Tag Archives: Star Trek: Lower Decks

Pixel Scroll 7/23/20 Flat Scrolls And Geocentric Pixels

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(1) HIS DARK MATERIALS TRAILER. Decider has eyeballs on Comic-Con@Home where this new trailer was aired today.

HBO is celebrating Comic-Con@Home with a first look at Season 2 of His Dark Materials. During today’s virtual panel for the show, HBO unveiled the trailer for the upcoming season of the drama, which introduces some fresh faces.

The YouTube description adds –

His Dark Materials stars Dafne Keen, James McAvoy, Ruth Wilson and Lin-Manuel Miranda. Adapting Philip Pullman’s award-winning trilogy of the same name, which is considered a modern masterpiece of imaginative fiction, the first season follows Lyra, a seemingly ordinary but brave young woman from another world. Her search for a kidnapped friend uncovers a sinister plot involving stolen children, and becomes a quest to understand a mysterious phenomenon called Dust. As she journeys through the worlds, including our own, Lyra meets Will, a determined and courageous boy. Together, they encounter extraordinary beings and dangerous secrets, with the fate of both the living?—?and the dead?—?in their hands.

(2) DO IT YOURSELF. There’s only one of me so I can’t write a post about every one of these items – darn it! Here is programming for Thursday, July 23, 2020, for Comic-Con International – much of it available for replay on YouTube.

(3) COMMITMENT TO EXCELLENCE? A second trailer for Bill & Ted Face the Music. Available On Demand and in theaters September 1.

(4) SCARES THAT CARE. Brian Keene and friends have done a few 24-hour telethons to raise funds for Scares That Care.  The most recent event was canceled due to Covid.

They are opting to do a virtual fundraiser on August 1st.  It’s only 13 hours, but it looks like it will be packed with lots of interesting panels. See the FAQ and schedule at the Scares That Care Virtual Charity Event link. Say, they get the same kind of questions as the Worldcon!

Q: I’m a celebrity who works in the horror genre. Why wasn’t I included in programming?
A: We tried to accommodate as many horror professionals as we could, but unlike our physical Scares That Care Weekend charity events, we are limited by the technological restrictions and time constraints of this virtual event. However, you can still help the cause by sharing the event with your fans and encouraging them to donate.

(5) HOLY SH!T. The New York Times shared a discovery — “How to Sell Books in 2020: Put Them Near the Toilet Paper” .

If you want to sell books during a pandemic, it turns out that one of the best places to do it is within easy reach of eggs, milk and diapers.

When the coronavirus forced the United States into lockdown this spring, stores like Walmart and Target, which were labeled essential, remained open. So when anxious consumers were stocking up on beans and pasta, they were also grabbing workbooks, paperbacks and novels — and the book sales at those stores shot up.

“They sell groceries, they sell toilet paper, they sell everything people need during this time, and they’re open,” said Suzanne Herz, the publisher of Vintage/Anchor. “If you’re in there and you’re doing your big shop and you walk down the aisle and go, ‘Oh, we’re bored, and we need a book or a puzzle,’ there it is.”

Big-box stores do not generally break out how much they sell of particular products, but people across the publishing industry say that sales increased at these stores significantly, with perhaps the greatest bump at Target. In some cases there, according to publishing executives, book sales tripled or quadrupled.

Dennis Abboud is the chief executive of ReaderLink, a book distributor that serves more than 80,000 retail stores, including big-box and pharmacy chains. He said that in the first week of April, his company’s sales were 34 percent higher than the same period the year before.

“With the shelter in place, people were looking for things to do,” he said. “Workbooks, activity books and just general reading material saw a big increase.”

(6) PROMOTION TOOLS. C.E. Murphy gives readers a look behind the curtain in “Writing Career: Running The Numbers”.

…And then the other reason we’re never sure how much we should talk about it is because rolling this information out in numbers can sort of feel like it’s…IDK. Attempting to lay on a guilt trip, or something, which is honestly not the goal! Because, like…there are always reasons people aren’t gonna buy a book! It’s not their genre! They don’t have any spare money right now! They already have a copy! There’s a million reasons! So talking about this is never meant to make people feel badly for not buying a book right now! Okay? Okay! 🙂

So let’s talk about numbers. Newsletter numbers, specifically, because the people who have chosen to be on my newsletter are my captive audience, and presumably are the most likely to buy any given book. (Join my newsletter! :))

Right now I have about 1630 newsletter subscribers, and in any given month, about 100 people—7% of the subscribers—buy the book I’m promoting that month. That’s pretty reliable.

(7) US IN FLUX. The latest story for the Center for Science and the Imagination’s Us in Flux project launched today: “Even God Has a Place Called Home” by Ray Mwihaki, a story about environmental health, witchcraft, technophilia, and transcendence.

On Monday, July 27 at 4:00 p.m. Eastern, they wll host another virtual event on Zoom, with Ray and science fiction author Christopher Rowe.

(8) CLARKE AWARD LOWDOWN. On Five Books, Cal Flyn interviews Arthur C. Clarke Award director Tom Hunter about this year’s nominees for the prize: “The Best Science Fiction of 2020”.

…In terms of who the audiences are for these books, on the one hand, if you like science fiction, you’ll find much to enjoy here but if you haven’t really tried the genre before, or if you might have been put off, I’d stress that these are all books published in 2019, for a 2020 prize, so they’re very contemporary-feeling in terms of their characterisation, quality of prose, plotting and so forth. You can definitely trace their lineage through the different eras of science fiction as it has evolved as a genre, and all of these books interrogate and tease and play with that tradition in different ways, but are also respectful of it. That’s the difference between, say—insert name of mainstream author—who has discovered a science fiction concept and written a book about it, then does a press tour where they try and convince you they’ve somehow invented robots, or space travel or parallel universes, or whatever. You know: ‘Before me science fiction was just cowboys in space, but my book is about real futures…’

(9) RENDEZVOUS WITH JOHN CLUTE. In “Arthur C. Clarke’s Scientific Romances Eschew Spectacle for Dumbstruck Wonder”, John Clute takes Rendezvous with Rama as the text to explore his views for LitHub readers.

… In his rendering of the 2001 story, Clarke may be marginally more emollient than Kubrick when it comes to assessing humanity’s chances of genuine uplift at the hands of a transcendent superbeing, but compared with contemporary in-house American SF visions of the future, both novel and film are baths of cold water.

Both were tortuously understood by many genre viewers as optimistic paeans to technological progress, with a bit of hoo-ha at the end; and Clarke himself never directly contradicted Kubrick’s dramatic rendering of his own exceedingly measured presentation of his clear message—also articulated in Childhood’s End, and hinted at strongly in Rendezvous with Rama—that as a species we may simply not quite measure up.

But this calm magisterial verdict, couched smilingly, mattered little to his own career, even when understood correctly. The huge success of 2001 had both made him rich and transformed him into a world gure; an addressable, venerated guru whose declarations on the shape-of-things-to-come were now given to the world at large. The best of this nonfiction work was collected years later as Greetings, Carbon-Based Bipeds! (1999), a huge volume whose title perfectly sums up the coign of vantage from which he wrote: which is to say, as though from the future itself, from somewhere on the far side of the slingshot ending….

(10) MORE UK FANHISTORY ONLINE. Rob Hansen has expanded THEN’s 1961 coverage of the SF Club of London. And “I’ve also added a link to a report by George Locke on the 1960 Minicon in Kettering. I didn’t think any report beyond a couple of sentences in Skyrack existed for that con so I was quite surprised to stumble across it.” Scroll down to 1960s section for links on the THEN index.

Then there’s the 1967 London Minicon, with photos. All part of filling in the history.

(11) BACK TO BASICS. “It’s Time to Re-Re-Re-Meet the Muppets”, and the New York Times makes the introductions.

At the dawn of “The Muppet Show” in the late 1970s, a visit to the Muppet Labs consisted of watching its nebbishy proprietor, Dr. Bunsen Honeydew, demonstrate misbegotten inventions like an exploding hat or a self-destructing necktie with a brief burst of pyrotechnics, a canned explosion sound and a puff of smoke.

Today, a return visit to those labs on the Disney+ series “Muppets Now” features Honeydew and his agitated assistant, Beaker, using a homemade device called the Infern-O-Matic to reduce everyday items — a carton of eggs, a wall clock, a guitar — to smoldering piles of ashes.

If this scene from “Muppets Now” feels manic and combustible — and even a bit familiar — that is by design: as Leigh Slaughter, vice president of the Muppets Studio, explained recently, she and her colleagues are hopeful that this series will conjure up “that true Muppet anarchy — that complete chaos.”

She added: “If they’re going to take on real-world science, we thought, we have to burn things. We have to drop things. We have to blow things up.”

“Muppets Now,” a six-episode series that debuts on July 31, is both Disney’s attempt to bring those familiar, fuzzy faces to its streaming service and a parody of internet content. Its segments feature characters like Miss Piggy and the Swedish Chef in rapid-fire comedy sketches that lampoon popular online formats.

The new series also strives to reconnect the Muppets with the disorderly sensibility they embodied in the era of “The Muppet Show” and get back to basics after other recent efforts to reboot the characters fizzled out.

“The thinking is to stop trying so hard to be like everybody else and just be the Muppets,” said Bill Barretta, a veteran Muppet performer and an executive producer of “Muppets Now.” “Let’s celebrate the fact that they all have to deal with each other and just be silly and play and entertain again.”

(12) MEDIA BIRTHDAY.

  • July 23, 1995 — The Outer Limits aired “I, Robot”. This is a remake of the November 14th, 1964 episode that aired during the second season of the original Twilight Zone. This is not based on Asimov’s “ I, Robot” but rather on a short story by Eando Binder that ran in the January 1939 issue of Amazing Stories. The script was by Alison Lea Bingeman who also wrote episodes of Robocop, Flash Gordon, Forever Knight, Beyond Reality and The Lost World at that time. Adam Nimoy was the director and Leonard Nimoy, his father, was in it as he been the earlier production playing a different character. (CE)

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 23, 1889 – Yuri Annenkov.  Illustrator, portraitist, theater and cinema designer.  Zamyatin said he “has a keen awareness of the extraordinary rush and dynamism of our epoch.”  Here is a Synthetic landscape.  Here is the photographer M.A. Sherling.  Here is Zamyatin.  Here is a frog costume.  Here is Miydodir, an animated washstand that eventually makes the boy at left wash.  (Died 1974) [JH]
  • Born July 23, 1910 — Ruthie Tompson, 110. An animator and artist. Her first job was the ink and paints, uncredited, on Snow White and the Seven Dwarfs. She was involved in every animated from film Disney for three decades, stating with Pinocchio (Retro Hugo for Best Dramatic Presentation, Short Form). Some she was an animator on, some she was admin on. She worked on Bakshi’s Lord of the Rings, too. (CE)
  • Born July 23, 1914 – Virgil Finlay.  Pioneering illustrator.  Hugo for that in the first year we gave them; five Retrospective Hugos.  First sale, the Dec 1935 Weird Tales; probably 2,600 works of graphic art; fifty poems, mostly published after his death.  Here is a cover for The Stars Are Ours.  Here is the Dec 56 Galaxy.  Some of his marvelous monochrome: The Crystal Man; “Flight to Forever”; I haven’t identified this, can you?  SF Hall of Fame.  First Fandom Hall of Fame.  See the Donald Grant and the Gerry de la Ree collections.  (Died 1971) [JH]
  • Born July 23, 1926 — Eunice Sudak, 94. Novelizer of three early Sixties Roger Corman films: Tales of Terror, The Raven and X, the latter based of The Man with the X-Ray Eyes. She wrote a lot of other novelizations but they weren’t even genre adjacent.(CE)
  • Found Fandom July 23, 1937 – Cyril M. Kornbluth. Wikipedia says July 2 is his birthday — 1940 Who’s Who in Fandom says July 23 is the date he discovered fandom. I certainly read and liked The Space Merchants and The Syndic which are the two I remember reading these years on. Given his very early death, he wrote an impressive amount of fiction, particularly short fiction which Wildside Press has all of n a single publication, available at the usual digital suspects. (Died 1958.) (CE)
  • Born July 23, 1947 – Gardner Dozois.  Three novels, five dozen shorter stories, some with co-authors, translated into Croatian, Dutch, French, German, Italian, Japanese, Polish, Romanian, Russian, Serbian.  Two Nebulas.  Editor of Asimov’s 1984-2004; two dozen Asimov’s anthologies, many with Sheila Williams.  Four years editing Best SF Stories of the Year, thirty-five of The Year’s Best SF (no, I shan’t explain, and I shan’t tell the jelly-bean story, either).  Four dozen more anthologies; one Nebula Showcase.  Fifteen Hugos as Best Pro Editor; one as Best Pro Editor, Short Form.  Skylark Award.  SF Hall of Fame.  (Died 2018) [JH]
  • Born July 23, 1948 – Lew Wolkoff, 72.  Long-time laborer in fanhistory and the workings of our conventions.  Some highlights: co-chaired ArtKane IV, an art-focussed con in Harrisburg, Pennsylvania, 1979; assembled Phoxphyre, a fanzine anthology of the 1936 Philadelphia convention, with reminiscences by Baltadonis, Goudket, Kyle, Madle, Newton, Pohl, Train, 1983; Program Book appreciation of Barbi Johnson, a Guest of Honor at Lunacon 26, 1983; helped design the base for the 1951 Retro-Hugo trophy, 2001; chaired PSFS (Philadelphia SF Soc.) Young Writers’ Contest, 2018; got 120 audiotapes of Philcon proceedings to the SF Oral History Ass’n; founded, or purported to found, the SF Union of Unpublished Authors (“ess-eff-double-U-ay”, i.e. taking off SFWA the SF Writers of America).  [JH]
  • Born July 23, 1949 – Eric Ladd, 71.  Twenty covers for us.  Here is The Falling Torch.  Here is Convergent Series.  First suggested to Bob Eggleton that BE should exhibit in our Art Shows.  [JH]
  • Born July 23, 1954 – Astrid Bear, 66.  One of the great entries in our Masquerade costume competitions was The Bat and the Bitten, Karen Anderson and her daughter Astrid at the 27th Worldcon.  In 1983 Astrid married Greg Bear; they have two children.  Here is AB at the 76th Worldcon on a panel discussing the 26th (L to R, Astrid, Tom Whitmore, Mary Morman, Ginjer Buchanan, Suzanne Tompkins, Gay Haldeman).  For the 71st, since Jay Lake whom she and all of us loved had contrived to obtain whole-genome sequencing, and AB had become a fiber artist, she made Jay Lake Genome Scarves in time to give him one, as you can see here.  Fanzine, Gallimaufry.  It’s not true that this book is about her.  [JH]
  • Born July 23, 1970 — Charisma Carpenter, 50. She’s best remembered as Cordelia Chase on Buffy the Vampire Slayer and Angel. She was also Kyra on Charmed and Kendall Casablancason Veronica Mars.  She was Sydney Hart in Mail Order Monster and Beth Sullivan in the direct to video Josh Kirby… Time Warrior! Franchise. (CE)
  • Born July 23, 1982 —  Tom Mison, 38. He is best-known as Ichabod Crane on Sleepy Hollow which crosses-over into Bones. Currently he’s Mr. Phillips in The Watchmen. It’s barely (if at all) genre adjacent but I’m going to that he Young Blood in A Waste of Shame: The Mystery of Shakespeare and His Sonnets. (CE)

(14) COMICS SECTION.

  • Fresh from his Hugo voter reading, Dann writes, “In light of Charlie Jane Anders’ The City in the Middle of the Night, I thought this xkcd might be useful.  Check out the mouse-over/alt text.”

(15) WORLDCON TIME OUT OF JOINT. Bill Higgins started out teasing David Levine about CoNZealand’s July 16 “Wild Cards” panel, then his imagination ran away with him:

(16) THIS JUST IN…THE ONION. “Disaster: Luigi Left His Space Heater Plugged In For 3 Days And The Entire ‘Paper Mario’ Kingdom Burned Down”.

For years, Luigi’s kindhearted nature and well-meaning oafishness have endeared him to millions of fans who were willing to look past his lengthy history of incompetence. But it seems like the iconic Nintendo character might have just passed the point of no return: The big guy in green apparently left his space heater plugged in for three days straight, and now the entire Paper Mario kingdom has burned to the ground….

(17) STAR TREK: LOWER DECKS. CBS All-Access dropped a clip today.

Get an exclusive look at a hilarious scene from the upcoming series premiere of Star Trek: Lower Decks, an all-new animated comedy featuring the voices of stars Jack Quaid (Ensign Brad Boimler) and Tawny Newsome (Ensign Beckett Mariner).

(18) LONG MARCH TO MARS. NPR reports “China Launches Ambitious Mission To Mars”

A heavy-lift Long March-5 roared off a launch pad on Hainan Island Thursday, carrying China’s hopes for its first successful Mars mission – an ambitious project to send an orbiter, lander and rover to the red planet in one shot.

If everything goes according to plan, Tianwen-1 will be China’s first successful mission to Mars, after a previous attempt failed in 2011 — gaining it membership in an elite club including only the U.S. and Russia, of nations who have successfully landed on the planet. (Even so, the Soviet Union’s Mars 3 lander, which touched down in 1971, transmitted for mere seconds before contact was lost.)

…The goals of the mission are to map surface geology, examine soil characteristics and water distribution, measure the Martian ionosphere and climate and study the planet’s magnetic and gravitational fields.

The BBC adds details: “China’s Tianwen-1 Mars rover rockets away from Earth”.

China has launched its first rover mission to Mars.

The six-wheeled robot, encapsulated in a protective probe, was lifted off Earth by a Long March 5 rocket from the Wenchang spaceport on Hainan Island at 12:40 local time (04:40 GMT).

It should arrive in orbit around the Red Planet in February.

Called Tianwen-1, or “Questions to Heaven”, the rover won’t actually try to land on the surface for a further two to three months.

This wait-and-see strategy was used successfully by the American Viking landers in the 1970s. It will allow engineers to assess the atmospheric conditions on Mars before attempting what will be a hazardous descent.

…The targeted touchdown location for the Chinese mission will be a flat plain within the Utopia impact basin just north of Mars’ equator. The rover will study the region’s geology – at, and just below, the surface.

Tianwen-1 looks a lot like Nasa’s Spirit and Opportunity rovers from the 2000s. It weighs some 240kg and is powered by fold-out solar panels.

A tall mast carries cameras to take pictures and aid navigation; five additional instruments will help assess the mineralogy of local rocks and look for any water-ice.

This surface investigation is really only half the mission, however, because the cruise ship that is shepherding the rover to Mars will also study the planet from orbit, using a suite of seven remote-sensing instruments.

(19) THERE WLL BE SPACE WAR. Or so Jerry Pournelle might have said.“UK and US say Russia fired a satellite weapon in space” – BBC has the story.

The UK and US have accused Russia of launching a weapon-like projectile from a satellite in space.

In a statement, the head of the UK’s space directorate said: “We are concerned by the manner in which Russia tested one of its satellites by launching a projectile with the characteristics of a weapon.”

The statement said actions like this “threaten the peaceful use of space”.

The US has previously raised concerns about this Russian satellite.

In his statement, Air Vice Marshal Harvey Smyth, head of the UK’s space directorate, said: “Actions like this threaten the peaceful use of space and risk causing debris that could pose a threat to satellites and the space systems on which the world depends.

“We call on Russia to avoid any further such testing. We also urge Russia to continue to work constructively with the UK and other partners to encourage responsible behaviour in space.”

(20) FIRST PEOPLE. “Earliest evidence for humans in the Americas”.

Humans settled in the Americas much earlier than previously thought, according to new finds from Mexico.

They suggest people were living there 33,000 years ago, twice the widely accepted age for the earliest settlement of the Americas.

The results are based on work at Chiquihuite Cave, a high-altitude rock shelter in central Mexico.

Archaeologists found thousands of stone tools suggesting the cave was used by people for at least 20,000 years.

(21) DIH-DIH-DIH-DAH. “Secret Morse code tune sees game removed in China”.

A popular mobile game has been taken offline in mainland China for “rectification work”, after netizens discovered its musical director had written a song containing Morse code with a hidden Hong Kong pro-democracy message.

According to China’s Global Times newspaper, the Cytus II musical rhythm game, produced by Taiwan’s Rayark Games, has been removed from China’s mainland app stores.

This was done after netizens discovered a controversial song by Hong Kong musical director ICE, real name Wilson Lam, on his Soundcloud account.

The piece, Telegraph 1344 7609 2575, was actually posted on his page in March, but after netizens discovered it contained in Morse code the phrase “Liberate Hong Kong, the revolution of our times”, many in the mainland called for him to be sacked.

(22) RIGHT OUT FROM UNDER YOU. Floors that can scare you – a gallery of wild images at Imgur.

https://i.imgur.com/2DcZA1E.jpeg

(23) VIDEO OF THE DAY. Fandom Games’ Honest Game Trailers:  SpongeBob Square Pants–Rehydrated on YouTube says that “children and extremely inebriated adults” will enjoy this new version of a classic SpongeBob SquarePants game featuring “Rube Goldberg machines that require a Ph.D. in SpongeBob to complete.”

[Thanks to Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, John King Tarpinian Cat Eldridge, John Hertz, Michael Toman, Dann, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 7/12/20 You’ll Be Shocked At How New Law In Your Area Makes Delicious Fat-Burning Scrolls From This One Weird Pixel

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(1) IF YOU WANT TO KEEP ON TREKKIN’. — Here’s George Takei’s advice:

(2) UPSTAIRS, DOWNSTAIRS, NO STAIRS. Variety invites fans to “Watch: ‘Star Trek: Lower Decks’ Trailer Shows First Look at Animated Comedy”. (Some characters seem to have trouble keeping their redshirts on.)

The official trailer for CBS All Access’ new half-hour animated comedy “Star Trek: Lower Decks” has arrived, and it’s putting an irreverent spin on the beloved franchise.

“We’re not really elite — we’re more like the cool, scrappy underdogs,” explains lower-deck Ensign Mariner in the trailer.

“We live on a spaceship, nobody is dying from a spear wound!” she exclaims in the midst of some onboard mayhem.

The 10-episode series, which has already been renewed for a second season, is the first animated “Star Trek” series in more than 45 years. “Star Trek: The Animated Series” had a brief run starting in 1973.

CBS All Access subscribers can watch the show each week on Thursdays starting Aug. 6 on the digital subscription video on-demand and live streaming service,

(3) ANOTHER SITTING. Gal Beckerman tells New York Times readers “The Baby-Sitters Club Taught Me Everything I Needed to Know About Literary Fiction”.

A confession: As a 9-year-old boy, I loved the Baby-Sitters Club books.

So deep is my remembered shame that even now, sitting at my keyboard at the age of 43, I’m blushing. I know that times have changed, that today boys can like whatever they like, are even applauded for it. But in the 1980s, when it seemed the only real options for me were “The Hobbit” or the Hardy Boys or Choose Your Own Adventure books, stories that as I recall all involved dragons and trap doors and motorcycle chases, sneaking home one of Ann Martin’s books about a group of 12-year-old girls from fictional Stoneybrook, Conn., felt like a crime. I mean, all of the covers were pastel.

It was a moment. I think I read the first 15 books in the series over the course of fourth grade; whatever was in my school’s library — and I certainly didn’t share my enthusiasm then with another soul.

My great immersion in the friendship of Kristy Thomas, Mary Anne Spier, Claudia Kishi and Stacey McGill (and Dawn, Mallory and Jessi — you know I couldn’t forget the later additions) is something I’ve had reason to revisit lately. That’s because my two daughters, 10 and 7, are now obsessives of the Sitter-verse. They have read the books, tracking down the out-of-print ones as e-books. They have devoured — like torn at each other’s hair to get at — Raina Telgemeier’s graphic novel reboot of the series, which debuted in color in 2015. And for the past year their bedtime routine involves listening to audio versions of the books, all 131 of which were recently produced by Audible. As if that weren’t enough, they have been counting down the days to a television adaptation streaming on Netflix beginning July 3 that will offer a modern-day update. Basically, I should have bought real estate in Stoneybrook….

(4) ON DECK. “Horror Has Become Normal: An Interview with Gish Jen” at LA Review of Books.

Baseball, the national pastime.

As Walt Whitman put it, baseball has always had the “snap, go, fling” of the American atmosphere. And it has so many democratic ideas built into it. We take the idea of a level playing field for granted, as well as the idea that everyone should have a turn at bat. But as the daughter of Chinese immigrants, I’m aware of how strange these ideas can seem to people from other countries.

When you first decided to create this dystopian world, did you realize how much detailed imagining it would require? Did you already know a ton about AI and baseball, or did you learn a ton to write the book?

Do we ever know how much work a novel is going to be? Luckily, I like investigation of every sort, and I was able to study up on both technology and baseball as I wrote. Luckily, too, I live in Cambridge, Massachusetts, where I’m surrounded by expertise. The MIT Technology Review very generously allowed me to sit in on their EmTech conference twice. And I was able to consult with people like Ted Williams’s biographer, Bill Nowlin.

(5) #COMICBOOKTOO. “Inside the Comic Book Industry’s Sexual Misconduct Crisis—and the Ugly, Exploitative History That Got It Here” in the Daily Beast.

…The month of June saw the comics industry rocked by successive waves of predatory conduct allegations, amid similar reckonings around sexual harassment in the affiliated worlds of video games, twitch streaming, tabletop games, professional wrestling, and professional illustration. Some of the allegations, as with superstar writer Warren Ellis, were new. Others brought renewed scrutiny to lingering problems like the allegations against Dark Horse editor Scott Allie and DC writer Scott Lobdell. Most of the stories came from marginalized creators who’d previously been silent for fear of being blacklisted. In June, that wall of silence cracked, and what showed beneath was red and raw and deeply, viscerally angry.

“A huge reason why abusive, predatory, and discriminatory practices go unchecked in the comics industry is this: the impetus is always put on the victims to come forward,” Maï wrote in an email to The Daily Beast. “Victims are expected to speak out at great personal cost—at risk of losing jobs and damaging their financial livelihood, at detriment to their mental health and threats to their personal safety… For every story you hear, there is also an unimaginable amount more that are not heard.” (Stewart did not respond to The Daily Beast’s request for comment.)

(6) MEDIA BIRTHDAY.

  • July 12, 1961 — Voyage to the Bottom of the Sea premiered. It was produced and directed by Irwin Allen off the screenplay by him and Charles Bennett.  It starred Walter Pidgeon and Robert Sterling with a supporting cast of Peter Lorre, Joan Fontaine, Barbara Eden, Michael Ansara, and Frankie Avalon.  It was produced for about one and a half million dollars, and certainly made its costs back at the box office. Critics weren’t terribly fond of it but audiences really liked as it made over eight million dollars over its summer and early autumn run. Audience reviewers at Rotten Tomatoes currently give it an anemic 39% rating.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 12, 1865 – Lucy Perkins.  Best known as author of children’s books, e.g. Dutch Twins and two dozen sequels; sold 2 million copies all told.  Illustrated Aesop, Anderson, Grimm, Robin Hood; here is her cover for Edith Harrison’s Moon Princess; here for Julia Brown’s Enchanted Peacock; here (line drawing and text) is her own “Queen of Spring”.  (Died 1937) [JH]
  • Born July 12, 1912 – Joseph Mugnaini.  Thirty covers, twenty interiors, particularly for Bradbury.  Here and here are two versions of his cover for Fahrenheit 451.  Here is a Bradbury issue of The Magazine of Fantasy and Science Fiction.  Here is an etching for The Martian Chronicles.  Here is a cover for Hal Clement’s Mission of Gravity.  Five artbooks.  (Died 1992) [JH]
  • Born July 12, 1923 — James Gunn, 97. Writer, editor, scholar, and anthologist. Winner at ConStellation of a Hugo for Best Related Work for Isaac Asimov: The Foundations of Science Fiction. His New Encyclopedia of Science Fiction Is quite excellent from an historical context now. I’ve not read his SF novel, The Immortals, so would be interested in knowing how it is. And let’s not overlook The Road to Science Fiction, his series of rather excellent anthologies covering all of SF.  (CE)
  • Born July 12, 1933 — Donald E. Westlake. Though he specialized in crime fiction, he did dip into the genre on occasion such as with Transylvania Station which you think as a Clue-style novel he wrote with his wife Abby. On the horror end of things was Anarchaos. And he wrote a lot of genre short fiction, some fifty pieces by my count. (Died 2008.) (CE) 
  • Born July 12, 1939 – Mike Hodel.  Host for a decade and a half of Hour 25 on radio, locally on Station KPFK.  Harlan Ellison, who succeeded him for a year, called it “a forum for writers and fans, publishers and readers….  he brought serious thinkers and noble madmen to the microphone”, Angry Candy p. xxi (1988).  Two short stories in Fantasy Book.  Reviews in Transmissions and Weird Tales.  Interviewed Philip K. Dick in The Missouri Review (note Vincent Di Fate cover).  (Died 1986) [JH]
  • Born July 12, 1944 – Helene Flanders.  Vancouver, British Columbia, fan.  Edited the club’s BCSFAzine issues 57 (March 1978) to 71 (May 1979).  Fancyclopedia 3 says she was found murdered in her apartment, augh.  (Died 1982) [JH]
  • Born July 12, 1947 – Hiroshi Amata, 73.  Author, critic; translator particularly of classic fantasy, The Ship of Ishtar, The Night Land; student of natural history (Birds of the World and Fish of the World, collections of 19th Century paintings, have been translated into English).  Two dozen books.  So far his 12-volume Tales of the Imperial Capital, Tokyo from an occultist perspective, has not been done in English; 5 million copies sold in Japan; here is a cover for Vol. 2 by Yoshitaka Amano, Artist Guest of Honor at the 65th Worldcon.  [JH]
  • Born July 12, 1947 — Carl Lundgren, 73. He co-founded ASFA (Association of Science Fiction & Fantasy Artists of America), and won 4 Chesleys, including Artistic Achievement. At the tender age of eighteen, he was co-chairman of the first media SF convention, The Detroit Triple Fan Fair which featured comics, movies and various things of a SF nature. At Chicon IV, he was nominated for Best Professional Artist but lost out to Michael Whelan. (CE)
  • Born July 12, 1961 — Scott Nimerfro. He had an impressive production list of genre films and series, to wit Tales From The Crypt, Trekkies, X-Men, Perversions Of Science, The Gates, Pushing Daisies, and the Once Upon A Time series which he produced three seasons of. He has one genre acting credit in “Let the Punishment Fit the Crime“ story of Tales From The Crypt in which he was  Fouser. (Died 2016.) (CE)
  • Born July 12, 1968 — Sara Griffiths, 52. She appeared as Ray in the Seventh Doctor story “Delta and the Bannermen”.  She was being considered as a companion to the Doctor, a role however taken by Sophie Aldred as Ace. (CE)
  • Born July 12, 1971 – Michelle Welch, 49.  Five novels and a collection of flash fiction introducing her Gbahn characters; four novels of elementals (one each) under another name.  Editor of two podcast anthologies.  Collects stringed instruments, which she sometimes plays.  Still working on a Big Fat Historical Fantasy set during the English Civil War; last year’s NaNoWriMo (nat’l novel writing month) helped some.  Website here.  [JH]
  • Born July 12, 1976 — Gwenda Bond, 44. Writer, critic, editor. She’s written a prequel to the Stranger Things series, Suspicious Minds, and I’m very fond of the two novels (The Lost Legacy and The Sphinx’s Secret) so far in her Supernormal Sleuthing Service which she wrote with her husband Christopher Rowe.  And she penned the Dear Aunt Gwenda section of Lady Churchill’s Rosebud Wristlet that Small Beer Press published in the early part of this millennium. (CE) 

(8) COMICS SECTION.

(9) IS ANYBODY THERE? DOES ANYBODY CARE? Connie Willis draws parallels to the present day in “Independence Day And 1776 (The Movie)”.

… Not only is America in dire straits–“I do believe you’ve laid a curse on North America,” John Adams says, “a second flood, a simple famine, plagues of locusts everywhere,”–they’re dealing with many of the same problems we are right now.

They’re plagued with diseases (“The children all have dysentery, and little Tom keeps turning blue,” Abigail says. “Little Abbey has the measles, and I’m coming down with flu…they say we may get smallpox”) and shortages (sewing pins and saltpeter instead of toilet paper and PPE.)

There are lines that could have been spoken today, like Benjamin Franklin’s saying, “Never has a nation been more recklessly mismanaged,” and there are parallels in the people. We have Ruth Bader Ginsburg, whose health we’re praying for, and they had Caesar Rodney, a Congressman from Delaware who was dragged back to Congress from his deathbed to provide a deciding vote.

In 1776, they’re also dealing with critical issues of what they want their country to be and issues of racial justice that are threatening to tear the country apart and may even stop America from being born: “Now you’re calling our black slaves Americans?” the delegate from North Carolina asks John Adams, and Adams replies, “They’re people and they’re here. If there’s any other requirement, I never heard it.”
“They are not people,” North Carolina says. “They are property.”
“No, sir,” Jefferson says, “they are people who are being treated as property.”

And here we are, 244 years later, having that same conversation. On the Fourth two people painted over a “Black Lives Matter” sign on a street, proclaiming, “The narrative of police brutality, the narrative of oppression, the narrative of racism, it’s a lie,” and two days ago when Joe Biden said in his Fourth of July message that all people are created equal, the spokesman for the Republican Party accused him of trying to destroy the Declaration of Independence. “It says ‘All MEN are created equal,’” she said huffily….

(10) DOOM PATROL! [Item by Daniel Dern.] Five episodes in (out of a listed nine), Season Two of DC’s live-action Doom Patrol is (for me) one of the best comics-based TV series ever, with plot and character elements spanning the source comic series’ decades and creators. This season we’ve had (more) episodes including both Flex Mentallo and Danny The Street.

The show will make more sense if you’ve seen the first season.

If you want to be frugal, and can shim in modest binging, wait until Season 2 Episode 9 comes out — new episodes drop each Thursday, so, mmm, (according to IMDB), August 6, and try the DCUniverse 1-week free trial, or a month for $7.99, or HBO Max, a free week or a $14.99 month.

Note: DCUniverse is available via the web, and as an Android and iOS app. I watched DP Season 1 on my iPad; having (finally) added the app to my Amazon Fire Stick, I’ve been watching Season 2 on the TV — even more fun!

(11) MY MOUNT TBR HAS A PECULIAR PERIL. [Item by Daniel Dern.] The first few paragraphs of Laird Hunt’s review of Jeff Vandermeer’s A Peculiar Peril — “Jeff VanderMeer’s Young Adult Novel Is a Madcap Magical Mash-Up” – (if you can’t get to it, here’s Ian Mond’s review from Locus Online) were so compelling that I stopped reading the review … and have online-reserved a copy from my local public library, which, thankfully, re-opened about two weeks ago for by-appointment contactless pick-ups of reserve requests. (Items are in paper bags. Yes, brown, but not delivered in the dead of night 🙂

Picture a 200-foot-long death machine built to crush everything in its path — powered by pulped earthworms, defended by demi-mages and captained by the gently stoned 19th-century French novelist Jules Verne — and you will have glimpsed just the tiniest portion of the madcap magical mash-up that is Jeff VanderMeer’s first full-throated sally into epic young adult fiction, for readers 12 and up. Overuse has made combinatory comparisons risible, but VanderMeer’s highly allusive maximalist tome requires them. So: “A Peculiar Peril” is equal parts “The Lion, the Witch and the Wardrobe,” “Harry Potter and the Order of the Phoenix,” “Jonathan Strange & Mr. Norrell,” Matt Groening’s “Futurama,” “Mary Poppins” (or is it “Chitty Chitty Bang Bang”?), “Curse of Chucky,” “Alice in Wonderland” and David Lynch’s hallucinatory adaptation of “Dune.”…

(12) DOLITTLE DOES ENOUGH. [Item by Daniel Dern.] Between advance reviews and the “has dragon” reveal, I declined to pay’n’go to see the recent (Dr.) Dolittle live-action (well, presumably lotsa CGI and other animation) movie (with Robert Downey Jr as the good doctor, Tom Holland voicing Jip the Dog, Emma Thompson voicing Polynesia the parrot, along with other well-known names), but this was one of the first items on my library reserve list to make it to my brown paper bag pickup, and, having watched it, I enjoyed it enough that I don’t regret it, but don’t feel that if you haven’t yet seen it, you need to.

I like that this was not done as an “origin” movie. I liked the Rube Goldberg steampunk gadgetry (or should that be steampunk Rube Goldberg gadgetry) and various other flourishes. The dragon was legitimized as a plot element, but (thankfully) didn’t go all Game-of-Thrones-firestormy. And could easily enough been something other or less than a dragon. At least they didn’t try to shimmy in some dragon-with-the-flagon patter, although perhaps that would have been a nice touch, although, admittedly, lost or going right by 99% of the audience. (Here, perhaps only past a modest 25%?)

(13) BIRDS DO IT, BEES DO IT. Even things with chitin do it: “What Lobsters And Ants Can Teach Us About Social Distancing”.

Ants do it. Lobsters do it. Even equatorial mandrills do it. Why don’t many Americans do it: Wear masks and keep a wise social distance from each other?

Scientific American reports this week how several animals seem to know how to take precautions and keep their distance so they’re less likely to be infected by a peer.

Spiny lobsters, for example — and really, aren’t they all? — can apparently sniff out infection in the urine of another lobster, and don’t get too close to them.

University of Florida researchers discovered this when a virus spread among spiny lobsters in the Florida Keys. As Dana M. Hawley and Julia C. Buck write in Scientific American, “Despite how unnatural it may feel to us, social distancing is very much a part of the natural world.”

A 2018 study at the University of Bristol found that when ant colonies are exposed to a virus, ants keep their distance. Forager ants, who are out and about to scrounge up plant saps and insect eggs, stay outside of the colony, so they don’t risk infecting the queen ant and her nurses. Reproduction can safely proceed.

(14) FAN ART ASSESSMENT. “Exploring the Hugo Awards: The 2020 Finalists for Best Fan Artist” by Constanze Hofmann on the Glasgow in 2024 website.

Fandom is generous, and that includes its artists. The Fan categories of the Hugo Awards celebrate the generosity that goes along with an incredible amount of work, just for the fun of it. In the past, I haven’t looked closely at the Fan categories, because who has time to look at everything? Turns out I’ve missed a lot of interesting things, so this year I’m making sure to look at those often-overlooked categories and cast my vote…

[Thanks to Cat Eldridge, Andrew Porter, JJ, Daniel Dern, John Hertz, Michael Toman, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Lise Andreasen, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]