24 They Stab It With Their Scrolly Knives, But They Just Can’t File The Beast

Posted on November 28, 2024 by Mike Glyer

(1) ANTICI-PATION! Muse from the Orb bids a “Happy Thanksgiving to Solomon Kane, the World’s Most Unhinged Puritan”.

As a teenager, Robert E. Howard came up with the idea for a 16th-century swordsman. He wanted to write a hero of the “cold, steely-nerved duelist” archetype, and perhaps was influenced by the thrilling pirate histories that he was reading at the time.¹

This hero would take years to gestate in Howard’s mind; in 1927, when a twenty-one-year-old Howard finally wrote him down, he had taken the form of a Puritan in black clothes with ice-blue eyes. Solomon Kane would appear in 7 published stories from 1928-1932, and over the course of his pulp fiction wanderings would kill an untold number of evildoers, totaling somewhere in the thousands.

Kane was introduced to the world in “Red Shadows,” the cover story of Weird Tales August 1928. “Red Shadows” has one of the best cold opens of any pulp story; its introductory vignette, a chapter called “The Coming of Solomon,” clocks in at 378 words yet contains shock after shock, escalation after escalation. Howard gives us outlines of our hero in a series of evocative, sparse details: a “long, slim rapier,” a “somber brow,” a “soothing” voice that belies his austere appearance. At the introduction’s close, Kane utters a vengeful line so hard you’d have to be flatlining on a gurney to stop reading….

(2) IMAGINARY PAPERS. Arizona State University’s Center for Science and the Imagination has published Imaginary Papers, Issue 20, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. In the issue, Leah Newsom writes about a series of videos on TikTok that reimagine the wild, wild West, Samuel Clamons discusses Greg Egan’s novel Diaspora and its cryptographic utopias, and Andrew Dana Hudson describes a speculative fiction project on the future of renewable energy in northern Sweden.

Leah Newsom’s entry, Science Fiction Frames, introduces a new vision of the West.

…Cutting to a third character, we meet the Dirt Man. A black pleather cowboy hat adorns his head. He’s wearing a denim jacket with a mock collar zipped to the top. Staring directly into the camera, his grimace is both menacing and embarrassed.

The video garnered over 19 million views in the summer of 2024 and lifted Vail’s TikTok account to the top of fyps (“for you pages”) around the world. Presumably as a promotional campaign for the release of his album 100 Cowboys, Vail continued to post TikTok gold and dominate Gen Z social media for months. The cowboy one. The horse one. The that-bear’s-gonna-fuck-you-up one. A video about “the great aquatic uprising of ‘22,” which recounts a revolution against the human race helmed by fish of all kinds.

All of these videos feature the same spaghetti-western aesthetics: surreal roving Sonoran highways and cowboy hats, denim and finger guns. Even the way Vail stands, shoulders forward, thumb tucked into the front of his belt, is entrenched in the tropes of the wild, wild West. Through absurd tales of dirt men and half-people-half-cows, Vail is reimagining the construction of “the frontier.”…

(3) IRISH CRIME. The An Post Irish Book Awards Winners 2024 have been announced, in which we follow the crime fiction category:

Irish Independent Crime Fiction Book of the Year

A Stranger in the Family by Jane Casey (Hemlock Press)

(4) BRING ‘EM BACK ALIVE. Slashfilm is prepared to name “The 5 Best Sci-Fi Movies Where Nobody Dies”.

…While mortal danger is an easy way to create stakes and showing people die is the easiest way to establish danger, there are plenty of methods of making a sci-fi project interesting without killing off half the cast. This doesn’t mean that the space Marines have to put down their laser rifles and settle their differences with the alien invaders over a game of Canasta, either. Many sci-fi films have found ways to provide thrills without any fatalities — and without sacrificing any intrigue. Here are some of the finest examples of great sci-fi movies where nobody dies….

Exhibit A is –

The Martian

“The Martian” is one of the surprisingly high number of space-themed installments in the long-running, unofficial movie series about expensive missions to save Matt Damon. Here, Damon plays Mark Watney, an astronaut on an expedition to Mars who’s left behind on the red planet during an emergency evacuation. He now has to figure out how to survive and maintain sanity while stranded on a planet that can’t support human life, with barely any hope of getting out alive.

That struggle and the climactic rescue attempt essentially constitute the entire movie. While getting Watney back home is a risky operation for everyone involved, the story really hinges on the life of a single man. The fact that “The Martian” is on this list is a pretty good indication of how things play out — and with its $108 million production budget, it’s definitely on the more expensive and epic side of sci-fi movies where absolutely nobody dies.

(5) TALKING ABOUT BRADBURY. [Item by Dann.] Last month, author Paul Hale released a series of Cinema Story Origins Podcast episodes covering The Halloween Tree. In the episodes, Paul compares and contrasts the classic Ray Bradbury story with the 1990s era movie-script written by Ray as well. Paul also provides some additional history about the book and movie.

Here are the links to the three-episode series.

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Star Trek: The Next Generation’s “Haven” (1987)

Stop this petty bickering, all of you! Especially you, Mother! — Deanna Troi

Could you please continue the petty bickering? I find it most intriguing. — Data

So let’s talk about the First Lady of Star Trek and her final role which begins in Star Trek: The Next Generation‘s “Haven”, broadcast thirty-seven years ago this weekend in syndication.

It would introduce us to the magnificent and yes more than occasionally overbearing presence of Lwaxana Troi, mother of Ship’s Counsellor Deanna Troi. Not that they overused her as she only appeared about once per season for the rest of the run. It just seemed she was there more often.

RED ALERT, I MEAN, SPOILER ALERT. REALLY I DO MEAN IT. GO DRINK SOME RIGELLIAN BRANDY LIKE GUL MARAK FAVORS.

Deanna’s been summoned by her mother to get married as she was betrothed to a human when she was just a wee Betazoid. Now we know that won’t happen, but oh it’s so delicious to watch why. It doesn’t go off in the end.

Meanwhile Lwaxana, being ever so on the prowl, has set her sights on seducing Jean-Luc, who is appalled by the idea to say the very least. Not as we’ve seen that he doesn’t mind a great romp. Just not with her. Isn’t there a mud bath scene with her, Worf and others later on in the series?

Meanwhile a race long extinct is engaged in hostile action against Haven. Or his Picard says, “Captain’s log, supplemental. It has been believed the Tarellian race was extinct, an assumption contradicted now by the sight of one of their vessels approaching Haven.”

That ship is carrying a deadly plague and, to make matters even complicated, is linked to Deanna’s intended in some psychic link. (I love when SF shows go into fantasy realms.) The marriage is off when he decides to help the alien race find a way overcome their plague.

All’s well that ends well.

FINISHED YOUR RIGELLIAN BRANDY? GOOD, YOU CAN COME BACK NOW.

Lwaxana Troi will make six appearances on New Generation and, surprisingly, she’ll show up on Deep Space Nine where poor Odo gets to fend off her advances. She does three episodes there. Don’t get me wrong, she does form meaningful friendships in the course of these nine episodes including with Jean-Luc.

Fiction writers had a great deal of fun with the character, such as in Peter David’s Q-in-Law where Lwaxana formed a romantic attachment to Q.

All in all, a most excellent, if somewhat silly episode. The First Lady of Star Trek was magnificent here.

As always, I’ll note it’s streaming on Paramount +.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born November 28, 1946 — Joe Dante, 78.

Joe Dante started off as one as us as he wrote columns and articles for fanzines and APAs.

Now let’s look at what he’s done that I find interesting.

The first would be his collaboration with John Sayles when they completely rewrote the first draft of Gary Brandner’s The Howling novel for that film. Brandner was said to extremely angry with the film that was produced.

Because of The Howling, Spielberg offered up Gremlins, one of my all time favorite films, to him. I’ve watched it more times than I can count and I’ve enjoyed it each time. Gremlins II, not so much.

Spielberg also brought him on as one of the directors on John Landis’ Twilight Zone: The Movie. Dante’s segment is a remake of the original Twilight Zone “It’s a Good Life” episode as written by Serling. That story was based off a Jerome Bixby story published in 1953 in the Star Science Fiction Stories anthology series, edited by Frederik Pohl.

Ahhh, Innerspace with Dennis Quaid, Martin Short, and Meg Ryan. The Studio hated it, Dante made the film he wanted to despite the Studio and audiences stayed home. Really stayed. I thought it was sweet.

I hadn’t realized til now that Dante was responsible for Small Soldiers, an interesting film. Not a great film but it had a possibility of being something. Not sure what that something would have been. Dante says that there were twelve writers involved in writing the script. Ouch.

Finally, Dante directed Looney Tunes: Back in Action. Moving on.

(8) MAKE THOSE LAUGHS, NOT SCREAMS. “’The Mask’ Was Supposed to Be a Horror Film, Says Chuck Russell” in Variety.

Legendary Hollywood director and producer Charles ‘Chuck’ Russell says that the breakout film “The Mask” was originally conceived by New Line Cinema as a horror movie.

Instead, the 1994 action comedy went on to be a career-defining picture for Jim Carrey and Cameron Diaz, a global box office hit and a defining moment for the use of VFX in comedy films….

…Russell explained that the film was made with a production budget of $18 million, of which $7 million was spent on effects. But neither the limited budget, the little-known stars or the heavy dependence on VFX were off-putting to Russell, who says trust in one’s own instincts is one of his guiding principles.

“I took the concept of an independent, low budget film. Everything in ‘The Mask’ is a normal location. The only stage set in the whole movie was a small bedroom, because I had to trash it. [..] It was the fun of independent films is and the spirit of a team that’s us against the world. We’re going to make a movie at a certain budget and put all the money on the screen.”

Russell also dishes out a left-handed compliment:

“I was working very closely with the worst team at ILM [visual effect provider Industrial Light & Magic]. They were the kids in the basement and they did such a terrific job that all the top people at ILM started coming to our dailies every day,” said Russell.

(9) SPECULATIVE POETRY ALERT. Starship Sloane Publishing presents Dark Woods Rising, a new book of speculative poetry by the award-winning British science fiction & fantasy author A J Dalton.

The always splendid cover art of Bob Eggleton completes the vibe magnificently.

A J wrote the bestselling series Chronicles of a Cosmic Warlord and the Flesh & Bone Trilogy. He is recognized as being the originator of the fantasy subgenre known as metaphysical fantasy.

The poems in this book are gloriously creepy and vividly Gothic, taking us on journeys both unexpected and haunting. A J’s poetry casts a weird light into the dark woods, where we glimpse the furtive truths of long-hidden realms, like the quick shine of lurking eyes.

Enjoy your sojourn in these pages, the poetry announcing that not all that is seen is understood, while less yet, is to be seen at all.

Praise for Dark Woods Rising

“The denizens of dark places, the seldom seen and barely sensed are given shape and voice in this collection by A J Dalton. In these pages we find witches, demons, goblins, mages and trolls. The collection also contains glimpses of alternative histories and the dangers of space. The unsettling visions of the poet are sometimes combined with a touch of humour, making for an entertaining and beguiling read.” –Dr Penelope Cottier, Australian poet and author

“Who wouldn’t like a book of poems that turns loose enslaved goblins? Dark Woods Rising brings the hidden and unseen before us, where they can cast their finest spells, their longest shadows.” –Dr. Matt Schumacher, editor of Phantom Drift: A Journal of New Fabulism & author of The Fire Diaries: Poems

(10) MULTIPLE CELL LIFE. NPR provides “A look at a pilot program in Georgia that uses ‘jailbots’ to track inmates”.

…CHAMIAN CRUZ: In the Atlanta suburb of Cobb County, Sheriff Craig Owens says his three new assistants don’t have names yet, but they do know his.

AUTOMATED VOICE #1: Sheriff Owens, we meet again.

CRAIG OWENS: We sure do.

CRUZ = BYLINE: Owens is chatting with a tall wheeled robot resembling the metallic hero R2-D2 from “Star Wars.” It’s equipped with several 360-degree cameras, night vision, heat detection, and it talks. Owens says all three jailbots will take turns patrolling the jail to ensure inmates are where they’re supposed to be at all times.

OWENS: There’ll be no reason for concern. The robots will not really come in contact with them. It’ll be a mechanism, and it says, AI sentry robot on duty. Please stand back 20 feet, 30 feet. Do not touch….

(11) YOUR HISTORICAL RECORDS. “For those who celebrate” – “WKRP in Cincinnati Turkey Drop”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Justin Sloane, Joey Eschrich, Dann, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 10/31/24 The Scrollden Girls

Posted on October 31, 2024 by Mike Glyer

(1) WHERE HALLOWEEN COSTUMERS GET BUSTED. I never thought of Halloween being celebrated in China. And if Shanghai cops have their way, it won’t be this year: “China’s Latest Security Target: Halloween Partygoers” in the New York Times (behind a paywall). “Last year, the Shanghai government said Halloween celebrations were a sign of ‘cultural tolerance.’ This year, the police rounded up people in costume.”

The police escorted the Buddha down the street, one officer steering him with both hands. They hurried a giant poop emoji out of a cheering dance circle in a public park. They also pounced on Donald J. Trump with a bandaged ear, and pushed a Kim Kardashian look-alike, in a tight black dress and pearls, into a police van, while she turned and waved to a crowd of onlookers.

The authorities in Shanghai were on high alert this past weekend, against a pressing threat: Halloween.

Officials there clamped down on Halloween celebrations this year, after many young people turned last year’s festivities into a rare public outlet for political or social criticism. People had poured into the streets dressed up as Covid testing workers, to mock the three years of lockdowns they had just endured; they plastered themselves in job advertisements, amid a weak employment market; they cross-dressed, seizing the opportunity to express L.G.B.T.Q. identities without being stigmatized.

At the time, many on Chinese social media celebrated the revelries as a joyous form of collective therapy. The Shanghai government even issued a news release saying the celebrations were proof of the city’s “cultural tolerance” and the “wisdom of its urban managers.”

“There is an absence of festivals in China solely dedicated to the simple pleasures of having fun,” it said. “Halloween has filled the void.”

But the authorities have grown increasingly restrictive toward personal expression in recent years, including seemingly apolitical expression. They are also wary of impromptu crowds, especially after the anti-lockdown protests in 2022. And so, for all their praise last year, this year they seemed determined to prevent a repeat.

Around Julu Road, a popular area where most people had congregated last year, guardrails had been erected, blocking off the sidewalks. Flanks of police lined the street and subway entrances. When they saw someone in costume, according to videos and photos on social media verified by The New York Times, they hustled them out of view.

(2) BAD NEWS ON THE DOORSTEP. “Extra Extra!The End Times, Onscreen” — the New York Times shares numerous video clips from horror films that use front page news mockups to set the stage. Link bypasses the NYT paywall.

Alien invasions, viruses, zombies, meteors, natural or human-caused catastrophes. When the end is nigh in apocalyptic, dystopian, disaster or horror films and television shows, there is often a distinct moment that offers audiences a glimpse of what was known in those last days before civilization was forever changed: the front pages of newspapers.

Sometimes the camera lingers on the page, allowing us to read headlines that telegraph the scramble to make sense of unprecedented events. Other times, blink and you’ll miss it.

In some instances, these front pages are the last ones printed in the before-times; in others, humanity endures in the end, though it is certainly transformed.

… In John Krasinski’s alien horror film “A Quiet Place,” which begins a few months after extraterrestrial creatures that hunt by sound have killed most people on Earth, a family is silently scavenging for medication in what once was a pharmacy. As they tiptoe out, a broken newspaper rack reveals the last New York Post headline: “It’s Sound!”…

(3) CULTURAL BOYCOTT OPPOSITION. Reported here the other day was an open letter in which “Authors Call for a Boycott of Israeli Cultural Institutions” (New York Times; paywalled).

A second group, under the umbrella of the Creative Community for Peace, have signed a statement opposing cultural boycotts: “1000+ Authors, Writers, Journalists, Publishers, and Entertainment Leaders Stand United Against Cultural Boycotts”.

… On Wednesday, the group released a statement condemning the boycott as an attempt “to persecute, exclude, boycott and intimidate.” Their letter was signed by more than 1,000 authors and members of the entertainment industry.

“We believe that writers, authors, and books — along with the festivals that showcase them — bring people together, transcend boundaries, broaden awareness, open dialogue, and can affect positive change,” the letter states. “Regardless of one’s views on the current conflict, boycotts of creatives and creative institutions simply create more divisiveness and foment further hatred.”

Authors who signed the statement include Lee Child, Howard Jacobson, Lionel Shriver, Simon Schama, Adam Gopnik, Herta Müller, David Mamet and Ayaan Hirsi Ali.

Although a number of famous thriller and mystery authors are here, the only well-known sff names that jumped out at me when I scanned the signers of this open letter were Guy Kay (apparently Guy Gavriel Kay), and perhaps actress Mayim Bialik of Big Bang Theory.

(4) FUTURE TENSE. October 2024’s new story from Future Tense Fiction is “Patrons,” by Cassidy McFadzean, about alien visitors, economies of art and creativity, and the inscrutable politics of taste.

When the Patrons first appeared, we were not thinking about our jollies, or wealth and material benefits, or technological advancements they might share with our kind, so awed we were by their presence. Those first weeks felt like a dream, like the doctored images of aliens in the Weekly World News my mother used to leaf through at the kitchen table. Gradually, videos spread online, and not just footage from grainy dash cams. Drone footage captured the Patrons in HD, putting all conspiracy theories to rest. They were real, as beautiful as they were terrifying. And as much as you hoped the Patrons would select you, the lucky ones were always taken off guard, not thinking of recording the astonishing event on their phones….

There’s also a response essay by human geography scholar Oli Mould. “What Would It Look Like to Truly Support Creative Work?”

Artists have never had it so good, right? Access to technology is abundant (even a humble smartphone can shoot award-winning photos and films), we’re able to digitally peruse the entire human zeitgeist for inspiration, and there are a multitude of platforms for showcasing creative products. Gone are the days when artists had to rely on the whims of wealthy aristocrats to fund their creations. In the twenty-first century, breaking free from the drudgery of a 9-to-5 job to pursue the dream of becoming a self-made artist seems, on the surface, more attainable than ever.

But the story isn’t so simple….

(5) BIGGER THAN A BAZILLION. Gizmodo reports “Russian Court Wants Google to Cough Up $20,000,000,000,000,000,000,000,000,000,000,000”.

A Russian court has ordered Google to fork over a calculator-breaking sum of money to more than a dozen TV channels whose programming the tech company blocked from appearing on YouTube.

The fine has been accruing since 2020, when Russian outlets Tsargrad TV and RIA FAN sued Google for blocking their content, according to Novaya Gazeta. Since then, the penalty has continued to grow as 15 other channels, including Kremlin-backed networks, won court cases against Google. “As of Tuesday, the fine totaled 2 undecillion rubles (that’s 2 followed by 36 zeros), which is equivalent to about $20 decillion (2 followed by 34 zeros) U.S. dollars….

(6) FAREWELL SCOTT CONNORS. Independent scholar Scott Connors has passed away Jason V. Brock reported on Facebook. He specialized in the life and work of Clark Ashton Smith, H. P. Lovecraft, Robert E. Howard, and other writers of weird fiction. Connors was twice nominated for the International Horror Guild Award, and he received the Founders Award at the 2015 H.P. Lovecraft Film Festival.

His publications included In the Realm of Mystery and Wonder, a collection of Clark Ashton Smith’s artwork and prose poems, and a five-volume edition of Smith’s Collected Fantasies. His work has been published in Skelos, Lovecraft Annual, Weird Tales, Weird Fiction Review, All Hallows, Studies in Weird Fiction, Publishers Weekly, The Explicator, and academic books published by Rowman and Littlefield and Greenwood Press.

(7) LARRY S. TODD (1948-2024). Underground comix artist and sf creator Larry Todd, 76, died September 28 at 4:20 a.m. According to The Comics Journal —

…The significance of the time of day would not be lost on his fans. Todd was perhaps best know for his character Dr. Atomic, a mad scientist who enthusiastically championed the consumption of marijuana. The series appeared in small press newspapers before Last Gasp began publishing it as a comic book in 1972. Dr. Atomic combined slapstick humor and fantastical scientific creations in stories that often involved the smoking of marijuana. Though not as well known as Gilbert Shelton’s Fabulous Freak Brothers, Dr. Atomic was immensely popular among many fans in the counterculture during the early 1970s….

Todd broke into sf magazines while still a teenager.

… He began submitting stories and drawings to science fiction publications while he was in high school, with early work appearing in Galaxy Magazine.

“While in my junior year in high school I sold a story to Galaxy,” he told Rosenkranz in 1972. “I had their illustrator do the illustration simply because I wanted to see what he could do. I was appalled. In my senior year, I sold another story, either to Galaxy or If. That one I chose to illustrate myself….

He also created prozine covers, as well as the cover for something called Harlan Ellison’s Chocolate Alphabet.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 31, 1959 — Neal Stephenson, 65.

By Paul Weimer: One of the true giants of our field today, and that’s not just because he writes doorstoppers that can be used as weapons. Neal Stephenson’s works have, ever since I picked up The Diamond Age (I would go back and read Snow Crash later) and saw his power as a cyberpunk writer who, in the middle of this novel, explained the fundamental basis for computer systems almost as a lengthy aside. Stephenson’s rich detail and backgrounding of stuff helped me get through the truly large historical Baroque novels which were often quite funny.

I’ve learned that trying to listen to Stephenson in audio is a commitment I just can’t make, unless I intend a multiweek road trip to plow through one. He remains a physical copy (for defense against zombies) and ebook only author for me. His Seveneyes, for example, my current favorite oif his works, is 31 hours in audio. I do have a copy…for perhaps when I am trapped and cannot read and need something to distract me. The sheer scale and breath of Seveneves is perhaps his biggest in terms of time frame in the novel, and is thus for me, the definitive Stephenson experience. One day I will reread it…but that day is not going to be today…nor will it be in just a day.

I haven’t yet picked up his new historical series starting with Polostan, but I must indeed find time with it. Given his painstaking detail in the Baroque cycle and elsewhere, I have high hopes for his take on the years running up to the first atomic blast.

(9) COMICS SECTION.

Breaking Cat News translates the alien agenda.
The Argyle Sweater relaxes.
Diamond Lil knows the cause of death.

(10) KEEPING TRACK OF HARRY POTTER. “Glenfinnan Viaduct: Repairing Scotland’s ‘Harry Potter’ bridge”. The BBC News video can be viewed at the link.

The Glenfinnan Viaduct is one of the best known landmarks in Scotland but at 123 years old, it’s in need of restoration work.

Rope access teams have been working day and night in recent months to strengthen the bridge’s concrete arches and trackside areas.

Made famous by the Harry Potter film series, hundreds of visitors gather at the viaduct each day to watch the “Hogwarts Express” train cross its 21 arches.

(11) A ROCKY PINNACLE. A Rocky Horror costumer tells Gothamist fan activity levels are “’Unprecedented’ — NYC ‘Rocky Horror Picture Show’ screenings are on the rise”.

They wanna go, oh-oh-oh-oh, to this late-night, single-feature picture show — which, on the eve of its 50th anniversary, is more popular than ever.

“The Rocky Horror Picture Show” has long been beloved as an off-the-wall musical, but in recent years its popularity has freshly reached a fever pitch.

This October alone, New York had well over 40 showings of the cult classic — a remarkable amount, according to Aaron Tidwell, who maintains a comprehensive spreadsheet of local screenings.

“I have never seen this many groups actively performing in New York,” said Tidwell, who has been with New York City’s longest running “Rocky Horror” shadowcast (a troupe of costumed actors who perform alongside the film) since 2005…

… As for the reason behind its current resurgence, Tidwell chalks it up to a few factors: Functionally, pandemic closures opened up “more spaces for ‘Rocky’ groups to get into” beyond just theaters. His spreadsheet of this month’s shows includes events at bars, burger joints and nightclubs. He posits the pandemic created a newfound drive for interactive experiences.

“I think that the 50th anniversary coming up is just massive,” he added. “So, kind of a perfect storm this year. We’ll see the peak of it next year.”…

(12) MARKS AND ANGLES. NPR reports on “’Witches marks’ and curses found at historic Gainsborough manor” in the UK.

A set of markings known as “witches marks” have been discovered carved into the walls of a historic medieval manor in England.

The “witches” or apotropaic marks — believed to protect against witches or evil spirits — and other ritual carvings were found at Gainsborough Old Hall in Lincolnshire in eastern England. They were discovered during two years of research by Rick Berry, a volunteer for English Heritage, the organization that oversees Gainsborough, along with more than 400 other historic sites, monuments and buildings.

Berry found and catalogued roughly 20 carvings in “a wide range of designs,” mainly in the servants’ wing, at the property, which dates back to the late 15th century, English Heritage said in a press release Tuesday.

They include a pentangle meant to ward off evil; overlapping V’s — also called Marian marks — which some believe to be a call to Virgin Mary for protection; and hexafoil designs believed to trap demons, the organization said.

Notably, rare “curse” inscriptions were found, which English Heritage said it had not previously seen at any of its sites. One such inscription was of the name of one of the property owners, businessman William Hickman, written upside down. Defacing a person’s name was thought to curse that person, according to English Heritage.

There were also 100 burn marks, which the organization said was to protect against fire.

Kevin Booth, head of collections at English Heritage, said the reason for the many markings at the site is unclear….

(13) PITCH MEETING. Ryan George takes us inside “The Shining Pitch Meeting”.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Warner Holme: My Favorite Halloween Novel

Posted on October 29, 2024 by Mike Glyer

By Warner Holme: In the end, really, there is just one choice. The novel where the point of view is from Snuff, a very good dog for a master who is trying to keep the stars from being right, and from entities from the Outer Dark, from coming to our world. A master who happens to be Jack the Ripper.

I speak of course of A Night in the Lonesome October by Roger Zelazny. Sure, Halloween is just the culmination of a novel that takes place over every day in October, but that final night, that dangerous Halloween night where the Door might be opened, or it might remain shut, is the capstone to a novel where we find ourselves rooting for Snuff’s owner, a terrible person by all accounts. But, then, Zelazny had a penchant, a skill, for writing “monsters that fight other monsters”.

Beyond Snuff, and Jack, the novel is peopled with literary monsters and characters. Your first read, for I predict you will read it more than once, is a “guess who THIS is sort of game.” On the second read, you can see just how skillfully Zelazny fulfills and defies tropes, and brings these characters to life.

There are those who read A Night in the Lonesome October every October, reading a chapter a day, just as the book is laid out, with its climatic chapter on Halloween itself. I’ve also read the book, cover to cover, in an entire sitting. It’s one of Zelazny’s last works, and, it is one of the most fun. While Kindle editions exist, and there is an audiobook (including a lost one read by Zelazny himself floating around), the original paperback, illustrated, is the best book I can think of to peruse on a Halloween night, when, indeed, the stars might be right.

Pixel Scroll 10/14/24 Pixelling Pigeons In The Scroll

Posted on October 14, 2024 by Mike Glyer

(1) SEATTLE WORLDCON 2025 SHORT STORY CONTEST. The Seattle Worldcon 2025 today announced a short story writing contest with adult and young adult entry categories. The winners in each category will be recognized at the convention, receive free memberships to the convention, and have their stories published in an upcoming anthology by Grim Oak Press. Full details at the link: “Writing Contest – Seattle Worldcon 2025”.

Stories must draw inspiration from the Worldcon theme: Building Yesterday’s Future–For Everyone. This theme was selected to invoke nostalgia for the hopeful science-fictional era of the early 1960s, when Seattle held its first (and until now, only) Worldcon, followed up by the Century 21 Exposition (a.k.a. 1962 World’s Fair), showing the world a vision of its technological future, complete with freshly built Monorail and Space Needle.

(2) WHEN BAD NEWS IS BIG NEWS. Charlie Jane Anders answers the question “Why Are Toxic ‘Superfans’ Such a Nightmare for Hollywood?”

…But even if @Fanboy3997 is not a king-maker, he can do a certain amount of damage to a franchise. This is at least partly a reflection of the fact that the internet, like so many other media before it, does a better job of boosting negativity and hate than spreading anything positive. (“If it bleeds, it leads.”)

Disgruntled fans can help to shape the narrative about a project in various ways.

1) They can drown out the people who actually like it.

2) They can even harass anybody who expresses enthusiasm for a project they don’t like.

3) They can do the aforementioned review bombing, and harass actors and creators.

4) They can create the appearance of a major backlash, even if it’s really just five people and an swarm of bots.

5) And, though journalists will never admit it, a angry fans have a major ally in the journalistic profession, which will assist in blowing their complaints way out of proportion and creating a fake controversy in order to manufacture drama that in turn will lead to eyeballs on news sites.

To some extent, this is what happened with Star Wars: The Last Jedi, a movie that was a massive financial success and one of the most successful movies of all time, with an “A” on Cinemascore (signifying that audiences in theaters overwhelmingly loved it.) What I’m convinced were a relatively small number of fans had a meltdown, which probably would’ve had a limited impact if journalists hadn’t chosen to run with it and create a news cycle around the backlash. That, in turn, led to the notion that

(3) IDENTIFYING DANGER. “INTERVIEW: J. Michael Straczynski” at Grimdark Magazine asks JMS in the context of his work on Last Dangerous Visions.

[GdM] Can you explain your perspective, and, by extension, Ellison’s, on what makes a story “dangerous” in speculative fiction?

[JMS] The distinction you draw is correct, in terms of how this relates to speculative or science fiction. There has been a lot of hard-edged, socially challenging writing in other forms and genres. Alan Ginsberg’s Howl, Jack Kerouac’s On the Road, the raw emotionalism of Lawrence Ferlinghetti’s A Coney Island of the Mind, JD Salinger’s Catcher in the Rye…all of them pushed the frontiers of writing, and many of them got banned or ended up in court on obscenity charges. But they kept on writing, because it was necessary to take a stand for literary freedom.

The SF genre was (and to a degree still is) fairly conservative and, seeing what happened to the writers noted above, tended to steer clear of controversy. This persisted up until the time of Harlan’s first Dangerous Visions anthology and the slow birth of New Wave Science Fiction (with writers like Michael Moorcock, Ursula K. Leguin, Samuel R. Delany and others poking at the walls of conservatism) which DV codified from individual efforts into a movement.

What makes a story dangerous in speculative fiction? Anyone who is willing to risk controversy, to speak to the flaws of society, to sexual and political issues even though they might get in trouble as a result. Harlan once wrote that “the chief commodity a writer has to sell is their courage,” and for me, that’s what a dangerous vision is all about: a story that requires a modicum of courage to tell it.

(4) FIRST FANDOM ANNUAL 2024. Editors John L. Coker III and Jon D. Swartz invite fans to order the First Fandom Annual 2024, devoted to a “History of the Sam Moskowitz Award”.

Sam Moskowitz, I-Con XIV (1995), Long Island, NY. Photo by John L. Coker III

Remembering Sam Moskowitz
The Sam Moskowitz Archive Award
The Sam Moskowitz Collection

Articles by Sam, photographs With Hal W. Hall, David A. Kyle, Robert A. Madle, Julius Schwartz, Jon D. Swartz, Ph.D., Joseph Wrzos

Fifty-six pages, 28# paper, heavy gloss color covers, printed endpapers, face-trimmed, saddle-stitched, B&W interiors, with color illustrations throughout.

Limited to (26) copies, available for $35. each (includes packaging, Priority Mail, insurance). Please send check or money order for $35 (payable to John L. Coker III) at 4813 Lighthouse Road, Orlando, FL – 32808.

(5) ALTERNATE BATMAN. [Item by Danny Sichel.] Paul Dini found some notes in his car on which he had long ago written alternate ideas for the resolution to Batman Beyond.

Huh. The things one finds jotted down on old legal pads deep in the trunk of one's car. pic.twitter.com/OtqYy1xdr5
— Paul_Dini (@Paul_Dini) October 13, 2024

(6) ART HENDERSON (1942-2024). Virginia fan Art Henderson died October 12 at the age of 82. He is survived by his wife, Becky.

Art and Becky Henderson at the 1974 Worldcon. Photo by and (c) Andrew Porter.

(7) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 14, 1952 – Charlie Williams. (Died 2021.) Fan artist Charlie Williams first came to prominence as a regular contributor to Chat, the Chattanooga clubzine published by Rich and Nicki Lynch. He also later appeared in all 30 issues of their Hugo-winning genzine Mimosa.

Williams was a member of the Knoxville Science-Fantasy Federation and in the 1970s, he owned a comics store in Knoxville and taught cartoon illustration at the University of Tennessee. At one time he was a member of the Spectator Amateur Press Association. He was guest of honor at Imagincon ’81 (1981), Con*Stellation II (1983), and Roc*Kon 8 (1983).

Williams loved to draw complex, inventive scenes several of which are displayed below, including a cover for an issue of File 770 from the Eighties.

(8) COMICS SECTION.

Brewster Rockit discovers the reason for a recent space event.
Eek! obviously thinks it’s “threat or treat”.
Lio has a classic reference.
The Argyle Sweater missed an update.
Macanudo underrates genre reading.
Tom Gauld knows about speed reading.

My cartoon for this week’s @GuardianBooks pic.twitter.com/gxkh0nilCA
— Tom Gauld (@tomgauld) October 12, 2024

And he’s had better days.

My latest cartoon for @newscientist pic.twitter.com/Ds5vn6jdr9
— Tom Gauld (@tomgauld) October 14, 2024

(9) POLITICAL COMICS. The makers of the “Stop Project 2025 Comic” website say:

We’re a group of comic book writers & artists who are furious about Project 2025, The Heritage Foundation’s plan to consolidate power under authoritarian rule. So we made a bunch of comics to explain their agenda and move you to vote against it.

(10) VIDEO GAME WITH NUANCE. “Metaphor: ReFantazio is the rare fantasy game that goes beyond racism 101” declares The Verge’s reviewer.

…But Metaphor is more than just a stylish, dynamic RPG — it’s also the rare fantasy story that tackles discrimination with nuance.

In a lot of fantasy, I’m annoyed by the storytelling conceit of using discrimination against fantasy races as an allegory for real-world racism. Stories featuring this trope usually stop at the “racism is bad” surface level, demonstrating that with ugly over-the-top displays of violence (hey there, Dragon Age) while ignoring the subtleties that make racism so heinous and pervasive. Metaphor manages to incorporate and tackle both aspects of this reality.

There’s a moment when you’re reading a fantasy book with a companion, and they mention that realizing their goal of a world where everyone is treated equally won’t be enough. “Equal competition doesn’t mean equal footing,” Heismay says. It’s the first time I’ve seen a video game acknowledge that simply stopping the big bad evil racist won’t magically make up for the countless generations of oppression. The game does the same with class and wealth. There’s a character vying for the throne who wishes to essentially “eat the rich” and redistribute their wealth at the point of a guillotine. But by virtue of her extremely low status, she sees everybody with more than a few coins to rub together as her ideological enemy. It’s just like when people in poverty lash out at other people a little bit less in poverty when their real enemies are the wealthy powerholders who exploit that animosity. It’s awesome that the game calls that out….

(11) SPACE DETECTIVE WORK. NASA’s JPL announces “First Greenhouse Gas Plumes Detected With NASA-Designed Instrument”.

The imaging spectrometer aboard the Carbon Mapper Coalition’s Tanager-1 satellite identified methane and carbon dioxide plumes in the United States and internationally.

Using data from an instrument designed by NASA’s Jet Propulsion Laboratory in Southern California, the nonprofit Carbon Mapper has released the first methane and carbon dioxide detections from the Tanager-1 satellite. The detections highlight methane plumes in Pakistan and Texas, as well as a carbon dioxide plume in South Africa.

The data contributes to Carbon Mapper’s goal to identify and measure greenhouse gas point-source emissions on a global scale and make that information accessible and actionable.

(12) ANNUAL APPARITION. “It’s Spirit Halloween season. How does the retailer stay afloat year-round?” NPR tried to find the answer.

SELYUKH: It is unusual. To be clear, it is a private company – Spirit Halloween – so we don’t know for sure, all of the under-the-hood stuff. They do skip the most expensive parts of being a retailer. That’s kind of how they save a lot of money on rent, utilities, workers. If you think about it, their stores – most of them are not permanent. Most of the store workers are temporary. Much of the year, Spirit Halloween mainly pays a big team to scout real estate locations, looking for empty store fronts. Then in late summer, the hustle starts for new stores to materialize. They’ve built over 1,000 of them.

RASCOE: That has to be a really big operation, like, turning all of these empty spaces into stores.

SELYUKH: It is, and it is very fast, too. You know, last year, I talked to a woman who worked at a mall where Spirit Halloween took over shuttered Sears, and she was describing an insane speed, like a matter of days. And I should say, I have tried a few times to get a tour of how Spirit Halloween works in an empty store or at least an interview with some official, and they don’t do interviews.

RASCOE: So you got ghosted. You see what I did there….

(13) EUROPA CLIPPER LAUNCHES. “NASA spacecraft rockets toward Jupiter’s moon Europa” and AP News wishes it bon voyage.

A NASA spacecraft rocketed away Monday on a quest to explore Jupiter’s tantalizing moon Europa and reveal whether its vast hidden ocean might hold the keys to life.

It will take Europa Clipper 5 1/2 years to reach Jupiter, where it will slip into orbit around the giant gas planet and sneak close to Europa during dozens of radiation-drenched flybys.

Scientists are almost certain a deep, global ocean exists beneath Europa’s icy crust. And where there is water, there could be life, making the moon one of the most promising places out there to hunt for it.

Europa Clipper won’t look for life; it has no life detectors. Instead, the spacecraft will zero in on the ingredients necessary to sustain life, searching for organic compounds and other clues as it peers beneath the ice for suitable conditions…

(14) COMET A3 FROM THE DC SUBURBS OF MARYLAND. [Item by Rich Lynch.] An iPhone photo…I just held the phone as steady as I could and hoped for the best. I’m actually amazed that it worked!

For those wanting to see the comet, this evening it’s located halfway between Venus and Arcturus, and remains visible for probably a couple of hours after the sun has set.

(15) TAKE INSPIRATION FOR YOUR HALLOWEEN BAKING. “Swedish chef making a pumpkin pie” – a Muppets excerpt.

(16) IN NO TIME AT ALL. Boing Boing says “’Skip Danger vs the Space-Time Continuum’ is a hilarious anti-time travel movie”.

…A wonderfully self-aware homage to Back to the Future and Hot Tub Time Machine — minus, perhaps, the actual time machine.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, N., Danny Sichel, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 10/7/24 Hello Dothraki, My Old Friend

Posted on October 7, 2024 by Mike Glyer

(1) SUSANNA CLARKE ON NATIONAL BBC RADIO. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s Book Club devoted its programme this Sunday to Susanna Clarke’s 2020 novel Piranesi. It was short-listed for the Hugo, Nebula, Kitschies, BSFA, World Fantasy, Dragon Awards, and won the Woman’s Book Prize. It also won Hungary’s Zsoldos Péter – ‘Best Translated Novel’.

Its plot concerns Piranesi, whose house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house – a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known…

Over four million copies have been sold worldwide. Currently, Oregon animation studio is adapting it for the big screen.

Susanna was interviewed in front of an audience who then got to ask questions.

Susanna Clarke won the Women’s Prize for Fiction with her novel Piranesi. She joins James Naughtie and a group of readers to answer their questions about this intriguing, tantalising novel.

You can download the .mp3 here: BBC Radio 4 – Bookclub, Susanna Clarke: Piranesi.

(2) ASHEVILLE: A REPORT FROM A FAN. [Item by Michael J. Walsh.] The author, Steven Vaughan-Nichols, was a member of the Washington SF Association, then years ago he moved to Asheville. “I’m a tech pro – but when a hurricane hit my mountain home, the disconnection shocked me” in ZDNET.

…We didn’t know this information then because our power had failed, the internet was down, and our phones were out. A few hours later, our water stopped, and a week later, most of these services were still out. (Cellular reception is better in some areas but still not what it was.)

Completely disconnected

After the first day, it began to sink in just how disconnected we were — not just from the world but also from friends only half a mile away. It’s horrible when you start to realize how bad things are in your community and can’t reach people to see if they’re OK.

I’d expected my power and internet to be off — an ERC Broadband 100 gigabit per second fiber backbone cable was down in my front yard. However, I didn’t expect to lose my Verizon cellular service. More fool me.

While most cellular towers were still up, 70% of western NC’s cell phone towers and equipment were out of service because their fiber connections had been cut. We had no fiber, no net, no phone, and no connection to anyone beyond our neighborhood.

Life is different without connections. I stay in touch with my friends, co-workers, and family through email, Slack, social networks, and, in a pinch, phone calls and texts. However, all of these communication methods were out. That also meant my loved ones, friends, and colleagues couldn’t reach me to ensure I was okay….

(3) HWA’S FUTURE. Mary SanGiovanni has published a wide-ranging discussion of her aspirations for the Horror Writers Association: “On the HWA” at A Writer’s Life.

So… I’d like to talk about writing organizations and the Horror Writers Association (HWA), from one professional writer to another, and to our industry at large. I have been plucking the strings of this particular harp for many years, and I think I may have, in the past, come across as critical, but that’s because I want to be proud of the HWA and see it do well. I have served as a Trustee, so I understand the inner workings to some extent. I am an Active member, and have been, on and off, for almost two decades. I see all that the organization could be and I can’t — I just can’t – give up on it without trying once more to generate some discussion about how to utilize the HWA to strengthen our position in the publishing world.

The following is what I would like the HWA or any other writing organization that I am a member of to be,- in a perfect world — or maybe just a fantasy world. If the HWA would like to use any of these ideas, please do so with my blessing and enthusiastic support. Also, please see the disclaimers which follow, as I imagine they will address any number of complaints people may have with the following essay….

Here’s an excerpt:

MISSION/FOCUS

Some years ago, the HWA opened the doors of its membership to Associate members, which, at the time, included editors, publishers, agents, booksellers, librarians, etc. Now, I absolutely think that it is crucial for writers (and for the organization as a representative of those writers) to work with people in other facets of the publishing industry. I believe the HWA should be able to facilitate such relationships through networking opportunities, introductions, directories, etc.

That being said, I also think that a writing organization should never lose sight of its primary goal, which is to protect the rights of and foster opportunities for writers. There are times (e.g. contracts) when the best interests of writers and the best interests of, say, publishers, may be at odds. It is important to have a steadfast supporter of writers to guide the business transactions and best practices whenever possible. That is harder to do if the writing organization’s loyalties are split between two factions. Maybe some rule or by-law (or general practice which governs decisions and official actions of the board) should generally reflect or default to writers’ interests. Perhaps the organization can find ways to work out compromises that all might be satisfied with, but writers’ interests should come first.

Also, I believe that a professional writing organization should foster an environment of professionalism — should insist on it, actually, at least in the spaces where the organization holds some dominion. Many of us think of our industry as a community or even a family of sorts, where business and pleasure in a sense often mix. Of course they do. We’re colleagues and co-workers, but also close and cherished friends, even lovers and spouses. There are people in this business I would take a bullet for. Of course we care about each other. BUT…

This is first and foremost an industry, a business. We need to treat it like one, and we need an organization, if called upon, to shepherd that professionalism. We need it to make wise and shrewd business decisions concerning the well-being of the membership. We need it to arbitrate in business matters, to support efforts of writers to demand fair treatment, equal pay (or hell, payment at all), and help navigate contractual snares, and to examine ways in which it can promote fairness and equality in the professional arena for all writers….

(4) DOWN TO THE WEAR BARS. LAist warns those planning a Halloween-tribute visit to this shrubbery that it is out of order: “PSA: The ‘Halloween’ hedge in South Pasadena is under maintenance”.

Every October, scores of people flock to a classic California Craftsman in South Pasadena to pay tribute to the horror flick, Halloween.

Just like the mask-wearing Michael Myers did in that exact location, visitors would peer out from the behind the hedge in maximum creepy fashion.

The stance requires one foot to be firmly on the lawn adjacent to the hedge. Day in, day out — it has amounted to quite a bit of wear and tear.

“We’ve always had an issue with our grass in general, so it’s not just that one area, but obviously because people do stand in that section…,” said Esther Park, who lives in the South Pasadena house with her family….

… The process of reseeding and fertilizing the entire front lawn is likely to take the next few months, estimated Park.

To alert those seeking photo ops, Park’s husband first put out plant labels asking folks to not step in the section, but recently had to upgrade to planting orange flags around it.

“I don’t know how much people really pay attention to that,” she said…

Here is the relevant clip from the 1978 movie: “The Hedge Scene”.

(5) JOSHI FELLOWSHIP TAKING APPLICATIONS. [Item by Michael J. Lowrey.] The John Hay Library at Brown University invites applications for its 2025 S. T. Joshi Endowed Research Fellowship in H. P. Lovecraft. The Fellowship is provided for research relating to H.P. Lovecraft, his associates, and literary heirs. The application deadline is January 17th, 2025.

The Hay Library is home to the largest collection of H. P. Lovecraft materials in the world, and also holds the archives of Clark Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog magazine, Caitlín Kiernan, and others. The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library (projects do not need to relate to Lovecraft). The Fellowship provides a monthly stipend of $2,500 for up to two months of research at the library. The fellowship is open to students, faculty, librarians, artists, and independent scholars. Applications are encouraged for projects that make use of material not already available digitally through the Brown digital repository.

For more information and to apply, please visit https://library.brown.edu/joshi/.

(6) HWA ANNOUNCES COMPLAINT RESOLVED. HWA’s Volunteer Coordinator Lila Denning published this statement about the resolution of complaints brought by Cynthia Pelayo and Clash Books.

In my official capacity as HWA Volunteer Coordinator, I was asked to share this information:

In response to official complaints filed by author member, Cynthia Pelayo, and publisher member, Clash Books, the HWA engaged its formal Anti-Harassment Policy and met with both parties. The HWA Board is pleased to report, that the complaint has been settled and both parties are in agreement with plans to go forward. While any terms are private between the two parties and the HWA, there are a few statements that, at the request of both parties involved, the HWA agreed to share with the larger HWA membership to eliminate confusion and/or speculation in the public sphere.

Clash would like to truly apologize for sharing untrue personal information about Pelayo, her family and representatives, while Pelayo would also like to publicly apologize for tagging authors and parties who had nothing to do with the situation on social media. Otherwise, all parties want to be clear that they are going to be at StokerCon in June 2025 and have no problem being in the same places in a professional setting. The parties involved appreciate their privacy in this matter and are ready to move on.

Finally, Pelayo, Clash Books, and the HWA Board would like to remind all members that the HWA is here to support their members. There is a formal process to deal with harassment. All parties want to encourage others in the HWA community to bring their concerns to the Board rather than taking their issues to social media.

The HWA Anti-Harassment Policy can be found here.

(7) JOKER FLINGS BOMB. NO ONE INJURED. [Item by Mike Kennedy.] Joker 2 has laid an egg at the box office, but no heads will roll. The Hollywood Reporter believes it knows why. “’Joker: Folie à Deux’ – Who Is to Blame for the DC Disaster?”

… But over the Oct. 4-6 weekend, everyone at Warners, including the executive duo, were left reeling as Folie à Deux collapsed in its box office debut with a $37.8 million domestic opening after becoming the first comic book movie in history to receive a D CinemaScore. Phillips, according to one source, spent the weekend in seclusion on a ranch property he owns.

Domestically, Folie à Deux opened well behind DC’s 2023 The Flash ($55 million) and Marvel Studios’ The Marvels’ ($46.1 million), both of which were major bombs. It also came in behind Sony’s relatively inexpensive Morbius ($39 million).

“It is complete audience rejection,” says one source close to the film.

Overseas, Folie à Deux came in at an estimated $81 million, in line with expectations but still notably behind the first film.

While it is not the lowest North American opening for a pic based on a DC character, Joker: Folie à Deux is major stumble. Yet numerous sources tell THR that there’s no studio head in Hollywood — save perhaps for Sony Pictures’ Tom Rothman — who would have turned down making a sequel to a film that was both a commercial and critical hit. To boot, Abdy and De Luca were under orders by Warner Bros. Discovery chief David Zaslav to fill a bare cupboard after the studio’s Project Popcorn disaster, which alienated talent by sending its entire 2021 slate day-and-date to streaming service Max. Zaslav also is keen to exploit the company’s IP more fully.

“It is a collective failure, but it was right to make this movie,” says one top veteran producer and financier, who points out that Phillips is a brilliant directorwho has made Warners billions between the first Joker and The Hangover movies.

Still, observers wonder how De Luca and Abdy could have presided over a film that veered so far off course from what audiences wanted or expected.

One answer, perhaps: Phillips was given an extraordinary level of autonomy and final cut. There was no test screening, though insiders say this was a mutual decision between the filmmaker and Warners in order to preserve spoilers. That decision does stretch credulity, as the film does not have a particularly spoiler-heavy plot, and even spoilerific movies like Marvel Studios’ Avengers: Engdame had multiple test screenings…

(8) ROBERT J. COOVER (1932-2024). Author Robert J. Coover died October 5 at the age of 92. Honestly, to me, his most interesting book was The Universal Baseball Association, J. Henry Waugh, Prop. (1968) about a fantasy baseball league, however, the Associated Press didn’t even mention it in their obituary:

…His notable works included “The Babysitter,” in which a night out for the parents multiplies into a funhouse of alternative realities; “You Must Remember This,” an X-rated imagining of the leads in “Casablanca,” and the novel “Huck Out West,” in which Coover continued the adventures of Mark Twain’s Huckleberry Finn.

“A lesson I learned from reading (Thomas Pynchon’s) ‘V’ has stuck with me all my life: All my work is basically comic,” he told the Boston Globe in 2014. “That’s the only thing I have ever written. Even though they’re not always viewed as such, the books are all meant as comic works.”…

The New York Times admired those books and some others, including The Public Burning.

…Political myths came into Mr. Coover’s cross hairs in “The Public Burning” (1977), a novel that reimagined the case of Julius and Ethel Rosenberg, the married couple who were convicted of conspiring to steal atomic bomb secrets for the Soviets and executed in 1953.

The novel featured the Rosenbergs and other historical figures, like Richard M. Nixon and J. Edgar Hoover, as well as two mythic characters, Uncle Sam and the Phantom, who represented the overheated rhetoric of Cold War antagonism.

…Mr. Coover was an aggressive purveyor of puns and other willfully playful devices (he once named a detective Philip M. Noir), a tendency that some critics found both energizing and exhausting….

(9) COMICS SECTION.

Carpe Diem claims it’s all in the timing.
Rubes has another take on that asteriod.
Spectickles announces a landing.
Crankshaft says Bradbury predicted our future.
Tom Gauld knows some people can’t stand winning.

My latest @newscientist cartoon pic.twitter.com/8nHuTUJTEr
— Tom Gauld (@tomgauld) October 7, 2024

(10) ‘ARCS’ BOARD GAME REVIEW. [Item by N.] A little late, but it seems that there was a delay on retail sales because of the East Coast port strike. Now that the strike is concluded, expect copies to show up at your local tabletop game store over the course of this month. “Arcs, from Leder Games, turns a folk card game into a space opera” at Polygon.

…Arcs: Conflict and Collapse in the Reach is yet another radical attempt at tabletop innovation. The end result, available at retail beginning Oct. 1, is a unique approach to single-session strategy wargaming that evokes classics like Risk and Twilight Imperium. But when paired with a massive day-one expansion, Arcs morphs into a mind-blowing three-session campaign game with evolving rules and curious in-fiction discoveries. It’s completely over the top in all the best ways, and there’s nothing yet released quite like it….

(11) IT’S NOT PRINCE ALBERT IN THESE CANS. “Thunderbirds: Berkshire unseen film cans found in garden shed” – BBC has the story.

Film cans containing unseen footage of the Thunderbirds TV show have been found in a garden shed.

A family found the cans – light-tight containers used to enclose film – in a Buckinghamshire shed belonging to their father, who was an editor on the show and died recently.

Stephen La Rivière, from Century 21 Films which received the 22 old cans, said they mainly contained Thunderbirds material from the 1960s, including an alternative version of an episode that was never broadcast.

It is hoped the footage – filmed on the Slough Trading Estate in Berkshire – can be shown to the public as part of the series’ 60th anniversary next year….

(12) CAROL ANN FORD WANTS BACK IN. “Original Doctor Who star ponders ’emotional’ return” she tells the BBC.

… Carole Ann Ford, from Ilford, played Susan, granddaughter of the Doctor played by William Hartnell when the BBC show started in 1963. The character has been frequently mentioned in the recent series with Ncuti Gatwa.

During an appearance at Luton Comic Con, the actress said she wanted to return although she admitted it “would be very emotional.. very emotional”.

“I don’t know if I could survive the excitement actually, it would be intense beyond all intensity,” she said.

Carole Ann Ford, far right, says a return to Doctor Who will be emotional 60 years on

The 84-year-old is the last member of the original cast following the death of William Russell in June.

She said: “It’s not just returning, it would bring back all the memories of William Russell and Jackie and Bill [William Hartnell] and various other people who aren’t with us anymore.

“I might be a little bit overcome and start blubbing.

“I keep being reminded I’m the last one standing and it’s not something I’m happy to hear.”…

… Last year the character returned to screens in a newly colourised version of the 1963 episode, The Daleks, which was broadcast on BBC Four to mark the show’s 60th anniversary.

The actress encouraged fans to be vocal in their support of her return if there was any chance of her returning.

In an interview on BBC Three Counties Radio, she hinted that she had had “one or two” conversations about returning in the past.

“I’ve had many conversations about going back, maybe not with the right people, I don’t know,” she added.

When it was suggested her character could be recast, she joked: “They better not, I’d burn the studio down.”…

(13) PUMPKIN SPICE MIL-SF. Military.com says these are “The 10 Best Military Horror Movies for the Halloween Spooky Season”.

It’s difficult to make a decent military horror movie. If we want the audience to be scared, the good guys need to be scared, too — but the scariest things about life in the U.S. military are black mold in the barracks and jet fuel in the drinking water. Frightening? Yes, absolutely, but not in a Hollywood “scream queen” kind of way.

Still, a good military horror movie isn’t impossible. The stakes just need to be a bit higher, the monsters a bit bigger and the heroes a bit harder. And the terror most often isn’t from the supernatural: The biggest bogeyman for the military in horror movies is usually the government, just like in real life….

1. “Aliens” (1986)

“Alien” is probably the greatest sci-fi horror movie ever made, so it only stands to reason that a sequel that employs space Marines to fight the aliens is going to make for the best military horror movie ever. Indeed, “Aliens” has everything the original has: a scary monster (the Xenomorphs), a great hero (Sigourney Weaver as Ellen Ripley) and a lot of people to shockingly kill off one by one. It’s even scarier because the audience knows exactly that, aside from the threat of getting ripped in half, what makes “Aliens” so frightening is being hunted and overrun by a swarming enemy — an enemy you know is going to impregnate you orally and stick you to a wall for the baby to exit via your chest. It doesn’t get much better (or worse, depending on who you ask) than that….

(14) TALL WALL. “Huge LEGO ‘Game of Thrones’ The Wall Has 200,000 Pieces – Is Very, Very Cool” reports the Bell of Lost Souls.

The Wall is maybe the most iconic setting in Game of Thrones. Constructed by Bran the Builder in the Age of Heroes, it marks the northern border of the Seven Kingdoms. Some three hundred miles long and several hundred feet high in most places, it is one of the wonders of the world. Of course, the wall is no normal wall; it is built of ice and carries potent magical protections.

Originally meant to keep the Others out of the Realms of Men, for most of its history, it instead kept the Wildlings of the North out of the Seven Kingdoms. The Wall is home to The Night’s Watch. This order of men sworn to defend the Wall and the Realms of Men has built a number of castles into the Wall. Along with the Red Keep, it is one of the major setting locations of the story.

The Wall has now been rendered in stunning detail in LEGO. Done by the talented Anuradha Pehrson (you can find their Flickr here), this immersive build has over 200,000 pieces. It’s a truly massive build and includes several sections of The Wall and vignettes combined into one. The model takes up a full 5 ft x 5 ft square and is about 4.5 ft tall. Due to having several elements and scenes, it is not consistent on one scale.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, N., Michael J. Walsh, Michael J. Lowrey, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/22/24 Ice Cream Covered With Pixels Served In A Scroll, The Dessert Of Young Filers Everywhere

Posted on May 22, 2024 by Mike Glyer

(1) 2024 WORLD FANTASY AWARDS NOMINATIONS DEADLINE ALMOST HERE. Members of the 2022, 2023, and 2024 World Fantasy Cons have until Friday, May 31 to nominate material for the 2024 World Fantasy Awards^SM. Five nominees will be selected in each category. Three of those are selected by a panel of judges, and two will be chosen by popular vote of World Fantasy Convention members from 2022, 2023, and 2024. Eligible works will have a 2023 publication date. See full instructions at the link.

The World Fantasy Awards^SM recognize the best in fantasy fiction published during the previous calendar year, and also honor those individuals who have made exceptional contributions to the fantasy and horror genres during that same time period. The awards are given each year at the annual World Fantasy Convention. They were first given in 1975, at the organization’s initial gathering. This year marks the 50^th World Fantasy Convention, which will be held October 17-20 in Niagara Falls, New York. The World Fantasy Awards^SM will be presented at a banquet on Sunday, October 20th at the conclusion of the convention.

For information or to register for this year’s World Fantasy Convention in Niagara Falls, visit the convention website.

(2) SFF AUTHOR ON JEOPARDY! Writer Ellen Klages appeared as a contestant on tonight’s aired episode of Jeopardy! Screencap courtesy of Steven H Silver. As Lenore Jean Jones described her attire, “She’s wearing a cool overshirt covered with space designs.” How did she do? We’ll report that tomorrow, since this Scroll will post before the show airs on the West Coast.

(3) TUNES FOR GAIMAN BOOK. The Guardian foreshadows that “Neil Gaiman’s Coraline to become ‘dark, spangly’ stage musical”.

Neil Gaiman’s award-winning novella Coraline is to be turned into a musical that will tour the UK in 2025. The children’s fable, which found a new audience 15 years ago as a stop-motion animation by Henry Selick, has been adapted by playwright Zinnie Harris and composer Louis Barabbas….

[Director Brining] said this is what prompted them to collaborate with Barabbas: “His music has got a gothic quality. It’s got creepiness and wit, he can write lyrics that hold rich imagery and themes that respond to the novel. The gothic is a key characteristic of Gaiman’s work and the music will help define that atmosphere on stage.”…

(4) NOT WHERE YOU’D EXPECT. The Ozarks at Large program on NPR affiliate KUAF in Fayetteville, Arkansas recently devoted a segment to “Books from this year’s Hugo Awards”. The guest was Pastor Clint Schnekloth, whose DisCon III report we linked to in a 2021 Pixel Scroll. And he is remarkably well-informed.

Pastor Clint Schnekloth of Good Shepherd of the Ozarks joins Ozarks at Large’s Kyle Kellams to discuss another round of books. This week, they talk about the 2024 Hugo Awards and the controversy that plagued last year’s contest.

(5) MEMORY LANE.

[Written by Cat Eldridge.]

May 22, 1981 — Anniversary of the release of Outland.

I decided to do something different today which is look at a film which was released to today that got a Hugo nomination, that being Outland and the nomination being at Chicon IV. Unfortunately that was the year that Raiders of the Lost Ark was on the ballot…

Outland premiered forty-three years ago this date in the States in select cities, but everywhere that following weekend.

Now let’s go back to the creation of this film. This original title of the film was Io as it’s set on Jupiter’s moon Io, but audience testing showed that wasn’t an understandable at all so test audiences thought it was the number ten, or, at least to me quite puzzlingly, low. So in homage to the Western genre, it became Outland.

Which was appropriate as the writer Peter Hyams wanted to do one: “I wanted to do a Western. Everybody said, ‘You can’t do a Western; Westerns are dead; nobody will do a Western’. I remember thinking it was weird that this genre that had endured for so long was just gone. But then I woke up and came to the conclusion – obviously after other people – that it was actually alive and well, but in outer space.”

So they had a script that they really liked, now they need their actor. They wanted and got Sean Connery to be in their version in High Noon. Connery’s career had been in a nose dive as of late then, so this was a golden chance for him, so he took the role.

Law enforcement officers are faced with the nature of right and wrong, and duty versus keeping themselves safe, but while Will Kane in High Noon is played as an archetypal hero who discovers the world isn’t black and white as he was led to believe, Will O’Niel already exists firmly in the gray where things are always messy when we meet him.

Connery was magnificent in this role. In addition to Sean Connery, the movie includes performances by Peter Boyle, Frances Sternhagen, and James Sikking, who deliver memorable portrayals of complex characters.

So they’ve got the lead and the rest of an excellent core cast, now they had to film a movie. They had a very tight budget, just seventeen million dollars. The quite amazing sets were enhanced by the use of a new filming process called Introvision which allowed the director to mix a combination of sets, mattes and a generous use of miniatures in-camera, avoiding the then-lengthy process of extensive use with green screen.

Critics were mixed on it. Gary Arnold at the Washington Post thought it was “trite and dinky” whereas Desmond Ryan at the Philadelphia Inquirer called it: “A brilliant sci-fi Western.”

I said it cost seventeen million to make, and it made, errr, just about seventeen million dollars. That likely means that it actually lost money for the studio. Not that the studio would admit that.

Now I liked the film. I saw it on some theater screen not long after it came out and thought it worked rather well, but then I think it is police drama rather than a SF film.

(6) COMICS SECTION.

Saturday Morning Breakfast Cereal breaks down what is and isn’t a myth.
Close to Home witnesses a waiter’s gaffe.

(7) DO YOU ACCEPT THE CHALLENGE? GiantFreakinRobot asks “Can You Name Every Film In The Ultimate Sci-Fi Movie Supercut?” P.S. The video was released in 2012, so it’s missing references to a bunch of films you might expect to see included.

When it comes to sci-fi fandom, everyone wants to think they are the consummate expert on the subject, all-knowing and all-powerful in this movie universe. And many of you probably are. You are reading this article after all, one that posed something of a challenge at the jump.

Well, there is one movie fan out there that wants to challenge your fandom and expertise in the best possible way. That’s by putting a ton of movies together in one awesome sci-fi supercut to see if you can name them all. It’s six-plus minutes of greatness, with some of the most iconic scenes from some of the biggest franchises.

(8) LOSING FAITH. In “Buffy The Vampire Slayer Fans Still Think About This ‘What-If’”, CBR.com wiles away the hours with a thought experiment.

In a series with as many moving parts as Buffy the Vampire Slayer, changing the outcome of any major event has massive repercussions on everything that comes afterward. Of all the Buffy “What ifs?” few are as tantalizing as the notion of “What if Faith never turned evil?” Faith Lehane, the fan-favorite hero turned villain turned anti-hero, is among the most powerful and dynamic characters in the series, and her continued presence in the main cast beyond Season 3 would change the way the story played out.

Nothing about Buffy the Vampire Slayer would be the same if Faith had remained with the Scoobies instead of joining forces with Mayor Richard Wilkins III. With two united Slayers growing stronger together, and able to support each other, the forces of good would be stronger than ever, and the chaotic presence of Faith would shift the group dynamic among the heroes. With additional information gained about the characters post-series, it’s even possible that Buffy’s romantic life would take a sharp turn….

(9) SCROLL SING-ALONG. Meanwhile, another great piece of literature tickled someone’s muse today. Applause to Randall M. for his File 770-inspired filk, posted in comments.

Everybody’s talkin’ bout free speech
Out in the public square,
But when the Pixel Scroll gets here
Everybody’s gonna comment there.

Come all who file,
Come all who lol
You’ll not see nothing like the Pixel Scroll…

(10) WHAT TRICK-OR-TREATERS CAN EXPECT. Get a Halloween head start at Food and Wine. “Mars Wrigley Reveals Its Halloween 2024 Candy Lineup”.

…That lineup includes the brand-new M&M’s Milk Chocolate Pumpkin Pie, which is set to hit store shelves soon to give people a taste of the “sweater weather” to come. The company is also bringing back fan favorites like Twix Ghoulish Green, M&M’s Ghouls in Milk Chocolate, and Snickers Pumpkins, which are also coming with a brand-new look. And it also announced it’s expanding its variety bag offerings this year, going “even bigger with its blends of fruity and chocolate candies to meet shifting consumer preferences.”…

(11) FIRST AMERICAN BOARD GAME. Smithsonian Magazine studies “What America’s First Board Game Tells Us About the Aspirations of a Young Nation”.

…As I sat in that archive… I beheld another first in American printing: a board game called the Travelers’ Tour Through the United States.

This forgotten game, printed in 1822, the year after Missouri became a state, has a lot to say about America’s nascent board game industry, as well as how the young country saw itself….

…Since the Travelers’ Tour was the first board game to employ a map of the U.S., it might have been an especially interesting gift for American consumers.

It’s difficult, however, to gauge just how popular the Travelers’ Tour was in its time. No sales records are known to exist, and since so few copies remain, it likely wasn’t a big seller.

A global database of library holdings shows only a few copies of the Travelers’ Tour in institutions around the U.S. And while a handful of additional copies are housed in museums and private archives, the game is certainly a rarity.

Teetotums and travelers

Announcing itself as a “pleasing and instructive pastime,” the Travelers’ Tour consists of a hand-colored map of the then-24 states and a numbered list of 139 towns and cities, ranging from New York City to New Madrid, Missouri. Beside each number is the name and description of the corresponding town.

Using a variant spelling for the device, the instructions stipulate that the game should be “performed with a Tetotum.” Small top-like devices with numbers around their sides, teetotums functioned as alternatives to dice, which were associated with immoral games of chance.

Once spun, the teetotum landed with a random side up, revealing a number. The player looked ahead that number of spaces on the map. If they could recite from memory the name of the town or city, they moved their token, or traveler, to that space. Whoever got to New Orleans first won….

(12) BAD TIME TO BE A THRIP. “Sticky trick: new glue spray kills plant pests without chemicals” – the Guardian tells how it works.

Tiny sticky droplets sprayed on crops to trap pests could be a green alternative to chemical pesticides, research has shown.

The insect glue, produced from edible oils, was inspired by plants such as sundews that use the strategy to capture their prey. A key advantage of physical pesticides over toxic pesticides is that pests are highly unlikely to evolve resistance, as this would require them to develop much larger and stronger bodies, while bigger beneficial insects, like bees, are not trapped by the drops.

Pests destroy large amounts of food and chemical pesticide use has risen by 50% in the past three decades, as the growing global population demands more food. But increasing evidence of great harm to nature and wildlife, and sometimes humans, has led to a rising number of pesticides being banned.

Some farmers already use alternatives to chemical pesticides, such as introducing other insects that kill the pests, but the new sticky drops are thought to be the first such biodegradable pesticide to be demonstrated.

The drops were tested on the western flower thrip, which are known to attack more than 500 species of vegetable, fruit and ornamental crops. More than 60% of the thrips were captured within the two days of the test, and the drops remained sticky for weeks.

Work on the sticky pesticide is continuing, but Dr Thomas Kodger at Wageningen University & Research, in the Netherlands, who is part of the self defence project doing the work, said: “We hope it will have not nearly as disastrous side-effects on the local environment or on accidental poisonings of humans. And the alternatives are much worse, which are potential starvation due to crop loss or the overuse of chemical pesticides, which are a known hazard.”

The research, published in the journal Proceedings of the National Academy of Sciences, took an edible plant oil and oxidised it to make it as sticky as duct tape, a process similar to deep frying. The oil was then blitzed in a “glorified blender” along with water and a little soap to stop the droplets sticking together.

This solution was then sprayed on to the leaves of chrysanthemum plants, the thrips’ favourite food and a huge commercial crop in the Netherlands. It was also tested on strawberries. The sprayers used are the same design as those already used by farmers and field trials this summer will test the process at scale.

Fly paper already exists but obviously cannot be sprayed and Kodger said: “Fly traps are extremely effective against pests but they’re also extremely effective against pollinators.” He said bees were too big and strong to get stuck in the millimetre-size drops.

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd over at PBS Space Time takes a look at interstellar travel without Faster Than Light (FTL).

FTL is a common SF trope as it gets around plot difficulties of having protagonists travel vast distances over many lifetimes. However, there is an SF trope that is fairly commonly used that does not require FTL for interstellar travel and that is that of the generation ship…

Matt takes a deep dive…

“In the far future we may have advanced propulsion technologies like matter-antimatter engines and compact fusion drives that allow humans to travel to other stars on timescales shorter than their own lives. But what if those technologies never materialize? Are we imprisoned by the vastness of space—doomed to remain in the solar system of our origin? Perhaps not. A possible path to a contemporary cosmic dream may just be to build a ship which can support human life for several generations; a so-called generation ship.”

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Steven H Silver, Lenore Jean Jones, Lise Andreasen, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Dern Grim Bedtime Tales

Posted on October 31, 2023 by Mike Glyer

By Daniel P. Dern: As you may or may not (more likely, may not) know, I have, over the past decade or so, written, aside from File770 scrolls and items, and other stuff, a bunch (a few dozen) stories for kids (and their adults), under the umbrella name of Dern Grim Bedtime Tales, Few Of Which End Well. They are intended to be Morally Instructive To The Listener, and Therapeutically Cathartic For the Reader (and The Writer).

For example:

“The Girl Who Never Cut Her Hair”
“The Boy Who Would Not Brush His Teeth”
“The Girl Whose Friends Did Not Want To Play With Her”
“The Boy Who Stuck His Elbow In His Ear”
“The Boy Who Didn’t Want His Food Touching Each Other”
“The Children Who Did Not Like Gilbert And Sullivan”
“The Girl Who Loved Animals, Especially Dragons”

Some include SFnal memes and themes, e.g. robots, dragons, aliens. Also, unsurprisingly (to those who know me), the occasional pun.

Most are short enough (flash length) to be read aloud (and heard) in a few minutes – some in under a minute! So I can do a reading of half a dozen pieces in ten to fifteen minutes (depending on whether I’m also doing magic tricks in the same session) — which makes them ideal for short/shared/group program items.

I’ve done readings at dozens of cons (Arisia, Boskone, WorldCons mostly) in DragonsLair (kids programming) and in main program readings, and also in some mundane places (libraries and schools). (They aren’t, mea culpa, yet available via any of the usual outlets. To say I’m interested and/but embarrassingly behind in that goes, like Milo’s car in The Phantom Tollbooth, without saying.)

Mike Glyer has graciously agreed to run my Halloween one, “The Children Who Ate All Their Halloween Candy Too Soon”, as a scroll. (I’ve done a quick update on some of the Internet/technology bits.)

Enjoy!

THE CHILDREN WHO ATE ALL THEIR HALLOWEEN CANDY TOO SOON

(A Dern Grim Bedtime Tale)

by Daniel P. Dern

There once was a boy and a girl who ate all their Halloween candy too soon.

And they had a lot.

They had carefully compared notes with their friends of all the best places to go Trick-or-Treating, and checked the lists they had kept from last year.

They used their phones to update their maps, and tag each house with what they knew, with special Halloween emojis including some they’d created. They made spreadsheets, and charts, and more maps, and then planned their routes based on what they wanted most, and which houses started being available first, and which ones went latest, and which houses tended to run out first. They added in weather and road condition feeds, and alerts from all their social media accounts.

They organized with some of their friends, and set up groups, with several kids having extra bags “for my little sister who’s sick.”

They set up lists and chats and a Discord server real-time “who’s where” maps so they could communicate as the night went on. Of course, including pictures of new or interesting houses, costumes and candy.

They made sure they had flashlights that worked, and extra batteries, plus ‘flashlight’ apps on their phones. They convinced some of their parents to give them rides, either to other areas of town, or so they could start at the right places. It was like planning for a day at Disney World, except with even more to do, and much less time – although fewer and much shorter lines.

They carefully selected costumes that they could walk quickly in, and that were easy to tell what they were, so they didn’t have to waste time explaining. They practiced walking around and up and down stairs with their costumes on, and made sure they had bags that opened easily and let stuff be dropped in. They practiced walking in groups that could go quickly along the sidewalk, and forming lines at the door that could be ‘treated’ quickly. They got one of their older siblings to pretend being an adult at a door, and practiced saying “Trick or treat!” and “Boo” and even “Thank you very much!” — because they had learned that sometimes saying “Thank you” got them extra candy from a house.

They had chosen and designed their costumes so they could wear their old backpacks, to periodically unload what they had already gotten from the bags they were holding out, so that those bags would look emptier. They got extra bags, with their names on them, to leave in the car or have one of the adults carry. And they got pouches they could carry, to quickly put in the things they didn’t want their parents to see, either because it was something they weren’t allowed to have, or because it was something they didn’t want to have to “share” with their parents. Or just because they could.

One or two kids even got extra masks and capes, so they could go back to a house that gave good stuff and pretend they were somebody else.

And so, of course, they ended up with a lot of candy.

A lot.

Their parents, of course, didn’t let them keep it all. “Junk.” “Sugar.” “Junk.” “You don’t need five of these.” “Junk.” “Yuck.” “Sorry, your allergies. ” And there was a lot that they didn’t want, and even after they traded among themselves, there was still a bunch that nobody wanted.

But even after all that, they still had a lot.

But a week later — a week! — it was all gone! All the candy, that is. They still had lots of little boxes of raisins and tiny bags of pretzels and some mini-fruit roll-ups, but the candy was all gone — eaten, that is.

Somehow, the boy and the girl who had eaten all their Halloween candy had not gotten sick — or caught.

One afternoon, the day after the boy and the girl had eaten the last of their Halloween candy, the doorbell rang, and when the boy and the girl went to the door — which they were not supposed to do without an adult in the room, but their big brother was in the bathroom — they saw a small green creature.

It had scaly, slimy skin and cool waving purple tentacles all over its head, and had three eyes as big as fried eggs, and was wearing what looked like a shirt made of old DVDs and soup-can lids.

The creature held up four arms — or armlike tentacles, it was hard to tell — and said “Wuggereet!”

“What?” said the boy politely.

“Wuggereet!” repeated the creature.

“Trick-or-Treat?” said the girl.

The creature nodded, making all its tentacles wobble and the shiny disks on its clothes clatter.

The boy and the girl looked at each other. “Halloween was last week,” said the boy.

“Wuggereet!” repeated the creature.

“Wait here,” said the girl. She ran back to her room, and came back with a handful of boxes of raisins and two fruit roll-ups. “This is all we have left.”

“Zhacklaw,” said the creature. “Endee.”

“I’m sorry,” said the boy. “We don’t have any left.”

The creature shook again, set down its bags, and reached its four arm-tentacles through the shiny disks at its sides, and pulled out what looked like a ray gun, a blaster, a disintegrator, and a space disrupter, and pointed them at the boy and the girl.

“Zhacklaw,” said the creature. “Endee.”

“We don’t have any,” said the girl, who was still holding the raisins and fruit roll-ups. “This is all we’ve got.”

“Dreet!” said the creature, and pointed its weapons at the boy and the girl. “Zhacklaw!”

“I’m sorry,” the boy said. “We ate all the good stuff already.”

Zzzzppppp!

– END –

Pixel Scroll 10/14/23 The Bear That Shouted “Honey!” At The Heart Of The 100-Acre Woods

Posted on October 14, 2023 by Mike Glyer

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Setup for Worldcon

Here’s a photo gallery showing some of the décor created for the Worldcon inside the Chengdu Science Fiction Museum. More at the link: http://xhslink.com/0yicuv

(2) MORE BAD NEWS FROM INTERZONE. Interzone publisher and editor Gareth Jelley has elaborated on the magazine’s switch to a solely electronic format, which was announced to subscribers the other day.

…It has been a hard call to make, but due to a very significant drop in subscriber numbers over the last three years, and the volatility of the paper market, I have decided that Interzone will be switching to electronic publication — from Interzone #296 onwards, issues of the magazine will be released as ebooks and no print edition will be produced.

When I took Interzone over from Andy Cox, I was determined to get Interzone back onto a bimonthly schedule and I also wanted to keep Interzone going as a print publication. I believed this was possible, and I did everything I could, day in, day out, to keep the print incarnation of IZ alive. Many IZ readers and fans also went above and beyond when I asked for help getting #295 into print.

The reality now is that Interzone subscriber numbers have fallen too far, too quickly, and are not where they need to be to keep Interzone in print and simultaneously back onto a regular, bimonthly publication schedule; and for a zine like IZ, once it is a choice between print and frequency, it is a no-brainer. Anything else is unfair to contributors and frustrating for readers.

Interzone is still not completely out of the woods, financially. I have drained my resources getting Interzone #295 published and it will take a little time to get Interzone #296, in its new electronic form, ready for publication. I am hoping it will not be too long, maybe even before the end of the year. and I will let you know as soon as I can….

(3) NEW YORK REVIEW OF SCIENCE FICTION READINGS. Jane Fancher and C.J. Cherryh make their NYRSF Readings debut on Wednesday, October 18 at 7:00 p.m. Eastern. Defiance, their latest novel in the Foreigner series, is being released that week

NYRSF can be watched LIVE at https://.facebook.com/groups/NYRSF.Readings or at https://youtube.com/streams.

The host will be Nebula finalist Barbara Krasnoff.

(4) OFFICIAL BLOCH WEBSITE. [Item by Rich Lynch.] The Robert Bloch Official Website now features “Bloch’s Acceptance Speech”” from the 1975 First World Fantasy Convention.

…About two months ago in London at Coyle’s Bookshop, they gave one of their monthly luncheons. This one was in honor of a gentleman I don’t think you are aware of—a music hall performer named Arthur Askey. It was the occasion of his seventy-fifth birthday and the publication of his book. Arthur said something which I find strangely apropos at this moment. He looked around the table and said, “This luncheon is not a work of fiction, because everybody at this table is either living or dead.” I have much the same feeling.

This is of course formerly the Arkham Hilton, and probably Mr. Lovecraft did spend a night or two here. I know that last night the sounds I heard could have been the inspiration for “The Rats in the Walls.” I knew I was in the right place when I came here. I walked into the bar and I heard somebody ordering a gin and Miskatonic…

(5) LOVE OF TREK. [Item by Nancy Sauer.] NPR has a brief essay (and love letter) by someone who was deeply influenced by Star Trek. Heartfelt and interesting. “How Star Trek helped me find my own way”.

… I honestly don’t remember a time when I didn’t love Star Trek. I do remember when I started to realize that this show, and my father who introduced me to it, built the foundation for my sense of social justice as an astrophysicist of color. The show helped me, and my father, find a place within our culture….

… What I really related to — the show that I anticipated each week and bawled when it ended — was Star Trek: The Next Generation. This was a sequel to the original series that aired in the ’60s, a show that Martin Luther King Jr. loved!

The Next Generation had the young LeVar Burton as the chief engineer Geordi La Forge. He was famous as the lead in the TV cultural phenomena Roots and would later make everyone smile with Reading Rainbow. This new version of Star Trek also had the Shakespearean-trained actor Patrick Stewart playing Captain Jean-Luc Picard, which was the antithesis of the original Captain James T. Kirk. This new crew was more interested in science and tackled issues related to race more head-on! The technical jargon I heard coming from Geordi and others on the ship fueled my love for science….

(6) GO EAST YOUNG MAN. David Gerrold and his son’s family have moved to Vermont. Details on Facebook.

(7) LITERARY HISTORY SITE NEEDS TO BE SAVED. “Reader, they lived there: campaign to save Brontës’ Bradford birthplace as it goes on sale” in the Guardian.

Around a million visitors a year beat a path to Haworth, the small West Yorkshire town nestling in the windy moors of the Worth Valley – mainly to see the home of the Brontë sisters.

The house that writers Charlotte, Anne and Emily shared with their father, church minister Patrick, and their wayward brother Branwell is a major tourist attraction. Visitors wander around the parsonage and surrounding cobbled streets to soak up the atmosphere of just how the Brontës lived two centuries ago.

But there is a site that is equally important to the story of perhaps Britain’s greatest literary family, around six miles or so away in the village of Thornton, on the western edge of the Bradford district: the birthplace of the three sisters.

The premises that takes up 72-74 Market Street has had various uses, from an apartment block to a cafe, but a campaign has been launched to turn it into an attraction that would complement Haworth’s enduring appeal.

It is estimated it will cost about £600,000 to buy the property, which is in a state of disrepair and neglect, and sympathetically renovate the Grade II* listed building into a tourist attraction comprising a cultural and educational centre, a cafe and holiday accommodation….

(8) PIPER LAURIE (1932-2023). Actress Piper Laurie, a three-time Oscar and nine-time Emmy nominee died October 14 at the age of 91. This excerpt from Variety’s obituary covers some of her major genre performances.

…Though she informally retired to raise a family for more than a decade, she returned to film and television in the mid-’70s and racked up an impressive roster of characterizations, including Oscar-nominated turns in “Carrie” and in “Children of a Lesser God,” in which she played Marlee Matlin’s icy mother. Laurie was truly chilling in “Carrie,” as the mother of the shy telekinetic girl of the title who has, in the words of Roger Ebert, “translated her own psychotic fear of sexuality into a twisted personal religion.”

Her performance as the plotting, power-hungry Catherine Martell in David Lynch’s landmark TV series “Twin Peaks” brought her two of her nine Emmy nominations. The actress won her only Emmy for her role in the powerful 1986 “Hallmark Hall of Fame” entry “Promises,” in which James Wood starred as a schizophrenic and James Garner as his brother, with Laurie’s character offering help to the pair.

She scored her last Emmy nomination in 1999 for a guest role on sitcom “Frasier” in which she played the mother of a radio psychologist played by Christine Baranski and clearly modeled after Dr. Laura Schlessinger….

(9) MARK GODDARD (1936-2023). Actor Mark Goddard, who gained fame as Maj. Don West on CBS’ Lost in Space series from 1965 to 1968, died October 10. He was 87. The New York Times obituary notes:

…Don was always the character most annoyed by Dr. Smith, and least sympathetic to him. He could be both hot-tempered and coldhearted, but he dutifully took a spacewalk, against his better judgment, to rescue Smith from the clutches of a seductive alien creature. If it had been up to him alone, he admitted, he would have let Dr. Smith drift through space for eternity.

Major West was a role Mr. Goddard had taken reluctantly, not being a fan of science fiction. In his 2008 memoir, “To Space and Back,” he referred to his space uniform, his wardrobe for the show, as “silver lamé pajamas and my pretty silver ski boots.”…

But he came back in a cameo role for the Lost in Space movie (1998).

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 14, 1927 — Roger Moore. Bond in seven films 1973 to 1985, a long run indeed. And he played Simon Templar in The Saint for most of the Sixties, an amazing one hundred eighteen episodes. Let’s not forget that he was in the Curse of the Pink Panther as Chief Insp. Jacques Clouseau! He even got to play Sherlock Holmes in Sherlock Holmes in New York. He wasn’t a bad Sherlock either. (Died 2017.)
Born October 14, 1946 — Katy Manning, 77. She was Jo Grant, companion to the Third Doctor. She also appeared in that role with the Eleventh Doctor on the Sarah Jane Adventures in a two-part story entitled “Death of the Doctor”. She appears as herself in the The Five(ish) Doctors Reboot.
Born October 14, 1949 — Crispin Burnham, 74. And then there are those who just disappear. He was the founder, writer and publisher of Dark Messenger Reader / Eldritch Tales from 1975 to 1995 as the publisher Yith Press. He was also a prolific essayist from 1973 to 1995, his final essay being a reflection on the life and career of Robert Bloch. There’s nothing to show him active after 1998 when the final part of his “People of The Monolith” was published in Cthulhu Cultus #13. Then he vanishes without a trace.
Born October 14, 1953 — Greg Evigan, 70. TekWar, one of Shatner’s better ideas, starred him as Jake Cardigan. I really liked it. Yes, Shatner was in it. And the role he had actually worked fine for him. He also shows up in DeepStar Six as Kevin McBride, as Will South in the horror film Spectre aka The House of The Damned, as Marcus Cutter in Cerberus: The Guardian of Hell, and on the Alfred Hitchcock Presents as David Whitmore in “In the Driver’s Seat”.
Born October 14, 1953 — Richard Christian Matheson, 70. Son of the Richard Matheson that you’re thinking of. A very prolific horror writer, mostly of short stories, he’s also no slouch at script writing as he’s written for Amazing Stories, Masters of Horror, The Powers of Matthew Star, Splatter, Tales from the Crypt, Knight Rider (the original series) and The Incredible Hulk.
Born October 14, 1956 — Arleen Sorkin. She served as the real-life inspiration and voice for Harley Quinn, co-created by her friend Paul Dini on Batman: The Animated Series. Harley was supposed to be a one-off in “Joker’s Wild” but she was so popular that they kept her in the series. The character would appear in the New Batman Adventures, Static Shock, Justice League, Gotham Girls, and in Batman Beyond: Return of the Joker. She would die at 66 of pneumonia and complications from multiple sclerosis. (Died 2023.)
Born October 14, 1963 — Lori Petty, 60. Rebecca Buck – “Tank Girl” in that film. She was also Dr. Lean Carli in Cryptic, and Dr. Sykes in Dead Awake. She had one-offs in The Hunger, Twilight Zone, Star Trek: Voyager, Brimstone, Freddy’s Nightmares and Alien Nation, and voiced quite well Livewire in the DCU animated shows.

(11) COMICS SECTION.

Saturday Morning Breakfast Cereal confirms there’s always a loophole with genies.
Saturday Morning Breakfast Cereal shows what Lise Andreasen calls a dream world with Ewoks!
Tom Gauld thinks of this as “the shocking truth”.

The shocking truth of what is going on in our public libraries! (My latest @GuardianBooks / @GdnSaturday cartoon) pic.twitter.com/XKvfiUpWoW
— Tom Gauld (@tomgauld) October 14, 2023

(12) MARVEL’S VAMPIRIC CROSSOVER. At New York Comic Con 2023 Marvel revealed “’Blood Hunt,’ Marvel Comics’ Next Crossover Event”.

…Vampires have always walked amongst the shadows of the Marvel Universe, but in Spring 2024, the long night arrives and these bloodsucking terrors will endure the spotlight like never before. The main event series will be brought to life by an A-team of Marvel talent: current Avengers scribe Jed MacKay and acclaimed X-Men artists Pepe Larraz and Marte Gracia. In classic Marvel fashion, BLOOD HUNT will also spill out into a host of tie-in issues in Marvel’s hottest current series and see the launch of all-new limited series, one-shots, and redefining status quos.

Brimming with unsurmountable stakes, this startling saga will drag the world into darkness as your favorite heroes struggle to ward off the vampire race’s cursed crusade of terror! Fans will have to wait with bated breath for more story details and information. In the meantime, sink your teeth into a special BLOOD HUNT trailer and a viciously visceral promotional image by Leinil Francis Yu and Sunny Gho!

“We have vampires in our books all the time, there’s some bad blood there,” MacKay said. “What happens if the shoe was on the other foot? We’ve got the Avengers, Moon Knight’s Midnight Mission, Doctor Strange, Miles Morales, and of course, Blade, and there’s going to be more vampires you can shake a stick at.”…

(13) HEAR FROM MICHAEL CHABON. Listen to an installment of World Book Club where Michael Chabon discusses The Amazing Adventures of Kavalier and Clay ay BBC Sounds.

American writer Michael Chabon talks about his 2001 Pulitzer Prize-winning novel The Amazing Adventures of Kavalier and Clay.

From Jewish mysticism to Houdini to the Golden Age of Comic Books and WWII, Chabon’s immersive novel deals with escape and transformation through the lives of two Jewish boys in New York. Josef Kavalier makes an impossible escape from Prague in 1939, leaving his whole family behind but convinced he’s going to find a way to get them out too. He arrives in New York to stay with his cousin Sammy Klayman, and together the boys cook up a superhero to rival Superman – both banking on their comic book creation, The Escapist, to transform their lives and those around them, which in part he does. Their first cover depicts The Escapist punching Hitler in the face, and they wage war on him in their pages, but the personal impact of WWII is painfully inevitable.

The novel touches on the personal scars left by vast political upheaval, and the damaging constraints of being unable to love freely and live a true and authentic life. Chabon’s prose is perfectly crafted – sometimes lyrical, sometimes intensely witty, and occasionally painfully heartbreaking.

(14) BLOCK THAT CLICK! “BBC Will Block ChatGPT AI From Scraping Its Content” reports Deadline.

The BBC has blocked the artificial intelligence software behind ChatGPT from accessing or using its content.

The move aligns the BBC with Reuters, Getty Images and other content providers that have taken similar steps over copyright and privacy concerns. Artificial intelligence can repurpose content, creating new text, images and more from the data.

Rhodri Talfan Davies, director of nations at the BBC said the BBC was “taking steps to safeguard the interests of licence fee payers as this new technology evolves….

(15) DAVID MCCALLUM ANNIVERSARY. Did you know?

(16) ANOTHER ANNIVERSARY. “’The Halloween Tree’ at 30 – An Essential Celebration of the Holiday” is a BloodyDisgusting editorial.

…Halloween is the day that we face that chilling finality. Commune with it. Drape our world in its trappings. Halloween is the day that death becomes the tapestry of our joy. We accept it. We embrace it. Maybe we even learn from it. And few Halloween based books, movies, stories or otherwise capture this idea more absolutely than Ray Bradbury’s The Halloween Tree. Perfectly in line with its multi-layered historical trappings, it’s a tale that went through several iterations on its journey to the hallowed halls of Halloween history and one that seemed destined to become the essential animated classic that it has in the three decades since its release.

Almost 30 years before The Halloween Tree (1993) first aired on ABC, Ray Bradbury sat down to watch It’s the Great Pumpkin, Charlie Brown one October evening in 1966. Despite the acclaimed author’s excitement and unabashed love for all things Halloween, he stood up and kicked his television set as the special’s credits rolled. While he had hoped for the equivalent of Halloween’s Santa Claus in the Great Pumpkin, the promised deity never arrived, denying the holiday its mystical spirit and breaking the vow that its title professed….

(17) MELTING! Nature says someone has figured out “How to build Moon roads using focused beams of sunlight”. First, build a couple of 2m lenses:

…A beam of concentrated sunlight could be used to build paved roads on the Moon by melting lunar dust, according to proof-of-concept experiments involving lasers and a substance resembling Moon dust.

Such roads could be useful infrastructure for future lunar missions, say engineer Juan-Carlos Ginés-Palomares and his colleagues, because they could provide areas for spacecraft to land or move around without churning up fine dust that can damage on-board scientific instruments and other equipment.

The Moon will be an important jumping-off point should humans ever want to explore further reaches of the Solar System. But its low gravity means dust doesn’t settle. Paving the lunar surface by melting the regolith — loose rock and dust — could help to address this problem….

(18) NEVER TOO LATE. [Item by SF Concatenation’s Jonathan Cowie.] With the Chengdu Worldcon coming up, arguably time to — if you haven’t already — check out Cixin Liu’s The Three Body Problem. Over on YouTube @Bookpilled (part of the YouTube Science Fiction Alliance) recently did so. “This Book Has Sold 8 Million Copies – Is It Good?”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Nancy Sauer, Steven French, Lise Andreasen, Rich Lynch, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/12/23 My Pixel Threw Out All My Old Scrolls And All That’s Left Is This Godstalk

Posted on October 12, 2023 by Mike Glyer

(1) HELL OF A STORY. Jennifer McMahon discusses nine books where “The Devil Made Me Do It” at CrimeReads.

…I was a child of the late seventies. I grew up watching The Exorcist, The Omen and Rosemary’s Baby. Movies that taught me the nature of true evil and terror. While movies were the gateway to this terrifying genre, books go to deeper and darker places still. So light a candle, get out your crucifix, cast a ring of salt around your favorite reading chair and settle in….

One of McMahon’s selections is:

A Head Full of Ghosts by Paul Tremblay

This is a multi-layered literary horror novel that pays homage to the exorcism story genre and explores big questions about possession, mental illness and reality TV. The story follows Merry, at 23, sharing her recollections about her childhood with an author. When she was 8 and her sister Marjorie was 14, Marjorie… changed. Their parents were split on whether this was a mental health crisis, or the work of the devil. A local priest became involved, and soon, their family became the center of a reality show called The Possession. Was Marjorie actually possessed? Get sucked into this spellbinding story and see what you believe.

(2) THIS MAKES ME THINK OF SNL’S DAVID L. PUMPKINS SKETCH. “Madame Tussauds and the InterContinental New York Times Square host spooky overnight stays in NYC” – TimeOut says it will cost a mere $4K!

This might be the scariest Halloween-themed experience out there at the moment: Madame Tussauds and the InterContinetal in Times Square are offerings folks with a flair for the spooky the chance to stay in a room reminiscent of some of the most petrifying movies in history on the nights of Friday, October 13 and Tuesday, October 31.

The chilling experience for two will cost around $4,000 plus taxes—a hefty price for what will likely be a sleepless night but, alas, some of us just can’t enough of the whole sinister vibe.

Guests will start off enjoying a three-course dinner and drinks menu delivered by the hotel’s room service staff and inspired by four popular movies: The Exorcist, The Nun, Annabelle and IT. …

…The room you’ll actually sleep in will be an eerie one, decorated like a subway station, yet complete with a fully stocked mini bar (clearly, you’ll need to drink to get through this all)….

(3) SURVIVORS. “’Scavengers Reign’ Official Trailer Released” — GlobalGrind is on top of the story.

This week (October 11), Max released the official trailer for its new adult animated series Scavengers Reign. Click inside to check it out!

In Scavengers Reign, the brainchild of visionary creators Joe Bennett and Charles Huettner, the remaining crew of a damaged interstellar freighter ship find themselves stranded on a beautiful yet unforgiving alien planet – where they must survive long enough to escape or be rescued. But as the survivors struggle to locate their downed ship and missing crew mates, their new home reveals a hostile world allowed to thrive without human interference. Featuring lush, visually stunning animation, Scavengers Reign presents a wholly unique view of the consequences of unchecked hubris and humanity’s eternal desire to conquer the unknown….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Students from nearby school post English language video about the event

This is a nice two minute video where some students from the Hua’ai school just across the lake from the Science Museum talk in English about the event, and some of the related activities they are taking part in.

(I’ve attached 4 PNG screengrabs, filenames prefixed school)

8 Light Minutes Culture: book launches, ribbons, Aldiss and Lukyanenko stamps, and more

An incomplete summary of this mp.weixin.com post:

CG render of their booth
Launch of volumes 2 and 3 of Chinese SF: An Oral History
Limited edition of the Sawyer/Lukyanenko/Liu anthology
“The Songs of Space Engineers” hard SF anthology edited by Cixin Liu
Pick up a luminous bracelet from their booth
Get your books stamped by Brian Aldiss and Sergey Lukyanenko stamps
18-different ribbons; different ones to be available each day from (I think) two different booths. NB: 8LM has the Chinese licence for Doctor Who books, so the DW ribbons are presumably official merch

Video of official “Kormo” figure

I think this toy was covered along with other merchandise in a previous Scroll; there’s now an unboxing video of what looks like the finished item.

Kaiju Preservation Society, Ray Bradbury and The Culture ribbons and merchandise

Xinxing Publishing House are launching three limited edition sets of merchandise at the con, this Xiaohongshu post says that information about buying them online will come later, although whether that includes international purchases remains to be seen.

Kaiju Preservation Society canvas bags
Culture “Gravitas” bags (Google Translate calls these “laser bags”; they seem to have some sort of foil/metallic effect?)
There are also ribbons for KPS, The Culture and Ray Bradbury

Secondary market tickets being advertised

I’ve no idea how widespread or successful these are, but here’s a Xiaohongshu user posting a screengrab from some other app/site showing a Chengdu resident advertising a single day “youth” (age 13-25) ticket for Saturday 21st for 500 yuan. For reference: the sale price for the 5-day youth tickets was 200 yuan, and the individual youth day tickets that were sold more recently were 78 yuan.

Per Google Translate (with minor manual edits) the original ad states:

Youth tickets for the Chengdu Science Fiction Convention on the 21st are available at a premium price. If you are interested in tickets click [the button] and chat with me privately.

The footer text notes:

There are risks in concert products, please follow the transaction process and do not trade outside the site.

(5) OCTOTHORPE PODCAST. Octothorpe 94 “Satisfying Meat” is now up. Listen here.

John Coxon is eating cinnamon rolls, Alison Scott doesn’t think it’s funny, and Liz Batty has two lists. We discuss the Best Novel finalists for the Hugo Awards. Art by the very lovely Sue Mason.

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(6) ROYAL ARTIST. The New York Times tells “How the Queen of Denmark Shaped the Look of Netflix’s ‘Ehrengard: The Art of Seduction’”.

…Around the time the princess turned 30 — and after she had earned a diploma in prehistoric archaeology at the University of Cambridge, and had studied at Aarhus University in Denmark, the Sorbonne and the London School of Economics — she read J.R.R. Tolkien’s “The Lord of the Rings.” It inspired her to start drawing again.

Not long after, upon her father’s death in 1972, the princess was crowned as queen: Queen Margrethe II of Denmark, to be specific.

Margrethe, now 83, celebrated 50 years on the throne in 2022. But in assuming the role of queen, she did not abandon her artistic passions. As a monarch she has taken lessons in certain media, has taught herself others and has been asked to bring her eye to projects produced by the Royal Danish Ballet and Tivoli, the world’s oldest amusement park, in Copenhagen.

Her paintings have been shown at museums, including in a recent exhibition at the Musée Henri-Martin in Cahors, France. And her illustrations have been adapted into artwork for a Danish translation of “The Lord of the Rings.” (They were published under the pseudonym Ingahild Grathmer, and the book’s publisher approached her about using them after she sent copies to Tolkien as fan mail in 1970.)

Margrethe recently notched another creative accomplishment: serving as the costume and production designer for “Ehrengard: The Art of Seduction,” a feature film that debuted on Netflix in September and has wardrobes and sets based on her drawings and other artworks.

The film is an adaptation of the fairy tale “Ehrengard” by Karen Blixen, a Danish baroness who published under the pen name Isak Dinesen. Set in a fictional kingdom, the story is loosely about a woman named Ehrengard who becomes a lady-in-waiting and foils a royal court painter’s plot to woo her.

(7) IT’S ALL GREEK TO THEM. “Of Snakes and Men: ‘Krapopolis’ Monstrous Transformations”: Animation World Network takes a look (and doesn’t turn to stone.)

While most people find solace in reading fiction novels, Pete Michels gets his kicks from history and archeology books. So, when Dan Harmon, who Michels had worked with previously on Rick and Morty, reached out with a proposal for a parody series on Greek mythology, Michels jumped at the opportunity…

…In the series, Ayoade voices Tyrannis, the mortal son of a goddess and benevolent King of Krapopolis, who tries to make do in a city that lives up to its name. Waddingham plays Deliria, Tyrannis’ mother, goddess of self-destruction and questionable choices. Deliria is as petty as she is powerful, and only seems interested in defending civilization if it means she’ll get more worshipers out of it than her frenemies up on Mt. Olympus. Berry is Shlub, Tyrannis’ father, a mantitaur (half centaur [horse + human], half manticore [lion + human + scorpion]). He’s the self-described “life of the orgy,” and a true pleasure seeker. Murphy voices Stupendous, Tyrannis’ half-sister, daughter of Deliria and a cyclops. Trussell plays Hippocampus, Tyrannis’ half-brother, offspring of Shlub and a mermaid, and a hot mess, biologically speaking….

(8) PULPFEST. “2023 PulpFest Convention Report, by Martin Walker” at Mystery File.

…This year, though, Walker [Martin] did attend but managed to catch Covid while there, and while he’s doing much better now, it took him a while to recover, and he never did manage to write up a report. As you may have surmised, “Martin Walker,” whose report follows, is a pseudonym, but I can guarantee the facts he relates are 100% accurate. Bill Lampkin, whose photos I used is real, however, and I thank both him and our anonymous reporter for this year’s annual PulpFest report, at last!

Here’s a snippet from the report:

…There was more buying and selling on Friday, August 4. Competing for attendees’ attention were a couple of afternoon presentations. Chris Carey and Win Scott Eckert discussed “Doc Savage — The Man and Myth of Bronze.” Part of PulpFest’s celebration of the 90th anniversary of “The Man of Bronze,” it was also this year’s FarmerCon presentation. Since 2011, PulpFest has hosted FarmerCon, a convention that began in Peoria, Illinois, the hometown of Philip José Farmer….

(9) AUDIO ALARM. “Spotify’s new audiobook streaming could have ‘devastating effect’, says Society of Authors” – the Guardian has the story.

The Society of Authors (SoA) has said it is “deeply concerned” about Spotify’s new audiobook provision. The industry body cited “the devastating effect that music streaming has had on artists’ incomes”, and expressed its fear that authors may suffer in a similar way.

“The streaming of audiobooks competes directly with sales and is even more damaging than music streaming because books are typically only read once, while music is often streamed many times,” a statement from the SoA read.

At the beginning of October, the Bookseller reported that “all of the major book publishers” had agreed limited streaming deals with Spotify. Since 4 October, Spotify Premium subscribers in the UK and Australia have been able to access to up to 15 hours of audiobook content per month, from a catalogue of more than 150,000 titles.

“As far as we are aware, no authors or agents have been approached for permission for such licences, and authors have not been consulted on licence or payment terms,” the SoA said. “Publishing contracts differ but in our view most licences given to publishers for licensing of audio do not include streaming. In fact, it is likely that streaming was not a use that had been invented when many such contracts were entered into.”…

(10) KEITH GIFFEN (1952-2023). Keith Giffen, whose 47 years in the comics business were heavily SF-themed, died October 9 at the age of 70. The veteran writer and artist’s work included DC’s Lobo and the Jamie Reyes version of the Blue Beetle and Marvel’s Rocket Raccoon. The full details of his career are in his Wikipedia entry.

(11) PHYLLIS COATES (1927-2023) Phyllis Coates, known as TV’s first Lois Lane, died October 11 reports Deadline.

Phyllis Coates, who became television’s first Lois Lane when she was cast in the classic Adventures of Superman series starring George Reeves, died yesterday of natural causes at the Motion Picture & Television Country House and Hospital in Woodland Hills. She was 96.

In 1951, Coates was invited to audition for the role of Lois Lane in the low-budget feature film Superman and the Mole Men. Starring Reeves as Superman, the film was a de facto TV pilot, and by the end of the year both Reeves and Coates were asked to join the upcoming TV series.

Coates stayed with the series for only one season – 1952-53… Until her death, Coates was the last surviving regular cast member of the classic superhero series.

Though best remembered for Superman, Coates would build an extensive roster of TV and film credits in a career that lasted well into the 1990s. She appeared in the now-classic monster movie I Was A Teenage Frankenstein and … later, one 1994 episode of Lois & Clark: The New Adventures of Superman, in which she played the mother of Teri Hatcher’s Lois Lane.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 12, 1875 — Aleister Crowley. Mystic. Charlatan possibly. Genre writer? You decide. But I’ve no doubt that he had a great influence upon the genre as I’m betting many of you can note works in which he figures. One of the earliest such cases is Land of Mist, by Sir Arthur Conan Doyle which was published in 1926. (Died 1947.)
Born October 12, 1903 — Josephine Hutchinson. She was Elsa von Frankenstein with Basil Rathbone and Boris Karloff in Son of Frankenstein. She was in “I Sing the Body Electric”, The Twilight Zone episode written by Bradbury that he later turned into a short story. (Died 1998.)
Born October 12, 1904 — Lester Dent. Pulp-fiction author who was best known as the creator and main author of the series of novels chronicling Doc Savage. Of the one hundred and eighty-one Doc Savage novels published by Street and Smith, one hundred and seventy-nine were credited to Kenneth Robeson; and all but twenty were written by Dent. (Died 1959.)
Born October 12, 1956 — Storm Constantine. Writer with her longest-running series being the Wraeththu Universe which has at least four separate series within all of which are known for their themes of alternative sexuality and gender. She has also written a number of non-fiction (I think they are) works such as Sekhem Heka: A Natural Healing and Self Development System and The Grimoire of Deharan Magick: Kaimana. (Died 2021.)
Born October 12, 1965 — Dan Abnett, 58. His earlier work was actually on Doctor Who Magazine, but I’ll single out his co-writing Guardians of the Galaxy #1–6 with Andy Lanning, The Authority: Rule Britannia and his Border Princes novel he did in the Torchwood universe as great looks at him as a writer.
Born October 12, 1966 — Sandra McDonald, 57. Author of some sixty genre short stories, some of which are collected in Diana Comet and Other Improbable Stories (which won a Lambda Award for LGBT SF, Fantasy and Horror Works) and Lovely Little Planet: Stories of the Apocalypse. Outback Stars is her space opera-ish trilogy.

(13) KGB. Ellen Datlow has posted her photos of last night’s Fantastic Fiction at KGB reading with David D. Levin and Matthew Kressel.

(14) EATING THE FANTASTIC. Scott Edelman invites listeners to dine on oxtail stew with Lauren Beukes in Episode 209 of the Eating the Fantastic podcast.

At this year’s Readercon, my first guest of the weekend was Lauren Beukes, who I first met at the very start of her novel publishing career — at the 2009 Worldcon in Montreal, where Angry Robot Books held a launch party which included Moxyland. That party also debuted the first novel of previous guest of the podcast Kaaron Warren, who was launching her own book Slights.

In addition to Moxyland, Beukes is also the author of the novels Zoo City (winner of the 2011 Arthur C Clarke Award), The Shining Girls, Broken Monsters, Afterland, and her newest novel, Bridge. The Shining Girls, about a time-travelling serial killer and the survivor who turns the hunt around is currently an Apple TV+ series with Elisabeth Moss. She’s also the author of the short story collection, Slipping, plus a pop-history, Maverick: Extraordinary Women From South Africa’s Past.

Beukes has worked also in worked in film and TV, as the director of Glitterboys & Ganglands, a documentary which won Best LGBTI Film at the Atlanta Black Film Festival, and as showrunner and head writer on South Africa’s first half hour animated TV show, Pax Afrika, which ran for 104 episodes on SABC. Her comics work includes the original horror series, Survivors’ Club with Dale Halvorsen and Ryan Kelly, and the New York Times best-selling Fairest: The Hidden Kingdom, a Japanese horror remix of Rapunzel with artist Inaki, as well as “The Trouble With Cats,” a Wonder Woman short set in Soweto with Mike Maihack.

We discussed why the genre community is like a giant amoeba, how her choice of D&D character is in perfect sync with the way she writes, the reason she only recently realized she has ADHD (and why her new novel Bridge is definitely an ADHD book), why AI can never replace writers, the ways in which the protagonist of her new novel is different from all her other protagonists, the importance of authenticity readers, why acquiring editors at publishing companies are like restaurant critics, the importance of art in helping us find our way through the darkness, the reason you shouldn’t be so hard on your younger self, how she uses the Tarot to get unstuck, and much, much more.

(15) PLANT EXTINCTION RISK. [Item by SF Concatenation’s Jonathan Cowie.] 45% of all flowering species of plant are at risk of extinction, is just one of the sobering statistics in the Royal Botanic Gardens latest State of the World’s Plants and Fungi 2023 report. The fifth edition of State of the World’s Plants and Fungi, from the Royal Botanic Gardens, Kew (RBG Kew), focuses on the latest knowledge on the diversity and geographical distribution of plants and fungi.

Now, for the first time, scientists have used models to predict the extinction risk of every flowering plant species and identify the uncertainty level of each prediction. The report looks back at all the plant species known to us and there threat of extinction classification. Further, it looked at when each species was discovered and its extinction threat. The researchers found that the earlier a species had been discovered, the lower its extinction threat: recently discovered species were more at risk. Extrapolating this into yet-to-be-discovered species, the conclusion is that these would be even more prone to extinction. The report says that there are 77% undescribed plant species are likely threatened with extinction. And there are many species yet to be discovered. Taking flowering plants alone, the report estimates that potentially tens of thousands of flowering plant species have yet to be scientifically named.

Since 2015, a project to have all tree species assessed for the IUCN (the UN’s International Union for the Conservation of Nature) Red List, has so far found that 31% of tree species are at risk of extinction. And this does not include tree species yet to be discovered for whom the extinction risk is higher.

But there are notable black holes in the data. Given the history of fungal species discovery, it is estimated that 92% and 95% of fungi have yet to be scientifically described. Since the beginning of 2020, more than 10,200 fungal species have been described as new to science. (See Antonelli, A. et al (2023) State of the World’s Plants and Fungi 2023. Royal Botanic Gardens: Kew, Middlesex, Great Britain.)

(16) VIDEO OF THE DAY. “Orphan Black: Echoes Teaser Trailer”.

#OrphanBlackEchoes, starring Krysten Ritter and Keeley Hawes, premieres in 2024 on AMC, BBC America, and AMC+.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge Scott Edelman, John Coxon, Danny Sichel, Ellen Datlow, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/11/23 We’re All The Children Of Pixels, Ancient Pixels Who Gave Birth To All Intelligence

Posted on October 11, 2023 by Mike Glyer

(1) THE ROCKETS’ GREEN LIGHT. Early this morning in Los Angeles the last of two Space Shuttle Rocket Launch Motors made their way through Exposition Park to the California Science Center. Each is 116 feet long and around 12 feet in diameter.

They are part of the “Go for Stack” project to move and lift space shuttle components for the future Samuel Oschin Air and Space Center. What is Go for Stack?

“Go for Stack” is the complex process of moving and lifting each of the space shuttle components into place for Endeavour’s upcoming, awe-inspiring 20-story vertical display in the future Samuel Oschin Air and Space Center, which is currently under construction. This technically challenging feat has never been done outside of a NASA facility.

(2) ROBIN REID GUESTS ON TOLKIEN PODCAST. Episode 16 of Queer Lodgings: A Tolkien Podcast is a “Queer Anthology Interview with Robin Reid, Chris Vaccaro, Steven Yandell”.

We have a special treat for you this month – Leah, Alicia, and Grace welcome not one… not two… but three guests! They are the editors of the forthcoming edited anthology ‘”There Are Many Paths to Tread”: Queer Approaches to Tolkien’s Middle-earth’ from McFarland (due to release in 2025), and each is a well-known Tolkien scholar in their own right – Robin Reid, Chris Vaccaro, and Steve Yandell. Join us as we discuss the landscape of Queer and Intersectional Tolkien studies, why they’re important, and what these important and fresh outlooks can contribute to Tolkien scholarship.

(3) MALINDA LO ON BOOK SUPPRESSION. “My Books Have Been Banned or Challenged in 16 States” says Malinda Lo, and in this thoroughly-researched post the author explores many ways that has been done.

In the last two years, my books have been banned, challenged, or restricted in 44 cases in 40 communities across 16 states. Last Night at the Telegraph Club receives the most attention, but Ash, Huntress, A Line in the Dark and A Scatter of Light have also been targeted by book banners. The book bans have increased over time, and in the last couple of months I’ve learned about a new one almost every week…

In the spreadsheet, I’ve recorded 44 cases in which my books were targeted by right-wing activists. Those cases include:

Book bans, in which books are removed from school libraries and/or classrooms (either during an investigation of the challenge or completely);
book challenges, in which a community member makes a complaint about a book to a school district or library (this may not lead to an outright ban);
restrictions, in which a book is placed in a restricted section of the library or requires parental permission for access; and
instances in which a book published as young adult was moved to the adult section of a library.

I have chosen to count more than straightforward book bans, and I include the challenges I have found even if the book is not ultimately banned, because I’m interested in tracking all the ways my books are targeted. This is a personal analysis of how book banning has affected my work, not a broader analysis of book bans in America….

Here’s an example of Lo’s detailed analysis:

…. When asked if they had read the entire book, the challenger wrote, “I read a summary and it told me everything I need to know.” What concerns them? “This book promoting a sexual agenda to young people.”

Since they didn’t read the book, you may be wondering where they found these summaries or sections that they object to. While I don’t know where these specific two challengers found their summaries, I suspect they may have used conservative book banning Facebook groups or websites like Book Looks (created by Florida-based Moms for Liberty) or Rated Books (affiliated with the Utah-based Laverna in the Library). I think that whoever made the entries about Telegraph Club for these websites has in fact read the book, or at least they have combed through it line by line hunting for excerpts that they believe prove their allegations of a book’s offensive nature….

(4) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

New Worldcon logo

2023 Chengdu has changed its logo just before the con.

Chinese-language article about the WSFS Business Meeting

The con posted an article to weixin.qq.com entitled (via Google Translate) “Everyone, please check the introduction of the 2023 Chengdu World Science Fiction Conference Business Meeting!”. Most File 770 readers are likely to be already familiar with material about the WSFS Business Meeting – the article even has a section summarizing Robert’s Rules of Order – but there are a couple of interesting bits near the bottom of the page, as follows…

Who’s sponsoring the WorldCon? Some answers

The October 9th Scroll pointed out that the list of Chengdu Worldcon sponsors in the Business Meeting Agenda did not match announcements at a June Brand Conference. At the bottom of the page, there is what I believe is the first official confirmation of any sponsors on any of the Worldcon’s platforms. There are four levels or types of sponsor, the information I’ve been able to glean so far is:

“2023 Chengdu Worldcon Starseeker”

China Telecom (the only sponsor confirmed at the aforementioned Brand Conference)
ICBC – Industrial and Commercial Bank of China

“2023 Chengdu Worldcon Stargazer”

Das Security – cybersecurity firm, apparently also known as DBAppSecurity, according to this article which states they were also a sponsor of the recent Asian Games alongside China Telecom and ICBC.
Starry Dome – I assume that this is the same company as 上海瀚海星穹网络科技 / Shanghai Hanhai Xingqiong Network Technology, but I’m still a bit unclear what exactly they do; websites that provide company data mention both technology and marketing. This listing states (via Google Translate) that “Shanghai Hanhai Xingqiong Network Co., Ltd. was established in 2023. It is a technology company dedicated to brand management, game distribution, omni-channel operation and entertainment innovation. At the beginning of its establishment, the company determined that the derivative incubation of the “Wandering Earth” IP would be its main business direction, and it has actively explored and developed in this field.”

“2023 Chengdu Worldcon Specially Supporting Brands”

成都蜀都川菜产业投资发展有限公司 / Chengdu Shudu Sichuan Cuisine Industry Investment and Development Co., Ltd. is the sponsor I’m least clear about. They seem to be headquartered in the same Pidu district of Chengdu as the con.
Infinite Lagrange is a space strategy video game, available in a number of languages and platforms.
Trumpchi (aka GAC Motor in international markets) is a car company.

“2023 Chengdu Worldcon IP Cooperative Partner”

Three-Body Universe is a name I’ve seen a few times, but I never looked into. Per a recent Reddit thread, “Three Body Universe is the Chinese company behind most Three Body Problem IP like the Zhang Beihai season of the Three Body Minecraft animation, the TBP animation, the radio drama, etc…”

Note that the above list(s) include neither of the organizations named as sponsors in the Business Meeting Agenda document.

(5) ON WORLDCON WEEKEND PUTIN WILL BE IN CHINA, BUT NOT CHENGDU. [Item by Mike Kennedy.] Reuters News reports “China to host Belt and Road forum in Beijing Oct 17-18” on the same weekend as the Worldcon – and guess who will be there.

China will host its third Belt and Road Forum next week, its foreign ministry said on Wednesday, a President Xi Jinping signature event that President Vladimir Putin is due to attend on a rare trip abroad….

…Putin attended the two previous forums, in 2017 and 2019, and the Kremlin said in September he had accepted an invitation to the forum and for talks with Xi.

The Russian leader is not known to have gone abroad since the Hague-based International Criminal Court (ICC) issued a warrant for him in March over the deportation of children from Ukraine….

Overlaps Worldcon in time, but not in space by a few provinces and about 1800 km by road. It might inform someone’s decisions on when and where to sightsee.

(6) TOLKIEN SOCIETY SEMINAR. The Tolkien Society Online Seminar 2023 will be happening November 26, 2023 with the theme “Tolkien and Religion in the Twenty-First Century.” Complete information at the link, including a schedule of paper presentations.

… Although J.R.R. Tolkien deliberately excluded explicit religious references from his legendarium and rejected narrow allegorical readings of The Lord of the Rings, he made no secret of his devout Roman Catholicism and its importance to his sub-creative endeavor. From the creation myth of the “Ainulindalë” to the eucatastrophic destruction of the One Ring, Túrin Turambar’s doomed warrior courage to Frodo Baggins’s self-sacrificial humility, scholars have long examined the influence of Tolkien’s Christian faith and his abiding admiration for pre-Christian legends on the nature and history of Arda. Explorations of the legendarium from other religious perspectives or explicitly nonreligious perspectives have received less attention, however, as have studies of the reception of Tolkien’s work among (non)religious readers and communities….

(7) MYTHOPOEIC ONLINE EVENT. “Something Mighty Queer” is the theme of the Mythopoeic Society’s Online Midwinter Seminar 2024, to be held next year on February 17-18. The call for papers is at the link. The deadline to submit is November 30.

We invite submissions for an online conference that focuses on queerness in fantasy, science fiction, speculative fiction or other mythopoeic work. This can be queer representation within the work or engaging with mythopoeia through queer theory. “Queerness” is an intentionally ambiguous term, demonstrating the diversity of queer experiences, and the necessity of situating queerness as a liminal, complex paradigm. Queer theory is wider than the study of gender identity or sexuality, extending to taking positions against normativity and dominant modes of thought, and engaging with the indefinite….

(8) FIVE-YEAR MISSIONARY. In an NPR interview “Patrick Stewart says his time on ‘Star Trek’ felt like a ministry”.

… Martin: I talk to a lot of people about spirituality and about the value of spiritual communities, which I think are when people who have similar values gather together and have or seek transcendent experiences. And I think Star Trek, in all of its incarnations, represents that to a lot of fans. It is a spiritual world. They treat it with religious reverence. Have you encountered that? Do you get it?

Stewart: Yes. I see it very, very clearly and very strongly. It was about truth and fairness and honesty and respect for others, no matter who they were or what strange alien creature they looked like. That was immaterial. They were alive. And if they needed help, Jean Luc Picard and his crew, his team, were there to give it.

In a sense, we were ministers. And I have heard now so many times from individuals who have been honest enough and brave enough to tell me aspects of their life, of their health, of their mental health. And how it was all saved and improved by watching every week….

(9) SIGNATURE MYSTERY. [Item by Danny Sichel.] From the collection of the late Sylvain St-Pierre, Montreal fan, comes this autograph page from the souvenir program book for Nolacon II (Worldcon 1988). The top autograph is obviously from George Alec Effinger, but does anyone have any idea who the bottom one is from?

(10) MEMORY LANE.

2004 — [Written by Cat Eldridge.]

Charles de Lint’s Medicine Road which is where our Beginning is from has an interesting backstory, or at least the lead characters do. Now mind you, we won’t be meeting either of them in the Beginning. Well sort of we won’t.

There’s a minor spoiler here. Very minor.

There’s a number of stories that he did that are set within a place, a very rural Appalachian setting, roughly now though the year is never known to the reader. A children book, A Circle of Cats which Lis will be reviewing is where these stories began followed by The Cats of Tanglewood Forest which she has already reviewed here.

There’s a single story in this set of stories “Somewhere in My Mind There Is a Painting Box”. And now we get to the YA Seven Wild Sisters where Laurel and Bess, musical twins, younger here than they will be in the adult Medicine Road where they are a folk singing duo, will get involved in the fey world of the region. Both of these will also be reviewed by her.

And here’s our Beginning…

CHANGING DOG AND CORN HAIR

One night, not so long ago, Changing Dog and Corn Hair met up in Sedona, Arizona, to have a talk about an old bargain they’d made with Coyote Woman. It’s funny, thinking of the two of them together like that; I can imagine them doing pretty much anything except getting along. Most times they’ll argue the colour of the moon, or the taste of water, if they can’t find something better to disagree on. There’s nothing much they ever seem to settle on, except that the other’s wrong.

But this night Corn Hair wasn’t aiming for an argument. She had herself a camp there by Oak Creek, on the south bank where the water runs below Cathedral Rock. It wasn’t much, just her bedroll laid out in the sand under the sycamores, with her pack doubling as a pillow. Close by, she’d built a small fire on which she was boiling water in a tin coffee pot, the bottom blackened from all its years of use. She ground some coffee beans using a flat rock and another the size of her fist for a mortar and pestle, scooping them into the now-boiling water when they were ground to her satisfaction. By the time Changing Dog came ambling down from the red rock scars skirting the solitary butte that towered above the creek, the coffee was thick and black, ready to drink.

Changing Dog nodded hello and sat cross-legged near the fire. He was a rangy, copper-skinned man with a narrow face and long, chestnut hair that streaked to a dark tan at his temples and was kept tied back with a thin strip of leather. You hardly ever saw him dressing up. That night he was wearing a white T-shirt and jeans, dusty tooled-leather cowboy boots and an old brown leather jacket going thin at the elbows. He wasn’t a homely man and he wasn’t particularly handsome, but he had these eyes that would grab anybody’s attention, especially a woman’s. They were a vivid cornflower blue that looked violet in the right light, and there was always a promise in them–not that he’d necessarily deliver, but that whatever might come, it would at least be interesting.

He accepted the tin coffee mug that Corn Hair handed him and took an appreciative sip. Setting the mug in the sand, he pulled a tobacco pouch from his pocket and rolled them each a cigarette, lighting them with a twig from the fire. He left one hanging from his lips, offering the other to Corn Hair.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 11, 1949 — Sharman DiVono, 74. She was the primary writer of the Star Trek comic strip from a year in the early Eighties. She’s written a number of other strips such as Pebbles and Bamm-Bamm, The Man from Planet X and Tarzan. She has written for three animated series — G.I. Joe, Bill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon.
Born October 11, 1960 — Nicola Bryant, 63. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas. Like so many, many genre performers, she shows up in the video Trek fan fiction playing Lana in Star Trek Continues.
Born October 11, 1964 — Michael J. Nelson, 59. Best known for his work on Mystery Science Theater. He was the head writer of the series for most of the show’s original eleven-year run, and spent half of that time as the on-air host. Bad genre films were a favorite target of him and his companions. Not that they don’t deserve it.
Born October 11, 1965 — Sean Patrick Flanery, 58. I really do think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. (It gets a forty-one percent rating among audience reviewers at Rotten Tomatoes, much better than I expected.) He appeared as Jake Greyman in Demon Hunter, another low budget horror film, and as John in The Evil Within. I see a pattern…
Born October 11, 1972 — Nir Yaniv, 51. Author, editor, musician, and filmmaker. He founded a webzine for the Israeli Society for Science Fiction & Fantasy. Currently, he’s the chief editor of Chalomot Be’aspamia, Israel’s only professionally printed genre magazine. His short fiction has appeared in Weird Tales, Apex Magazine and The Best of World SF. He co-wrote The Tel Aviv Dossier with Lavie Tidhar.
Born October 11, 1972 — Claudia Black, 51. Best known for being Aeryn Sun in Farscape, arguably the best SF video series ever done, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW’s Containment series.
Born October 11, 1976 — Emily Deschanel, 47. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. Actually the forensic science on Bones is genre, isn’t it?

(12) COMICS SECTION.

Saturday Morning Breakfast Cereal: Yes, this is exactly what will happen to chatbots.
Tom Gauld understands a coded message.

My cartoon for this week’s Guardian Books. #books

p.s I have made five new prints of my cartoons, visit https://t.co/IJW2wqyVfg for details. pic.twitter.com/PBXFEdYZY4
— Tom Gauld (@tomgauld) October 7, 2023

(13) PRODIGY COMES IN FOR SAFE LANDING. So says The Hollywood Reporter: “’Star Trek: Prodigy’ Moves to Netflix After Paramount+ Cancellation”.

Star Trek: Prodigy, the animated kids show that was canceled at Paramount+ with its second season still midway through production, has found a new home.

Netflix has scooped up both the previously aired first season and has committed to airing the sophomore run once that completes production. Season one will stream later this year, with the second batch due in 2024.

The Paramount Global-backed Paramount+ axed Prodigy in June when it became the latest streamer to take advantage of tax write-offs.

Prodigy, though, was a particular surprise given the series is produced in-house by CBS Studios, where Star Trek captain Alex Kurtzman is based with a nine-figure overall deal….

(14) DISNEY SOLVES FOR X. At CBR.com,“Disney Celebrates the X-Men and Avengers’ 60th Anniversary With What If…? Variant Covers”.

Classic Disney characters will grace the covers of Marvel’s comics in 2024 to celebrate the Avengers and X-Men‘s 60th anniversary.

The Disney What If…? variant cover series will be a monthly program adorning select issues of Amazing Spider-Man. There are twelve covers, and they will be released monthly throughout 2024. They will feature Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and other classic Disney characters in milestone moments from Avengers and X-Men history. Marvel revealed the first three covers, one recreating Avengers #1 with Peg Leg Pete as Loki, another with Mickey and friends as the original X-Men, and the third showing the iconic Disney characters assembling as the Avengers, even giving Goofy Captain America‘s shield and Pluto Thor’s hammer.

(15) 2 ARMS, 2 ARMS! The Heritage Auctions Blog promises “This Piece Will Hook You – T-1000 Arms from Terminator 2”.

When it comes to explosive sequels, few in the industry can make a more bombastic blockbusting entry into a franchise like James Cameron. Having taken audiences on a pulse pounding tour de force with his follow up to the critically acclaimed Alien and made a splash with the cutting-edge special effects technologies which brought to life his memorable creations in The Abyss, one would think that Cameron would be hard pressed to continue his upward trajectory as the king of Blockbusters. Then, on July 3^rd, 1991, it happened. Like a nuclear blast from his harrowing future vision of a robotic apocalypse, he unleashed yet another pioneering action film with Terminator 2 . A sequel that not only raised the stakes presented in the original film but proved to be an even bigger critical success. Among the memorable characters and sequences, a particular liquid metal menace played by a then unknown actor, Robert Patrick, captivated audiences and the vast pop-culture consciousness, the T-100.

Flash forward 32 years, and I find myself typing this entry while sitting in a large warehouse. Don’t worry. It might be a little imposing, but a fallout shelter it is not. The world hasn’t been taken over by artificial intelligence (yet), and as a cataloger working on Heritage Auctions’ various upcoming auctions, I continually find myself in a movie memorabilia mecha. And though I’ve held pieces from iconic films spanning the history of Hollywood, very few pieces have made my heart race the way these prop T-1000 hooked arms have….

(16) COULD THIS KSR SCENARIO REALLY WORK? [Item by John A Arkansawyer.] A speculative article from the BBC on climate change uses Kim Stanley Robinson’s Ministry for the Future as a hook. Beware spoilers. “To avert climate disaster, what if one rogue nation dimmed the Sun?” at BBC Future.

…In Robinson’s imagined scenario, India’s rogue deployment of solar geo-engineering turns out to be broadly benign, and buys time to scale-up emissions reductions. But in the real-world, the idea that such a deus ex machina technology could ever be safely deployed remains highly speculative, with many risks and unknowns.

So if one rogue nation did decide to dim the Sun for real, what environmental and geopolitical consequences might unfurl? And is the safe deployment of such a technology even a conceivable goal? …

(17) PLAYING CHICKEN IN SPACE – AND LOSING. [Item by Steven French.] When worlds collide! (It’s kinda pretty…) “Afterglow of cataclysmic collision between two planets seen for first time” reports the Guardian. Photos at the link.

… After a detailed analysis of the observations, the astronomers concluded that the blast of infrared radiation came from a hot new object or “synestia” created by the collision of two planets nearly as large as Neptune. Based on the infrared readings, the vast spinning object had a temperature of more than 700C for about three years. It will eventually cool and form a new planet around the star.

According to details published in Nature, the star began to dim about 2.5 years after the afterglow began as a massive cloud of fine impact debris drifted across the face of the star.

“It’s the first time we’ve seen the afterglow from such an event,” said Simon Lock, another co-lead author at the University of Bristol. “We’ve seen debris and discs before, but we have never seen the afterglow of the planetary body that’s produced.”…

(18) BARBIE HALLOWEEN. [Item by Mike Kennedy.] Part of an Utah neighborhood is transforming itself into Barbieland for Halloween. Each homeowner has picked a different theme related to the Barbie movie, Halloween+Barbie, etc. There’s the Barbie Dream House, a Barbie graveyard, Disco Barbie, and many more. Most of the houses are using pink floodlights, making the effect much more vivid at night. “Utah residents transform neighborhood into Barbieland for Halloween” at USA Today.

And the pink passion this season isn’t only in Utah. For instance, an Atlanta-area homeowner has decorated her front yard as the Barbie Scream House.

If you know of more examples of this trend, feel free to add links in the comments.

[Thanks to Ersatz Culture, John King Tarpinian, Steven French, Daniel Dern, Bonnie McDaniel, John A Arkansawyer, Lise Andreasen, Chris Barkley, Cat Eldridge SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

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