Pixel Scroll 10/16/18 Pixel Me, Ray Bradbury!

(1) WORLD FANTASY CON PRELIMINARY PROGRAM. WFC 2018 takes place in Baltimore from November 1-4. Their draft program is now up — World Fantasy 2018 Preliminary Program Grid.

This is the Preliminary program schedule. These are the program items we’re planning on having. New things may emerge, and any of these may disappear in puff of logic, all without warning. The program will be updated as information changes, but please check for official notifications during the convention.

(2) LE GUIN’S EARTHSEA ON RADIO. From SF Concatenation’s Jonathan Cowie we learn: “Beeb Beeb Ceeb Radio 4 Extra has just started season 2 of Le Guin’s The Wizard of Earthsea.

Episode 1 of season 2 here.

On the island of Gont, Tenar saves a remarkable young girl from certain death. She also makes a dangerous enemy.

Ursula K Le Guin’s enduring fantasy saga – based on the novel Tehanu adapted by Judith Adams.

“And the lovely folk have re-posted the 1st season on here on BBC i-Player so you can catch up.  But note: season 1 will only be up on iPlayer for another 3 weeks.”

(3) DEVICES INCLUDED. The audience for the Thirteenth Doctor’s debut grows to record-setting levels when stats from devices are rolled in — “Doctor Who: Biggest first episode for new Doctor”.

Jodie Whittaker attracted a record audience for a new Doctor in the first episode of the new series of Doctor Who.

The episode was watched by 10.9 million viewers, which makes it the highest Doctor Who series opener since the show was relaunched in 2005.

The consolidated figures from ratings body Barb includes the number of people watching on devices as well as TV.

Barb only began counting ratings for phones, PCs and tablets last month.

The previous highest series launch episode for the drama was in 2005 with Christopher Eccleston, which attracted 10.8 million.

That number obviously didn’t include device figures.

(4) SPECTRUM 25 CEREMONY. John Fleskes has just posted a story with photos about the Spectrum 25 awards ceremony last May in Hollywood: “Spectrum 25 Awards Ceremony Stories and Pictures”

To be able to create a gathering where the Spectrum community can get together and celebrate is not only meaningful, it helps to encourage others. All the award recipients had an emotional response and made sincere and expressive acceptance speeches. Everyone who attended left with a want to do more to create and inspire others to do the same. This is why Spectrum exists and why we find the awards ceremony to be so important to have and to share.

(5) GAME ART MASHUP. Fans in Japan get all the cool stuff. Well, at least if you think crossing Edvard Munch and Pokémon is cool (The Verge: “Pokémon’s upcoming ‘The Scream’ cards capture 2018’s existential horror”).

The world is running out of clean water, climate change continues to ravage the planet, and politics everywhere are a total nightmare: nearly every day of 2018 has carried the emotional weight of an entire year. It’s fitting, then, that this is also the year The Pokémon Company is announcing a partnership with the Tokyo Art Museum to produce special trading cards based on The Scream, the iconic expressionist painting by Edvard Munch.

According to the official release [Google Translate version], the promotional cards will be available starting October 27th to celebrate a special exhibition at the Tokyo Art Museum. Each card, which will retail for 450 yen, will feature a pocket monster with a scream attack that causes confusion (hence the crossover between the game and the painting). Cards will be available through official Pokémon centers in Japan when fans purchase booster packs, though there will also be other Munch / Pokémon-related merch up for sale, too.

(6) THIS IS MONSTROUS. A special exhibition—De Monstris—at the Thomas Fisher Rare Book Library in Toronto caught the attention of  Brigit Katz, writing for Smithsonian.com (“Rare Book Library Summons Tales of World’s Oldest Monsters”).

In December 1495, Rome was devastated by four days of heavy flooding. After the deluge subsided, rumors began to swirl about a terrible monster that had washed up onto the banks of the Tiber. The creature was said to be a grotesque pastiche of human and animal body parts: it had, among other peculiarities, the head of a donkey, the breasts of a woman, the bearded visage of an old man on its behind, and a tail crowned with a roaring dragon’s head.

This was the era on the cusp of the Reformation, and many were convinced that the monster had been conjured as an ominous portent of papal corruption, with each of its hodge-podge body parts representing a different vice. (The creature’s “feminine” breasts and belly symbolized “the sensuality of the cardinals and ecclesiastical elites”; the old man on its hind parts marked a “dying regime.”) Printed images of the so-called “Papal Ass” were circulated widely in the years after the flood. Martin Luther, the father of Protestantism, even commented on the monster in his railings against the Catholic Church.

(7) SPACE VS. SCI-FI. In the Washington Post, Elahe Izadi tries to separate space movies from sci-fi flicks, with one difference being if space is “a pretty easy and chill place to hang out” then it’s sci-fi and not a space movie — “Sorry, your favorite ‘space’ movie is not actually a space movie”.

… But what, exactly, makes a movie a space movie? Is it merely the location? What if only a few scenes are in space? What about the involvement of aliens? Is it a space movie if the movie title has a space-y word, like “galaxy” or, say, “space”?

…These are the kinds of questions you have to grapple with before you even try to rank the best space movies. So, below is a system on how to tell whether your favorite movie is actually a space movie — including a handy, totally professional flowchart!

(8) LEARNING TO SPELL. WIRED’s Jason Kehe says he’s seen this before – plenty of times: “Why So Many Fantasy Novels Are Obsessed With Academia”.

The best fantasy debut of 2018 has a problem. It was also the best fantasy debut of 2009. And 2007. And 1997, 1985, 1982, and 1968.

Authors change; the story stays the same. In the darkness a child is born. The child suffers, but he has mysterious power. Posthaste, destiny leads the child to the same place it herds all the courageous orphan-protagonists of speculative fiction: a storied and exclusive institution of magical learning, where he unnerves the faculty, demonstrates arrogance, and forms lasting friendships on his way to vanquishing evil.

…This year’s Potter, though it pulls from a number of related sources, is The Poppy War, the first of a planned trilogy set in the Empire of Nikan, an evocation of 20th-century China in everything from geography and mythology to military history. Written by the scarily proficient newcomer R.F. Kuang—she was 19 and a student at Georgetown University when she sold it—the book adds to a recent wave of East Asian fantasy with a sad, gifted orphan of its own.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 16, 1854 – Oscar Wilde, Writer, Journalist, Playwright, and Poet from Ireland whose only novel, the supernatural gothic horror work The Picture of Dorian Gray, has been translated into more than a dozen languages, made into countless radio plays, musicals, TV films and movies — the 1945 version of which was awarded a Retro Hugo — and had enduring influence on modern popular culture as an examination of morality. His long list of short fiction credits includes some fairy tales and genre stories, of which the best known is “The Canterville Ghost”, which has likewise undergone a copious number of translations and adaptations into various media.
  • Born October 16, 1874 – Lucien Rudaux, Astronomer, Artist, and Illustrator from France who in the 1920s and 30s created famous space-themed paintings featuring planets and moons rendered according to the state of astronomical knowledge at the time, as well the illustrated work Sur Les Autres Mondes (On Other Worlds). The Rudaux crater on Mars and the asteroid 3574 Rudaux are named for him, as is the Lucien Rudaux Memorial Award, given by the International Association of Astronomical Artists to creators of space-themed works (recipients have included Chesley Bonestell and Rick Sternbach).
  • Born October 16, 1925 – Angela Lansbury, 93, Actor from England who emigrated to the U.S. as a teenager. Though perhaps best known now for her long-running Miss Marple homage TV series Murder, She Wrote, her early career included movies of some import, and she received Oscar nominations for genre films The Manchurian Candidate and the Retro-Hugo-winning The Picture of Dorian Gray. Other genre roles include Bedknobs and Broomsticks, Nanny McPhee, and The Mirror Crack’d (for which she received a Saturn nomination), and she has lent her distinctive voice to a number of animated features including the Saturn-nominated adaptation of Peter S. Beagle’s The Last Unicorn, the Hugo-nominated Beauty and the Beast, Anastasia, Fantasia 2000, The Grinch, and Heidi 4 Paws, which is, interestingly, a retelling of the well-known Heidi where all of the roles are played by dogs.
  • Born October 16, 1926 – Ed Valigursky, Artist who created more than 200 pulp magazine and novel covers, mainly for Amazing Stories, Fantastic Adventures, and Ace Books, including Ace Doubles, along with dozens of interior illustrations. The more-than-50 covers he did in 1955 earned him a nomination for the Best Artist Hugo the following year. During the 1960s he contributed illustrations to classic trading cards sets, including the Topps titles Batman and Battle!. In the 1970s and 80s he created covers illustrating NASA’s space program for Popular Mechanics.
  • Born October 16, 1927 –  Claire Necker, Librarian and Writer. This might be going a little astray from genre birthdays, but I think not, given that most of us have SJW credentials. She wrote a number of feline-related academic works including The Natural History of Cats, Supernatural Cats: An Anthology — which includes stories by writers such as Fritz Lieber, C.L. Moore, Henry Kuttner, August Derleth, and H.P. Lovecraft — and Four Centuries of Cat Books; Cat’s Got Our Tongue is a collection of feline-centered proverbs.
  • Born October 16, 1940 – Barry Corbin, 78, Actor whose face will be familiar from his many character roles — frequently as gruff military officers or crusty eccentrics — including those in genre movies WarGames, My Science Project, Ghost Dad, Race to Space, Dawn of the Crescent Moon, Curdled, Critters 2, and Timequest, which appears to be an uncredited version of Greg Benford’s Timescape (which provided the name for the Pocket Books line of science fiction novels helmed by David G. Hartwell in the early 1980s). He narrated Moon Shot: The Inside Story of America’s Race to the Moon, based on the book by Mercury Seven astronaut Alan Shepard.
  • Born October 16, 1963 – Glenn Glazer, 55, Conrunner and Fan who has been on the concoms for many Worldcons and regional conventions, chaired a Smofcon and a Westercon, and was one of three vice-chairs for Sasquan, the 2015 Worldcon. He has been involved in a number of APAs, including SWAPA, Mutations, The Calling, LASFAPA, APA-69, and APA-FNORD.
  • Born October 16, 1966 – Mary Elizabeth McGlynn, 52, Actor, Writer, and Director. Aside from appearing in episodes of Xena: Warrior Princess, Star Trek: Voyager, and Quantum Leap, she’s credited with more than 500 voice acting roles in animated movies, TV series, and videogames, including The Avengers, Ghost in the Shell, X-Men, Steven Universe, and Bleach. She directed 18 episodes of the long-running anime Naruto, and has been Guest of Honor at Anime Expo.
  • Born October 16, 1971 – Lawrence Schimel, 47, Writer, Editor, Poet, and Translator. He is a founding member of The Publishing Triangle, an organization promoting fiction by LGBTQ authors and/or with LGBTQ themes, which inform many of his short fiction works. He has edited, mostly in collaboration with Martin H. Greenberg, at least 10 anthologies. His solo anthology, Things Invisible to See, and one of his short fiction collections were both recognized with Lambda Award nominations, and his speculative poetry has garnered a Rhysling Award nomination and a win.

(10) COMICS SECTION.

A classic Trek-themed joke in Monty.

(11) DON’T LOOK DOWN. In an article at The Verge, astronaut Nick Hague recounts “What it’s like to fall 31 miles to Earth after your rocket fails”—and fortunately he’s here to tell his own tale.

For the first few minutes, the ride to space had been routine. NASA astronaut Nick Hague and his fellow crew mate, Russian cosmonaut Alexey Ovchinin, were pressed into their seats inside a Russian Soyuz capsule as the vehicle rapidly climbed through the atmosphere. Then then there was a jolt.

“The first thing I really noticed was being shaken fairly violently from side to side,” Hague said during a round of broadcast interviews [16 October 2018].
The vehicle carrying Hague and Ovchinin had just taken off from Kazakhstan at 4:40AM ET (2:40PM local time). Just two and a half minutes into flight, the vehicle began to break apart. It’s still unclear what triggered the failure, but Russia’s state space corporation Roscosmos thinks that there was some unintended contact during stage separation. On the Soyuz, four boosters surrounding the center core of the rocket are meant to break away during flight, but it’s possible one of the four crashed into the middle of the vehicle.

(12) SOYUZ. If the previous item doesn’t curb your enthusiasm, The Space Review points the way to joining the Russian space program — “So, you want to become a cosmonaut? Inside the 2018 cosmonaut selection process”.

For more than 50 years, Russia (and, previously, the Soviet Union) selected the majority of its cosmonauts from the ranks of Air Force pilots or engineering and scientific bureaus and agencies closely linked to the space program. There were exceptions, such as the four female parachutists (and one engineer) selected in 1962, but generally, this approach served the requirements of the Russian space effort.

This changed in 2012, when Roscosmos launched the first ever “open selection” for cosmonauts, to which any Russian citizen could apply, subject to having a higher education in certain specified fields, generally good health, and be under the age of 35.

As a result of this process, eight new cosmonaut candidates were presented to the media in August 2012. This group included candidates from a more diverse range of backgrounds, than the traditional careers mentioned above: mostly engineers, as well as two instructors from Yuri Gagarin Cosmonaut Training Centre and a solitary military pilot.

(13) FACT CHECKING FIRST MAN. Christian Davenport in the Washington Post says the scene in First Man where Neil Armstrong leaves a bracelet with the name of his dead daughter Karen on the moon is almost certainly a dramatization that did not actually take place: “‘First Man’ shows Neil Armstrong mourning his daughter on the moon. But did that really happen?”

Bill Barry, NASA’s chief historian, said questions about the scene came up recently during an event for the movie at the Kennedy Space Center. The conclusion, he wrote in an email to The Washington Post: “The scene was created for the movie, and there is no specific evidence that Neil Armstrong left any ‘memorial items’ on the moon.”

(14) GRRM & PEOPLE WHO LOVE HIS BOOKS. Charles Yu profiles “George R. R. Martin, Fantasy’s Reigning King” for the New York Times.

MARTIN WAS RAISED in Bayonne, N.J., the son of a longshoreman and a factory worker. He has talked in the past about his childhood growing up in a federal housing project, gazing across the water at Staten Island, watching ships coming into port, imagining them traveling from distant lands he would never see.

He’s now based in Santa Fe, where he moved in 1979 from Dubuque, Iowa, where he was teaching journalism at Clarke College. After Tom Reamy, a friend of his and a fellow SFF author, died suddenly in 1977, at the age of 42, Martin was galvanized: “I thought, ‘Do I have all the time in the world? I want to write all these stories.’” He decided to quit teaching to write full time in New Mexico, spending the next decade and a half as a well-received, if not yet famous, fantasy author. He lives with Parris McBride, his second wife; the two of them are ardent supporters of the Wild Spirit Wolf Sanctuary, a nonprofit organization that rescues and provides sanctuary to captive-bred wolves. When it’s time for him to focus on his books, Martin heads to what he calls his “hideaway” in an undisclosed location.

(15) GRRM SIDEBAR. In this side feature, the writer discloses where he gets his signature hats and the “Game of Thrones” character that reminds him the most of Trump. Watch the video or read the transcript — “George R. R. Martin Answers Times Staffers’ Burning Questions” at the New York Times.

We selected a handful of staffers’ queries for Martin to field on the set of his cover photo shoot, in Santa Fe, N.M., and filmed a number of his responses for the video above. Below are all of the questions that Martin answered — or, in some cases, tellingly declined to answer. Here’s what he had to say about his favorite books, where he gets his signature hats and the “Game of Thrones” character that reminds him the most of Trump.

Maureen Dowd, Op-Ed Columnist

Dowd: Who reminds you most of Trump? Dan Weiss [one of the “Game of Thrones” creators and writers] told me that the character that reminded him the most of Trump is Hodor because he endlessly repeats his own name.

Martin: Well, that’s amusing. But I think even during the campaign I said that Trump reminded me most of Joffrey. They have the same level of emotional maturity. And Joffrey likes to remind everyone that he’s king. And he thinks that gives him the ability to do anything. And we’re not an absolute monarchy, like Westeros is. We’re a constitutional republic. And yet, Trump doesn’t seem to know what that means. He thinks the presidency gives him the power to do anything. And so, yeah, Joffrey is Trump.

(16) TIME PASSAGES. Inverse reports on an anomaly seen around the shooting of the upcoming Joker origin film (“Batmobile Sighting on the ‘Joker’ Set Hints at Time-Related Shenanigans”).

The new Joker movie, which stars Joaquin Phoenix in the lead role as Gotham’s Clown Prince of Crime, takes place before Batman ever existed. It’s a world where Bruce’s dad, Thomas Wayne, is still alive and running for mayor. So what’s the Batmobile doing on set?

That’s the question Batman fans are reckoning with after a video from the Joker’s New Jersey set revealed what looks a lot like the original Batmobile from the Adam West TV show.

So, sly TV reference aside, how does the Batmobile exist in a pre-Batman world? The Inverse article explores three possible—and very comic-book-esque—explanations.

(17) DOES GOOD FENCING MAKE GOOD NEIGHBORS? Russia may be leading the lightsaber race. DW has the story — “Moscow Star Wars school trains novice Jedi”.

But saber fighting is more than a Star Wars fantasy for those training here. It is a style of stage fencing, which has been considered an official sport in Russia since 2008. And here at the school, the novice Jedi say it is a real workout, particularly because the movie fight scenes they are emulating are very dynamic. “I came out of my first training session and my knees were shaking — I thought I was going to sit down now and never get up,” Daria says, thinking back to when she started in January. “But it gets easier with every session.” Now she says she loves the physical challenge. “And also — it’s Star Wars!”

(18) MOVIE STAR DINOS. Scientsts suspect “The ‘ugly duckling’ fossil from the deep” is a juvenile rather than a progenitor of the species.

The mosasaurs recently took a star turn in the Jurassic World movie, showing off the Hollywood version of their fearsome jaws.

Now an “ugly duckling” from 85 million years ago is shedding new light on the giant marine reptiles that lived at the time of Tyrannosaurus rex.

Scientists have long puzzled over how the diminutive fossil fitted into the family tree.

They now think it was still developing the distinctive long snout of its clan.

(19) THE DATING GAME. Was Pliny the Younger too old to remember the right date? “Pompeii: Vesuvius eruption may have been later than thought” – an on-site graffito challenges Nth-generation copies of Pliny’s letter, but matches findings of harvested plants in ashes.

Historians have long believed that Mount Vesuvius erupted on 24 August 79 AD, destroying the nearby Roman city of Pompeii.

But now, an inscription has been uncovered dated to mid-October – almost two months later.

Italy’s culture minister labelled it “an extraordinary discovery.”

(20) BITS IS BITS. When the BBC asks “Would you eat slaughter-free meat?” it means feather cells grown into chicken nuggets – a company says the product will be in restaurants “by the end of this year”

In 1931, Winston Churchill predicted that the human race would one day “escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing these parts separately under a suitable medium”.

Eighty-seven years later, that day has come as we discovered at Just, a food company in San Francisco where we tasted chicken nuggets grown from the cells of a chicken feather.

The chicken – which tasted like chicken – was still alive, reportedly roaming on a farm not far from the laboratory.

(21) ROBOT FRIENDS. Dara Elasfar in the Washington Post notes how the Smithsonian now has four robots named Pepper as helpers at four of its museums, a gift from SoftBank Robotics of Japan.  Kids like them; Asa Bernstein, 6, said  “If I had a robot named Pepper, I would make it do my homework, and make sugar cookies with me!” Video — “Meet the Hirshhorn’s newest staffer, Pepper the robot”.

[Thanks to John King Tarpinian, Arnold Fenner, Cat Eldridge, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Spectrum 26 Call for Entries


Professional and student artists, art directors, publishers and artists’ representatives are invited to submit entries to the 26th Annual Spectrum International Competition for Fantastic Art. Artworks in all media embracing the themes of science fiction, fantasy, horror and the surreal are eligible.

Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters.

Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts. Click here to submit.

The Spectrum 26 jury is a five member panel of some of the most exceptional artists working in the industry today consisting of Kei Acedera, Wesley Burt, Bobby Chiu, Edward Kinsella III, and Colin and Kristine Poole. Find out more about the Spectrum 26 jury here.

“It is an honor to assemble such a prestigious group of artists for the Spectrum 26 jury,” shares publisher John Fleskes. “I greatly admire the art that these six individuals have created during their careers. I also have a high regard for the educational opportunities that they have provided to others while giving back to the community. I look forward to bringing them together to view the call for entries submissions in February 2019.”

The Spectrum 26 Call for Entries Poster was created by renowned artist, Tyler Jacobson.

[Based on a press release.]

Spectrum 25 Awards Recipients

The Spectrum 25 Awards were presented at a ceremony in Los Angeles on May 5.

The ceremony was held in the historic Brookledge Theater and presided over by Spectrum’s Director and publisher, John Fleskes. Presenters included such luminaries of the art community as Alina Chau, Craig Elliott, Te Hu, Tim O’Brien, Iain McCaig, Brynn Metheney, Karla Ortiz, Colin and Kristine Poole, William Stout, Paul Sullivan. Spectrum co-founder Arnie Fenner introduced a memorial video devoted to the creatives who had passed away in the previous year. Bob Self served as the master of ceremonies during the evening.

French comics creator Claire Wendling was named the Spectrum 2018 Grand Master. She responded on Facebook:

OMG!!! Spectrum awarded me with the grand master prize!! They don’t know , well know they do ,how much it matters to me. Thank you guys.

 

Spectrum 25 awards. Designed by J. Anthony Kosar, and made by him and the Kosart Effects team.

Spectrum 25 Awards Recipients

Spectrum 2018 Grand Master

  • Claire Wendling

Spectrum 2018 Rising Star

  • Miranda Meeks

Advertising

Gold Award

  • Greg Ruth
    Moonrise

Silver Award

  • Laurel Blechman
    ComicBase 2018

Book

Gold Award

  • Victo Ngai
    Serving Fish

Silver Award

  • Petar Meseldžija
    The Old Man and the Forest

Comic

Gold Award

  • Alex Alice
    Castle in the Stars book 2 pages 60-61

Silver Award

  • Gary Gianni
    Hellboy: Into the Silent Sea page 11

Concept Art

Gold Award

  • Wangjie Li
    Battlefield Scene

Silver Award

  • Anthony Francisco
    Okoye and Nakia the Dora Milaje

Dimensional

Gold Award

  • Forest Rogers
    Octopoid Descending

Silver Award

  • Jessica Dalva
    I’ll Need Entire Cities to Replace You

Editorial

Gold Award

  • Edward Kinsella III
    My Whereabouts

Silver Award

  • Tim O’Brien
    “Nothing to See Here”

Institutional

Gold Award

  • Seb McKinnon
    Stasis

Silver Award

  • Piotr Jab?o?ski
    Moaning Wall

Unpublished 

Gold Award

  • Andrew Hem
    Whirlpool

Silver Award

  • Michael MacRae
    Tip of the Spear

Spectrum 25 Award Nominations

The jury for Spectrum 25: The Best in Contemporary Fantastic Art has nominated the top five artworks in eight categories for consideration for either a silver and gold award.

Judges Terry Dodson, Tyler Jacobson, Tran Nguyen, Karla Ortiz and Chuck Pyle debated the merits of hundreds of pieces of art before finalizing this list on Saturday, February 24, 2018 at the Flesk Publications offices in Santa Cruz, California.

Established in 1993 by Cathy and Arnie Fenner, the first Spectrum annual appeared in 1994 from Underwood Books; for a quarter of a century it has attracted participants from around the world and has set the standards for excellence in fantasy and science fiction art. John Fleskes became the Director and Publisher of Spectrum in 2014 with volume 21.

The recipients will be announced at the Spectrum 25 Awards Ceremony that will be held at the historic Brookledge Theater in Los Angeles, CA on Saturday, May 5, 2018. The 2018 Spectrum Grand Master Award honoree will also be announced during the ceremony.

The nominated works, along with the complete selections of the jury, will be featured in Spectrum 25: The Best in Contemporary Fantastic Art published by Flesk Publications and distributed to the trade internationally by Publishers Group West.

All of the award finalists can be viewed via this link.

ADVERTISING CATEGORY

Laurel Blechman
ComicBase 2018

Brom
The Night Mare

Victo Ngai
Mixc World Launch

Greg Ruth
Moonrise

Yuko Shimizu
SK2 cosmetics packaging and POP project

BOOK CATEGORY

Tommy Arnold
Red Rising

Victo Ngai
Serving Fish

Wesley Burt
A Girl & Her Friends

Gregory Manchess
Above the Timberline, page 118–Heading Home

Petar Meseldzija
The Old Man and the Forest

COMIC CATEGORY

Alex Alice
Castle in the Stars, Book 2, pages 60-61

Xaviere Daumarie
Ugly Cinderwench and the Very Angry Ghost, page 3

Gary Gianni
Hellboy: Into the Silent Sea, page 11

Erik Gist
Kratos

Paolo Rivera
Shirtless Bear Fighter #4, variant cover

CONCEPT ART CATEGORY

Wesley Burt
Transformers 5 Canopy

Anthony Francisco
Okoye and Nakia the Dora Milaje

Te Hu
Ganesh Gangis

Nick Keller
Geisha Interior (Ghost in the Shell)

Wangjie Li
Moment of Life

DIMENSIONAL CATEGORY

Akihito
Statue of Peace

Jessica Dalva
I’ll Need Entire Cities to Replace You

Patrick Masson
Life and Death

DopePope
Cthulhu

Forest Rogers
Octopoid Descending

EDITORIAL CATEGORY

Edward Kinsella
My Whereabouts

Yoann Lossel
The Rise

Victo Ngai
Sports

Tim O’brien
Nothing to See Here

Yuko Shimizu
Unconventional Way

INSTITUTIONAL CATEGORY

Piotr Jab?o?ski
Moaning Wall

Seb McKinnon
Stasis

Victo Ngai
Three Color Trilogy: Blue

Chris Rahn
Vraska, Relic Seeker

Tianhua X
Dinosaur Hunter

UNPUBLISHED CATEGORY

Scott Bakal
Dim Stars: Firing Back

Andrew Hem
Whirlpool

Howard Lyon
Ella Standing Between the Earth and Sky

Michael MacRae
Tip of the Spear

Iain McCaig
Star Wars Triptych

[Thanks to Arnold Fenner for the story.]

Pixel Scroll 1/5/18 A Scroll By Any Other Name Would Pixelate Just As Adequately

(1) SETTING A VISION. Author Fonda Lee explains her approach to storytelling in a thread that begins here —

(2) LIBRARY OF CONGRESS HIGHLIGHTS WOMEN ILLUSTRATORS. The Washington Post’s Michael Cavna, in “Undersung women illustrators get their due at Library of Congress exhibition”, reports on a Library of Congress exhibition featuring such significant women cartoonists as Dale Messick, Lynn Johnston, and Lynda Barry.

It is possible, in this era of increasing recognition of women artists, to gaze at the recent prize-laced success of Alison Bechdel and Roz Chast and Raina Telgemeier and Lynda Barry, to name just a few, and consider that the field of illustration is becoming more level along gender lines. But then you consider that only two women have ever won the Pulitzer Prize for editorial cartooning, or that The Washington Post runs only two comic strips created by women — and none by a woman of color — and you remember how much further the cause of women artists getting fair representation has yet to travel.

That is a central thread running through “Drawn to Purpose: American Women Illustrators and Cartoonists,” the rotating exhibit of nearly 70 works now up at the Library of Congress’s Swann Gallery from its Prints and Photographs Division.

“This show has been years in the making,” says its curator, Martha H. Kennedy, noting that her vision for “Drawn to Purpose” long preceded 2017’s shifting zeitgeist amid the #Resist and #MeToo movements.

Here’s a link to the Library of Congress webpage about the exhibit.

Features the rich collections of the Library of Congress and brings to light remarkable but little-known contributions made by North American women to the art forms of illustration and cartooning. Spanning the late 1800s to the present, the exhibition highlights the gradual broadening in both the private and public spheres of women’s roles and interests, and demonstrates that women once constrained by social conditions and convention, have gained immense new opportunities for self-expression and discovery.

The exhibit, which opened in November, continues through October 20.

(3) PAPERBACK SHOW. Here’s an updated poster for the 2018 Vintage Paperback Show with the names of participating writers and artists.

(4) BY THE NUMBERS. Here’s an ambitious project – Ross Johnson gives us “Every Episode of Black Mirror, Ranked” at the B&N Sci-Fi & Fantasy Blog.

  1. “Shut Up and Dance”

Hackers take over a teen’s computer and threaten to expose his solo sexual activities to the world if he doesn’t commit a series of increasingly intense tasks. Commentary on the “for the LULZ” troll culture aside, its an episode that falls victim to the show’s worst impulses: much as in season two’s “White Bear,” the big twist undermines the whole thing, attempting to convince us maybe the kid had it coming all along—after we’ve been lead to care about him. The performances are spot on, and the story’s engaging enough for a time, but the vague moral (“people who are bad deserve absurdly elaborate punishments, or do they?”) is just lazy. This is Black Mirror at its most mean-spirited. (Season 3, Episode 3)

(5) TV SF. Here is “io9’s Ultimate Guide to 2018’s Scifi, Fantasy, and Superhero TV”. For example —

Counterpart

Series premiere: January 21 at 8:00 pm, Starz

The always-great J.K. Simmons stars in this scifi thriller about a pencil-pusher who realizes the government agency he’s working for has long been concealing the existence of a parallel dimension. Things get really odd when his double (a badass secret agent) pops up in his world and enlists him to help catch a killer who’s also slipped in from the other side.

Daniel Dern sent the link with these notes —

  • I’d given up on Agents of S.H.I.E.L.D ~2 seasons back, but the current one has been worth watching IMHO
  • Legion’s (the Marvel mutant, not DC’s L of Super Heroes (1)) first season was incredible. Halfway through that season, I thought they were going to go yukky-horror, but happily that’s not where they went. Yes, it’s a Marvel mutant, but no, this isn’t a mutant or superhero show per se, more like Number Six’s Last Year In Marienbad.

(6) ANTIQUE COOLTH. Gotta love this. (If you’re a geezer.) “I was there when it was cool”.

(7) NO SPECTRUM FANTASTIC ART LIVE IN 2018. John Fleskes, Cathy Fenner, Arnie Fenner announced on Facebook that they will not be holding a convention in 2018, however, there will be a Spectrum Awards ceremony.

We have (understandably) been receiving a number of messages and emails inquiring about the 2018 dates for Spectrum Fantastic Art Live. While we have worked diligently since the close of the 2017 show last April to come up with something workable this year, we, unfortunately, were unsuccessful. Kansas City is an increasingly difficult venue to find acceptable show dates; we’ve felt lucky to have been able to squeeze in when we could in the past (realizing, of course, that any dates we used put SFAL in conflict with other conventions artists like to attend). With a new downtown convention hotel in the works and a new airport approved by voters, dates in Kansas City will continue to get harder to come by in the future rather than easier as more—and bigger—shows move into the area. The dates, spaces, and hotel prices that were available to us this year simply didn’t work for the vision we have for SFAL.

Reluctantly we’re announcing that there is no Spectrum Fantastic Art Live convention planned for 2018.

However, there IS a Spectrum 25 Awards ceremony in the planning stages for May 2018: we are working with Baby Tattoo’s esteemed showman Bob Self on something pretty wonderful. We’ll be making an announcement once details are finalized in the coming weeks.

But what about another SFAL? Well, we’re working on that, too.

This hiatus is allowing us to rethink the model for an artist convention/fair. While we’re extremely grateful to the 2000+ supporters who turned out for SFAL in Kansas City, we recognize that we were falling short of the event’s potential. Being unable to break through that attendance ceiling has prevented us from achieving the goals we have for the show and community….

Certainly, the social and networking opportunities of any convention or gathering are extremely important—but so are the finances for all. SFAL was never set up as a profit-generator for us, but it has to pay for itself and to provide a reasonable return for exhibitors. Spending time together is always an emotional plus, naturally, but artists paying for their own “party” while an organizer pockets their cash isn’t—and will never be—our purpose. Growing the market and giving the Fantastic Art community the public recognition it deserves are what SFAL, like the Spectrum annual, have always been about.

(8) UP ALL NIGHT. From The Guardian, “Buy a cat, stay up late, don’t drink: top 10 writers’ tips on writing”.

…stay up late as HP Lovecraft did: “At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.”

(9) STEUER OBIT. Jon Paul Steuer (March 27, 1984 – January 1, 2018), known as the first actor to play Worf’s son Alexander Rozhenko in Star Trek: The Next Generation, is dead at 33.

(10) TODAY IN HISTORY

  • January 5, 1950The Flying Saucer opened theatrically.

(11) TODAY’S BIRTHDAY BOY

  • Born January 5, 1914 Superman actor George Reeves.

(12) BLACK PANTHER. Capitalizing on the new film, Marvel will release Black Panther – Star Here, a FREE sampler, on January 31.

Featuring excerpts from Marvel’s current Black Panther ongoing series, as well as World of Wakanda, Black Panther and the Crew, and portions from Reginald Hudlin and John Romita Jr.’s Black Panther run, BLACK PANTHER – START HERE serves to introduce brand new readers to the character’s expansive 50-year Marvel history, while long-time fans will be able to relive some of T’Challa’s most epic adventures.

(13) ADVANCE NOTICE. The New York Historical Society will host “Harry Potter: A History of Magic” from October 5, 2018 through January 27, 2019:

Journey to where magic and myth began! Join us in October 2018 for “Harry Potter: A History of Magic”, a British Library exhibition. New-York Historical Members can reserve tickets starting February 14 at 12 pm. Tickets go on sale to the general public in April.

Capturing the traditions of folklore and magic at the heart of the Harry Potter stories, Harry Potter: A History of Magic unveils rare books, manuscripts, and magical objects from the collections of the British Library, New-York Historical Society, U.S. Harry Potter-publisher Scholastic, and other special collections. Visitors can explore the subjects studied at Hogwarts and see original drafts and drawings by J.K. Rowling and Harry Potter illustrators Mary GrandPré and Jim Kay. Harry Potter: A History of Magic is currently on view at the British Library in London through February 28, 2018.

September 2018 marks the 20th anniversary of the U.S. publication of J.K. Rowling’s Harry Potter and the Sorcerer’s Stone, following the 20th anniversary celebrations of the publication of Harry Potter and the Philosopher’s Stone in the U.K. in 2017.

(14) RELIC OF MIDDLE-EARTH. The New York Times, in “The Hero Is a Hobbit”, has unearthed W.H. Auden’s review of The Fellowship of the Ring from 1954.

Seventeen years ago there appeared, without any fanfare, a book called “The Hobbit” which, in my opinion, is one of the best children’s stories of this century. In “The Fellowship of the Ring,” which is the first volume of a trilogy, J. R. R. Tolkien continues the imaginative history of the imaginary world to which he introduced us in his earlier book but in a manner suited to adults, to those, that is, between the ages of 12 and 70. For anyone who likes the genre to which it belongs, the Heroic Quest, I cannot imagine a more wonderful Christmas present. All Quests are concerned with some numinous Object, the Waters of Life, the Grail, buried treasure etc.; normally this is a good Object which it is the Hero’s task to find or to rescue from the Enemy, but the Ring of Mr. Tolkien’s story was made by the Enemy and is so dangerous that even the good cannot use it without being corrupted….

(15) TIME PASSAGES. In the past Jim Butcher has rarely spoken out about fan controversies (no matter how hard people tried to get him involved), but after reading Larry Correia’s fresh condemnation of the Worldcon banning Jon Del Arroz he made these comments:

Don’t agree with Larry about everything, but when it comes to WorldCon and the Hugos, I think he’s got a point or two which are, based upon my experiences with WorldCon, difficult to refute.

The choices made by various folks involved with WorldCon have, over time, convinced me that there’s quite a few more less-than-nice people there than at other conventions. As I get older, my remaining time gets increasingly valuable. If I went to WorldCon, that’s a weekend I could have spent with some of the many wonderful people in my life, or with excellent and nerdy readers who don’t much care about politics and just want to do fun nerd things. Or I could have spent that time writing.

There’s probably a lot of perfectly wonderful people helping with WorldCon, and there’s certainly a lot of nice people attending. But it’s sort of hard to see them through the crowd of ugly-spirited jerks, and the nice people of WorldCon? They are completely inaudible over the noise the jerks are making.

So for the kind people at WorldCon, I hope you catch me at another con or signing sometime, and thank you so much to those of you who buy my work.

To the jerks, may you meet no one who displeases you, and I hope that your con goes exactly the way you want it to go.

(16) WHEN WAS THE FUTURE INVENTED? Can’t find a record of linking to this when it came out – Adam Roberts’ essay “Till Tomorrow” in The New Atlantis.

So this future, the one Gleick is talking about, is a quite recent technological invention. There is a peculiar irony here: Gleick, who scolds Shakespeare for being stuck in the present, is so attached to our present ideas that when he encounters past views of the future he denies that they count as “the future” at all. If the difference were not framed so absolutely, Gleick would surely be on to something — nobody could gainsay the observation that, at the very least, stories about the future are very common today whereas a few centuries ago they were not. In the hands of a less breathless writer, this might have led to a more fruitful discussion about how our “temporal sentience,” as he puts it, differs from our ancestors’.

But the larger claim is dotty. Can you really imagine any population of human beings living their lives wholly incurious about what next week, or next year, might bring, or thinking that it won’t be different? Think through the practicalities: How could anybody have planned anything, stored grain for the winter, calculated the interest on loans, or mustered armies, if the future truly were indistinguishable from the present?

And this brings us to hunter-gatherers and farmers. It is certainly possible to imagine our hunter-gatherer ancestors living in some bestial, continuous present of consciousness, their experience of time pricked out with moments of intensity — the chase, the kill, the satisfaction of a full stomach — but indifferent to the distant future.

But it is quite impossible to imagine farmers prospering in such a frame of mind. Once we humans began to depend on planted crops and domesticated animals, our new mode of life absolutely required us to think ahead: to anticipate setbacks and think through solutions, to plan, to map out the future world — indeed, many potential future worlds.

Time travel as mental exercise must have begun at least that early. And that makes this focus on recent modernity look a little parochial. We are not so special. Indeed, thinking in this way of the future’s origins might make us rethink some of the metaphors we use to articulate our sense of time. Gleick is good on the limitations of these figures of speech — for example, time, as he shows, is not really “like a river.” Farmers, the original time travelers, are likewise prone to think of rivers not first as modes of transport but means of irrigation. Might time be the same for us — not a vehicle for taking us somewhere, as a horse is to a hunter, but a resource to make fertile what we have and hold dear?

(17) MORE ON SWATTING. According to Vice, “Fatal swatting results in felony charges for gamer but not cop who pulled trigger”.

Barriss has been charged in Kansas, though he’s being held without bail in Los Angeles. He’ll likely be out in Kansas to face trial by early February, according to the Wichita Eagle, and could wind up spending up to 34 months in prison.

The police officer who allegedly pulled the trigger has not been charged, though Finch’s mother is calling for charges against the officer.

“Justice for the Finch family constitutes criminal charges against the shooting officer and any other liable officers as well as damages against the city of Wichita for the policies and practices of its Police Department,” attorney Andrew Stroth, who is representing the family, told the Associated Press in a phone interview.

The Wichita police department claims that Finch was shot after he came to the door and moved his hand toward his waistline. Police Chief Gordon Ramsay called the incident a “terrible tragedy,” according to TIME.

(18) SOUND FAMILIAR? Curvature with Lyndsy Fonseca and Linda Hamilton, is a time travel drama about an engineer who travels back in time to stop herself from committing a murder.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Carl Slaughter, Andrew Porter, K.M. Alexander, Martin Morse Wooster, Chip Hitchcock, and Woody Bernardi for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Spectrum 24 Awards

Spectrum Awards by J. Anthony Kosar

The Spectrum 24 Awards were presented at a ceremony in the historic Folly Theater in Kansas City on April 22 during Spectrum Fantastic Art Live.

Gold and Silver Awards recipients were selected by a jury consisting of Christian Alzmann (Senior Art Director ILM), Laurie Lee Brom (gallery painter), Mark Newman (sculptor), Victo Ngai (illustrator), and John Picacio (illustrator) in eight categories. Also presented were the Spectrum Rising Star Award (for an emerging talent) determined by Kristine and Colin Poole and the Spectrum Grand Master Award (for lifetime achievement) selected by the Spectrum Advisory Board.

The awards this year were newly designed, sculpted, and cast by artist, SFX creator, past Spectrum juror, and Face-Off competition-winner J. Anthony Kosar.

The award-winning works and the other art selected by the jury will be included in Spectrum 24: The Best in Contemporary Fantastic Art edited by John Fleskes and published in November by Flesk Publications.

SPECTRUM RISING STAR AWARD

Alexandra Pisano

Alexandra Pisano – Rising Star Award

ADVERTISING CATEGORY

Silver Award: Greg Ruth “Daredevil”

Gold Award: Bayard Wu “Hunting”

Bayard Wu – “Hunting”

BOOK CATEGORY

Silver Award: Edward Kinsella III “Danneee”

Gold Award: Brom “Lamia”

Brom – “Lamia”

COMIC CATEGORY

Silver Award: Dave McKean “Black Dog: The Dreams of Paul Nash”

Gold Award: Jeremy Wilson “Chimera Brigade #5”

Jeremy Wilson – “Chimera Brigade #5”

CONCEPT ART CATEGORY

Silver Award: Iain McCaig “Minion 5”

Gold Award: Sean Murray “Court of the Dead: Voxxingard”

Sean Murray – “Court of the Desd: Voxxingard”

DIMENSIONAL CATEGORY

Silver Award: Akihito “Nephila”

Gold Award: Jesse Thompson “Dress-Up Frog Legs”

Jesse Thompson – “Dress-Up Frog Legs”

EDITORIAL CATEGORY

Silver Award: Galen Dara “Seven Salt Tears”

Gold Award: Tim O’Brien “Beyonce ‘Lemonade'”

Tim O’Brien – “Beyonce: ‘Lemonade'”

INSTITUTIONAL CATEGORY

Silver Award: Ed Binkley “William Finds Some Flowers and a Giant”

Gold Award: Bill Carman “Ms. Hatter and a Smile”

Bill Carman – “Ms. Hatter and a Smile”

UNPUBLISHED CATEGORY

Silver Award: Jeffrey Alan Love “Orange Skies”

Gold Award: Karla Ortiz “The Death I Bring”

Karla Ortiz – “The Death I Bring”

2017 GRAND MASTER AWARD

Bill Sienkiewicz

Grand Master Award – Bill Sienkiewicz

For more information about Spectrum please go to: http://www.spectrumfantasticart.com

 

Spectrum 24 Award Nominations

The Spectrum 24: The Best in Contemporary Fantastic Art finalists have been announced.

A jury of Christian Alzmann, Laurie Lee Brom, Mark Newman, Victo Ngai and John Picacio nominated the top five artworks in eight categories for consideration for either a silver and gold award.

Spectrum: The Best In Contemporary Fantastic Art was founded in 1993 by Cathy Fenner and Arnie Fenner. Creators from around the globe participate in the competition each year. In 2014, John Fleskes became director of the competition and editor of the Spectrum annual, and Flesk Publications the publisher of the book.

The recipients will be announced at the Spectrum 24 Awards Ceremony that will be held at the historic Folly Theater in Kansas City, MO on Saturday, April 22 as part of the art-focused convention, Spectrum Fantastic Art Live. The 2017 Spectrum Grand Master Award honoree will also be announced during the ceremony.

ADVERTISING CATEGORY

Kellan Jett

Kellan Jett
Hell (detail)

Edward Kinsella III

Edward Kinsella III
Carnival of Souls

Bill Mayer

Bill Mayer
Savages

Greg Ruth

Greg Ruth
Daredevil

Bayard Wu

Bayard Wu
Hunting

BOOK CATEGORY

Richard Anderson

Richard Anderson
Red Tide

Tommy Arnold

Tommy Arnold
On the Wheel

Brom

Brom
Lamia

Edward Kinsella III

Edward Kinsella III
Danneee

Goni Montes

Goni Montes
Tamiel

COMIC CATEGORY

Arthur Adams

Arthur Adams
Guardians of the Galaxy #19 (cover)

Nic Klein

Nic Klein
Drifter #13, pages 8 and 9

Dave McKean

Dave McKean
Black Dog: The Dreams of Paul Nash

David Palumbo

David Palumbo
Swallowed Whole

Jeremy Wilson

Jeremy Wilson
Chimera Brigade #5

CONCEPT ART CATEGORY

Te Hu

Te Hu
Secret of Seda

Tyler Jacobson

Tyler Jacobson
Hill Giant Queen

Ronan Le Fur

Ronan Le Fur
Fortress Africa

Iain McCaig

Iain McCaig
Minion 5

Sean Murray

Sean Murray
Court of the Dead: Voxxingard

DIMENSIONAL CATEGORY

Akihito

Akihito
Nephila

Amilcar Fong

Amilcar Fong
Oglavaeil The Executioner

Virginie Ropars

Virginie Ropars
Yevabog

Dug Stanat

Dug Stanat
The Corruption of Father O’Malley

Jesse Thompson

Jesse Thompson
Dress-Up Frog Legs

EDITORIAL CATEGORY

Clint Cearley

Clint Cearley
Broken Concentration

Galen Dara

Galen Dara
Seven Salt Tears

Tran Nguyen

Tran Nguyen
La Beaute Sans Vertu

Tim O’Brien

Tim O’Brien
Beyonce “Lemonade”

Armando Veve

Armando Veve
War Music

INSTITUTIONAL CATEGORY

Ed Binkley

Ed Binkley
William Finds Some Flowers and a Giant

Wesley Burt

Wesley Burt
Accursed Witch

Bill Carman

Bill Carman
Ms. Hatter and a Smile

Travis Louie

Travis Louie
Mojo Jojo Circa 1897

Stephan Martiniere

Stephan Martiniere
Tie Fighter Down

UNPUBLISHED CATEGORY

J.A.W. Cooper

J.A.W. Cooper
Stealth

Diego Fernandez

Diego Fernandez
375

Jeffrey Alan Love

Jeffrey Alan Love
Orange Skies

Karla Ortiz

Karla Ortiz
The Death I Bring

Greg Ruth

Greg Ruth
Lagoon

[Thanks to Arnold Fenner for the story.]

Pixel Scroll 1/9/17 Old King Cole Had A Merry Old Scroll

spectrum-24-call-for-entries

(1) SPECTRUM 24 CALL FOR ENTRIES. John Fleskes, Spectrum Director, has issued an invitation for professional and student artists, art directors, publishers and artists’ representatives to submit entries to the 24th Annual Spectrum International Competition for Fantastic Art.

All artworks in all media embracing the themes of science fiction, fantasy, horror and the surreal are eligible for this show. Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters. Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts.

Entries will be accepted until January 25. Click here to submit.

The Spectrum 24 jury is a five member panel of exceptional artists working in the industry today, Christian Alzmann, Laurie Lee Brom, Mark Newman, John Picacio and Victo Ngai.

Spectrum represents such a rich visual history and standard of excellence for what we collectively dream in the fantastic art field,” states John Picacio. “I’ve always been grateful any time my work was selected for inclusion in the annual, and it’s a profound honor and responsibility to give back to the book this year as a juror.”

(2) GOLDEN GLOBES. Although there were a lot of Golden Globe nominees of genre interest in the December announcement, all lost except one:

Best Motion Picture – Animated

  • Zootopia

(3) ERIC FLINT HEALTH. Flint did not get the best possible news from his medical tests:

I’ll have more to report by the end of the month, when all the tests and biopsy results finally come in. But here’s what definite:

I do have a form of Non-Hodgkin’s Lymphoma, although they still don’t know exactly what type. (That’s what’s taking so long for the biopsy to be finished.) Once they know what kind it is, they’ll start me on a chemotherapy program.

Sadly, my hopes in the hospital that since the surgery had gone so well maybe the cancer was completely gone turned out to be childish delusions. (Which I suspected myself, but…) Lymphoma is what they call a systemic cancer, which means that surgery by itself can’t do anything but arrest the malignancy for a while and provide the material needed for a thorough biopsy. But to really fight lymphoma, you need chemotherapy.

The good news is that lymphoma generally responds well to chemo, and it’s not uncommon for people to be cured of the disease altogether. We’ll see what happens in my case, but even in the worst case scenario it looks as if I’ll have quite a few years to fend the cancer off.

However, he says frankly that after chemo he may live for years to come —

if you look at it the right way. I’ll be 70 in a month. I don’t have to fight off lymphona indefinitely. I just have to fight it off long enough for something else to bump me off.

(4) EYES WIDE WHAT? Myke Cole’s next tweet will explain how his stories are like radio except with no sound.

(5) HOMAGE. The late Gordon Archer did a lot of commercial art for Weetabix cereal involving Doctor Who, Star Trek, Asterix and other pop culture subjects which his son now has on display on a website[Corrected, because Archer is still with us, as his son states in a comment below.]

weetabix-dr-who

(6) HITLER UNBEARABLE. “A A Milne letter features in Imperial War Museum’s anti-war show”, from The Guardian.

Winnie the Pooh creator’s letter reflects moral dilemma of pacifists faced with rise of Hitler in interwar period

…The Milne letter has been retrieved from its vast collection of documents and reflects the conflict felt by many pacifists who had experienced the horrors of the first world war and earnestly hoped “never again”.

“It encapsulates the moral dilemma that a lot of pacifists had in the interwar period,” said curator Matt Brosnan. “Milne opposed war but increasingly saw Hitler and the Nazis as an evil that had to be met by force.”

In his letter, Milne declared himself a “practical pacifist”, writing: “I believe that war is a lesser evil than Hitlerism, I believe that Hitlerism must be killed before war can be killed.”

(7) KOWAL INTERVIEW IN LOCUS. An excerpt of Locus’ interview with Mary Robinette Kowal has been posted at Locus Online.

The moment I knew I was setting something during the First World War, I knew that darkness was going to be part of it, and that I would have to work really hard to keep the darkness from completely overwhelming Ghost Talkers. When you do any reading at all about the First World War, it becomes very clear why it made such a huge, permanent mark on Europe – and the US less so, because we were not directly touched by it. It wasn’t even the death tolls, because in England a lot of men actually came home, but everyone came home wounded in some way, either physically or emotionally. I read interview after interview of survivors saying, ‘I went over the top of the trench, and everyone in my platoon died. I don’t know why I lived.’ I knew going in that dealing with someone who deals with ghosts as her job, during WWI, would mean a darker book than people are used to from me. On the other hand, the last book in the Glamourist series, I jokingly refer to as ‘Regency Grimdark.’

(8) DIVERSITY DOESN’T JUST HAPPEN. Nalo Hopkinson’s advice “To Anthology Editors”.

But here’s where those voices have a point: if you wait till after you’ve put out your call for submissions to run around trying to fill in diversity slots for your anthology — you know, the “one of each so long as there aren’t too many of them” approach — you will more likely than not end up with a dog’s breakfast of a volume in which it’s clear that you selected writers for their optics, not their writing. That’s tokenism, not sound editorial practice. The time to be trying to make your anthology a diverse one is before submissions come in, not during or after.

On the other hand, if you just put your call for fiction out there and cross your fingers, you’ll end up with mostly the usual suspects. It’s not enough to simply open the door. Why? Because after centuries of exclusion and telling us we’re not good enough, an unlocked door is doing jack shit to let us know that anything’s changed. Most of us will continue to duck around it and keep moving, thank you very much. We’ll go where we know there are more people like us, or where there are editors who get what we’re doing.

So make up your mind that you’re going to have to do a bit of work, some outreach. It’s fun work, and the results are rewarding….

(9) RARA AVIS. Definitely not on my bucket list.

(10) CHRISTENSEN OBIT. Artist Jim Christensen died January 8 of cancer. He was 74.

Christensen saw himself not as the “fantasy artist” label given him, but rather as an artist who paints the fantastic.

“I paint things that are not real,” he told the Deseret News in 2008. “But fantasy often ventures into the dark and scary stuff. I made a decision long ago that I would not go to dark places. There’s a lot of negativity in the world. I try not to be part of it.”

His honors and awards include being named a Utah Art Treasure as well as one of Utah’s Top 100 Artists by the Springville Museum of Art and receiving the Governor’s Award for Art from the Utah Arts Council. He had won all the professional art honors given by the World Science Fiction Convention as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy.

Christensen had served as president of the National Academy of Fantastic Art, and he co-chaired the Mormon Arts Foundation with his wife, Carole.

christensen-art

Dave Doering paid tribute: “I loved this man. For various years he was our Artist GoH at LTUE but also quite well known in all fantasy art circles.”

(11) TODAY IN HISTORY

  • January 9, 1493 — On this date, Italian explorer Christopher Columbus, sailing near the Dominican Republic, sees three “mermaids”–in reality manatees–and describes them as “not half as beautiful as they are painted.”

(12) WORLDBUILDERS. At Tor.com, David Weber discusses five authors who he says are “great world-builders.” All five of the authors are women: Anne McCaffrey, Katherine Kurtz, Mercedes Lackey, Barbara Hambly, and Patricia McKillip:

“[McKillip] is, without a doubt, one of my two or three all-time favorite authors. When I first read The Riddle-Master of Hed in 1978, I immediately went out and found Heir of Sea and Fire and then waited impatiently for Harpist in the Wind. In many ways, the Riddle-Master’s world is less fully articulated than Pern or Gwynedd, but I think that’s because so much of the detail is cooking quietly away in the background behind the land rulers. There’s a sense of an entire consistent, coherent foundation and history/backstory behind all of it, but the struggles of Morgon, Raerdale, and Deth take front stage with an intensity that reaches out and grabs the reader by the shirt collar and shakes him or her to the bone. Patricia’s prose is absolutely gorgeous and evocative and her stories fully satisfy the deep love for the language my parents taught me as a very young reader. I literally don’t think it’s possible to over-recommend this series … and the rest of her stuff is pretty darn good, too.”

(13) ST. ELSEWHERE. But did it work? “This Brazilian Grandma Has Been Accidentally Praying to a ‘Lord of the Rings’ Statuette”  —

Saint Anthony of Padua’s the patron saint of Brazil, Portugal, pregnant women, and the elderly. He wears brown robes, and he usually holds baby Jesus and lilies. And – as one Brazilian woman discovered – a miniature figure of Santo Antônio also vaguely looks like Elrond, the elf lord of Rivendell from Lord of the Rings. Brazilian makeup artist Gabriela Brandao made the hilarious discovery last week and posted about it on Facebook for all to see. Brandao explained that her daughter’s great-grandmother prayed to the Elrond figurine daily, erroneously believing it was Santo Antônio.

(14) IMAGINARY HUGO RECOMMENDATIONS. There is no such work, except in your mind:

Well, and Chuck’s mind.

(15) BRIANNA WU’S CAMPAIGN. She’s already gaining media attention in Boston.

Brianna Wu was at the center of “Gamer-Gate” and received some horrific threats over social media. But instead of keeping a low profile, she tells Jim why she’s now planning on running for Congress.

 

[Thanks to John King Tarpinian, Steven H Silver, Andrew Porter, Rob Thornton, Arnie Fenner, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Spectrum 23 Signing in SoCal 12/3

spectrum-23-hb-jacket-fleskThere will be a signing for Spectrum 23 at Gallery Nucleus in the Los Angeles area (Alhambra) on Saturday, December 3 from 7-10 p.m. Over 20 artists will be in attendance to autograph copies. Admission is free and there will be free refreshments.

Featured Artists

  • J.A.W. Cooper
  • Alina Chau
  • Craig Elliott
  • Tooba Rezaei
  • William Stout
  • Joseph Sanabria
  • Erik Ly
  • Brian Haberlin
  • Geirrod Van Dyke
  • Chuck Grieb
  • Waiji Choo
  • Julia Blattman
  • Tuna Bora
  • Chris Ayers
  • Bruce Mitchell
  • Vin Teng
  • Richard and Wendy Pini
  • Shane Stover
  • Brynn Metheny
  • Victor Maury
  • Esben Rasmussen

spectrum-23-event

[Thanks to Arnie Fenner for the story.]