Martin P. Robinson Announced as 2018 SFWA Nebula Awards Toastmaster

The Science Fiction and Fantasy Writers of America (SFWA) have announced Martin P. Robinson will serve as Toastmaster for the 52nd Annual Nebula Awards Ceremony.

Robinson is a puppeteer who has worked for the Jim Henson Company for 37 years, performing a range of characters including Mr. Snuffleupagus, Telly Monster, Slimey the Worm, and the Yip-Yip Martians.

In 1982 he designed, built and performed the carnivorous plant Audrey II for the original Off-Broadway production of Little Shop of Horrors, and designed/performed the show’s 2003 Broadway revival as well. Martin is the senior Muppet-style instructor for all international productions of Sesame Street.

The Nebula Awards will be presented on Saturday May 19, during the annual SFWA Nebula Conference.

2018 Los Angeles Vintage Paperback Show on 3/18

Get ready! The Los Angeles Vintage Paperback Collectors Show takes place Sunday March 18 at the Glendale Civic Auditorium from 9 a.m. to 4 p.m. Admission is $5.

There will be over 80 dealer tables and 45 authors who will sign their books for free, among them William F. Nolan who has been attending almost as long as the show has existed, with over 30 years of appearances.

Here is the full guest signing schedule.

Shetterly Banned by 4th Street Fantasy Convention

Will Shetterly reports he has been banned from Minneapolis’ annual 4th Street Fantasy Convention.

In 2017, a 4th Street board member recruited Shetterly to help with a writing workshop, however, after seeing the info appear on the con’s website, 4th Street’s Safety Coordinator raised concerns. The board overruled the selection and Shetterly was dropped. Shetterly exchanged emails with people to find out what those concerns were and why the decision was made. Today he published that correspondence because the board has notified him he is banned from 4th Street Fantasy, due to his having raised the spectre of legal action when dropped from the 2017 workshop, and also for his public criticism of the convention.

Shetterly quotes the board’s notice about the ban in section three of his post “Positively Fourth Street, or On being banned for … vague reasons about nearly indescribable things?”

  1. I was done with 4th Street, but 4th Street was not done with me

After deciding I was done with Fourth Street, I rarely thought about it. When I did, I remembered it like Minneapolis’s Uptown neighborhood, a place that was fun that has been gentrified. It never occurred to me that Fourth Street was not done with me, but the convention is like a lover I ghosted—she felt obliged to tell me the relationship is over. On March 8, I woke to find this email:

Dear Will:

On April 27, 2017, as part of an email conversation regarding your removal from a programming item at the 2017 4th Street Fantasy Convention, you wrote “Someone has suggested this decision to imply I’m unsafe in public might be actionable.”

We cannot disregard this implied threat of legal action, particularly combined with your lengthy and detailed public criticism of the convention on multiple platforms. Despite your reassurance in correspondence dated April 30, 2017 that “I just want to reassure everyone that Emma and I have less than zero intention of suing anyone”, the Board of Directors has decided that we are unwilling to open ourselves to liability through further association with you.

We are therefore banning you from Fourth Street Fantasy.

We would like to resolve this privately. These are the practical steps we have taken:

• As stated above, you are banned from Fourth Street Fantasy. You will not be allowed to register for the convention or attend convention events. Please do not come to the Doubletree Hotel during the weekend of the convention.

Thank you for your service as a founder, programming participant, and long-time attendee. We wish you well in your further writing career.

Sincerely Yours,

The Fourth Street Fantasy Board of Directors

Brad Roberts
Scott Lynch
Alex Haist
Arkady Martine
Max Gladstone

Shetterly says he was “done with 4th Street” already (partly for the reasons covered last year in “Steven Brust’s Fourth Street Fantasy Remarks Generate Heat”, which Shetterly commented on extensively.) However, he believes a public statement is needed to clear the air, lest people assume he has been banned for the kind of behavior that has gotten other men banned from conventions.

Soon afterward, I realized these things:

1. The only substance in the Board’s letter is the fact that I’m banned because they’re concerned I might sue them for implying I’m unsafe. Their logic is odd. If I was the sort of person who liked using the law, banning me would make me more likely to sue them. By banning me, they are giving me the only reason I might have to sue them—in earlier times, no one would have been banned for polite disagreement, so people will quite reasonably assume there must be more to the charge.

2. Their letter says I criticize the convention without citing examples because there are none. I’ve always supported the convention. I’ve only criticized its current administrators who speak as if they are the convention—L’Etat, c’est moi is the motto of all petty people who fail to see they are only caretakers.

3. The letter says the Board “would like to resolve this privately”, but a ban means nothing if no one knows about it, the idea that five members of this community could keep anything private is hilarious, and there’s nothing offered to resolve: the Board isn’t dangling any hope of rescinding the ban if I promise to keep from criticizing them in the future. Their “privately” may mean they want to keep the story in the realm of gossip instead of making a press release, but the game of telephone began the moment a Board member told a friend I’d been banned or answered an inquiry about whether I’ll be at this year’s 4th Street.

So the Board has given me three choices:

  1. Do nothing, thereby validating the implication that I’m banned for the same reason other men in our community have been banned.
  2. Sue the Board to make them admit that the implications of their ban are false.
  3. Make the historical record public so people may draw their own conclusions.

Shetterly says he has chosen the last option, thus his post.

[Thanks to Mark Hepworth for the story.]

Readercon Issues Apology

Readercon’s Board of Directors posted an apology to Facebook for the letter sent to some of its past program participants informing them they would not be invited back this year. The full text of the apology is below.

A number of older writers who received the letter took offense, both for being dropped, and for being offered an unfortunately-phrased “PASTPRO” discount. Readercon apologized for the wording and for failing to make clear that writers getting the letter were being rotated out but could be considered as participants in future years.

The charge of age discrimination, which Kathryn Cramer publicly called on Readercon’s board to investigate, is not addressed by the statement.

Dear Readercon Community,

This year for the first time Readercon sent a letter notifying some previous program participants that they would not be invited onto panels this year. We sent the letter to assist them in planning for the con. We are a convention of under 1000 people. We usually have around 150 panelists/program participants each year, but the list of invitees onto program had grown to over 900.

It has always been our policy that program participants do not pay for their convention membership. In some years we had more invited panelists than paying attendees, and that is not a viable model. We cannot afford to give free memberships to everyone.

Readercon is at its best when we strive to include a mix of experienced and rising authors, editors, publishers, and others in the community. We need to rotate the names on that list to ensure we continue nurturing a strong mix. We only have so many slots available on panels each year.

That 900+ person list was reviewed by several people including the past three program chairs. Together they determined a process for selecting who would rotate out and identified who would be affected for Readercon 29.

While similar rotation has been happening for several years behind-the-scenes, we realized that there was a need to start letting recent program participants know that they would not be invited for programming this coming year.

We realize we did not handle this well. The letter we sent was not well written.

We neglected to point out explicitly that even if individuals were not going to be considered for panels this year, they would always be eligible for consideration in years to come. We would like to make that known now and will be correcting it in next year’s letter.

We should have been more transparent and clearer.

It was never our intention to give people the impression that they will never be invited to participate in Readercon programming again. We also hoped and continue to hope that they will choose to attend Readercon because they enjoy the convention itself.

In conclusion, we messed up and we are sorry.

We should have said upfront that not every program participant will be invited back every year. Our only exception is that all past Guests of Honor receive invitations every year.

As important members of the industry, you are always welcome to tell us if you are an expert on one of our upcoming Guests of Honor or the Cordwainer Smith Award winner, if you are publishing a piece by an upcoming Guest of Honor, or if you have a new book coming out. We have always worked hard to support the incredible people who have participated in Readercon programming over time. This has included talking with the US State Department , universities, and supplying documentation for grants.

The Readercon Board of Directors:

Rachel Borman
Sioban Krzywicki
B. Diane Martin
Emily Wagner
Louise Waugh

Emerald City Comic Con Cosplay Part 2

Compiled by JJ:

(note that if an image seems to be cut off, or several images appear in one tweet, clicking on the image will reveal the full image and/or enable you to scroll through the gallery)

https://twitter.com/sharkiekitty/status/970468796933726208

https://twitter.com/Broke_Beautiful/status/970479994538348544

Read more…

Cramer Asks Readercon to Investigate Age Discrimination Charge

Kathryn Cramer announced on Facebook that she has asked the Readercon board to investigate whether its program organizers engaged in age discrimination while culling their program participants list and violated the convention’s own Code of Conduct.

Several older white male writers who have been on Readercon’s program in previous years have posted to Facebook that they were notified they won’t be on this year’s program, or simply haven’t received the expected invitation. The wording of the notice sparked resentment —

Allen Steele’s reaction was typical:

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

Whether writers/editors/artists who have been on a convention’s program in the past are owed the courtesy of being formally notified that they are not going to be on the current year’s program, or a con should let silence speak for itself, is worthy of discussion in its own right, however, Readercon made the former choice.

Even more important than the careless language of the letter (“PASTPRO”), some writers who received it say they suspect that Readercon’s effort to churn its roster of panelists has been done entirely at the expense of older writers.

A few days ago Jeffrey A. Carver added his name to the list of writers who have gotten the letter: “Readercon Says, ‘So Long, and Thanks for All the Fish!’”

I worried I was getting old when I turned 50 and started getting mail from AARP. And then, when I wasn’t looking, I suddenly became eligible for senior discounts. (No, that can’t be right. My parents were seniors, not me!) And now…

Readercon, once one of my favorite conventions, has decided that—well, let’s let them tell it in their own words: “You won’t be receiving an invitation to participate in programming for Readercon 29. We’re deeply grateful to you for your years of participation at Readercon… but…” But so long, and thanks for all the fish!

They go on to say that they’re making room for fresh, young writers—which, if I thought that were the real reason, would at least be understandable. The truth, of course, is that Readercon has always been welcoming to new writers. I was one myself once, and Readercon always gave me a place at the table, as they did others. In fact, one of the things I liked about it was the yeasty mix of writers of all kinds, all ages, genders, creeds, etc. It made for great conversations. I guess the newer team of organizers are aiming for a new shape for their demographics. Either that, or they think they’re comping too many memberships to program participants.

I’m not the only one to receive this letter, of course. A number of older, white male writers (including my friend Craig Shaw Gardner) have received the same email. I don’t know if any female writers have received it or not. I’d be interested in knowing. (Update: I’ve received a secondhand report that a woman-writer friend of mine, also in my age group, got a similar boot to the backside.)

Kathryn Cramer tried to bring the matter to a head and tweeted Readercon a question —

Cramer also criticized a comment left on FB by Readercon program chair Emily Wagner:

…Speaking as the widow of a Readercon 13 GoH, I take exception to your complaints about past program participants’ “longevity.” You may find this whole matter “hilarious” (as per screen shot). I do not. Readercon has a code of conduct. I suggest you read it. And if you still think it is hilarious that you have given offense to many of the writers you have written such things to, and if you still think other peoples’ impression that you are engaging in age discrimination is hilarious, then I suggest you politely submit your resignation to the Readercon committee and find another hobby.

(This page lists 150 program participants from the 2017 Readercon – how Wagner’s 700 figure relates to that is unclear.)

Cramer has made a public request that the Readercon Board get involved.

I have just sent the following letter to [email protected]: To the ReaderCon Board:

In light of letters from Emily Wagner, writing as program Chair, recently received by older writers and professionals disinviting them from future participation on the ReaderCon program based their “longevity”, offering a discount code of “pastpro,” I formally request that the Board open an inquiry into whether Emily Wagner has committed age discrimination and whether she has, in the process, violated ReaderCon’s published Code of Conduct as pertains to age. Since Emily Wagner also sits on the Board, it would be appropriate for her to recuse herself from this inquiry.

I further request that the ReaderCon board publicly release the age demographics of the list of people to whom such letters were sent. And further, should these demographics demonstrate that all or nearly all such letters were sent to writers over age 50, I request that Emily Wagner be removed as Program Chair of ReaderCon and removed from the ReaderCon Board.

Ms. Wagner has posted on Facebook that she finds these allegations of age discrimination on her part “hilarious.” Age discrimination is not hilarious.

Further, should the Board determine that age discrimination has, in fact, taken place – which is to say that all or almost all of those disinvited are over 50 – I request that the Board take appropriate action to remedy the situation.

Sincerely,

Kathryn Cramer

Several other well-known writers have added their protests. Peter Watts ended a comment on the subject:

Readercon, you suck.

Barry Longyear chimed in:

So, the Readercon “Dump-the Old” program is still in effect. It makes me think there ought to be two new categories in the Hugo Awards at the World SF Con: Best Science Fiction Convention, and a booby prize for that convention committee deemed as “doing the absolute least to promote science fiction and fellowship surrounding the literature of science fiction.” Designs for the Fucktard Award are currently being solicited.

David Gerrold made a more substantial comment on Cramer’s announcement:

About ten years ago or so, the Writers Guild of America won a major lawsuit on age discrimination. The studios paid out $70 million, some of which was distributed to writers who had proven they had been discriminated against, the rest to establish protections for the future.

Age discrimination is real — it’s pernicious, it’s vile, and in venues where there are laws prohibiting it, it is illegal.

For it to occur in the science fiction community is appalling. This is a community that has prided itself on inclusion. The rule in fandom is that “the ceiling constitutes an introduction.” That is, we’re all in the same room, we’re all fans, we’re here to have fun celebrating what we love.

So for any convention to knowingly violate the trust of the community, to disinvite the experienced and respected members of that community — this doesn’t just punish the authors, it punishes the fans who want to hear from those authors.

I’ve always wanted to attend a Readercon. I’ve only heard good things about Readercon — but now I suspect that I am too old to be considered worthy to contribute to Readercon.

I hope that this is a momentary glitch that the Board of Directors will address quickly. Otherwise, Readercon’s good reputation will be soiled for a long time to come

Jo Walton and Todd McCaffrey Headline Life, The Universe, & Everything 2018

By Dave Doering: One author commented: “LTUE is one of the best ‘secret’ cons for writers out there, if not the best.”

This quirky, professional development event scored a record attendance, topping 1500 this year, with over 220 hours of programming over its three non-traditional Thursday/Friday/Saturday schedule. Guests included headliners Jo Walton and Todd McCaffrey with Myke Cole (CBS Hunted), Susan Chang (Tor), Jessica Douglas, and Dave Farland as special guests.

Jo Walton and Todd McCaffrey

Toastmaster Charlie N. Holmberg (whose Paper Magician is optioned by Disney for release on their upcoming streaming service) regaled the Banquet audience with tales from her life growing up geek and called on everyone to embrace your own weirdness–be “your own kind of weird”.

Charlie N. Holmberg

Fun moment: LTUE has a mass autograph party on Friday night (over 100 authors participate). This year the event coincided with a political rally upstairs for Mitt Romney’s bid for Utah’s Senate seat. The convention hall was littered with heavy police security–to protect the con or to protect the candidate?

The autograph line extended quite some ways, which led various political seekers to join the line thinking it was for the rally. Then one of the congoers got in the queue–with his long, purple beard. At that point, several people whispered that he didn’t look like a Romney supporter, and maybe this wasn’t the right line after all…

(Personally, I think Romney would have had a more exciting time at our party.)

Jo Walton celebrated the release of her new anthology, Starlings, from Tacyhon Press at LTUE. The custom cake is from The Mighty Baker shop in Provo–winner two years in a row on Cake Wars. (The uncut version really did look like a hardcover.) Various guests came by (including L.E. Modesitt) to enjoy the festivities.

The hotel has these 16-sided endtables. No way were we going to let this chance pass us by!

I had a blast with one of the props from the SF series Extinct.

Had a reunion of the more than 20 (!!) WotF winners from Utah area, including first husband/wife winners (Eric James Stone and his wife Darci won in separate years).

Supreme kudos to Jo Walton for joining us after traveling from Montreal to Provo via train–leaving Friday Feb 9 to reach us by Wednesday, Feb 14th (!!) and

Who is STILL ENROUTE as you read this until Thursday, the 22nd!!

Now that’s a guest!

Have scarf will travel. Part three.

Cap-bosk run in six parsecs

Dublin 2019 chair James Bacon and scarf.

By James Bacon. I’m a bit rough around the edges. Coffee is trying to sharpen my state of mind and indeed it tastes good but I’m tired, that good tired where I cannot stop, the convention tired where you want to keep going, I’ve no headache or hangover but the body knows it’s been a punishing time, it’s been so much fun. A bit more sleep, that’s it. No. Wait. Not that much!

I’ve had a mighty time. I am farewelled in the lobby and I leap into the taxi with the delicacy of a well used wet bath towel hitting the bathroom floor. I get to O’Hare and am working on this piece as I go. It’s been great fun.

What is fun though? Why am I asking that question, how long before this piece goes a bit gonzo?

Fun is so subjective.

I’m not sure if the debate about what makes a con fun would match the passion that I saw demonstrated during the Last Jedi panel where it was clear that some wanted to debate really hard whether Rey, growing up on the streets, would have more or less skills than a whiney farm boy or whether the film was good or not and whether it’s now ruined the next instalment. There was earnestness there, an energy that manifested in thoughtful challenging opinions, held strongly and by people well able to put their argument forward clearly with fine examples. Did I ruin the fun by finding the intransigence of some entrenched views wonderful, pulling myself from the mired muddy débâcle to observe the melee, noting that watching on as opinions are sharpened and objections raised the blood obviously flowing more strongly as people care about the concepts and interpretations that they have taken from a film animate them into a position where it’s clear how there is no changing this viewpoint, and I’m not arguing, rather watching on impressed that a film can create such discussion and loving it. It was a fabulous panel, and Timothy Zahn was very good on it.

I saw people enjoying themselves, could mean anything.

I have to elucidate a little more coherently. Why did it feel good. It’s true I’m welcome here but from the reg desk through to the way people are applauded for their first Capricon, I hope they feel welcomed, but it sure looks like it.

Rey’s staff

By Friday over 1,000 people were members, every child that walked into kids programme to make Rey’s staff was greeted warmly even when they were drifting between ambivalence, shy driven distaste, but all came along onward and all got the crafting going and soon the dejected few were finding that a multi coloured staff of their own design with their favourite colours was really desirable. All are then shouting CAP-RI-CON with a room full of kids where it’s all very organised but only a heart beat from chaos, and a good time while taking a five foot foam and pipe staff home was not all that bad. ‘Who doesn’t know Rey, any one need to be patronised about how awesome she is?’ I ask. They are smart and brutally honest, patient but happy to voice and act on immediate feelings and if you aren’t doing a good job, they will let you know. Fannish feedback that is not so much sharp, incisive and cutting here, but a brutal hack and slash instantaneous style that means one implores ‘no blasters no blasters’ and dive behind the table for cover.

My flight has gone astray. A bit. My plans today are changing shape. An hour for the dealers room to see the awesome Art Exhibit at Boskone, is now going to be lost. Indeed as I write this I’ve no idea if I’ll make the Craig Miller GOH item that has excited me so much. I was sure I’d miss it, then when the schedule came out it worked perfectly and now it’s in the air. Literally. I may turn up late. Sneaking in down the back and pretending I was there all the time could be a plan but it’s imbued with a rake of potential pitfalls, creaky doors, noises clumsiness, worse the entrance of shame with an annoyed welcome from the top, it’s all a bit exciting.

Damnit can this fecking plane not belt down the runway any faster. Maybe if I play some Ramstein it will quicken the pace. Faster. Come on. It’s not working. I flick the fingers over the glass and choose ‘Into the trap’ by John Williams, oh yeah, this is more like it, I’m pushed back into the seat, and soon we rotate, and hit some awesome turbulence just as I hear and imagine the falcon swooping through the fleet, the orchestra rising in tempo and quickening like my heart as we rise and jet skyward towards Boston.

Last night at Capricon; ‘Are you British?’ washes past me, was that a question, was it humour, was it rhetorical, can I spell rhetorical, I’m unsure, but the question fails to even raise a pithy, abusive and sarcastic ‘bloody septic’, and as I see there’s a response required I smile calmly, ‘no Irish’ which oddly leaves everyone else more worried than anything, is my smile menacing,  I try to smile more, it doesn’t help, is it now a bit demented looking, it’s easy to go astray with accents, and smiles, and aren’t we all fans, but this is awkward and doesn’t my Train Driving Licence have the Union Flag on it,’ I’m an immigrant living in London.’ I helpfully say. Did that help? I dunno. Everyone’s friendly, fall back to a trope or as I heard it described this weekend, a story device that frequently works well. ‘Where’s the beer?’ I smile as I ask, everyone smiles and points

Who’d nationalise individuals, isn’t that dreadful, aren’t we are all fans in this happy borderless bliss. British Fan Dermot Dobson careens around the corridor corner and I greet him, he is exceptionally well-known in these north westwards Chicago parts, and he is soon brandishing his new Irish ID at me, we embrace long and warmly and cheer and whoop and he smiles and gesticulates and I, in an instantaneous semi-official self-appointed capacity welcome him to his newly found fannish family and he describes the joy of his receiving his new passport and I’m pleased like he’s joined Dublin 2019 but a version that is infinite. Irish fan Dermot Dobson. Many are envious. I ponder if we can import all the fans and make them Irish and whether Octocon chair Janet O’Sullivan would string me up, strike me down or send me some extra membership forms.

There’s a Star Wars vibe at Capricon but it’s not overpowering. Sarah Wilkinson and Timothy Zahn are show stealers, both are so erudite and enthusiastic but also love the world they have a place in and it shows. I meet four Princess Leia’s, although I admit I wish there was a Jyn here, there’s a couple of Sith and a few Jedi, I’d like more rebels really. I cosplay up myself, doing a personal interpretation of The Bombshells Batgirl in a Baseball uniform but adjusting it as you do and switching up to Batwoman. I meet Michigan fans in Star Wars cosplay, and an excellent local family, with superhero and star wars cosplay on.

Princess Leia

There’s a solid programme at Capricon and it creates that conflict of annoyance that there is too many good things to go to. There’s over 200 programme items and that doesn’t include screenings, games and all the parties. Items of interest vary from discussing Mary Shelly at 200 to the diversity backlash. I consider listing my top 10 programme items, but rather, I shall cover my favourites in more detail later. It has been a great programme.

I’ve missed a cracking party at Boskone. Erin Underwood arranged a Dublin 2019 late night meet up. I’m envious although at the same time I’m dancing at a party, my feet flying across the floor like a rhino on ice. I am not the only one dancing, and across in Boston, I hear reports that Geri Sullivan is leading the dance there. Erin reports that great chat is happening as fans sit around and are joined by Dublin GOH Ginjer Buchanan and the dancing is fun and there are lots of green lights. Meanwhile, the Dublin 2019 team in Dublin may be sleeping after an excellent day at Leprecon. I get sent a lovely set of photos, one in Scrabble’s letters, really makes me smile.

Message from Leprecon

Back at Capricon, Tammy has set up a ‘Pop-Up’ cocktail spread at Lance’s party, and Deanna is doling out fabulous ciders. Cows are having a fun session, and I cannot believe that Dr Zhivago nails it. (Fannish Family Feud) Barfleet are here in strength with two party suites, providing a disco, Friday was awesome 90’s music, now there is a great mix, decent rock and well-known anthems. They really know how to party. The Barfleet team show everyone a great time, and indeed very warm welcome. The UBS Abandon, the Chicago Chapter of Barfleet is celebrating its tenth anniversary, and they really throw one hell of a party, while it is lovely how they recognise their volunteers so well, and indeed, recognise fan achievment. I am impressed.

Ten Years

The plane, which has formed my writing desk, is descending. ETA is 12.50 it’s early. John Williams has worked, the Cap-bosk run in six parcecs! It’s 12.20. OK, so we did it in less time, and the distance is 4.694e-11 in parsecs, but don’t ruin the flow of a good story with hard science.

We land. We taxi…Why has the plane stopped?  This is not good. This is not a jetty this is somewhere in Logan but not where I need to be. That’s it. Move to the jet bridge. Unload you feckers. Luggage. I have all the luggage, it’s 1240 now. Jackie Kamlot is waiting, the car is not revving, but soon it is. Crikey we are going.

12.48 I can see the Westin on the horizon, the car skews around and we gain traction. Engine still running as I get out. 12.54 I am walking into the Westin, badge on, say hello to the Dublin fan table team, and beg grace to go see an item, and then walk into the Harbour III room just as Craig finishes ensuring the presentation is set up right. Craig starts. Made it. Done it.

Done it Mike.

Have Scarf Will Travel – Party Time at Capricon

Dublin 2019 chair James Bacon and scarf.

By James Bacon: The party scene is big part of Capricon.

Although I first encountered parties at Worldcon in 1995, the idea of a 1,000-person con having two floors of suites with large rooms, some much bigger than places I have lived, all hosting parties was mind-blowing.

Friendly and welcoming, going from room to room enjoying the hospitality and of course refreshments, I have yet to attend a convention where the party scene was better. Although I have heard amazing things about Norwescon and have loved great parties at both Arisia and Boskone.

Thursday night may be a quieter night, but it doesn’t feel quiet, and there are a number of parties taking place. I end up helping a couple of them prepare, moving furniture around and so on.

Tammys cocktails

Tammy Coxen is doing an amazing Tammy cocktail party with a series of drinks representing Worldcons and Worldcon bids.

Dublin 2019 is well represented here with a fresh take on the traditional whiskey and red lemonade. Tammy is serving the Whiskey with lemon juice, grenadine and club soda.

I have managed to bring some red lemonade from Europe, this uniquely Irish soft drink goes very well with Whiskey, so fans enjoy it, and we have some regular whiskeys, Bushmills, Red Bush, Powers to taste it with. I tell everyone it is the most popular way to have whiskey in Ireland, although I admit I read that online, but Red Lemonade is always available in Irish Pubs and in Dublin a Jammie and Red is very common drink.

The range of regular whiskey  is bolstered with the locally bought ‘Clontarf’ whiskey which I call ‘Clondalkin’ whiskey, which while very affordable at $18 a litre and possibly frowned upon by the connoisseur, is quite smooth with a stronger bourbon or caramel hint from it. It is great with the Red Lemonade.

DC in 2021 has a vermouth-based drink on Tammy’s menu, but Bill Lawhorn, Co-Chair of the bid, like myself deviates from the menu and produces a ‘DC Neapolitan,’  consisting of Baileys, chocolate liqueur and tequila rosa, incredibly tasty sweet creamy alcoholic shots that go down well.

Although unrepresented on the menu due to no bid, I have a Down East Cider from Boston.

Dave, Helen, and an Irish hand.

Helen Montgomery and Dave McCarthy are throwing a party for the Chicago 2022 bid. They have some great food, a creamy meatball thing, and a space theme to their drinks. ‘Take it to the Stars’ is their tag line, and I am offered a vodka and orange tang cocktail mix. I soon learn that the orange drink is the stuff of astronauts, and it goes down easy along with that other well know space drink, Earl Grey tea with scotch and honey. Also a few cases of Space Station Middle Finger, an American pale ale, from the Three Flyodds Brewing Company. The space theme is really nice, and there is a lot of buzz here for 2022.

I head to Rook Books, where Deanna Sjolander and Blake Hausladen are hosting an excellent Books and Beer party, where there is a wide variety of very interesting drinks. I go to the Rock Band party, and engine room parties, and eventually have a short snooze on a couch at around 2 a.m. in Tammys. It has slightly caught up with me, but it is a good night, and I eventually get to the bed by 4 a.m. after causing some consternation by drinking Balvenie 12-year-old single malt scotch, with red lemonade.

Books and Beer

Friday and Saturday will have a range of other parties. Barfleet are having a UBS Abandon 10-year celebration, there will be a ‘For the Love of Comics’ party, Minneapolis in 2073, more Books and Beer and a list of others, all to look forward to.

I admit that I am a bit conflicted as Erin Underwood has arranged a Dublin 2019 meet up at Boskone on Saturday night, in the Galleria at from 10:30 p.m.-12:00 midnight, with Irish snacks, drinks, and some Irish music and one of our GOH’s. Meanwhile over in Ireland, members of the Dublin 2019 team have also been making their way to Leprecon 39 at Goldsmith Hall in Trinity College Dublin. https://leprecon.ie/

Panels start at 10 a.m. for me, so time for sleep.