Cathy and Arnie Fenner have announced that although Spectrum: The Best in Contemporary Fantastic Art #27 has just been released by Fleskes Publications and this is traditionally the time of year when the Call For Entries for Spectrum 28 would normally open for submissions, they are postponing the submission window until 2021.
They explained in a press release:
But as we all know, 2020 has not been a normal year for anyone…and we’re not out of it yet. As announced previously, after seven great years as editor and publisher John Fleskes decided to step away from Spectrum to pursue other projects and interests; as we began work on transitioning the competition and book back to our leadership, the pandemic simultaneously began to spread around the globe. Needless to say, since March of 2020 COVID-19 has taken a toll on everyone emotionally—particularly to those that have lost family or friends to the virus—thrown a monkey wrench into logistics and planning, shuttered businesses, cost millions of jobs, and had an enormously negative financial impact on the world. And that of course all translates to a negative impact on the publishing and entertainment industries, on the arts community, on the readers and fans—on literally everyone who make Spectrum possible. Factor in social, civil, and political upheavals and it’s safe to say that everybody has struggled or been hurt or in some way experienced unhappiness in 2020 and it would be tone-deaf for us to pretend otherwise.
With all that in mind, we believe the responsible thing for us to do is to delay opening Spectrum 28 for submissions until after the first of the year. A revised website is in the works as well as updates to the social media platforms. Though we know everyone has come to expect the Call For Entries to roll around at the same time each year like clockwork, we’ve actually been talking with our Advisory Board for some weeks about changing the dates (among other things) as a way to better serve the arts community going forward: there will be more announcements forthcoming, including our Call For Entries poster artist and jury.
…To paraphrase Mark Twain, any reports of Spectrum’s demise are greatly exaggerated. Watch for the announcement and we’ll hope to see everyone’s work when Spectrum 28 opens for entries. If you have any questions or concerns, ask us: we’re not going anywhere.
Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.
Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.
The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.
…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.
…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.
Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”
…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”
He was right. I’m not a writer.
I’m a storyteller.
A story is — pay attention now, this is the good stuff — a story is about a person with a problem.
Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM.
This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us.
But either way, we end up with a story about the problem.
The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…
On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.
In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.
… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”
Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.
“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”
Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.
“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”
Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….
A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.
Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.
Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.
Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.
The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.
“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…
(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.
There was no public church service and no public interment. Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.
… I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.
Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….
(7) MEDIA BIRTHDAY.
August 18, 1950 — Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.” Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
Born August 18, 1931 – Seymour Chwast, 89. French ed’n of Doctor Dolittle; Odyssey; Canterbury Tales; Divine Comedy; three dozen more. Here is We. Here is Analog 6 (anthology). Here is Lord Tyger. Much outside our field too; see here, here, here, and this archive. Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons. [JH]
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
Born August 18, 1943 –Richard Bober, 77. Three dozen covers. Here is Lake of the Long Sun (in Polish). Here is Shards of Empire. Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell). Gallery, Feb 98 Realms of Fantasy. [JH]
Born August 18, 1947 – Paul Skelton, 73. Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’. Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat. [JH]
Born August 18, 1949 –Takeshi Shudô. Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game). For Pokémon, coined Team Rocket’s motto. Won Best Screenplay at first Japan Animé Awards. Memorial exhibit at Suginami Animation Museum, Tokyo, 2011. (Died 2010) [JH]
Born August 18, 1950 — Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its sequel Epitaph are mysteries using the historic character of Doc Holliday. (CE)
Born August 18, 1966 – Alison Goodman, 54. Seven novels, five shorter stories. Translated into ten languages. Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend. Two Aurealis Awards. Website here. [JH]
Born August 18, 1981 – Bridget (“B.R.”) Collins, 39. Seven novels. Bradford Boase Award. Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).” Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor. [JH]
(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:
(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.
…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat. No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write. But that worked for a while.
Things started getting busier, though. So busy that I needed a full-time assistant. Then the office house had someone else in it, not just me and my characters. And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by. By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…
Despite all the help, I was drowning till I found the mountain cabin.
My life up here is very boring, it must be said. Truth be told, I hardly can be said to have a life. I have one assistant with me at all times (minions, I call them). The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift. Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast. Then I start to write. Sometimes I stay at it until dark. Other days I break off in late afternoon to answer emails or return urgent phone calls….
… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.
… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”
“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.”
(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.
….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!
… Talk about a Dream Team!
And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:
Job #2 is to help us not be stupid.
Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….
(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.
An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.
(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.
Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.
We’re talking about Gandalf’s pipe, specifically where he keeps it…
For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.
The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.
“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.
“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.
Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.
So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.
(19) VIDEO OF THE DAY. In “Honest Trailers: The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.” The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.
[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]
John Fleskes, the current Director of the Spectrum Fantastic Art competition and editor of the resulting book, has announced he will be stepping down from both positions following the publication of Spectrum #27 in October, 2020. Spectrum Fantastic Art founders Cathy Fenner and Arnie Fenner will return as Directors and editors beginning with the 28th annual competition in the Fall.
Spectrum: The Best in Contemporary Fantastic Art was founded by Cathy and Arnie Fenner in 1994 and is the renowned international symbol of excellence for the field of fantastic art. John Fleskes became Director/Editor/Publisher of the series in 2013.
“Spectrum is an extremely time-consuming, labor-intensive project” says Cathy Fenner, “and John has many books for his Flesk Publications line that he is very passionate about but has been unable to pursue because of the energy and focus Spectrum demands. He also has some deeply personal projects outside of publishing that he needs time and attention to bring to fruition—and there are only so many hours in the day. Arnie and I greatly appreciate all of the excellent work John and his staff have put into Spectrum, SFAL, and the fantastic art community for the past seven-plus years and sincerely wish him the best of luck with all of his future endeavors.”
“It has been an absolute joy to be a part of Spectrum,” shares John. “I still have the same enthusiasm and care for Spectrum and the art community that I have always had. Both Arnie and Cathy Fenner have been wonderful to work with as mentors and friends. I can’t thank them enough for their trust in me and for their support over the years. I consider myself very fortunate to have had this experience. Being able to work with so many creative and amazing people is something that I will forever be grateful for. I’ll continue to be very active in the art world as I focus on a new line of books that I am eager to publish and I’ll be setting the foundation for a new vision that is close to my heart.”
John’s last volume, Spectrum #27 (as well as all previous in-print volumes), will be available through Flesk Publications and to the book trade via distributor Publishers Group West as usual.
The addresses for the Spectrum website and social media pages will remain the same; Spectrum 28 will open for entries in October, 2020 and the book will be available in October, 2021. Further announcements regarding the new Spectrum advisory board, additions to the Spectrum staff, and jurors for #28 will be made at a future date.
With the effects of the coronavirus outbreak expanding, and authorities all over the world responding with policies that attempt to limit large gatherings, many more sff events have cancelled or postponed. Some are shielded from contractual penalties because the actions were initiated by the government, but not all.
The International Association for the Fantastic in the Arts has
relented and cancelled
ICFA 41, which was to be held March 18-21.
For the last two weeks, the IAFA Board has been monitoring the evolving COVID-19 situation. Until yesterday, we considered it our responsibility to keep the ICFA going for the more than 400 members who were still planning to attend, and to let each individual decide for themselves the risk.
The situation has changed drastically and quickly. The WHO has ruled this an official pandemic and, well, you’ve all seen the news. We believe it would be irresponsible for us to hold the conference because travel poses a public health threat, so ICFA is cancelled. We now must enter into negotiations with the hotel to try to minimize the financial damage. At this time, our policy to credit registration forward (as opposed to refunds) has not changed, but we will give you an update when the situation becomes clearer.
Costume-Con 38 in Montreal, scheduled to start
tomorrow, has been cancelled.
It is with great sadness that we are constraint to follow the Prime Minister directives to cancel any event bigger than 250 persons. It is a case of force majeure. We will keep you updated on the situation.
We know many of our prospective attendees will be disappointed by this decision. We are disappointed too. Our volunteer staff has spent thousands of hours to make this event happen, and to make it safe for our attendees. But given the current reports coming out about this virus, we agree that it is no longer safe to hold the event. We would hate to put our members, staff, exhibitors, panelists, guests, and the greater Lancaster community at risk.
Fantastika 2020, the Swecon this year, has been postponed
until sometimes in the fall. Here is the Google Translate rendering of their
We have had a very hard time deciding whether to implement Fantastika or set it up for the coronavirus pandemic. Now the issue has been resolved by the Diesel Workshop [the convention facility] seeing us as such an event that they do not allow it. One advantage of this is that we do not have to pay for the premises and in addition, the Diesel workshop tries to find a suitable weekend with us in the committee where we can move Fantastika2020….
Planet Comicon Kansas City is following the Emergency Order issued by the City and will be postponing PCKC 2020, scheduled for next weekend (March 20-22). The safety, security and health of our attendees, guests, exhibitors, staff and crew members will always be of the utmost importance to us. We will be shifting our efforts to our new event dates which will be in late summer or early fall of 2020 and will be announced in the coming days. For more information, click here.
were the Spectrum Awards Ceremony
and Flesk/Spectrum appearance planned in conjunction with the KC
The 2020 Jack Williamson Lectureship at Eastern New Mexico University has been postponed.
I regret to inform you that, due to the COVID-19 virus outbreak in the country and – more recently — in New Mexico, Eastern New Mexico University will be canceling large campus events. Unfortunately, that means postponing the 2020 Williamson Lectureship (scheduled for April 2-3, 2020) until fall 2020.
We are reaching out to our guests and guest writers to see if we can arrange a date in September.
… Gov. Gavin Newsom joined state health officials in recommending the cancellation of gatherings of 250 or more people across the entire state, escalating the effort by his administration to slow the spread of the novel coronavirus….
The advisory, which does not carry the force of law, stops short of asking Californians to change their work, travel or even some leisure habits. A document provided by the governor’s administration said the limit on large gatherings does “not apply to essential public transportation, airport travel, or shopping at a store or mall.”
Wondercon, not due to take place until April 10-12, has been postponed. Comic Con International, which runs the Anaheim, CA event, proactively decided to postpone the con even though the host city nudged them on Twitter:
It’s also been decided that Disneyland in California will close through the end of the month.
…So what does this mean for San Diego Comic-Con 2020? Comic-Con International stated that they “continue to work closely with officials in San Diego and at this time no decision has been made regarding the rescheduling of Comic-Con slated to take place this summer; July 23-26, 2020.” That convention is more than four months out, and with the exception of E3, most events being canceled have been in March-April. Most event organizers are likely waiting to see how containment and other measures in the US work, as well as if warmer weather could potentially help combat the spread of COVID-19, before making decisions on conventions further out. But the situation continues to change at a rapid pace, so keep an eye on this space.
The annual L. Ron Hubbard Writers and Illustrators of the Future awards ceremony, planned for April 3 in Hollywood, CA has been cancelled.
We have been closely monitoring the situation around the COVID-19 virus in California and throughout the world and carefully considered our options for the 36th L. Ron Hubbard Writers and Illustrators of the Future workshops and awards celebration. In the best interest of the winners, judges, and guests, the workshops and gala event set to take place in Hollywood, CA, on April 3rd will be postponed until later this year. We know how important this event is for aspiring writers and illustrators and their families who come in from all over the world.
STATEMENT CONCERNING CORONAVIRUS: We have been monitoring the situation and there has been no advisement from Alabama Public Health to not have the event. At this time no cases have been reported in Alabama. If the CDC or Montgomery Public advises and does not allow us to use the building due to concerns we would then cancel. RIVER REGION COMIC CON HAS NOT BEEN CANCELLED. for more information: CLICK HERE!
TADE THOMPSON. One of the GoHs of the UK Eastercon, Tade Thompson, has withdrawn. The convention currently is still planned to start April 10 in Birmingham, UK.
This probably doesn’t need saying, but I’m cancelling/avoiding public gatherings and/or public appearances for the indefinite, but hopefully short-term, future.
As of an hour ago the Scottish government announced that we’re moving from “contain” to “delay” wrt. Covid-19—community transmission unrelated to travel or contact has been confirmed—and banning all assemblies of >500 people from Monday.
I’m personally in the high-risk category, being over 50 and with both type II diabetes and hypertension, so I’m self-isolating as of today….
TAKE CARE. Diana Glyer’s comment
on Facebook seems a good note to end with:
My favorite book about contagions is Connie Willis’s brilliant Doomsday Book, There are a hundred things to love about that book, but for me, today, the big takeaway in it is this: We are limited in the things we can do to address the catastrophe itself, but there are no limits to the ways we can serve, love, help, guide, encourage, and care for one another in the midst of it. And that will make all the difference.
Judges Alice A. Carter, Craig Elliott, Anthony
Francisco, Courtney Granner, Forest Rogers and Chie Yoshii debated the merits
of hundreds of pieces of art before finalizing this list on Saturday, February
8 at the Flesk Publications offices in Santa Cruz, California.
Established in 1993 by Cathy and Arnie Fenner, the first Spectrum annual appeared in 1994 from Underwood Books;
for over a quarter of a century it has attracted participants from around the
world and has set the standards for excellence in fantasy and science fiction
art. John Fleskes became the Director and Publisher of Spectrum
in 2014 with volume 21.
The recipients will be announced at the Spectrum
27 Awards Ceremony that will be held at the Grand Ballroom of the Kansas
City Convention Center in Kansas City, MO on Friday evening, March 20. The 2020
Spectrum Grand Master Award honoree will also be announced during the ceremony.
To see all the nominated art, click here
and scroll past the text-only nominee list.
Anna and Elena Balbusso Twins – The Magic Flute Backstage
Brom – Lilith
Bartos Kosowski – The Shining
Alessandra Pisano – The Part You Throw Away
Bayard Wu – Fighting in the Harpy Nest
Sam Araya – Arthur Jermyn
Rovina Cai – Ivywood Manor
Dan dos Santos – Penric’s Progress
Sija Hong – The Three Lords of Shambhala
Yuko Shimizu – The Wind Up Bird Chronicle
Thomas Campi – L’éveil, page 25
Jessica Dalva – The Dollhouse Family #1
Tim Probert – Lightfall 1: Walk in the Woods
Claudya Schmidt – Myre: Flora
Leif Yu – Rainforest
CONCEPT ART CATEGORY
Ian Chiew – Island Woodblock
Te Hu – la Marcarena
Finnian MacManus – Xulith
Andy Park – Captain Marvel Binary Powers Concept Design
Wu Qinghao – Devourer of Ghosts
Michihiro Matsuoka – Philosopher From The Past Coelacanth
Lucas Pina Penichet – Guardian of the Forest
Kristine and Colin Poole – Spinner of Dreams
Dug Stanat – Space Madness
David Zhou – Harpy
Sam Araya – The Forest Yell
Galen Dara – Many Hearted Dog
Angi Pauly – Blue Moon Harvest
Red Nose Studio – Truth, Lies & Uncertainty: Truth
Tooba Rezaei – Blue Hope
Tyler Jacobson – The Broken Sword/Throne of Eldraine
Iain McCaig – Claim the Firstborn
Mike Miller – Quest
John Jude Palencar – The Stranger: The Seventh Faith
Judges Kei Acedera, Wesley Burt, Bobby Chiu, Edward
Kinsella III, and Colin and Kristine Poole debated the merits of hundreds of
pieces of art before finalizing this list on Saturday, February 9, 2019 at the
Flesk Publications offices in Santa Cruz, California.
Established in 1993 by Cathy and Arnie Fenner, the first Spectrum annual appeared in 1994 from Underwood Books;
for over a quarter of a century it has attracted participants from around the
world and has set the standards for excellence in fantasy and science fiction
art. John Fleskes became the Director and Publisher of Spectrum
in 2014 with volume 21.
The recipients will be announced at the Spectrum 26
Awards Ceremony that will be held at the historic Folly Theater in Kansas City,
MO on Saturday, March 30, 2019 . The 2019 Spectrum Grand Master Award honoree
will also be announced during the ceremony.
This is the Preliminary program schedule. These are the program items we’re planning on having. New things may emerge, and any of these may disappear in puff of logic, all without warning. The program will be updated as information changes, but please check for official notifications during the convention.
(2) LE GUIN’S EARTHSEA ON RADIO. From SF Concatenation’s Jonathan Cowie we learn: “Beeb Beeb Ceeb Radio 4 Extra has just started season 2 of Le Guin’s The Wizard of Earthsea.”
To be able to create a gathering where the Spectrum community can get together and celebrate is not only meaningful, it helps to encourage others. All the award recipients had an emotional response and made sincere and expressive acceptance speeches. Everyone who attended left with a want to do more to create and inspire others to do the same. This is why Spectrum exists and why we find the awards ceremony to be so important to have and to share.
The world is running out of clean water, climate change continues to ravage the planet, and politics everywhere are a total nightmare: nearly every day of 2018 has carried the emotional weight of an entire year. It’s fitting, then, that this is also the year The Pokémon Company is announcing a partnership with the Tokyo Art Museum to produce special trading cards based on The Scream, the iconic expressionist painting by Edvard Munch.
According to the official release [Google Translate version], the promotional cards will be available starting October 27th to celebrate a special exhibition at the Tokyo Art Museum. Each card, which will retail for 450 yen, will feature a pocket monster with a scream attack that causes confusion (hence the crossover between the game and the painting). Cards will be available through official Pokémon centers in Japan when fans purchase booster packs, though there will also be other Munch / Pokémon-related merch up for sale, too.
In December 1495, Rome was devastated by four days of heavy flooding. After the deluge subsided, rumors began to swirl about a terrible monster that had washed up onto the banks of the Tiber. The creature was said to be a grotesque pastiche of human and animal body parts: it had, among other peculiarities, the head of a donkey, the breasts of a woman, the bearded visage of an old man on its behind, and a tail crowned with a roaring dragon’s head.
This was the era on the cusp of the Reformation, and many were convinced that the monster had been conjured as an ominous portent of papal corruption, with each of its hodge-podge body parts representing a different vice. (The creature’s “feminine” breasts and belly symbolized “the sensuality of the cardinals and ecclesiastical elites”; the old man on its hind parts marked a “dying regime.”) Printed images of the so-called “Papal Ass” were circulated widely in the years after the flood. Martin Luther, the father of Protestantism, even commented on the monster in his railings against the Catholic Church.
… But what, exactly, makes a movie a space movie? Is it merely the location? What if only a few scenes are in space? What about the involvement of aliens? Is it a space movie if the movie title has a space-y word, like “galaxy” or, say, “space”?
…These are the kinds of questions you have to grapple with before you even try to rank the best space movies. So, below is a system on how to tell whether your favorite movie is actually a space movie — including a handy, totally professional flowchart!
The best fantasy debut of 2018 has a problem. It was also the best fantasy debut of 2009. And 2007. And 1997, 1985, 1982, and 1968.
Authors change; the story stays the same. In the darkness a child is born. The child suffers, but he has mysterious power. Posthaste, destiny leads the child to the same place it herds all the courageous orphan-protagonists of speculative fiction: a storied and exclusive institution of magical learning, where he unnerves the faculty, demonstrates arrogance, and forms lasting friendships on his way to vanquishing evil.
…This year’s Potter, though it pulls from a number of related sources, is The Poppy War, the first of a planned trilogy set in the Empire of Nikan, an evocation of 20th-century China in everything from geography and mythology to military history. Written by the scarily proficient newcomer R.F. Kuang—she was 19 and a student at Georgetown University when she sold it—the book adds to a recent wave of East Asian fantasy with a sad, gifted orphan of its own.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 16, 1854 – Oscar Wilde, Writer, Journalist, Playwright, and Poet from Ireland whose only novel, the supernatural gothic horror work The Picture of Dorian Gray, has been translated into more than a dozen languages, made into countless radio plays, musicals, TV films and movies — the 1945 version of which was awarded a Retro Hugo — and had enduring influence on modern popular culture as an examination of morality. His long list of short fiction credits includes some fairy tales and genre stories, of which the best known is “The Canterville Ghost”, which has likewise undergone a copious number of translations and adaptations into various media.
Born October 16, 1874 – Lucien Rudaux, Astronomer, Artist, and Illustrator from France who in the 1920s and 30s created famous space-themed paintings featuring planets and moons rendered according to the state of astronomical knowledge at the time, as well the illustrated work Sur Les Autres Mondes (On Other Worlds). The Rudaux crater on Mars and the asteroid 3574 Rudaux are named for him, as is the Lucien Rudaux Memorial Award, given by the International Association of Astronomical Artists to creators of space-themed works (recipients have included Chesley Bonestell and Rick Sternbach).
Born October 16, 1925 – Angela Lansbury, 93, Actor from England who emigrated to the U.S. as a teenager. Though perhaps best known now for her long-running Miss Marple homage TV series Murder, She Wrote, her early career included movies of some import, and she received Oscar nominations for genre films The Manchurian Candidate and the Retro-Hugo-winning The Picture of Dorian Gray. Other genre roles include Bedknobs and Broomsticks, Nanny McPhee, and The Mirror Crack’d (for which she received a Saturn nomination), and she has lent her distinctive voice to a number of animated features including the Saturn-nominated adaptation of Peter S. Beagle’s The Last Unicorn, the Hugo-nominated Beauty and the Beast, Anastasia, Fantasia 2000, The Grinch, and Heidi 4 Paws, which is, interestingly, a retelling of the well-known Heidi where all of the roles are played by dogs.
Born October 16, 1926 – Ed Valigursky, Artist who created more than 200 pulp magazine and novel covers, mainly for Amazing Stories, Fantastic Adventures, and Ace Books, including Ace Doubles, along with dozens of interior illustrations. The more-than-50 covers he did in 1955 earned him a nomination for the Best Artist Hugo the following year. During the 1960s he contributed illustrations to classic trading cards sets, including the Topps titles Batman and Battle!. In the 1970s and 80s he created covers illustrating NASA’s space program for Popular Mechanics.
Born October 16, 1927 – Claire Necker, Librarian and Writer. This might be going a little astray from genre birthdays, but I think not, given that most of us have SJW credentials. She wrote a number of feline-related academic works including The Natural History of Cats, Supernatural Cats: An Anthology — which includes stories by writers such as Fritz Lieber, C.L. Moore, Henry Kuttner, August Derleth, and H.P. Lovecraft — and Four Centuries of Cat Books; Cat’s Got Our Tongue is a collection of feline-centered proverbs.
Born October 16, 1940 – Barry Corbin, 78, Actor whose face will be familiar from his many character roles — frequently as gruff military officers or crusty eccentrics — including those in genre movies WarGames, My Science Project, Ghost Dad, Race to Space, Dawn of the Crescent Moon, Curdled, Critters 2, and Timequest, which appears to be an uncredited version of Greg Benford’s Timescape (which provided the name for the Pocket Books line of science fiction novels helmed by David G. Hartwell in the early 1980s). He narrated Moon Shot: The Inside Story of America’s Race to the Moon, based on the book by Mercury Seven astronaut Alan Shepard.
Born October 16, 1963 – Glenn Glazer, 55, Conrunner and Fan who has been on the concoms for many Worldcons and regional conventions, chaired a Smofcon and a Westercon, and was one of three vice-chairs for Sasquan, the 2015 Worldcon. He has been involved in a number of APAs, including SWAPA, Mutations, The Calling, LASFAPA, APA-69, and APA-FNORD.
Born October 16, 1966 – Mary Elizabeth McGlynn, 52, Actor, Writer, and Director. Aside from appearing in episodes of Xena: Warrior Princess, Star Trek: Voyager, and Quantum Leap, she’s credited with more than 500 voice acting roles in animated movies, TV series, and videogames, including The Avengers, Ghost in the Shell, X-Men, Steven Universe, and Bleach. She directed 18 episodes of the long-running anime Naruto, and has been Guest of Honor at Anime Expo.
Born October 16, 1971 – Lawrence Schimel, 47, Writer, Editor, Poet, and Translator. He is a founding member of The Publishing Triangle, an organization promoting fiction by LGBTQ authors and/or with LGBTQ themes, which inform many of his short fiction works. He has edited, mostly in collaboration with Martin H. Greenberg, at least 10 anthologies. His solo anthology, Things Invisible to See, and one of his short fiction collections were both recognized with Lambda Award nominations, and his speculative poetry has garnered a Rhysling Award nomination and a win.
For the first few minutes, the ride to space had been routine. NASA astronaut Nick Hague and his fellow crew mate, Russian cosmonaut Alexey Ovchinin, were pressed into their seats inside a Russian Soyuz capsule as the vehicle rapidly climbed through the atmosphere. Then then there was a jolt.
“The first thing I really noticed was being shaken fairly violently from side to side,” Hague said during a round of broadcast interviews [16 October 2018].
The vehicle carrying Hague and Ovchinin had just taken off from Kazakhstan at 4:40AM ET (2:40PM local time). Just two and a half minutes into flight, the vehicle began to break apart. It’s still unclear what triggered the failure, but Russia’s state space corporation Roscosmos thinks that there was some unintended contact during stage separation. On the Soyuz, four boosters surrounding the center core of the rocket are meant to break away during flight, but it’s possible one of the four crashed into the middle of the vehicle.
For more than 50 years, Russia (and, previously, the Soviet Union) selected the majority of its cosmonauts from the ranks of Air Force pilots or engineering and scientific bureaus and agencies closely linked to the space program. There were exceptions, such as the four female parachutists (and one engineer) selected in 1962, but generally, this approach served the requirements of the Russian space effort.
This changed in 2012, when Roscosmos launched the first ever “open selection” for cosmonauts, to which any Russian citizen could apply, subject to having a higher education in certain specified fields, generally good health, and be under the age of 35.
As a result of this process, eight new cosmonaut candidates were presented to the media in August 2012. This group included candidates from a more diverse range of backgrounds, than the traditional careers mentioned above: mostly engineers, as well as two instructors from Yuri Gagarin Cosmonaut Training Centre and a solitary military pilot.
Bill Barry, NASA’s chief historian, said questions about the scene came up recently during an event for the movie at the Kennedy Space Center. The conclusion, he wrote in an email to The Washington Post: “The scene was created for the movie, and there is no specific evidence that Neil Armstrong left any ‘memorial items’ on the moon.”
MARTIN WAS RAISED in Bayonne, N.J., the son of a longshoreman and a factory worker. He has talked in the past about his childhood growing up in a federal housing project, gazing across the water at Staten Island, watching ships coming into port, imagining them traveling from distant lands he would never see.
He’s now based in Santa Fe, where he moved in 1979 from Dubuque, Iowa, where he was teaching journalism at Clarke College. After Tom Reamy, a friend of his and a fellow SFF author, died suddenly in 1977, at the age of 42, Martin was galvanized: “I thought, ‘Do I have all the time in the world? I want to write all these stories.’” He decided to quit teaching to write full time in New Mexico, spending the next decade and a half as a well-received, if not yet famous, fantasy author. He lives with Parris McBride, his second wife; the two of them are ardent supporters of the Wild Spirit Wolf Sanctuary, a nonprofit organization that rescues and provides sanctuary to captive-bred wolves. When it’s time for him to focus on his books, Martin heads to what he calls his “hideaway” in an undisclosed location.
We selected a handful of staffers’ queries for Martin to field on the set of his cover photo shoot, in Santa Fe, N.M., and filmed a number of his responses for the video above. Below are all of the questions that Martin answered — or, in some cases, tellingly declined to answer. Here’s what he had to say about his favorite books, where he gets his signature hats and the “Game of Thrones” character that reminds him the most of Trump.
Dowd: Who reminds you most of Trump? Dan Weiss [one of the “Game of Thrones” creators and writers] told me that the character that reminded him the most of Trump is Hodor because he endlessly repeats his own name.
Martin: Well, that’s amusing. But I think even during the campaign I said that Trump reminded me most of Joffrey. They have the same level of emotional maturity. And Joffrey likes to remind everyone that he’s king. And he thinks that gives him the ability to do anything. And we’re not an absolute monarchy, like Westeros is. We’re a constitutional republic. And yet, Trump doesn’t seem to know what that means. He thinks the presidency gives him the power to do anything. And so, yeah, Joffrey is Trump.
The new Joker movie, which stars Joaquin Phoenix in the lead role as Gotham’s Clown Prince of Crime, takes place before Batman ever existed. It’s a world where Bruce’s dad, Thomas Wayne, is still alive and running for mayor. So what’s the Batmobile doing on set?
That’s the question Batman fans are reckoning with after a video from the Joker’s New Jersey set revealed what looks a lot like the original Batmobile from the Adam West TV show.
So, sly TV reference aside, how does the Batmobile exist in a pre-Batman world? The Inverse article explores three possible—and very comic-book-esque—explanations.
But saber fighting is more than a Star Wars fantasy for those training here. It is a style of stage fencing, which has been considered an official sport in Russia since 2008. And here at the school, the novice Jedi say it is a real workout, particularly because the movie fight scenes they are emulating are very dynamic. “I came out of my first training session and my knees were shaking — I thought I was going to sit down now and never get up,” Daria says, thinking back to when she started in January. “But it gets easier with every session.” Now she says she loves the physical challenge. “And also — it’s Star Wars!”
Historians have long believed that Mount Vesuvius erupted on 24 August 79 AD, destroying the nearby Roman city of Pompeii.
But now, an inscription has been uncovered dated to mid-October – almost two months later.
Italy’s culture minister labelled it “an extraordinary discovery.”
(20) BITS IS BITS. When the BBC asks “Would you eat slaughter-free meat?” it means feather cells grown into chicken nuggets – a company says the product will be in restaurants “by the end of this year”
In 1931, Winston Churchill predicted that the human race would one day “escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing these parts separately under a suitable medium”.
Eighty-seven years later, that day has come as we discovered at Just, a food company in San Francisco where we tasted chicken nuggets grown from the cells of a chicken feather.
The chicken – which tasted like chicken – was still alive, reportedly roaming on a farm not far from the laboratory.
(21) ROBOT FRIENDS. Dara Elasfar in the Washington Post notes how the Smithsonian now has four robots named Pepper as helpers at four of its museums, a gift from SoftBank Robotics of Japan. Kids like them; Asa Bernstein, 6, said “If I had a robot named Pepper, I would make it do my homework, and make sugar cookies with me!” Video — “Meet the Hirshhorn’s newest staffer, Pepper the robot”.
[Thanks to John King Tarpinian, Arnold Fenner, Cat Eldridge, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters.
Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts. Click here to submit.
The Spectrum 26 jury is a five member panel of some of the most exceptional artists working in the industry today consisting of Kei Acedera, Wesley Burt, Bobby Chiu, Edward Kinsella III, and Colin and Kristine Poole. Find out more about the Spectrum 26 jury here.
“It is an honor to assemble such a prestigious group of artists for the Spectrum 26 jury,” shares publisher John Fleskes. “I greatly admire the art that these six individuals have created during their careers. I also have a high regard for the educational opportunities that they have provided to others while giving back to the community. I look forward to bringing them together to view the call for entries submissions in February 2019.”
The Spectrum 26 Call for Entries Poster was created by renowned artist, Tyler Jacobson.
The ceremony was held in the historic Brookledge Theater and presided over by Spectrum’s Director and publisher, John Fleskes. Presenters included such luminaries of the art community as Alina Chau, Craig Elliott, Te Hu, Tim O’Brien, Iain McCaig, Brynn Metheney, Karla Ortiz, Colin and Kristine Poole, William Stout, Paul Sullivan. Spectrum co-founder Arnie Fenner introduced a memorial video devoted to the creatives who had passed away in the previous year. Bob Self served as the master of ceremonies during the evening.