It’s official! Ms. Pac-Man gobbled up the competition. Dance Dance Revolution hit the beat. The Legend of Zelda: Ocarina of Time completed the adventure. And Sid Meier’s Civilization made history. These four iconic games—which have influenced popular culture and the video game industry—today joined the World Video Game Hall of Fame at The Strong National Museum of Play. They emerged from a field of finalists that also included Assassin’s Creed, Candy Crush Saga, Minesweeper, NBA Jam, PaRappa the Rapper, Resident Evil, Rogue, and Words with Friends.
Ms. Pacman Capitalizing on the success of the iconic Pac-Man arcade game, Midway launched Ms. Pac-Man in 1981. The sequel featured more sophisticated mazes, smarter opponents, and new challenges. It also reimagined the title character as female to acknowledge the girls and women who loved playing the first game. With its wide appeal, Ms. Pac-Man sold 125,000 cabinets within five years of its release, making it one of the five best-selling arcade games of all time, behind previous inductees Pac-Man, Space Invaders, and Street Fighter II.
Says Julia Novakovic, senior archivist, “Ms. Pac-Man promoted and signaled the broadening of game play across the genders. There was nothing inherently gendered about early video games, but the coin-op industry certainly advertised them that way. By offering the first widely recognized female video game character, Ms. Pac-Man represented a turn in the cultural conversation about women’s place in the arcade as well as in society at large.”
Dance Dance Revolution
Konami’s Dance Dance Revolution (DDR) took Japanese arcades by storm in 1998, challenging players to use their balance and dexterity to step to the beat of popular music. The fast-paced game spread quickly to arcades across the world, and Konami spun out a home version of the game on the Sony Playstation the following year. More than 100 versions of the game have been produced since 1998, and Dance Dance Revolution helped to pave the way for other iconic music games such as Guitar Hero and Rock Band.
“As Dance Dance Revolution’s name implies, it truly provided a revolution for the music game scene,” says Lindsey Kurano, video game curator. “Music has been an integral part of human life since prehistoric times, so it comes as no surprise that DDR enjoyed a unique popularity that spanned ages, genders, and regions.”
The Legend of Zelda: Ocarina of Time
Released for the Nintendo 64 gaming console in 1998, The Legend of Zelda: Ocarina of Time defined what a 3D action video game could be, influencing countless games that followed. The game’s combination of storytelling, puzzle-solving, and combat earned Ocarina of Time multiple “Game of the Year” awards in 1998. The game sold more than 7.6 million copies worldwide, and it continuesto be recognized by players and critics alike as one of the best video games ever made.
Says Andrew Borman, digital games curator, “Even today, developers throughout the world credit The Legend of Zelda: Ocarina of Time as influencing the way they create games. The game’s sprawling 3D world, fluid combat, complex puzzles, and time-shifting story combined to inspire a wonder in players that they have never forgotten.”
Sid Meier’s Civilization
Sid Meier’s Civilization became one of the most influential simulation and strategy games of all time after its release in 1991. Large in scope, the game invited players to develop their own empire over centuries of time, and the title launched a series of successor games including, in recent years, Civilization: Beyond Earth and Civilization VI. With more than 50 million units sold, the popularity of the Civilization series disproves the common perception that it is always more fun to destroy than to create.
“The addictive nature of the game, which creator Sid Meier himself called the ‘one more turn’ quality, and its nearly unlimited choices that prevented repetitive gameplay, earned Civilization recognition from Computer Gaming World as the best video game of all time in 1996,” says Jon-Paul Dyson, director of The Strong’s International Center for the History of Electronic games. “Altogether—and given the extraordinarily long periods of play the game afforded—players have engaged with the Civilization series for more than a billion hours.”
[Thanks to John King Tarpinian for the story. Based on a press release.]
Which video games will make it into the World Video Game Hall of Fame this May? Can Minesweeper clear the field? Will DanceDance Revolution hit the beat? Can Ms. Pac-Man gobble up the competition? Is NBA Jam a slam dunk? Will Assassin’s Creed battle to the end? Or can Sid Meier’s Civilization rise above the rest?
“This year’s 12 finalists showcase the range and depth of the video game world,” says Jon-Paul C. Dyson, director of The Strong’s International Center for the History of Electronic Games. “There are true icons like Ms. Pacman, games that changes the industry like Rogue, and smartphone games that made gamers out of hundreds of millions of people, such as Candy Crush Saga and Words with Friends.”
Fans may vote for their favorite finalists from March 17 to March 24 as part of a “Player’s Choice” ballot at worldvideogamehalloffame.org. The three games that receive the most public votes will form one ballot and will join the other ballots submitted by members of the International Selection Advisory Committee, which is made up of journalists and scholars familiar with the history of video games and their role in society. (The public, collectively, will have the weight of one judge.) The final inductees will be announced in a virtual ceremony by The Strong museum on Thursday, May 5, at 10:30 a.m.
The World Video Game Hall of Fame recognizes electronic games that meet the following criteria: icon-status, the game is widely recognized and remembered; longevity, the game is more than a passing fad and has enjoyed popularity over time; geographical reach, the game meets the above criteria across international boundaries; and influence, the game has exerted significant influence on the design and development of other games, on other forms of entertainment, or on popular culture and society in general.
(1) FINAL GIRLS CONSIDERED. Stephen Graham Jones cheers on the “final girls” of slasher movies at CrimeReads: “Let’s All Be Final Girls”.
…Part of the final girl’s DNA, after all, is the scream queen, typified in Fay Wray’s performance in King Kong. She wasn’t necessarily the first of her kind, but talkies were relatively new in 1933, so her scream was especially loud—loud enough to carry across the whole century.
However, final girls may come from the tradition of scream queens, but that doesn’t mean scream queens are final girls themselves. Yes, scream queens are menaced by horror, and yes, they survive their ordeals, but what their screams tend to do, actually, is bring the men in to deal with this bully. These scream queens are, after all, “white women in peril,” usually from some “dark” monstrosity—a giant gorilla, say. Their main function in the story is to cringe and run, and be abducted. Scream queens are damsels, perpetually in distress.
The final girl is no damsel. She doesn’t scream to call a man in to help her. No, she takes this lumbering beast down herself….
(2) PAGES MISSING. Dean Wesley Smith’s and Kristine Kathryn Rusch’s WMG Publishing told Facebook readers their website is currently having major problems. Their ISP, Bluehost, is to blame – a company that no longer hosts File 770 I’m relieved to say.
If you’ve tried going to the WMG website the past week or so, you’ll discover that it seems to no longer have any content. This is a result of an issue with our website hosting platform, Bluehost, that we are still trying to get them to resolve. They accidentally deleted it…all 1,500 or so pages of it (we have backups, of course, but they can’t seem to restore the site even using those…it’s a long, frustrating story). At this point, we have no idea how long our website will be down, so in this newsletter, all of the links we direct you to are external. Please send some positive tech vibes our way that Bluehost resolves this issue soon.
(3) HEARING FROM FRIENDS. Cora Buhlert’s Fancast Spotlight introduces listeners to the “Unknown Worlds of the Merril Collection” podcast hosted by Oliver Brackenbury.
Who are the people behind your podcast or channel?
I host, screenwriter Chris Dickie is the producer, and ultimately the Friends of Merril volunteer group are behind the show. The Friends of Merril are dedicated to spreading awareness of, and otherwise supporting, the Merril Collection of Science Fiction, Speculation & Fantasy – located on the 3rd floor of the Lillian H. Smith branch of the Toronto Public Library system. With over 80,000 spec fic texts going back over two hundred years, it’s a tremendous asset for writers, scholars, and readers, one I’ve benefited from greatly.
Why did you decide to start your podcast or channel?
Well, Chris had just joined the Friends and when I asked him if he had anything specific he’d like to try in promoting the Merril, he said he’d been wanting to try podcasting. I’d been wanting to create some kind of shareable promotional content for the Merril, and had plenty of experience with hosting from my old Youtuber days. So, we figured we’d give it a whirl and see if it helped spread awareness of the Merril!
As far as I can tell, it’s certainly helped spread the good word. But we can always do more!
Step into the pages of beloved author and illustrator Eric Carle’s Very series of picture books—including the iconic Very Hungry Caterpillar… Co-organized by Children’s Museum of Pittsburgh and The Eric Carle Museum of Picture Book Art in Amherst, MA, Very Eric Carle is the first North American traveling exhibit for children inspired by the work of Eric Carle.
At this play-and-learn exhibit, visitors step into the pages of Eric Carle’s colorful picture books. His classic “Very” series, all illustrated in his hand-painted tissue paper collage technique, introduces five special insects who take journeys of discovery. Each story is a testament to Eric Carle’s love of nature, his respect for the emotional lives of children, and his recurring themes of friendship, creativity, and the power of imagination….
(5) RAY’S HOMETOWN GETS A CONVENTION. Wauke-Con, Waukegan’s First Comic Book Convention, will be held October 16-17 at the Ray Bradbury Experience Museum, located at lucky 13 N. Genesee, from 12-6 p.m. both days.
The series bibles for TNG, DS9, Voyager, and Enterprise have been floating around the internet in various iterations for a while, but in a new piece by Rob Wieland today, the official Star Trek website provided a fresh look at the foundations of the first four major Star Trek TV continuations. Thanks to these documents, fans can see how these iconic shows were first imagined, what changed on the road to the small screen, and what ideas were the ones writers decided were the most-thought provoking and exciting to sell these shows on to networks….
(7) PUPPIES: THE NEXT GENERATION. With Debarkle Chapter 60, Camestros Felapton some significant late arrivals to sf’s culture wars, Nick Cole and Jon Del Arroz: “Dramatis Personae — The Next Generation”.
…In February of 2016 former soldier, actor and writer Nick Cole[5] announced that he had been “banned by the publisher”. Cole had already published a few books with Harper Collins including a trilogy of post-apocalyptic books and a novel Soda Pop Soldier in which gamers fight a virtual reality war for corporations. It was the sequel (or rather prequel) to Soda Pop Soldier that led to the dispute. Cole had planned for the story to feature a Terminator-style AI rebellion and for motivation, he had decided that the AI at the source of the rebellion would deduce that humanity would kill it after watching a reality TV show in which a character has an abortion….
(8) FILE 007. The next James Bond movie, No Time To Die, comes to U.S. theaters on October 8.
(9) MEDIA BIRTHDAY.
1979 – Forty-two years ago on this date, Time After Time premiered. (It would lose out to Alien for Best Dramatic Presentation at Noreascon Two.) It was directed by Nicholas Meyer who wrote the screenplay from a story by Karl Alexander and Steve Hayes, and produced by Herb Jaffe. The primary cast was Malcolm McDowell, David Warner and Mary Steenburgen. Reception by critics was unambiguously positive, the box office was good and the audience reviewers at Rotten Tomatoes currently give it an excellent sixty-eight percent rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. He showed up on The Island of Dr. Moreau as Sayer of the Law. (Died 1984.)
Born August 31, 1933 — Robert Adams. He’s remembered for the Horseclans series, his overall best-known works though he wrote other works. While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
Born August 31, 1949 — Richard Gere, 72. He was Lancelot in First Knight, which starred Sean Connery as King Arthur, and he was Joe Klein in The Mothman Prophecies. That’s it for genre film work. First Knight for me is more than enough to get Birthday Honors, but he also was in live performances of Rosencrantz and Guildenstern Are Dead in the Sixties. Though definitely not genre, one of my roles by him was as defense attorney Billy Flynn in Chicago.
Born August 31, 1958 — Julie Brown, 63. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink.
Born August 31, 1969 — Jonathan LaPaglia, 52. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca.
Born August 31, 1971 — Chris Tucker, 50. The way over the top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man.
Born August 31, 1982 — G. Willow Wilson, 39. A true genius. There’s her amazing work on the Sasquan Hugo Award-winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as well. Oh, and the Cairo graphic novel with its duplicitous djinn is quite the read. The only thing I’ve by her that I’ve not quite liked is her World Fantasy Award winning Alif the Unseen novel. I’ve not yet read her Wonder Women story but should soon. Her Invisible Kingdom, vol 2: Edge of Everything is nominated at DisCon III for a Best Graphic Story Hugo.
Born August 31, 1992 — Holly Early, 29. She was Lily Arwell in the Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.” She was also Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and Hermia in A Midsummer Night’s Dream.
Mike Richards is out as executive producer of “Jeopardy!”, days after he exited as the quiz show’s newly appointed host because of past misogynistic and disparaging comments.
Richards is also no longer executive producer of “Wheel of Fortune,” according to a memo to staff that was confirmed by Sony Pictures Television, which produces both of the shows.
“We had hoped that when Mike stepped down from the host position at Jeopardy! it would have minimized the disruption and internal difficulties we have all experienced these last few weeks. That clearly has not happened,” Suzanne Prete, an executive with the game shows, said in the memo.
…In her memo, Prete said she will work with Richards’ interim replacement, Michael Davies, until further notice. Davies produces ABC’s “Who Wants to Be A Millionaire.”
Interstellar salesman Ethan Frome Fortune made one small mistake when he traveled to the desolate ice-world of Tran-ky-ky. He boarded the same starship as the fantastically wealthy and eminently kidnappable Hellespont du Kane, and du Kane’s daughter Colette. An attempted kidnapping ensues.
The kidnapping fails. A single kidnapper survives. He and his prospective kidnappee and several innocent bystanders (including Fortune) end up marooned on Tran-ky-ky.
The castaways are a diverse lot; at least one of them, adventurer Skua September, is suited to survival on a backward, frozen world. Other off-worlders could save them…if the stolen shuttle had not crashed on the other side of the world from the trading post.
Providentially, a nearby community of indigenes are willing to assist the odd-looking off-worlders. There is just one minor complication. Even now, a nomad horde is bearing down upon the town. Perhaps the off-worlders can help the desperate townsfolk repel the attack. If not, the humans will die alongside the townsfolk.
…It’s been four decades since William Gibson’s short story “Johnny Mnemonic” appeared in the May 1981 issue of Omni magazine. He’d already published a couple of pieces, but “Johnny” was a landmark feat of fiction: in a matter of eight magazine pages, Gibson roughed out the contours of an entire world.
The world Gibson was building was a wormhole away from most science fiction—from space-opera optimism and the sort of intergalactic intrigue that’s settled by laser sword. Gibson’s heroes were hustlers, their turf the congested city. They used substances, skirted the law, and self-edited via surgery (see Molly’s nails). He provided more detail, the following year, in the story “Burning Chrome,” which coined the term cyberspace: a boundless 3-D grid, “an abstract representation of the relationships between data systems”—a kind of web. And then, in 1984, he went even deeper with Neuromancer. His zeitgeist-rattling debut novel was about a hacker for hire who navigated cyberspace using a modem and an Ono-Sendai Cyberspace 7 deck, a Gibson confection that rests on his hacker’s lap (and sounds a lot like a modern-day laptop)….
(14) DOUBLING DOWN. In “Tales Twice Told”, episode 60 of the Two Chairs Talking podcast, Perry Middlemiss and David Grigg discuss recent award winners, the nominees for the Short Story category of this year’s Hugos, and the books they’ve been reading.
David was particularly impressed by “The End of the World is Bigger Than Love” by Davina Bell, winner of this year’s Children’s Book Council of Australia Book of the Year for Older Readers: “Probably the best piece of SF I’ve read all year”.
Arthur’s Stone, an enigmatic rock burial in Herefordshire, England, is one of the United Kingdom’s most famous Stone Age monuments. Now, reports Carly Cassella for Science Alert, excavations carried out near the tomb—named for its supposed ties to King Arthur—have shed light on its beginnings, revealing that Neolithic people built it as part of an intricate ceremonial landscape.
“Although Arthur’s Stone is an iconic … monument of international importance, its origins had been unclear until now,” says dig leader Julian Thomas, an archaeologist at the University of Manchester, in a statement. “Being able to shine a light on this astonishing 5,700-year-old tomb is exciting and helps to tell the story of our origins.”
(16) METAVERSE. [Item by Martin Morse Wooster.] In the Washington Post, Dalvin Brown says for a Ready Player One-style metaverse to happen, tech companies not known for cooperation will have to work together and virtual reality headsets will have to be much more popular than they are now (the Entertainment Software Association says only 29 percent of America’s 169 million gamers have a virtual reality system). “What is the metaverse? Microsoft, Facebook want to build next version of the Internet”.
What is the metaverse?
The term was coined by writer Neal Stephenson in the 1992 dystopian novel “Snow Crash.” In it, the metaverse refers to an immersive digital environment where people interact as avatars. The prefix “meta” means beyond and “verse” refers to the universe. Tech companies use the word to describe what comes after the Internet, which may or may not be reliant on VR glasses.
Think of it as an embodied Internet that you’re inside of rather than looking at. This digital realm wouldn’t be limited to devices: Avatars could walk around in cyberspace similar to how people maneuver the physical world, allowing users to interact with people on the other side of the planet as if they’re in the same room.… But for a robust virtual universe, everyone needs to want and afford VR headsets. The technology would need to be stylish and minimal enough to interest more people and sophisticated enough to work seamlessly. That hasn’t happened yet.
Nimble wireless headsets, like Facebook’s Oculus Quest 2, take a hit on image quality, while bulky VR goggles, like the HTC Vive Pro 2, enable more computing power with their wires. Facebook’s Oculus Quest 2 is among the most affordable at $299, while the HTC Vive Pro 2 headset starts at $799 plus the cost of controllers.
In celebration of Marvel’s Birthday today, Marvel Comics revealed its first look at eight new tentpole titles that will shape the future of the Marvel Universe in the months to come.
Here’s one of them —
Marvel Comics’ Avengers Forever pulls together archaeologist Tony Stark aka the Invincible Ant-Man and Avengers from across the multiverse to bring order to timelines where ‘hope’ is a four letter word. Jason Aaron and Aaron Kuder present an all-new series that will redefine the Avengers as…the Multiverse’s Mightiest Heroes.
(18) VIDEO OF THE DAY. Brian And Charlesis a short film about a lonely farmer who decides to build a robot to be his friend and what happens when the robot starts having issues.
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
(1) NOT DEAD YET. Since the cancellation of San Diego Comic-Con 2020 was announced in mid-April the people behind it have been thinking about an online counterpart. This humorous video dropped on May 8.
What it all means has yet to be revealed. However, in April SDCC started posting coloring books and videos with the theme of Comic-Con Museum@Home.
While Comic-Con 2020 has been cancelled (we’ll return in 2021!) and the Comic-Con Museum is currently closed along with the rest of the museums in Balboa Park, we want to welcome you to our newest endeavor: Comic-Con Museum@Home!
We have great plans for this new section of our website. This will be your main source for some amazing Comic-Con Museum content, such as exclusive videos—including past events (Sense of Wonder with Jen Bartel, The Art of Shag, Will Eisner Week), and new video content created exclusively for the Museum@Home program. Plus, we’re proud to introduce our exclusive “Fun Book” series, a regularly scheduled downloadable PDF featuring activity and coloring sheets created by the Comic-Con Museum for various age groups.
For one example – “Comic-Con Museum Celebrates Will Eisner: Life Forces: The Art of the Comics Memoir.“
You might want to make sure there’s not a rat living (or recently dead) in your car’s engine.
Why are you still reading? Check your car for a rat, I said. That’s the tip. Rats like it in there, and while they could take up residence in a car engine at any time, anecdotal reports (and mankind’s modern if imperfect knowledge of rat behavior) suggest the phenomenon may be occurring more frequently right now.
Three line breaks into this story, it is becoming increasingly clear that the depth of your interest in rats plunges far deeper than basic car maintenance tips. You are a person who seeks to understand rats in a way that rats may not even understand themselves. You want to read the invisible instruction encoded in a rat’s brain that compels him to abandon the deli dumpster where he has spent the majority of his short life and, all of a sudden, carry a leaf and perhaps some twigs into the engine of your Jetta. OK. Here is more rat information…
(3) LEAPIN’ LEPUS. “Juliet Johnson and Peter Capaldi On The Story of Richard Adams’ Watership Down” on YouTube is a promotional video for Black Stone Publishing in which Richard Adams’s daughter, Juliet Johnson, and Peter Capaldi discuss a new, unabridged version of Watership Down which Capaldi recorded to commemorate Richard Adams’s centennial.
(4) SURVIVAL OF THE SFFEST. “Everything I Need To Know To Survive Covid-19 I Learned By Watching Scifi & Horror Movies” is a clever mashup by Evan Gorski and Michael Dougherty.
(5) SOFT RE-OPENING. South Pasadena’s Vidéothèque movie rental business told people on its mailing list they expected to be allowed to reopen for pick-up service today.
Pursuant to County Health Dept provisions (& crossing our fingers), we will re-open Saturday, May 9 from 11am-7pm with front door service & will keep these hours daily.
Please refer to our website vidtheque.com to search for titles
Ralph Baer, known as the father of home video games and the first person to patent the idea of playing a video game on a television, spent more than four decades creating, inventing, and changing the landscape of play. The Strong museum, home to the World Video Game Hall of Fame, is pleased to announce that it has received a donation of prototype toys and technologies from Baer’s family that showcase his work and his creative thinking. The items add to the museum’s existing collection of Baer materials, which includes his personal papers and one of his desktop inventing workstations.
…Baer is known for his work in the video game industry, but in addition to creating the Magnavox Odyssey in 1972, the first home console machine, Baer led a successful career in toy and handheld electronic game design, creating the matching game Simon and the plush bear TV Teddy, among many other products. This collection includes dozens of items in various stages of development, including a Big Bird Talking Bank, the Video Buddy interactive system, augmented GI Joe rescue set, Super Simon, along with various other pieces or concepts, including talking greeting cards, a twirling carnival ride, modified stuffed animals, and a toy phone. Together, along with the museum’s existing personal papers, they provide a window into Baer’s design process.
“My father escaped Nazi Germany as a child, and he spent much of his life after that thinking differently about the world and trying to introduce more fun and whimsy into it. He was a visionary and creative force who never stopped learning, inventing, and tinkering—even into his 90s,” says Mark W. Baer, his son and the Trustee of the Ralph H. Baer Trust.
…In fact, dogs serve as kind of a template for things we use working animals to do. The tasks of draft (pulling things like wagons or plows), pack (carrying loads directly) and riding came up when we talked about transportation, so I won’t rehash the list of species used in different parts of the world — but I will note that certain animals we can’t domesticate, like zebra and moose, can occasionally be tamed to perform those tasks. This category is where the Industrial Revolution made the most immediate and obvious dent: once we could replace muscle power with steam power and its successors, we no longer needed to keep millions of horses and mules and donkeys and camels and so forth to work for us.
Samanta Schweblin is not a science fiction writer. Which is probably one of the reasons why Little Eyes, her new novel (translated from Spanish by Megan McDowell) reads like such great science fiction.
Like Katie Williams’s 2018 novel Tell The Machine Goodnight before it, Little Eyes supposes a world that is our world, five minutes from now. It is a place with all our recognizable horrors, all our familiar comforts and sweetnesses, as familiar (as if anything could be familiar these days) as yesterday’s shoes. It then introduces one small thing — one little change, one product, one tweaked application of a totally familiar technology — and tracks the ripples of chaos that it creates.
In Tell The Machine, it was a computer that could tell anyone how to be happy, and Williams turned that (rather disruptive, obviously impossible) technology into a quiet, slow-burn drama of family and human connection that was one of my favorite books of the past few years. Schweblin, though, is more sinister. She basically gives everyone in the world a Furby with a webcam, and then sits back, smiling, and watches humanity shake itself to pieces.
You remember what a Furby is, right? They were those creepy-cute, fuzzy animal toys that could blink and squawk and sing, dance around and respond to some basic commands. They were toys that pretended (mostly poorly) that they were alive.
Schweblin’s version is called a kentuki. It’s a simple, fur-covered crow or mole or bunny or dragon with cameras for eyes, wheels, a motor. And a person inside. Virtually, of course. Not, like, for real. Because that would be horrifying. And Little Eyes is absolutely horrifying, but not that kind of horrifying….
…In the debut episode of Doctor Who‘s original season 14, The Doctor takes his then-companion, Sarah Jane Smith, to a different, unused console room, and then strongly suggests this place was actually the original hub of the TARDIS. This console room remained The Doctor‘s base for the remainder of the season and was a massive visual departure from what had come before, with wooden panel walls, stained glass windows, and a smaller, cabinet-like console. Unfortunately, the Victorian-style console room only lasted a single season before the white, pimply decor returned. Reports conflict as to whether the wood of the previous set was proving problematic to maintain, or whether incoming producer, Graham Williams, simply wasn’t a fan.
(10) TODAY IN HISTORY.
May 9, 1973 — Soylent Green premiered in theatres. It was the last performance by Edward G. Robinson who gets a great death scene here. It starred Charlton Heston and Leigh Taylor-Young. It was directed by Richard Flieschier and produced by Walter Seltzer and Russell Thacher. It was rather loosely based on Make Room! Make Room! by Harry Harrison. Most of the critics at the time generally liked it, and at Rotten Tomatoes the film has an approval rating of 71% rating among audience reviewers.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 9, 1860 — J. M. Barrie. For us and for many others he’s the author of Peter Pan. After that he had a long string of successes in the theater. He knew George Bernard Shaw and H.G. Wells. He joined the Authors Cricket Club and played for its team along with Sir Arthur Conan Doyle, A.A. Milne, and P.G. Wodehouse. He was made a baronet in 1913. (Died 1937.)
Born May 9, 1913 — Richard McKenna. His short story “The Secret Place” was a Hugo finalist and won the Nebula. “Casey Agonistes” (short story) and “Hunter, Come Home” (novelette) are in many anthologies; “Casey” has been translated into French, German, Italian; “Hunter” into French, German, Italian, Romanian; “Secret” into Dutch, German, Italian, Polish. Cover artist for Volume 3 of the NESFA Press Essential Hal Clement (Variations on a Theme by Sir Isaac Newton). Best known outside our field for The Sand Pebbles. (Died 1963.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago so will not read it again so the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016)
Born May 9, 1920 — William Tenn. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’ That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
Born May 9, 1925 — Kris Neville. His most well-remembered work, the “Bettyann” novella, is a classic of science fiction. It would become part of the Bettyann novel, a fix-up of it and “Overture“, a short story of his. He wrote a lot of rather great short fiction, much of which can be in the posthumous The Science Fiction of Kris Neville, edited byBarry N Malzberg (who greatly admired him) and Martin H Greenberg, and more (some overlapping with the first collection) Earth Alert! and Other Science Fiction Tales. He’s not alas wisely available in digital form. (Died 1980.)
Born May 9, 1926 — Richard Cowper. Writer of some seriously comic genre fiction that Martin Amis loathed. The WhiteBird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading. It appears that all of here are available from the usual digital suspects. (Died 2002.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh, and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Next Tuesday, May 12, the Book Industry Charitable Foundation (Binc) will distribute more than $950,000 raised by the Comicbook United Fund to comic store owners. The fund was created in response to the Covid-19 pandemic by Creators 4 Comics, Jim Lee, DC and Oni-Lion Forge Publishing Group. Binc is distributing amounts ranging from $800 to $2,400 to 637 comic book shops across the U.S. and U.S. territories.
The Comicbook United Fund grew out of the Forge Fund, which Oni-Lion Forge established last year with a donation to Binc of $100,000. This year, DC added another $250,000 to the fund. In addition, after the pandemic hit, a coalition of artists, authors, comics creators and other supporters held more than 600 auctions on Twitter, and DC’s Jim Lee began auctioning 60 original sketches in 60 days on eBay, with 95% of sales going to Binc.
In addition to the more than $950,000 that Binc is distributing to comic stores next week, Binc has distributed another $174,786 to 156 comic retail employees and owners to help with rent, mortgage, utilities, food and other necessities during this pandemic
…I love the Cthulhu mythos, but I’m not crazy about Lovecraft’s storytelling. I feel like he spends a lot of time in the high concept and the world building, without ever really going more than skin deep on his protagonists and narrative characters. NB: I haven’t read a ton of Lovecraft, probably six or so short stories, so maybe he has a novel or novella with rich characters and narratives, but I haven’t found it.
None of this is to suggest that he wasn’t brilliantly creative and imaginative, just that his stories aren’t the most satisfying use of my time.
However, hundreds of you have reached out in comments and emails, asking me to narrate something from the Cthulhu Mythos, so today’s RFB Presents is a short, weird, lurid story called Dagon.
…Goldilocks has a fantastic premise and uses one of my favorite sci-fi tropes: leaving our dying Earth and striking out to colonize a new planet, in the hopes of saving humankind. And for the first half of the story, it lived up to this promise. But I ended up with mixed feelings, and I felt the first half was way stronger than the second half. Still, I had a lot of fun reading this book, and I’m going to recommend it to readers who love strong female characters and enjoy reading about current social issues. There are some scary events in Goldilocks that really hit close to home (can you say “pandemic”?) which added a lot of tension to the story, but I also felt that Lam made a few missteps with the characters’ choices in some cases.
… Since so much has happened in the meantime, it’s easy to forget what Supergirl was like in its beginnings when Kara Danvers was still learning how to use her powers and was hoping to figure out how to be a hero. No matter how many times you’ve seen the show’s first episode, you might have never noticed the following 10 details.
Number 10 —
National City
Kara reveals shortly after the beginning of the first episode that she lives and works in National City. The name of the city is a nice easter egg for all fans of the publisher DC comics.
National City doesn’t have its origin in the comics, but by choosing this name for Supergirl’s home, the show’s creators paid homage to DC comics. Before DC was, well, DC, the company’s name was National Comics Publications, hence the ‘National’ in the name of Supergirl’s city.
(17) MASTERPIECE THEATRE. Gideon Marcus is there when That Was The Week That Was goes off the air, and other real news is happening, but no time to waste! This is the magazine with Robert Sheckley’s Mindswap! — “[MAY 8, 1965] SKIP TO THE END (JUNE 1965 GALAXY]” at Galactic Journey.
…And then, having given my report, I’d tie it pithily to the subject at hand, namely the June 1965 Galaxy science fiction digest. But the fact is, there’s lots to cover and I’m anxious to get it all down while it’s still fresh in my mind. So, you’ll just have to pretend that I was clever and comprehensive in my introduction….
(18) THE FAR FUTURE – 1947. At First Fandom Experience they’ll take you back even further in time where you can see “A Rarity: Tellus News”.
This issue of Tellus News, a “newspaper of the future,” was discovered among a collection of fanzines from the 1940s. It was mis-categorized because of the cover date: “Sol 23, 1947”
But this hand-drawn fanzine was created in 1932 by Howard Lowe as a vision of what news might look like 15 years hence. It’s not a copy — it’s an original set of drawings. Rendered in colored pencil, it was likely never reproduced, and as such is a one-of-a-kind artwork….
(19) STAR WARS FOR THE 1 PERCENTERS. Michael Verdon, in the Robb Report story “Why ‘Star Wars’ Characters Are Taking Over the World’s Most Expensive Superyachts” says the British superyacht firm Thirtyc has been putting out Star Wars-related yachts for Star Wars Day on May 4, and Verdon shows how the onepercenters are having cosplay fun with their expensive yachts.
…Seeing a storm trooper and Darth Vader on a million-dollar tender isn’t an everyday occurrence. Neither is catching a glimpse of Princess Leia or Chewbacca driving away on another tender.
At first, the firm received a lot of compliments about their whimsical but highly realistic work. “As it spoke to peoples’ imaginations, they started asking us to use their boats,” says Armstrong. Soon, Star Wars vehicles like AT-AT Walkers and Starfighters appeared on superyacht helipads and rear decks.
(20) VIDEO OF THE DAY. “Universe” on YouTube is a 1960 documentary, directed by Roman Kroitor and Colin Low for the National Film Board of Canada, which Stanley Kubrick said was one of his inspirations for 2001.
[Thanks to Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
It’s official! Ms. Pac-Man gobbled up the competition. Dance Dance Revolution hit the beat. The Legend of Zelda: Ocarina of Time completed the adventure. And Sid Meier’s Civilization made history. These four iconic games—which have influenced popular culture and the video game industry—today joined the World Video Game Hall of Fame at The Strong National Museum of Play. They emerged from a field of finalists that also included Assassin’s Creed, Candy Crush Saga, Minesweeper, NBA Jam, PaRappa the Rapper, Resident Evil, Rogue, and Words with Friends.
Capitalizing on the success of the iconic Pac-Man arcade game, Midway launched Ms. Pac-Man in 1981. The sequel featured more sophisticated mazes, smarter opponents, and new challenges. It also reimagined the title character as female to acknowledge the girls and women who loved playing the first game. With its wide appeal, Ms. Pac-Man sold 125,000 cabinets within five years of its release, making it one of the five best-selling arcade games of all time, behind previous inductees Pac-Man, Space Invaders, and Street Fighter II.
Konami’s Dance Dance Revolution (DDR) took Japanese arcades by storm in 1998, challenging players to use their balance and dexterity to step to the beat of popular music. The fast-paced game spread quickly to arcades across the world, and Konami spun out a home version of the game on the Sony Playstation the following year. More than 100 versions of the game have been produced since 1998, and Dance Dance Revolution helped to pave the way for other iconic music games such as Guitar Hero and Rock Band.
Released for the Nintendo 64 gaming console in 1998, The Legend of Zelda: Ocarina of Time defined what a 3D action video game could be, influencing countless games that followed. The game’s combination of storytelling, puzzle-solving, and combat earned Ocarina of Time multiple “Game of the Year” awards in 1998. The game sold more than 7.6 million copies worldwide, and it continues to be recognized by players and critics alike as one of the best video games ever made.
Sid Meier’s Civilization became one of the most influential simulation and strategy games of all time after its release in 1991. Large in scope, the game invited players to develop their own empire over centuries of time, and the title launched a series of successor games including, in recent years, Civilization: Beyond Earth and Civilization VI. With more than 50 million units sold, the popularity of the Civilization series disproves the common perception that it is always more fun to destroy than to create.
