Tag Archives: Amazing Stories

Pixel Scroll 5/10/25 All Around The Scrollberry Bush, The Monkey Chased The Pixel

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(1) GUARDIAN BOOK REVIEWS. Past Best Fan Writer Hugo winner Abigail Nussbaum, and author of 2025 BSFA Award winner Track Changes penned the Guardian’s latest “The best science fiction, fantasy and horror – reviews roundup”. Nussbaum cover The Devils by Joe Abercrombie (Gollancz, £25), The Incandescent by Emily Tesh (Orbit, £20), Land of Hope by Cate Baum (Indigo Press, £12.99), and A Line You Have Traced by Roisin Dunnett (Magpie, £16.99).

(2) MEETING DEATH SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] The BBC’s World Service  has a nifty weekly science programme Unexplained Elements.  This week’s programme was topical with this week’s news of the Pope popping off and the pomp and circumstance ceremony that garnered international attention. It was a topic in which the late Terry Pratchett would have been interested. 

It addressed questions such as when did humans first start burying their dead? The answer seems to be over 100,000 years ago, but this is for anatomically modern humans. Apparently some proto-human species (whose brain capacity was a third of modern humans) may have buried their dead, though the research (currently in peer review) is debatable.  Apparently, the pre-print has been amended to take criticisms into account and while one critic has been convinced, others remain sceptical.

Another topic was that of the biology of graveyards.  Because its ground remains largely untilled, and because of gravestones and the like, there are many micro-environments, and both these factors lead church graveyards have a higher local area biodiversity.

Then there is the issue of a dead person’s digital rights to their social media and online accounts. The European Union’s GDPR is the world’s most robust data protection regulation, though that does not seem to stop firms like Facebook or EventBrite failing to strictly follow it (just look as the small print when you sign up) or even Worldcons who arguably (it would be interesting to test this in court and I could write an essay on this) fail to strictly adhere to its provisions.  Nonetheless, despite GDPR being the world’s gold standard in data protection, the dead have no rights whatsoever under GDPR!

Talking of a dead person’s digital rights (or lack thereof), what of mobile (cell) phones and smartphones, what happens to them when they ‘die’?  Well, fans of Red Dwarf might say that they go to silicon heaven. The reality, however, is for most of them landfill!  Here there are multiple environmental sustainability issues.  All those heavy metals and rare earth elements leech out in landfill causing threats to water tables and other ecotoxicology issues.  And then there is the loss of these elements (which include silver and gold – many kilograms per tonne of mobile phones disposed) to the economy necessitating the mining of replacement elements and the environmental damage that this does.  So the next time a Worldcon tells you that they are ditching recyclable paper from sustainably managed forests (look for the kite mark when buying the paper for publications) don’t accept the Worldcon’s word for it: more greenwash!

It was a fascinating programme. You can access it here.

First up, we delve into the thorny issue of when early humans started to carry out funerary rituals, before turning our attention to graveyards and the life that thrives within these sacred environments.

Next, we are joined Carl Öhman from Uppsala University in Sweden, who reveals what happens to our data when we die and why we should care about it.

Plus, we discuss the precious materials hiding in our old devices, and find out whether animals mourn.

(3) DODGE THE SCAMS. Victoria Strauss points out “Two to Avoid: Book Order Scams and Fake Reviews”. Full details at Writer Beware.

Here are two newish frauds that appear to be on the rise. As with most writing scams these days, they target self-published authors.

The Book Order Scam

I’ve written before about book order scams, in the context of scammers impersonating bookstores such as Barnes & Noble with out-of-the-blue emails promising bulk purchases and big royalties. All the author has to do is pony up thousands of dollars or pounds to cover printing and/or shipping costs (the relevant note here: bookstores do not print the books they sell, and they typically order from the publisher or publishing platform, rather than from the author).

This newer version of the book order scam is somewhat different, arriving not from a bookstore impersonator, but from the self-publishing service provider the writer has hired to publish and/or market their book. That provider isn’t a true self-publishing company, though, but rather one of the many ghostwriting scams that waylay would-be indie authors in order to defraud them….

Fake Reviews

Fake reviews–sometimes just a few lines, sometimes elaborate essays with stars and number rankings–arrive unasked-for, attached to a complimentary email claiming that a book has been “discovered” by book scouts or book evaluators. Or they’re included as part of a pitch for a package of publishing and marketing services, to show how much the service provider believes in the author’s book.

Undoubtedly produced by feeding book blurbs and other info into chatbots, they are essentially bait: affirmation and flattery designed to induce the author to reply, so they can be subjected to aggressive sales pitches for whatever the “reviewer” is selling.

Here are a couple of examples, both sent out by scammers on this list. They’re not just book reviews–they’re PROFESSIONAL book reviews! So much better than just the regular kind….

(4) CHERRYH ANNOUNCEMENT. CJ Cherryh told Facebook followers yesterday she and Jane Fancher won’t be at the Seattle Worldcon – but it’s not the result of any controversy.

Jane and I will not be attending WorldCon despite it being in our state (which some people might want to know)—no controversy, just the expense and the physical buffeting of crowds. While Jane’s got more go-juice than I do, the crowd pressure and distances involved would be pretty exhausting, leaving us sadly low-energy. We’ll still go to friendly ‘little’ cons in driving range, note well, if we know about them!!! and be our brilliant selves, but we’re not up to a full-on WorldCon.

(5) ABOUT THE FEMALE MAN. Farah Mendlesohn’s book Considering The Female Man by Joanna Russ, or, As the Bear Swore is available for preorder from Luna Press Publishing. It will be released in Summer 2026.

Joanna Russ’s writing career was relatively short, running from 1968 to 1987, with a number of essay collections published in the years after that. Her fiction career consists of just six novels and four collections, but each of the novels she published challenged engrained conventions of the genre.

The Female Man was received with shock, horror and vituperation when it was published in 1975. Its fractured narrative, and its direct attack on patriarchy and the straight-jacket of performative femininity, were described as shrill and man-hating. Over the years it emerged as a classic of feminist science fiction, a novel that continues to excite and resonate, and a touchstone for proudly militant feminists.

This exploration of The Female Man offers a close reading of the text, focussing on how the book works, its structures, arguments, humour, and brilliant anger

(6) COMPENSATING FACTORS. “My School Visit was Cancelled. I Fought Back and Won” writers Erica S. Perl in School Library Journal.

As a children’s book author, I love a good mystery. Which is why, last month, after a Virginia elementary school principal abruptly cancelled my visit by email, with no explanation or interest in rescheduling or paying me, I decided to investigate.

It didn’t take Sherlock Holmes to figure out what had happened: a parent had complained because of a social media video I had made celebrating Pride month. In it, I mention that Snail, a character in my Whale, Quail, Snail early reader series (illustrated by Sam Ailey), is nonbinary. Most snails are. “It’s a fiction series,” I add, “but that’s a fact.”…

… I wish I could tell you that my story ended amicably with the return of my visit to the school’s calendar. That’s not what happened.

Instead, after I asked for my fee, the principal turned the matter over to the district’s lawyers. The principal then informed the school librarian, who booked my visit, that she might have to pay me out of her own pocket. I told her I would not take her money, no matter what happened. I was extra-outraged that the principal was threatening to make her pay for the “crime” of setting up an author visit.

But my story doesn’t end there. I’m not just a children’s book author. I’m also a former trial lawyer. So instead of walking away muttering about injustice, I spent some quality time with my contract.

That’s right, my author contract. Whenever I am invited to visit a school, my booking agent draws up a contract—and this visit was no exception. According to one clause, if an appearance is cancelled with less than 30 days notice, the school is required to pay my entire fee plus any non-refundable travel expenses. The principal had cancelled on me 28 days before my visit.

And finally, my contract specifies that the contract is governed by the law of the state where I live, not the law of the state where the school is located. So if I wanted to sue for breach of contract, I could simply file papers in my local courthouse (no legal expertise or degree required!).

So, I did. Which is how I got to a different kind of happy ending: the school paid me my fee.

It’s not the win I wanted, because that would have had me standing in front of a gymnasium full of elementary school students. But it is a victory, as I see it, for all authors, especially in this current climate….

(7) KILLER ROBOTS NO LONGER SCIENCE FICTION. [Item by Francis Hamit.] “Unmanned Systems Are Not Revolutionary (But Could Be)” says a post on War Room, hosted by the U.S. Army War College.

Rather than revolutionizing warfare, unmanned systems have emerged as evolutions within the larger information revolution; advancements to be sure, but failing to render conventional militaries obsolete or dramatically reshaping force structures….

(8) PLONK YOUR MAGIC TWANGER. The one answer Smithsonian Magazine knows for sure is the price: “Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million”. Steven French adds, “Actually the ‘drooling dragon’ looks more like our Patterdale Terrier after he’s spotted the postman!”

Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as “wildly inventive” and “full of iconographical oddities,” per the Art Newspaper.

Start with the dragon and its bizarre dog-like face, exaggerated fangs and dripping drool. According to tradition, Satan, disguised as a dragon, swallowed St. Margaret whole. His stomach rejected her and there she appears in the painting, kneeling in prayer, totally unfazed by the event.Next to Margaret, one of the two angels holds a book of song, once thought to be a hymn by the English composer Walter Frye but now identified as musical gibberish. The other angel plucks her mouth harp, “a sound hardly associated with celestial harmony,” as the National Gallery says in the statement….

(9) PEACEMAKER IS BACK. “Peacemaker Season 2 Trailer: John Cena’s DC Superhero Returns” – Variety sets the frame.

… John Cena‘s very R-rated DC superhero has returned in the first trailer for “Peacemaker” Season 2, created by DC Studios co-chief James Gunn. The sophomore season takes place in the rebooted DC Universe, which officially kicked off with Gunn’s animated series “Creature Commando” and continues with his summer tentpole “Superman.” Nathan Fillion’s Guy Gardner and Isabela Merced’s Hawkgirl cameo in the trailer and will appear in “Superman.”…

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 10, 1969 — John Scalzi, 56.

By Paul Weimer: I’d read John Scalzi’s blog for years before his fiction. 

I got onto the Scalzi train with his entry in Metatropolis. His story involving a high tech pig farmer had all of the bones of a Scalzi story, from its “I think I know everything” protagonist, to its often snarky sense of humor. While I didn’t fall deeply in love with his work, then or since, I kept reading his work. Redshirts, of course, which still may be my favorite of his novels and stories, helped expand in my mind the metafictional opportunities in science fiction. Lock In is a solid piece of science fictional speculation on how a society might come together and respond to the consequences of a pandemic.  Given that it was written long before Covid…I wonder if Scalzi or, aged fifty six yearswould have reconsidered the novel after the worldwide reaction to the aftermath of the Covid Pandemic. 

Of course the Old Man’s War series is the one that he gets grief for, because it should appeal to the Sad and Rabid Puppies…but it is, in the parlance of today, “too woke”. It’s possible that the existence of such books helped motivate Torgersen and Beale, an irritant to their ideology and worldview (and a counterexample to the idea that Mil-SF must be conservative). Again, I do wonder how Scalzi would write it today, given all that has happened. 

So this is a long way of saying that although it is on my Kindle, I have not yet read When The Moon Hits Your Eye, which seems to have as triggering an idea (the moon turns into cheese. Seriously?) as one can possibly make in the field. But it shows that in the end, Scalzi likes to have fun when writing. He never takes it too seriously, even if he keeps it as rigorous and locked down as the story needs. He’s just telling stories and doing his thing and having the time of his life, and haters can go hang. 

The first time I actually met him in person, he didn’t remember it. He was extremely jet lagged, sitting in a hotel lobby and apparently remembered little from the entire weekend. Due to circumstance (although Scalzi is an excellent DJ, I am told, I am not a dance party goer), I only finally, finally actually got to talk to him at the Glasgow Worldcon. Being part of the photography team did  let me meet and photograph everyone who would hold still.   But did he know who I was? I’m still convinced that he didn’t, and that’s all right. 

John Scalzi’s fiction, too…that’s all right. 

(11) COMICS SECTION.

(12) AMAZING STORIES COLLECTION. Amazing Stories: Best of 2024,a collection of  science fiction short stories published by the magazine over the past year, is now available.

Edited by Lloyd Penney, this collection continues Amazing’s nearly century-long tradition of exploring the strange, the speculative, and the sublime.

From lunar labor revolutions to delicate alien diplomacy, these stories represent the vanguard of speculative fiction. Readers will encounter futures both dystopian and dazzling, technologies that reshape identity and time, and characters grappling with the emotional and ethical consequences of scientific progress. Highlights include:

  • “A Short-Lived History of the Stockpiling of Time, in Post-Mono-Heliocentric Space-Times” by K.V.K. Kvas, a mind-bending tale of interstellar economics, identity, and revolt.
  • “Return from Venus” by C.B. Droege, a quiet and touching story about cross-species friendship and the longing for home.
  • “Best Case Scenario” by Susan Oke, a suspenseful diplomatic mission where what you offer—and what you misunderstand—could mean the difference between peace and peril.

With cover art by Hugo Award-winning artist Bob Eggleton and a lineup of diverse voices offering everything from hard science speculation to lyrical philosophical fiction, Amazing Stories: Best of 2024 is a must-have for any SF fan’s collection.

 “Amazing Stories has always been a home for bold, boundary-pushing science fiction,” says Editor-in-Chief Lloyd Penney. “This year’s stories continue that proud legacy—with some of the most challenging, beautiful, and entertaining tales we’ve ever published.”

It is available online at amazingstories.com and in paperback and eBook editions at indie and major retailers worldwide or at this link.

(13) MONSTROUSLY COOL. That’s what your drinks become with an assist from the “Godzilla Ice Mold”.

(14) DAISY RIDLEY’S ZOMBIE ENCOUNTER. JustWatch quotes Daisy Ridley in its Why to Watch feature about her role in the zombie thriller “We Bury the Dead streaming: where to watch online?”

We Bury the Dead is a gripping, emotional thriller set in a world transformed by the undead. In a unique take on the zombie genre, the film follows Ava—a woman tormented by loss—who volunteers with a corpse retrieval unit to search for her missing husband. Set against a surreal yet intimate apocalypse, the story explores love, grief, and the fragile boundaries of what makes us human.

Daisy Ridley says:

The script is beautiful. It’s about grief and watching someone desperately trying to find an answer, even though she doesn’t know what that answer is going to be. The backdrop of the zombies represents this moment for [my character] Ava because she’s neither here nor there emotionally. Ava’s sole purpose is to find her husband. As a means to get to him, she joins the body retrieval unit which volunteers to find people and notify families. The zombies look like our friends and family, so it’s close enough to reality but in a way that doesn’t feel too close. It feels horribly human.

(15) HONEY, I’M HOME! “Soviet-era spacecraft Kosmos 482 plunges to Earth after 53 years stuck in orbit” reports AP News.

A Soviet-era spacecraft plunged to Earth on Saturday, more than a half-century after its failed launch to Venus.

Its uncontrolled entry was confirmed by both the Russian Space Agency and European Union Space Surveillance and Tracking. The Russians indicated it came down over the Indian Ocean, but some experts were not so sure of the precise location. The European Space Agency’s space debris office also tracked the spacecraft’s doom after it failed to appear over a German radar station.

It was not immediately known how much, if any, of the half-ton spacecraft survived the fiery descent from orbit. Experts said ahead of time that some if not all of it might come crashing down, given it was built to withstand a landing on Venus, the solar system’s hottest planet.

The chances of anyone getting clobbered by spacecraft debris were exceedingly low, scientists said….

…Any surviving wreckage will belong to Russia under a United Nations treaty….

…After so much anticipation, some observers were disappointed by the lingering uncertainty over the exact whereabouts of the spacecraft’s grave….

A Russian press release says it fell in the Indian Ocean west of Jakarta.

(16) YOUR ALIEN NATION. The BBC explains, “More than half your body is not human”.

More than half of your body is not human, say scientists.

Human cells make up only 43% of the body’s total cell count. The rest are microscopic colonists.

Understanding this hidden half of ourselves – our microbiome – is rapidly transforming understanding of diseases from allergy to Parkinson’s.

The field is even asking questions of what it means to be “human” and is leading to new innovative treatments as a result.

“They are essential to your health,” says Prof Ruth Ley, the director of the department of microbiome science at the Max Planck Institute, “your body isn’t just you”….

… But genetically we’re even more outgunned.

The human genome – the full set of genetic instructions for a human being – is made up of 20,000 instructions called genes.

But add all the genes in our microbiome together and the figure comes out between two and 20 million microbial genes.

Prof Sarkis Mazmanian, a microbiologist from Caltech, argues: “We don’t have just one genome, the genes of our microbiome present essentially a second genome which augment the activity of our own…

(17) SCIENCE PAPERS WITH UNDISCLOSED AI USE. [Item by SF Concatenation’s Jonathan Cowie.] Artificial Intelligence (A.I.) is controversial to some, in no small part due to large language models (LLMs) and other A.I. (such as image-generating A.I.) using people’s intellectual property (their written or art works) for A.I. and LLM training without permission or recompense.  This is exemplified by the recent debate over the Seattle’s Worldcon use of A.I. (for example, see (1) in the Scroll here).

Similarly, the use of A.I. has controversies in science.  Indeed, a number of leading science journals, such as Nature, frown on the use of A.I. and/or at least ask science authors to declare any use of A.I. in their submissions. The latest news here comes from a news item in this week’s Nature that hundreds of papers have used A.I without disclosure!

Generative A.I. tools such as ChatGPT have quickly transformed academic publishing. Scientists are increasingly using them to prepare and review manuscripts, and publishers have scrambled to create guidelines for their ethical us. Although policies vary, many publishers require authors to disclose their use of A.I….

But science sleuths have identified hundreds of cases in which A.I. tools seem to have been used without disclosure…

…Publishers need to act quickly to resolve issues of dishonest A.I. use.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Rich Lynch, Paul Weimer, Francis Hamit, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 4/29/25 Sir Not Appearing In This Pixel

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(1) BAFTA TV CRAFT AWARDS 2025. The British Academy of Film and Television Arts (BAFTA) announced 2025 TV Craft Awards winners on April 27. The complete list of winners is at the link.

Here are the works of genre interest that took home awards.

CHILDREN’S CRAFT TEAM

  • Tom Bidwell, Jennifer Perrott, Rick Thiele, Sarah Brewerton, Anna Rackard, James Mather — The Velveteen Rabbit – Magic Light Pictures / Apple TV+

SCRIPTED CASTING

  • Isabella Odoffin — Supacell – Netflix, New Wave Agency, It’s A Rap / Netflix

SPECIAL, VISUAL & GRAPHIC EFFECTS

  • Jason Smith, Richard Bain, Ryan Conder, Chris Rodgers — The Lord of the Rings: The Rings of Power – Amazon MGM Studios / Prime Video

(2) TIME FOR NOMMO NOMS. Members of the African Speculative Fiction Society have until May 5 to nominate for this year’s Nommo Awards.

Only works of speculative fiction by an African published between January 1, 2024 and December 31, 2024 anywhere in the world are eligible. 

(3) WSFS BUSINESS MEETING PREPATORY TOWN HALL. The Seattle 2025 Worldcon will host its first WSFS Virtual Town Hall this Sunday, May 4 at Noon Pacific.

The WSFS Business Meeting Team will be hosting two town halls in preparation for the virtual business meetings in July. The town halls are designed for members to ask questions about the business meeting process. The town halls will be recorded and posted on the Seattle Worldcon 2025 YouTube channel for reference.

If you aren’t able to attend, please submit any questions that you’d like to have answered at businessmeetinghelp@seattlein2025.org.

Details about the town halls can be found below.

Town Hall One

When: May 4, 2025, at noon Pacific Daylight Time (UTC – 7)
Where: Zoom—link provided to those who RSVP
RSVP: Via Eventbrite

Topic: WSFS Business Meeting Basics: Ask your questions about what the business meeting is. How do I submit a proposal? What types of changes can I propose? What if I disagree with a proposal submitted, but would like a changed one?

Town Hall Two

When: May 25, 2025, at noon Pacific Daylight Time (UTC – 7)
Where: Zoom—link provided to those who RSVP
RSVP: Via Eventbrite

Topic: Virtual Business Meeting

(4) FORTNITE FANS WILL GET FIRST LOOK AT NEW STAR WARS PROPERTY. “Lucasfilm’s ‘Star Wars: Tales of the Underworld’ to Debut on Fortnite” reports Animation World Network.

Epic and Disney are launching their most expansive Star Wars collaboration in Fortnite to date with the first entirely Star Wars-themed Battle Royale Season and in-game premiere of Star Wars: Tales of the Underworld on May 2, two days ahead of its Disney+ launch. This marks the first debut of a Disney+ series in a game.

Recently announced at Star Wars Celebration, Fortnite: GALACTIC BATTLE begins May 2 and introduces new Star Wars content and gameplay to Battle Royale each week. Fans can play as Darth Jar Jar or Emperor Palpatine, while piloting ships like X-wings and TIE Fighters. The season will culminate in an epic in-game live event, “Death Star Sabotage.”

The Star Wars Watch Party island will also go live on May 2. Players will have a chance to view the first two episodes of Lucasfilm Animation’s Star Wars: Tales of the Underworld, its all-new animated shorts anthology series from creator Dave Filoni that focuses on the criminal underbelly of the Star Wars galaxy through two iconic villains: Asajj Ventress and Cad Bane.

Beyond the Star Wars Watch Party theater, players have the opportunity to fight off incoming waves of Stormtroopers using blasters and lightsabers. The standalone Star Wars Watch Party island was built in Unreal Editor for Fortnite (UEFN) using official Star Wars assets.…

(5) WRITING COMICS. Tim Susman tells “How to Write a Comic Script” at the SFWA Blog.

…The first time I tried to write a comic book script, I had no guidance about what a script looked like, but I’d read comic books and graphic novels. So I wrote up my idea for a four-to-five-page story and sent it to the editor. He sent it back with a gentle note that read, paraphrased, “This is about twenty pages worth of material.”

I was taken aback because I’d separated it into five pages. But when I looked more closely at it, I saw what he meant. I’d crammed way too much into each of those five pages. With help from the artist I was working with, I pared it down, and we got the story to the required length (with some necessary but painful cuts).

Part of the problem was—and is—that there is no definitive template for comic scripts like there is for screenplays. At the end of this post are links to comic script archives; I suggest browsing them to see how established, published writers have tackled the problem. What I’ll cover here are the basics to keep in mind when writing a comic script: collaboration, layout, and dialogue.

Collaboration

If you are lucky enough to have an artist assigned to work on the project with you, your job becomes much more manageable. The comic script is a list of instructions for the artist, and any artist can tell you how best to write instructions for them. My experience has been that artists produce their best work when they have some kind of creative input, so I suggest that your comic script leave room for the artist to bring their creativity to the project….

(6) PULLMAN’S NEXT. The Guardian is there when “Philip Pullman announces The Rose Field, the final part of Lyra’s story”.

Philip Pullman has revealed he will tell the final part of Lyra Silvertongue’s story in The Rose Field, which will come out this autumn.

It has been six years since a book about Lyra has been published – and 30 since readers first encountered her in Northern Lights, the first in Pullman’s His Dark Materials children’s fantasy trilogy. The bestselling novels, which have since been adapted into a TV seriesby the BBC, take place across a multiverse and feature “dæmons” – physical manifestations of a person’s soul that take the form of animals.

The Rose Field will be the third volume in the author’s The Book of Dust series, which expands on the His Dark Materials trilogy. It began in 2017 with La Belle Sauvage, set 12 years before Northern Lights, and continued with The Secret Commonwealth in 2019, set after the events of the original trilogy. This new book will pick up where that one left off, with Lyra alone in the ruins of a deserted city, where she has gone in search of her dæmon. Another important character from the previous books, Malcolm, has travelled towards the Silk Roads to look for Lyra.

(7) DENNIS MCCUNNEY OBITUARY. Dennis McCunney died April 29 after a long illness. He was a con-running fan who worked on numerous Northeast conventions, who lived in the New York City area. He chaired Philcon 1974, Philcon 1975 and Lunacon 34. He also worked on Albacon, Maltcon, and others. His specialties were facilities (hotel) and publications. He was part of the (unsuccessful) Philadelphia in 1977 Worldcon bid. He belonged to The Cult apa.

Mark Roth-Whitworth says: “One of my two oldest friends. We met in out late teens, long ago, in a universe far away. Lifelong fan, computer professional, hotel liaison for Philcon, and perhaps several other East Coast cons. Had a very Mark Twain look, before he started losing his hair to chemo. He’d been fighting cancer for several years.”

Twenty-one years ago he was a Guest of Honor at Capclave 2004. Alexis Gilliland’s bio for the souvenir book said in part:

Dennis McCunney is a tall and seriously lean man, and one of the very few fans who wears a suit and tie to conventions because the suit serves to bulk him up. Perhaps his mustache bulks up his face, or maybe he just wears it because it makes him look good….

[At Lunacons] Often he would sit with me in the bar, between interludes on his cellphone, and regale me with tales of the Lunarians, the small but contentious New York SF club of which he had been – for a time – a member, and how his efforts to create a lasting improvement in the arranging of Lunacon were like Sisyphus rolling his rock up the hill. He discussed the Lunarians together with their follies, fiascoes and ferocious fanfeuds, and perhaps a few other eff sounds as well.

As he was often trying to see that Lunacon ran smoothly in real time, much of what was on his mind was in the nature of who had dropped what ball, and why, with luck, it could be remedied while the con was still running. His triumphs being in the nature of getting the pocket program there on Saturday afternoon instead of Sunday morning. Listening to his stories, it was amazing that he could be as calm about the situation as he appeared, but his philosophy seemed to be: “What is the best that can be accomplished in these circumstances?” Acting on that philosophy enabled him to serve as a highly effective troubleshooter of Lunacons, to the point where he earned the title of “Mr. Lunacon,” although it was never formally bestowed upon him. He worked on other conventions, of course, and it was always a pleasure to meet him at the Worldcon or elsewhere, especially when he wasn’t tasked with some super-urgent business that should have been done last week” In real – that is, mundane – life, he is an ubertechie, charged with making his company’s computers perform in a commercially viable manner….

(8) MEMORY LANE

[Written by Cat Eldridge.]

April 29, 1981 — The Greatest American Hero: “My Heroes Have Always Been Cowboys”

Forty-one years ago on this evening, The Greatest American Hero series served up the ever so sweet and rather nostalgic “My Heroes Have Always Been Cowboys”. It starts off with Ralph, our sort of superhero, quitting twice after perceiving that he has failed badly. 

Meanwhile one of the secondary characters tells Ralph that her friend wants to go to an appearance by John Hart, the actor who played the second version of the Lone Ranger. Ralph is excited because Hart is his childhood hero. Why am I not surprised? 

Later in the episode, Ralph and Hart get to have a talk and Ralph realizes that society needs its heroes and decides to wear the suit again. 

I watched a lot of the Lone Ranger when I was rather young and never realized that there were two actors in that role. And no, I never figured out the deal with the silver bullets. Obviously that version of the Old West didn’t have werewolves. Or did it? 

And yes, it was very, very sweet to see one of the Lone Rangers sort of playing his role again. If only as a mentor. 

The Greatest American Hero series is streaming currently on Peacock.

(9) COMICS SECTION.

  • Crankshaft gets a title suggestion. 
  • Curtis underrates the requirements of horror writing. 
  • Rubes has need for an exceptionally large pair of handcuffs. 

(10) IF I HAD A HAMMER. “Godzilla Hammer Now On Sale” reports ScifiJapan. So often these silly things turn out to be AI fakes, but since you can actually buy it on Amazon.com (among other places) I’m going with this one.

Godzilla’s foot has crushed many buildings and structures. Now you can recreate that scene by smashing a nail with the Godzilla Hammer.

Precision casting manufacturer Castem Co., Ltd. (Fukuyama City, Hiroshima Prefecture, CEO: Takuo Toda) has released the Godzilla Hammer (ゴジラハンマー, Gojira Hanmā) – a powerful, one-of-a-kind tool, casted from a 3D scan of a real Godzilla movie suit.

Castem has 3D scanned the foot of the Godzilla suit that was actually used in the filming of the Toho classic GODZILLA, MOTHRA, AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK (..Gojira Mosura Kingu Gidora Daikaijū Sōkōgeki, 2001) and obtained detailed data on the shape of the monster’s foot. The foot was then metallized in iron (dyed black) using the “lost wax method,” a precision casting method that can create particularly detailed, complex shapes in metal.

It perfectly replicates the legendary stomp of the King of the Monsters. Finished with a sleek black oxide coat and weighing 550g, this hammer has a heavy feel and lets you drive nails like Godzilla crushes cities. Turn it over and see the true sole of Godzilla’s foot—down to every epic detail!

  • Drive Nails Like Godzilla Crushes Buildings
  • Crafted from 3D Scan Data of the Actual Godzilla Used in Filming
  • Expertly Recreated in Metal Using Precision Casting

(11) AMAZING STORIES REOPENS SHORT STORY SUBMISSIONS. Lloyd Penney has announced that Amazing Stories will open for short story submissions on May 1.

 Attention, visionary science fiction writers! Amazing Stories is thrilled to announce the reopening of short story submissions for our popular weekly feature, beginning May 1, 2025.

 This is your opportunity to share your most brilliant creations with the readers of Amazing Stories! We’re seeking exceptional stories (up to 10,000 words) that will transport, enthrall, and engage your imagination.

 We offer $20 for original stories over 2500 words and $10 for shorter works or reprints. We’re looking for science fiction and especially hard science fiction!

 Ready to submit your masterpiece? Create an account and find all the details at https://submissions.amazingstories.com/

Also worth noting, we’ll also be opening submissions later in 2025 for the special issue of Amazing Stories 100th Anniversary issue that will be published in 2026!

(12) GIVE ME THE LETTERS. Long before he voiced Darth Vader, James Earl Jones was Sesame’s Street’s first celebrity guest in 1969: “Sesame Street: James Earl Jones Says The Alphabet”.

(13) LOST IN STARLIGHT. [Item by N.] Per Polygon, a teaser trailer for “Netflix’s first Korean original animated film…a sci-fi romance about two star-crossed lovers.” Lost in Starlight releases May 30.

When an astronaut leaves Earth for Mars, the vast infinite space divides star-crossed lovers in this animated romance that crosses the cosmos

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Rich Lynch, N., Lloyd Penney, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/7/25 It’s Only A Pixel Scroll, Filing Over A Mimeo Sea

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(1) THE BLURB REVOLUTION. “Book blurbs: Authors hate them. Publishers love them. They’re often made-up” says Slate’s Imogen West-Knights.

Whip-smart, unputdownable, lyrical, dazzling, pitch-perfect. Taut, tender, a tour de force. A triumph. Unflinching, stunning, mesmerizing, evocative. You will have seen a book—probably many, many books—with some of these words, what one might call blurbiage, if one were being annoying, on its cover. Often, these quotes will be just that one word. But the process by which those single words are acquired is a fraught one. So much so that last week, one top editor at a major publisher, Sean Manning at Simon & Schuster, made an unusual and attention-grabbing announcement about them. In his eight years at the company, he wrote in an essay for Publishers Weekly, “it has been tacitly expected that authors—with the help of their agents and editors—do everything in their power to obtain blurbs to use on their book cover and in promotional material.” No longer. Under his leadership, authors won’t be “required” to spend “an excessive amount of time” getting blurbs for their books….

…Debut authors also told me that it had “taken over their lives” sending out “begging letters” for blurbs, and more established ones said their lives had been taken over by the barrage of unsolicited proofs to blurb that they were receiving. “A lot of publicists are probably paid too poorly to really sit and consider which authors might genuinely like which book,” one novelist said, “but I wish this meant they just sent out less requests in general instead of taking this scatter-gun spam-bot approach.”

So many book proofs are getting sent out, and authors are being pursued so relentlessly for comment, that it has become common enough practice to blurb a book without having actually read it. “I was really horrified the first time someone said I should just make something up for them to approve,” said one debut nonfiction writer, who had a book out last year. This happens all the time, people told me.

Much of the blurb game is built on existing acquaintances. There is enormous social pressure to blurb books for people you sort of know. So people either lie about liking a book, because they don’t want things to be awkward, or end up ghosting the requests, or blurb it positively because they are “blinded by affection,” one nonfiction author told me. “The only time I’ve heard of someone having the balls to say ‘I haven’t blurbed your book because I didn’t actually like it’ is Sarah Schulman,” she added. According to another novelist, “It turns the entire industry into this fucking Regency-era tea party, where we all just owe each other favors and there’s actually no meritocracy or peer review or even admiration going on.”…

(2) ALL THAT TROUBLE, SO ARE THEY WORTH ANYTHING? The New York Times has also reacted to the Simon & Schuster announcement in “What Are Book Blurbs, and How Much Do They Matter in Publishing?” (link bypasses the paywall.)

…Do blurbs really help sell books?

The truth is, no one can say for sure.

“I don’t know if blurbs have ever worked,” Manning said. “There’s no metric to tell.”

Victoria Ford, the owner of Comma, a bookstore in Minneapolis, said, “My initial reaction was that blurbs don’t matter at all.” She’d rather read a thorough summary on the back of a book, or a lively description on the flyleaf, than rely on a few beats from an established author who might have a personal relationship with the author in question.

As for her customers, Ford went on: “I have not noticed readers paying a lot of attention to blurbs, with a few exceptions. I’ve definitely sold books because a customer was browsing and saw a book Ann Patchett had blurbed. Readers trust her.”…

(3) COSTUME DESIGNERS GUILD AWARDS. The 2025 Costume Designers Guild Awards winners include two in categories devoted to sff, and a third in the Period Film category.

Excellence in Sci-Fi/Fantasy Film

  • Wicked; Paul Tazewell, CDG

Excellence in Sci-Fi/Fantasy Television

  • Dune: Prophecy; “The Hidden Hand”; Bojana Nikitovic

Excellence in Period Film

  • Nosferatu; Linda Muir, Costume Designer, Alima Meyboom, ACD; Anna Munro, ACD

(4) CLASSIC ELLISON SHORT FICTION CONSIDERED. A Deep Look by Dave Hook devotes its closest attention to “’Deathbird Stories’, by Harlan Ellison, 1975 Harper & Row”.

…Ellison starts by trying, perhaps to link this collection and its contents to literature and SF, with the quotation of a letter (I assume) from George Bernard Shaw to Count Leo Tolstoy, followed by quotes from Voltaire, Ovid, and Robert A. Heinlein. These are all about gods in some way.

He adds this Caveat Lector, a Latin Phrase for “let the reader beware“:

“It is suggested that the reader not attempt to read this book at one sitting. The emotional content of these stories, taken without break, may be extremely upsetting. This note is intended most sincerely, and not as hyperbole. H.E.”

I take this both ways, as an honest warning and part of his hyperbole….

(5) ALTERNATE HISTORY TV SPINOFF. “’Star City’: Anna Maxwell Martin Joins ‘For All Mankind’ Spinoff” reports Deadline.

BAFTA Award-winner Anna Maxwell Martin (Motherland) is set as a lead opposite Rhys Ifans in Apple TV+‘s upcoming series Star City, a spinoff from the streamer’s space race drama For All Mankind.

Created by Ben Nedivi, Matt Wolpert and Ronald D. Moore, Star City is another alt-history retelling of the space race – when the Soviet Union became the first nation to put a man on the moon. But this time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers, and the intelligence officers embedded among them in the Soviet space program, and the risks they all took to propel humanity forward…

(6) IN MEMORIAM. Steven H Silver’s list of members of the sff community who died in 2024 is available at Amazing Stories: “In Memoriam 2024”.

(7) BUT THE MEMORY LINGERS ON. Amazing Stories’ Steve Davidson at “Where Is It Safe To Host A Worldcon?” provides a new map of where he approves for the Worldcon to be held. Can you guess which country between Canada and Mexico has recently fallen off the map? Hint: It’s hosting the next two Worldcons.

…It it supremely ironic that one of the counter-arguments to the protest against the Chengdu bid was a stated belief that exposing the citizens of a repressive regime to the openness and diversity of Fandom would offer an alternative example and somehow inspire governmental change.  Instead, the repressive regime has now come to the home of Fandom, the United States, which will have hosted 59 of the 83 Worldcons held by the end of this year.  (Leeds excepted.)

It is, therefore, not just appropriate, but necessary, to amend the map that illustrates the relative appropriateness of Worldcon hosting.

This year, Worldcon will be hosted in a country whose government has enacted or intends to enact policies that are both repressive and dangerous to members of Fandom.  It will be doing so in the name of all of its citizens as it is a duly and legally elected government (for now), because that is how representative democracies work.

Owing to prior bidding, next year’s Worldcon will also be held in a country that is dangerous to Fans and their beliefs.  Three times in four years is a trend that I  don’t want to see continue.  I hope that the majority of Bid voters agree with me….

(8) MORT KÜNSTLER (1931-2025). [Item by Artie Fenner.]  Artist Morton (Mort) Künstler died. Mostly known for his Civil War gallery paintings today, he did plenty of painted covers for comics and men’s adventure magazines back in the day. Early in his career he and James Bama shared a studio and modeled for each other’s illustrations. The Daily Cartoonist paid tribute: “Mort Künstler – RIP”.

…Künstler would go on to paint about 4,000 magazine covers, movie ads and canvases for NASA, the U.S. Postal Service (a depiction of Black soldiers in the Indian Wars in 1994), institutions and private collectors. His paintings are in the permanent collection of more than 50 museums and his work has been featured in more than 20 books. He was the subject of an A&E documentary in 1993.

His specialty was images of the Civil War, and historians and art critics considered him the premier historical artist in the country — one known for his detailed research and accurate depictions of scenes from Colonial times through the Space Age. In 2006, M. Stephen Doherty, editor of American Artist magazine, wrote “Künstler is now known as America’s foremost historical artist” and since the late 1970s “has been recognized as a distinguished fine artist.”…

(9) MEMORY LANE. History.com remembers what happened on February 7, 1974: “Guests watch Mel Brooks’ “Blazing Saddles” movie premiere from horseback”. Guess which daily Scroll contributor whose initials are JKT was there! See photo at this link.

In one of Hollywood’s zaniest movie premiere stunts, Mel Brooks’ 1974 western spoof Blazing Saddles screens at the Pickwick Drive-In Theater in Burbank, California. Guests attend not in cars—but on horseback.

Attendees, many sporting cowboy hats, watched the movie from atop their steeds. Movie sound came through speakers attached to saddle pommels, and the studio set up a “Horsepitality Bar” where guests got “horse d’oeuvres.” Brooks, one of Hollywood’s most legendary comedic directors, was reportedly thrilled with the memorable publicity stunt, and wrote to Warner Bros.’ publicist, Marty Weiser, who came up with the clever idea. Its message: “You’re crazier than I am!”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

February 7, 1960 — James Spader, 65.

How can I not do the Birthday of James Spader, the performer who played Dr. Daniel Jackson, Egyptologist in Stargate? Yes, I’m really fond of him in that film. And yes, I am equally fond of Michael Shanks playing that version of the character in the Stargate SG-1 franchise.

His first SF film actually came as a starring role as Joey Callaghan in Starcrossed where an alien woman is running from a deadly enemy and tries to hide here. She meets a young mechanic (Joey), who helps her to go home and to be a freedom fighter there.

A decade later, his next role is in Stargate. I thought it was a great performance by him. And yes, the character as performed by Michael Shanks in Stargate SG-1 continuity is just as interesting, just completely different. His role I thought was more true to that of being an Egyptologist but the Stargate SG-1 continuity isn’t really concerned with the original premise, is it? 

If you saw Avengers: Age of Ultron, and I will readily admit that I have not, he not only voiced Ultron but did the motion capture for it. 

But his greatest role, and I readily admit that is not genre was in The Blacklist series as Raymond “Red” Reddington, a former US Naval Intelligence officer turned fugitive who’s maybe forced to become an FBI crime consultant. And I was surprised to learn that he was an executive producer for that series.  

It’s streaming on Netflix. 

James Spader

(11) COMICS SECTION.

(12) CIVILIZATION SHUFFLES THE DECK. Polygon tells us what they think about the latest iteration of a longtime classic video game: “Review: Civilization 7 embraces a new era”.

… Civilization 7 breaks with franchise tradition in a couple ways. The first is that your leader and your civilization are unrelated to one another. At the beginning of a game, you select a leader (say, Harriet Tubman) who brings certain capabilities with them (like a bonus to espionage actions). You also select a civilization, a group of people who your leader, well, leads. If you’re starting in the age of Antiquity, the oldest time period, these are civilizations like the Greeks, the Mississippians, or the Han. They are distinguished by specific traits and units that are unique to them. This whole process is inevitably a little weird to people who have played these games before, given that historically there was not a split between leaders and civs, but ultimately the vibes are the same when playing the game — you simply get to mix and match your people, even if it produces extremely weird combos like Machiavelli, leader of ancient Persia….

(13) SUPERSIZED. “Astronomers find the largest structure in the universe and name it Quipu” reports Phys.Org.

Is it possible to understand the universe without understanding the largest structures that reside in it? In principle, not likely. In practical terms? Definitely not. Extremely large objects can distort our understanding of the cosmos.

Astronomers have found the largest structure in the universe so far, named Quipu after an Incan measuring system. It contains a shocking 200 quadrillion solar masses.

Astronomy is an endeavor where extremely large numbers are a part of daily discourse. But even in astronomy, 200 quadrillion is a number so large it’s rarely encountered. And if Quipu’s extremely large mass doesn’t garner attention, its size surely does. The object, called a superstructure, is more than 400 megaparsecs long. That’s more than 1.3 billion light-years.

A structure that large simply has to affect its surroundings, and understanding those effects is critical to understanding the cosmos. According to new research, studying Quipu and its brethren can help us understand how galaxies evolve, help us improve our cosmological models, and improve the accuracy of our cosmological measurements…

…Astronomers have found the largest structure in the universe so far, named Quipu after an Incan measuring system. It contains a shocking 200 quadrillion solar masses….

(14) VIDEO OF THE DAY. “Jack Benny and Mel Blanc – The Man of a Thousand Voices” with Johnny Carson on The Tonight Show.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Artie Fenner, Jim Janney, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Professor Jameson Rides the Intergalactic Range Once Again!

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By Justin T. O’Conor Sloane, Editor Worlds of IF Science Fiction: [An excerpt from his editorial in the forthcoming issue.]

The second issue of Worlds of IF Science Fiction magazine will be here soon and I am beyond excited to be publishing in this issue one of the “lost” and never-before-published Professor Jameson stories by Neil R. Jones, titled “Battle Moon!”

Nobody knew what had happened to the lost stories and it was believed, incorrectly, that there were a total of six stories that had yet to be published. But there is ONE more that no one knew about, a PREVIOUSLY UNKNOWN story titled, “The Metal Menace!” The addition of “The Metal Menace” to the Professor Jameson series will require that histories of the series be appended to include this story. All of this thanks to Mike Dooley, whose enthusiasm for the Professor Jameson stories ultimately led to the discovery of the manuscript of “The Metal Menace” and the other six stories, bringing them at long last, to the publishing world and the reading public, after untold years spent in the dusty oblivion of archival boxes!

Mike spent years diligently tracking down these stories and attempting to get them published, but because of the various legal ambiguities surrounding the rights, no one was willing to publish them. But his steadfast perseverance in working to see these stories published was finally coming to fruition as I saw nothing problematic with any of it and knew this to be the perfect magazine in which to introduce the stories to the world: a relaunched classic, ideal for showcasing these previously unpublished and newly rediscovered science fiction stories from a legendary series. How wonderful! It was meant to be.

Neil R. Jones

 The process to acquire the rights moved very quickly and smoothly I am happy to say. (Waiting patiently for this issue to hit the presses will have been the hard part for everyone.) Entirely through Mike’s efforts and the relationships that he has built with members of the Jones family over the years and librarians at Syracuse University like Amy McDonald who are the custodians of the stories, Starship Sloane Publishing was granted the rights to publish these stories by Javene Decker of the Neil R. Jones literary estate (thank you!) and Neil R. Jones Papers, Special Collections Research Center, Syracuse University Libraries (thank you!).

I think this is a big deal, even if there are only several dozen serious fans of the series out there right now—which, by the way, is good enough for me! Though I reckon there are far more than that and I hope that many new fans will be made with the appearance of these stories from the classic era of science fiction.

The Professor Jameson series influenced some of the greatest science fiction writers of all time, like Isaac Asimov and Frederik Pohl and in turn, that influence has been transmitted into popular culture in some very memorable ways (see more about this in Douglas Draa’s excellent essay in this very issue). Professor Jameson is the longest-running science fiction series in history—and now running even longer!—and is the oldest series involving cyborgs. I also have a special place in my heart for these stories as T. O’Conor Sloane published the first twelve installments of the series while the editor of Amazing Stories. They were extremely popular with the readership.

The remaining five stories will be published in upcoming issues of IF. In this issue, we are presenting the first and the second to last of the unpublished stories, with the new and corrected sequence of these stories now understood to be as follows:

#25 “Battle Moon”
#26 “The Lost Nation”
#27 “The Voice Across Space”
#28 “The Satellite Sun”
#29 “Hidden World”
#30 “The Metal Menace”
#31 “The Sun Dwellers”

Neil R. Jones

In doing it this way, we will follow the sequence with the exception of the previously unknown story, which is the true #30, “The Metal Menace,” because my enthusiasm to bring it to science fiction readers could not wait until a future issue, simple as that. Further to all of this, I have been informed by Mike that “The Sun Dwellers,” which is in fact the final story in the series, is NOT a finished manuscript. What?! So, I am pleased to say that Mike will be sharing co-writer credit with Mr. Jones in completing the manuscript—with the blessings of the Jones estate. Is that cool or what? It will be a history-rich writing credit for a good guy and super sleuth who has spent years working to bring these lost stories to science fiction fans everywhere—in the process becoming its own noteworthy story, a story of lost stories. Quite an accomplishment. Cheers, Mike! (Be sure to read Mike’s guest editorial in this issue to get the full scoop.)

To be able to conclude the Professor Jameson series at long last, with its never-before-published stories, almost 100 years after the first story appeared in print, is an exciting development I think and hopefully readers will agree! I am honored to help Mike see all of his hard work finally materialize (and those who helped him along the way). This is part of the continuum I wrote about in the editorial of the debut issue. I had also thought about publishing these stories in Galaxy, but decided against doing such as the rights would need to be revisited, but more importantly, because Worlds of IF is literally the perfect magazine for these stories, both in the tradition of its approach to its content and especially as the illustrious former editor of this very magazine, Frederik Pohl, was a fan of the series. Again, it was just meant to be. The Prof rides the science fiction range once again on wild stories swift and sure to entertain!

Pixel Scroll 10/28/24 John Pixel Is Dead, He Scrolled On His Head

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(1) DETECTING AI-GENERATED TEXT. [Item by SF Concatenation’s Jonathan Cowie.] The rise of large language model AI provides not only boons in tidying up text (of particular benefit to some users such as those with English as a second language or those suffering from, say, dyslexia) but comes with issues when used nefariously by those wishing to pass off AI generated text as their own creativity. Manual checks on text come with the risk of relatively high false positives as well as false negatives. Mandatory archiving all AI generated text comes with both compliance and privacy issues, so this leaves digital watermarking.

AI-generated text (and images) is already causing problems in science with fake paper submissions and also in science fiction where magazine editors have been receiving AI-generated works causing some bodies to come up with rules to govern their use, or banning, AI, one recent body doing so is the Horror Writers Association.

The latest issue of Nature has as its cover story (and an accompanying editorial such is this subject’s importance) on a new digital watermarking system developed by researchers at Google DeepMind in London. Their system is called SynthID-Text. File770 readers interested in this should check the original, open access, paper (I am not a computer scientist and this is definitely outside my comfort zone) but the way it works is to generate ‘tokens’ which are synonym words generated from the text’s context. A number of tokens are needed for the system to work.

Both the researchers and Nature say that this research is an important step in establishing an effective watermarking system, but both the researchers and Nature also clearly note that there are still many hurdles to overcome. For example, it is possible to wash out such digital watermarks by simply running through the AI-generated text through another large-language-model AI.

Currently, both the US and EU are considering legislation and respective bodies to oversee AI. China has already made digital watermarking mandatory and in the US the state of California is thinking of doing the same.

Meanwhile, DeepMind has made SynthID-Text free and open access. Yet, as said, the hurdles are great and there is still a long way to go. As the Nature editorial makes plain, ‘we need to grow up fast’.

The paper is Dathathri, S. et al ((2024) Scalable watermarking for identifying large language model outputs. Nature, vol. 634, p818-823.

The editorial is Anon. (2024) AI watermarking must be watertight to be effective. vol. 634, p753.

(2) OPEN LETTER. Literary Hub reports “Hundreds of Authors Pledge to Boycott Israeli Cultural Institutions” – among them are Jonathan Lethem, China Miéville, Junot Díaz, Marilyn Hacker, Suyi Davies Okungbowa, and Carmen Maria Machado. They have signed an open letter titled “Refusing Complicity in Israel’s Literary Institutions”, text available at Google Docs. It says in part:

…We have a role to play. We cannot in good conscience engage with Israeli institutions without interrogating their relationship to apartheid and displacement. This was the position taken by countless authors against South Africa; it was their contribution to the struggle against apartheid there.

Therefore: we will not work with Israeli cultural institutions that are complicit or have remained silent observers of the overwhelming oppression of Palestinians. We will not cooperate with Israeli institutions including publishers, festivals, literary agencies and publications that:

  1. Are complicit in violating Palestinian rights, including through discriminatory policies and practices or by whitewashing and justifying Israel’s occupation, apartheid or genocide, or
  2. Have never publicly recognized the inalienable rights of the Palestinian people as enshrined in international law. 

(3) CHANGING OF THE TAFF GUARD. Michael J. “Orange Mike” Lowrey imparts the latest Trans-Atlantic Fan Fund news:

Sarah Gulde has returned home “after many days” and has as of today taken over North American TAFF admin duties, allowing Mike Lowrey to retire.

Sarah Gulde, of course, was the 2024 TAFF winner and went to the Worldcon in Glasgow.

(4) THE WITCHING HOUR GOES HIGHBROW. Midnight book release events began to market Harry Potter, and initially most (but not all) subsequent ones were for genre works. Not anymore. Publishers Weekly points out that Sally Rooney’s Intermezzo and Haruki Murakami’s The City and its Uncertain Walls, translated by Philip Gabriel have or will get the midnight treatment this year: “Literary Publishers Embraces the Midnight Release Party”.

The midnight book release party, which sees patrons descending on bookstores at 12 midnight to get their copy of a buzzy new book, is a relatively recent phenomenon. Still, it has evolved considerably in its short lifespan. The rise of the midnight release in the book business can be traced back to J.K. Rowling’s Harry Potter series, which debuted in the U.S. in 1998. But it was the strict embargo put on the fourth book in the series, before its publication in 2000, that helped popularize the late-night bookstore gatherings.

While this trend began with books for younger readers—Stephanie Meyers’s Twilight series and the final installment of Suzanne Collins’s Hunger Games series also got the midnight release treatment—it hasn’t stayed that way. In the years since, bookstores have held midnight release events for the likes of David Foster Wallace’s The Pale King, Harper Lee’s Go Set a Watchman, Thomas Pynchon’s Bleeding Edge, and Margaret Atwood’s The Testaments….

(5) ARCHIPELACON 2. The week after Midsummer will be the highlight of the European sci-fi summer of 2025! This will be when the 2025 Eurocon, or Archipelacon 2, comes to Mariehamn in the Åland Islands of Finland.

Date and venue: June 26–29, Culture and Congress Center Alandica (Strandgatan 33, Mariehamn).

“We wanted to organise a second Archipelacon because the first one was so great that people still get dewy-eyed remembering it. Mariehamn is exactly the right place for this type of event. It is a place where land and sea, Finland and Sweden, small town idyll and world history all come together,” says Karo Leikomaa, chairperson of Archipelacon 2.

Guests of Honour:

Ann VanderMeer (USA): editor, anthologist, acquiring editor for Tor.com and Weird Fiction Review, and Editor-in-Residence for Shared Worlds.

Jeff VanderMeer (USA): writer, environmental activist, and friend of many baby raccoons. Has recently published Absolution, the fourth part of the award-winning Southern Reach Trilogy. The New York Times calls it “his strangest novel yet”.

Mats Strandberg (Sweden): purveyor of fine Swedish horror, set in the most mundane of environments: conference centres, care homes and the very weird world that exists on board the massive passenger ferries between Finland and Sweden. His book Blood Cruise (Färjan) will be made into a TV series by the Swedish public service broadcaster SVT, set to be broadcast in late 2025.

Emmi Itäranta (Finland) writes her books in both Finnish and English. Her debut, The Memory of Water (Teemestarin kirja), was produced as a feature film in 2022 and set the tone for her work, which often explores environmental themes. She has since published two more novels, The Weaver (Kudottujen kujien kaupunki), and The Moonday Letters (Kuunpäivän kirjeet). Her books have been translated into more than twenty languages. 

“Being selected as the 2025 Eurocon is a great honour, and also recognition of the work that the Finnish and Nordic fandom has done. The first Archipelacon proved that large international conventions can be organised in Finland, and Worldcon 75 in Helsinki in 2017 demonstrated what Finnish, Nordic and international fandom can achieve together,” says Leikomaa.

Archipelacon 2 memberships are on sale on the con’s website.

Memberships are capped at 1,000. By the beginning of October, well over half of the memberships had already been sold.

Adult membership costs 40 euros, for 13–26-year-olds the membership fee is 20 euros, and for children 5 euros. The price will remain the same all the way.

(6) HOLD THE PHONE. “Publication of The Martian Trilogy Will Be Delayed” — here’s Amazing Stories’ official announcement.

The Martian Trilogy’s release will be delayed and Oghenechovwe Donald Ekpeki’s introduction to that book has been removed from the contents.

This follows the release of serious allegations made against Oghenechovwe Donald Ekpeki of “unethical behavior and bad faith dealings” by Erin Lindi Cairns, a South African author, which has since been supported by statements from others, including a detailed statement by Jason Sandford.

This is a huge blow to the team that worked on this book, to John P. Moore’s legacy, and to the science fiction community at large, as this will delay the release of what is considered to be an important chapter in the history of Black science fiction and its contributions to the genre…

They are now looking at a mid-2025 release date.

(7) GABINO IGLESIAS REVIEWS. Yesterday we had the link to the September column, which is why we are able to come back so soon with the link for Gabino Iglesias’ next New York Times column “New Horror for Readers Who Want to Be Completely Terrified” (behind a paywall). In October he reviewed Yvonne Battle-Felton’s new novel, Curdle Creek (Holt, 292 pp., $27.99), Kevin J. Anderson’s Nether Station (Blackstone, 308 pp., $27.99), Nick Cutter’s The Queen (Gallery, 374 pp., $28.99), and Del Sandeen’s debut, This Cursed House (Berkley, 374 pp., $29).

(8) KEEPING UP WITH THE JONESES. California’s governor has a proposal to encourage film and TV productions to stay in-state. “Newsom To The Rescue: Governor Supersizes California’s Film & TV Tax Credits To Get Hollywood Back To Work” – Deadline has the story.

… In an announcement this afternoon at Raleigh Studios, the Governor will reveal that he aims to boost the state’s tax credits from their present level of $330 million a year to around $750 million annually, I’ve learned

The whooping increase will not take place immediately, and is subject to approval by the Democratic majority legislature in the Golden State’s 2025-2026 budget. However, in this election year of close down ticket races, Sunday’s announcement is intended to swell confidence locally for an industry and a workforce that has seen production in L.A. and across the state dramatically shrink and jobs dry up over the last year or so, sources say….

… Also, besides the more than doubling of California’s credits, which were established in their current form in 2014, the increase will make the Golden State the top capped source for production tax incentives in the nation — at least on paper. Presently, with a $280 million expansion last year, New York state offers about $700 million in capped incentives. However, that number is augmented by a patchwork quilt of other offsets and exemptions available to productions in various specific jurisdictions in the Empire State.

While states like New Jersey, Nevada, and Utah have been putting more tax credit money on the table, Louisiana and Georgia still remain among the top rivals to California. Coming out of the shutdown of production during the 2023 WGA and SAG-AFTRA strikes and industry wide layoffs and cost-cutting measures, the Peach State, like California, hasn’t anywhere near fully rebounded. Having said that, while California has more production than anywhere else overall, Georgia, especially Atlanta, still attracts more big budget productions on average that anywhere else in the U.S.A.

It doesn’t hurt that costs in Georgia are generally much lower than on the West Coast, and that the state has an uncapped incentive program that ranges from around $900 million to $1.2 billion per annum. Movies or TV shows that shoot in the Southern state receive a 20% base transferable tax credit. As accounting execs at Disney, Netflix and everyone else in town will tell you with no small sense of disbelief, productions also easily receive a 10% Georgia Entertainment Promotion “uplift” if they include the state logo in their credits for five seconds or, according to the Georgia Department of Economic Development, an “alternative marketing promotion.”

This new increase recommended Sunday by Gov. Newsom will certainly shake up the tax credit status quo….

(9) THE OTHER CHOSEN ONE. Variety tells what happens when “Timothée Chalamet Makes Surprise Appearance at Lookalike Contest”.

A sea of 20-something boys, with a mix of defined jawlines, hazel eyes and mops of curly hair congregated at New York City’s Washington Square Park on Sunday afternoon to take part in a Timothée Chalamet lookalike contest. But in a surprise twist, around 30 minutes after the contest kicked off, the real-life Chalamet made a surprise appearance in the middle of the crowd.

Chalamet snuck his way through the packed mob, hiding behind a black mask and baseball hat, before sneaking up on two doppelgangers posing for photos. Once he got to the middle, he took off his mask for the big reveal as shrieks quickly erupted across the park….

… The lookalike contest was promoted the past few weeks through flyers posted across the city, in addition to a public Partiful invitation promising a $50 cash prize for the winner. By Sunday morning, the event had more than 2,500 RSVPs.

Chalamet pulled up behind one of the more popular lookalikes, 22 year-old Spencer DeLorenzo who spent much the afternoon posting for photos. At one point, he was even hoisted on a chair as the crowd cheered him on…

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Media Anniversary: It Came From Outer Space film (1953)

Seventy-one years ago It Came From Outer Space premiered, the first in the 3D films that would released from Universal-International. It was from a story written by Ray Bradbury. The script was by Harry Essex.

Billed by the studio as science fiction horror — and I’ll get to why in the SPOILERS section — it was directed by Henry Arnold who would soon be responsible for two genre classics, Creature from the Black Lagoon and The Incredible Shrinking Man, the latter of which as you might remember won a Hugo at Solacon in 1958.

HORROR, ERRR, SPOILERS, ARE ABOUT TO HAPPEN. BEWARE!

Amateur sky watcher (as played by Richard Carlson) and schoolteacher Ellen Fields (as played Barbara Rush) see a large meteorite crash near the small town in Arizona. Being curious and not at cautious (who is in these films?), they investigate.

Putnam sees the object and knows it is a spacecraft but everyone else laughs at him. People start disappearing. (Cue chilling music.) The sheriff opts for a violent answer, but Putnam wants a peaceful resolution.

In the end, a Bradburyan solution happens, atypical of these Fifties pulp SF films and the aliens get what they need to leave without anyone, human or alien, dying. 

YOU CAN COME BACK NOW FROM UNDER THE TABLE. 

The screenplay by Harry Essex, with extensive input by the director Jack Arnold, was based on an original and quite lengthy screen treatment by Bradbury off the fore mentioned story by him. It is said that Bradbury wrote the screenplay and Harry Essex merely changed the dialogue and took the credit. There is no actual written documentation of this though, so it may or may not be true. You know how such stories get their beginning. 

It made back twice its eight hundred thousand budget in the first year. 

Many, many critics took to be an anti-communist film about an invasion of America. However, Bradbury pointed out that “I wanted to treat the invaders as beings who were not dangerous, and that was very unusual.” 

Twenty years ago, Gauntlet Press published a collection of essays about It Came from Outer Space. Bradbury contributed an introductory essay plus a number of other pieces. There’s also the four screen treatments Bradbury wrote before the final screenplay along with photos, original ads, marketing posters, reviews and quite a bit more. 

Final note: It Came from Outer Space is one of the classic films mentioned in the opening theme (“Science Fiction/Double Feature”) of The Rocky Horror Show theatre performance and the film.

It Came From Outer Space is streaming on Peacock and Prime.

(11) COMICS SECTION.

(12) WITNESS THE SCOPE OF MARVEL’S NEW ULTIMATE UNIVERSE. An epic connecting cover by Josemaria Casanovas will run across every Ultimate series over the next few months, starting with this week’s Ultimate X-Men #8.

The second year of Marvel Comics’ new Ultimate Universe is on the horizon. To celebrate, a special connecting cover by acclaimed artist Josemaria Casanovas will run on upcoming issues of each current Ultimate title—Jonathan Hickman and Marco Checchetto’s Ultimate Spider-Man, Bryan Hill and Stefano Caselli’s Ultimate Black Panther, Peach Momoko’s Ultimate X-Men, Deniz Camp and Juan Frigeri’s Ultimates, and the just announced fifth ongoing Ultimate series, Chris Condon and Alessandro Cappuccio’s Ultimate Wolverine. An homage to Jim Lee’s iconic X-Men #1 cover, the breathtaking 6-part piece teases upcoming storylines and characters from future issues—including the long-awaited return of the creator of this exciting universe, the Maker.

Check out the full piece below. For more information, visit Marvel.com. [Click for larger image.]

(13) MOOMIN IN THE MUSEUM. [Item by Steven French.] Ahead of next year’s 80th anniversary of the Moomin stories, the Helsinki Art Museum is putting on an exhibition of Tove Jansson’s paintings, including a number of large murals (and if you look closely at Party in the City, from 1947, you can see a certain big nosed, pot bellied figure, hidden away beside a vase on the edge of the festivities!). “Tove Jansson murals, with hidden Moomins, seen for first time in Helsinki show” in the Guardian.

The exhibition, entitled Paradise, at the Helsinki Art Museum focuses for the first time on the murals and frescoes Jansson was commissioned to paint on the walls of factory canteens, hospitals, nurseries and even churches – long before Moominmania conquered the world and the adventures of Snufkin, Snork Maiden and Little My became a Finnish secular religion.

“By the end of her life, Tove was most famous as a writer,” said the artist and author’s niece, Sophia Jansson, now president of the board of the company that manages her copyright. “But she always saw herself first and foremost [as] a painter. It was only later that her reputation as the ‘Moomin woman’ overtook her.”

See more information about the exhibition at the Helsinki Art Museum website.

Tove Jansson: Bird Blue, 1953 (detail). © Tove Jansson Estate. Photo: HAM / Maija Toivanen.

(14) A LOT OF THIS GOING AROUND. Another publication won’t be telling you their pick for President: “The Starfleet Gazette Will Not Be Endorsing a Candidate for President of the United Federation of Planets” — McSweeney’s Internet Tendency has the scoop.

… The Starfleet Gazette will not be endorsing a candidate in the upcoming election for president of the United Federation of Planets. This decision was not made lightly, but neither of the two candidates—decorated Starship Voyager Captain Kathryn Janeway or The Borg—has shown us a real path to endorsement, and we must stay true to our priorities: journalistic integrity and not pissing off The Borg….

(15) WHEN EYES RETURN FROM ORBIT. Futurism reports “Space Tourist Alarmed When Vision Starts to Deteriorate”. But it was a short-lived phenomenon.

Scientists are still trying to understand the toll that spaceflight takes on the human body.

With SpaceX’s civilian Polar Dawn mission, which lasted five days and wrapped up last month, we’re getting an opportunity to observe the effects on more or less average humans — rather than the elite, highly trained government astronauts who are normally the ones that spend so much time in orbit.

Some of what they’re reporting sounds a little worrying. At the top of the list: inexplicably malfunctioning eyeballs.

“My vision acuity started to deteriorate those first few days,” Scott “Kidd” Poteet, a former US Air Force pilot who served as pilot of the mission, told CNN of the journey.

… As it turns out, Poteet’s faltering vision wasn’t the end of the crew’s optic oddities. Jared Isaacman, the mission’s commander and a billionaire entrepreneur, told CNN he saw “sparkles or lights” when he closed his eyes, a mysterious symptom related to space radiation that other astronauts have reported…

… What caused Poteet’s vision to deteriorate is likely a condition known as spaceflight associated neuro-ocular syndrome, or SANS. This is believed to be the result of a microgravity environment, which causes the optic nerve to swell, and fluids in the eye and brain to shift.

SANS is still poorly understood. All four crew members wore high-tech, cyberpunk-looking contact lenses to measure intraocular pressure throughout the mission, in the hopes of teasing out its causes.

Poteet said his vision quickly returned to normal once he was back on Earth. But as SpaceX engineer and the mission’s medical officer Anna Menon told CNN, the effects — if unaddressed — could be disastrous in the long term….

(16) TOP SF BOOKS – MAYBE? [Item by SF Concatenation’s Jonathan Cowie.]  BookPilled has just re-ranked his top 15 SF books. Like or dislike his ratings, the titles are interesting. I’m guessing that most of you will have nearly all the books in his top chart, and even if you haven’t you will probably know of them. Personally, it was good to see a Bob Shaw in the mix. Alas, poor old Alan Dean Foster…  There are one or two authors in Pilled’s list I have not read, but that might be a Brit-N.America divide thing (?). Anyway, see if you agree with him… “Ranking All the Books from Every Top 15 Sci-Fi List”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Michael J. “Orange Mike” Lowrey, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 10/26/24 No One Gets Out Of Here Without Singing The Blue Pixels

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(1) THE DAY OF HER RETURN. “Susanna Clarke Wrote a Hit Novel Set in a Magical Realm. Then She Disappeared” – an unlocked New York Times article.

The book, “Jonathan Strange and Mr. Norrell,” instantly launched Clarke as one of the greatest fantasy writers of her generation. Critics placed her in the pantheon alongside C.S. Lewis and J.R.R. Tolkien; some compared her sly wit and keen social observations to those of Charles Dickens and Jane Austen. Readers devoured the novel, which went on to sell more than four million copies.

“I had never read anything like it in my life,” said Alexandra Pringle, the former editor in chief of Bloomsbury, which commissioned a first print run of 250,000 copies. “The way that she created that world, a world apart from our world but absolutely rooted in it, was so utterly convincing and drawn with such precision and delicacy.”

The novel reshaped the fantasy landscape and blurred the boundaries with literary fiction, making the Booker Prize long list and winning a Hugo Award, a major science fiction and fantasy prize. Clarke went on tour across the United States and Europe, and Bloomsbury later gave her a hefty contract for a second novel….

… Not long after the novel’s release, Clarke and her husband were having dinner with friends near their home in Derbyshire, England. In the middle of the meal, she felt nauseated and wobbly, got up from the table, and collapsed.

In the years that followed, she struggled to write. Her symptoms — migraines, exhaustion, sensitivity to light and fogginess — made working for sustained periods impossible. She wrote scattered fragments that never cohered; sometimes she couldn’t finish a single sentence. At a low point, she was bed-bound and mired in depression.

Clarke stopped thinking of herself as a writer….

… Now, two decades after her groundbreaking debut, Clarke is returning to the magical world of Strange and Norell….

… Clarke, who is deeply private and found the experience of sudden fame “very, very peculiar,” planned to write a sequel once things quieted down. But not long after her book tour, she collapsed, and never quite recovered. Over the next decade, she lost faith in her ability to write at all.

“You’ve got the years when you haven’t written kind of weighing on you,” she said.

Over time, Clarke slowly found her way back to writing. She learned to manage her symptoms, and discovered she could stay on track by working in 25-minute bursts. Her brain fog receded….

(2) FREE HARRYHAUSEN EXHIBIT IN UK. The Guardian shares “Cyclops, Martians and Myths: the art of Ray Harryhausen – in pictures” from a free exhibition at Waterside’s Lauriston Gallery in Sale, Greater Manchester (UK) which opened today. It examines the workings of Ray Harryhausen, the great animators, and is inspired by filmmaker John Walsh’s book Harryhausen: The Lost Movies. Plenty of artwork at the Guardian link.

(3) MOORE HASN’T CHANGED HIS MIND. [Item by Steven French.] Alan Moore is a tad scathing about current fandom in this Guardian essay: “’Fandom has toxified the world’: Watchmen author Alan Moore on superheroes, Comicsgate and Trump”.

About a decade ago, I ventured my opinion that the adult multitudes queueing for superhero movies were potentially an indicator of emotional arrest, which could have worrying political and social implications. Since at that time Brexit, Donald Trump and fascist populism hadn’t happened yet, my evidently crazy diatribe was largely met with outrage from the fan community, some of whom angrily demanded I be extradited to the US and made to stand trial for my crimes against superhumanity – which I felt didn’t necessarily disprove my allegations.

Ten years on, let me make my position clear: I believe that fandom is a wonderful and vital organ of contemporary culture, without which that culture ultimately stagnates, atrophies and dies. At the same time, I’m sure that fandom is sometimes a grotesque blight that poisons the society surrounding it with its mean-spirited obsessions and ridiculous, unearned sense of entitlement….

…There are, of course, entirely benign fandoms, networks of cooperative individuals who quite like the same thing, can chat with others sharing the same pastime and, importantly, provide support for one another in difficult times. These healthy subcultures, however, are less likely to impact on society in the same way that the more strident and presumptuous fandoms have managed. Unnervingly rapidly, our culture has become a fan-based landscape that the rest of us are merely living in. Our entertainments may be cancelled prematurely through an adverse fan reaction, and we may endure largely misogynist crusades such as Gamergate or Comicsgate from those who think “gate” means “conspiracy”, and that Nixon’s disgrace was predicated on a plot involving water, but this is hardly the full extent to which fan attitudes have toxified the world surrounding us, most obviously in our politics….

(4) YES, ACTUALLY READ THEM. The McConnell Center is launching the “Why You Should Read Series” of YouTube lectures and podcasts touting well-known books.

Over the next year, the McConnell Center invites you to join us on the project to discover our next great reads. We are asking authors and experts to tell us why WE should read the books that helped shape them or those that have significantly impacted human history. 

We all know we need to read more, and millions of books are on shelves with new ones printed daily. How do we sort through all the possibilities to find the book that is right for us now?

The schedule includes lectures about these works of genre interest:

Oct. 29 – “Why You Should Read Mary Shelley’s Frankenstein,”  Dr. Amy Sturgis

Nov. 29- “Why You Should Read Octavia Butler’s The Parable of the Sower,” Dr. David Anderson 

Dec. 03- “Why You Should Read Ray Bradbury’s Fahrenheit 451,” Dr. Gary Gregg

Dec. 05- “Why You Should Read Aldous Huxley’s Brave New World,” Dr. Gary Gregg

Dec. 12- “Why You Should Read Mary Shelley’s The Last Man,” Dr. Amy Sturgis

(5) DRAGONS IN THE FAMILY. Hear Witness History’s episode “My dad created Dungeons & Dragons” at BBC Sounds.

In 1970, father of five Gary Gygax was fired from his job as an insurance underwriter in Chicago, in the United States of America. It may sound like a mundane event to read about but, believe it or not, this moment actually changed the gaming industry forever. 

Gary is the creator of table-top roleplay game, Dungeons & Dragons. In the 50 years since its release, D&D has generated billions of dollars in sales and now boasts more than 50 million players worldwide. 

However, Gary’s story is not one of riches and success. Luke Gygax witnessed the incredible highs and lows of his father’s life first hand. He shares his memories of that time with Matt Pintus.

(6) VANDERMEER Q&A. “Jeff VanderMeer on How Scientific Uncertainty Inspires His Weird Fiction” – he tells the story in Scientific American.

This month VanderMeer continues this weird saga with the publication of the fourth Southern Reach novel: Absolution. …“I’m interested not only in science but in the narrative of science, how science corrects itself over time,” he says in a video call from his home in Tallahassee, Fla. Like weird fiction, he adds, “science can’t ever explain everything because we are continually learning new things.”…

You write in a tradition called weird fiction. Uncertainty about how the universe works is a hallmark of the genre. Do you see any similarities between weird fiction and science?

At its best, weird fiction actually does something entirely different than what science does; it provides a venue outside of philosophy, science and religion to explore the unknown while incorporating elements of all three. At the same time, it features a lot of what you might call “scientific expeditions” into the unknown, where characters try, through rational methods, to know the unknowable. If they fail, it’s not necessarily a failure of science but a failure of the tools they were using or of the composition of the expedition. I find that quite interesting because failure exists in science, too, which sometimes appears in the form of bias. One of the more obvious examples is the pervasive idea that a fertilized human egg is a passive thing, that it’s the man that provides the active component of conception, when the relationship is much more complex than that. But because a lot of male scientists were the first to research this phenomenon, the more passive narrative persists.

Another outlandish example of bias can be found in a book called Penguins from the 1960s, which starts out as a beautiful, general book about penguins. But by chapter three, it is incredibly clear that the researcher who wrote the book hates this other [penguin] researcher. He’s writing about evolution but starts to make the book more about proving this other scientist wrong. In a way, this book of science also becomes a work of fiction because it’s shot through with the idiosyncrasies of the person writing it.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 26, 1971 — Jim Butcher, 53.

By Paul Weimer: I could spend this entire memorial talking about the Dresden Files, very easily one of the tentpoles of modern urban fantasy, but even though I own a version of the RPG, it is not one of my heart series. Urban fantasy is only a secondary or even tertiary interest of mine in the urban fantasy landscape, and while he made his reputation with it, I think Jim Butcher’s work turns more interesting when he moves away from Harry Dresden.

Jim Butcher

Such as the Codex Alera. I got to hear the first two books in the Codex Alera in early audiobook form–when you had to change CD after CD to listen to the book. Given that I was driving thousands of miles to the Canadian National Parks with my friends, we had a lot of time for audiobooks (and in fact, this was the trip that convinced me that listening to audiobooks was the best way to eat up miles on the long drives I would soon start taking on my own). 

And so, on this trip, I was introduced to Tavi (short for Octavian) and his secondary world fantasy world. I picked up immediately the world seemed Roman-flavored and wondered right from the beginning if this was a parallel world…or it was in fact a disguised portal fantasy. (In fact, Butcher combined the ideas of a lost Roman Legion and Pokemon to do the worldbuilding). Tavi’s coming of age, his growing relationship with Kitai (whom he accidentally gets bonded to) and the fact he starts from an inability to do magic (he gets better) makes him very different, and very appealing, as a protagonist.

(8) COMICS SECTION.

  • Non Sequitur is present at the beginning of a now familiar problem.
  • The Argyle Sweater criticizes bad comics language.
  • Diamond Lil watches a series of monster films – or is it a medical documentary?
  • Rhymes with Orange finds a problem you can solve without a spoonful of sugar.
  • Wumo breaks some bad news to Netflix subscribers.
  • Tom Gauld has already started celebrating:

(9) THE GODS THEMSELVES. [Item by Steven French.] Kate Gardner from Physics World pulls from the archives a book review that Isaac Asimov wrote for the magazine and recalls her own engagement with his fiction: “Gems from the Physics World archive: Isaac Asimov”.

I was introduced to Asimov through what remains the most “hard physics”-heavy sci-fi I have ever tackled: The Gods Themselves (1972). In this short novel, humans make contact with a parallel universe and manage to transfer energy from a parallel world to Earth. When a human linguist attempts to communicate with the “para-men”, he discovers this transfer may be dangerous. The narrative then switches to the parallel world, which is populated by the most “alien” aliens I can remember encountering in fiction.

Underlying this whole premise, though, is the fact that in the parallel world, the strong nuclear force, which binds protons and neutrons together, is even stronger than it is in our own. And Asimov was a good enough scientist that he worked into his novel everything that would be different – subtly or significantly – were this the case. It’s a physics thought experiment; a highly entertaining one that also encompasses ethics, astrobiology, cryptanalysis and engineering.

(10) THE FIRST SPACE OPERA BY A BLACK SCIENCE FICTION AUTHOR TO BE REPUBLISHED. The Experimenter Publishing Company, home of Amazing Stories, has announced plans for the November release of The Martian Trilogy: John P. Moore, Amazing Stories, Black Science Fiction and the Illustrated Feature Section.

 In 1930, Black science fiction author John P. Moore wrote and submitted three interconnected stories and he sold them to The Illustrated Feature Section, a syndicated insert published in many Negro newspapers throughout the U.S.

His stories were featured under the insert’s “Amazing Stories” section heading.

 Now, for the first time in 94 years, John P. Moore’s story is available once again, along with compelling commentary from Lisa Yaszek, Regents’ Professor of Science Fiction Studies at Georgia Tech and editor of the ground-breaking anthology The Future is Female; Oghenechovwe Donald Ekpeki, famed Nigerian author and editor (02 Arena, The Year’s Best African Speculative Fiction, Nebula, WFA); Brooks E. Hefner, Professor of English at James Madison University; author of Black Pulp: Genre Fiction in the Era of Jim Crow; Steve Davidson, publisher of Amazing Stories, along with graduate and undergraduate students at Georgia Tech contributing supporting research, biographical and historical materials.

John Jennings, UC Riverside Professor of Media & Cultural Studies, Hugo Award-Winning artist (Octavia E. Butler’s The Parable of the Sower: A Graphic Novel Presentation) has crafted a fantastic cover honoring Aaron Douglas, a pioneering figure in the Harlem Renaissance and reflecting the spirit of Black imagination expanding into the cosmos.

With the release of these rediscovered stories, we learn that not only was there a Black Amazing Stories published during the formative years of the genre, but that Black Science Fiction is not a newcomer to the field. Rather, it enjoys as rich and deep a history as the science fiction we are more familiar with, and one that found its beginnings in its own Amazing Stories!

The Martian Trilogy gathers together three interconnected space opera tales featuring the first trip to Mars, the civilizations discovered there, interwoven with a tale of love and loss.

 Additional features include an examination of the Illustrated Feature Section, biographies of the editors and publishers – including William Bernard Ziff Jr., who would come to be the publisher of the more familiar Amazing Stories a few short years following the release of The Martian Trilogy – a critique of the stories, a reflection on the impact of this rediscovery on the history of the genre, historical timeline, and bibliographic materials.

The Martian Trilogy: John P. Moore, Amazing Stories, Black Science Fiction and the Illustrated Feature Section will be released November 9th, 2024, available through the Amazing Stories website, and can be ordered from most independent bookstores and will be available through B&N, Amazon, and other online book outlets. It will be published in print, electronic, and audiobook editions.

(11) A VAMPIRE IS RUNNING FOR PRESIDENT: THANK GOD! Fantastic Books  is releasing a new edition of Bloodsuckers right now, timed to coincide with “the most consequential presidential election in American history.” But aren’t they all?

It’s been a horrific election season. Supporters on both sides are quite certain the other candidate can’t be human. Maybe we’d be better off voting for an actual monster!

Should being outed as a real vampire disqualify one from running for the presidency of the United States? Michael A. Ventrella’s hilarious Bloodsuckers answers that question.

Disgraced journalist Steven Edwards considers the “Batties”—the loonies who believe that vampires are real and Norman Mark is one—just another crazy tin-foil-hat extremist group. Then someone shoots at Mark, changes into a bat, and flies away before Steve’s eyes, leaving him as the prime suspect. With the help of the Batties, Steve goes underground. The only way he can establish his innocence is by proving vampires exist—not an easy task while on the run from both the FBI and the bloodsuckers.

(12) RAQUEL PLEASING BIG IMPACT! [Item by SF Concatenation’s Jonathan Cowie.]

There have been a number of large meteor strikes on the Earth with arguably the most famous being the one that wiped out the dinosaurs some 65 million years ago… (I have never really forgiven the dinosaurs for what they did to Raquel Welch…) That asteroid was estimated to be about six miles across. However, there have been much larger impactors much earlier in the Earth’s history. Here, a problem for scientists has been that the longer back in time one goes, the less surviving strata there is (plate tectonics subducts and re-mixes old surface crust).

Yet rocks of the Archaean Eon (4 – 2.5 billion years ago) record at least 16 major impact events, involving asteroids larger than the dinosaur one (and I have told you about Raquel Welch – I really have never forgiven them).

Researchers have now analysed the Fig Tree Group strata in South Africa which features impact geology from a 20 – 35 mile wide asteroid that hit 3.26 billion years ago: it was some ~50 to 200 times larger (a real Raquel pleaser) than the dinosaur impactor. They looked at carbon isotopes. Most carbon is in the form of C-12 isotope but some is in the form of C-13 (we can forget C-14 which is radioactive and used in carbon dating, but as that has a half-life of under 6,000 years there is none in geology billions of years old). The thing is that photosynthesis preferably selects for C-12 so carbon from life has even less C-13 even if early life used different photosynthesis from the sort plants use today. Using such carbon isotopic analysis, researchers have shown that the impact 3.26 billion years ago had a detrimental affect on Earth’s primordial life (well, that was always going to be a tad obvious) but surprisingly life rebounded and did even better than before! This, the researchers suggest, is because the asteroid churned up iron from deep in the Earth and this iron early photosynthesisers could use and the benefits took place just a few thousand years after the impact (see far left of diagram below for estimated time frames)

The primary research is Drabon, N., et al (2024) Effect of a giant meteorite impact on Paleoarchaean surface environments and life. Proceedings of the National Academy of Sciences, vol. 121 (44), e2408721121 and is open access.

This story appears in the daily File770 ahead of coverage in seasonal SF² Concatenation just in case you could not wait. (Gosh, we don’t half look after you….)

Why is this research important SFnally? Well, the larger the biosphere – the more living biomass there is – the greater the opportunities for speciation, hence biological evolution. So it could be that large asteroid impacts early in Earth’s history could have helped evolution in its long march from simple Prokaryotes, through Eukaryotes, to multicellular species like you. If other Earth-like planets have a similar history with large, early asteroid strikes, as seems likely, then this could reflect part of the commonality of the rise of life on Earth-like planets elsewhere in the Galaxy.

(13) PRICE OF STADIUM FOOD. Here’s Vincent Price handing out Dodger Dogs at Dodger Stadium in 1965.

One reason there have always been questions about what Dodger Dogs are made from….!

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steve Davidson, Mark Roth-Whitworth, Ian Randal Strock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 9/22/24 The Only Living Scroll In New Crobuzon

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(1) SOMETHING HE LEARNED FROM BILBO. Peterson Pipe Notes reminds pipe smokers “Today is Hobbit Day!—Tolkien & Peterson”.

Today (September 22nd) is Hobbit Day, marking the beginning of Tolkien Week 2024. Many observe the day with a birthday cake—in honor of Bilbo and Frodo, whose birthdays are today.  I’m thinking just as many celebrate with a tankard of beer from the Prancing Pony (yes, it comes in pints) and as many more with a pipe of good tobacco.

It’s fairly common knowledge that one of the dharma doors to pipe smoking of the past 50 years or so is The Hobbit and The Lord of the Rings.  It was in fact mine, when in my first nine weeks of high school I was marooned at home with mononucleosis. After finishing my day’s academic work—which took about 90 minutes—I’d spend the remainder reading at whim.  That reading was drawn mostly from Ballantine’s Adult Fantasy series of the late 1960s and early 1970s, which included books by such greats as Lord Dunsany, H. P. Lovecraft, E. R. Eddison, David Lindsay, George MacDonald, and of course Tolkien.  I was so taken with Middle Earth that I knew I needed to learn to smoke a pipe.  My dad, a very irregular pipeman at the time, had two Kaywoodies in a drawer in the living room.  Armed with one of them and some Cherry Royale (from Ted’s Pipe Shoppe in Tulsa), I took my first steps on the road….  

(2) THE BRADBURYS. “On Maggie Bradbury, the woman who ‘changed literature forever.’” at Literary Hub.

Ray Bradbury met his first girlfriend—and his future wife—in a bookstore. But they didn’t lock eyes over the same just-selected novel, or bump into each other in a narrow aisle, sending books and feelings flying. It was a warm afternoon in April 1946, and 25-year-old Ray Bradbury—an up-and-coming pulp fiction writer—was wearing a trench coat and carrying a briefcase while he scanned the shelves at Fowler Brothers Bookstore in downtown Los Angeles. Naturally, Marguerite McClure—Maggie—who worked at the bookstore, “was immediately suspicious.” Someone had been stealing books, but hadn’t yet been caught. So she struck up a conversation. “I expected him to slam his briefcase down on a pile of books and make off with a few,” she said. “Instead, he told me he was a writer and invited me to have a cup of coffee with him.”

Coffee became lunch became dinner became romance; Maggie was the first woman Ray had ever dated, but he managed all right, and they were married on September 27, 1947.

“When I got married, all my wife’s friends said, ‘Don’t marry him. He’s going nowhere,’” Bradbury said in his 2000 commencement address at Caltech. “But I said to her, ‘I’m going to the moon, and I’m going to Mars. Do you want to come along?’ And she said, ‘Yes.’ She said yes. She took a vow of poverty, and married me. On the day of our wedding, we had $8 in the bank. And I put $5 in an envelope, and handed it to the minister. And he said, ‘What’s this?’ I said, ‘That’s your pay for the ceremony today.’ He said, ‘You’re a writer, aren’t you?’ And I said, ‘Yes.’ And he said, ‘You’re going to need this.’ And he gave it to me. And I took it back.”…

(3) STAND UP TO AI. SF Standard takes notes as “Comedian John Mulaney roasts SF techies at Dreamforce”.

“Let me get this straight,” John Mulaney said. “You’re hosting a ‘future of AI’ event in a city that has failed humanity so miserably?”

Everyone inside the auditorium at the Moscone Center groaned. Any notion that the award-winning comedian would play the corporate gig safe (and clean) were thrown out the window Thursday, when Mulaney, closing the Dreamforce festivities, started roasting his host, Salesforce, and the audience sitting right in front of him…

… The comedian rounded out his Dreamforce appearance by thanking attendees “for the world you’re creating for my son … where he will never talk to an actual human again. Instead, a little cartoon Einstein will pop up and give him a sort of good answer and probably refer him to another chatbot.”…

(4) AMAZING AND FANTASTIC SIXTIES REVIVAL. In “Fantastic Fiction: The Amazing and Fantastic Cele Goldsmith” at Seattle Worldcon 2025, Cora Buhlert introduces us to a historic prozine editor.

By the 1950s, the once venerable Amazing Stories, the oldest science fiction magazine, and its sister magazine Fantastic were deep in the doldrums. Both magazines were bottom-tier markets, publishing formulaic stories by the same handful of authors under various pen names.

All this changed in 1955, when a young Vassar graduate named Cele Goldsmith arrived at Ziff-Davis Publishing to work as an assistant to Howard Browne, the editor of Amazing and Fantastic, and his successor Paul Fairman. When Fairman left in 1958, Cele Goldsmith found herself editor of two ailing SFF magazines at the age of only 25….

(5) THEME PARK TURNAROUND. [Item by David Doering.] Here’s the latest on the resurrection of Evermore. “Name revealed for new fantasy-themed venue at former Evermore Park property” reports ABC4.com.

As new owners have taken over the former home of Evermore Park, they’ve been hatching excitement through an interactive experience that slowly unveils information about the future of the venue. In the latest reveal, the owners announced what the new venue’s name will be — “The Realm Town.”

Michelle and Travis Fox, bought the 13-acre property from Brandon Fugal earlier this year after the owners of Evermore Park shut its gates in April. Since then, the Foxes launched the “Hatch the Egg” initiative, where participants complete quests through an app, much like Pokémon Go. As players solve clues, details for the future plans of the park are revealed as its undergoing renovations. Players also join in on the opportunity to win prizes and join in on special in-person events….

(6) TOUCHPOINT WILL CLOSE. A press has made an agreement with the Authors Guild to address complaints that drew the attention of Writer Beware: “Authors Blast TouchPoint Press for Unethical Business Practices” at Publishers Weekly.

After hearing from dozens of authors about the poor business practices of TouchPoint Press, the Authors Guild said Friday that it has reached a deal with TouchPoint founder Sheri Williams, under which Williams agreed to pay authors overdue royalties and revert rights back to any author who has not yet received them. In addition, according to Authors Guild CEO Mary Rasenberger, Williams has agreed to close the press, which bills itself as a “traditional royalty-paying publisher” of adult and children’s books.

Rasenberger said that, over the last two years, 35 to 40 authors have contacted the Guild with concerns about TouchPoint’s failure to fulfill its contractual obligations and that, as of last week, there were 26 open cases. Problems about TouchPoint had also been raised by Writer Beware, whose Victoria Strauss who says she started receiving “a handful of complaints” as far back as 2015….

(7) TRANSCENDENCE: BAH, HUMBUG. Mark Roth-Whitworth found a lot to challenge in Isaac Arthur’s video about “Transcendence”. He shared his criticisms at his blog in “Transcendence, and a response”, including this one:

…Then let’s consider very advanced aliens. Remember, I mentioned how close technologically to us they needed to be? Suppose they were so advanced that they glanced at us, thought “seen that before thousands of times, ignore them till they reach the point where they have something to say beyond our equivalent of “run, Spot, run”. Maybe they have whatever they’re perceiving in their transcendence that’s far more interesting or important than primitives like us? Why should we matter, if they’re that advanced? If they have nothing we need, like the remote tribes in the Amazon who are being attacked by illegal loggers, miners, and farmer, why would they pay attention to us?

Then there’s the idea of transcending the universe. What evidence do we have that there is a beyond this one? Perhaps some immensely advanced beings might want to skip the Big Crunch as the universe is recreated in a new Big Bang….

(8) CROSS-GENRE NOIR. “Spooky Sleuthing: 5 Noir and Detective Films That Feature the Supernatural” at CrimeReads.

… As the days grow shorter and we head into spooky season—the Halloween decorations are on sale at Costco, in any case—it’s a good time for fans of detective and noir fiction to consider supplementing their viewing list with a few movies that combine the best parts of their favorite genre with the weird and occult. Here are some recommendations:…

From Dusk Till Dawn (1996): How did Quentin Tarantino end up scripting a vampire movie that’s like nothing else in his extensive filmography? Legend has it that special makeup effects Robert Kurtzman needed a horror script for his up-and-coming effects studio, KNB EFX Group, and paid a young Tarantino $1,500 plus the makeup effects (re: buckets of blood) for the latter’s “Reservoir Dogs.” But Kurtzman couldn’t find a studio willing to fund the film with him as the director, and eventually Tarantino, his fame on the rise, guided the script into the hands of his buddy Robert Rodriguez….

(9) A PEEK INTO NEW WORLDS AT 60. “Michael Moorcock is Back: New Worlds 60th Anniversary Issue Global Exclusive Video”. Information about ordering a copy is at the link.

Steve Andrews previews the 60th Anniversary issue of New Worlds magazine, celebrating MM taking on its editorship in 1964 and with a cast of groundbreaking contributors, changing SF and Literary Fiction for the better, forever. At the time of posting this video, not even Moorcock himself has seen a finished copy, but you see one here!

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born September 22, 1971 — Elizabeth Bear, 53.

By Paul Weimer: I knew Elizabeth Bear before she broke big in genre. That’s not a boast, per se, that’s an observation that she was part of the small and intense community of people who were involved in the fandom of the Amber Diceless Roleplaying Game, based on the work of Roger Zelazny. Bear attended many of the same small cons as I did revolving around the game. (Other authors in the “Secret Amber Cabal” (as named by Scott Lynch) include people like Genevieve Cogman, Jane Lindskold, and I guess, myself.) 

Elizabeth Bear

But back to Bear. Her ambitions and efforts to be a writer were something I was both aware and interested in, from the very beginnings of her career. I loved her novel trilogy debut that started with Hammered. I was delighted and not surprised when her Whiskey and Water series eventually brought a Marlowe as a character on the screen. Her ability to write fantasy and science fiction in equal measure has always enchanted me. The Eternal Sky fantasy novel series. Carnival, which was once the “if you must read one Bear novel, read this one) book (nowadays, that might be Machine or Ancestral Night).

Bear’s novels are accompanied by a strong short fiction oeuvre as well, although I think she works better for me as a writer at the longer lengths. Although I admit her Hugo awards (one for short story and one for novelette) might make me less than completely accurate in that regard. But I think the longer lengths, especially in hitting the marks in completing series (such as recently, the Origin of Storms, which completed the Lotus Kingdoms books VERY fantastically) proves that she works the long form best. 

Bear is also one of the leaders of one of my local cons, 4th Street Fantasy, and so helps foster the genre conversation for her fellow readers, writers and fans.

And she is a very good friend. Happy birthday Bear!

(11) COMICS SECTION.

  • Eek! has a credential-caused delay.
  • Frank and Ernest have lined up the top talent.
  • The Argyle Sweater features obscure equipment from Sesame Street.
  • Tom Gauld wonders who will break the bad news to them.

(12) MAD ABOUT YOU. CBS News’ Sunday Morning show visited the exhibit at the Norman Rockwell Museum: “How Mad Magazine’s humor created a revolution”.

Nestled the rolling hills of rural Massachusetts. swathed by manicured grounds, sits the Norman Rockwell Museum. And there, side-by-side with the wholesome works of America’s most beloved illustrator, is the world’s dumbest cover boy: Alfred E. Neuman.

“It’s sacrilegious! It’s an outrage!” laughed political cartoonist Steve Brodner. “But I do think if Norman Rockwell were here, he’d laugh his head off. He’d think this was fantastic.”

(13) LOST COMPLETELY. “10 best episodes of ‘Lost’ ranked for 20th anniversary” by Entertainment Weekly. If you watched the series, maybe you have an opinion, too.

It’s been 20 years since Oceanic flight 815 crash landed on a mysterious island, and TV has never been the same. Cue the blurry title card, because it’s time to celebrate two decades of Lost.

When the ABC drama premiered Sept. 22, 2004, it introduced a large ensemble of compelling characters and intriguing mysteries portrayed cinematically in ways that had never been attempted before on TV. And as the series continued for six seasons, it raised more questions than it answered as the mythology got more and more complex — flashbacks became flash forwards and then flash sideways, and don’t even get us started on the frozen donkey wheel. Debates still rage amongst fans about whether the castaways were dead the whole time, what was up with those cursed numbers, and what the island really was….

4. “Pilot” (season 1, episode 1-2)

From the very first moment Jack opened an eye in the middle of a mysterious jungle up to the final seconds with Charlie’s iconic and chilling delivery of, “Guys, where are we?,” Lost debuted a pitch-perfect TV pilot. Introducing an ensemble this large and a mystery this complex in only two episodes of broadcast TV should have been impossible. But J.J. Abrams and Damon Lindelof hooked viewers immediately — and ultimately changed the TV landscape forever. The Emmy-winning episode featured juicy, head-scratching twists (An unseen, but definitely heard, violent monster! A polar bear in the tropical jungle! A French distress call looped for 16 years!) and continued to raise the intense stakes as the survivors learned help may not be coming at all … because they crashed over 1,000 miles off-course, so any rescue attempt would be looking in the wrong place. The flashbacks also subverted expectations as viewers learned the castaways aren’t who they first appeared to be with the reveal that it was actually leading lady Kate who was the handcuffed prisoner onboard the flight. Like the survivors, we truly had no idea what was in store from the rest of the series after these two episodes, but the premiere instantly made it clear that this was no ordinary sci-fi/fantasy thriller. 

(14) THE LITTLE DUCK. Beware! This Disneyland Paris commercial from 2018 may wring your heartstrings! (Or put a crimp in your gizzard – I know about some of you….)

(15) GET READY FOR WEDNESDAY. “’Wednesday’ Season 2 Trailer, Release Date on Netflix, Jenna Ortega” – TVLine has the rundown.

… Catherine Zeta-Jones, who plays Wednesday’s mother Morticia Addams, promises that “Season 2 is going to be bigger and more twisted than you can ever imagine.” And don’t feel bad that you only get to see bits and pieces: “If we showed you any more, your eyes would bleed,” Ortega warns in a perfect Wednesday deadpan. “And I’m not that generous.”…

(16) PORTRAIT OF JENNIE. [Item by Andrew Porter.] I cannot tell you how many times I’ve seen this romantic fantasy, beginning when I was a kid, and watched it on Channel 11 in NY—and called the station, begging them to show all the film, including the final segments which were tinted, and a scene in the Metropolitan Museum of Art, in Technicolor.

That final scene included, uncredited, Nancy Davis, Anne Francis, and Nancy Olson, as teenagers! “Portrait of Jennie (1948) Filming Locations”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 8/31/24 Follow The Bouncing Pixel

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 (0) I’ve been invited to my brother’s for the weekend, so this will be a Scroll of modest proportions. Feel free to add your own worthwhile links in comments.

(1) A WILDLY INCONVENIENT MUSEUM. [Item by Steven French.] Among the movie museums listed here are the Mad Max II museum in Silvertown, Australia and the Ghibli museum on the outskirts of Tokyo: “Eight Movie Museums Cinephiles Need to Visit” in Smithsonian Magazine.

…The Mad Max 2 Museum being in the middle of nowhere only seems appropriate. Located some 330 miles and a nearly six-hour drive away from its closest major city, Adelaide, in the remote village of Silverton, New South Wales, just getting to the museum is like being in one of Australian filmmaker George Miller’s dystopian movies. Then, on top of that, the filming of Mad Max 2: The Road Warrior (1981) and Furiosa: A Mad Max Saga (2024) took place nearby.

Opened in 2010 and run by English couple Adrian and Linda Bennett, the museum is primarily dedicated to the 1981 action classic Mad Max 2, but there’s no doubt that fans of the other four installments of the franchise will enjoy the memorabilia that fills it.

Mostly donated by local residents, the Mad Max 2 Museum is home to original and replica vehicles from the film, including the black GT Falcon car with a supercharger on its hood that Max drives throughout the franchise. There’s also a huge collection of photographs, costumes worn by the cast and other fascinating props, like the weapons and stunt mannequins from the set of the acclaimed and influential action series….

(2) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 31, 1984 — Cassandra Khaw, 40.

By Paul Weimer: I don’t read much modern horror, but a fair bit of that is the work of Cassandra Khaw. I got hooked into their work through their early novellas like Hammer on Bone, which caught into the wave of modern cosmic horror and showed off immediately Khaw’s chops in sometimes very visceral, and definitely dark modes. 

Cassandra Khaw

But there is much more to their work. Khaw has a variety of short stories and a variety of subtypes of horror and dark fiction in her oeuvre. A really good selection of these are in her collection Breakable Things, which won a Bram Stoker Award. Her stories are uniformly short, finely honed, and deadly sharp in their impact. And a surprising number of them involve foxes and other SEAN mythological creatures.

Oh, and Khaw had leveraged their previous expertise and knowledge of video games as a tech and videogame journalist, married it to their fiction writing skills, and together has done excellent work in video games. From the narrative focused role-playing video game Sunless Skies to the rogue-like horror game World of Horror, Khaw’s enthusiasm and interest in bringing horror narratives into the RPG space. 

I think Nothing But Blackened Teeth, a haunted house story set in an old Japanese mansion, is probably the definitive horror work that, aside from her short fiction, that gives you the feel of their writing. I will never read a ghost story quite the same way again after this one.  The atmosphere, the character interactions, the evocative writing…and of course, a ghost bride. And it’s short, compact and never outstays its welcome. What more can you want in a horror novel?

(3) COMICS SECTION.

(4) AMAZING STORIES SHIRTS. Amazing Stories has introduced new line of Convention Wear shirts. Available now from the Amazing Stories store. Learn more about them on Amazing Stories.

Make a statement and stand out from the crowd with Amazing Stories’ new Convention Wear, all-over-print shirts!

Available in a dozen stunning designs by the Father of Science Fiction art, Frank R. Paul, these renditions of iconic Amazing Stories covers are sure to make a mark!

Convention Wear shirts come in both men’s and women’s cuts, in sizes ranging from XS to XXL.



(5) HEALTH EFFECTS OF SPACE TRAVEL. [Item by SF Concatenation’s Jonathan Cowie.] This week’s cover story for Nature looks at the health effects of space travel. However, I am not sure they’ll translate into a cure for car sickness after a night on the tiles… Nature, 29 August 2024

The past few years have seen an increase in spaceflight with the largest-ever number of missions and spacecraft entering space. Alongside this, advances in biological techniques have allowed human and microbial responses to spaceflight to be mapped in unprecedented detail. In this week’s issue, researchers from the Space Omics and Medical Atlas (SOMA) present three papers that explore this new frontier. The papers form part of a broader package of content, representing the largest-ever compendium of data for aerospace medicine and space biology. First, Afshin Beheshti, Chris Mason and colleagues set the scene, highlighting some of the recent research in the field. Then, Eliah Overbey, Cem Meydan, Chris Mason and colleagues introduce SOMA, the biobank at Weill Cornell Medicine, and reveal the breadth of data in the atlas. Finally, Mathias Basner, Chris Mason and colleagues present new technologies and biomedical effects of the all-civilian SpaceX Inspiration4 mission, laying the foundation for SOMA and suggesting that short-term spaceflight is safe for civilian crews

(6) D’OH-NUT. [Item by Steven French.] As Homer Simpson famously remarked, “Is there anything doughnuts can’t do?!” “Vast ‘doughnut’ discovered in molten metal of Earth’s core” says the Guardian.

By travelling to the centre of the Earth via seismic waves scientists have discovered a ring-like structure within the swirling pool of molten metal known as the outer core.

Research published in the journal Science Advances has identified a doughnut-shaped region within the outer core, parallel to the equator.

A study co-author and Australian National University geophysicist, Prof Hrvoje Tkalčić, said because scientists could not reach the core with current technology, the team had analysed the forms of seismic waves generated by large earthquakes as they travelled through it.

They found the waves slowed down as they passed through a section near the ceiling, before the mantle. “By understanding the geometry of the paths of the waves and how they traverse the outer core’s volume, we reconstructed their travel times through the Earth,” Tkalčić said.

“We realised that seismic waves slow down in the zone that mathematically is called a torus.”…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Steve Davidson, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]

Pixel Scroll 7/10/24 A Multiverse Of Pixels. Consider How Many That Is

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(1) WORLDCON PROGRESS REPORT. Glasgow 2024 Worldcon has released its fifth and final Progress Report. Download here: PR #5.pdf.

One of the interesting revelations is the plan to stage —

Nothing, Nowhere, Never Again

Glasgow Worldcons are not without their traditions: each of the previous ones have had a show written and performed by Reductio Ad Absurdum. In 1995 it was their loving demolition of Dune (or The Sand Of Music); in 2005 it was Lucas Back In Anger, their smash-and-grab on all things Star Wars, which was nominated for a Hugo Award for Best Dramatic Presentation (Short Form) despite enraging Star Wars fans by reducing the second trilogy to a 12 minute ABBA karaoke with cardboard costumes. In 2024 their offering is a unique take on the Oscar-winning sensation, Everything, Everywhere, All At Once that becomes Nothing, Nowhere, Never Again. Reductio is basically Ian Sorensen and Phil Raines plus whoever else they can blackmail into performing. This year they have suckered Geoff Ryman, Emjay Ameringen and Julia Daly into joining them in the madness. It promises to be an amazing, hilarious romp through the alternate universes, time travel and the joys of growing old disgracefully. The multiverse will never be quite the same again! (Armadillo Auditorium – Saturday 4pm)

(2) TIME BANDITS TRAILER. “Apple unveils the first nostalgia-fueled trailer for Taika Waititi’s reimagining of an ’80s sci-fi cult classic” — GamesRadar+ pulls back the curtain.

Per the official synopsis, the series is an “unpredictable journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history buff named Kevin. Together, they set out on a thrilling quest to save the boy’s parents, and the world.”In the brief clip, which can be viewed above, Kevin (Kal-El Tuck) opens up his wardrobe and walks into another moment in time before running into Penelope (Lisa Kudrow) and her group of bandits. The upcoming series, created by Waititi, Jermaine Clement, and Ian Morris, is based on the 1981 cult classic of the same name. The trio also wrote the first two episodes, with Waititi directing both.

… Time Bandits is set to hit Apple TV Plus on Wednesday, July 24, 2024, with the first two episodes in tow. Two episodes will air every Friday through August 21, 2024….

(3) A KAIJU SURPRISE. Forbes celebrates as “’Godzilla Minus One’ Arrives On 4K Blu-Ray In Every Glorious Version”.

Toho surprised fans today with the long-awaited release of Godzilla Minus One to home entertainment in a four-disc 4K UHD Blu-ray box set. I also have an exclusive clip of writer-director-VFX supervisor Takashi Yamazaki and his team from their U.S. visit, plus a look at the different glorious versions of the Oscar-winning film.

The Godzilla Minus One box set is an exclusive through Toho’s official Godzilla site, and includes lots of behind-the-scenes features and making-of footage. Fans of the film have been eagerly awaiting word of a physical home media release, although the film finally arrived on streaming recently and VOD. The surprise today is part of a larger 70th anniversary celebration of Godzilla in 2024….

(4) SUPACELL. [Item by Steven French.] The creator of a hit Netflix show about a group of black south Londoners with superpowers triggered by sickle cell anaemia says he hopes its success can kickstart a discussion about the condition in the UK and remove the stigma associated with it. “Hit Netflix show Supacell is raising awareness of sickle cell anaemia” reports the Guardian.

…Hit show Supacell is now at No 1 in Netflix’s global top 10, with more than 18m views in its first few weeks on the platform.

In the series, a group of south Londoners start to develop comic book powers – superhuman strength and speed, telekinesis, the ability to teleport and fly, and to have premonitions – while being tracked by Health & Unity, a shadowy organisation that offers to “help” those who are affected.

The show has been praised for subtly interspersing real-life issues that affect Black Britons: from the casual racism that Black females face on reality TV shows to bias in the health system. But the biggest real-life undercurrent in the fantastical world of Supacell is the inclusion of sickle cell anaemia in its storyline….

(5) DROP EVERYTHING. The New York Times calls these “Five Science Fiction Movies to Stream Now”. (Read at this link, which bypasses the paywall.)

One of their picks is Animalia, which is available to buy or rent generally.

…If your definition of an alien invasion involves ships hovering above Earth and major destruction, just know that Sofia Alaoui’s beautifully shot take on the genre is definitely … not that. Still, the mysterious, elliptical Moroccan movie “Animalia” exerts a pull of its own as its central character, a pregnant young woman named Itto (Oumaima Barid), faces a series of unexplained events.

When the wealthy family she has married into leaves for an outing, Itto enjoys some quality alone time at home. Soon, however, things start to go off the rails. Animals behave strangely, army vehicles barrel down the streets, roadblocks are hastily erected. The movie holds back on the explanations, and as her husband, Amine (Mehdi Dehbi), tries to arrange for a reunion, Itto’s journey acquires a mystical tinge.

Yet Alaoui does not stray into woo-woo New Age-isms and offers pointed views on the emancipation of women in Morocco, and their role in both the family and society. It takes confidence and skill to keep an audience invested in a movie while withholding information, and Alaoui clearly has both….

(6) GEORGE WELLS (1943-2024). Longtime fan George Wells died June 21. A native New Yorker (from Suffolk County, Long Island), he attended his first Lunacons in 1958 and 1960, and then…college helped initiate a long gap from fandom. He became a librarian (with a Masters Degree), and returned to the convention scene in 1972. And soon also became involved with APA fandom. I first got to know George in the Seventies when we were all in Larry Nielsen’s APA-H, the apa for Hoaxes. He also was part of Apanage, the Southern Fandom Press Alliance, and N’APA.

George and his wife, Jill (nee Simmons) met via a local Star Trek club she co-founded in Suffolk. They moved to Arizona, some years ago.

In 1999, George Wells won the facetious Rubble Award given at DeepSouthCon “for doing great things to Southern Fandom” in recognition of “Introducing Fandom to Werewolf Vs. Vampire Woman”.

In 2013 File 770 celebrated George’s 70th birthday in a post by James Burns, which supplied much of the above information.

(7) RICHARD GOLDSTEIN (1927-2024). Retired JPL scientist Richard M. Goldstein, a trailblazer in planetary exploration who used ground-based radars to map planets, died June 22 at the age of 97. The New York Times obituary  explains his claim to fame.

…If successful, scientists would learn the distance from Earth to Venus, essentially laying the foundation to map the entire solar system. His adviser at Caltech was more than skeptical; Venus, in NASA’s description, was a “cloud-swaddled” planet covered by thick gasses, and previous attempts to reach the planet using other radars had produced mixed results.

“No echo, no thesis,” Dr. Goldstein’s adviser told him, according to “To See the Unseen: A History of Planetary Radar Astronomy” (1996) by Andrew J. Butrica, a science historian.

He proceeded anyway. On March 10, 1961, technicians pointed the new radar at Venus. Six and a half minutes later, signals from the planet returned. Dr. Goldstein had proved his adviser wrong. He soon bounced signals off Mercury and Mars, as well as Saturn’s rings.

The study’s influence on solar system research was immense.

“The measurements he did of the distance to Venus made it possible to do accurate navigation within the solar system,” said Charles Werner, a former senior engineer at the Jet Propulsion Laboratory. “If you know one distance, it’s like a ruler that allows you to calibrate everything else and to be able to navigate spacecraft in the solar system accurately.”

The radar echoes were the celestial prelude to a long career at the Jet Propulsion Laboratory charting the previously unseen. In the late 1960s and early ’70s, Dr. Goldstein used radar interferometry — the splicing together of multiple radar signals over a length of time — to map the surface of Venus.

“High-resolution radar probes have broken through the thick clouds of Venus and for the first time distinguished features on the planet’s surface, which presents a landscape of huge, shallow craters,” the science reporter John Noble Wilford wrote in a front-page article in The New York Times on Aug. 5, 1973.

“Instead of the blurry shadings of earlier radar maps of the planet,” Mr. Wilford wrote, the images detected by Dr. Goldstein revealed a dozen craters, including one that was 100 miles wide and less than a quarter of a mile deep.

Dr. Goldstein had used two radar antennas 14 miles apart to produce the images.

“This, in effect, gives us stereo reception,” Dr. Goldstein said, enabling him “to pinpoint each area touched on Venus.”

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 10, 1903 — John Wyndham. (Died 1969.)

By Paul Weimer: Cozy Catastrophe? My first encounter with John Wyndham’s work was anything but cozy. That would be, on good old WPIX, the movie version of Day of the Triffids, where Jeanette Scott fought a triffid that spits poison and kills, to quote Rocky Horror Picture Show. So when I finally picked up his work (The Chrysalids, I think was the first), I was quite taken and surprised by the “bait and switch” that my mind and expectations had for Wyndham’s work as opposed to the cinematic adaptation.

John Wyndham Parkes Lucas Beynon Harris

Wyndham did teach me something that I would learn later in novels such as Earth Abides, Alas Babylon, and even On the Beach, and that is that catastrophes, and disasters, even ones that end civilization as the protagonists know it, could be surprisingly gentle and not harsh as the world falls apart around them.  There can be afternoon tea even as the tripods march across the landscape in an inescapable force of nature invasion. 

I recently read The Midwich Cuckoos, and even more than Day of the Triffids (which I really think could be remade in this day and age. Hollywood, call me, I could write your script), it is the Wyndham work that really hits the fears and anxieties in an otherwise pastoral and idyllic English countryside. The horror that one’s children are, in effect, changelings is an old idea (going back to the ideas of Faeries switching children at birth) and the Midwich Cuckoos plays on that, and plays on that, hard. But its even more than the parents and adults being horrified by what is happening to the children, what might be happening with the very pregnancy you have. It is the idea that these children are forming a community, a society, a way of life that excludes you (which gets into fears of the generation gap. The use of the telepathic Cuckoos in the X-men series and how tight they are together under Emma Frost, takes that idea from Wyndham and makes it front and center. It’s their world, and not yours.

That shows, ultimately, John Wyndham and his legacy at his best.

(9) COMICS SECTION.

(10) SIMPSONS JOKE PLAYS ALBERT HALL. “Hip-hop band Cypress Hill makes 1996 Simpsons joke come true” reports the Guardian.

They might be more used to Rachmaninov and Brahms, but on Wednesday night the London Symphony Orchestra’s musicians will be showcasing their perfect crescendos while playing Cypress Hill’s Insane in the Brain.

The orchestra is making a Simpsons joke from 1996 finally a reality, by playing the US hip-hop trio Cypress Hill’s acclaimed Black Sunday album at the Royal Albert Hall.

The evening will riff on a joke featured in a Simpsons episode, in which Cypress Hill speculated that they had mistakenly booked the London Symphony Orchestra “possibly while high”.

After years of fan pressure, the group has struck a deal for a one-night performance in London, in which the LSO will perform its most famous songs, including Insane in the Brain and I Wanna Get High.

Considered pioneers of the West Coast hip-hop scene in the 1990s, Cypress Hill have sold more than 20m albums worldwide. Their hit Black Sunday album sold more than 3m copies in the US and spent a year in the UK charts….

… In the Simpsons episode, titled Homerpalooza, Homer tries to impress Bart and Lisa by going to the Hullabalooza music festival – a play on the Lollapalooza music festival held in Chicago – and hanging out with 1990s rap and rock stars including Cypress Hill and The Smashing Pumpkins.

In the episode, a crew member calls “somebody ordered”, adding “possibly while high … Cypress Hill, I’m looking in your direction”. This is followed by a rendition of Insane in the Brain, complete with the classic orchestral backing.

Cypress Hill have also invited the UK musician Peter Frampton, who features in the episode as the person trying to book the orchestra, although they are still waiting for a reply….

(11) SEVERANCE RETURNING. Variety knows when: “Severance Season 2 Teaser, Release Date Set for 2025”. The series will debut on Apple+ Friday, January 17. The 10-episode season will drop weekly episodes on Fridays after that.

…In addition to Scott and Arquette, the rest of the main cast includes Zach Cherry, Britt Lower, Tramell Tillman, Jen Tullock, Dichen Lachman, Michael Chernus, John Turturro and Christopher Walken. Eight more joined the cast of Season 2, including “Search Party” star Alia Shawkat, “Game of Thrones” alum Gwendoline Christie, Merritt Wever, Bob Balaban, Robby Benson, Stefano Carannate, John Noble and Ólafur Darri Ólafsson.

The new teaser doesn’t show much, other than the main cast of characters returning to the halls of Lumon. There’s also a quick look at Christie’s mysterious character, who cryptically tells them “You should’ve left.”…

(12) FEIGE Q&A. “Kevin Feige on Deadpool 3, Wolverine’s Yellow Suit and Sex Jokes in MCU” – hear about it in Variety.

The Marvel Studios president was talking to writer-director Shawn Levy about plans for the studio’s upcoming blockbuster “Deadpool & Wolverine,” starring Ryan Reynolds and Hugh Jackman.

This was a couple of years ago, and Jackman had just confirmed his grand return as Wolverine after retiring the character in 2017’s emotional sendoff “Logan.” The 55-year-old Australian had played the gruff mutant with adamantium claws and regenerative abilities in nine films across two decades to much acclaim and, according to Feige, one glaring oversight. Jackman had never appeared in the character’s canonically mustard-colored costume….

(13) +1 SHIELD. “China Fortifies Space Station” at Futurism.

Two astronauts ventured outside of China’s Tiangong space station last week to armor its exterior against incoming space debris kicked up by an exploding Russian satellite.

“The spacewalk primarily focused on installing protective devices on external cables and pipelines to mitigate risks posed by potential space debris collisions, enhancing the long-term safety and stability of the space station,” China Aerospace Science and Technology Corporation engineer Liu Ming told state-owned news network CCTV, as quoted by the South China Morning Post.

The news comes after a retired Earth observation satellite dubbed Resurs-P1 broke up in orbit late last month, forcing astronauts on board the International Space Station to shelter inside their respective spacecraft. It broke into more than 100 pieces that are now being tracked by the US Space Command.

Instead of sheltering in place, crew on board China’s Tiangong space station were instructed to bulk up its physical defenses — a mission that highlights the considerable risks small pieces of space debris can pose to astronauts orbiting the Earth…

…The spacewalk took 6.5 hours and went by largely without a hitch. According to the SCMP, the two spacewalkers even made jokes, competed to reach a designated spot, and struck poses for the camera….

(14) 1942’S AMAZING STORIES AND….SEX ADS??? [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books takes a deep dive into a 1942 edition of Amazing Stories in a short, 9 minute video…

Week two of Rocket Summer focusing on the October 1942, edition of Amazing Stories, produced by the legendary editor Hugo Gernsback. The pulp is a time capsule of pre-war angst and intrigue. Which included seven full length science fiction stories and….advertising for Modern Sex Secrets!? 1?!?

(15) RED PLANET NOIR. Mars Express comes to theaters May 3.

In 2200, private detective Aline Ruby and her android partner Carlos Rivera are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet’s capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threatens to change the face of the universe.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Paul Weimer, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/30/24 Mr. Holmes, They Were The Pixels Of An Enormous Scroll!

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(1) VASTER THAN EMPIRES. George Sandison, managing editor for Titan Books, hopes to demystify publishing in his newly-launched a series of newsletter posts. First up, a survey of the industry: “Submissions: steering the iceberg”.

I find myself, these days, in the preposterous position of working in genre fiction. Having been publishing since 2014 as an indie, and heading up a major trade list since 2019, it’s close to second nature in a lot of ways.

But for the vast majority of people outside the industry, publishing is arcane, weird and no doubt seems arbitrary. There is a huge extended community of readers, reviewers, fans and authors fascinated by publishers and their lists, but so few ways for those people to get a sense of how publishers work, and why.

Which is silly.

So I’d like to make some sense of it all. The intent here is that this will be the start of a series of articles which will shine a light on some of the many, many opaque bits of publishing. Because really, none of it is that complicated, at least taken in isolation – doing it all at the same time is the trick, which will likely be a recurring theme across the series…..

…So exactly how big a mountain are we talking about? Fortunately there are a couple of useful numbers to call on to help make sense of it.

The last time anyone was mad enough to try and count how many books are published in the UK each year they came up with a number in the region of 200,000, which averages out to 548 a day. I remember seeing a survey in The Bookseller (link lost to the vagaries of time, with apologies) that it was 250,000 one year.

Now say I’m overseeing a list of 100 publications a year, across all formats, you can begin to see how many publishers – and editors – are involved, to say nothing of self-publishers….

(2) HOW TO CLOSE THE BARN DOOR. Futurism tells what happens after “John Scalzi Discovers That One of His Book Covers Was Created Using AI”.

…Regardless, Scalzi’s handling of the discovery seems like a model for anyone who finds themselves in a similar situation — which, given the Wild West of still-forming norms and practices around AI art, wouldn’t be surprising for anyone in a creative industry.

Their article is based on Scalzi’s Whatever post “A Note on ‘AI’ Art and My Book Covers” from June 21. And here’s what he said:

Well, Goddamnit, it looks like some “AI”-generated art got onto one of my covers, specifically, the cover to the Italian edition of Starter Villain. Some (actual human) artists tracked down the cover art, and (on Adobe’s stock art site, at least), it’s marked as “generated with AI.”

It’s my policy not to accept AI-generated art for final cover art, and I thought I and my team had communicated that widely. When this art was presented to me for approval, I made the assumption that it was done by a human, and approved it. So, this is on me….

… That being the case, here’s what I am doing right now to make sure we don’t have this happen again, and to mitigate some of the damage AI-generated art is doing to the actual humans in the field.

1. I have instructed my agent (who is sending the instruction down the chain), that all book contracts henceforth have to agree that cover art must be created by a human artist. Stock art use is acceptable, but that stock art must be human-created, not AI-generated. We will expect our contractual partners to exercise due diligence to make sure these conditions are met (by, as an example, using only stock art sites that note when art is AI-generated). I’ll note that Tor already has agreed to this. So this is no longer just a policy; it’s a hard contractual point.

2. I have donated to the Association of Science Fiction and Fantasy Artists, specifically to their Sponsored Memberships for BIPOC artists, to help emerging artists from marginalized communities receive the benefit of the professional and artistic community that ASFA can provide. They will need it for this new era of artistry….

(3) MESSIANIC PROPHECY. Deadline thinks it’s happening: “’Dune 3′ Release Date Hinted As Denis Villeneuve Movie Is Set For 2026 Holidays”.

Let the speculation begin. The “Untitled Event Film” Warner Bros had dated for December 2026 now is being billed as a “Denis Villeneuve Event Film,” and sources said the studio and Legendary are holding the date with expectations that he wraps up the spectacular trilogy with Dune 3.

Hurdles still have to be cleared as they’re still working on script and locking cast, but it is the project Villenueve has been working on….

…Villeneuve and Legendary are prepping Dune: Messiah, which the filmmaker said in January “should be the last Dune movie for me.” They next will reteam Nuclear War: A Scenario, based on Annie Jacobsen’s nonfiction book that explores a ticking-clock scenario about what would happen in the event of a nuclear war…

(4) NOT QUIET AT THE BOX OFFICE. According to Yahoo! — “Box Office: ‘A Quiet Place: Day One’ Scores Franchise-Best $53 Million Debut, Kevin Costner’s ‘Horizon’ Misfires With $11 Million”.

“A Quiet Place: Day One” is making noise at the box office, collecting a roaring $53 million in its domestic opening weekend. The nearly silent thriller added $45.5 million internationally for a global tally of $98.5 million.

Though it landed in second place behind Disney-Pixar’s billion-dollar blockbuster “Inside Out 2,” the ticket sales for “Day One” are especially impressive because spinoff stories usually don’t bring in as much business as direct sequels. Yet “A Quiet Place: Day One” — a prequel in Paramount’s post-apocalyptic horror series — landed the biggest debut in the franchise, exceeding the original 2018 “A Quiet Place,” ($50 million to start) and the 2021 sequel, “A Quiet Place Part II” (a $48 million debut during COVID).

(5) DODGING ROWLING’S ENDORSEMENT. [Item by Mike Kennedy.] JK Rowling: (Regarding the July 4th election in the UK.) The Labour Party supports Trans Rights, so don’t vote for them. I endorse the UK‘s Communist Party instead.

Communist Party of Britain: (Backs away from her slowly.) Uh, no thanks, we’re good!

“U.K. Communist Party Backs Away Slowly After J.K. Rowling Expresses Support” at The Daily Beast.

The Communist Party of Britain affirmed that it supports transgender people’s right to “live equal, full and meaningful lives” after J.K. Rowling, almost as well known at this point for her hatred of trans women as for penning the mega-popular Harry Potter series, expressed tacit support for its candidates. On Saturday, Rowling encouraged her social media followers to vote Communist, a move made in response to the anti-trans feminist group For Women Scotland tweeting that a party spokesperson had told them it stood “in support of [recognizing] the nature of biological sex.” A day later, a statement was released on the party’s official X account clarifying the matter. “For avoidance of doubt, the Communist Party supports the right of trans people to medically transition, to have access to healthcare and live equal, full and meaningful lives, socially, economically and politically,” it said. “We believe that such liberation will only be possible under socialism.” Rowling’s blessing, likely now to be rescinded, came after she published an op-ed in The Times of London on Friday disavowing the Labour Party over its support for trans rights….

(6) GRAPHIC NOVEL RECOMMENDATIONS. The New York Times’ Sam Thielman reviews The Complete Web of Horror edited by Dana Marie Andra; The Ribbon Queen by Garth Ennis and Jacen Burrows; All My Bicycles, by Powerpaola; and Very Bushwack, by Sig Burwash. “Book Review: Best Graphic Novels in June – The New York Times (nytimes.com) (Link is to unlocked article.)

 (7) SFF ZINE LAUNCHES TOMORROW. The WYRMHOLE is coming July 1.

(8) AMAZING’S BEST. “Amazing Stories Releases THE BEST OF 2023!”. Edited by Lloyd Penney, The Best of 2023 features 29 science fiction short stories, published throughout 2023 on the Amazing Stories website, featuring a collaborative cover from Ron Miller and Tom Miller.

Stories by Paul Saka; Heather N. Santo; Royce Badgers; David Ian; David Hewitt; David Hankins; Adam Breckenridge; Nerine Dorman; Victor Jimenez; Gene Turchin; Adrian Tchaikovsky; Jack McKenzie; David Newkirk; John Andrew Karr; James Mapes; Alex Graham-Heggie; Leonid Korogodski; Dave Creek; John Taloni; Norman Spinrad; Lisa Fox; Andrew Hiller; Chaz Osburn; Ray Daley; Michael Carabott; Pete Carter; C.J. Peterson; Jenna Hanchey; Jeff Hewitt.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

June 30, 1959 — Vincent D’onofrio, 65. You no doubt know Vincent D’onofrio as Edgar the Bug in Men in Black which I’ll talk about about shortly, but let me first discuss what I think is his greatest role which was his decade-long performance as New York City Police Detective Robert Goren in Law & Order: Criminal Intent. 

Of course it’s not genre but it’s rare that we get to see an actor in a primary role that long. Goren is an incredibly intense, extremely intelligent though opponents often thought he wasn’t and physically imposing man, but is could be very unpredictable and sometimes volatile and even angry. 

Like Holmes, his methods were unusual and he admitted that “I am an acquired taste”. Eames, his female partner, often explained him to individuals who were puzzled and offended by him.

If you’ve not seen Men in Black, you really should and I’m assuming you have, otherwise, go away. You can come back later. He played Edgar / The Bug, Edgar being a farmer who is killed and eaten by a giant alien insect. An Effing Big Bug. From here out, it’s his voice and his body language that is what carries being under the Rick Baker designed face and full body suit. Now there’s a great interview with him and director Barty Sonnefiejd here that you should read: “Vincent D’Onofrio’s Men in Black: A Sugar-Water Oral History” at Vulture.

I singled out these two roles above all the roles he’s had because they demonstrate his most extraordinary skills — the first being the use of his voice to convey a character in a way I believe that is truly rare among performers, and second, the sheer physicality that he bring to a role. 

I know the Rick Baker suit added to his bulk but his acting ability made the character even more present, more menacing that just the alieniness created by the suit and the sheer nastiness of his head of it grew more corrupt, more decayed. A truly brilliant performance. 

Feel free to mention other roles that I didn’t note. 

(10) COMICS SECTION.

Tom Gauld foresees the publishing apocalypse.

(11) “JOHN WICK MEETS LOOPER”. “Ryan Coogler Mattson Tomlin Team for A Vicious Circle at Universal” learned The Hollywood Reporter.

Universal Pictures has landed the rights to A Vicious Circle, a Boom! Studios graphic novel series created by Terminator Zero showrunner Mattson Tomlin and artist Lee Bermejo.

Tomlin will write the screenplay adapting his own work while Ryan Coogler, the filmmaker behind the Black Panther movies, will produce via his Proximity Media banner.

Also producing are Proximity’s Sev Ohanian and Zinzi Coogler, along with Boom!’s president of development Stephen Christy.

Circle is a two-hander action thriller about assassins from the future hunting each other through time. “John Wick meets Looper” is how it is being described.

(12) SHREK 5. Courtesy of Yahoo! – “Eddie Murphy gives fans ‘Shrek 5’ update, reveals Donkey is ‘gonna have his own movie’ next”.

Eddie Murphy is returning to the fairytale-fueled world of “Shrek.”

In an interview with Collider published Monday, Murphy opened up about voice acting as “Donkey” in the franchise’s next film. “We started doing ‘Shrek’ four or five months ago,” Murphy told Collider, while promoting his latest “Beverly Hills Cop” installment, “I recorded the first act, and we’ll be doing it this year, we’ll finish it up.”

“Another ‘Shrek’is coming out, and Donkey’s gonna have his own (spin-off) movie,” Murphy said, adding later that he thinks “Shrek 5” will be released sometime in 2025….

(13) CHEEK TO CHEEK. “Scientists in Japan Give Robots a Fleshy Face and a Smile” according to Yahoo!

Engineers in Japan are trying to get robots to imitate that particularly human expression — the smile.

They have created a face mask from human skin cells and attached it to robots with a novel technique that conceals the binding and is flexible enough to turn down into a grimace or up into a squishy smile.

The effect is something between Hannibal Lecter’s terrifying mask and the Claymation figure Gumby.

But scientists say the prototypes pave the way for more sophisticated robots, with an outward layer both elastic and durable enough to protect the machine while making it appear more human.

Beyond expressiveness, the “skin equivalent,” as the researchers call it, which is made from living skin cells in a lab, can scar and burn and also self-heal, according to a study published June 25 in the journal Cell Reports Physical Science…

…Scientists, including Takeuchi and his colleagues at the University of Tokyo, have been working with lab-made human skin for years.

In 2022, the research team developed a robotic finger covered in living skin, allowing the machine’s digit to bend like a human finger, giving it the tactility to potentially perform more precise tasks.

Takeuchi’s team had tried anchoring the skin with mini-hooks, but those caused tears as the robot moved. So the team decided to mimic ligaments, the tiny ropes of loose tissue that connect bones….

(14) VIDEO OF THE DAY. “90s Time Traveler Discovers Taylor Swift” — Ryan George tell how it happened.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lloyd Penney, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Wright.]