER. (1939-2023). One of the most successful singers ever, Tina Turner died May 24 at the age of 83. Her legion of hit performances impacted sff with “We Don’t Need Another Hero“ from Mad Max: Beyond Thunderdome, from the film in which she also played the character Aunty Entity, and the theme song for 1995 Bond film GoldenEye. She appeared as The Acid Queen in Tommy (1975) and The Mayor in Last Action Hero (1993). The New York Times obituary is here.

(6) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

Frances Hardinge’s A Face Like Glass is where the Beginning is from this Scroll. It was published eleven years ago by Macmillan Children’s Books.

She was nominated for a the Kitschie Awards’ Red Tentacle for Best Novel, an Award sponsored by Blackwell’s, the specialist bookstore.

Though she’s considered a children’s writer, I’d say that any of you would find her fantasies well-worth reading. 

This Beginning gives us an excellent look at her writing style…

Prologue 

The Child in the Curds

One dark season, Grandible became certain that there was something living in his domain within the cheese tunnels. To judge by the scuffles, it was larger than a rat and smaller than a horse. On nights when hard rain beat the mountainside high above, and filled Caverna’s vast labyrinth of tunnels with the music of ticks and trickles and drips, the intruding creature sang to itself, perhaps thinking that nobody could hear. 

Grandible immediately suspected foul play. His private tunnels were protected from the rest of the underground city by dozens of locks and bars. It should have been impossible for anything to get in. However, his cheesemaker rivals were diabolical and ingenious. No doubt one of them had managed to smuggle in some malignant animal to destroy him or, worse still, his cheeses. Or perhaps this was some ploy of the notorious and mysterious Kleptomancer, who always seemed determined to steal whatever would cause the most chaos, regardless of any personal gain. 

Grandible painted the cold ceiling pipes with Merring’s Peril, thinking that the unseen creature must be licking the condensation off the metal to stay alive. Every day he patrolled his tunnels expecting to find some animal curled comatose beneath the pipes with froth in its whiskers. Every day he was disappointed. He laid traps with sugared wire and scorpion barbs, but the creature was too cunning for them. Grandible knew that the beast would not last long in the tunnels, for nothing did, but the animal’s presence gnawed at his thoughts just as its teeth gnawed at his precious cheeses. He was not accustomed to the presence of another living thing, nor did he welcome it. Most of those who lived in the sunless city of Caverna had given up on the outside world, but Grandible had even given up on the rest of Caverna. Over his fifty years of life he had grown ever more reclusive, and now he barely ventured out of his private tunnels or saw a human face. The cheeses were Grandible’s only friends and family, their scents and textures taking the place of conversation. They were his children, waiting moon-faced on their shelves for him to bathe them, turn them, and tend to them.

Nonetheless, there came a day when Grandible found something that made him sigh deeply, and clear away all his traps and poisons.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 24, 1925 — Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s know as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher) and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.)
  • Born May 24, 1953 — Alfred Molina, 70. His film debut was on Raiders of The Lost Ark as Satipo. He was an amazing Doctor Octopus on Spider-Man 2 and in Spider-Man: No Way Home, and he also provided the voice of the villain Ares on the outstanding 2009 animated  Wonder Woman. Oh, and he was a most excellent Hercule Poirot in the modern day version of Murder on the Orient Express. I know, not genre, but one of my favorite films no matter who’s playing the character. 
  • Born May 24, 1960 — Michael Chabon, 63. Author of the single best fantasy novel about baseball, Summerland which won a Mythopoeic Fantasy Award for Children’s Literature. His other two genre novels, Gentlemen of the Road and The Yiddish Policemen’s Union, winner of Best Novel at Denvention 3, are stellar works in themselves. He was Showrunner for the first season of Picard and was Executive Producer for the second season. He also did revisions to the script for Disney’s John Carter.
  • Born May 24, 1960 — Doug Jones, 63. I first saw him as Abe Sapien on Hellboy, an amazing role indeed. To pick a few of my favorite roles by him, he’s in Pan’s Labyrinth as The Faun and The Pale Man (creepy film), a clown in Batman Returns, the Lead Gentleman in the “Hush” episode of Buffy and Commander Saru on Discovery.

(8) COMICS SECTION.

  • Free Range demonstrates a good reason why logic is no use against childhood fears.
  • Dee Fish shows a Jedi in action. Or trying to be. Lise A says the lesson is, “The important thing is to face all threats without fear and to act fast.”

(9) IMAGE COMICS CHANGES DISTRIBUTORS. “Image Comics ditches Diamond for Lunar to get its comics into comic shops after a 25+ year relationship” reports Popverse.

In a move sure to cause surprise throughout the comic book industry, Image Comics — the third largest single-issue comic book publisher in the North American market, after Marvel and DC — has announced that it has signed a worldwide exclusive distribution deal for comic store distribution with Lunar Distribution, to take effect this fall.

What does this mean for Image Comics customers?

The new deal — which specifically covers distribution to the comic store ‘direct market,’ as opposed to digital, bookstores, and other outlets — means that, for the first time in the publisher’s existence, single issues will not be carried directly by Diamond Comic Distributors, which has been Image’s exclusive distribution partner since April 1995. Instead, Lunar, which has been DC’s primary distribution partner to North American comic book stores since 2021, will take over all duties relating to the ordering and shipping of single issues and collected editions to comic stores inside the United States as well as internationally. The changeover will happen effective with Image’s September releases, which will open for retailer orders on June 14.

(10) TREK CROSSOVER COMING. Entertainment Weekly introduces the Strange New Worlds season two trailer: “See ‘Star Trek: Lower Decks’ stars in live action on ‘Strange New Worlds’”.

…The new trailer for Star Trek: Strange New Worlds season 2, premiering on Paramount+ this June 15, brings with it our first look at the big crossover event. Jack Quaid and Tawny Newsome, who voice the animated characters Beckett Mariner and Brad Boimler on Star Trek: Lower Decks, will embody their characters in live-action form.

“Surprise!” Newsome’s Mariner tells a perplexed Captain Pike (Anson Mount) and Spock (Ethan Peck), alongside a noticeably purple-haired Boimler….

(11) STRIKEOUT. SYFY Wire reminds fans how “The Last WGA Strike Stranded a Heroes Character in a Dark Future”.

…When Heroes premiered on NBC in 2006, the first season was a huge hit. This was pre-Marvel Cinematic Universe, and the idea of an exciting, sprawling superhero universe on TV was an instant draw. Season 1 focused on a group of characters, including the ostensible protagonist Peter Petrelli (Milo Ventimiglia), as they came to terms with the mysterious superpowers they had acquired and rushed to “save the cheerleader, save the world.”

Season 2 was not beloved in the way that Season 1 was. It’s not necessarily fair or accurate to say that the shortcomings of the sophomore season were all due to the 2007-2008 WGA strike — creator Tim Kring admitted that there were several problems with the season — but the fact that the strike made it so they only produced 11 out of a planned 24 episodes certainly didn’t help. The show rushed to wrap up the season early in an attempt to bring things to a conclusion rather than leave the season abruptly unfinished….

(12) VIDEO OF THE DAY. In this Christopher Plummer plays Vladimir Nabokov lecturing on Kafka’s “The Metamorphosis”.

This is a short TV movie based on Nabokov’s lecture at Cornell upon “Metamorphosis,” Kafka’s bizarre story about a man who wakes up one morning to discover he has turned into a giant bug. This was filmed at 1989 by Peter Medak, and Christopher Plummer is portraying Vladimir Nabokov.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Hampus Eckerman, Lise Andreasen, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 4/19/23 Tick, Tock, Said The Pixel, Just Keep Scrolling

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(1) F&SF. The Magazine of Fantasy & Science Fiction’s May-June 2023 cover art is by Maurizio Manzieri.

(2) INTERNATIONAL BOOKER PRIZE. The International Booker Prize 2023 Shortlist of 6 works was released on April 18. The one longlisted item of genre interest has survived to make the shortlist, Cheon Myeong-Kwan’s Whale. The winner will be announced May 23. Publishing Perspectives breaks down the amount of the prize.

…The focus of this Booker is translation, and its £50,000 prize (US$60,734) is to be split into £25,000 (US$30,367) for the author and £25,000 for the translator—or divided equally between multiple translators. There also is a purse of £5,000 (US$6,072) for each of the shortlisted titles: £2,500 (US$3,036) for the author and £2,500 for the translator or, again, divided equally between multiple translators….

(3) DIGGING OUT FROM THE MUDSLIDE. Yesterday Larry Correia posted “A Letter To Epic Fantasy Readers: I Know Rothfuss And Martin Hurt You, But It’s Time To Get Over It And Move On” [Internet Archive], a cruel rant blaming a couple of well-known fantasy writers for allegedly crushing the nascent careers of other fantasy novelists by failing to finish their series and creating reader resistance to new writers’ series. (Then, finding he had mud left over, he deposited some on a third author who has an unfinished sf series.)

Today Mark Lawrence decided a few things needed to be said in response in a blog post, “Faith and blame”, which concludes:

…In short: 

i) Authors who delay a book in a series, be it for 10 years, or 50, or forever, are not lazy sacks of shit.

ii) The high profile authors who have delayed may be cited in some cases as a reason for readers not picking up a newly published book 1 — but I feel the reasons behind that reluctance are far deeper and considerably wider than two or three writers, however well known. Some portion of the reason (I do not say blame) may reside with them, but I think this would be happening even if book 3, 4, & 6 had turned up a year or two after their predecessors.

iii) It’s easy to give the reason for this problem a face – someone to call an apathetic sack of shit. It’s human nature to want a simple answer and a person to blame. But it’s more complicated than that.

Readers – have faith in your writers, that faith will be overwhelmingly rewarded. And when it’s not – the only thing that author has done is disappointed you, not tanked the entire publishing industry.

(4) DON’T LOOK FOR THIS BOOK ON THE RIVER. “Lydia Davis refuses to sell her next book on Amazon” – the author explains why to the Guardian.

Prize-winning author Lydia Davis’ new collection of short stories will not be sold on Amazon, with the author saying she does not “believe corporations should have as much control over our lives as they do”.

Our Strangers will be published by Canongate on 5 October, and is the seventh collection of fiction from Davis, who won the Man Booker international prize in 2013, when the award chose a winner based on a body of work, rather than a single book.

Due to be published just before Bookshop Day on 7 October, Our Strangers will only be sold in physical bookshops, Bookshop.org and selected online independent retailers.

Davis said: “We value small businesses, yet we give too much of our business to the large and the powerful – and often, increasingly, we have hardly any choice.

“I am all the more pleased, now, that Canongate, with its long history of independence and its high standards, will be publishing Our Strangers and doing so in a way that puts my book on the shelves of booksellers who are so much more likely to care about it.”…

(5) GROWING PROSPECT OF WRITERS STRIKE. Leaders of the Writers Guild of America secured a strong showing of support from members. “Writers strike looms after members vote to shut down film and TV production” reports CNN Business.

…The vote announced Monday afternoon showed 97.9% of participating union members voting to approve a potential strike.

If a strike happens, it would be the first in the industry since 2007, and it would bring production on many shows and films to a halt. The 2007 strike lasted 100 days.

The Writers Guild of America, the union that represents the writers, says it needs to make substantial changes to the way that writers are compensated because of the shift to streaming services from traditional films and cable and broadcast networks….

(6) AFRICANFUTURISM. Nnedi Okorafor did her own cover reveal yesterday. Preorder here.

(7) PICARD. NPR’s “Pop Culture Happy Hour” panelists respond as “’Picard’ boldly goes into the history books”. Beware spoilers.

[ERIC] DEGGANS: Well, you know, I wrote a review before the show debuted. I love, love, love this. And the reason I love this is because I’ve always felt that Paramount Plus’ new “Trek” series have erred by being so careful about trying to blaze their own path and tone down the references to past “Trek” stuff. And I understand that, especially with “Discovery,” the very first series to step out, they wanted to blaze a new trail. But there is a reason why this franchise has survived for nearly 60 years.

To have – especially “Star Trek: Picard,” in its first two seasons, really suffered from not being willing to look back and acknowledge the reason why people love Jean-Luc Picard in the first place. So it is just so great to see this series emerge as this love letter to not just “The Next Generation” but all those Trek series that kind of debuted in that 1990s, early 2000s era. So “The Next Generation,” “Deep Space Nine,” “Voyager” – there’s all kinds of Easter eggs and references that, if you don’t know the shows, you don’t need to worry about. But if you do know the shows, it is just so much fun and so much extra pleasure to watch this unfold.

(8) GET READY FOR “MRS. DAVIS”. “Mrs. Davis Co-Creator Tara Hernandez On Crafting Peacock’s Wild New Sci-Fi Series” at Slashfilm.

One might not imagine that one of the writers of “The Big Bang Theory” and “Young Sheldon” would be behind one of 2023’s most anticipated, high-concept sci-fi shows, but that’s exactly the situation we find ourselves in. Hailing from Tara Hernandez, “Mrs. Davis” debuts on Peacock later this month, with Damon Lindelof, of “Lost” and “The Leftovers” fame, serving as co-creator on the series alongside her….

I’ve not seen a ton of the show, admittedly, but this feels like the kind of thing where, especially because I know Damon got into some of this with “Lost” years ago where they just were chasing their tails, so how long would you ideally see this going? Is this a one season show? Is it a four season show? Do you have a rough idea of where you guys would like it to go?

Yeah, I think we really, and just my personal tastes, I really love a great season of television. I love a story that’s introduced. I love a nice conclusion on it. I think we had to know where we were ending up. We pitched the show, when we pitched it, it was very important to have the landing place.

That is nice to hear.

Yes. It has a landing place. We had to know what the North Star was, especially in a show that can feel like, “Is this going to go off the rails? Are they just going to be chasing their tails?” Just my personal preference about storytelling, whether that comes from really loving feature films or just loving a hero’s journey that’s a really closed-loop narrative, I think the world of “Mrs. Davis” is such that it has legs, but I think it is a great eight episodes. If that’s what it is, it’s just a really nice story. And people will be satisfied.

(9) GET YOUR RED HOT CAT BOOKS. Kristine Kathryn Rusch has curated The 2023 Cattitude Bundle for StoryBundle and it’s available for the next three weeks.

My cats have gotten out of control. During the lockdown, I promoted a series of projects using my co-workers as a hook. The only co-workers I had at the time were the the cats who boss me around: The Mighty Cheeps, and his buddy Gavin, a.k.a The Boys.

I’d post a picture of them on Facebook, write a funny or wry bit about their terrible office behavior, and end with a bit of promotion.

Little did I realize that the demand for the antics of the staff at Promotion Central would become the highlight of my Facebook page. I’ve learned if I don’t include a photo of the Boys, or our new(ish) third cat, Angel, no one reads the posts. Those cats are more popular than I am.

It shouldn’t surprise me. Cats and the internet go together like chocolate and peanut butter. You can live with either one, but once someone combined them, well, there’s no separating them. Ever.

Of course, we’re going to take advantage of that. Cats and the internet becomes cats in ebooks. Since cats in books have always gone hand in glove (have you ever met a bookstore dog?), it seems only natural to put cat books into a StoryBundle.

The best thing about cat books? It’s easy to find good ones because all of the best writers live with cats…. 

Here’s the deal:

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.

  • Too Big to Miss by Sue Ann Jaffarian
  • Familiarity – A Winston & Ruby Collection by Kristine Kathryn Rusch
  • A Cat of a Different Color by Kristine Kathryn Rusch and Dean Wesley Smith
  • October Snow by Bonnie Elizabeth

If you pay at least the bonus price of just $20, you get all four of the regular books, plus six more books for a total of 10!

  • The Captain’s Cat by Stefon Mears (StoryBundle Exclusive)
  • Haunted Witch by T. Thorn Coyle
  • The Intergalactic Veterinarian of the Year! by Ron Collins & Jeff Collins (StoryBundle Exclusive)
  • Death by Polka by Robert Jeschonek
  • Single Witch’s Survival Guide by Mindy Klasky
  • Road of No Return by Annie Reed (StoryBundle Exclusive)

(10) NEVER GIVE UP, NEVER SURRENDER. “Oh please, no.  Just no. And you may quote me,” says Cat Eldridge. The Hollywood Reporter says “Galaxy Quest TV Series in the Works at Paramount+”. The article also chronicles several failed attempts to adapt it for TV in the previous decade.

Galaxy Quest is going from a fictional series to an actual TV series. 

Paramount+ is teaming with its studio counterpart, Paramount Television Studios, for a live-action adaptation of the 1999 cult favorite sci-fi spoof. Sources say the project is in the early development stages and a search is underway for a writer to pair with Mark Johnson, the Breaking Bad alum who exec produced the film and is returning for the scripted update. Johnson and his Gran Via Productions banner are the only execs currently attached to the project….

Ars Technica’s Jennifer Ouelette also has doubts that this is a good idea: “That Galaxy Quest TV series might finally be happening and we have mixed feelings”.

… Honestly, I have mixed feelings about a spinoff series from one of my all-time favorite movies. On the one hand, I love and cherish every character and every line of dialogue in Galaxy Quest. On the other, how do you improve on perfection? As Enrico Colantoni, who played Thermion leader Mathesar, told io9 in 2014, “To make something up, just because we love those characters, and turn it into a sequel—then it becomes the awful sequel.”…

(11) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

I’m trying to remember what the first work of Holly Black’s that I read, so I went to ISFDB and researched her work. It appears it’s Tithe: A Modern Faerie Tale which I read some twenty years ago. Fascinating novel. 

 Now, without doing the no-no of spoilers, The Darkest Part of The Forest is the work of a much more mature writer. Her grasp of what makes a character worth our time to be invested in is really improved a lot as has her ability to actually write an interesting story. 

The Darkest Part of The Forest was published by Little, Brown eight years ago. It was nominated for a Mythopoeic Fantasy Award for Adult Literature. 

The Darkest Part of The Forest is, I think, deliciously dark as you can see in The Beginning which you can read here. Beware apparently young boys with pointed ears in glass coffins… 

Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin. It rested right on the ground, and in it slept a boy with horns on his head and ears as pointed as knives. 

As far as Hazel Evans knew, from what her parents said to her and from what their parents said to them, he’d always been there. And no matter what anyone did, he never, ever woke up. 

He didn’t wake up during the long summers, when Hazel and her brother, Ben, stretched out on the full length of the coffin, staring down through the crystalline panes, fogging them up with their breath, and scheming glorious schemes. He didn’t wake up when tourists came to gape or debunkers came to swear he wasn’t real. He didn’t wake up on autumn weekends, when girls danced right on top of him, gyrating to the tinny sounds coming from nearby iPod speakers, didn’t notice when Leonie Wallace lifted her beer high over her head, as if she were saluting the whole haunted forest. He didn’t so much as stir when Ben’s best friend, Jack Gordon, wrote IN CASE OF EMERGENCY, BREAK GLASS in Sharpie along one side—or when Lloyd Lindblad took a sledgehammer and actually tried. No matter how many parties had been held around the horned boy—generations of parties, so that the grass sparkled with decades of broken bottles in green and amber, so that the bushes shone with crushed aluminum cans in silver and gold and rust—and no matter what happened at those parties, nothing could wake the boy inside the glass coffin. 

When they were little, Ben and Hazel made him flower crowns and told him stories about how they would rescue him. Back then, they were going to save everyone who needed saving in Fairfold. Once Hazel got older, though, she mostly visited the coffin only at night, in crowds, but she still felt something tighten in her chest when she looked down at the boy’s strange and beautiful face.

She hadn’t saved him, and she hadn’t saved Fairfold, either. “Hey, Hazel,” Leonie called, dancing to one side to make room in case Hazel wanted to join her atop the horned boy’s casket. Doris Alvaro was already up there, still in her cheerleader outfit from the game their school lost earlier that night, shining chestnut ponytail whipping through the air. They both looked flushed with alcohol and good cheer.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 19, 1907 — Alan Wheatley. Best remembered for being the Sheriff of Nottingham in The Adventures of Robin Hood, with Richard Greene playing Robin Hood. In 1951, he had played Sherlock Holmes in the first TV series about him, but no recordings of it are known to exist. And he was in Two First Doctor stories as Temmosus, “The Escape” and “The Ambush” where he was the person killed on screen by Daleks. (Died 1991.)
  • Born April 19, 1925 — Hugh O’Brian. He was Harry Chamberlain in Rocketship X-M. (It was nominated in the 1951 Retro Hugo Awards given at The Millennium Philcon but lost out to Destination Moon.) He would later play Hugh Lockwood in Probe, not the Asimov Probe, the pilot for the sf TV series Search. His only other genre appearance I think was playing five different roles on Fantasy Island. Though I’m absolutely sure I’ll be corrected if I’m wrong (smile). (Died 2016.)
  • Born April 19, 1935 — Herman Zimmerman, 88. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, in that era he worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler. 
  • Born April 19, 1936 — Tom Purdom, 87. There’s very little on him on the web, so I’ll let Michael Swanwick speak for him in the introduction to his Lovers & Fighters, Starships & Dragons collection: “How highly do I regard Tom’s fiction?  So highly that I wrote the introduction to the collection — and I hate writing introductions.  They’re a lot of work.  But these stories deserve enormous praise, so I was glad to do it.”  He’s written five novels and has either one or two collections of his stories. He’s deeply stocked at the usual digital suspects. 
  • Born April 19, 1946 — Tim Curry, 77. Dr. Frank-N-Furter in The Rocky Horror Picture Show, of course, but it’s not his first genre appearance. He’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, a most excellent genre film, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island, in Rosencrantz and Guildenstern Are Dead as The Player, Gomez Addams in Addams Family Reunion, and Trymon in TV’s Terry Pratchett’s The Colour of Darkness. And others too numerous to list.
  • Born April 19, 1952 — Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series, a most excellent affair. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
  • Born April 19, 1967 — Steven H Silver, 56. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine seven times. In 1995 he founded the Sidewise Award for Alternate History and has served as a judge ever since. He has published the fanzine, Argentus, edited several issues of the Hugo-nominated Journey Planet. His debut novel After Hastings came out in 2020.
  • Born April 19, 1978 — K. Tempest Bradford, 45. She was a non-fiction and managing editor with Fantasy Magazine for several years, and has edited fiction for Fortean Bureau, Peridot Books and Sybil’s Garage. She’s written a lot of short fiction and her first YA novel, Ruby Finley vs. the Interstellar Invasion. She was a finalist for three Ignyte Awards, the Ember Award for unsung contributions to genre, and twice for the Community Award for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre. With Nisi Shawl and Cynthia Ward she shared a 2020 Locus Special Award to Writing the Other for Inclusivity and Representation Education.

(13) COMICS SECTION.

The future used to be better.

The future before.

The future now.

(14) BIG GREEN NUMBERS. Book Riot wants to discuss “The Bestselling Comics of All Time” – however, they don’t want the answer to be too easy.

But what is the bestselling comic of all time? Well, that depends on how you define comic.

Are we talking about single issues, or “floppies?” And if so, are we talking about the sales of one issue, or the series as a whole? Does that include collected editions and reprints? How do you account for changes in the retail market, from newsstands to specialty shops to digital, and the different reporting (or lack thereof) of each? How do you take into account the cultural changes since the ’40s, when over 90% of children read comics, compared to today’s globalized, media-saturated world? Should you account for the differences in population between America (331.9 million potential readers) versus Japan (125.7 million) versus, say, Finland (5.5 million)? Isn’t it apples and oranges to compare One Piece to X-Men to Peanuts, anyway?…

When it comes to the best selling single issue, the list begins at number five –

5. BATMAN: THE 10 CENT ADVENTURE BY GREG RUCKA AND RICK BURCHETT (MARCH 2002)

Most of the comics on this list are stunts of some sort, and selling a comic for literally just a dime in 2002 absolutely qualifies (most comics were $2.25 then). It’s actually a good story, kicking off the excellent Bruce Wayne: Murderer? plot line, but it was that nostalgic price point that sold 702,126 copies.

(15) BROWSING FOR DOLLARS. Untapped New York ranks the “10 Most Surprising Finds at the New York International Antiquarian Book Fair”. The treasures include Billie Holiday’s bar tab, and something a bit closer to being of genre interest —

9. A 17th-Century Celestial Atlas

Along with books, maps are a popular item to find at the antiquarian book fair. The book featured above is one of the most sought-after celestial atlases in existence. Produced by Dutch cartographer Andreas Cellarius in 1661, Harmonia Macrocosmica is priced at a whopping $395,000.

Considered Cellarius’s magnum opus, this map was made to illustrate competing theories of celestial mechanics, or how the solar system worked. The universe’s heavenly bodies are depicted in vibrant colors throughout 29 extremely detailed, hand-colored, double-page engraved plates in the book. The images take theories put forth by great thinkers and scientists like Ptolemy, Tycho Brahe, Nicolaus Copernicus, as well as lesser-known figures such as Aratus of Soli, and present them in an accessible way through images.

(16) BOOKSTORE SLEEPOVER. Zoos and museums have hosted them – now a downtown LA bookstore: “I spent the night at the Last Bookstore. Things got spooky” in the LA Times. The owner tried to make it a bit of a paranormal experience.

…Soon enough, Powell was recalling the spookiest things he’d seen in his years at the store. He described coworkers who’d heard or glimpsed figures moving around the corners, and instances where people watched books fly off shelves for seemingly no reason.

“That corner is where books fall off sometimes, in sci-fi, for some reason,” he said.

As we passed the portal, a hidden nook where my partner and I had signed up to sleep, we realized it was both secluded in the back corner of the store with books on U.S. history and located closest to the “haunted” shelves that books fall off of. We quickly decided we wouldn’t be sleeping there….

(17) THE MUSIC OF THE NIGHT. [Item by Mike Kennedy.] Deep in a disused mind in Sardinia, scientists are assembling an experiment to find out just how much nothing weighs. Using an exquisitely sensitive balance beam and interferometric techniques cribbed from gravity wave detectors, they plan to switch on and off the Casimir effect using small temperature variations and measure the resulting change in the number of virtual particles that can exist between metal plates. If all goes well, they will have established a tight constraint on the energy of the vacuum. “How Much Does ‘Nothing’ Weigh?” at Scientific American.

It does something to you when you drive in here for the first time,” Enrico Calloni says as our car bumps down into the tunnel of a mine on the Italian island of Sardinia. After the intense heat aboveground, the contrast is stark. Within seconds, damp, cool air enters the car as it makes its way into the depths. “I hope you’re not claustrophobic.” This narrow tunnel, which leads us in almost complete darkness to a depth of 110 meters underground, isn’t for everyone. But it’s the ideal site for the project we are about to see—the Archimedes experiment, named after a phenomenon first described by the ancient Greek scientist, which aims to weigh “nothing.”…

…Geologically, Sardinia is one of the quietest places in Europe. The island, along with its neighbor Corsica, is located on a particularly secure block of Earth’s crust that is among the most stable areas of the Mediterranean, with very few earthquakes in its entire recorded history and only one (offshore) event that ever reached the relatively mild category of magnitude 5. Physicists chose this geologically uneventful place because the Archimedes experiment requires extreme isolation from the outside environment. It involves a high-precision experimental setup designed to investigate the worst theoretical prediction in the history of physics—the amount of energy in the empty space that fills the universe….

… Researchers can calculate the energy of the vacuum in two ways. From a cosmological perspective, they can use Albert Einstein’s equations of general relativity to calculate how much energy is needed to explain the fact that the universe is expanding at an accelerated rate. They can also work from the bottom up, using quantum field theory to predict the value based on the masses of all the “virtual particles” that can briefly arise and then disappear in “empty” space (more on this later). These two methods produce numbers that differ by more than 120 orders of magnitude (1 followed by 120 zeros). It’s an embarrassingly absurd discrepancy that has important implications for our understanding of the expansion of the universe—and even its ultimate fate. To figure out where the error lies, scientists are hauling a two-meter-tall cylindrical vacuum chamber and other equipment down into an old Sardinian mine where they will attempt to create their own vacuum and weigh the nothing inside….

(18) NOBODY SURVIVES THE FLAME TRENCH. [Item by Mike Kennedy.]On this past Monday’s The Late Show with Stephen Colbert, Josh Groban talked about his visit to NASA, where, among other things, he received a tour of the “flame trench.”

Fellow space enthusiasts Stephen Colbert and Josh Groban geek out over the details of Groban’s trip to NASA’s Artemis mission launch pad. Check out Groban’s latest role as the lead in “Sweeney Todd,” playing now at Broadway’s Lunt-Fontanne Theatre.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, JJ, Gordon Van Gelder, Rich Lynch, Lise Andreasen, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]