Don Barton Dies

ZaatMoviePoster990wideDon Barton, director of the cult monster film Zaat, has died at the age of 83. His 1971 movie about a 7-foot-tall giant radioactive walking catfish gained fresh notoriety after being mocked on Mystery Science Theatre 3000 in 1999, making a brief return to theaters in 2001 and appearing twice on Turner Classic Movies.

Barton co-founded the Florida Motion Picture and Television Association and won several awards for documentaries. He worked as vice president of marketing at what’s now St. Vincent’s HealthCare, and later served on the hospital’s executive board.

[Thanks to John King Tarpinian for the story.]

Dennis Dolbear Passes Away

Dennis Dolbear at DeepSouthCon 50 in 2012. Photo by Rich Lynch.

Dennis Dolbear at DeepSouthCon 50 in 2012. Photo by Rich Lynch.

Louisiana fan Dennis Dolbear died June 17 from pneumonia and septicemia reports SF Site News.

Dolbear joined the New Orleans Science Fiction Association (NOSFA) as a young fan within a few years of its 1967 founding, and enthusiastically helped create its fannish mythos. Although the growing club was just a few years old, some of its charter members shortly began to feel overwhelmed by an influx of Star Trek fans. To console themselves, they gathered at the home of “Faruk von Turk” (Justin Winston) and established the “Sons of the Sand.” As Dolbear later explained:

The Sons of the Sand (and the affiliated Daughters of the Desert) is actually the parent group for a number of affiliated organizations such as the Cubist Poetry Society, the Damon Runyon Society of N.O., the Uptown Meerschaum Collectors, and the N.O. Double Contra Basso Jug Band, to name but a few. The only requirement for joining either the parent or subsidiary societies is that the applicant be of gentle (i.e. noble) birth. Validity of pedigree will be decided by the Admissions Committee. (Note: ersatz SCA titles are, of course, not acceptable.) The Caliph (or leader) of the organization is the member with the most distinguished ancestry. This post is presently held by Faruk von Turk, who has authenticated his lineage to Charlemagne and Charles Martel. The post is also claimed by Donald Walsh, Jr., who has adduced some evidence that he is descended from the Roman emperor Caligula. The Committee has not fully accepted his claim, although if validated it would of course preempt von Turk’s. 

Dennis Dolbear and Mike Macro when the world was young.

Dolbear was a long-time member of the Southern Fandom Press Alliance, active from 1971 to 1994. He regularly contributed NOSFAn, the clubzine he coedited with Peter Bezbak and, as the years passed, other zines with such colorful titles as Lapis Lazuli and Bouffant Jellyfish. For a time it became a SFPA tradition to list his name on the masthead among the officers under an ever-changing series of titles like “Official Provider of Life Support & Morale Boosts,” and “Bestest Buddy & Sweet Patootie.”

Dolbear was an attorney by profession. He and his colleague, Guy Lillian III, once thought to generate some business from the out-of-town football fans who came to New Orleans for bowl games and got into trouble in the French Quarter. The duo took out an ad in the Florida Flambeau, the FSU student paper, advertising their legal services. Their ad generated a lot of publicity, if not business. Sports Illustrated picked up the story (“Ill Legal Pitch”) and Dolbear gave an interview to the Orlando Sentinel:

Using unique entrepreneurial skills, Dolbear and Lillian have cast their lines into the water, looking to snag jail bait in a sea of N’awlins debauchery. The two civil attorneys from New Orleans took out an ad in the Florida Flambeau, the Florida State campus newspaper, offering their legal services to anyone suffering from the Bourbon Street Blues.

”If you get in trouble, we can help you out,” reads the ad. ”If you need a lawyer in New Orleans, call us.”

”It’s not so much that we’re ambulance chasers,” Dolbear said. ”Ambulance chasers are trying to cultivate a situation that might not otherwise exist. In our case, we are simply offering our services to people who get arrested. If you get in trouble and you don’t know who to call, we are here.”

Perhaps Dolbear’s most riveting piece of fanwriting was “Survivor” in Challenger 23, an account of how he and his 85-year-old mother clung to the side of their house to avoid drowning in the floodwaters released by Hurricane Katrina:

We then took the only refuge left. We went into the water – now over 9 feet high – and clung to the gutters above, in a 125 mile-per-hour wind and swift flood. (My mother is nothing if not tough.) After a short while, I moved to a tree outside, with flexible branches that I could crouch in. From this spot, I could relieve the stress on the gutter – already starting to bend – and be in a position to save my mother if she should let go – which she almost did, several times and did, once – I dived beneath the water and pulled her, with strength I got from who knows where. But she held, and I held, and we endured about two or maybe three hours in the full wrath of Katrina. I will never forget this, not as long as I live, and mere words seem inadequate to describe the storm’s power – and how small, how vulnerable it made you feel.

But after a few hours, the wind abated, and – could it be – the water actually started to drop. I checked again, mentally marking the water height against the bricks – yes, yes! it was dropping! We might not die after all! Our danger had passed.

No wonder Guy Lillian III ended his message about Dolbear’s passing — “[I] congratulate each and every one of us on having such a remarkable friend.”

Waukegan Loves Bradbury

Waukegan Public Library Executive Director Richard Lee in Ray Bradbury's basement with a box of foreign editions.

Waukegan Public Library Executive Director Richard Lee in Ray Bradbury’s basement with a box of foreign editions.

Ray Bradbury’s personal book collection has been inherited by the Waukegan Public Library, located in the town where he was born and spent much of his childhood.

As you would imagine, knowing Bradbury’s love of books, he owned a lot of them.

“Every room had a bookshelf overflowing,” said Rena Morrow, the library’s marketing, programming, and exhibits manager.

The books on those shelves included first editions, Bradbury’s work in foreign languages, and autographed copies.

The library would like to get one of Bradbury typewriters, too. Staffers hope to create a permanent exhibit in honor of the author.

There are also prospects for a trade between the library and the Center for Ray Bradbury Studies at Indiana University, which is interested in getting some of the books. A trade to broaden the library’s collection has the blessing of Bradbury’s daughters, says its director.

Meantime, Waukegan may add to to the author’s local honors by naming a school for Bradbury. He is already recognized with a star in the city’s Sheridan Road Walk of Fame, and by Ray Bradbury Park, dedicated in 1990.

The District 60 Board of Education fielded a formal request on Tuesday, June 11, from a group of residents that included Karen Bales, a retired Waukegan educator who was principal at Whittier from 2006 to 2010.

District spokesman Nicholas Alajakis said the request is under review by Superintendent Dr. Donaldo Batiste, who will follow district policy in considering the change.

According to that policy, the Board of Education can designate school names to honor “U.S. Presidents, statesmen and heroes of national fame, local educators, local community and civic leaders, or other individuals deemed by the Board to have made a significant contribution to education in Waukegan.”

There is ample precedent: the district has approved name-changes for three other schools over the past 20 years, memorializing several local educators.

Once the city even named a school after a living person. Waukegan native Benjamin Kubelsky, who gained fame as Jack Benny, flew in from Hollywood in 1961 to dedicate Jack Benny Junior High.

[Thanks to John King Tarpinian for the stories.]

2013 British Fantasy Award Nominees

The nominees for the 2013 British Fantasy Awards 2013 have been announced. The winners will be revealed at an awards banquet during the World Fantasy Convention in Brighton on Sunday, November 3.

Best Fantasy Novel (the Robert Holdstock Award)
Blood and Feathers, Lou Morgan (Solaris)
The Brides of Rollrock Island, Margo Lanagan (David Fickling Books)
Railsea, China Miéville (Macmillan)
Red Country, Joe Abercrombie (Gollancz)
Some Kind of Fairy Tale, Graham Joyce (Gollancz)

Best Horror Novel (the August Derleth Award)
The Drowning Girl, Caitlin R. Kiernan (Roc)
The Kind Folk, Ramsey Campbell (PS Publishing)
Last Days, Adam Nevill (Macmillan)
Silent Voices, Gary McMahon (Solaris)
Some Kind of Fairy Tale, Graham Joyce (Gollancz)

Best Novella
Curaré, Michael Moorcock (Zenith Lives!) (Obverse Books)
Eyepennies, Mike O’Driscoll (TTA Press)
The Nine Deaths of Dr Valentine, John Llewellyn Probert (Spectral Press)
The Respectable Face of Tyranny, Gary Fry (Spectral Press)

Best Short Story
Our Island, Ralph Robert Moore (Where Are We Going?) (Eibonvale Press)
Shark! Shark! Ray Cluley (Black Static #29) (TTA Press)
Sunshine, Nina Allan (Black Static #29) (TTA Press)
Wish for a Gun, Sam Sykes (A Town Called Pandemonium) (Jurassic London)

Best Collection
From Hell to Eternity, Thana Niveau (Gray Friar Press)
Remember Why You Fear Me, Robert Shearman (ChiZine Publications)
Where Furnaces Burn, Joel Lane (PS Publishing)
The Woman Who Married a Cloud, Jonathan Carroll (Subterannean Press)

Best Anthology
A Town Called Pandemonium, Anne C. Perry and Jared Shurin (eds) (Jurassic London)
Magic: an Anthology of the Esoteric and Arcane, Jonathan Oliver (ed.) (Solaris)
The Mammoth Book of Ghost Stories by Women, Marie O’Regan (ed.) (Robinson)
Terror Tales of the Cotswolds, Paul Finch (ed.) (Gray Friar Press)

Best Small Press (the PS Publishing Independent Press Award)
ChiZine Publications (Brett Alexander Savory and Sandra Kasturi)
Gray Friar Press (Gary Fry)
Spectral Press (Simon Marshall-Jones)
TTA Press (Andy Cox)

Best Non-Fiction
Ansible, David Langford
The Cambridge Companion to Fantasy Literature, Edward James and Farah Mendlesohn (eds) (Cambridge University Press)
Coffinmaker’s Blues, Stephen Volk (Black Static) (TTA Press)
Fantasy Faction, Marc Aplin (ed.)
Pornokitsch, Anne C. Perry and Jared Shurin (eds)
Reflections: On the Magic of Writing, Diana Wynne Jones (David Fickling Books)

Best Magazine/Periodical
Black Static, Andy Cox (ed.) (TTA Press)
Interzone, Andy Cox (ed.) (TTA Press)
SFX, David Bradley (ed.) (Future Publishing)
Shadows and Tall Trees, Michael Kelly (ed.) (Undertow Publications)

Best Artist
Ben Baldwin
David Rix
Les Edwards
Sean Phillips
Vincent Chong

Best Comic/Graphic Novel
Dial H, China Miéville, Mateus Santolouco, David Lapham and Riccardo Burchielli (DC Comics)
Saga, Brian K. Vaughan and Fiona Staples (Image Comics)
The Unwritten, Mike Carey, Peter Gross, Gary Erskine, Gabriel Hernández Walta, M.K. Perker, Vince Locke and Rufus Dayglo (DC Comics/Vertigo)
The Walking Dead, Robert Kirkman and Charlie Adlard (Skybound Entertainment/Image Comics)

Best Screenplay
Avengers Assemble, Joss Whedon
Sightseers, Alice Lowe, Steve Oram and Amy Jump
The Cabin in the Woods, Joss Whedon and Drew Goddard
The Hobbit: An Unexpected Journey, Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro

Best Newcomer (the Sydney J. Bounds Award)
Alison Moore, for The Lighthouse (Salt Publishing)
Anne Lyle, for The Alchemist of Souls (Angry Robot)
E.C. Myers, for Fair Coin (Pyr)
Helen Marshall, for Hair Side, Flesh Side (ChiZine Publications)
Kim Curran, for Shift (Strange Chemistry)
Lou Morgan, for Blood and Feathers (Solaris)
Molly Tanzer, for A Pretty Mouth (Lazy Fascist Press)
Saladin Ahmed, for Throne of the Crescent Moon (Gollancz)
Stephen Bacon, for Peel Back the Sky (Gray Friar Press)
Stephen Blackmoore, for City of the Lost (Daw Books)

Four nominees in each category were decided by a vote of the members of the British Fantasy Society and the attendees of FantasyCon 2012, with up to two further nominees in each category being added by the juries as “egregious omissions”. The exception is the Best Newcomer category, in which all authors under consideration were put forward by voters.

The winners will be decided by jury – see details here.

Hertz: Classics of Science Fiction
at Westercon

By John Hertz: We’ll discuss three classics at Westercon 66, one discussion each.  Come to as many as you like. You’ll be welcome to join in.

For our starting definition, “A classic is a work that survives its own time. After the currents which might have sustained it have changed, it remains, and is seen to be worthwhile for itself.”

One author from England, three from the United States; one woman, three men; one outside our field, three among us. Two stories from almost the same time, one a decade earlier. Each seems to be a love story; but is any of them?

Each may be more interesting today than when first published. Have you read them? Have you re-read them?

Ian Fleming

Moonraker (1955)

Nothing like the Moonraker came for two more years; even then the R-7 and Atlas couldn’t burn hydrogen – fluorine. At Boskone 50 our discussion flamed with inquiry whether this story is s-f. What about the craftsmanship? What about the denouement of Gala Brand?

Henry Kuttner & Catherine Moore

“Vintage Season” (1946)

Haunting, careful, penetrating, it’s often anthologized. It’s been attributed mainly to Moore, but both said that after they married they wrote everything together; for this one they used the name Lawrence O’Donnell; some call it their best. What makes them different from their symphonist Cenbe?

Jack Vance

To Live Forever (1956)

Vance preferred to entitle it Clarges, and maybe we should; it seems easier to find now under the infinitive. Compared to The End of Eternity (Asimov, 1955), or The City and the Stars (Clarke, 1956), it may not be forever; maybe they ought to be compared, they resonate. As usual, the language is brilliant, and the book is full of sparks.

Villafranca To Make 2013 Hugo Bases

Artist casting the 2013 Hugo Award base.

Artist casting the 2013 Hugo Award base.

The 2013 Hugo Award base will be designed by Texas-based artist Vincent Villafranca. Vincent is a Chesley Award-winning sculptor who produces futuristic and fantastic bronzes using the traditional lost-wax casting process. In keeping with tradition, the design will not be revealed until the convention itself.

The full press release follows the jump.
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Montgomery: Science Fiction
Outreach Project
Does Dallas

Our improvised Friday setup.

Our improvised Friday setup.

By Helen Montgomery: This year, with Worldcon being in San Antonio, the SFOP decided to head on down to Dallas Comic Con to give away books and tell attendees about LoneStarCon 3.

Our saga begins on Wednesday, May 15.  Three of us were heading down from Chicago – but Mother Nature intervened with a bunch of tornados.  We were all grateful that we weren’t stuck in the storm, but it certainly threw off our stride!  We finally all arrived at the convention center on Thursday, ready to move in our three pallets of books and shelving.

There had apparently been a miscommunication along the line, and instead of having our expected two 8′ x 10′ booths, we had two 8′ x 7′ booths.  Having only 14′ feet of width is a problem when your shelves are 16′ all by themselves!  We scrambled a bit and came up with a layout that involved only half our shelves and two tables with shelves built up on them.

Friday went well, but we were a tad anxious how the smaller space would work on Saturday.   Fortune smiled upon us though, and the people who had the booth across the aisle from us never showed up.  Our friends from Fencon / WhoFest had the booth next to us and they were able to move across the aisle which allowed us to expand to our full set up using their booth space.  They were also delighted with the move, as they now had space to bring in their full-sized Dalek.  All is now well in the universe!

 

Our usual setup -- hooray!

Our usual setup — hooray!

Saturday went fabulously well.  We gave away a lot of books and talked a lot about Worldcon.  As usual, our booth was crowded the whole day  with people coming back over and over, bringing along their friends.  It was great to see strangers chatting and recommending books to each other.  Kids and teenagers had a great time going through their special boxes.

Typical scene for the weekend.

Typical scene for the weekend.

We did it all over again on Sunday.  Towards the end of the day we had more boxes left than we had anticipated (largely due to being able to put out significantly less on Friday that we usually do), and a few people asked if they could take away full boxes – without even knowing what was in them!  Apparently they figured that a box of authors with last names starting with “C” was a good bet!

One of my favorite stories of the weekend involved a boy who was probably around 10 years old.  He came by on Friday, and chose a book called “100 Cupboards”.  I commented to him that I had read the back and thought is sounded really interesting.  I asked if he was coming back the rest of the weekend, and when he said yes, I asked him to go home that night and read the first few chapters, then come back and tell me if it was as good as it sounded.  On Saturday afternoon, a man came up and said that the boy had needed to leave earlier, but insisted that Dad come over and tell me that the book was excellent.  Dad said he didn’t stop reading until they forced him to so he could go to bed!  On Sunday, the boy himself came by and asked if I remembered him.  He then proceeded to say “It was so good!  I couldn’t put it down!”

That, folks, is why we do what we do.  A new fan has been brought into the family!

Thanks, as always, to everyone who donated books over the last year.  We thank the conventions that sponsored book drives, and the publishers who sent us books, and the groups that gave us grant money to pay for our expenses.  We would also like to thank Brad Foster for our new tip jar artwork!

Brad Foster's tip jar art.

Brad Foster’s tip jar art.

We’re planning to head across the pond next year to help our SFOP compatriots in London at one or two comic conventions there, which will help promote Loncon 3.  We are exploring options for an event in the U.S. as well, but have not finalized any plans.

Please feel free to email us at [email protected] if you’d like to donate either books or money, and don’t forget to “Like” us on Facebook (Science Fiction Outreach Project – USA).

Ed-u-cate!  Ed-u-cate!  (Dalek courtesy of FenCon / WhoFest)

Ed-u-cate! Ed-u-cate! (Dalek courtesy of FenCon / WhoFest)

Graphic Details

Here are six links to comics news.

(1) Alys Jones has done some highly creative artwork based on the First World War. Lots of examples from Jones’ new book, plus James Bacon’s interview with the artist, at Forbidden Planet.

James: How did the idea of cutting holes come about?

Alys: In the very early stages of the project I made a mistake in a drawing, which had been going quite well, so I cut part of it out. I then began to experiment with laying images over each other in various formations, to see how that could be used as a narrative device. Because of the setting and subject matter, the holes began to take on an unexpected significance and became quite central to my project.

They started to raise all kinds of questions relating to missing memories and trauma, injury and amputation, and a blasted landscape. They also began to reflect the unfinished nature of the poem in which the story takes place, as well as allowing an unusual way to progress the narrative and create unusual shifts and jumps from place to place. They can take you through a series of events, allow you to see through a dugout into the trench, and shift the viewer’s position within the narrative.

(2) The Northern Ireland Comics Festival program was exceptionally rich in thoughtful, substantial commentary. Read the quotes here.

(3) James Bacon and many other fans would prefer otherwise, but China Miéville’s comic Dial H will come to an end in August, with a double-sized issue 15. One hopes the critical acclaim will lure him back to comics.

(4) Zenith is a British Superhero comic from Grant Morrison that hasn’t been reprinted for nearly twenty years. The last Morrison had to say was “Fleetway have no paperwork to confirm their ownership of ‘Zenith’, so I’m currently involved in legal proceedings to clear things up.” Is this a gambit to break the deadlock?

(5) Fans heading to London for next year’s Worldcon may want to add the Cartoon Museum to their itinerary. It currently boasts a Ralph Steadman exhibition.

(6) In 1987, little did residents of San Futuro know what was in store for them, and the unlikely heroes who would patrol their neighborhoods including Sin-Gorger, Monstrance, Private Eye, Devil’s Tool, Black Abbot and his ward Red Riding Hood, Purgatory and Whipping Boy. Now available in a deluxe edition.

Photos of First World Fantasy Con

The first World Fantasy Convention was held in 1975 in Providence, Rhode Island.

A set of photos from the con is posted here.

Among them is a shot of Manly Wade Wellman holding one of the original World Fantasy Awards – a bust of Lovecraft, as ever – presented to him for Worse Things Waiting, the winner in the Best Collection/Anthology category.

[Thanks to Andrew Porter for the link.]