(1) BITING THE HAND THAT FEEDS YOU. In Victoria, Texas, a “Facebook post costs Comic Con thousands in funds”.
A Facebook comment from one of the founders of Victoria Comic Con cost the group $2,770 in city support.
After Megan Booth blasted the city of Victoria’s criteria for doling out Hotel Occupancy Tax funds to local groups and questioning the value of the city’s annual Bootfest, council members voted 5-2 at Tuesday’s meeting to reduce the group’s funding from $12,770 to $10,000 and award Children’s Discovery Museum the difference: $2,770.
Booth said she was furious after she learned the city had given Comic Con less than the $20,000 the group had requested in HOT funds for fiscal 2016-2017.
Her Facebook comment called out Bootfest for being unprofitable for the city and ridiculed the city’s $36,000 festival beer tab, said Booth.
“The city has never allocated HOT funds correctly,” said Booth. “After I learned the committee allocated funds according to actual heads in beds this year, the way it’s supposed to, I took my Facebook post down.”
But it was too late. Booth’s Facebook post had reached City Council members.
Their really inadequate excuses for these thefts. Editor in chief István Burger is quoted in the SFWA statement as saying:
When I decided to revive Galaktika more than 10 years ago, I went to the leader of one of the most respected literary agencies, to ask for his advice how to get permissions for the stories we plan to publish in the magazine in the future. I had no experience at all in this respect.
Our conversation had a very friendly atmosphere, the leader of the agency was happy that such an aknowledged magazine was revived. Finally we had a verbal agreement, that – as we plan to have a serious book publishing activity as well – we can consider short stories in Galaktika sort of an advertisement in which authors are introduced to Hungarian readers, so that we could publish their novels afterwards. The money we would pay for the rights for the novels contains the price of short stories. So agencies don’t have to deal with rights of short stories for $10 which is as much work as to get the rights of a $1000 novel. During this conversation it became obvious that agencies don’t want to deal with $10-20 so I didn’t want to bother the others with similar requests. Of course in case of longer stories and novels we made contracts. I hope that it is obvious now that there were no intentional stealing at all, as we made an agreement in time for the use of stories. Now I regret that it was only a verbal agreement, but at that time we both acknowledged it.
Yeah, the fact that the verbal “agreement” wasn’t on paper means nothing. There can have been no agreement that mattered if the rights-holders of the stories concerned weren’t involved. Having a tape-recording of the conversation notarized by God Herself would change nothing. (I’m willing to believe the conversation actually happened, by the way, and that if so Mr Burger’s description of it is spun hard enough that the anonymous literary agent might only barely recognize it.)
Let me be absolutely clear about this: this excuse is utter bullshit. If Mr Burger actually believes this, he has no business trying to run a magazine.
Look, the thing about Galaktika publishing books too is completely irrelevant. My books are published in Hungary, translated into Hungarian–by Gabo, not the publisher that owns Galaktika. No story of mine in Galaktika was ever going to be an advertisement for a translation of my books. If I’d wanted an advertisement I would have bought an ad.
And I’ve been asked several times–sometimes personally, sometimes through my agent–for permission to translate short stories. Sometimes specifically in order to promote the translated editions of my novels! My agent is not too busy to deal with such things, and neither am I. And besides, let’s say I and/or my agent didn’t want to deal with such a small transaction? Well, tough cookies. That doesn’t mean you just get to take what you want anyway.
(3) SFWA IN TIMES TO COME. Cat Rambo, after giving credit to SFWA’s Griefcom for its work on the Galaktika issue, told some of the ideas that are part of her international vision for the organization.
Will Galaktika shape up? It remains to be seen. I hope so, and SFWA will revisit the matter in three months to follow-up and let folks know what Galaktika has done in the interim.
Is this actually a matter that SFWA should concern itself with? Absolutely. Recently it’s been underscored for me that people perceive SFWA as an American entity, but the truth is that we have a substantial international contingent. Worldcon in Finland poses a chance to spread that message, and so here’s a few things that I’m doing.
- SFWA members scanning the most recent copy of the Singularity, SFWA’s bi-monthly e-newsletter for members, to find volunteer opportunities, will have noticed that I have a call out for translators. My plan is to get the SFWA membership requirements and questionnaire translated into as many languages as possible; I have commitments for Chinese, Filipino, Finnish, French, Klingon, Russian, and Spanish versions and am pursuing others. If you’re interested in helping with that effort, please let me know.
- At the suggestion of Crystal Huff, I’m thinking about programming that might spread the message, such as a panel on the internationalization of SFWA. Such a panel would work for many conventions, I would think, but debuting it in Finland seems like a great idea (although we might sneak peek it at the Nebulas next May in Pittsburgh.)
- I’m mulling over what form something connecting translators and F&SF writers might look like. Translating fiction requires not just ability with the language, but a writerly sensibility, an understanding of how to make the sentences fluid and compelling and three dimensional. So maybe something where potential translators could submit a listing of translation credits along with sample of their own work, translated into the languages they’re adept in, backed up with the ability for SFWA members to post testimonials. This seems like something the field needs; if anyone’s aware of existing efforts along these lines, please let me know?
- Maybe it’s time for a new version of The SFWA European Hall of Fame, this time The SFWA International Hall of Fame. That seems like something for me to discuss with our Kickstarter contact. She and I have been discussing a 2018 project, reviving the Architects of Wonders anthology, but this might make a good interim effort. (Speaking of Kickstarter, SFWA partners with over three dozen institutions and companies, including Amazon, Kickstarter, and Kobo to make sure member concerns and suggestions are passed along as well as new opportunities created. If you’d like to be on the Partnership committee handling these monthly check-ins, drop our volunteer wrangler Derek a line at [email protected])
(4) THE VALUE OF SILVER. Dan Wells is ecstatic that a film based on his work won a medal at a European film festival — “I Am Not A Serial Killer” Won A Really Big Award”
So over the weekend I announced that I AM NOT A SERIAL KILLER had one the Silver Melies award at the Strasbourg film festival, which I and many of you thought was awesome, but it turns out that I was grossly underestimating it’s actual awesomeness. The Olympics have trained me to think of Silver as second place, but looking into the award I have learned the truth: the Silver Melies is Strasbourg’s top prize for international films. The top prize. First place. That’s a big honkin’ deal.
(5) THE PROOF. Jim C. Hines is “Searching For Revisionary Goofs”. I was thinking this was going to be a political analysis, but what it really means he’s proofing another edition of his novel Revisionary.
If you’ve read the hardcover (thank you!) and noticed any typos or other problems, now would be the perfect time to let me know so we can get those fixed for the paperback release. You can comment here or shoot me an email at jchines -at- sff.net.
(6) WEINBERG SERVICES SET. Thanks to Steven H Silver for the information:
The memorial service for Bob Weinberg will be held on October 15 from noon to 5:00 at:
Orland Park Civic Center
14750 S. Ravinia Avenue
Orland Park, IL. 60462
708 403 6200
(7) STERN OBIT. Lucy Stern, a LASFS member since 1988, passed away September 28, of cancer. Her husband, Mike Stern, announced on Facebook:
Lucy has died. She stopped breathing sometime around 2am. I am devastated. I loved her for forty-nine years, and I will never be able to see fifty, although I will still be loving her then.
The Stern family, including daughters Alison and Heather, has been one of the most important parts of LASFS for decades. I’m very saddened by the news.
(8) BOOK REVIEW BLOGS. Netgalley’s “Blogger Spotlight” today visits with Anya of On Starships and Dragonwings.
Let’s start with your origin story – how long have you been blogging about Sci-Fi & Fantasy books, and why did you start?
I started the blog in 2010, so six years, time flies! It’s a bit embarrassing to admit, but I started blogging about sci-fi and fantasy books because I wanted to try out blogging in general and realized that books were the thing that I would never get tired of! It’s worked so far I guess :).
Are there particular subgenres that you prefer or find more interesting at the moment? Are there any trends that you are excited to see come or go?
I try to switch between subgenres every book so that I don’t get bored with any one. I’ve found that my preferences don’t align with elements special to any particular subgenre, but more what makes books excellent no matter their subject: strong voice, unique world, beautiful writing, etc. In all subgenres though I’m seeing a trend of authors working hard to bring in mythology from places other than Western Europe and I love that. Since I tend to be more interested in new-to-me magic and monsters and worlds, stories that pull in myths I’m not familiar with are exactly what I’m looking for.
(9) JEMISIN INTERVIEW. Fans of The Fifth Season should enjoy Chris Urie’s interview with N. K. Jemisin in Clarkesworld.
A few of your short stories have featured New York City. What is it about the city that keeps you curious and writing about it?
I love New York! New York for me was the place where I came to be an artist. I grew up in a lot of different places but mostly between Mobile, Alabama and Brooklyn.
I remember being told that I should go outside and play. I remember the passive-aggressive things that people who don’t get artists tend to say to them because they don’t understand that sitting in one place and just writing or reading a book is a good thing. When I came here, I was free to write as much as I wanted, free to talk with other people about my plots and the ideas that were driving me nuts at night. During the school year, I had to lie awake and sort of chew on them and try to sleep. I was sort of a childhood insomniac. Here, I could talk it out and I slept like a baby.
New York was also where I could be a nerd. My father is a nerd too and we would watch Star Trek and the Twilight Zone ‘till the wee hours of the morning and talk about them and post-process every episode. That was the thing that made me love New York.
New York is the place where souls can be free. So, naturally, when I’ve come back here as an adult I want to understand what it is about this city that makes it so unique. What it is that brings that feeling out. It was a kind of magic and I want to try and capture that magic.
(10) A NEW STANDARD. Aaron argues that “Stopping Harassment After the Fact Just Isn’t Good Enough” at Dreaming of Other Worlds.
Right now, there is no real way to document patterns of bad behavior on the part of convention attendees. Conventions simply must get better at documenting and sharing information about instances of harassment. There needs to be some way to keep track of who has been ejected from a convention, and for what reason. Other conventions have to be able to look at these records and decide whether to issue a badge to individuals with a propensity to cause trouble. Conventions must be willing to preemptively ban serial harassers and bad actors. Had ConCarolinas documented the harassment that took place at their event and made it available to other conventions, and WisCon documented the harassment that took place at their event and made that available to other conventions, then this pair would not have been able to fly under the radar the way they did and turn up at MidAmeriCon II without anyone there being aware of their history. Had such a system already been in place, the people who harassed Alyssa Wong at MidAmeriCon II might not have even been there to harass her in the first place.
(11) QUESTION TIME. Author Confidential, an upcoming fundraiser for the Bacon Free Library, lets people bid on the opportunity to ask an author questions.
Bid to ask any of these award winning, best-selling, beloved, classic authors three (3) questions! If you win, the author will send you a letter with the responses! Yes, an honest to goodness letter which you can cherish forever
Only a few genre writers are on the list, like Diana Gabaldon, Gail Carriger, and Piers Anthony, but a large number of best-selling authors are participating, including Lee Child and Alexander McCall Smith.
When: Sunday, October 23, 2016 8pm – Sunday, October 30, 2016 8pm Where: Ebay links and feed will be open on Sunday, Oct. 23rd at 8pm
(12) WELL, THEY HAVE SAND IN COMMON. On A. V. Club, Ignatiy Vishmevetsky’s “The Eraserhead baby from space” analyzes David Lynch’s Dune, and explains what a strange and wonderful film it is. The big news was that Lynch was offered Return of the Jedi but turned it down.
There’s a good reason to bring up Star Wars here, as Lynch had passed on the chance to direct Return Of The Jedi before accepting an offer from Italian super-producer Dino De Laurentiis to write and direct Dune. (Several attempts had been made before, including one by Alejandro Jodorowsky that’s been much mythologized, despite sounding unfilmable.) By his own admission, Lynch had no interest in sci-fi, and neither, in a sense, does Dune. It has a lot more in common with its writer-director’s most admired work than it’s generally given credit for, from the ominous, rumbling soundscapes to the first appearances of future Lynch favorites MacLachlan and Everett McGill (as a Fremen leader), as well as Blue Velvet’s Dean Stockwell (as the Atreides’ court physician, forced to betray them under tragic circumstances). There are echoes: the mutated space-farer who travels in a train-car-sized tank of melange gas resembles the baby from Eraserhead grown to gigantic size; a tray of flowers brings to mind the opening of Blue Velvet; and so on and so forth. Dune, in other words, is not so much Lynch’s big-budget dead end as a transitional artwork that eludes most of the expectations that come with being a big-budget sci-fi movie.
(13) IF PATRICK MCGOOHAN BLOGGED. Soon Lee invites you to sing along to this excellent filk left in a comment.
SECRET FILER FAN
(Dedicated to OGH, and with apologies to Johnny Rivers)
There’s a fan who runs a file of genre
To everyone he meets he is no stranger
With every scroll he makes, another pixel he takes
What odds ::ticky:: brings comments by email?
Secret Filer Fan, Secret Filer Fan
He’s given you a number (five!), you’ve appertained your drinks
Beware the rabid puppies in the links
Excerpting news and S-F-F hijinks
Ah, be careful what you write
They’ll find their way to this site
Damned or praise you with words your own self typed
Secret Filer Fan, Secret Filer Fan
He’s given you a number (five!), you’ve appertained your drinks
Secret Filer Fan, Secret Filer Fan
He’s given you a number, you’ve appertained your drinks
SFWA INFOGRAPHIC. Science Fiction and Fantasy Writers of American point out ways they are helping their members.
[Thanks to Lace, Dave Doering, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Junego.]