Tag Archives: Iain M. Banks

Pixel Scroll 2/25/25 General Systems Vehicle Strange Women Lying About In Ponds Distributing Swords Is No Basis For A System Of Government

Posted on by
22

(1) IAIN M. BANKS TV ADAPTATION. “’Consider Phlebas’ Series Set At Amazon From Charles Yu & Chloé Zhao” reports Deadline.

 Amazon MGM Studios is developing science fiction TV series Consider Phlebas. It is an adaptation of the novel by Iain M Banks, the first in the late Scottish author’s classic 10-book Culture book series about an interstellar post-scarcity society.

Interior Chinatown creator Charles Yu is writing and executive producing. The potential series also is executive produced by Nomadland Oscar winner Chloé Zhao through her production company Books of Shadows, Dede Gardner and Jeremy Kleiner for Plan B Entertainment as well as Adele Banks.

In Consider Phlebas, while war rages between the utopian Culture and the Idiran Empire, a Culture Ship AI “Mind” takes refuge on a forbidden planet. Both Horza, a shape-shifting mercenary working for the Idirans, and Balveda, a “Special Circumstances” Culture agent, have been tasked with retrieving it to tip the balance in a galaxy-spanning conflict. Consider Phlebas pits sentience against AI in an epic and bloody quest across the cosmos….

(2) WHY NOT SAY WHAT HAPPENED? Episode 20 of Scott Edelman’s Why Not Say What Happened? podcast, “The Barry Smith Comic Book Which Caused Me to Disobey My Parents”, has all the burning bridges that have fallen after him….

In my latest look back at the comics field of the ’70s, I share about the home away from home Phil Seuling built for fandom which earned his recent much-deserved accolade, whether the Ethics columns I wrote for The Comics Journal during the ’80s burned any bridges (and if I even cared those bridges were on fire), the kung fu comic book series I’d completely forgotten I’d pitched to Marvel, why my job in the Bullpen stunned writer/editor/artist Bob Budiansky, the Barry Smith Agent of S.H.I.E.L.D. comic which caused me to disobey my parents, my initial fears I might not last long enough at Marvel to be eligible to receive unemployment benefits if I were fired, and much more.

The whole series can be downloaded from a variety of platforms at this link.

The issue of Nick Fury I wasn’t supposed to buy.

(3) GALLIFREY ONE WINDING DOWN. LA’s legendary Doctor Who convention Gallifrey One will end its run in 2028. But another LA event in the same spirit will keep the torch burning into the future. “Gallifrey One To Conclude in 2028… But The Moment Has Been Prepared For” writes Shaun Lyon.

It was with a heavy heart that we announced on February 16, 2025, at the end of this year’s convention Closing Ceremonies, that Gallifrey One will be coming to an end in 2028, after three more events over the next three years.  Our February 2028 convention will conclude an unprecedented, sometimes inexplicable and definitely historic 38-year run as the world’s largest and longest-running annual Doctor Who fan event….

…Those of us who have been on this journey for decades have earned the right to go out on our own terms. We aren’t interested in passing along our name or reputation to someone else, someone untested, who might squander the good will we engendered in the fan community. We don’t ever want Gallifrey One to be remembered as the convention that didn’t know when to quit, or is looked back upon with regret: it was great, until it wasn’t.

Most importantly, we want it to be a testament to all the people who brought it forward, from the launch in January 1989 to our first convention in May 1990, through decades of memories and connections (and even a year without one, thank you COVID) until today, when it’s the destination so many people look forward to. So many friendships have come about through the convention.  People have met and married through Gallifrey One; babies have grown up with their families attending.  And along the way, we’ve also lost so many friends through the passage of time; friends gone, but never forgotten.

We also gave our fandom three years’ notice. We didn’t want to spring this on all of you at the last minute. Many of our former attendees we know would love to come back again before we’re done. Many others out there who dream of attending one day, now have three years to plan if they want to make it in time. We didn’t have to do it, and we certainly didn’t do it to make any of you panic; this was a gift to our dedicated fan base, so that you know you’re being looked after and don’t need to think about the future… quite yet.

We don’t want the fandom that we’ve engendered here for so long, the friendships and families and memories we’ve shared, to disappear.  That is why we are confidently moving forward with our plans.

We still have three more events to bring you before we close the book. In 2026, we will proudly present our thirty-sixth convention, The 36 Legends of Gallifrey One: Stories Untold on February 6-8 due to the NBA All Star Game on our regular weekend. (More details about that convention on the wrap-up article & 2026 preview also posted today.) In 2027, our thirty-seventh convention (already named, and we will share it next year) will also be a week or two after our regular weekend (the Super Bowl returns to LA that month). And finally, in 2028, we’ll present the last Gallifrey One convention: a last hurrah and final reunion as ourselves, with a convention name our former chairperson came up with more than thirty years ago….

…In discussing the end of Gallifrey One in 2028 with Jason [Joiner] and Paul [Jones], it became apparent to us that the best opportunity to continue the spirit of our convention was with them: Showmasters Events has the financial strength to run a Doctor Who show here, run in a manner resembling much of Gallifrey One — but not entirely. Put simply, they don’t want Gallifrey One’s fan community to disappear after 2028 any more than we do. And they’ve committed to running a show, while not a non-profit event like Gallifrey One, that operates much like it does today. They have the contacts we have, and most importantly, the capital to put up (this type of event is expensive, and everyone gets paid up front these days, including the hotel and the guests.) Some of Gallifrey One’s team, as well as some guests and attendees, have already committed to helping them through the transition, so that programming operates in much the same way (discussion panels, for instance), the photos and autographs continue, your favorite dealers can continue to vend, and so forth.

We also asked them not to use the Gallifrey One name, as that brand — that legacy — retires with us; they were completely in agreement that this would be something new, but still for the fans….

(4) HOW TO DONATE TO THE LEEPER SCHOLARSHIP FUND. [Item by Evelyn C. Leeper.] People have asked more specifically how to donate to the Leeper Mathematics Scholarship.

The main page is <https://www.umassfoundation.org>, but the specific page is:

<https://minutefund.uma-foundation.org/project/29554/donate?fund_id=GEN%20SCH>

Under the Fund Designation field, select “Other” from the very bottom of the list. This will open a text box where you can write in any fund/designation you would like to support, in this case “Leeper Mathematics Scholarship”.

At the bottom of the page, you can indicate who it is “In Memory Of”.

(5) WENDY AND RICHARD PINI MAKE MASSIVE DONATION. “ElfQuest Creators Donate $500,000 To Columbia University Comics Archive” reports Forbes.

Wendy and Richard Pini, the couple behind the long-running ElfQuest independent comics series, are donating $500,000 to Columbia University to endow and conserve the school library’s growing collection of comics, graphic novels and related prose works.

“The money will go for acquisitions and stewardship for circulating and archival collections,” said Karen Green, the curator for comics and cartoons within Columbia’s Rare Book & Manuscript Library. “Stewardship is a really all-embracing and umbrella term, covering digitization, preservation, anything to make sure things are accessible safely. There was a big ‘et cetera’ to the grant.”…

…Thus, in 2012, at San Diego Comic-Con, where Wendy was making one of her regular appearances, Green approached the Pinis with a compelling question: “Would you consider allowing us to preserve your legacy?”

A year later, the couple had turned over some 37 linear feet of boxes of ElfQuest-related material, including more than 2,000 of Wendy Pini’s hand-drawn, hand-painted storyboards from 1978 through about 1990….

(6) OH CAPTAIN, MY CAPTAIN. With David S. Goyer’s departure from Foundation, Inverse suspects “The Most Ambitious Sci-Fi Epic on TV Could Be In Big Trouble”.

In the sprawling future depicted by Foundation, everyone has pretty much forgotten about the planet Earth. But over several generations can remember the predictions of one man: Hari Seldon. Played by Jared Harris in the first two seasons of Foundation, the character of Seldon is able to see the twists and turns of the future history of the human Empire through a process called psychohistory. But even the study of psychohistory couldn’t have predicted what’s happening to Foundation after its upcoming third season. Because now, the show’s real-life Hari Seldon — creator David S. Goyer — is leaving the show, along with the existing writing staff.

In short, after the next season of Foundation, the literal foundation for the show’s future is very unclear.

As revealed in a newsletter from Goyer’s official site, and reproduced in its entirety on the Foundation subreddit, the writer and producer is leaving taking a massive step back from the show. Here’s what he said:

“I know a lot of you have been waiting for an update. Season 3 will likely be dropping this summer, premiere date TBD. We finally get to the Mule’s story. Expect a few surprises along the way – even for those of you who’ve read the original trilogy.

“To set the record straight, I did decide to step back from the show. S3 will be the last season with my day-to-day involvement, along with most of my fellow directors and writers. I adore the cast and it was a difficult decision. The reasons for my leaving are complicated and were certainly exacerbated by strike-related issues. The biggest reason is that I was forced to spend a ton of time in Europe, away from my family – and after 5 ½ years, it was becoming a drag on my soul. That said, I do believe Apple will green-light S4. Best of luck to the next creative team.”…

(7) ALSO HEADING FOR THE EXIT. There’s a crucial turnover coming at Lucasfilm, too: “Star Wars Succession: Who Will Replace Kathleen Kennedy?” asks The Hollywood Reporter.

…But who should Disney choose to inspire greatness in the next generation of Star Wars creatives now that longtime Lucasfilm boss Kathleen Kennedy is retiring later this year?

The job hunt will be like nothing before in Lucasfilm history. Star Wars creator George Lucas hand picked Kennedy in 2012 to run the company before selling his ownership stake to Disney, which elected to keep her in place. Now, for the first time, Disney will pick somebody new to lead its galaxy far, far away.

During her tenure, Kennedy guided the Star Wars brand across many celebrated achievements (such as the franchise’s return to theaters with The Force Awakens and its successful shift to TV with The Mandalorian). She has also been often criticized for the franchise’s many missteps (including some lackluster movies and shows, and overseeing numerous announced-and-discarded projects). The executive — along with Disney in general — has also often been targeted by franchise’s fandom for diverse casting moves and a perceived “woke” agenda (a perception that Disney boss Bob Iger has been eager to move past)….

(8) ROBERTO ORCI (1973-2025). Robert Orci, a writer-producer with credits on the Star Trek, Xena, Hercules, and Transformers franchises, died February 25. Deadline paid tribute: “Roberto Orci Dead: ‘Star Trek’, ‘Transformers’ Writer-Producer Was 51”.

Roberto “Bob” Gaston Orci, a writer-producer who worked on some of the biggest action-adventure and sci-fi movies and television shows from the first two decades of the century, died at his home in Los Angeles today, Feb. 25, after a battle with kidney disease. He was 51.

Born and raised in Mexico City, Orci moved to the United States with his family when he was 10. He started off as a writer-producer on Xena: Warrior Princess and Hercules: The Legendary Journeys and for most of his career was partnered with Alex Kurtzman.

Orci was co-writer/producer on the 2009 Star Trek movie reboot and its two sequels as well as on the 2007 Transformers movie and the 2009 followup Transformers: Revenge of the Fallen. Orci’s feature credits also include writing work on Mission Impossible III and The Legend Of Zorro and producing on the Now You See Me franchise, The Proposal, Eagle Eye, The Mummy as well as The Amazing Spider-Man 2, which he also co-wrote….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

February 25, 1971 — Sean Astin, 54.

Let’s talk about Sean Astin who played Samwise Gamgee in The Lord of The Rings films. I’ll admit that he was one of my favorite hobbits in the trilogy and Sean did a sterling job of bringing his character to life here, didn’t he? I’ll also admit that I’d completely forgotten that he wasn’t in The Hobbit as in I tend to think that the hobbits in The Hobbit were the same as those who were in the trilogy.

Before The Lord of The Rings, he showed in his first film playing Mikey Walsh in The Goonies. No, not genre (remember My Birthday Write-up, my rules what gets included here) but a really fine YA treasure hunt adventure in which everyone has fun. Well not everyone.

He has a lead role in Toy Soldiers, a film I still have an odd fond spot for, as William “Billy” Tepper. Damn I liked those toy soldiers. I even had some of the action figures a long time ago.

He was Stuart Conway in a film named after a time travel device called Slipstream that was stolen by a group of bank robbers. Might be interesting to see. Any of you seen it? 

He voiced Shazam in a pair of animated DC films, Justice League: War and Justice League: Atlantis, almost proving there are might be too many DC animated films, though I have seen the second one and it’s rather well done.  Look he even did a Lego one!

In the Department of Films That I Never Knew Existed Off Novels I Never Knew Were Written is Terry Pratchett’s The Colour of Magic, which proves how prolific he was or how bad my memory is, at any rate Sean is Twoflower here. 

Dorothy and the Witches of Oz is a 2012 series of a decade ago which apparently covered The Wonderful Wizard of Oz, Ozma of Oz, The Road to Oz and The Magic of Oz. Somewhere in there, he was Frack Muckadoo, a servant of Princess Langwidere.

He even got to voice Raphael in the Teenage Mutant Ninja Turtles: Wrath of the Mutants series. 

I think the last thing I’ll mention is that he showed up in a brief recurring role on The Big Bang Theory series as Dr. Greg Pemberton, one of a team of Fermi-Lab physicists who accidentally confirmed the Super-Asymmetry paper published by Sheldon and Amy. Wasn’t that an amazingly fantastic series? 

Did you know that a spin-off of the original series was in development first several years now? More promisingly, on October 10, 2024, it was announced that a third spin-off will feature Stuart Bloom, Denise, and Bert Kibbler, with Kevin Sussman, Lauren Lapkus, and Brian Posehn reprising their roles. 

Yes, there’s other kibbles and bits which I’m sure you’ll point out, but I need tea now

Ray Bradbury and Sean Astin in 2009. Photo by John King Tarpinian.

(10) COMICS SECTION.

(11) MARVEL CINEMATIC FEUD. Deadline quoted Rob Liefeld’s latest salvo: “’Deadpool’ Creator Calls For Marvel’s Kevin Feige To ‘Get Off Mound’ After ‘Captain America’s Box Office Crash”. (In case you’ve forgotten, Liefeld made news at the time of the Deadpool & Wolverine premiere in 2024 saying he was ignored by Feige on the red carpet and found out his family was not invited to the afterparty.)

The post-Avengers: Endgame era at the box office has been challenging for Marvel, with only a few exceptions such as Guardians of the Galaxy Vol. 3 and Deadpool & Wolverine.

Box office results for the second weekend of Captain America: Brave New World showed a 68% drop week-to-week, positioning it as the third-most significant drop in the Marvel Cinematic Universe. The two films that fared worse were The Marvels, with a 78% dropoff, and Ant-Man and the Wasp: Quantumania at 68%.

Following the report of Brave New World’s results, Liefeld took to X (formerly Twitter) and posted: “Get Feige off the mound. He’s spent.”

Liefeld quoted all the Marvel films that have dropped more than 60% at the box office in its second weekend, saying in another X post that the “MCU is on an extended downside.”

“This is beyond a trend, it’s become the norm,” Liefeld said. “If this was sports, Feige would be removed. Marvel brand is like Dodgers, Lakers, Yankees, Celtics, coaches that win championships are removed a year later when the results are disappointing.”

In another X post he added, “8 movies crash over the last 3 years. Don’t we want better movies? You get the curiosity crowd then plunge.”…

(12) WARNER BROS. SQUEEZES ITS GAME BUSINESS. “Wonder Woman Video Game Canceled at Warner Bros., Studio Shut Down” – The Hollywood Reporter lists the casualties.

Warner Bros. Discovery is restructuring its video game division and shutting down three of its studios as it refocuses its efforts on some core intellectual property.

In connection with the restructuring, the company also said that it is ending development of its Wonder Woman game, which it first announced back in 2021. Instead, the company will focus on “building the best games possible with our key franchises -– Harry Potter, Mortal Kombat, DC and Game of Thrones,” per a Warner Bros. Games spokesperson.

The spokesperson added that three of the company’s game studios: Monolith Productions, Player First Games and Warner Bros. Games San Diego, will shut down amid the changes. Monolith had been developing the Wonder Woman game….

(13) HERE’S MY NUMBER AND A DIME. [Item by Steven French.] “Riki don’t lose that number …!” “If you’re going to call aliens, use this number” recommends Phys.org.

Let’s dive into one of those cosmic curiosities that’s bound to blow your mind: how we might chat with aliens. And no, I’m not talking about elaborate coded messages or flashy signals. We’re talking about something incredibly fundamental—21 cm radiation.

If you’re planning on having a conversation across the vastness of space, using light waves (electromagnetic radiation) is pretty much your go-to option. It’s fast, reliable, and, well, it’s the most practical way to shout out to other civilizations in the universe. But why specifically 21 centimeters? That’s where things get juicy.

This 21 cm radiation isn’t just some random frequency we picked out of a hat. It’s tied to something very essential, known as the hydrogen spin flip. Hydrogen atoms consist of one proton and one electron, and these tiny particles have a property called “spin.”

Think of spin like a little arrow pointing up or down. Every so often, in the vast reaches of space, a hydrogen atom’s electron can flip its spin, going from a state where its spin is aligned with the proton to one pointing in the opposite direction. This flip releases energy in the form of radiation at—you guessed it—a wavelength of 21 centimeters.

So why does this matter? Well, any smart civilization, whether they have blue skin, tentacles, or something more bizarre, will eventually discover hydrogen, understand spin, dabble in quantum mechanics, and figure out this whole 21 cm radiation thing. They’ll call it something different (they won’t have “21” or “cm”) but the concept remains universal. It’s like the cosmic Rosetta Stone….

(14) AH, THE BEACHES OF MARS. “Mars once had an ocean with sandy beaches, researchers say” – the Guardian has the resort brochure.

Mars may not seem like a prime holiday spot with its arid landscape and punishing radiation levels, but it once boasted beaches, researchers have found.

While previous discoveries of features including valley networks and sedimentary rocks has suggested the red planet once had flowing rivers, there has been debate among scientists over whether it also had oceans.

Now researchers say they have fresh evidence to support the idea after discovering buried beaches on Mars.

Writing in the Proceedings of the National Academy of Sciences, the scientists report how they made the discovery after they analysed below-ground imaging data from China’s Zhurong rover.

“Zhurong was sent to southern Utopia Planitia near locations where paleoshorelines have been mapped from satellite data,” said Dr Benjamin Cardenas, a co-author of the research from Penn State University.

The authors say the results from the northern lowlands of Mars are similar to those obtained at shorelines on Earth using ground-penetrating radar: both indicate features in the subsurface material that are tilted – and with a similar angle – towards the lowland, or ocean, direction.

“Typically the radar picks up on even subtle changes in sediment size, which is probably what’s happening here,” said Cardenas.

The researchers say this Martian beach appears to have shifted position over time. The data reveals a series of features dipping towards the north – something Cardenas said indicated the beach grew out into the ocean. “In fact, it grew at least 1.3km north into the ocean.”

Cardenas said the implications were exciting. “It’s a simple structure, but it tells you there had to be tides, there had to be waves, there had to be a nearby river supplying sediment, and all these things had to be active for some extended period of time,” he said….

(15) SMILE FOR THE CAMERA. “This City’s Sewer System Is Full of Alligators, but It’s Not New York” brags the New York Times (behind a paywall).

An enduring urban legend has it that blind, albino alligators patrol New York City’s sewers. These mythical crocodilians have become ingrained in the city’s lore, and some New Yorkers even celebrate Alligator in the Sewer Day each February.

But in Florida, alligators in the sewers are no myth. The reptiles routinely find their way into municipal drainpipes. In late January, a 10½-foot gator was rescued in Cape Coral after it got stuck in a storm drain.

And not all alligators end up in sewers by accident. Recently published research in the journal Urban Naturalist reveals that alligators and nearly three dozen other species use storm water sewer systems in one urban area of Florida to safely traverse urban environments.

“It’s like something out of ‘Teenage Mutant Ninja Turtles,’” said Alan Ivory, a Ph.D. student at the University of Florida who led the research. “The abundance of animals down there was surprising.”

While there has been thorough research on rats in sewer systems, what other animals are up to under the streets is less documented. Mr. Ivory and his colleagues suspected that these subterranean labyrinths, which are built to divert storm water and are separated from sewage systems, serve as important pathways for urban animals.

Mr. Ivory and his colleagues focused on storm water sewers under the city of Gainesville. The scientists outfitted motion-activated trail cameras with magnetic mounts and fastened them underneath manhole covers. Overall, 39 cameras were deployed in 33 storm water drains.

The cameras were left for 60 days, but not all of them survived that long. Some were swept away by storm water, while others were pilfered by bandits with sticky paws.

Who has non-opposable thumbs and apparently likes stealing motion-activated trail cameras placed by scientists? These guys. Alan Ivory, via UF/IFAS

“We would have raccoons steal cameras every now and then,” Mr. Ivory said. “They would climb up the ladders and tear them off the manholes.”…

(16) ELDRITCH LAUGHTER. Scotto.org remembers “H.P. Lovecraft: Stand-Up Comedian!” from 2015. You can watch it on YouTube. Includes jokes like, “I was worrying about the Boston Massacre. Do you know how many people actually died in the Boston Massacre? Five people. That’s not a massacre. That’s an afternoon snack for Cthulhu.”

Ran for six performances, Tues & Wed nights, April 28-May 13, 2015, at Annex Theatre in Seattle. Remounted for two performances, Sept 5 & 7, 2015, at Bumbershoot. I wrote the script and played Howie; my pal K. Brian Neel directed.

“Instead of expressing his terrifying vision of malevolent, eldritch gods via horror stories in the early twentieth century, H.P. (‘Howie’ to his friends) Lovecraft expresses his terrifying vision in the present day via stand-up comedy. But an ancient evil stirs beneath the sea— can Howie pull off one last sold-out gig before the human race is destroyed?”

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, N., Evelyn C. Leeper, Scott Edelman, Lisa Hertel, James Bacon, Mark Roth-Whitworth, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day PhilRM.]

Pixel Scroll 2/21/25 As I Was Listening To Charles Ives, I Met Ningauble Of the Seven Eyes

Posted on by
19

(1) SFWA ANNOUNCES DATE OF NEBULA FINALIST ANNOUNCEMENT. SFWA President Kate Ristau recently introduced members to Nebula Conference Project Manager, Sherine Mani saying, “Sherine is an events manager who has run conferences for Fortune 500 companies and nonprofits, as well as fan cons like CrimeCon.”

Ristau also spotlighted Nebula Award producers, Rebekah Postupak and Josh Storey. Both were assistant producers last year.

The Nebula Awards Finalist Announcement will be presented live on YouTube on March 12 at 5:00 p.m. Pacific.

(2) WORTH MORE THAN ITS WEIGHT IN GOLD. Apparently, because the BBC thinks “Luke Skywalker’s Star Wars medal could sell for up to £476k”. It will go on the block during Propstore’s “Entertainment Memorabilia Live Auction” in March.

A medal given to Luke Skywalker after he destroyed the Death Star in Star Wars could sell for up to £476,000.

Propstore, based in Rickmansworth, Hertfordshire, is selling the Medal of Yavin, worn by future Jedi master Luke during the first film in the franchise.

The medal is also believed to have been worn by Harrison Ford – who played Han Solo – during rehearsals for the 1977 film, later retitled Star Wars: Episode IV – A New Hope.

Brandon Alinger from Propstore said the item held a “special place in cinematic history”.

It goes on sale in Los Angeles in March with a price estimate of $300,000 to $600,000 (£238,000 to £476,000).

The medal came from the collection of props master Gerard Bourke, who worked on the original Star Wars films shot at Elstree Studios.

Propstore claimed it was the “first and only medal to be offered for public sale” after its team researched the prop….

(3) RUSHDIE ASSAILANT CONVICTED. “Man Who Stabbed Salman Rushdie Is Found Guilty of Attempted Murder” – the New York Times has the story (behind a paywall).

A jury in western New York on Friday found a New Jersey man guilty of attempted murder in the stabbing of the author Salman Rushdie, which left him partially blind.

The conviction of the man, Hadi Matar, 27, followed harrowing testimony from Mr. Rushdie, 77, who said he had been struck by his attacker’s dark, ferocious eyes. He told the jury that at first he felt he was being punched, but then he realized he had “a very large quantity of blood pouring out” onto his clothes.

Mr. Rushdie had been scheduled to deliver a talk at the Chautauqua Institution amphitheater on Aug. 12, 2022, about how the United States has been a safe haven for writers and other artists in exile.

Shortly before the talk was set to begin, a man wearing dark clothing and a face mask rushed onstage and stabbed Mr. Rushdie repeatedly.

Mr. Matar was also found guilty of assault on Friday for injuring Ralph Henry Reese, one of the founders of a project that offers refuge for writers. Mr. Reese had been onstage to moderate the talk.

Mr. Matar, who is scheduled to be sentenced on April 23, faces up to 32 years in prison. He also faces federal terrorism-related charges.

The attack occurred in front of more than 1,000 people. Afterward, Mr. Rushdie was airlifted to a hospital with a trauma clinic in Erie, Pa. He spent 17 days there before he was transferred to N.Y.U. Langone’s Rusk Rehabilitation center in New York City, where he stayed for nearly a month….

(4) SHELFIES. The latest to share about his accumulated books with Lavie Tidhar and Jared Shurin is “Paul Graham Raven” in Shelfies #24. (Photos at the link.)

…As is probably obvious, I keep books either because I haven’t read them yet and fully intend to, or because I have read them already, and intend eventually to read them again. This exercise has made me realise that the latter category is necessarily growing faster than the former, which means I should probably stop buying books (an extremely expensive habit in Sweden) and catch up on my re-reads.

(Like that’s gonna happen any time soon.)

(5) THE OSCAR FOR DUNE 2? [Item by Steven French.] The Guardian’s Adrian Horton makes the case for Dune: Part 2: “Why Dune: Part Two should win the best picture Oscar”.

A common complaint I’ve heard about Dune: Part Two is that it is too similar to the first Dune, Denis Villeneuve’s audacious gamble to adapt just half of Frank Herbert’s beloved sci-fi tome and hope for another greenlight from Warner Bros. This is correct. Part Two, like its predecessor, is arcane, surprisingly weird, oddly structured and deeply uninterested in pandering. This is actually a compliment, because though I have seen Part Two six times and still do not totally understand the Bene Gesserit, the film, like its predecessor, is a strange creature in modern cinema: a true blockbuster – a cinematic behemoth that makes millions, generates memes and cements the ever-vanishing movie star – that harnesses the full power of the art form….

(6) WHEN IAIN BANKS HELPED MAKE IT THE FULL MONTY. [Item by Steven French.] For my comfort read over Christmas and New Year I chose the fourth volume of Michael Palin’s diaries, covering the period 1999 to 2009, and there in the entry for September 14 2009 I discovered that Iain Banks, while a student at Stirling University, was an extra (a knight no less) in the movie Monty Python and the Holy Grail! [Click for larger image.]

(7) IT’S THE NANONEWTONS THAT KILL YOU. [Item by Steven French.] Who hasn’t wondered about this?! “What would happen if a tiny black hole passed through your body?” at Phys.org.

In 1974, science fiction author Larry Niven wrote a murder mystery with an interesting premise: Could you kill a man with a tiny black hole? I won’t spoil the story, though I’m willing to bet most people would argue the answer is clearly yes. Intense gravity, tidal forces, and the event horizon would surely lead to a messy end. But it turns out the scientific answer is a bit more interesting.

On the one hand, it’s clear that a large enough black hole could kill you. On the other hand, a black hole with the mass of a single hydrogen atom is clearly too small to be noticed. The real question is the critical mass. At what minimum size would a black hole become deadly? That’s the focus of a new paper posted to the arXiv preprint server….

…But if the black hole passed through your head, that would be a different story. Tidal forces could tear apart brain cells, which would be much more serious. Since brain cells are delicate, even a force differential of 10–100 nanonewtons might kill you. But that would take a black hole at the highest end of our mass range….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: The Cats of Tanglewood Forest (2013)

Two of my favorite individuals, Charles de Lint, who would later win a World Fantasy Lifetime Achievement Award, and Charles Vess, who received a Hugo at Dublin 2019 for Best Professional Artist and a World Fantasy Award for Best Artist, collaborated on The Cats of Tanglewood Forest, a follow-up to their A Circle of Cats. 

Twenty years ago, it would win the Sunburst Award for Excellence in Canadian Literature of the Fantastic, an award that until this moment I’d not heard of. My bad for not knowing of this award. 

If you’ve not encountered this novel, it’s considered a young adult work, but I’d recommend for anyone interested in a good read grounded in Appalachia folklore with the fantastic artwork of Vess profusely illustrating it. You can read the Green Man review here. And here’s our review for A Circle of Cats as well. I’ve got one of his signed prints for A Circle of Cats in my apartment over the desk where I’m write this review.

It is available from the usual suspects, but you really should get the hardcover edition as it should be read that way as holding it and admiring the illustrations by Vess that way are extraordinary. You should be able to get a copy from the local bookstore as it is readily available. 

Of course it has cats, lots of cats. 

(9) COMICS SECTION.

(10) CAPACIOUS CAPE. “DC Comics to Relaunch Batman With New #1 Issue and New Costume” reports IGN.

2025 is definitely shaping up to be a huge year for DC’s flagship Batman comic. Current writer Chip Zdarsky just ended his run with Batman #157, paving the way for Jeph Loeb and Jim Lee’s Hush 2 storyline in March. And once Hush 2 is over, DC will be relaunching Batman with a new #1 issue, new writer, and new costume.

As revealed at the ComicsPro retailer event, the new volume of Batman will be written by Matt Fraction (Uncanny X-Men, The Invincible Iron Man). Current Batman artist Jorge Jimenez is remaining on board, though as mentioned, he and Fraction have designed a new costume and new Batmobile to ring in the new series. Batman is trading in the black and gray suit for a more vintage-inspired blue and gray costume. Check out the new Batsuit below:

(11) KEEP WATCHING THE SKIES. [Item by Steven French.] There are some absolutely stunning shots of aurorae here: “2024 Northern Lights Photographer of the Year” at Capture the Atlas.

(12) VIDEO OF THE DAY. Ryan George hilariously sends up “How Bomb Timers Work In Movies”.

[Thanks to Andrew Porter, John King Tarpinian, Jeffrey Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/16/25 I Just Might Have A Pixel That You’d Understand

Posted on by
26

(0) Spent a great Saturday at my brother’s to celebrate my birthday, which is today. And Cat Eldridge celebrated yesterday, because his really is on the 15th. So it’s been a candle-powered 770 weekend.

(1) SFPA ELECTION. The Science Fiction & Fantasy Poetry Association (SFPA) has voted in Brian U. Garrison as their next SFPA President. Brian’s term begins March 1.

The vote breakdown by percentage was:

Brian U. Garrison – 48%
Wendy Van Camp – 38%
Miguel Mitchell – 14%

(2) ONLY A SMOKING CRATER LEFT. Somebody on Bluesky got themselves blocked in a hurry.

(3) GREENE FOLLOW-UP. Naomi King has posted another video about her sexual assault allegations against fellow YouTuber Daniel Greene: “Daniel Greene Situation Part 2”. In relating their history King makes a number of what a lawyer would call “admissions against interest”, statements about their conduct that tend to make a speaker more credible because they make them more vulnerable to criticism.

(4) ALIEN ON HIS MIND. Camestros Felapton’s “Thinking about Xenomorphs” is inspired by Alien: Romulus but (as he says) is not a review. It’s a place for him to express opinions like this one:

….I think I dislike the whole bit that runs through the series of the xenomorphs being some kind of perfect organism. They are weird and nasty and I really like them as monsters, they really are terrifying. They are at their deadliest when people underestimate them or attempt to control them. That aspect of them symbolically punishing ignorance or hubris gives them a supernatural vibe without them ever actually being supernatural*….

(5) ROBOT TRUTH. [Item by Andrew (not Werdna).] The New Yorker looks at “Doing the Robot, for Your School”.

A huge event, with hundreds of participants, takeout pizza boxes stacked shoulder-high on carts, a jazz-rock band, a d.j., teams from about thirty high schools, robots by the dozen, and robot parts by the (probably) thousands spread out on tables in the cafeteria: it was the first day of the qualifiers for the all-city semifinals in the NYC first Robotics Competition, at Francis Lewis High School, in Queens. 

Zigman asked the team to wait a second while he took a group photo, as he had done with other winners. “I love this,” he said, as the kids dispersed. “Look at who was here today. All kinds of kids—African Americans, Indians, West Indians, Asians, Hispanics, Muslims, Jews. Our stem centers, which stay open every day until 10 p.m., are just thronged. We have kids working on robots in the halls. Kids are fascinated with this. They work together, help one another, pick up math skills almost unconsciously. Differences of race, religion, your truth, my truth—all of that vanishes. Here the truth is the robots.”…

(6) PRESERVING THE FIRST CAP. In “Saving Captain America” – the Guardians of Memory tell Library of Congress blog readers how they did it.

The original concept drawing of Captain America is in the Print and Photograph Division at the Library of Congress. It is one of the feature artifacts in the Stephen A. Geppi Collection of Comic and Graphic Arts that was donated to the Library in 2018.

Captain America was the creation of Joe Simon who sketched this drawing in 1940 while working for Timely Comics, now Marvel Comics. It was a turbulent time following the Depression with the threat of war in the news. So it is easy to understand the appeal of Captain America, an ordinary man who was given extraordinary powers, a figure who embodied our American ideals. Simon’s character, drawn in black ink, with a patriotic uniform colored with red and blue watercolor, joined the other popular comic superheroes of the day; Superman and Batman.

The drawing arrived at the Library in a gold oval frame that measured roughly 14 x 20 inches.

Shortly afterwards it was unframed by a specialist who discovered a pencil drawing on the back along with several condition problems that prompted her to bring it to the Conservation Division for treatment.

During my initial examination I found that the drawing was on a rectangular sheet that had been cut multiple times and folded up to make the drawing fit into the small frame. The fragile paper had split apart at some of the folds where sticky white tape had been applied to repair them. Patches of gummy adhesive with paper residues from the old window mat attachment were on the front of the drawing. The paper was also badly distorted from being confined in the frame preventing the paper, a hygroscopic material, from expanding during periods of higher humidity.

My goal was to unfold the paper without causing more damage and to remove all the white tape repairs, adhesive, and paper patches. The paper splits and cuts were to be mended and the drawing flattened and housed in conservation quality materials….

(7) RECROSSING THE ATLANTIC. “Lewis Carroll collection given to his Oxford college in surprise US donation” reports the Guardian.

Thousands of letters, photographs, illustrations and books from one of the world’s largest private Lewis Carroll collections have been donated to the UK out of the blue by an American philanthropist.

The extraordinary gift has been made to Christ Church, University of Oxford, where Carroll lectured and where he met Alice Liddell, the inspiration for Alice’s Adventures in Wonderland, which celebrates its 160th anniversary this year.

The collection includes more than 200 autograph letters, some of which are unpublished. There are a number to his “child-friends” and their parents, often sending riddles and jokes and copies of books. Some shed light on Carroll’s interest in the theatre.

There are also significant early editions, including the Alice books, The Hunting of the Snark and mathematical works. A copy of Alice’s Adventures Under Ground is inscribed to Alice’s mother by Carroll: “To her, whose children’s smiles fed the narrator’s fancy and were his rich reward: from the author. Xmas 1886.”

Carroll is considered one of the best amateur photographers of his day and the donation includes more than 100 of his photographs. The subjects include his friends and noted figures such as the painter and poet Dante Gabriel Rossetti….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 16, 1954 — Iain M. Banks. (Died 2013).

By Paul Weimer: Some of you might think I am fortunate, for I still have plenty of Iain Banks yet to read. 

You might ask why I, such an indefatigable reader of science fiction, would be in such a position.  And, unfortunately, it is because of the first Banks novel I read, and one that I bounced hard off.
Inversions.

Inversions is the Culture novel that is not a real Culture novel. It’s set on a distant planet, at a medieval level of technology with only the vaguest hints that there is a wider world out there. It’s got alternating points of view, and there is a hint of technology and one bit of implication about one of the characters, it is otherwise a fantasy novel without a scrap of magic or wonder. It’s dry and mundane and I wondered if Banks was for me at all. So I didn’t read Banks for years thereafter. I decided that the Culture could flourish in splendor without me. The Culture didn’t need me as a reader. It had its champions and readers. 

And then Banks tempted me to try his work again. 

Because Banks wrote a multiverse novel, Transitions. Readers of my reviews and criticism know I am all about multiverse novels, long before the multiverse was a thing. And so when Banks announced he was writing one, I was mildly curious. (And then a friend told me it was fantastic and I needed to read it)

So, I decided to give Transitions a try.

To my delight, unlike Inversions, I found Transitions to be one of the most interesting and innovative novels in the subgenre. Stunningly and engagingly well written, and a fantastic “chase sequence” unlike nearly anything I’ve ever read in cross world books. Philosophical, thoughtful, engaging, and highly literate. It was an eye-opener, and I started to reassess my opinion of Banks’ work. Maybe, I thought, Inversions was an outlier.  But Mount TBR is huge and I didn’t read a Banks novel for some years afterwards. 

I finally started reading Culture novels with The Player of Games a couple of days ago. Yes, it was for a podcast, and having fondly remembered Transitions, I finally decided to give Banks and The Culture a chance. And I am so glad that I did. I finally got to see this mysterious Culture and its post-scarcity society, put in contact and dealing with a dangerous, avaricious empire. I finally saw what others have seen in the Culture novels in specific and Banks’ work in general.  The depth of worldbuilding, psychology, sense of wonder and the big philosophical questions. Big damn space opera but space opera of a metier quite unlike most in the field. 

I haven’t had a chance to dip back into The Culture since, however. But one day I will. I am not going to try and re-read Inversions, though. 

He passed away in 2013. Requiescat in pace.

Iain M. Banks

(9) COMICS SECTION.

(10) BEFORE THE IDES OF MARCH. Mashable proclaims, “A dramatic total lunar eclipse is coming. You don’t want to miss it.”

A blood moon is coming.

The entirety of the lower 48 states, the greater Americas, and some regions beyond will witness — weather permitting — a total lunar eclipse the night of March 13 and into the early morning of March 14. This special cosmic event occurs when the moon, Earth, and sun are aligned. Long, red wavelengths of light pass through Earth’s atmosphere and are projected onto the moon in majestic rusty or crimson colors.

(11) THROWING HANDS. [Item by Mike Kennedy.] The UK has a new entrant in the race to develop our robot overlords. And they have the balls cojones guts to name the company Humanoid. Yet, no one has yet been brave enough to name their bot Hymie. “UK firm unleashes new humanoid robot with hands faster than humans” at Interesting Engineering.

…Humanoid’s mission is to lead the society into a new future where humans and robots interact seamlessly in the same way that people use the smartphones today. This could help to address a whole host of issues, including workforce shortages in certain industries.

“At Humanoid, our team believes in a future where humans and machines work side by side, not in competition, but in harmony,” Sokolov explained in a press statement. “This societal shift will address social issues such as workforce shortages and aging population while giving people more freedom to focus on more creative and meaningful work.”

“The strongest argument in favor of humanoids is that the world is already designed for humans, so they can seamlessly integrate and quickly adapt to existing environments,” he continued. “With a world-class team, Humanoid has ambitious plans for the year ahead. In 2025, we plan to develop and test our alpha prototype for two platforms — wheeled and bipedal. We’re also in ongoing discussions with leading retail companies for potential pilot projects.”…

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Michael J. Walsh, Andrew (not Werdna), Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 7/6/24 This Evening Jonathan Hoag Renounces His Unpleasant Profession

Posted on by
12
From the Tom Baker / Doctor Who “The Android Invasion”

(1) CHAIN-GANG ALL-STARS AUTHOR Q&A. “Nana Kwame Adjei-Brenyah: ‘Satire is a way to make myself less depressed’” in the Guardian.

…His first novel, Chain-Gang All-Stars, now out in paperback and currently on the shortlist for this year’s Arthur C Clarke science fiction award (announced on 24 July), takes place in a future in which live-streamed combat between death-row convicts has become prime-time entertainment. [Nana Kwame] Adjei-Brenyah, born and raised in New York, was speaking from his home in the Bronx.

Where did Chain-Gang All-Stars begin?
I’d been working with this group to try to end solitary confinement in New York state, because it’s known pretty much universally to be torture. I actually got involved with them because they were trying to support my former school district – it was being mismanaged and children of colour were being treated poorly – but the group [Rockland Coalition to End the New Jim Crow] was also interested in the rights and outcomes of people who are incarcerated. I’m interested in systems that get us to buy into violence and trick us into stepping on each other’s heads – literally, metaphorically – and I view the prison system as a huge version of that. Ninety-nine per cent of people in prison are impoverished and suffering from mental health problems and diseases of addiction. The idea that you can put humans in cages only stifles our ability to respond to these systemic issues with compassion. Carceral solutions to serious human problems perpetuate those problems.

Why did you address the subject by writing a satirical dystopia?
The speculative nature of the story helped me feel more comfortable getting extremely specific about the brutal statistical realities of prison. I don’t deny I’m writing a dystopia, but dystopia is really just a point of view that depends on your proximity to violence.…

(2) SOMETIMES THEY DO GET WEARY. “Election result celebrated by David and Georgia Tennant with ‘amazing’ Doctor Who reference” – The Independent sets up the photo.

David and Georgia Tennant have celebrated the General Election results with an “amazing” Doctor Who callback.

After a night of humiliation for the Conservative Party, who were beaten in a historic landslide by Labour, Rishi Sunak, before falling victim to an embarrassing prank by a YouTuber, conceded to Keir Starmer, calling the result “sobering”….

(3) COMPANIONSHIP. “Doctor Who’s Russell T Davies explains how Varada Sethu’s cameo in ‘Boom’ led to her being cast as Ncuti Gatwa’s companion” at GamesRadar+.

“I think we might as well just be simple with this, because we’ve already said she’s not coming back as Mundy Flynn,” Davies tells SFX magazine in the new issue, which hits newsstands on July 10 and features Doctor Who on the cover. “It’s one of those very simple situations, like with Freema [Agyeman, who appeared in ‘Army of Ghosts’ before being cast as companion Martha Jones]: when you cast a great actor, you need a new companion.”Sethu played Mundy Flynn in ‘Boom‘, the third episode of season 1. Written by former showrunner Steven Moffat, it takes place on the wartorn planet of Kastarion 3, and Mundy is a marine who the Doctor and Ruby encounter after the Doctor steps on a landmine….

…”I was watching, like, the fifteenth edit of ‘Boom’, loving her,” Davies continues. “Every time I watch her, I think, ‘God, she’s brilliant’, I literally think she’s brilliant. I used to watch her thinking, ‘God, what a shame we can’t work with her again.’ I was thinking, ‘Should we go back to the 51st century, could we meet her again?’ and then I suddenly went, ‘Oh, let’s just cast her again. We’ve done that before. Lovely.’…

…Davies concluded by teasing what’s to come, claiming: “Good stuff ahead. Completely new character, again, a completely new story and that’s a great new story that will run across eight episodes.”

(4) FROM BRIDGERTON TO GALLIFREY. “’Doctor Who’ showrunner teases Nicola Coughlan cameo in Christmas episode” at Geo News.

Nicola Coughlan, who rose to fame after starring in Netflix’s regency era drama Bridgerton, has reportedly landed another role.

Steven Moffat, who is the director of Doctor Who, recently sat down for a confessional on Ireland AM, and weighed in on the Christmas special episode of the popular sci-fi series.

He also revealed the name for this episode, which is called, Joy to the World and continued to say, “Nicola is wonderful in it.”

“I’m not allowed to say anything about it. At least I think I’m not allowed to say anything about it so I’ll just shut up,” he also teased and added that Nicola “will break your heart.”

(5) OH-OH! Inverse takes us “Inside The Secret James Bond Reboot That’s Happening Right Now”.

…Written by Kim Sherwood, the novels Double or Nothing (March 2023) and A Spy Like Me (April 2024), tell a new kind of James Bond story, one that utterly reboots the canon of character and smarty, focuses on various new Double O agents. In doing so, Sherwood pulls off a radical pivot for the Bond franchise.

“What I’m doing I think is a structural shift where I’m turning it into an ensemble cast,” Sherwood tells Inverse. “Fleming was writing in this very traditional quest narrative structure where Bond was a kind of medieval knight. He’s given a mission and he sets out from the castle. He’s always on his own. But he’s part of a Double O section. He’s inherently part of a wider world.”

Tackling the wider world of 007 seems like something that should have already happened. And to some extent, it has. There were The Moneypenny Diaries in 2005, as well as a 2017 comic book miniseries about Bond’s CIA ally, Felix Leiter. But none of these spinoffs are quite as extensive or reboot-y as Sherwood’s Double O series.

“Growing up, I loved things like comic books or Star Trek, which lean into this idea of the extended universe and really big ensemble casts,” Sherwood says. “Those casts can be 25 characters deep, and every single one of them can carry the show. So that’s what I’ve grown up loving and being inspired by. That’s the direction that I’ve taken this expansion of Bond.”

Both of Sherwood’s “Double O” novels are masterclasses in world-building. The Double O section is now headed by Moneypenny, who, in this version of the timeline, rose through the ranks with Bond. A male version of M still oversees the Secret Service in general, but he’s a kindly grandfather figure who Sherwood says she modeled on Patrick Stewart. Meanwhile, the gadget expert “Q” (most recently played by Ben Whishaw in the films) is essentially an AI in this version, a quantum computer that assists MI6 with various intelligence gathering and tech problems….

(6) WHY THE WASP FACTORY WAS NEEDED. This is not the best week to lead with Neil Gaiman, but don’t hold that against Iain Banks. The Guardian has organized an anniversary tribute: “’An explosion of talent’: Iain Banks’s The Wasp Factory at 40”.

[Neil Gaiman:] It was 1984, and the publisher Macmillan was holding a small event for booksellers, and had invited a tiny handful of journalists along as well. They would be announcing upcoming titles, trying to get the booksellers excited about them. I was one of the journalists, but I only remember one author and one book from that afternoon. The author’s editor, James Hale, was thrilled about a first novel, which Macmillan would soon be publishing, and which James had discovered on the “slush pile” of unsolicited manuscripts. The author had been asked to say a few words to the assembled booksellers about himself and his book.

The author had dark, curly auburn hair and a ginger beard that was barely more than ambitious stubble. He was tall, and his accent was Scottish. He told us that he had really wanted to be a science fiction writer, that he had written several science fiction books and sent them out to publishers without attracting any interest. Then he had decided to “write what he knew”. He had taken his own obsessions as a young man, his delight in blowing things up and his fascination with homemade implements of destruction, and he had given them to Frank, a young man who also liked blowing things up but went much further than the author ever had. The author was Iain Banks, of course, and the book was The Wasp Factory…

…Iain needed to write a book that would be published, and he did. A book that was unflinchingly readable, dragging the reader in and through….

(7) JON LANDAU (1960-2024). Film producer Jon Landau died July 5. Variety notes:  

…Landau, a longtime producing partner to James Cameron, was behind three of the top four highest-grossing movies of all time. Landau helped make history with “Titanic,” the first film to cross $1 billion at the global box office. He topped that movie’s record-breaking grosses twice, with 2009’s “Avatar” and its sequel, 2022’s “Avatar: The Way of Water.”

Before his death, Landau was deeply involved in the production of the “Avatar” sequels. Cameron is planning to fill his blockbuster sci-fi franchise with five movies in total, with the fifth tentatively coming out in 2031….

Landau’s genre producing credits include: Honey, I Shrunk the Kids (1989); Solaris (2002); Avatar (2009); Toruk: The First Fight (2016; TV movie); Alita: Battle Angel (2019); and Avatar: The Way of Water (2022).

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

July 6, 1927 — Janet Leigh. (Died 2004). Janet Leigh. Alfred Hitchcock. A perfect pair it turned out. And Psycho is all that I’ll be talking about. 

MAJOR SPOILER NOW. I MEAN IT. 

Yes, she was in Psycho. Forty-seven minutes into film, she is showering when a shadowy figure brutally kills her character Marion by stabbing her over and over so the blood runs copiously. 

Leigh receiving instructions from Alfred Hitchcock to film the shower scene in Psycho (1960). By Shamley Productions , Paramount Pictures.

It took a full week to complete from set-up to filming, seventy camera setups, using fast-cut editing of seventy eight pieces of film, and apparently a naked stand-in model for rehearsal (Marli Renfro who appeared in many men’s magazines of the days and appeared on the cover of the September 1960 edition of Playboy) in a mere forty-five second  impressionistic montage sequence, and both inter-cutting slow-motion and regular speed footage. (I say apparently but read on as to why that is disputed.) 

Hitchcock would later acknowledge that while Leigh’s face is seen that it is her, otherwise it is Renfro. And later contradicts himself in yet another interview. And then changes his mind yet again. 

Yet another individual, Rita Riggs, who was in charge of the wardrobe, stated that it was Leigh in the shower the entire time, explaining that Leigh did not wish to be nude and so she devised many things including pasties, moleskin, and bodystockings, to be pasted on Leigh for the scene. I must say this sounds quite silly. 

Now it has to be noted that in Psycho – Behind the Scenes of the Classic Thriller says all the actual shower footage in the film was of her and the only time Renfro was used was in an overhead shot that was eventually cut due to censors’ concerns. 

At this point, we’ll never know, will we?  Now keep in mind that Renfro is still alive and has continued to give interviews, insisting that it is she. 

The question is where is the unedited film? That is the question that goes unanswered though the likely answer it seems is that it no longer exists.

END OF MAJOR SPOILER, REALY IT IS. SO IT WAS ALL SPOILERS THIS TIME. 

(9) COMICS SECTION.

(10) ASTRONOMY PHOTOGRAPHER OF THE YEAR SHORTLIST. Smithsonian Magazine makes it possible for us to “See Ten Awe-Inspiring Images From the Astronomy Photographer of the Year Contest” The photo gallery is at the link.

For generations, skywatchers and hobbyists around the world have admired the beauty of the cosmos.

The Astronomy Photographer of the Year contest channels that wonder into dazzling images, taken by amateur and professional astrophotographers as they vie for a £10,000 ($12,750) grand prize. The contest, arguably the biggest astrophotography competition in the world, is run by the Royal Observatory Greenwich in England and is in its 16th year.

…. The 2024 Astronomy Photographer of the Year shortlist, unveiled on Tuesday, includes an aurora shaped like a dragon, a total solar eclipse and a breathtaking shot of the Milky Way in a desert sky.

A panel of art and astronomy experts judges the contest. The overall winners will be announced on September 12….

(11) THE MOTION STOPPED – FOR ALMOST 30 YEARS. The New York Times knows “How Stop-Motion Yetis Emerged From Film Hibernation”.

Movies like “Dune: Part Two” and “Challengers” arrived in theaters later than expected because of last year’s actors’ strike, and Hollywood experienced significant production setbacks during the coronavirus pandemic.

But “The Primevals,” about a group of researchers who discover gigantic yetis and other prehistoric creatures, made those movie delays look minuscule when it was released in theaters in March.

It was filmed in 1994.

The live-action movie, which was delayed because of funding woes and then the death of its director, David Allen, incorporates a stop-motion animation technique in which puppets are painstakingly photographed and brought to life through a series of frames, as with a children’s flipbook. The retro look conjures up an earlier era of filmmaking, before computer-generated imagery took over visual effects.

“It’s like an archaeological find,” said Juliet Mills, who plays one of the movie’s researchers. “It’s like entering a time machine watching this film.”

Mills and the other actors had doubted that the movie would ever reach theaters. Even before Allen died, the film’s development had been plagued by outsize expectations and financial challenges….

… Allen had originally envisioned pushing the boundaries of what could be accomplished with stop-motion animation, Endicott said. In the decades since, however, computer-generated imagery had become an essential tool for animating films.

“By the time he was working on it in the ’90s, the movie became a comment that stop-motion still had a voice in a world of C.G.I.,” Endicott said.

Allen died in 1999. Despite his final wishes, the movie’s puppets collected dust in a storage unit for nearly two decades.

While rewatching an old version of “The Primevals” in 2018, Endicott recalled Allen’s directive and recommitted himself to releasing the film, even if it was an unfinished version. By this time, Band’s production company Full Moon Features had also become more profitable, so there were fewer funding hurdles. Endicott and a group of Allen’s friends and fans recreated some of the puppets and completed more of the animations, and Richard Band created an orchestral score….

(12) SPACE TRAVEL CONTMINATES MOON — WELL THEY SAID ALL THESE WORLDS WERE OURS EXCEPT EUROPA ALONE… [Item by SF Concatenation’s Jonathan Cowie.] Reported in this week’s Science journal comes the news that our visits to the Moon are contaminating its natural water ice trapped in permanently shadow areas…

Orbital spacecraft have observed thin surface deposits of water-ice in permanently shadowed regions (PSRs) of craters near the Moon’s poles. Any free water molecules hop across the lunar surface until they are either destroyed by sunlight or reach one of the PSRs, where they remain indefinitely. Rocket exhaust contains water, so Farrell et al. calculated how much water reaches PSRs from lunar landings. They found that the six Apollo landings contributed less than 1% of the surface water in PSRs, implying that most is natural. However, a single Artemis landing will increase PSR surface water mass by more than 20%, polluting the record of natural water on the Moon.

The primary research is here.

(13) DO ALIEN OPTIMISTS HAVE A FINE-TUNING PROBLEM? [Item by SF Concatenation’s Jonathan Cowie.] Aliens are a key SF trope.  But I am fascinated when there is serious discussion in the academic literature.  Here’s the latest from Prof. David Kipping at the Cool Worlds Lab. “Crowded or Lonely? The Statistics of Alien Life”.

New research paper from the Cool Worlds Lab! Today we explore the implications of a classic result in statistics but applied to alien life for the first time. The result implies a startling conclusion, the cosmos is either teeming with intelligent civilisations, or we’re essentially alone. Join us today as explore how this works and what the implications might be.

(14) SOLARIS. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff  over at Media Death Cult takes a look at Stanislaw Lem’s classic Solaris. And for once we get a behind the scenes look at how Moid pulls these vids together. The 12-minute video is below….

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Gilbert & Sullivan” Dern.]

Pixel Scroll 4/6/24 On (Eclipse) Monday, Smart Electronic Sheep Won’t Look Up

Posted on by
35

(1) MOOGS, WOULD YOU BUY IT FOR A QUARTER? “Nobody Wants to Buy The Future: Why Science Fiction Literature is Vanishing” — according to Simon MacNeil at Typebar Magazine.

A recent Washington Post article indicated that only 12% of the reading public were interested in reading science fiction.  A perusal of bestseller lists for science fiction shows an even more alarming truth: the science fiction books that do sell are a shrinkingly small number of reprints, classics and novels that had been adapted into movies. 

The December 2023 bestseller list on Publisher’s Weekly contained only two novels published originally in 2023: Pestilence by Laura Thalassa (an odd addition to the Science Fiction list as it is marketed as fantasy / romance) and Starter Villain by John Scalzi. The bestselling SF novel in that time period, Project Hail Mary by Andy Weir, sold almost 17,000 copies. This puts it far below the bottom of the top 10 overall fiction bestseller list where Sarah J. Maas’ romantasy novel A Court of Mist and Fury sits at 19,097 copies sold. 

Science fiction is not selling…

… But there’s something else at play here that has reduced the public’s general taste for science fiction. 

We got to one of the futures Science Fiction proposed, and it sucked.

An oft-cited Tweet from The Onion’s Alex Blechman summarizes it perfectly: 

“Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale.
“Tech Company: At long last, we created the Torment Nexus from the classic sci-fi novel Don’t Create The Torment Nexus.”

We are living in the world John Brunner predicted in Stand on Zanzibar and The Sheep Look Up—one of corporate dominance, political instability and environmental collapse. We are, all of us, in the Torment Nexus. So why would we want to read what future horrors Silicon Valley merchants of human misery are trying to produce next….

(2) DID HE EVER RETURN? NO, HE NEVER RETURNED. “’Quantum Leap’ Canceled at NBC After Season 2” notes The Hollywood Reporter.

The network has canceled the reboot of the 1989 series after a two-season run, sources tell The Hollywood Reporter.

The series starring Raymond Lee wrapped its sophomore season in February and ranked as one of the broadcast network’s lowest-rated scripted originals.

Quantum Leap, which was produced in-house at Universal Television, earned a speedy season two renewal as NBC kept production going in a bid to have scripted originals during the writers and actors strikes….

(3) MIRRORSHADES. “NASA says you shouldn’t use your phone to photograph the solar eclipse” warns XDA.

Everyone knows you shouldn’t stare at the sun during an eclipse. However, as it turns out, your phone’s “eyes” aren’t a suitable substitute. NASA has posted that, if you intend to look at the eclipse, pointing your phone at it in hopes to capture it on camera will likely fry its internal circuits, but don’t fret; there is a solution if you want to snap a photo to remember the occasion by…

…If you want to take a snap of the eclipse, there’s still a solution. NASA recommends using the same trick that protects your own eyeballs from the solar rays; with a pair of eclipse glasses. And the same rules apply for your phone as they do for your eyes; use the glasses to protect the device when it’s looking at the sun, and don’t keep pointing at it for too long. If you abide by the rules, you’ll be able to remember the eclipse with a nice photo instead of a hefty phone repair bill.

(4) THREEQUEL. You heard it here last. Entertainment Weekly reports “Denis Villeneuve’s third ‘Dune’ movie is officially happening”.

Sometimes, dreams do come true. That’s as true for Paul Atreides as it is for Denis Villeneuve, who now gets to make his third Dune movie. Legendary confirmed on Thursday that they are currently developing a third movie in the sci-fi franchise based on Frank Herbert’s original novels and are also in talks with Villeneuve to adapt Annie Jacobsen’s nonfiction book Nuclear War: A Scenario after that.

Villeneuve first told EW in 2021 that his goal all along was to make three Dune movies. Dune: Part Two completed the adaptation of Frank Herbert’s original 1965 sci-fi novel, but Herbert wrote five sequels before his death in 1986 (his son Brian Herbert and Kevin J. Anderson have since added to the franchise with many additional books). The first of Herbert’s sequels, 1969’s Dune Messiah, is what Villeneuve wants to adapt for his third movie in this series.

“I always envisioned three movies,” Villeneuve told EW then. “It’s not that I want to do a franchise, but this is Dune, and Dune is a huge story. In order to honor it, I think you would need at least three movies. That would be the dream. To follow Paul Atreides and his full arc would be nice.”…

(5) FAMILIARIZE YOURSELF WITH GLASGOW. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has advance posted ahead of its next seasonal edition an article on Glasgow: “Glasgow as a venue for the Worldcon”.

Welcome to Glasgow the largest city in Scotland, a place often referred to as “the second city of the Empire”, meaning the second city of the British Empire because of its shipbuilding prowess on the banks of the River Clyde, and its industrial base.   But other cities in the United Kingdom also lay claim to the title, so better not say “I’ve just been to the Worldcon in the second city of the Empire” if heading down south.

(6) GLANCING TOWARD THE FUTURE. If you want to be in, respond to the Glasgow 2024 Academic Programme Call For Papers by April 30.

Glasgow 2024’s Academic Programme will bring together a diverse set of scholars from the humanities, social sciences, and adjacent disciplines to launch an exploration of SF/F/H’s concern for our futures. Through a combination of panels of three (3) 15-minute presentations each and hour-long roundtable discussions with scholars, we’ll discuss themes of futurity as they manifest in genre fiction and media past and present, as well as speculate on the genre’s own potential futures and capacity for shaping the future, encompassing film, literature, comics, games, new media, and art and/or the fan communities that celebrate them.

(7) DETECTING FAKE LITERARY AGENCIES. Patrick Carter enhances your scam detection skills in a thread that starts here. Here are some examples:

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 6, 1937 — Billy Dee Williams, 87. Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

Billy Dee Williams

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eightes.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, a what looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

(9) COMICS SECTION.

  • Tom Gauld has two for us.

(10) TAXONOMY SEASON. Richard Ngo has put together a grid about types of conflict in a certain species of sff story. It’s followed by several posts with commentary. Thread starts here. (Ngo credits Grant Snider’s 2014 Incidental Comics “Conflict in Literature” as the inspiration.)

(11) JEOPARDY! [Item by David Goldfarb.] The April 5 episode of Jeopardy! was the first game of the tournament finals. In the Jeopardy round:

Alliterative Lit, $200:
Chapters in this book include “The Departure of Boromir” & “Shelob’s Lair”
Andrew He buzzed in but dried up. Victoria Groce responded with, “What is The Two Towers?”

The Double Jeopardy round had a category “Horror Music”. The contestants started at the bottom and worked their way up:

$2000
“Putting Out the Fire with Gasoline” is from the theme song to this beastly film starring Nastassja Kinski
Victoria tried, “What is Species?” but this was wrong. Amy Schneider tried “La Femme Nikita” but seemed to know that wasn’t right. Andrew didn’t try it. The answer was Cat People.

$1600
In a song by the goth rock band Bauhaus, this horror movie legend is “dead, undead, undead, undead”
Victoria got this: “Who is Bela Lugosi?”

$1200
A man sees a ghostly version of himself in Schubert’s Lied (song) with this German title
Amy seemed uncertain with “What is Doppelgänger?” but it was correct.

$800
“What ever happened to my Transylvania Twist?” is a lyric from this novelty horror song
Amy was more sure of this one: “What’s the Monster Mash?”

$400
Ray Parker Jr. wrote & performed the theme song to “Ghostbusters” that went to no. 1 on the charts & asked this musical question
Amy said, “What is ‘Who they gonna call?’” but this was not accepted. Andrew He got the right phrasing: “What is ‘Who you gonna call?’”

(12) CALL ME. “How ‘Bambi’ & Horatio Hornblower Helped Launch William Shatner & Captain Kirk: The Film That Lit My Fuse” – the headline of Deadline’s mini-review of You Can Call Me Bill is really the best part. You can skip the rest.

(13) WHEN MAY THE FOURTH IS WITH YOU. We reported Disney+’s upcoming Star Wars: Tales of the Empire series yesterday. Here’s the trailer. Arrives May 4.

(14) DIRECT FROM 1997. Hear the author’s musical selections on BBC Radio 4’s “Desert Island Discs, Iain Banks.

This week’s castaway is an author. In his book The Wasp Factory, the teenage protagonist tortures insects, experiments with bombs and kills a brother and a cousin. But, says Iain Banks, that was “just a phase he was going through”. He tells Sue Lawley how, as a writer, he has not developed the filters that most adults do and so views the world with childlike eyes, describing what he sees. And this world, he feels, is very often a violent and terrifying one.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Mohammed’s Radio by Warren Zevon
Book: The Complete Monty Python Television Scripts by Monty Python
Luxury: Front Seat Of A Porsche

(15) FIRST QUARTER. JustWatch has released their latest data report on market shares in the US for the first quarter of 2024. The report is based on the JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen. 

  • SVOD market shares in Q1 2024: Global streaming giant: Prime Video took the lead in the US streaming market with shares more than the combined size of Disney-owned companies: Hulu and Disney+. Meanwhile, Netflix maintains its stronghold with more than 2x the shares than that of Apple TV+.
  • Market share development in 2024: Leading streaming growth into 2024 are Apple TV+, Netflix, and Paramount+, each adding +1% to their shares. On the other hand, Hulu, Disney+, and Max struggled to keep up, individually suffering through a -1% decline since January.

(16) CHIP OFF THE VERY OLD BLOCK. Live Science is there when “NASA engineers discover why Voyager 1 is sending a stream of gibberish from outside our solar system”.

…In March, NASA engineers sent a command prompt, or “poke,” to the craft to get a readout from its flight data subsystem (FDS) — which packages Voyager 1’s science and engineering data before beaming it back to Earth. 

After decoding the spacecraft’s response, the engineers have found the source of the problem: The FDS’s memory has been corrupted.

“The team suspects that a single chip responsible for storing part of the affected portion of the FDS memory isn’t working,” NASA said in a blog post Wednesday (March 13). “Engineers can’t determine with certainty what caused the issue. Two possibilities are that the chip could have been hit by an energetic particle from space or that it simply may have worn out after 46 years.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/29/23 Never Feed Pixels During A Blood Moon. Why? That I Wasn’t Told

Posted on by

(1) NEW VONDA MCINTYRE COLLECTION. Clarion West has announced that Little Sisters and Other Stories, a collection of short fiction by Clarion West founder and life-long supporter, Vonda N. McIntyre, will be released April 23, 2024 and is available for preorder now.

With story notes by Una McCormack, this collection spans the whole of McIntyre’s career, showing the broad range of her interests and her voice, taking us from bleak dystopian worlds on the verge of environmental collapse to baroque intergalactic civilizations populated by genetically modified humans; from cries for freedom to sharp-eyed satire to meditations on aging.

Published by Gold SF, an imprint of Goldsmiths Press dedicated to discovering and publishing new intersectional feminist science fiction, the collection captures McIntyre’s distinctive themes of gender and power dynamics, human and species diversity, and a pragmatic utopianism that emphasizes our mutual dependency.

Featuring previously uncollected stories from McIntyre’s earlier career, including her first published piece, “Breaking Point” (1970), as well as McIntyre’s last two vivid and provocative pieces, the award-nominated “Little Faces” (2005) and “Little Sisters” (2015). One story, “XYY,” was intended for The Last Dangerous Visions edited by Harlan Ellison, and we are pleased to present it here for the first time. 

The ten stories in this collection include:

  • Breaking Point
  • Thanatos 
  • Shadows, Moving 
  • Elfleda 
  • A Story for Eilonwy 
  • Malheur Maar 
  • The Adventure of the Field Theorems 
  • Little Faces 
  • Little Sisters 
  • XYY

Clarion West is also actively seeking a publisher for The Curve of the World, Vonda’s last manuscript. Direct inquiries about that work and Vonda’s other stories to Jennifer Goloboy with the Donald Maass Literary Agency.

(2) AND WHEN IT ENDS, NO ONE CATCHES IT. The Westercon business meeting held at last weekend’s Loscon voted “None of the Above” when asked to pick a 2025 site, for reasons explained in Kevin Standlee’s post “Westercon 77 Site Selection Detailed Results”. Then they authorized a Caretaker Committee of Kevin and Lisa Hayes to consider proposals that may be made to host the con.

No bids filed to host the 2025 West Coast Science Fantasy Conference (Westercon 77). Nineteen voting fees were paid to vote in the election at Westercon 75 (Loscon 49) In Los Angeles on November 24, 2023, and nineteen ballots were cast. The detailed results were reported to the Westercon 75 Business Meeting on November 25. As there were no filed bids, none of the write-in votes were for valid candidates, and consequently None of the Above won, referring the selection to the Business Meeting.

The Westercon 75 Business Meeting awarded Westercon 77 to a “Caretaker Committee” consisting of Kevin Standlee and Lisa Hayes, with the understanding that this committee will entertain proposals from groups that want to host the 2025 Westercon and select from among them, then transferring the right host Westercon 77 to one of those groups. The Caretaker Committee will announce additional details on how they will proceed before the end of 2023.

(3) HOW DISCREET. Futurism uncovered that “Sports Illustrated Published Articles by Fake, AI-Generated Writers”.

…There was nothing in Drew Ortiz’s author biography at Sports Illustrated to suggest that he was anything other than human.

“Drew has spent much of his life outdoors, and is excited to guide you through his never-ending list of the best products to keep you from falling to the perils of nature,” it read. “Nowadays, there is rarely a weekend that goes by where Drew isn’t out camping, hiking, or just back on his parents’ farm.”

The only problem? Outside of Sports Illustrated, Drew Ortiz doesn’t seem to exist. He has no social media presence and no publishing history. And even more strangely, his profile photo on Sports Illustrated is for sale on a website that sells AI-generated headshots, where he’s described as “neutral white young-adult male with short brown hair and blue eyes.”

Ortiz isn’t the only AI-generated author published by Sports Illustrated, according to a person involved with the creation of the content who asked to be kept anonymous to protect them from professional repercussions.

“There’s a lot,” they told us of the fake authors. “I was like, what are they? This is ridiculous. This person does not exist.”…

… After we reached out with questions to the magazine’s publisher, The Arena Group, all the AI-generated authors disappeared from Sports Illustrated‘s site without explanation.

Initially, our questions received no response. But after we published this story, an Arena Group spokesperson provided the following statement that blamed a contractor for the content…

A disclaimer has been added to the pages noting that “a 3rd party” created the content and that Sports Illustrated editorial staff were not involved.

However, the article includes examples of the same issue with The Arena Group’s other publications.  

…Though Sports Illustrated‘s AI-generated authors and their articles disappeared after we asked about them, similar operations appear to be alive and well elsewhere in The Arena Group’s portfolio.

Take TheStreet, a financial publication cofounded by Jim Cramer in 1996 that The Arena Group bought for $16.5 million in 2019. Like at Sports Illustrated, we found authors at TheStreet with highly specific biographies detailing seemingly flesh-and-blood humans with specific areas of expertise — but with profile photos traceable to that same AI face website. And like at Sports Illustrated, these fake writers are periodically wiped from existence and their articles reattributed to new names, with no disclosure about the use of AI….

And there are further examples of other companies that have been detected running AI-generated content.

Deadline’s coverage of the Futurism news item includes the response from the Sports Illustrated Union: “Sports Illustrated Writers “Horrified” By Report About AI-Generated Stories”.

…Shortly after noon today, the Sports Illustrated Union, which bills itself as a the publication’s “united editorial staff” organized under the New Guild of New York, issued a response on social media….

(4) AI IMPACT ON PUBLISHING. Last night BBC Radio4’s Front Row general arts program took on “AI and publishing, terrible record covers, Fred D’Aguiar”.

Michael Connelly is one of several authors suing the tech company OpenAI for “theft” of his work. Nicola Solomon, outgoing Society of Authors CEO, and Sean Michaels, one of the first novelists to use AI, discuss the challenges and opportunities facing writers on the cusp of a new technological era.

(5) BANKS APPRECIATION. Eurogamer devotes an article to“Remembering Iain Banks: a prolific, terrific talent”.

…In 1996’s Excession, the fourth of Banks’s sci-fi novels set in the symbiotic human/machine intergalactic utopia of the Culture, artificial intelligence clever-clogs known as Minds entertain themselves by experimenting with the options sliders on virgin galaxies to analyse the pinballing ways in which they might evolve. This God Mode mucking about is interrupted when an inscrutable but all-powerful onyx sphere appears on the edge of Culture space. In interviews at the time Banks likened that plot development to the stomach-dropping sensation in Civilization of seeing a fleet of AI-controlled ironclad warships on the horizon when your fledgling society has barely mastered clay pots and raffia mats….

(6) A YEAR FROM NOW. Loscon 50 “Celebrating 50 Loscons” will be held next Thanksgiving Weekend at the LAX Hilton. Congratulations to the GoHs!

Guests of Honor
Writer: SPIDER ROBINSON
Musical Artist: KATHY MAR
Artist: DR. LAURA BRODIAN FREAS BERAHA
Ghost Artist: FRANK KELLY FREAS
Fan: GENNY DAZZO AND CRAIG MILLER

(7) NO CAPES ALLOWED. “Zack Snyder’s Cut: Filmmaker Talks Rebel Moon on Netflix, DC Movies” – a profile in the Hollywood Reporter.

…“It’s a compulsion,” Snyder admits on a balmy November day at his compound in the hills above Pasadena. He’s sitting in his home office, a modernist cube that also contains a screening room, an editing bay and a gym. Steps away is the pottery studio Snyder recently constructed on the property for his new hobby. Not far from that, near the pickleball court, is his family’s sprawling dwelling, a midcentury glass-and-concrete structure that bears more than a passing resemblance to Bruce Wayne’s house in Snyder’s 2016 film Batman v Superman: Dawn of Justice. 

Snyder’s compulsion to mold — and pull apart — has made him one of the most argued-about directors of the past couple of decades. To some, he was the savior of the DC superhero universe. To others, he was its destroyer. But his latest film, Rebel Moon, is something of a departure from his career trajectory up till now, a shift in genres, if not necessarily in tone or ambition, and perhaps a refreshing change of pace from the controversy magnets he was making in the 2010s. For one thing, his new film contains not a single comic book character for him to darkly reimagine. Instead, it’s a big-budget space epic about a group of outlaw rebels on a remote planetoid who battle an evil empire. Think Star Wars, only grittier, more violent, sexier and R-rated (at least in the negotiated director’s cut, but more on that later).

Ironically, Rebel Moon arrives on Netflix on Dec. 22, the very same date that Snyder’s former home, Warner Bros., will be releasing Aquaman and the Lost Kingdom. Snyder had nothing to do with that sequel, but technically it’s the final film in the so-called SnyderVerse, the constellation of DC comic book-inspired pictures — some of which Snyder directed, some of which he produced, most featuring actors he initially cast, like Henry Cavill in 2013’s Man of Steel, and Gal Gadot and Jason Momoa in the original 2016 Batman v Superman: Dawn of Justice — that all carry Snyder’s inimitable underglaze…. 

(8) THE SANDMAN. Variety shares a message from Neil Gaiman: “’The Sandman’ Season 2 Resumes Production, Neil Gaiman Pens Fan Letter”. Read Gaiman’s letter at the link.

Netflix has resumed production on Season 2 of “The Sandman” in London after it was initially interrupted by the Hollywood strikes.

The news comes on the 35th anniversary of the DC comic book series on which the show is based. Neil Gaiman, who wrote the comics and developed the TV series, celebrated the occasion with a letter to fans promising that “good things are coming.” Netflix also shared a new photo that shows Tom Sturridge, who plays Dream, and Mason Alexander Park, who plays Desire, on set….

(9) A WRITER WHO SHOULD NOT BE OVERLOOKED. Rich Horton’s obituary of D.G. Compton is posted at Black Gate: “David Guy Compton, August 19, 1930 — November 10, 2023”.

… It was always clear that Compton was a major writer who never found a mass audience. And so he received two awards that were aimed at bringing deserved attention to neglected writers: the SFWA Author Emeritus in 2007, and the Cordwainer Smith Rediscovery Award in 2021….

(10) TAKING A BITE OUT OF COLLECTORS. The Wikipedia article on “Vampire killing kit” buries the lede, which I suppose is fitting to the subject, but gets there eventually.

…The items within vampire killing kits often date to the 19th century, although they may be combined with items such as paper labels that are significantly more recent.[1][8]

The kit in the collection of the Royal Armouries contains a pocket pistol dating from around the middle of the 19th century, wooden stakes with a mallet, a crucifix, jars for holy water, soil and garlic, a rosary, and an 1851 Book of Common Prayer.[3] The case has been assessed as dating to around 1920, although the full kit was likely assembled circa 1970 or later.[9]…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born November 29, — Madeleine L’Engle. (Died 2007.) I first encountered her not as a genre writer but through her more literary work in the form of her Katherine Forrester Vigneras series, A Small Rain and A Severed Wasp which tell the tale of a woman who’s a pianist, first in her teens and then when she’s in her seventies. Most decidedly worth reading.

Then came the Time Quintet of A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet and Many Waters. Truly extraordinary novels. I see that A Wrinkle in Time won a Newberry Award which it richly deserved. 

I did not know until I was writing this up that there was a second series of four novels set a generation after these novels. Who’s read them?

There’s serious amounts of her writing that I’ve not touched upon as I’ve not read them, her in-depth Christian writings, her Children’s books, her non-fiction, her poetry and her more literature undertakings. Even a play was done by her. 

I did see the 2003 four miniseries version of A Wrinkle in Time that Disney did and I share what L’Engle told Time: “I have glimpsed it. I expected it to be bad, and it is.”  And we will not talk about the Disney 2018 A Wrinkle in Time film as polite company doesn’t do that. 

She would receive a World Fantasy Award for Lifetime Achievement. 

(12) COMICS SECTION.

(13) WHERE BEAR? THERE CASTLE. The New York Times finds that “With an Artist’s Help, Paddington Can Go Anywhere”. “For nearly 1,000 straight days, Jason Chou has inserted Paddington, the anthropomorphized bear, into absurd situations. He has no plans to stop.”

(14) VIRTUAL MONUMENTS. [Item by Andrew (not Werdna).] Reminds me of something from William Gibson – the “locational art” from “Spook Country”, “The Statue Wars Turn to Cyberspace” in The New Yorker.

…Brewster is a co-founder of the Kinfolk Foundation, an organization attempting to remake the city’s streetscape with an app. In 2017, Brewster was working at Google, and he was among the many local activists who tried and failed to persuade lawmakers to remove the towering statue of Christopher Columbus on Fifty-ninth Street. “We were, like, ‘All right, we lost that one,’ ” Brewster recalled. “So we started creating monuments.”

Each was fashioned not from bronze or marble but from bits and bytes in the cloud, visible only on screens using augmented reality. “You can build hundreds of digital monuments for the price of one physical one,” he said.

He believes that in a nation where there are ten times as many monuments honoring mermaids as honoring U.S. congresswomen, and where statues of Robert E. Lee outnumber those of Frederick Douglass, having more diverse monuments makes more sense….

… This week, without permission from the city’s bureaucrats, Kinfolk is placing four new statues around town. The installations were created in collaboration with the Black artists Hank Willis Thomas, Pamela Council, Derrick Adams, and Tourmaline. Thomas’s piece is a three-hundred-foot Afro pick in the East River, looming over the Brooklyn Bridge. Adams designed two huge statues representing Alma and Victor Hugo Green, who, in the nineteen-thirties, began publishing the “Green Book” travel guide, which identified businesses around the U.S. that welcomed Black customers. Tourmaline explained, of Kinfolk, “It’s kind of like Pokémon Go. You didn’t know it was there—until you did.”…

(15) DON’T LET THE SOUND OF YOUR OWN MEALS DRIVE YOU CRAZY. [Item by Mike Kennedy.] Scientist believe they have found a pattern of brain activity that helps explain misophonia—an abnormal reaction to sounds that may include anger, disgust, panic, and other strong emotions or physical reactions. Triggers may include eating sounds (chewing, slurping, smacking, etc.), repetitive clicking or tapping sounds (e.g., clock ticks), and more. “What is misophonia? Causes and why the sound of chewing angers some” at USA Today.

… Misophonia is a complex disorder that causes decreased tolerance to specific sounds or stimuli associated with those sounds. It was named and described for the first time in the early 2000s, yet a survey conducted earlier this year found that just 11% of people knew about it.

Noises such as chewing, slurping, sniffing and heavy breathing are common triggers, as well as clicking, tapping and other repetitive noises that come from objects like clocks and fans….

…“People without misophonia struggle to understand it because they also don’t like certain sounds, in the same way that people don’t understand ADHD because they relate to having trouble concentrating,” said Jane Gregory, a clinical psychologist with the University of Oxford who studies the disorder. “It’s not that people with misophonia don’t like the sound — it’s that their body is reacting as if that sound is somehow dangerous or harmful.”…

(16) BUGS, MISTER RICO! “Mars Needs Insects” according to the New York Times.

At first it was just one flower, but Emmanuel Mendoza, an undergraduate student at Texas A&M University, had worked hard to help it bloom. When this five-petaled thing burst forth from his English pea plant collection in late October, and then more flowers and even pea pods followed, he could also see, a little better, the future it might foretell on another world millions of miles from Earth.

These weren’t just any pea plants. Some were grown in soil meant to mimic Mars’s inhospitable regolith, the mixture of grainy, eroded rocks and minerals that covers the planet’s surface. To that simulated regolith, Mr. Mendoza had added fertilizer called frass — the waste left after black soldier fly larvae are finished eating and digesting. Essentially, bug manure.

The goal for Mr. Mendoza and his collaborators was to investigate whether frass and the bugs that created it might someday help astronauts grow food and manage waste on Mars. Black soldier fly larvae could consume astronauts’ organic waste and process it into frass, which could be used as fertilizer to coax plants out of alien soil. Humans could eat the plants, and even food made from the larvae, producing more waste for the cycle to continue.

While that might not ultimately be the way astronauts grow food on Mars, they will have to grow food. “We can’t take everything with us,” said Lisa Carnell, director for NASA’s Biological and Physical Sciences Division.

But gardening doesn’t just require a plot of land, a bit of water, a beam of sunlight. It also requires very animate ingredients: the insects, like black soldier flies, and microorganisms that keep these ecological systems in working order. A trip to Mars for a long-term stay, then, won’t just involve humans. It will also involve creeping, crawling carry-ons most people don’t think about when they envision brave explorers stepping foot on new worlds….

(17) WHAT’S TO EAT ON SESAME STREET? “Nom Nom Nom. What’s the Deal With Cookie Monster’s Cookies?” Of course you want to know what’s in those things. And the New York Times has the answer.

…The recipe, roughly: Pancake mix, puffed rice, Grape-Nuts and instant coffee, with water in the mixture. The chocolate chips are made using hot glue sticks — essentially colored gobs of glue.

The cookies do not have oils, fats or sugars. Those would stain Cookie Monster. They’re edible, but barely.

“Kind of like a dog treat,” MacLean said in an interview.

Before MacLean reinvented the recipe in the 2000s, the creative team behind “Sesame Street” used versions of rice crackers and foams to make the cookies. The challenge was that the rice crackers would make more of a mess and get stuck in Cookie’s fur. And the foams didn’t look like cookies once they broke apart.

For a given episode, depending on the script, MacLean will bake, on average, two dozen cookies. There’s no oven large enough at Sesame’s New York workplace, so MacLean does almost everything at home….

(18) SPEED-READING CUNEIFORM. The Debrief tells readers “5000-Year-Old Tablets Can Now Be Decoded by Artificial Intelligence, New Research Reveals”.

… Using a novel AI process to decode ancient cuneiform tablets, they leveraged a sophisticated AI model based on the Region-based Convolutional Neural Network (R-CNN) architecture, a specialized system designed for object recognition. The study utilized a unique dataset consisting of 3D models of 1,977 cuneiform tablets, with detailed annotations of 21,000 cuneiform signs and 4,700 wedges. 

The AI’s methodology entailed a two-part pipeline: initially, a sign detector, built on a RepPoints model with a ResNet18 backbone, identified cuneiform characters on the tablets. In simple terms, the RepPoints model combs through the ResNet18 collection of images connected to the Mesopotamian languages and then combines the patterns to ‘see’ the text. This step was crucial for locating the signs accurately. Subsequently, the wedge detector, using Point R-CNN with advanced features like Feature Pyramid Network (FPN) and RoI Align, classified and predicted the wedges’ positions, which forms the basis of the cuneiform script’s fundamental elements, allowing the AI, in effect, to ‘read.’…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew (not Werdna), Lise Andreasen, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Gareth L. Powell: An Introduction to Iain M. Banks

Posted on by
Gareth L. Powell

[Editor’s Note: Gareth Powell is a British SF writer who has written three series, to wit the Ack-Ack Macaque series with airships and cigar-smoking-monkey fighter pilots, and the Embers of War with ships akin to those in Iain M. Banks’ Culture series. Powell’s latest series is The Continuance in which all of humanity has been exiled from Earth and is wandering the galaxy in vast ark ships. The latest novel in that series, Descendant Machine, came out in May. Both the Ack-Ack Macaque and Embers of War series had novels in them that won British Science Fiction Society Awards. Keep up with Gareth L. Powell’s Twitter, Instagram, and Facebook via Linktree. And at his Substack: Gareth’s Newsletter.]

What he taught me, and where to start with his work

By Gareth L. Powell:

My collection of Iain M. Banks books:

Iain [Menzies] Banks (16 February 1954 – 9 June 2013) was born in Fife and was educated at Stirling University, where he studied English Literature, Philosophy and Psychology. Banks came to widespread and controversial public notice with the publication of his first novel, The Wasp Factory, in 1984. His first science fiction novel, Consider Phlebas, was published in 1987. He continued to write both mainstream fiction (as Iain Banks) and science fiction (as Iain M. Banks). He is acclaimed as one of the most powerful, innovative and exciting writers of his generation: The Guardian  called him “the standard by which the rest of SF is judged” and the New York Times-bestselling William Gibson described Banks as a “phenomenon”.

I only met the late Scottish author Iain M. Banks a couple of times before his untimely passing. On the first occasion, the organisers of Eastercon seated me beside him for a mass signing event. My novel, The Recollection had just come out and I had around ten people come to visit me during the course of the hour-long session. Iain, on the other hand, had at least a hundred—with some people rejoining the queue multiple times because they’d brought so many books for him to sign. A few of them glanced my way after securing his signature, and then moved on, unimpressed. It was a humbling, somewhat chastening experience for a new author, but at the end of the hour, Iain turned to me and said, “Don’t worry about it. One time, I had to sit next to Pratchett!”

Since my novel Embers of War first came out in 2018—and especially since the release this year of Descendant Machine—readers and reviewers have been comparing my work with Iain’s, so I wanted to write something about him.

Although William Gibson inspired me to start writing in earnest, it was Iain M. Banks who really opened my eyes to the possibilities of the genre and reignited my love for space opera. My first exposure to his science fiction came with Consider Phlebas. It was a gift from a friend, and it absolutely blew me away. After that, I read the others as they were published, savouring each one—and especially those set in Iain’s post-scarcity utopia, ‘The Culture’—as a rare treasure.

Iain taught me it was okay to think big and have fun, as long as you told a good story about complex, relatable characters—something I’ve been trying to do in my last five novels from Titan Books. Because of this, and because both our books feature sassy talking spaceships and tend to be set against huge cosmic canvases, many reviewers have drawn comparisons between us. As a huge fan of his work, these comparisons are extremely flattering, and I’m obviously very pleased if my books appeal to fans of his work. I am happy to continue flying the flag of literate, character driven space adventure, but I do think we have very different writing styles. I absolutely adore his books, but I’d never try to write like him; it wouldn’t ring true. I have my own voice, and I’m very happy using it.

The second time I met him, he was signing copies of his novel Surface Detail at a bookstore. For some reason, the signing had been scheduled for lunchtime on a weekday, so there were very few people there. Maybe half a dozen. When it was my turn to get my book signed, I reminded him of the “I once sat next to Pratchett” quote and he cackled.

Ian M. Banks left a profound influence not only on me, but on the science fiction genre as a whole. He wrote with compassion, wit, and anger, and the world is a poorer place for his passing.

If I’m ever sat next to a fledgling author who’s getting fewer requests for signings than I am, I’m going to turn to them and say, “Don’t worry about it. One time, I had to sit next to Banks!”

An Introduction to Iain M. Banks

I read his science fiction novels in the order they were published, and recommend doing so. But if that seems too much of an investment of time, here’s my list of his top 5 essential books.

The Player of Games.

Everybody says this is the best one to start with. It’s a straightforward, highly political, witty, and involves a story about a prominent game player sent halfway across the galaxy to topple an oppressive regime by beating its emperor at a fiendishly complex board game.

Use of Weapons.

This episodic novel about a mercenary employed by The Culture moves backwards and forwards in time, with some amazing set pieces and a stunning reveal.

The State of the Art.

A short story collection that’s mostly worth it for the title novella, which follows the misadventures of a Culture starship that stumbles across the Earth in the 1970s.

Excession.

Probably the most challenging and enjoyable of his novels, this one follows an “Outside Context Problem” from the perspective of the Culture’s hyper-intelligent ship Minds. It can be hard to keep track of which ship is saying what, but if you stick with it, you might find why it’s my favourite of his books.

The Hydrogen Sonata.

My second favourite of Banks’ Culture novels, and sadly his last. This tells the story of the last days of a civilisation adjacent to the Culture as it prepares to ‘Sublime’ to another form of existence.

[Reprinted with permission.]

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Posted on by

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Cisco and Farah Rose Smith on Wednesday, July 12, beginning at 7 Eastern.

MICHAEL CISCO

Michael Cisco is the author of several novels, including The Divinity Student, The Great Lover, The Narrator, and Pest, as well as the Stoker-nominated nonfiction book Weird Fiction: A Genre Study. His short fiction has appeared in numerous anthologies, and his most recent collection is Antisoc. He is the author of two novellas: ETHICS, and Do You Mind If We Dance With Your Legs? He lives in New York City.

FARAH ROSE SMITH

Farah Rose Smith is the author of the horror and dark fantasy novellas Eviscerator, The Almanac of Dust, Anonyma, and Lavinia Rising. She has also written two collections of short supernatural fiction, Of One Pure Will and The Witch is the Body. Smith recently completed a master’s degree in English Literature, Language, and Theory and is writing her third collection. Born and raised in Rhode Island, Smith currently lives in New York City with her husband, weird fiction author Michael Cisco, and their three cats.

Location: The KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(2) BANKS ACCOUNT. On the 10th anniversary of the author’s death, the Guardian’s Steven Poole helps readers decide “Where to start with: Iain Banks”. The second book he considers is Consider Phlebas:

The billionaires’ favourite

Banks originally wanted to be a science-fiction author, but after several unsuccessful drafts in the 1970s decided to write something “normal” instead, thus rocket-boosting his literary career with The Wasp Factory. He then started publishing science fiction as Iain M Banks, beginning with Consider Phlebas, a phrase taken from Eliot’s The Waste Land. It’s a cosmos-spanning romp that introduces the Culture, a post-human galactic civilisation in which AI does all the work and no one wants for food or other resources. (Fully automated luxury communism – in space.)

In this first story, the smug liberal Culture is at war with the Idirans – AI refuseniks who are waging a jihad against them. Through this backdrop wanders sympathetic mercenary Bora Horza Gobuchul, a Mandalorian-style drifter with a very particular set of skills. Banks’s vision of a starfaring, post-scarcity civilisation run by AIs, in which people can change their DNA at will and live for 400 years, is publicly admired by tech giants such as Jeff Bezos and Elon Musk – even as they toil along with us in the capitalist present. Unfortunately for Bezos, a planned Amazon TV series based on the novel was cancelled in 2020 after Banks’s estate withdrew permission.

(3) APOCALYPSE, THE NEXT GENERATION. The New York Times magazine looks at media to probe the question “Will Children Save Us at the End of the World?”

…There’s “Station Eleven,” the 2014 novel by Emily St. John Mandel about the aftermath of a swine flu, which was turned into a much-discussed 2021 HBO Max series, in which an 8-year-old girl manages to survive with the help of a stranger turned surrogate parent. “The Last of Us,” HBO’s video game adaptation, which debuted in January, features a zombie-fungus pandemic; a seemingly immune teenage girl is humanity’s one hope. “Leave the World Behind,” Rumaan Alam’s 2020 novel — soon to be a movie — about a bourgeois family vacation gone very bad, features a vague but menacing threat of apocalypse. Also loosely belonging to this category are the shows “Yellowjackets” (2021-present) — a girls’ soccer team turns to cannibalism after a plane crash — and “Class of ’07” (2023) — a school reunion coincides with a climate apocalypse — and the new-to-Netflix 2019 Icelandic movie “Woman at War” (a renegade activist tries to stop the destruction of the environment and adopt a child).

These stories are, in various ways, about how and whether our children can survive the mess that we’ve left them — and what it will cost them to do so. In “Station Eleven,” post-pans (children who were born after the pandemic) are both beacons of optimism and conscripted killers deployed by a self-styled prophet who hopes to erase anyone who holds on to the trauma of the past. And in “The Last of Us,” Ellie, the young girl with possible immunity (played by the actor Bella Ramsey), is forced to kill to survive, and to grapple with whether it’s worth sacrificing her own life in the search for a cure….

The anxieties that these works explore — about planetary destruction and what we did to enable it — are, evidence suggests, affecting the desire of some to have children at all, either because of fear for their future or a belief that not procreating will help stave off the worst. But following the children in these fictions, who didn’t create the conditions of their suffering, isn’t just a devastating guilt trip. Almost all these stories also frame children as our best hope, as we so often do in real life. Children, we need to believe, are resilient and ingenious in ways that adults aren’t. In these stories, when the phones stop working and Amazon stops delivering, it’s children, less set in their ways, who can rebuild and imagine something different. They’re our victims but also our saviors….

(4) SALVAGE RIGHT NEWS. Salvage Right by Sharon Lee and Steve Miller, the 25th Liaden Universe® novel (and their 100th collaborative work), will be officially released in paper and ebook editions July 4, 2023. Some stores already have the hardback on the shelves; signed copies are available from Uncle Hugo’s bookstore in Minneapolis.

Sample chapters from Salvage Right are available online at Baen Books

In honor of Salvage Right Lee and Miller are taking part in a number of podcasts and special events:

  • Annies Bookstore: Selina Lovett at Annie’s Bookstore did a Zoom interview with the authors, which can be found here
  • Watch for Griffin Barber’s interview with them at the Baen Free Radio Hour
  • Upcoming: An interview with fyyd: CultureScape with Peter PischkeCultureScape with Peter Pischke with release date TBA
  • Another interview with Under The Radar SFF Books is due later in July
  • The authors will be doing a virtual book signing at Pandemonium Books, Wednesday July 26, details TBA

(5) MANNERS, PLEASE. Oghenechovwe Donald Ekpeki thought a timely reminder was in order about the awards etiquette published by the Unofficial Hugo Book Club Blog a couple of months ago, so he retweeted it today. Thread begins here. Here’s an excerpt:

(6) AMY WISNIEWSKI (1947-2023). Mythopoeic Society member Amy Wisniewski died June 20 at the age of 76. She is survived by her wife, Edith Crowe. David Bratman has written a tribute on Kalimac’s corner, “Amy Wisniewski”, which says in part:

…Amy was already in the Society when I arrived. The first meeting I attended was at the small house that she and her partner (and later wife) Edith Crowe were living at in the flatlands of Redwood City. 48 years later, in a larger house further up in the hills, they were still hosting meetings. Almost every year, except during pandemics, they hosted the annual Reading and Eating Meeting. We would gather for a potluck meal and then take turns reading short selections around the (once real, later theoretical) fire.

For a few years, Amy was our discussion group’s moderator, and she actually directed meetings with a skill and knowledge surpassing that of anyone else who had that title. Amy wasn’t a Tolkien scholar; she didn’t give papers at Mythcon; but she had read and absorbed his books and did the same for the books we were discussing, and consequently always had intelligent things to say….

(7) MEMORY LANE.

2002 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tonight we have a Beginning by Carol Emshwiller. She was prolific as a short fiction writer with more stories than I can comfortably count.  The two volume collection of The Collected Stories of Carol Emshwiller that Nonstop Press did a decade back collects nearly twelve hundred pages of her stories. 

She did just six novels of which four were genre and two were in the cowboy genre, Ledoyt and Leaping Man Hill.  No, I didn’t know she’d written the latter. All four of her genre novels are quite excellent.  The Mount which is where our Beginning comes from garnered a Philip K. Dick Award. 

And now from stage left comes our Beginning…

We’re not against you, we’re for. In fact we’re built for you and you for us – we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like mother-walk.

You’ll be free. You’ll have a pillow. You’ll have a water faucet and a bookcase. We’ll pat you if you do things fast enough and don’t play hard to catch. We’ll rub your legs and soak your feet. Sams and Sues, and you Sams had better behave yourselves.

You still call us aliens in spite of the fact that we’ve been on your world for generations. And why call aliens exactly those who have brought health and happiness to you? And look how well we fit, you and us. As if born for each other even though we come from different worlds.

We mate the stock with the stocky, the thin with the thin, the pygmy with the pygmy. You’ve done a fairly good job of that yourselves before we came. As to skin, we like a color a little on the reddish side. Freckles are third best.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. Simply astounding. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
  • Born June 29, 1943 — Maureen O’Brien, 80. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
  • Born June 29, 1947 — Michael Carter, 76. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”. 
  • Born June 29, 1950 — Michael Whelan, 73. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
  • Born June 29, 1956 — David Burroughs Mattingly, 67. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1986 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
  • Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing almost a decade back. (Died 2015.)

(9) COMICS SECTION.

Catching up with Tom Gauld —

(10) JEOPARDY! [Item by David Goldfarb.] From the June 28 episode, three clues in the single Jeopardy round.

Open Door, $1000: Gandalf initially struggles to open the door to this place, but after speaking the Elvish word for “friend” he gets it right

This was a triple stumper.

Google Easter eggs, $400: A Google search for what’s the answer to life, the universe, & everything gives you this number

Bryan White (whose score was $4200!): “What is 37?”

Neither of the other two could respond correctly. Douglas Adams is spinning in his grave.

$800: Google this HBO show with Pedro Pascal & keep clicking the mushroom icon for your screen to be enveloped by some humongous fungus

Bryan knew “The Last of Us”.

(11) ALL KAIJU ALL THE TIME. “24-Hour Godzilla Channel Coming to Pluto TV With Exclusive Films” promises Comicbook.com.

Godzilla is coming to Pluto TV with a huge new channel dedicated to showing off tons of Godzilla movies and shows 24 hours a day with some exclusive films to boot! TOHO’s famous Kaiju has been stomping through many eras since the giant monster was first introduced back in the 1950s, and has since amassed a massive library of TV shows and movies that fans still enjoy to this day. Now Pluto TV has made checking out your favorite Godzilla projects easier than ever before with a new streaming channel with the platform highlighting all of the biggest and best Godzilla outings over the years! 

Pluto TV has announced a new Godzilla channel filled with not only classics such as the original 1954 Godzilla debut film, Godzilla vs. Megalon, and more but even left-field additions such as the animated Godzilla: The Series from the late ’90s and early ’00s. But the biggest surprise is that this new Godzilla channel will also offer up seven Godzilla films that are exclusive to Pluto TV as fans won’t be able to find them streaming anywhere else. Read on to see the massive list of movies and TV shows coming to Pluto TV’s new Godzilla channel launching on July 1st…. 

(12) HERE’S MY NUMBER AND A DIME, DIAL ANYTIME. “The Real History Behind the Archimedes Dial in ‘Indiana Jones and the Dial of Destiny’” in Smithsonian Magazine.

Off the coast of the Greek island of Antikythera in 1900, sponge divers came across a shipwreck filled with ancient treasures. Hidden among flashier finds like marble statues and jewelry was a mysterious device known today as the Antikythera mechanism.

Dated to more than 2,000 years ago, the device “is probably the most exciting artifact that we have from the ancient world,” says Jo Marchant, author of the 2008 book Decoding the Heavens: Solving the Mystery of the World’s First Computer. More than a millennium before 13th-century Europeans invented the first mechanical clocks, the Antikythera mechanism employed similarly complex technology—including gear wheels, dials and pointers—to chart the cosmos. The ancients used it to predict eclipses, track the movement of the sun and the moon, and even see when sporting events like the Olympics were scheduled to take place.

Contrary to what Indiana Jones and the Dial of Destiny, the latest installment in the epic franchise, suggests, the Antikythera mechanism won’t transport you back in time—not literally, at least. Every Indiana Jones adventure needs an exotic MacGuffin; in the new outing, which arrives in theaters this week, the hero chases after the Archimedes Dial, a fictionalized version of the Antikythera mechanism that predicts the location of naturally occurring fissures in time.

…In the film’s 1944-set prologue, Indy (Harrison Ford) captures a train loaded with Nazi plunder, including the titular Dial of Destiny. The movie then jumps ahead to 1969. Indy is set to retire from teaching archaeology, and the world is celebrating the safe return of the Apollo 11 crew. One of the men most responsible for the United States’ victory in the space race is Jürgen Voller (Mads Mikkelsen), a former Nazi who was given sanctuary by the Allies in exchange for his expertise, much like the real-life NASA engineer Wernher von Braun. When Indy learns that Voller wants to use the Archimedes Dial to travel for nefarious purposes, he reluctantly dusts off his old hat and bullwhip to (again) keep a potentially devastating weapon out of Nazi hands….

(13) NATURE EDITORIAL WARNS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] You know, I simply love the end of the world.  You can’t beat it. Of course, as long as it is firmly in SF.  (Wouldn’t like it in reality: it’d get in the way of afternoon tea and evening real ale down the pub…)

Today’s Nature editorial once more tackles doomsday.  Beware of tech companies achieving their goals through obsfucation… “Stop talking about tomorrow’s AI doomsday when AI poses risks today”.

Talk of artificial intelligence destroying humanity plays into the tech companies’ agenda, and hinders effective regulation of the societal harms AI is causing right now.

The idea that AI could lead to human extinction has been discussed on the fringes of the technology community for years. The excitement about the tool ChatGPT and generative AI has now propelled it into the mainstream. But, like a magician’s sleight of hand, it draws attention away from the real issue: the societal harms that AI systems and tools are causing now, or risk causing in future. Governments and regulators in particular should not be distracted by this narrative and must act decisively to curb potential harms. And although their work should be informed by the tech industry, it should not be beholden to the tech agenda.

Many AI researchers and ethicists to whom Nature has spoken are frustrated by the doomsday talk dominating debates about AI. It is problematic in at least two ways. First, the spectre of AI as an all-powerful machine fuels competition between nations to develop AI so that they can benefit from and control it. This works to the advantage of tech firms: it encourages investment and weakens arguments for regulating the industry. An actual arms race to produce next-generation AI-powered military technology is already under way, increasing the risk of catastrophic conflict — doomsday, perhaps, but not of the sort much discussed in the dominant ‘AI threatens human extinction’ narrative.

Second, it allows a homogeneous group of company executives and technologists to dominate the conversation about AI risks and regulation, while other communities are left out. Letters written by tech-industry leaders are “essentially drawing boundaries around who counts as an expert in this conversation”, says Amba Kak, director of the AI Now Institute in New York City, which focuses on the social consequences of AI.

To all of which the SF fan might ask how the genre might contribute…?

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven French, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day –dsr-.]

Pixel Scroll 2/15/23 A Robot In Motion Will Remain In Motion. The Rest Of The Robots Will Remain At Rest

Posted on by

(1) SHORT FICTION MARKET COPING WITH SPAM PROBLEM. Neil Clarke of Clarkesworld bemoans “A Concerning Trend”, the growing rate of spam story submissions. He says regular and spam submissions are both up, but the spam is way up.

…Towards the end of 2022, there was another spike in plagiarism and then “AI” chatbots started gaining some attention, putting a new tool in their arsenal and encouraging more to give this “side hustle” a try. It quickly got out of hand…

…What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging. (I have no doubt that several rejected stories have already evaded detection or were cases where we simply erred on the side of caution.)…

(2) WELCOME ABOARD. On February 16 The View will reunite the cast of ST:TNG: “Whoopi Goldberg hosts Star Trek Next Generation reunion on The View” at EW.

Whoopi Goldberg‘s love for Star Trek: The Next Generation is written in the stars. The Oscar-winning actress held an epic cast reunion for the beloved sci-fi series on The View — and EW has an exclusive first look at the talk show’s transformation for the stellar event.

Airing on Thursday’s episode of the ABC talk show as a special pre-recorded edition, the reunion features Goldberg reprising the role of Guinan — whom she played on The Next Generation between 1988 and 1993 — to welcome her Star Trek franchise costars Patrick Stewart (Jean-Luc Picard), Jonathan Frakes (William Riker), Gates McFadden (Beverly Crusher), and Michael Dorn (Worf) to the set….

(3) VISITING TOLKIEN’S REVOLVER. Tim Bolton is making a fannish pilgrimage: “In the Footsteps of J.R.R. Tolkien – the revolver at the Imperial War Museum North”  at The Green Book of the White Downs.

The first trip, as a “Tolkien Randír” (pilgrim1), on what I hope to be a year-long (and more?) tour of Tolkien-related sites isn’t in fact a place Tolkien visited, but a place where one of the objects associated with his life has ended up….

The Imperial War Museum is free entry. There is a café, shop and toilets on ground floor. The main exhibition space is on level one, where the Tolkien object is. Level one is accessible by a stairwell and also lifts. You can see the Imperial War Museum North floor plans here.

The Tolkien object, the Webley .455 Mark 6 (VI military) revolver, is located on Level One in the World War One section. I’ve marked its location with a Gandalf Rune below.….

(4) RAQUEL WELCH OBITUARY. Actress Raquel Welch died today at the age of 82. In addition to her iconic roles in One Million Years B.C. and Fantastic Voyage, her genre resume includes TV appearances in episodes of Bewitched, Mork & Mindy, Lois & Clark: The New Adventures of Superman, and Sabrina the Teenage Witch. (And you can talk among yourselves about whether the Richard Lester-directed Musketeers movies, or The Magic Christian, are genre, too.) Late File 770 columnist James H. Burns’ 2015 tribute to her is worth reading: “Raquel Welch: Still ‘The Fair One’”

(5) JEFF VLAMING OBITUARY. TV writer and producer Jeff Vlaming hdied January 30 at age 63. Deadline lists some of his many genre credits:

…With his first credits in the early 1990s — Lucky Luke, Northern Exposure, The Adventures of Brisco County, Jr., among others — Vlaming established his sci-fi bona fides with his mid-’90s work on Weird Science and, beginning in its third season in 1995, Fox’s The X-Files.

After X-Files, Vlaming wrote for Lois & Clark: The New Adventures of Superman, the TV adaptation of Honey I Shrunk The Kids, Xena: Warrior Princess, Sheena, NCIS, Numb3rs, Battlestar Galactica, Fringe, Teen Wolf, Hannibal, Outcast, The 100 and, most recently, Debris in 2021…

(6) MEMORY LANE.

1987 – [Compiled by Cat Eldridge.]

Possibly the one of the greatest space opera series ever done was Iain M. Banks’ Culture series. The Culture series comprises nine novels and one short story collection. The first, the one which our Beginning appropriately comes from, Consider Phlebas, was published first thirty-plus years ago in the UK by McMillian. 

(Though calling it space opera really doesn’t do it full justice, does it? So one of the greatest SF series ever?)

I will offer up no spoilers here on the very sane grounds that it is highly likely that some Filers here may not yet have read this stellar series. All I’ll say is that Consider Phlebas is one my two favorite works in this series with the other being, somewhat wistfully, its final novel, The Hydrogen Sonata.

And now our Beginning of both the novel and that series. 

Prologue 

The ship didn’t even have a name. It had no human crew because the factory craft which constructed it had been evacuated long ago. It had no life-support or accommodation units for the same reason. It had no class number or fleet designation because it was a mongrel made from bits and pieces of different types of warcraft; and it didn’t have a name because the factory craft had no time left for such niceties. 

The dockyard threw the ship together as best it could from its depleted stock of components, even though most of the weapon, power and sensory systems were either faulty, superseded or due for overhaul. The factory vessel knew that its own destruction was inevitable, but there was just a chance that its last creation might have the speed and the luck to escape.

The one perfect, priceless component the factory craft did have was the vastly powerful—though still raw and untrained—Mind around which it had constructed the rest of the ship. If it could get the Mind to safety, the factory vessel thought it would have done well. Nevertheless, there was another reason—the real reason—the dockyard mother didn’t give its warship child a name; it thought there was something else it lacked: hope. 

The ship left the construction bay of the factory craft with most of its fitting-out still to be done. Accelerating hard, its course a four dimensional spiral through a blizzard of stars where it knew that only danger waited, it powered into hyperspace on spent engines from an overhauled craft of one class, watched its birthplace disappear astern with battle-damaged sensors from a second, and tested outdated weapon units cannibalized from yet another. Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out his Salute to Bazarada and Other Stories as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor did a story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.)
  • Born February 15, 1907 — Cesar Romero. Joker in the classic Sixties Batman series and film. I think that Lost Continent as Major Joe Nolan was his first SF film with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
  • Born February 15, 1916 — Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
  • Born February 15, 1939 — Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. Pretty much everything of hers is at the usual suspects. (Died 1998.)
  • Born February 15, 1945 — Jack Dann, 78. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
  • Born February 15, 1945 — Douglas Hofstadter, 78. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, he wrote “The Tale of Happiton“, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder. 
  • Born February 15, 1948 — Art Spiegelman, 75. Obviously best known for his graphic novel Maus which retells The Holocaust using mice as the character. What you might not know is there is an annotated version called MetaMaus as well that he did which adds amazing levels of complexity to his story. We reviewed it at Green Man and you can read that review here.
  • Born February 15, 1958 — Cat Eldridge, 65. He’s the publisher of Green Man. He’s retconned into Jane Yolen’s The One-Armed Queen as an ethnomusicologist in exchange for finding her a rare volume of fairy tales. He is very fond of space operas and classic mysteries equally. And obviously he does the Birthdays and currently the Beginnings here at File 770.  And yes, he not only gifts dark chocolate but really likes it.

(8) TINTIN MVP. The Guardian sees a record broken when the hammer comes down: “Tintin drawing by Hergé sells at auction for record £1.9m”.

An artwork by Tintin creator Hergé has set the world record for the most valuable original black and white drawing by the artist after selling at auction for more than €2m.

The drawing, Tintin in America – created in 1942 – was used for the colour edition of the Belgian cartoonist’s 1946 book of the same name.

The book is the third instalment in Hergé’s The Adventures Of Tintin series about the young Belgian reporter and his dog Snowy.

It features the pair as they travel to the US, where Tintin reports on organised crime in Chicago.

At the sale on Friday, organised by French auction house Artcurial, the black and white drawing sold for €2,158,000 (£1.9m).

(9) IRRESISTABLE SERIES. [Item by rcade.] Even though I’m neck-deep in SPSFC 2 reading, I had to take a break and read the sequel to Rebecca Crunden’s A Touch of Death. It’s another well-written story that’s less dependent on the love-hate thing that Nate and Catherine had going in book one. “Review: Rebecca Crunden’s A History of Madness” at Workbench.

… A History of Madness picks up right where the last book left off for Nate and Catherine, two members of the upper class who threw away lives of easy affluence within the King’s inner circle because they could endure no more tyranny. Actually, only one of them did that with full intent (Nate) and the other was more of an accidental revolutionary (Catherine).

Without spoiling the ending of book one, I’ll say that it left Nate and Catherine in serious doubt of living to see book two….

(10) BACK TO THE TITANIC. AP News reports “Rare video of Titanic wreckage to be released today”.

The sheer size of the vessel and the shoes were what struck Robert Ballard when he descended to the wreckage of the RMS Titanic in 1986, the year after he and his crew from the Woods Hole Oceanographic Institution helped find the ocean liner that struck an iceberg and sank in the North Atlantic in 1912.

“The first thing I saw coming out of the gloom at 30 feet was this wall, this giant wall of riveted steel that rose over 100 and some feet above us,” he said in an interview from Connecticut on Wednesday, the same day the WHOI released on 80 minutes of never before publicly seen underwater video of the expedition to the wreckage.

“I never looked down at the Titanic. I looked up at the Titanic. Nothing was small,” he said.

See the video “When Alvin visited the wreck of the Titanic” here.

(11) TODAY’S COCKY LAW ENFORCEMENT NEWS. “Faleena Hopkins: Romance author who trademarked word ‘cocky’ goes missing after police chase” according to The Independent.

A romance novelist who engaged police in a car chase in in Grand Teton National Park at the end of January has been reported missing by friends and family.

Faleena Hopkins, 52, is currently listed on the WyomingDivision of Criminal Investigations Missing Persons page. A friend told the Jackson Hole News & Guild last Friday that Ms Hopkins had been missing for 10 days.

Ms Hopkins was confronted by police on January 27 when National Park Service officers say they saw her parked in the road at a junction in the park. Ms Hopkins then fled from the officers in her vehicle, leading them on a 24-mile long chase that ended with officers used spike strips to puncture her tires.

The novelist, who made headlines in 2018 when she successfully trademarked the word “cocky,” is scheduled to appear in federal court on charges related to her conduct in the national park on the morning of Feburary 28. She is facing charges of stopping or parking on the roadway, speeding, and fleeing from the police….

(12) SCARY FAST. [Item by SF Concatenation’s Jonathan Cowie.] An SFnal ghost story, The Hauntening, on BBC Radio 4.

Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode a taxi app offers some unexpected destinations.

Modern technology is terrifying. The average smartphone carries out 3.36 billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions; you won’t be able to do that.

But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, rcade, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/21/23 On The Sunny Side Of The Discworld

Posted on by

(1) ART IMITATING ART? [Item by Mike Kennedy.] Spot on? Several years ago Paleofuture uncovered a 1923 cartoon that “predicted” art would be machine generated in 2023. See the cartoon at the link. At that time (2014), columnist Matt Novak noted that the drawing part was more or less solved, but the idea generation part wasn’t. In the intervening years after this find, that idea generation bit has been attacked—enter machine learning.

One has to wonder, though, what an AI trained on only this sort of “predictive” art would crank out.

(2) SELF-REPORTING COVID. Arisia 2023, held in Boston over the January 13-16 weekend, has posted a “COVID19 Positive List” where people can report if they tested positive or contracted Covid after the convention.  So far there are eight listings.

(3) THE IMMORTAL DAVID CROSBY. Famed rock performer David Crosby died January 18. In “David Crosby’s Cosmic Americana”, The Atlantic’s Jason Heller tells how the late musician’s obsession with science fiction shaped his legacy. (The article is paywalled.)

“Science fiction was so expansive and it was so unlimited,” Crosby told Neil deGrasse Tyson on the latter’s StarTalk podcast in 2016. “Anything could happen, and that was just rich to me. And I lusted after it.” His obsession with space exploration, emerging musical technology, and the literature of the fantastic forged a kind of future-folk.

Now that you’ve discovered the singer’s sf fandom, read Arthur Cover telling Facebook followers a funny story about Crosby’s visit to Dangerous Visions Bookstore.

(4) THERE IS NO SUCH THING AS BAD PUBLICITY? The Conversation theorizes about “How Edgar Allan Poe became the darling of the maligned and misunderstood”.

… The obituary writer, who turned out to be Poe’s sometime friend and constant rival Rufus W. Griswold, claimed that the deceased had “few or no friends” and proceeded with a general character assassination built on exaggerations and half-truths.

Strange as it seems, Griswold was also Poe’s literary executor, and he expanded the obituary into a biographical essay that accompanied Poe’s collected works. If this was a marketing ploy, it worked. The friends that Griswold claimed Poe lacked rose to his defense, and journalists spent decades debating who the man really was…

Griswold’s defamatory portrait, along with the grim subject matter of Poe’s stories and poems, still influences the way readers perceive him. But it has also produced a sustained reaction or counterimage of Poe as a tragic hero, a tortured, misunderstood artist who was too good – or, at any rate, too cool – for his world.

While translating Poe’s works into French in the 1850s and 1860s, the French poet Charles Baudelaire promoted his hero as a kind of countercultural visionary, out of step with a moralistic, materialistic America. Baudelaire’s Poe valued beauty over truth in his poetry and, in his fiction, saw through the self-improvement pieties that were popular at the time to reveal “the natural wickedness of man.” Poe struck a chord with European writers, and as his international stature rose in the late 19th century, literary critics in the U.S. wrung their hands over his lack of appreciation “at home.”…

(5) PERSONQUINS. Grady Hendrix curates “The Best Killer Dolls and Puppets in Books” for CrimeReads.

Literature is so full of evil dolls and puppets that it’s probably best to assume that any doll or puppet you encounter in a book is up to no good. Maybe they’re having sex with your girlfriend, maybe they’re trying to drive you insane, whatever their method, remember that we are not the same species and your first response should always be to throw it in the fire. Read these books at your own peril (not recommended) but if you want to avoid the trauma, I’ve done you the favor of reading them myself and compiling a list of the dolls and puppets you should go out of your way to avoid….

(6) ENDANGERED DARLINGS. Open Culture revisits “Stephen King’s 20 Rules for Writers”.

…Below, we bring you King’s top twenty rules from On Writing. About half of these relate directly to revision. The other half cover the intangibles—attitude, discipline, work habits. A number of these suggestions reliably pop up in every writer’s guide. But quite a few of them were born of Stephen King’s many decades of trial and error and—writes the Barnes & Noble book blog—“over 350 million copies” sold, “like them or loathe them.”

1. First write for yourself, and then worry about the audience. “When you write a story, you’re telling yourself the story. When you rewrite, your main job is taking out all the things that are not the story.” …

(7) MEMORY LANE.

2003 — [Compiled by Cat Eldridge.] Iain Banks’ Raw Spirit: In Search of The Perfect Dram

So let’s talk about whisky.  Well, in a minute we will. So the book about whisky is by Iain Banks who when he wrote science fiction used Iain M. Banks. I absolutely adored the Culture series with the first, Consider Phlebas, and the last, The Hydrogen Sonata, being my favorites. That is not to say that I didn’t enjoy the rest of the novels and short stories set there.

But Banks had a great love, other than his wife of course, in his life: whisky. So being someone who regularly and quite successfully pitched ideas about books that he wanted to write, he decided to pitch to his editor as he says “a book about one of the hardest of hard liquors and for all this let’s be mature, I just drink it for the taste not the effect, honest, Two units a day only stuff… it is, basically, a legal, exclusive, relatively expensive but very pleasant way of getting out of your head.”

Having thereby convinced his editor it was a brilliant idea, he bought a sports car with part of the advance and as one must do this in style as he notes in Raw Spirit: In Search of The Perfect Dram, packed his bags and headed north to Scotland. 

 And here’s the quote that he started the book off with: 

‘Banksie, hi. What you up to?’

 ‘Well, I’m going to be writing a book about whisky.’ 

‘You’re what?’ 

‘I’m going to be writing a book about whisky. I’ve been, umm, you know, commissioned. To write a book about it. About whisky. Malt whisky, actually.’ 

‘You’re writing a book about whisky?’ 

‘Yeah. It means I have to go all over Scotland, driving mostly, but taking other types of transport–ferries, planes, trains, that sort of thing–visiting distilleries and tasting malt whisky. With expenses, obviously.’ 

‘You serious?’ ‘Course I’m serious!’ 

‘Really?’ 

‘Oh yeah.’ 

‘… Do you need any help with this?’

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 21, 1922 — Telly Savalas. Best remembered as Kojak on that long running series. He appeared in Her Majesty’s Secret Service as Ernst Stavro Blofeld, and on The Man From U.N.C.L.E. as Count Valerino De Fanzini in two episodes.  Oh, and he was on the Twilight Zone as Erich Streator in the stellar “Living Doll” episode. (Died 1994.)
  • Born January 21, 1923 — Judith Merril. Author of four novels, Shadow on the Hearth, The Tomorrow People, Gunner Cade, and Outpost Mars, the last two with C. M. Kornbluth. She also wrote many short stories, of which twenty-six are collected in Homecalling and Other Stories: The Complete Solo Short SF of Judith Merril (NESFA Press). She was an editor as well. From 1956-1966 she edited a series of volumes of the year’s best sf. Her collection England Swings SF (1968) helped draw attention to the New Wave. Oh, and between, 1965 and 1969, she was an exemplary reviewer for The Magazine of Fantasy and Science Fiction. (Died 1997.)
  • Born January 21, 1925 — Charles Aidman. He makes the Birthday Honors for having the recurring role of Jeremy Pike on The Wild Wild West, playing him four times. Other SFF appearances include Destination Space, The Invaders, Twilight Zone, Mission: Impossible and Kolchak the Night Stalker to name but a few of them. (Died 1993.)
  • Born January 21, 1938 — Wolfman Jack. Here because I spotted him showing up twice in Battlestar Galactica 1980 presumably as himself if I trust IMDb as it doesn’t list a character for him. He does have genre character roles having been in the Swamp Thing and Wonder Women series plus two horror films, Motel Hell and The Midnight Hour. (Died 1995.)
  • Born January 21, 1939 — Walter C. DeBill, Jr., 84. Author of horror and SF short stories and a contributor to the Cthulhu Mythos. Author of the Observers of the Unknown series about a Lovecraftian occult detective which is collected is two volumes, The Horror from Yith and The Changeling. They don’t appear to be in print currently.
  • Born January 21, 1956 — Geena Davis, 67. Best remembered genre wise I’d say for being in Beetlejuice but she also appeared in Earth Girls Are Easy and Transylvania 6-5000. She’s done some one-offs on series including Knight Rider, Fantasy Island and The Exorcist. Yes, they turned The Exorcist into a series. 
  • Born January 21, 1956 — Diana Pavlac Glyer, 67. Author whose work centers on C. S. Lewis, J. R. R. Tolkien, and the Inklings. She teaches in the Honors College at Azusa Pacific University in California. She has two excellent works out now, The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community and Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings.

(9) COMICS SECTION.

(10) EXPANDED EXPANSE. “The Expanse: Dragon Tooth Comic Picks Up Where the TV Series Left Off” – IGN has a preview.

The Expanse fans definitely know what it’s like to be left wanting. Even though the critically acclaimed TV series was saved from cancellation and went on to enjoy another three seasons on Prime Video, many have bemoaned the fact that Amazon didn’t keep the story going even longer. But there is a silver lining. The show’s story is continuing on in a new form thanks to BOOM! Studios.

IGN can exclusively reveal the first details about The Expanse: Dragon Tooth, a new 12-issue limited series set after the show’s final season….

… Dragon Tooth is set after the events of the show’s finale, meaning it’ll reveal the fates of many characters and answer some of the lingering questions not addressed in Season 6. Interestingly, the comic also seems aimed directly at fans of the novels, as it’s set in the lengthy time gap separating Book 6, Babylon’s Ashes, and Book 7, Persepolis Rising….

(11) TOTALLY LEGIT. The Unemployed Philosophers Guild Star Trek Dilithium Crystal Breath Mints cost a mere $5.95. The container alone should be worth the price, right?

  • Whether you’re meeting Mudd’s Women or transporting the Federation ambassador to Eminiar VII, these genuine pink peppermint Dilithium Crystals keep your breath fusion-fresh.
  • Officially Licensed by CBS Consumer Products.
  • Contains 1 tin of sugarfree breathmints. No aspertame. Kosher, sugarless and gluten free.

(12) GREEN COMET AND HAM. MSN.com says, “We could be the last humans to see the green comet passing Earth for the first time since the Ice Age. Here’s how, where, and when to watch it.”

We could be the last humans to ever see the green comet hurtling past Earth from the outer reaches of the solar system in late January and early February.

C/2022 E3 (ZTF), or Comet ZTF for short — the name astronomers gave this space snowball after the Zwicky Transient Facility discovered it in March — hasn’t been in our cosmic neighborhood since the last Ice Age.

Researchers calculated that the icy ball of gas, dust, and rock orbits the sun roughly ever 50,000 years, which means that Neanderthals were still walking the Earth and humans had just migrated out of Africa for the first time when the comet last whizzed by….

Why the comet is green

The comet has a “greenish coma, short broad dust tail, and long faint ion tail,” according to NASA.

Many comets glow green. Laboratory research has linked this aura to a reactive molecule called dicarbon, which emits green light as sunlight decays it.

Dicarbon is common in comets, but it’s not usually found in their tails.

That’s why the coma — the haze surrounding the ball of frozen gas, dust, and rock at the center of a comet — is glowing green, while the tail remains white.

(13) MORE COLORS OUT OF SPACE. Open Culture invites readers to “Behold Colorful Geologic Maps of Mars Released by The United States Geological Survey”. (The USGS source post is here.)

The USGS Astrogeology Science Center has recently released a series of colorful and intricately-detailed maps of Mars. These colorful maps, notes USGS, “provide highly detailed views of the [plantet’s] surface and allow scientists to investigate complex geologic relationships both on and beneath the surface. These types of maps are useful for both planning for and then conducting landed missions.”….

(14) HIGH MILEAGE. From the May 2022 “Findings” column of Harper’s Magazine (page 96):

…The brains of the elderly exhibit lesions resulting from a lifetime of wear and tear and may also be cluttered with accumulated knowledge….

(15) VIDEO OF THE DAY. Ryan George is on hand (both hands, actually) for ScreenRant’s “Wednesday Pitch Meeting”.

”So if you’re at this school you need some kind of powers.”
“Wait, does Wednesday have a power?”
“She does, yeah, she started having these psychic Visions but they’re a secret.”
“If her powers are secret how’d they know to let her in?”
“Hey, shut up!” 

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Tom Becker, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]