(1) WOTF NEWS. Writers of the Future Contest quarterly finalist Benjamin C. Kinney has withdrawn his story and posted this statement on his blog:
Earlier this week, I received a phone call informing me that my final submission to the Writers of the Future contest (first quarter 2018) had been selected as a finalist. However, after contemplating the information1 that past winners have shared about the contest in recent weeks, I have withdrawn my finalist story from consideration.
I would not judge anyone for their past (or future) decisions to be involved in the contest, whether or not they act(ed) out of ignorance. After all, many writers – myself included – have long treated this contest as a normal fixture of our community. I hope my choice will help encourage others to reexamine that assumption.
For myself, no award is worth supporting an organization that has hurt and misused so many friends, fellow authors, illustrators, and human beings.
The blog post has links to some examples. In addition, I have heard private accounts of other (ongoing) forms of unprofessional and manipulative behavior by contest staff.
— Benjamin C. Kinney (mostly on Bluesky) (@BenCKinney) April 19, 2018
(3) FANFIC AND HISTORY. The Organization for Transformative Works (the closest thing to a central hub for transformative works fandom) is currently running a membership drive, and has highlighted their Open Doors project for the preservation of fannish history: “Your Donations Preserve Fannish History!”
Have you ever gone back to look for a fic you read years ago and found out it’s disappeared from the internet? We’ve all been there. As fandom grows and years go by, countless thousands of fanworks disappear every day—entire archives go offline every month, and with them treasures are forever lost to fandom and future generations of fans.
That’s where Open Doors comes in! Open Doors is a project of the Organization for Transformative Works (OTW), dedicated to preserving and archiving fannish voices. It works with the Archive of Our Own (AO3) to protect your old favorites from other places around the web. Your donations give us the resources we need to continue this work. In 2017 alone, Open Doors was able to preserve almost 43,000 fanworks thanks to your support!
Like so many other readers, I am frustrated by interminable series that never end. I complain. Loudly. Publicly. In print (well, HTML). I do this because it’s the right thing to do. I may have a twinkling of a hope that some authors will wake up and conclude their series. But that hope is as long-lived as a firefly. Alas.
I do make an exception for works in which the destination is never the point, in which the goal is simply to enjoy the journey.
Hang out with Emilia Clarke (the Mother of Dragons herself!) over lunch
Get a sneak peek of what it’s like on the top-secret Game of Thrones set in Belfast
Be flown out to Northern Ireland and put up in a 4-star hotel
Every donation supports the Royal College of Nursing Foundation.
The Royal College of Nursing Foundation provides vital support for the nurses, midwives and health care assistants who care for us and our families day in and day out. The Foundation encourages young people to join the nursing profession, funds education and training opportunities, lends a hand to those struggling to meet the rising cost of living and provides advice and support to get their lives back on track.
A funny video of Emilia Clarke trying to spill the beans:
…Watch Daenerys Targaryen’s behind-the-scenes tour of Game of Thrones! Spoiler: Kit Harington (Jon Snow) and Jason Momoa (Khal Drogo) may or may not make eyebrow-raising cameos.
(7) COMICS SECTION.
John King Tarpinian forwarded Brevity’s Hollywood-inspired dinosaur pun.
Elias, the new language teacher in a school in southern Finland, has endless patience for repetition, never makes a pupil feel embarrassed for asking a question and can even do the “Gangnam Style,” dance. Elias is also a robot.
Elias is a language learning solution comprising a humanoid robot and mobile application, currently being trialed in a year-long pilot program at alongside a maths-teaching robot at a primary school in Finland’s third-largest city.
The robot can speak 23 languages and is equipped with software that allows it to understand students’ requirements.
(9) EPISODE RECAP. Daniel Dern says:
Episode 3 of Netflix’s Lost in Space comes remarkably close to where one of the characters could say (with alarm), “Our hovercraft is full of eels!”
(Close, as in, not a hovercraft. Or even a Lovecraft.)
(10) HERE’S TO YOU, MISSING ROBINSONS.Geek Interviews delivers an “Interview With The Robinsons.”
The cast of Netflix’s Lost in Space might be lost in the show, but in reality, they are pretty well-versed in pop culture and could navigate around the many questions we tossed at them. Geek Culture caught up with the stars of the Robinsons family in Tokyo, consisting of Toby Stephens, Molly Parker, Taylor Russell, Mina Sundwall, and Maxwell Jenkins.
(11) ANON. Trailer for Anon coming to Netflix.
Sal Frieland is a detective in a world with no privacy or anonymity; where everyone’s lives are transparent, traceable, and recorded by the authorities; where crime almost ceases to exist. But in trying to solve a series of murders, Frieland stumbles on a young woman known only as the Girl. She has no identity, no history and is invisible to the cops. Sal realizes this may not be the end of crime, but the beginning.
Trolls told Leahviathan to “get cancer and die” and made rape threats because she promoted a game they didn’t like. She is pragmatic: “They bother me, but I know by and large, they’re not real. I try to just separate them from the reality of what I do.”
It’s imperative to learn how to cope with the scale and intensity of the vitriol that can sometimes be experienced. Ignoring trolls and refusing them the attention they crave is a key strategy. Alternatively, calling their bluff and trolling them back in a positive way often helps defuse the situation. Leahviathan also has a moderation crew who help manage abusive comments.
Leahviathan doesn’t reveal her surname or where she lives, which is quite common for live streamers. It’s important to preserve a little bit of privacy.
(13) HUSH-A-BOOM. “The return of a secret British rocket site”. Maybe not that secret as they were testing engines, which would have been noisy; now, noise reduction is part of the research program.
… Originally a World War Two training base for bomber crews, RAF Westcott became the Guided Projectile Establishment in 1946, and was renamed the Rocket Propulsion Establishment (RPE) a year later.
One of RPE’s initial roles was to study seized Nazi rocket planes and rockets – like the Messerschmitt Me-163 Komet, the V1 Doodlebug and the V2 ballistic missile – and also learn what they could from captured German rocket scientists, some of whom stayed on as employees and worked at the site until the 1960s. “As an apprentice at Westcott I well remember seeing a V2 rocket in its trailer, a Messerschmitt Komet and a Saunders-Roe rocket plane,” says Ed Andrews, a Westcott veteran who now helps look after the historic site.
…In addition to such safety concerns, Westcott’s new rocketeers will have new environmental concerns to worry about, not least because the site is a bit of a wildlife haven – with kestrels, rabbits, deer, red kites and bats amongst its occasional inhabitants. “We have had to relocate some bats from some old buildings to make sure they are kept happy,” says Mark Thomas, chief executive of Reaction Engines.
“We’ve also done a huge amount of work on noise reduction. The five-metre-high wall around our Sabre test stand is for noise suppression and we expect a remarkably low level of noise as a result. But tests will only run for short periods in any case,” says Thomas. That’ll please the neighbours: former Prime Minister Tony Blair’s country pile is next door.
Whether British-based rocketeers can create a resurgence at Westcott remains to be seen. But at least they now have a chance. Just last week Reaction Engines secured a massive £26m ($35.9m) investment from aircraft and rocket maker Boeing and jet engine maker Rolls-Royce….
(14) VIDEO OF THE DAY. In “Where Did Time Travel Come From?” on YouTube, the Nerdwriter traces the origin of time travel stories to Charles Darwin and the nineteenth-century utopian romance.
https://www.youtube.com/watch?v=gqlgf_q3nN4
[Thanks to Cat Eldridge, Meredith, JJ, Mike Kennedy, Danny Sichel, Carl Slaughter, John King Tarpinian, Andrew Porter, Chip Hitchcock, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
After years of rumours, Rockne O’Bannon has finally confirmed that a Farscape movie is actually happening. The show was cancelled back in 2003 and a mini-series titled Farscape: The Peacekeeper Wars was aired in 2004 to provide closure to the fans but it appears we shall be getting more Farscape in the near future. Confirmation comes from TV.com’s Ed Shrinker who had a friend that attended the Showrunners panel at Wondercon which O’Bannon was a part of.
(2) BEAGLE COMING TO BALTICON. Peter S. Beagle will be a Special Guest of Honor at Balticon 50, taking place over Memorial Day weekend in Baltimore, MD.
“It’s Peter’s birthday, but the fans are getting the gift,” says Beagle’s attorney, Kathleen Hunt.
… According to Peters, Winston & Strawn subsequently filed a motion to dismiss the lawsuit. CBS and Paramount responded, he said, by amending portions of the complaint. The new complaint alleges that copyrights were violated in matters such as the pointy ears and “distinctive eyebrows” of Vulcan, the gold-shirt uniforms of Federation officers, and the Klingon language, according to documents posted by The Hollywood Reporter on March 13.
New motion to dismiss
In the meantime, the production of “Axanar” is on hold pending the result of the lawsuit. If the lawsuit is resolved in the film’s favor, Peters said, production will still be delayed, as it would take a couple of months to organize everything, including coordinating the actors’ schedules and resuming work on elements such as the costumes.
Winston & Strawn filed a new motion to dismiss on March 28. CBS and Paramount have yet to file a response in court.
“The motion provides examples as to how CBS and Paramount overreach in what they claim are elements protected under copyright, and fail to be specific as to exactly which copyrights have been infringed upon; and, in the case of the potential feature film Axanar, claims of alleged copyright infringement cannot be made against a film that doesn’t yet exist,” read part of an Axanar statement on the motion to dismiss.
(4) A THOUSAND WORDS IS WORTH A PICTURE OF A CAT. At Camestros Felapton’s blog, Timothy the Talking Cat has his claws out: “Ctrl-Alt-Delete – A Reviewing”.
[Timothy] No sarcasm. Don’t forget, this time I control the narrative. I can make you say anything. Say “I’m a poo-poo head”
[Camestros] I’m a poo-poo head.
[Timothy] OK say I’m a fish’s butt.
[Camestros] You are a fish’s butt.
[Timothy] Oops – forgot the speech marks. So back to the book – naturally you hated it?
[Camestros] You know I actually enjoyed quite a bit of it.
Despite what you might assume from this exchange, they spend most of their time reviewing books. But as today’s Top Level Poster I can quote whatever part I like.
Let’s go back to the Wall, a prime example in the case of Game of Thrones. Maybe there is some sort of magic keeping it up. “Or maybe,” Jacobs suggests, “there’s some sort of refrigeration unit.”
It seems farfetched, until you start digging deeper—and Jacobs, an auditor for the U.S. State Department by day, is an expert at doing just that. After re-reading the series a couple of years ago, he jumped right into reading the vast majority of Martin’s extant works, including every story that’s taken place in the author’s most frequently visited setting, a shared universe called the Thousand Worlds….
The Long Night itself seems to hint at the explanation for how this world—as Jacobs and other theorists do, let’s call it Planetos—became the way it was. A winter that lasts for a generation seems pretty hard to believe, even in a world with seasons as crazy as those on Planetos. In the first season of Game of Thrones, Tyrion discusses with Maester Aemon and Lord Commander Mormont the longest winter he’d ever lived through, and mentions it lasted three years. But as Jacobs points out, there is such a thing as a generation-long winter in the real world: a nuclear winter.
In the Thousand Worlds universe, humanity is at perpetual war with multiple hive-minded species—a form of life that pops up in A Song of Ice and Fire as well, and which Jacobs explores in detail in one of his theories. During this endless war, the hive-minded races typically destroy human worlds using nuclear weapons, wait a hundred years for the dust to settle, and then invade and enslave the survivors. And in the interim, something familiar happens, as it does on High Kavalaan, a planet in Martin’s first novel, Dying of the Light.
“I think the book that really made me think Westeros could be post-apocalyptic was Dying of the Light,” says Jacobs. “When he started writing about nuking people, with everybody hiding in mines and founding their own houses and holdfasts, it just occurred to me that the Long Night could be a nuclear winter.”
(6) HEINLEIN ON THE LINE. At the MidAmericCon II site, Toastmaster Pat Cadigan has blogged her fannish origin story.
Forty years ago, in the spring of 1976 in Lawrence, Kansas, the phone rang in the late afternoon, about an hour and a half before I had to go and teach a belly-dance class. When I picked up, a deep, warm-as-a-woolly-blanket man’s voice said, ‘Hello, Mrs. Cadigan. This is Robert Heinlein.’
And I freakin’ died.
Seriously; I died. This is my afterlife. Isn’t it great?
First, on behalf of the Hugo administration staff and all the rest of the folks making preparations to run MidAmeriCon II, I want to thank all of the people who participated in our Hugo and Retro Hugo nomination processes. There were over 4,000 of you and that is a new record participation by quite a large margin.
There’s a large number of tasks we have to do to administer the Hugos. Identifying eligible nominators and voters, setting up servers and web pages to handle secure nominations and voting, answering hundreds of questions about the process for the members, making sure everyone’s nominations are counted appropriately even if they don’t use the same name for something they loved that all the other folks who loved it used or nominated it in the wrong category accidently, locating and contacting the potential finalists to get their acceptance and inform them of how the process works and what to expect, coordinating with convention events staff to run the awards ceremonies and pre-receptions, and numerous other tasks. The previous run on sentence would be staggeringly large if we tried to give a full accounting of everything the awards administration entails. It can be fun, it can be exhausting, and it can even sometimes be frustrating. When we do a good job, though, it’s very rewarding.
(8) HUGO LOVE FROM WORDPRESS. Kevin Standlee’s The Hugo Awards website came in for recognition today —
I haven’t blogged for a long time, but right now I’m on a train, and it feels like a good time to catch up. This morning I was interviewed by Charlie Russell for his documentary on Terry Pratchett. (Charlie made the previous BBC Terry Pratchett documentaries, Living With Alzheimer’s, Choosing to Die, and Facing Extinction.) We did it in a Chinese restaurant in Gerrard Street, because Terry and I had first met in a Chinese restaurant, in February 1985. It was easy and pleasant, and then suddenly it wasn’t. I was talking about the last time I’d seen Terry, and what we said, and I found myself crying uncontrollably, unable to talk. And then I pulled it together, and we carried on….
The memorial the other night was beautiful. I wore my mourning frock coat that Kambriel made for me, and I went out that afternoon and bought a white shirt and a black tie. (Actually, I bought four shirts, which, given how often I wear white shirts, should take me easily to the end of my lifetime.)
I read the introduction to A Slip of the Keyboard, which I’d written for Terry while he was alive. I got sad at the end but that was fine. And I held it together just fine when Rob, Terry’s amazing right-hand man, presented me with a big black author’s hat Terry had left me. I couldn’t put it on, though. I wasn’t ready for that. (I tried it on later, in the dressing room. I looked, to my mind, like a rabbinical cowboy assassin. Not that there’s anything wrong with that.)…
(10) MORE LIKE INDIE FOR SMART PEOPLE. Sarah A. Hoyt, in “Going Indie For Dummies: You Lays Down Your Money” at Mad Genius Club, begins her survey of professional services available to indie authors with a warning –
I cannot emphasize enough that you should at all costs avoid paying money up front to have any of the necessary stuff done to your book. Particularly if your indie ebook is a short story or a novella, it’s QUITE possible you’ll never see that money again….
Then she follows with a lot of practical experience. (And no, I am not picking this quote as a setup for predictable comments about Baen copyediting, but because writers in general suffer through this.)
b) Copy editing: even houses confuse this with “editing” and I’ll get a list of typos or repeated words from editors who are supposed to be doing high-grade structural. It’s what most people think of as “editing.”
PLEASE make sure you get a copy editor who actually knows what he/she is doing. Again it is too easy for a copy editor to screw with a book by making the wrong choices, and/or not getting what you’re trying to say. (I recently had a copy edit that suggested changing “calloused hands” to “callous hands” — yes, her hands are cold and unfeeling. What the actual F?) so several steps:
1- look for a copy-editor with references and call/email those references where the copy-editor can’t hear/read and ask for the real skinny and how hard they are to work with.
2- ask them what manual of style they use. If you get back “manual?” or “I just use sensible grammar” and this is a paid copy-editor it’s time to bail, ladies, gentlemen and fuzzy toys. There are many ways of doing things including punctuation (unlike what your grammar teacher told you.) I favor, for my own checking, Strunk and White which has a slightly British flavor. Most publishing houses use Chicago Manual of Style. Baen uses Words to Print (I think that’s the title.) You want to make sure your books are consistent, so make sure your copyeditor uses a style you can live with.
(11) TODAY IN HISTORY
April 20, 1841 — Edgar Allen Poe’s story “The Murders in the Rue Morgue” first appears in Graham’s Lady’s and Gentleman’s Magazine. The tale is generally considered to be the first detective story.
(12) TODAY’S OTHER HISTORY LESSON. Hmm. Good point.
I always thought it was ironic Andrew Jackson was on a bank note, considering his opinion of the national bank.
Your next book will have a woman as the central character. Given that “gender wars” in science fields is still a contentious topic, why did you decide to go with a lady lead? What kinds of challenges does your protagonist face, and does her gender play any role in those challenges?
I don’t take part in any political debates. So I’m certainly not trying to make a point by having a female lead. She’s just a character I came up with that I thought was cool, so she’s the lead.
The book is another scientifically accurate story. The main character is a low-level criminal in a city on the moon. Her challenges are a mix of technical/scientific problems, as well as juggling personal interactions—staying a step ahead of the local police, working with shady and dangerous people to do illegal things.
She doesn’t encounter any distinctly “female” challenges. There’s no love plot. And the story takes place in a future society where there is practically no sexism.
In space, water is in short supply, so Nasa has developed an innovative way to filter waste water on the ISS using chemical and distillation processes. This lets it turn liquid from the air, sweat and even urine into drinkable H2O.
In fact, since 2008, more than 22,500 pounds of water have been recycled from urine alone on the ISS – something that would have cost more than $225m (£160m) to launch and deliver to the station from Earth.
“Most people are horrified when they see what we drink!” says Ms Coleman. “But the filtered water up there just tastes beautiful, it really is delicious.”
Nasa has since licensed the technology to companies on Earth, which have created portable filters for use in places where fresh drinking water is scarce.
Filters produced by US firm Water Security Corporation, for example, have been installed in villages across Mexico and Iraq, allowing residents to purify water from contaminated sources.
Why did you withdraw from the jury of the Bram Stoker Award for Best Anthology?
Because, as I saw it, that was the best thing to do for the good of the HWA. There is nothing prestigious or glamorous about being a juror. It does involve a lot of unpaid, unseen, arduous work reading an enormous number of books by authors or publishers or, in the case of anthologies, editors, keen to have their books included amongst the finalists for the Stoker awards. Of course the juries cannot add more than a few books, but it does mean reading all those submitted, good, bad or indifferent. I know from when I was a juror for First Novels this can be a hell of a chore. Standing down, therefore, was easy – it saved me a lot of hard work, some of it far from enjoyable. I only put my name forward because the HWA sent out a last minute email appealing for volunteers from active members for this position. I thought I was helping the HWA by stepping forward, never realising the reaction stirred up by certain individuals, some of whom already had a personal grudge against the HWA and are not even members….
Are you still part of the UK National Front?
I resigned in 1983 and have not been involved since.
A lot of people have characterized you as a fascist. Would you say that’s a fair description of your politics?
No. It’s an easy label to flash around, usually by those who are fascists themselves, particularly from the left. Fascists don’t believe in free speech and try to suppress it for their opponents. I have never in my life tried to do that. They are also prepared to use physical violence against their political opponents. I was never involved in anything like that. I would add that during the time I was involved in the party any member who associated with a neo-nazi group, either in Britain or overseas, faced expulsion. This, I can confirm, was enforced.
Nominees for the Eisner Awards, the top honors in the comics industry, were announced on April 19. This year’s nomnees in the manga category (technically, “Best U.S. Edition of International Material—Asia”) offer a range of different types of manga, from genre comedy to poignant literary works. As a former Eisner judge myself, I know how hard the choices are, and this year’s slate is exceptionally good. All these series are accessible to non-manga readers as well as longtime fans. Let’s dive in and take a look!
Assassination Classroom, by Yusei Matsui This was the surprise nominee, because it’s not exactly a highbrow series, though it is wickedly funny. The setup is totally over the top: a class of misfit high school students are assigned the job of killing their teacher, Koro-sensei, an octopus-shaped alien who has announced he will destroy the earth at the end of the school year. Armed with weapons that are harmless to humans but deadly to their teacher, they study his weaknesses and plot new attacks, and new assassins join the class as the series goes on. What makes it so fun (and so weird) is that Koro-sensei is actually a really good teacher, and he uses his superpowers to help his students as much as to evade their attacks. He’s quirky, overly fond of gossip, a bit self-indulgent, and he often finishes a face-off with an opponent by doing something silly like giving them a manicure. This is a series that shonen fans will particularly enjoy, as there are a lot of inside jokes about the conventions of the genre, but it’s also a fun action comedy for anyone willing to go all in on suspension of disbelief. There is a darker side to Koro-sensei, and occasionally he lets the jovial mask slip, adding a bit of edge. The judges nominated volumes 2-7 of this series for the award.
You’re never too young for science – getting children interested in the world around them, and asking them to try and figure out how things work is a fundamentally good idea. Curious children will naturally gravitate towards STEAM subjects. Let’s encourage that and make sure that a child who wants to explore that particular part of our world has everything she needs to get there, and keep learning about and making awesome things when she leaves. This is and will continue to be a challenge. Despite the clear and undeniable benefits of a comprehensive education, including science education, not only to individuals but to our entire society, we have allowed the funding of our schools to become part of the culture wars. This is as disgraceful as it is predictable. When so many of our poorly-named “leaders” deny scientific consensus on everything from climate change to vaccines, a scientifically literate and well-informed populace can be tremendously inconvenient to them and theiir corporate owners. Well … good. Let’s be inconvenient to them. Let’s educate and empower a generation who will be real leaders, and carry our nation into the future.
We all know that it’s possible to fund STEAM education. The money is there, it’s just being spent on other things. Making enough noise and applying enough sustained pressure to change this will not be easy. It will actually be quite hard. But when has America ever shied away from doing things that are hard? Everything worth doing is hard, and President Kennedy said as much when he challenged our nation to go to the moon. Right now, decades later, every single one of us has benefitted in some way from that commitment. Right now, a generation of future scientists can look to MARS and beyond, because nearly fifty years ago, we did whatever it took to go to the moon.
Why aren’t we doing that today? Because it’s hard?
In which we announce the editors for the 2016 edition of the award-winning collection Speculative Fiction
As you probably know by now, we are the new publishers of the ongoing editions of Speculative Fiction: The Best Online Reviews, Essays and Commentary – a collection that celebrates the best in online Science Fiction and Fantasy nonfiction. We are currently hard at work on the publication of SpecFic ’15 – edited by Foz Meadows and Mark Oshiro – and we feel it is time to move on to the next very important step for next year: announcing the two new editors for 2016.
Since its inception in 2012, the Speculative Fiction collection has been envisioned as an annual publication, curated by a new pair of editors each year. Each incumbent pair is also given the weighty task of selecting the next year’s editors.
Today, we are extremely proud to finally announce the editors of Speculative Fiction 2016: Liz Bourke and Mahvesh Murad!
Apparently items for the 2015 collection needed to be submitted to the editors? Well, I didn’t send in anything from File 770, so that’s that.
We enjoyed the recent Star Wars film. But, like many, we couldn’t help thinking that BB-8 would look far more fetching dressed up as the globus cruciger from the Crown Jewels, or else painted in the colours of the Union Flag, tarted up like a teapot, or made to look like one of the Beatles.
Our wishes are fulfilled at a new exhibition and charity fundraiser. The cutesy droid has enjoyed a makeover from dozens of artists and celebrities, with the best efforts on show at White Rainbow Gallery (47 Mortimer Street) until 21 April.
Contributing celebrities include Daisy Ridley, John Boyega, Mark Hamill, Anthony Daniels, Warwick Davis, Simon Pegg (responsible for the Beatles droid, above), Paddy McGuinnes, Jonathan Ross, Nicola Adams and the band Years and Years. Each has daubed the droid with a design celebrating an element of British culture, from Robin Hood to the Sex Pistols.
(21) LOOK UP IN THE SKY. Alastair Reynolds is in awe by the end of a session of starwatching (“Pattern Recognition”) —
The light I caught had travelled 25,000 years to reach my telescope. If there’s ever a day when that sort of thing doesn’t send a shiver down my spine, please feel free to shoot me.
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Will R., Steven H Silver, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
(1) There’s a wacky music video tribute to John Williams making its way around the web, where a fellow sings four parts a capella while combining some of Williams’ memorable movie themes with filk-style lyrics.
Natalie Morales: Did you kill John and Linda Sohus?
Clark Rockefeller: My entire life, I’ve always been a pacifist. I am a Quaker and I believe in non-violence. And I can fairly certainly say that I have never hurt anyone.
Mr. Schfeld, 26, who speaks English, German, Dutch and what he calls basic Klingon, started creating the opera in the summer of 2007 as his masters thesis at the Interfaculty ArtScience program, affiliated with the Royal Conservatory, in The Hague, where he lives. With a group he founded, the Klingon Terran Research Ensemble, he performed parts of the opera at the Zeebelt Theater in The Hague, most recently in July. They can be seen on YouTube clips linked to his Web site, www.ktre.nl
(5) David Klaus recommends an article for its revelation of “a new twist on ‘they’re out to get me’ – ‘they’re out to watch me,’ as paranoid schizophrenia manifests itself as a belief they’re in The Truman Show or The Matrix.”
One man showed up at a federal building, asking for release from the reality show he was sure was being made of his life. Another was convinced his every move was secretly being filmed for a TV contest. A third believed everything — the news, his psychiatrists, the drugs they prescribed — was part of a phony, stage-set world with him as the involuntary star, like the 1998 movie “The Truman Show.”
In what looks to be a reaction to the economic downturn, manga publisher Broccoli Books, the U.S. branch of Broccoli International, a Japan-based international producer of anime, manga, games and pop culture merchandise, will close at the end of this year.
Broccoli Books is based in Los Angeles.
[Thanks to David Klaus, Francis Hamit, and Andrew Porter for these links.]
